What Are Curly Quotes

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Do you know what breakfast cereal is made of? It's made of all those little curly wooden shavings you find in pencil sharpeners!
Roald Dahl
You know a lot about math," I said. You know a lot about math? What type of statement was that? Right along the lines of "Hey, you have hair and it's red and curly." Real smooth.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
WE do try to eat," Raoul called back to her [Kel]. I go all faint if I don't get fed regularly. Only think of the disgrace to the King's Own if I fell from the saddle." "But there was that time in Fanwood," a voice behind them said. "That wedding in Tameran," added the blonde Sergeant Osbern, riding a horse-length behind Kel. "Don't forget when what's-his-name, with the army, retired," yelled a third. "Silence, insubordinate curs!" cried Raoul. "Do not sully my new squire's ears with your profane tales!" "Even if they're TRUE?" That was Dom. It seemed Neal wasn't the only family member versed in irony.
Tamora Pierce (Squire (Protector of the Small, #3))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?' 'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.' 'Sounds to me like a euphemism for "freaky cult." ' 'Freaky, you say?' 'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!' Langdon scanned the class. 'Does that sound freaky to anyone else?' 'Yes!' they all chimed in. Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.' Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?' Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.' The class looked horrified. Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.' The classroom remained silent. Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Being a woman is worse than being a farmer there is so much harvesting and crop spraying to be done: legs to be waxed, underarms shaved, eyebrows plucked, feet pumiced, skin exfoliated and moisturised, spots cleansed, roots dyed, eyelashes tinted, nails filed, cellulite massaged, stomach muscles exercised. The whole performance is so highly tuned you only need to neglect it for a few days for the whole thing to go to seed. Sometimes I wonder what I would be like if left to revert to nature — with a full beard and handlebar moustache on each shin Dennis Healey eyebrows face a graveyard of dead skin cells spots erupting long curly fingernails like Struwelpeter blind as bat and stupid runt of species as no contact lenses flabby body flobbering around. Ugh ugh. Is it any wonder girls have no confidence?
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
My Chicken can do a special trick! "And what is that?" She can lay an egg! "And what's so special about THAT?!" Well, Can YOU lay an egg?
Shirley Temple Black
Oh, my sainted aunt! Don't mention that disgusting stuff in front of me! Do you know what breakfast cereal is made of? It's made of all those little curly wooden shavings you find in pencil sharpeners!
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Simon looked at Jordan who was looking at Maia again. She had her back to them and was talking to Luke and Jocelyn, laughing, flinging her curly hair back. "Don't even think about it," Simon said, and got up. He pointed at Jordan. "You stay here." "And do what?" "Whatever Praetor Lupas do in this situation. Meditate. Contemplate your Jedi powers. Whatever.
Cassandra Clare
She was probably my age, maybe a couple of inches taller, and a whole lot more athletic looking. With her deep tan and her curly blond hair, she was almost exactly what I thought a stereotypical California girl would look like, except her eyes ruined the image. They were startling gray,like storm clouds; pretty, but intimidating, too, as if she were analyzing the best way to take me down in a fight. She glanced at the minotaur horn in my hand, then back at me. I imagined she was going to say, You killed a Minotaur! or Wow you're so awesome! or something like that. Instead she said, "you drool when you sleep." Then she sprinted off down the lawn, her blond hair flying behind her.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
[Lily] "Petunia's hair is too curly to braid," She said conversationally. Oliver wasn't sure why, but that was what finally made him blush.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
It was strange how he’d made a 180-degree change. Not sure what to make of that curly, bigheaded, bozo yet, she thought, other than fruitcake nuts! “Blah, I’m not sure about your other big brother,” Savanna said, wiggling her nose upward. “I’d rather not chat about him. Do you come to the museum often?” she asked, quickly changing the topic. “I love unusual old history,” she divulged.
Sharon Carter (Love Auction II: Love Designs)
And in your deranged mind, what do you think the lesson of ‘Goldilocks and the Three Bears’ is?” Alex challenged him. “Easy,” Conner said. “Lock your doors! Robbers come in all shapes and sizes. Even curly-haired little girls can’t be trusted.” Alex grunted again and crossed her arms.
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
Tell me about yourself." "Myself?" He looks confused. "Yes," I say, patting the mattress. "You know all there is to know," he says, sitting beside me. "Not true," I say. "Where were you born? What's your favourite season? Anything." "Here. Florida," he says. "I remember a woman in a red dress with curly brown hair. Maybe she was my mother, I'm not sure. And summer. What about you?" The last part is said with a smile. He smiles so infrequently that I consider each one a trophy.
Lauren DeStefano (Wither (The Chemical Garden, #1))
Newsflash she already has body image issues.  It's an intrinsic part of being a woman. Every woman in the world has some part of herself that she absolutely hates.  Her hands are too small, her feet are too big, her hair is too straight, too curly, her ears stick out, her bums too flat, her nose is too big and, you know, nothing you can say will change how we feel.  What men don't understand is, the right clothes, the right shoes, the right makeup it just... It, it hides the flaws we think we have.  They make us look beautiful to ourselves.  That's what makes us look beautiful to others. Used to be all she needed to feel beautiful was a pink tutu and a plastic tiara. And we spend our whole lives trying to feel that way again.
Richard Castle
Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet hates all the world, as well as the kicker, for what it suffers.
Emily Brontë (Wuthering Heights)
What the hell," I said, pushing off the wall, ready to take off the head of whatever stupid salesperson had decided to get cozy with me. My elbow was still buzzing, and I could feel a hot flush creeping up my neck: bad signs. I knew my temper. I turned my head and saw it wasn't a salesman at all. It was a guy with black curly hair, around my age, wearing a bright orange T-shirt. And for some reason he was smiling. "Hey there," he said cheerfully. "How's it going?" "What is your problem?" I snapped, rubbing my elbow. "Problem?" "You just slammed me into the wall, asshole." He blinked. "Goodness," he said finally. "Such language." I just looked at him. Wrong day, buddy, I thought. You caught me on the wrong day. "The thing is," he said, as if we'd been discussing the weather or world politics, "I saw you out in the showroom. I was over by the tire display?" I was sure I was glaring at him. But he kept talking. "I just thought to myself, all of a sudden, that we had something in common. A natural chemistry, if you will. And I had a feeling that something big was going to happen. To both of us. That we were, in fact, meant to be together." "You got all this," I said, clarifying, "at the tire display?" "You didn't feel it?" he asked. "No. I did, however, feel you slamming me into the wall," I said evenly. "That," he said, lowering his voice and leaning closer to me, "was an accident. An oversight. Just an unfortunate result of the enthusiasm I felt knowing I was about to talk to you.
Sarah Dessen (This Lullaby)
What is was, was that we complemented each other. We just fit in this way that made strangers ask us if we were sisters, even though her hair was blond and curly and mine was straight and dark. Even though her eyes were blue and mine were brown. Maybe it was the way we acted, or spoke, just moved. The way we would look at something and both have the same thought at the same moment, and turn to each other at the same time and start to say the same thing.
Nina LaCour (Hold Still)
I, however, was raised neither as Catholic nor as Jew. I was both, and nothing: a jewholic-anonymous, a cathjew nut, a stewpot, a mongrel cur. I was--what's the word these days?--atomised. Yessir: a real Bombay mix.
Salman Rushdie (The Moor's Last Sigh)
Sissy had two great failings. She was a great lover and a great mother. She had so much of tenderness in her, so much of wanting to give of herself to whoever needed what she had, whether it was her money, her time, the clothes off her back, her pity, her understanding, her friendship or her companionship and love. She was mother to everything that came her way. She loved men, yes. She loved women too, and old people and especially children. How she loved children! She loved loved the down-and-outers. She wanted to make everybody happy. She had tried to seduce the good priest who heard her infrequent confessions because she felt sorry for him. She thought he was missing the greatest joy on earth by being committed to a life of celibacy. She loved all the scratching curs on the street and wept for the gaunt scavenging cats who slunk around Brooklyn corners with their sides swollen looking for a hole in which they might bring forth their young. She loved the sooty sparrows and thought that the very grass that grew in the lots was beautiful. She picked bouquets of white clover in the lots believing they were the most beautiful flowers God ever made...Yes, she listened to everybody's troubles but no one listened to hers. But that was right because Sissy was a giver and never a taker.
Betty Smith (A Tree Grows in Brooklyn)
Rosie hated her curly golden hair. When she was old enough to hold minimal conversations, the itsy-bitsy-cutesycoo sort of grown-ups would pull the soft ringlets gently and tell her what a pretty little girl she was. She would stare at this sort of grown-up and say, “I am not pretty. I am intelligent. And brave.” The grown-ups usually thought this was darling, which only made her angry, perhaps partly because she was speaking the truth, although it was tricky to differentiate between “brave” and “foolhardy” at three or four years old.
Robin McKinley (Spindle's End)
The way of the world is full of judgmental people. People size me up and down with their eyes. I am told that my hair is too curly to be white and too straight to be black. People ask me questions as if I owe them an answer—what does my race have anything to do with you—and why do you care. The fact is, race shouldn’t exist—it is not real. It is made up, but race does matter.” Race shouldn’t matter, but it does. In society's eyes, race is stubbornly real.
Charlena E. Jackson (Why Are You Obsessed with My Race?)
And what we say - that what He willeth is right and what He doth not not will is wrong, is not so to be understood, as if, should God will something inconsistent, it would be right because He willed it. For it does not follow that if God would lie it would be right to lie, but rather that he were not God.
Anselm of Canterbury (Cur Deus Homo to Which is Added a Selection From His Letters)
Her hair isn't curly but it isn't straight either. It hangs in repetitive alternating commas.
Julie Buxbaum (What to Say Next)
Calo bit the inside of his cheek, retuned his harp, and then began again: "Said the reeve to the maid who was fresh to the farm 'Let me show you the beasts of the yard!’ Here’s a cow that gives milk, and a pig that’s for ham Here’s a cur and a goat and a lamb; Here’s a horse tall and proud, and a well-trained old hawk, But the thing you should see is this excellent cock!" “Where could you possibly have learned that?” shouted Chains. Calo broke up in a fit of giggles, but Galdo picked up the song with a deadpan expression on his face: "Oh, some cocks rise early and some cocks stand tall, But the cock now in question works hardest of all! And they say hard’s a virtue, in a cock’s line of work So what say you, lovely, will you give it a—
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
I thought there was something weird with all of you, I just couldn't figure out what it was. But now I know. It all makes sense." Her dark, tear-filled eyes sparkled as her accusatory gaze traveled from one of us to the other. "I can tell you battle on the side of good, and I want to join you." She turned to Frank, brushed her curly hair away from her throat, and closed her eyes. "Go ahead. Do it." There was a long silence as everyone stared at Kayla's shapely neck. Then Frank looked helplessly at John. .... "Kayla," I said walking over to her and giving her shoulders a shake. "No one's going to bite you.
Meg Cabot
I've come to you because I need professional help... I get depressed when I realize how other girls hate me, and yet I know it's only jealousy... It's plain jealousy! They only hate me because I have naturally curly hair... They're jealous of me... What should I do?" "Don't kid yourself, sister... Five cents, please!
Charles M. Schulz (The Complete Peanuts, Vol. 6: 1961-1962)
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more. As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth. "We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it." She did not understand even now. "We must go," she said, almost brightly. "Yes," he answered faintly. "Shall we swim or fly, Peter?" He had to tell her. "Do you think you could swim or fly as far as the island, Wendy, without my help?" She had to admit she was too tired. He moaned. "What is it?" she asked, anxious about him at once. "I can't help you, Wendy. Hook wounded me. I can neither fly nor swim." "Do you mean we shall both be downed?" "Look how the water is raising." They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away. "Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him. "It lifted Michael off the ground," he cried; "why should it not carry you?" "Both of us!" "It can't left two; Michael and Curly tried." "Let us draw lots," Wendy said bravely. "And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon. The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
J.M. Barrie (Peter Pan)
I wish he hadn't gone and cut his hair. He looks about eight years old. His ears have tripled in size. Everyone's started calling him Dumbo. Which wouldn't be so bad, except they've started calling me Mrs. Dumbo. You can't even tell he's got curly hair anymore. There's nothing left to run my fingers through. Just this weird blond AstroTurf sprouting out of his skull.
Sonya Sones (What My Mother Doesn't Know (What My Mother Doesn't Know #1))
Said the reeve to the maid who was fresh to the farm Let me show you the beasts of the yard! Here's a cow that gives milk, and a pig that's for ham Here's a cur and a goat and a lamb; Here's a horse tall and proud and a well-trained old hawk, But the thing you should see is this excellent cock! Oh, some cocks rise early and some cocks stand tall, But he cock now in question works hardest of all! And they saw hard's a virtue, in a cock's line of work So what say you, lovely, will you give it a-
Scott Lynch
Freedom was a foot away when they turned back to me. The one who kept speaking, a tall vamp with a handsome curly-haired glamour, shook his head. "Sorry." He bared his fangs in an apologetic grin. "We're glad you aren't what's hunting us, but we're no friends of IPCA. And we're all very, very, thirsty." "What, no flirting?" I asked, trying to buy time. "Aren't you going to at least try to be sexy? Think of all those vampire fans out there--they'd be so disappointed." I pulled out my silver knife. Probably should have paid more attention during my knife training. "Tell you what. Let me go and I promise not to tell anyone that you aren't suave.
Kiersten White (Paranormalcy (Paranormalcy, #1))
Robin Hood and the Merry Men gathered around the mural of Robin Hood. The resemblance between the real Merry Men and the painted Merry Men was striking; however, Robin Hood was depicted very effeminately in the painting. He wore bright green tights and had a short curly bob and no facial hair. "I DON'T UNDERSTAND," Robin Hood said. "WHAT IS MY MOTHER DOING IN THIS PAINTING?
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
Can I admit I’m a little freaked out that Socrates only has one name? I know that’s how it was done in those days, but it bugs me. I can’t tell if it’s his last name or his first name or what. And it can’t be shortened—except to Sock, which is completely stupid. I want him to have a more familiar name—something laid back and modern, so I can relate to him better. So I stare at the picture in my book of the curly-bearded guy with the pug nose, and by the end of study hall, I name him Frank. Frank Socrates. Makes him more huggable.
A.S. King (Ask the Passengers)
Did you get me that movie about Genghis Khan? 'It's in the Netflix queue, but that's not the surprise. You don't need to worry, it'll be something good. I just don't want you to feel depressed about going home.' Oh, I won't. But it would be cool to have a stream like this in the backyard. Can you make one? 'Ummm... no.' I figured. Can't blame a hound for trying. Oberon was indeed surprised when we got back home to Tempe. Hal had made the arrangements for me and Oberon perked up as soon as we were dropped off by the shuttle from the car rental company. 'Hey, smells like someone's in my territory,' he said. 'Nobody could be here without my permission, you know that.' 'Flidais did it.' 'That isn't Flidais you smell, believe me.' I opened the front door, and Oberon immediately ran to the kitchen window that gazed upon the backyard. He barked joyously when he saw what was waiting for him there. 'French poodles! All black and curly with poofy little tails!' 'And every one of them in heat.' 'Oh, WOW! Thanks Atticus! I can't wait to sniff their asses!' He bounded over to the door and pawed at it because the doggie door was closed to prevent the poodles from entering. 'You earned it, buddy. Hold on, get down off the door so I can open it for you, and be careful, don't hurt any of them.' I opened the door, expecting him to bolt through it and dive into his own personal canine harem, but instead he took one step and stopped, looking up at me with a mournful expression, his ears drooping and a tiny whine escaping his snout. 'Only five?
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
Signior Antonio, many a time and oft In the Rialto you have rated me About my moneys and my usances; Still have I borne it with a patient shrug, For suff’rance is the badge of all our tribe; You call me misbeliever, cut-throat dog, And spet upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears you need my help; Go to, then; you come to me, and you say ‘Shylock, we would have moneys.’ You say so: You that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold; moneys is your suit. What should I say to you? Should I not say ‘Hath a dog money? Is it possible A cur can lend three thousand ducats?’ Or Shall I bend low and, in a bondman’s key, With bated breath and whisp’ring humbleness, Say this:— ‘Fair sir, you spit on me on Wednesday last; You spurn’d me such a day; another time You call’d me dog; and for these courtesies I’ll lend you thus much moneys?
William Shakespeare (The Merchant of Venice)
Discipline. That's what fathers believe in. We must spank the children immediately before they try to kill you again. In fact, we should kill them. Wendy: Father. I agree that they are... perfectly horrid, but... kill them and they should think themselves... important. The Lost Boys: So important, Peter. Curly: And unique. Wendy: I, propose something far more dreadful. Medicine. The sticky, sweet kind. The Lost Boys: Kill us, Peter.
J.M. Barrie
In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away. Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION. “I don’t really like parties either,” Alec said sympathetically. “No hablo italiano,” the boy mumbled without looking up. “Er,” said Alec. “This conversation is happening in English.” “No hablo ingles,” he said without missing a beat. “Oh, come on. Really?” “Worth a shot,” said the boy. Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY. The weird coincidence emboldened Alec to try again. “I get shy when there are strangers too,” Alec told the kid. “I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.” “Well.” Alec shrugged. “Those feel like similar things sometimes.” The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him. “Raphael?” he asked. “Raphael Santiago?” He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal. Of course, he was not exactly coming off as a party animal now. “Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.” Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it. He understood that they were immortal, but there was no need to show off about it. “We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.” “The thought of you at twelve haunts me,” Raphael said darkly. “Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?” “I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.” Alec rolled his eyes.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
You were small, but far-famed. We were in Oldtown at your birth, and all the city talked of was the monster that had been born to the King’s Hand, and what such an omen might foretell for the realm.” “Famine, plague, and war, no doubt.” Tyrion gave a sour smile. “It’s always famine, plague, and war. Oh, and winter, and the long night that never ends.” “All that,” said Prince Oberyn, “and your father’s fall as well. Lord Tywin had made himself greater than King Aerys, I heard one begging brother preach, but only a god is meant to stand above a king. You were his curse, a punishment sent by the gods to teach him that he was no better than any other man.” “I try, but he refuses to learn.” Tyrion gave a sigh. “But do go on, I pray you. I love a good tale.” “And well you might, since you were said to have one, a stiff curly tail like a swine’s.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
i g l o o his name was Eddie and he had a big white dog with a curly tail a huskie like one of those that pulled sleighs up near the north pole Igloo he called him and Eddie had a bow and arrow and every week or two he'd send an arrow into the dog's side then run into his mother's house through the yelping saying that Igloo had fallen on the arrow. that dog took quite a few arrows and managed to survive but I saw what really happened and didn't like Eddie very much. so when I broke Eddie's leg in a sandlot football game that was my way of getting even for Igloo. his parents threatened to sue my parents claiming I did it on purpose because that's what Eddie told them. well, nobody had any money anyhow and when Eddie's father got a job in San Diego they moved away and left the dog. we took him in. Igloo turned out to be rather dumb did not respond to very much had no life or joy in him just stuck out his tongue panted slept most of the time when he wasn't eating and although he wiped his ass up and down the lawn after defecating he usually had a large fragrant smear of brown under his tail when he was run over by an icecream truck 3 or 4 months later and died in a stream of scarlet I didn't feel more than the usual amount of grief and loss and I was still glad that I had managed to break Eddie's leg.
Charles Bukowski
My mother once told me that trauma is like Lord of the Rings. You go through this crazy, life-altering thing that almost kills you (like say having to drop the one ring into Mount Doom), and that thing by definition cannot possibly be understood by someone who hasn’t gone through it. They can sympathize sure, but they’ll never really know, and more than likely they’ll expect you to move on from the thing fairly quickly. And they can’t be blamed, people are just like that, but that’s not how it works. Some lucky people are like Sam. They can go straight home, get married, have a whole bunch of curly headed Hobbit babies and pick up their gardening right where they left off, content to forget the whole thing and live out their days in peace. Lots of people however, are like Frodo, and they don’t come home the same person they were when they left, and everything is more horrible and more hard then it ever was before. The old wounds sting and the ghost of the weight of the one ring still weighs heavy on their minds, and they don’t fit in at home anymore, so they get on boats go sailing away to the Undying West to look for the sort of peace that can only come from within. Frodos can’t cope, and most of us are Frodos when we start out. But if we move past the urge to hide or lash out, my mother always told me, we can become Pippin and Merry. They never ignored what had happened to them, but they were malleable and receptive to change. They became civic leaders and great storytellers; they we able to turn all that fear and anger and grief into narratives that others could delight in and learn from, and they used the skills they had learned in battle to protect their homeland. They were fortified by what had happened to them, they wore it like armor and used it to their advantage. It is our trauma that turns us into guardians, my mother told me, it is suffering that strengthens our skin and softens our hearts, and if we learn to live with the ghosts of what had been done to us, we just may be able to save others from the same fate.
S.T. Gibson
They had to die. They were killing innocent people. (Wulf) They were surviving, Wulf. You never had to face the choice of being dead at twenty-seven. When most people’s lives are just beginning, we are looking at a death sentence. Have you any idea what it’s like to know you can never see your children grow up? Never see your own grandchildren? My mother used to say we were spring flowers who are only meant to bloom for one season. We bring our gifts to the world and then recede to dust so that others can come after us. When our loved ones die, we immortalize them like this. I have one for my mother and the other four are my sisters. No one will ever know the beauty of my sisters’ laughter. No one will remember the kindness of my mother’s smile. In eight months, my father won’t even have enough of me left to bury. I will become scattered dust. And for what? For something my great-great-great-whatever did? I’ve been alone the whole of my life because I dare not let anyone know me. I don’t want to love for fear of leaving someone like my father behind to mourn me. I will be a vague dream, and yet here you are, Wulf Tryggvason. Viking cur who once roamed the earth raiding villages. How many people did you kill in your human lifetime while you sought treasure and fame? Were you any better than the Daimons who kill so that they can live? What makes you better than us? (Cassandra) It’s not the same thing. (Wulf) Isn’t it? You know, I went to your Web site and saw the names listed there. Kyrian of Thrace, Julian of Macedon, Valerius Magnus, Jamie Gallagher, William Jess Brady. I’ve studied history all my life and know each of those names and the terror they wrought in their day. Why is it okay for the Dark-Hunters to have immortality even though most of you were killers as humans, while we are damned at birth for things we never did? Where is the justice in this? (Cassandra)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
The kind of a wife I’d like to Have. “ ‘She must have good manners and get my meals on time and do what I tell her and always be very polite to me. She must be fifteen yers old. She must be good to the poor and keep her house tidy and be good tempered and go to church regularly. She must be very handsome and have curly hair. If I get a wife that is just what I like I’ll be an awful good husband to her. I think a woman ought to be awful good to her husband. Some poor women havent any husbands. THE END.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Dr. Bar David?” A young man with black eyes and curly hair came toward him. Carrying a digital recorder. He looked familiar. “Richard Falco, North Richardson High. I took algebra and Calc I from you.” “Oh, yes, of course. Good to see you.” “I’m now reporting for Anchor Media. Just started a couple of months ago.” David started walking away. “Good for you. What a good course of action.” “Listen, I need to get a couple of quotes anyway. I wonder if—Oh, wait! I’m so sorry. You were at the North Richardson school shooting, five years ago.” David nodded. And began to panic. “That’s why you’re here, right?” the stupid student asked. “Protesting gun laws?” “I really need to be going, now. Good luck with your interviews.” Hyperventilating. Richard grabbed David’s shoulder. “But Dr. Bar David. Your story, tragic as it is, ends up being the reason for this whole public gun melting, right? A few words from you about—” David lost it. “Listen! My whole life changed that day. When that meshugener killed my entire family, my wife and my son, in an instant! With a gun he purchased the week before!” David grabbed the kid’s throat. “I do not want to talk about it. Don’t mention me in your article. I will sue you! Leave me alone.” Richard swallowed and nodded, fast. “Sorry, sorry, I’m so sorry—” David started shouting, “The bullets! The bullets! The bullets!” His head pounded. His ears roared.
Michael Grigsby (Segment of One)
And at the end of the evening he and Dym had made plans, airy ambitious plans, of all that they would do after the war. Euphemia had laughed at the planners. “What boundless energy you have, Jacob!” she had said. Jacob had turned - Tony could see the dark, curly head and sparkling eyes quite plainly - and smiled at her. “Madam,” he had said, “if I had a thousand lives, I could fill them all.
Constance Savery
Randal is a lad of about twenty and two, curly-haired and distressingly cherubic in appearance." "Distressingly? Really, Northrup, I cannot see what could be distressing about a cherub." His brows drew in a scowl. "They're baby angels, for God's sake." As if this explained all.
Kristen Callihan (Moonglow (Darkest London, #2))
In a word, The Nature and Experience of Things dictated to me upon just Reflection, That all the good Things of this World, are no farther good to us, than they are for our Use; and that whatever we may heap up indeed to give others, we enjoy just as much as we can use, and no more. The most covetous griping Miser in the World would have been cur'd of the Vice of Covetousness, if he had been in my Case; for I possess'd infinitely more than I knew what to do with. I had no room for Desire, except it was of Things which I had not, and they were but Trifles, though indeed of great Use to me.
Daniel Defoe
And in your deranged mind, what do you think the lesson of ‘Goldilocks and the Three Bears’ is?” Alex challenged him. “Easy,” Conner said. “Lock your doors! Robbers come in all shapes and sizes. Even curly-haired little girls can’t be trusted.” Alex grunted again and crossed her arms. She tried her best not to giggle; she didn’t want to validate her brother’s opinion. “‘Goldilocks’ is about consequences! Mrs. Peters said so herself,” Alex said.
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
Word of my arrival spread as soon as I walked out of the ocean. Our beach is on the North Shore of Long Island, and it’s enchanted so most people can’t even see it. People don’t just appear on the beach unless they’re demigods or gods or really, really lost pizza delivery guys. (It’s happened—but that’s another story.) Anyway, that afternoon the lookout on duty was Connor Stoll from the Hermes cabin. When he spotted me, he got so excited he fell out of his tree. Then he blew the conch horn to signal the camp and ran to greet me. Connor had a crooked smile that matched his crooked sense of humor. He’s a pretty nice guy, but you should always keep one hand on your wallet when he’s around, and do not, under any circumstances, give him access to shaving cream unless you want to find your sleeping bag full of it. He’s got curly brown hair and is a little shorter than his brother, Travis, which is the only way I can tell them apart. They are both so unlike my old enemy Luke it’s hard to believe they’re all sons of Hermes. “Percy!” he yelled. “What happened? Where’s Beckendorf ?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Stop looking at it," Cole commanded. "Focus on walking." I turned to face him and he raised an eyebrow at my appearance. "What is it?" I said. He bit his lip. "It's okay. I always thought you should have short hair." My hand flew up to the side of my head. I felt brittle, curly strands that fell away as I touched them.
Brodi Ashton (Everbound (Everneath, #2))
Will you pour out tea, Miss Brent?' The el­der wom­an replied: 'No, you do it, dear. That tea-​pot is so heavy. And I have lost two skeins of my grey knitting-​wool. So an­noy­ing.' Ve­ra moved to the tea-​ta­ble. There was a cheer­ful rat­tle and clink of chi­na. Nor­mal­ity returned. Tea! Blessed or­di­nary everyday af­ter­noon tea! Philip Lom­bard made a cheery re­mark. Blore re­spond­ed. Dr. Arm­strong told a hu­mor­ous sto­ry. Mr. Jus­tice War­grave, who or­di­nar­ily hat­ed tea, sipped ap­prov­ing­ly. In­to this re­laxed at­mo­sphere came Rogers. And Rogers was up­set. He said ner­vous­ly and at ran­dom: 'Ex­cuse me, sir, but does any one know what's become of the bath­room cur­tain?' Lom­bard's head went up with a jerk. 'The bath­room cur­tain? What the dev­il do you mean, Rogers?' 'It's gone, sir, clean van­ished. I was go­ing round draw­ing all the cur­tai­ns and the one in the lav -​ bath­room wasn't there any longer.' Mr. Jus­tice War­grave asked: 'Was it there this morn­ing?' 'Oh, yes, sir.' Blore said: 'What kind of a cur­tain was it?' 'Scar­let oil­silk, sir. It went with the scar­let tiles.' Lom­bard said: 'And it's gone?' 'Gone, Sir.' They stared at each oth­er. Blore said heav­ily: 'Well - af­ter all-​what of it? It's mad - ​but so's everything else. Any­way, it doesn't matter. You can't kill any­body with an oil­silk cur­tain. For­get about it.' Rogers said: 'Yes, sir, thank you, sir.' He went out, shut­ting the door.
Agatha Christie (And Then There Were None)
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
In light of my impending dotage, I decided to put pen to paper and write an account of my life. An autobiography of sorts, if you will." "Your impending dotage, eh?" The curly-haired woman didn't look any older than her early twenties. Eragon hefted the packet. "And what am I supposed to do with this?" "Read it, of course!" said Angela. "Why else would I traipse across the whole of Alagaësia and beyond but to get the informed opinion of a man raised as an illiterate farmer?" Eragon eyed her for a long moment. "Very funny.
Christopher Paolini (The Fork, the Witch, and the Worm: Eragon (Tales from Alagaësia #1; The Inheritance Cycle World))
6 p.m. Completely exhausted by entire day of date-preparation. Being a woman is worse than being a farmer—there is so much harvesting and crop spraying to be done: legs to be waxed, underarms shaved, eyebrows plucked, feet pumiced, skin exfoliated and moisturized, spots cleansed, roots dyed, eyelashes tinted, nails filed, cellulite massaged, stomach muscles exercised. The whole performance is so highly tuned you only need to neglect it for a few days for the whole thing to go to seed. Sometimes I wonder what I would be like if left to revert to nature—with a full beard and handlebar moustache on each shin, Dennis Healey eyebrows, face a graveyard of dead skin cells, spots erupting, long curly fingernails like Struwwelpeter, blind as bat and stupid runt of species as no contact lenses, flabby body flobbering around. Ugh, ugh. Is it any wonder girls have no confidence?
Helen Fielding (Bridget Jones's Diary (Bridget Jones, #1))
What a pathetic attempt at nonchalance. As if I don’t admire the shine of each ringlet, or the way they cling to one another in an intertwining hug. As if I can’t stop myself from staring at the column of her neck when she pulls that curly hair into a messy knot, the forgotten strands like swirling ink down her back. As if I can stop myself from admiring how easily a laugh parts her soft lips. The way the sun warms her skin, as though she was meant to be cloaked in light. It’s how joy bubbles out of her in the form of clapping hands and endearing rambles. It’s the way my thoughts never cease to wander towards her, my heart falling senselessly after. And I fear that I’ve admired every inch of her.
Lauren Roberts (Powerful (The Powerless Trilogy, #1.5))
Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-- Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.
Emily Brontë (Wuthering Heights)
O, ho, are you there with me? No eyes in your head, nor no money in your purse? Your eyes are in a heavy case, your purse in a light: yet you see how this world goes. Ear; of Gloster, “I see it feelingly.” Lear, “What, art mad? A man may see how this world goes with no eyes. Look with thine ears: see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and handy-dandy, which is the justice, which is the thief? - Thou hast seen a farmer’s dog bark at a begger? Earl of Gloster, ‘Ay, sir. Lear, “And the creature run from the cur? There thou mightst behold the great image of authority: a dog’s obey’d in office. - Thou rascal beadle, hold thy bloody hand! Why dost though lash that whore? Strip thine own back; Thou hotly lusts to use her in that kind For which thou whipst her. The usurer hangs the cozener. Through tattere’d clothes small vices to appear; Robes and furr’d gowns hide all. Plate sin with gold, And the strong lance of justice hurtless breaks; Arm it in rags, a pygmy’s straw does pierce it. None does offend, none, - I say, none; I’ll able ‘em to seal the accuser’s lips. Get thee glass eyes; To see the things thou dost not. - Now, now, now, now: Pull off my boots: - harder, harder: - so. Edgar (aside), “O, matter and impertinency mixt! Reason in madness!
William Shakespeare
So. Which of our troubles torments you most this evening?” Althea surrendered. “They all nip at my heels like a pack of yapping feists, ship. I don’t know which to worry about first.” The figurehead gave a snort of disdain. “Then kick them away as if they were truly a pack of curs and fix your gaze instead on your destiny.” … “Don’t think about the obstacles” … The ship spoke in a low, soft voice. “Long or short, if you worry about every step of a journey, you will divide it endlessly into pieces, any one of which may defeat you. Look only to the end.” “I think we will succeed only if we prepare ourselves,” Althea objected. Paragon shook his head. “Teach yourself to believe you will succeed. … Be now what you must be to succeed at the end of your journey, and when the end comes, you will find it is just another beginning.” Althea sighed. “Now you sound like Amber,” she complained. “No.” He contradicted her flatly. “Now I sound like myself. The self I put aside and hid, the self I intended to be again someday, when I was ready. I have stopped intending. I am, now.” p. 86: Paragon to Althea
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
What’s wrong?” Billy’s question had me looking up. My second-oldest brother was already  dressed for work in his suit and tie. “And shouldn’t you be fishing with Hank?” “I cancelled. I have an errand to run.” Grabbing a coffee cup from the cabinet, I tossed a thumb over my shoulder. “The toilet is acting funny.” “Like what? You mean satire?” This question came from Cletus, not bothering to glance away from where he was reading at the table. He was still in his pajamas, his curly hair a mess.Nevertheless, I was surprised to see him up so early. “No, I mean—” “I hope it’s a dark comedy,” he added, still not removing his attention from the newspaper. “Cletus. That’s disgusting.”Sitting across from Cletus, Duane’s tone was reprimanding. Finally, Cletus tore his eyes from the paper. “What?” “Dark comedy?” My twin lifted his eyebrows.“Meaning poop?” “No, Duane.” Cletus paired this with a suffering sigh. “That would make it a shitty comedy,” I piped in, adding fuel to the conversation fire as I was prone to do, feeling more myself as I smiled. “Y’all are a bunch of toilets,” Billy mumbled under his breath. We all turned our attention to our older brother, with Cletus speaking for us, “Let me guess, because toilets in this house actfunny?” Billy tilted his cup toward Cletus. “Exactly.” I grinned, the rawness in me settling. Being around my brothers was a salve and a good reminder. We had all lived through dark times—sometimes together, sometimes separately—yet here we were, making toilet jokes on a Wednesday before 7:00 AM.
Penny Reid (Beard in Mind (Winston Brothers, #4))
The airport in Sofia was a tiny place; I'd expected a palace of modern communism, but we descended to a modest area of tarmac and strolled across it with the other travelers. Nearly all of them were Bulgarian, I decided, trying to catch something of their conversations. They were handsome people, some of them strikingly so, and their faces varied from the dark-eyed pale Slav to a Middle-Eastern bronze, a kaleidoscope of rich hues and shaggy black eyebrows, noses long and flaring, or aquiline, or deeply hooked, young women with curly black hair and noble foreheads, and energetic old men with few teeth. They smiled or laughed and talked eagerly with one another; one tall man gesticulated to his companion with a folded newspaper. Their clothes were distinctly not Western, although I would have been hard put to say what it was about the cuts of suits and skirts, the heavy shoes and dark hats, that was unfamiliar to me.
Elizabeth Kostova (The Historian)
Sometimes I think Shug never love me. I stand looking at my naked self in the looking glass. What would she love? I ast myself. My hair is short and kinky because I don’t straighten it anymore. Once Shug say she love it no need to. My skin dark. My nose just a nose. My lips just lips. My body just any woman’s body going through the changes of age. Nothing special here for nobody to love. No honey colored curly hair, no cuteness. Nothing young and fresh. My heart must be young and fresh though, it feel like it blooming blood.
Alice Walker (The Color Purple)
On the Hunger Games Fan Race fail and the portrayal of POC in fantasy literature: It is as if the POC in the text are walking around with a great big red sign over them for some editors and it reads I AM NOT A REAL CHARACTER. I AM A PROBLEM YOU MUST DEAL WITH. The white characters are permitted to saunter about with their physical descriptions hanging out all over the place, but best not make mention of dark skin or woolly/curly hair or dark eyes (Unless, of course, that character is white. None of my white-skinned dark-eyed characters had any problem being described as such. And I’m pretty sure that Sól’s curly hair never gave anyone a single pause for thought.) As I said, I understand the desire not to define a POC simply by their physical attributes, and I understand cutting physical descriptions if no other character is described physically – but pussyfooting about in this manner with POC is doing nothing but white wash the characters themselves. It’s already much too hard to get readers to latch onto the fact that some characters may not be caucasian, why must we dance about their physical description as if it were some kind of shameful dirty little secret. You know what it reminds me of? It reminds me of the way homosexuality used to only ever be hinted at in texts. It was up to the reader to ‘read between the lines’ or ‘its there if you look for it’ and all that total bullshit which used to be the norm.
Celine Kiernan
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Around the borders of the flat, lopsided area of his head clung thick, black, curly hair that had been allowed to grow too long, hanging down shaggily over the man's ears. Ninety-eight people out of a hundred would probably be reminded by it of pubic hair. Tengo had no idea what the other two would think.
Haruki Murakami (1Q84, #1, Vol. 2 of 2)
Tameka stared intently at the poorly lit bathroom mirror as she continued to pick confetti out of her long, giant mass of curly hair. “Thank you fellow seniors for ruining what was a good hair day,” Meka said to no one in particular as she continued to finger comb the paper-enthusiasm out of her brunette locks.
M.A. Wilder (Armored (The Té-trad Tale, #1))
The broken pillar of the wing jags from the clotted shoulder, The wing trails like a banner in defeat, No more to use the sky forever but live with famine And pain a few days: cat nor coyote Will shorten the week of waiting for death, there is game without talons. He stands under the oak-bush and waits The lame feet of salvation; at night he remembers freedom And flies in a dream, the dawns ruin it. He is strong and pain is worse to the strong, incapacity is worse. The curs of the day come and torment him At distance, no one but death the redeemer will humble that head, The intrepid readiness, the terrible eyes. The wild God of the world is sometimes merciful to those That ask mercy, not often to the arrogant. You do not know him, you communal people, or you have forgotten him; Intemperate and savage, the hawk remembers him; Beautiful and wild, the hawks, and men that are dying, remember him. II I'd sooner, except the penalties, kill a man than a hawk; but the great redtail Had nothing left but unable misery From the bone too shattered for mending, the wing that trailed under his talons when he moved. We had fed him six weeks, I gave him freedom, He wandered over the foreland hill and returned in the evening, asking for death, Not like a beggar, still eyed with the old Implacable arrogance. I gave him the lead gift in the twilight. What fell was relaxed, Owl-downy, soft feminine feathers; but what Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising Before it was quite unsheathed from reality
Robinson Jeffers
A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air. The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood. Female pureblood. Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses. He loved the smell of women. Hell, he loved women. But this was different. It was intoxicating. “Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength. Almost as if… No. It wasn’t possible. There hadn’t been a true Were mating for centuries. “Curs,” Levet said, moving to his side. “And a female pureblood.” “Si,” Salvatore muttered, distracted. “You think it’s a trap?” Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night. “There’s only one way to find out.” He moved forward, sensing the end of the tunnel just yards in front of him. “Salvatore?” Levet tugged on his pants. Salvatore shook him off. “What?” “You smell funny. Mon Dieu, are you…” With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin. Merda. “One more word and you lose that tongue,” he snarled. “But…” “Do not screw with me.” “I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat.
Alexandra Ivy (Beyond the Darkness (Guardians of Eternity, #6))
Each person in the group said something except for me. My silence became noticed. About halfway through the meeting I started to think, I've got to talk. Today, I've got to talk. Fear racked me so bad that sweat ran down my sides. I thought, After the curly-haired woman stops talking I'll raise my hand. A man with a cocky smile told the curly woman that her story was nothing compared to his, he'd been passed out cold from heroin and God knows what, and I wanted to tell him to quit glorifying hinself. I was just about to say the words, a few faces turned toward me as if they could sense my imminent speech, when a man across the circle interrupted. The opportunity passed; what I wanted to say wouldn't fit now. I tilted on the back two legs of the chair and waited for my desire to speak and be noticed and be part of the group to travel back through my nervous system. Up the synapses condemnation rushed: Why couldn't I spit something out like a normal person?
Daphne Scholinski (The Last Time I Wore a Dress)
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
I'll see you when you're done with your interrogation." "I am not going to interrogate anyone!" Jack grinned. "Of course not.You're just going to ask questions." He cast a glance at Perkins. "Lady Kincaid will be with our guest shortly." "Yes,my lord." The butler bowed and left. Fiona frowned at the steady beat of rain against the window. "Dougal will catch his death,riding in such a rain." Jack shrugged. "He made it; let him swim in it." He pressed a kiss to his wife's forehead. "I'll be curious to hear about this woman." Fiona absently nodded.If what Jack suspected wer true and Miss MacFarlane was the cause of Dougal's gloom, then woe betide the lady! Chin high, she swept into the entryway. Standing in the center of the hall was a woman with gray curly hair and freckles, broad as a barn and dressed as a servant. Fiona almost tripped over her own feet. Surely,this was not the sort of woman Dougal pursued? But perhaps...perhaps it was true love. Was that why Dougal had been so surly? Fiona gathered her scattered wits and put a polite smile on her face. "Miss MacFarlane? Welcome to-" A soft cough halted Fiona, and the woman before her pointed behind Fiona. She turned around and knew instantly that she was indeed facing the cause of Dougal's storms. Miss MacFarlane wasn't simply beautiful; the girl was breathtaking.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
He did not appear to be a very tall man; what I could see of legs seemed stumpy, though heavily muscled. His chest was broad and deep. Later I learned that he swam in the sea almost every morning. His thick strong arms were circled with leather wristbands and a bronze armlet above his left elbow that gleamed with polished onyx and lapis lazuli... Puckered white scars from old wounds stood out against the dark skin of his arms, parting the black hairs like roads through a forest... Odysseos wore a sleeveless tunic, his legs and feet bare, but he had thrown a lamb's fleece across his wide shoulders. His face was thickly bearded with dark curly hair that showed a trace of grey. His heavy mop of ringlets came down to his shoulders and across his forehead almost down to his black eyebrows. Those eyes were as grey as the sea outside on this rainy afternoon, probing, searching, judging.
Ben Bova
But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.” “Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.” “Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.” “You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.” “She’s lovely and spirited, and you will admire her tremendously.” “In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered. Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between. In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth. The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.” In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?” “Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!
Judith McNaught (Almost Heaven (Sequels, #3))
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness. Lazily soaping himself, he gave examples. When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of dead-looking snow. It had taken him some time to get back to his usual equanimity. He slid down in the warm, foamy water until just his face and his knobby white knees were exposed. Once he had read Wuthering Heights over a weekend and gone to school susceptible to any heroine, only to have the girl who sat in front of him, whom he had admired for some months, emit a loud fart which had murdered him in a small way and kept him from speaking a word to anyone the whole week following. He had laughed at a very funny joke about a Negro when Irwin told it at a party, and then the following day had seen some white men lightly kicking a Negro man in the pants, and temporarily he had questioned laughter altogether. He had gone to several universities with the vague exaltation of Old Man Axelrod and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness. He had come to take shallower breaths, and the two had become mercifully mixed into melancholy contentment. He wondered how pain would breach that low-level strength. "I'm a small man of definite limitations," he declared to himself, and relaxed in the admission.
Edward Lewis Wallant (The Tenants of Moonbloom)
He paused in the hallway, sniffing the air. He scowled, sniffed some more. He pressed an intercom button on the wall. "Betty, I distinctly smell sewage. Could you get a plumber out here ASAP?" Several curly hairs fluttered in the air after he was gone. I clutched at the arm of the dentist chair. "This isn't a joke, Tub! I'm in trouble. We're all in trouble, the whole town, the whole world! You have no clue. You have no idea what kind of things we're dealing with here. There's a whole land of --
Guillermo del Toro (Trollhunters)
See the man they are fitting into the bottom slot. He is coughing badly. No, not pneumonia. Not tuberculosis. Nothing so picturesque. Gently, gently, stretcher-bearers… he is about done. He is coughing up clots of pinky-green filth. Only his lungs, Mother and Mrs. Evans-Mawington. He is coughing well to-night. That is gas. You’ve heard of gas. Haven’t you? It burns and shrivels the lungs to… to the mess you see on the ambulance floor there. He’s about the age of Bertie, Mother. Not unlike Bertie, either, with his gentle brown eyes and fair curly hair. Bertie would look up pleading like that in between coughing up his lungs… The son you have so generously given to the War. Cough, cough, little fair-haired boy. Perhaps somewhere your mother is thinking of you… boasting of the life she has so nobly given… the life you thought was your own, but which is hers to squander as she thinks fit. ‘My boy is not a slacker, thank God.’ Cough away, little boy, cough away. What does it matter, providing your mother doesn’t have to face the shame of her son’s cowardice?
Helen Zenna Smith
A brick could be used to show you how to live a richer, fuller, more satisfying life. Don’t you want to have fulfillment and meaning saturating your existence? I can show you how you can achieve this and so much more with just a simple brick. For just $99.99—not even an even hundred bucks, I’ll send you my exclusive life philosophy that’s built around a brick. Man’s used bricks to build houses for centuries. Now let one man, me, show you how a brick can be used to build your life up bigger and stronger than you ever imagined. But act now, because supplies are limited. This amazing offer won’t last forever. You don’t want to wake up in ten years to find yourself divorced, homeless, and missing your testicles because you waited even two hours too long to obtain this information. Become a hero today—save your life. Procrastination is only for the painful things in life. We prolong the boring, but why put off for tomorrow the exciting life you could be living today? If you’re not satisfied with the information I’m providing, I’m willing to offer you a no money back guarantee. That’s right, you read that wrong. If you are not 100% dissatisfied with my product, I’ll give you your money back. For $99.99 I’m offering 99.99%, but you’ve got to be willing to penny up that percentage to 100. Why delay? The life you really want is mine, and I’m willing to give it to you—for a price. That price is a one-time fee of $99.99, which of course everyone can afford—even if they can’t afford it. Homeless people can’t afford it, but they’re the people who need my product the most. Buy my product, or face the fact that in all probability you are going to end up homeless and sexless and unloved and filthy and stinky and probably even disabled, if not physically than certainly mentally. I don’t care if your testicles taste like peanut butter—if you don’t buy my product, even a dog won’t lick your balls you miserable cur. I curse you! God damn it, what are you, slow? Pay me my money so I can show you the path to true wealth. Don’t you want to be rich? Everything takes money—your marriage, your mortgage, and even prostitutes. I can show you the path to prostitution—and it starts by ignoring my pleas to help you. I’m not the bad guy here. I just want to help. You have some serious trust issues, my friend. I have the chance to earn your trust, and all it’s going to cost you is a measly $99.99. Would it help you to trust me if I told you that I trust you? Well, I do. Sure, I trust you. I trust you to make the smart decision for your life and order my product today. Don’t sleep on this decision, because you’ll only wake up in eight hours to find yourself living in a miserable future. And the future indeed looks bleak, my friend. War, famine, children forced to pimp out their parents just to feed the dog. Is this the kind of tomorrow you’d like to live in today? I can show you how to provide enough dog food to feed your grandpa for decades. In the future I’m offering you, your wife isn’t a whore that you sell for a knife swipe of peanut butter because you’re so hungry you actually considered eating your children. Become a hero—and save your kids’ lives. Your wife doesn’t want to spread her legs for strangers. Or maybe she does, and that was a bad example. Still, the principle stands. But you won’t be standing—in the future. Remember, you’ll be confined to a wheelchair. Mushrooms are for pizzas, not clouds, but without me, your life will atom bomb into oblivion. Nobody’s dropping a bomb while I’m around. The only thing I’m dropping is the price. Boom! I just lowered the price for you, just to show you that you are a valued customer. As a VIP, your new price on my product is just $99.96. That’s a savings of over two pennies (three, to be precise). And I’ll even throw in a jar of peanut butter for free. That’s a value of over $.99. But wait, there’s more! If you call within the next ten minutes, I’ll even throw in a blanket free of charge. . .
Jarod Kintz (Brick)
¿Y el perro?” he asked the chauffeur. “Since a long time I haven’t seen him.” They had passed these people now for several years. At one time the girl, whose letters he had read last night, had exclaimed about the shame of it each time they passed the lean-to. “Why don’t you do something about it, then?” he had asked her. “Why do you always say things are so terrible and write so well about how terrible they are and never do anything about it?” This made the girl angry and she had stopped the car, gotten out, gone over to the lean-to and given the old woman twenty dollars and told her this was to help her find a better place to live and to buy something to eat. “Si, señorita,” the old woman said. “You are very amiable.” The next time they came by the couple were living in the same place and they waved happily. They had bought a dog. It was a white dog too, small and curly, probably not bred originally, Thomas Hudson thought, for the coal dust trade. “What do you think has become of the dog?” Thomas Hudson asked the chauffeur. “It probably died. They have nothing to eat.” “We must get them another dog,” Thomas Hudson said.
Ernest Hemingway (Islands in the Stream)
A fat tractor driver smoked hand-rolled cigarettes and occasionally nipped from a bottle hidden under his seat. At eleven each morning a cook threw scraps to four patiently waiting dogs. No matter what else was going on those dogs gathered by the kitchen door like clockwork. No wonder in that, thought Safiyya, the curs eat better than many of my own people. Horsemen rode fence lines every Monday, checking for breaks and rounding up stray cattle. Saturdays, around one, the workweek came to an end and many people drifted down the hill, in groups or alone, to shop, or perhaps visit friends and relatives in the nearby village. Some rode horses, some walked, a few drove battered cars or pickups.
Jinx Schwartz (Just Deserts (Hetta Coffey Mystery, #4))
What a pathetic attempt at nonchalance. As if I don't admire the shine of each ringlet, or the way they cling to one another in an intertwining hug. As if I can't stop myself from staring at the column of her neck when she pulls that curly hair into a messy knot, the forgotten strands like swirling ink down her back. As if I can stop myself from admiring how easily a laugh parts her soft lips. The way the sun warms her skin, as though she was meant to be cloaked in light. It's how joy bubbles out of her in the form of clapping hands and endearing rambles. It's the way my thoughts never cease to wander towards her, my heart falling senselessly after. And I fear that I've admired every inch of her.
Lauren Roberts, Powerful
It’s not my fault. So you can’t blame me. I didn’t do it and have no idea how it happened. It didn’t take more than an hour after they pulled her out from between my legs to realize something was wrong. Really wrong. She was so black she scared me. Midnight black, Sudanese black. I’m light-skinned, with good hair, what we call high yellow, and so is Lula Ann’s father. Ain’t nobody in my family anywhere near that color. Tar is the closest I can think of yet her hair don’t go with the skin. It’s different—straight but curly like those naked tribes in Australia. You might think she’s a throwback, but throwback to what? You should’ve seen my grandmother; she passed for white and never said another word to any one of her children. Any letter she got from my mother or my aunts she sent right back, unopened. Finally they got the message of no message and let her be. Almost all mulatto types and quadroons did that back in the day—if they had the right kind of hair, that is. Can you imagine how many white folks have Negro blood running and hiding in their veins? Guess. Twenty percent, I heard. My own mother, Lula Mae, could have passed easy, but she chose not to. She told me the price she paid for that decision. When she and my father went to the courthouse to get married there were two Bibles and they had to put their hands on the one reserved for Negroes. The other one was for white people’s hands.
Toni Morrison (God Help the Child)
We that are bred up in learning, and destinated by our parents to this end, we suffer our childhood in the grammar-school, which Austin calls magnam tyrannidem, et grave malum, and compares it to the torments of martyrdom; when we come to the university, if we live of the college allowance, as Phalaris objected to the Leontines, [Greek: pan ton endeis plaen limou kai phobou] , needy of all things but hunger and fear, or if we be maintained but partly by our parents' cost, do expend in unnecessary maintenance, books and degrees, before we come to any perfection, five hundred pounds, or a thousand marks. If by this price of the expense of time, our bodies and spirits, our substance and patrimonies, we cannot purchase those small rewards, which are ours by law, and the right of inheritance, a poor parsonage, or a vicarage of 50 l. per annum, but we must pay to the patron for the lease of a life (a spent and out-worn life) either in annual pension, or above the rate of a copyhold, and that with the hazard and loss of our souls, by simony and perjury, and the forfeiture of all our spiritual preferments, in esse and posse, both present and to come. What father after a while will be so improvident to bring up his son to his great charge, to this necessary beggary? What Christian will be so irreligious, to bring up his son in that course of life, which by all probability and necessity, coget ad turpia, enforcing to sin, will entangle him in simony and perjury, when as the poet said, Invitatus ad hæc aliquis de ponte negabit: a beggar's brat taken from the bridge where he sits a begging, if he knew the inconvenience, had cause to refuse it." This being thus, have not we fished fair all this while, that are initiate divines, to find no better fruits of our labours, [2030] hoc est cur palles, cur quis non prandeat hoc est? do we macerate ourselves for this? Is it for this we rise so early all the year long? [2031] "Leaping" (as he saith) "out of our beds, when we hear the bell ring, as if we had heard a thunderclap." If this be all the respect, reward and honour we shall have, [2032] frange leves calamos, et scinde Thalia libellos: let us give over our books, and betake ourselves to some other course of life; to what end should we study?
Robert Burton (The Anatomy of Melancholy)
She tensed as Cain came to stand nearby, half-hidden in the shadow of the clock tower behind them. Verin, the curly-haired loudmouth thief, was at his side. “What do you want?” she said. Cain’s tan face twisted in a sneer. Somehow, he’d gotten bigger—or maybe her eyes were playing tricks on her. “Pretending to be a lady doesn’t mean you are one,” he said. Celaena shot Nehemia a look, but the princess’s eyes remained upon Cain—narrowed, but her lips strangely slack. But Cain wasn’t done, and his attention shifted to Nehemia. His lips pulled back, revealing his gleaming white teeth. “Neither does wearing a crown make you a real princess—not anymore.” Celaena took a step closer to him. “Shut your stupid mouth, or I’ll punch your teeth down your throat and shut it for you.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Regardless, his crankiness had hit a level not previously documented in the history of the universe. That was saying something, considering I’d grown up with three older sisters who all had periods at the same time. Because of them, most things—most people—didn’t bother me. I knew what it was like to be bullied, and Aiden never crossed the line into being unnecessarily mean. He was just a jackass sometimes. He was lucky I had a tiny, itty, bitty crush on him; otherwise, he would have gotten the shank years ago. Then again, just about everyone with eyes who happened to also like men, had some kind of a thing for Aiden Graves. When he raised his eyebrows and looked at me from beneath those curly black eyelashes, flashing me rich-brown eyes set deep into a face that I’d only seen smile in the presence of dogs, I swallowed and shook my head slowly as I gritted my teeth and took him in. The size of a small building, he should have had these big, uneven features that made him look like a caveman, but of course he didn’t. Apparently, he liked to defy every stereotype he’d ever been assigned in his life. He was smart, fast, coordinated, and—as far as I knew—had never seen a game of hockey. He had only said ‘eh’ in front of me twice, and he didn’t consume animal protein. The man didn’t eat bacon. He was the last person I would ever consider polite, and he never apologized. Ever. Basically, he was an anomaly; a Canadian football-playing, plant-based lifestyle—he didn’t like calling himself a vegan—anomaly that was strangely proportional all over and so handsome I might have thanked God for giving me eyes on a couple of occasions.
Mariana Zapata (The Wall of Winnipeg and Me)
Aksënov was a handsome, fair-haired, curly-headed fellow, full of fun and very fond of singing. When quite a young man he had been given to drink and was riotous when he had too much; but after he married he gave up drinking except now and then. One summer Aksënov was going to the Nizhny Fair, and as he bade goodbye to his family his wife said to him, “Iván Dmitrich, do not start today; I have had a bad dream about you.’ Aksënov laughed, and said, ‘You are afraid that when I get to the fair I shall go on the spree.’ His wife replied: ‘I do not know what I am afraid of; all I know is that I had a bad dream. I dreamt you returned from the town, and when you took off your cap I saw that your hair was quite grey.’ Aksënov laughed. ‘That’s a lucky sign,’ said he. ‘See if I don’t sell out all my goods and bring you some presents from the fair.
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
It truly is a team sport, and we have the best team in town. But it’s my relationship with Ilana that I cherish most. We have such a strong partnership and have learned how we work most efficiently: I need coffee, she needs tea. When we’re stressed, I pace around and use a weird neck massager I bought online that everyone makes fun of me for, and she knits. When we’re writing together she types, because she’s faster and better at grammar. We actually FaceTime when we’re not in the same city and are constantly texting each other ideas for jokes or observations to potentially use (I recently texted her from Asheville: girl with flip-flops tucked into one strap of tank top). Looking back now at over ten years of doing comedy and running a business with her I can see how our collaboration has expanded and contracted. But it’s the problem-solving aspect of this industry, the producing, the strategy, the realizing that we could put our heads together and figure out the best solution, that has made our relationship and friendship what it is. Because that spills into everything. We both have individual careers now, but those other projects have only been motivating and inspiring to each other and the show. We bring back what we’ve learned on the other sets, in the other negotiations, in the other writers’ rooms or press situations. I’m very lucky to have jumped into this with Ilana Rose Glazer, the ballsy, curly-haired, openhearted, nineteen-year-old girl that cracked me up that night at the corner of the bar at McManus. So many wonderful things have happened since we began working together, but there are a lot of confusing, life-altering things in there too, and it’s such a relief to have someone who completely understands the good and the bad.
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
When Alice was young, she had no idea what a jag even was. In those early days of their love affair, Alice found Ted’s rogue demeanor attractive. He was a Snow. But he was a rebel. He stood up to his stern father, and no one in the Snow family did that. The Snows were all too afraid of losing their entitlements. Ted had a relaxed swagger in his walk. Alice loved his confidence, the fashion of his easy laughter. She had no idea, not even a suspicion, that it was drink that fueled his swagger as well as his gumption. He was almost always drunk. But she was a teenager and a dreamer, and she loved his seeming fearlessness. He was handsome as well, with soft eyes that had a happy mischief to them. His thick, curly hair bounced as he swaggered. He was a picture. She thought he was hardy and strong, but it was the heat of the alcohol that made his cheeks flush apple red. He appeared to be the picture of health, but indeed, he wasn’t. He never was.
Steven James Taylor (the dog)
belligerent, bellowing partisans, the astute man with the curly blond hair and the jocular, no-discipline approach to running a team was shouting at his charges and reminding them how to break a full-court press, and before the boys put their right hands on top of Lenny’s right hand for a last Let’s go!, the thirty-four-year-old husband and father of two pointed to an exit door in the side wall of the gym and told the boys that no matter what happened in the next ten seconds, whether they won the game or lost the game, at the instant the final buzzer sounded they should all run for that door and jump into his station wagon parked at the curb because, as he put it, things are getting a little nuts in here, and he didn’t want anyone to be injured or killed in the mayhem that was sure to follow. Then the five hands and the one hand came together, Lenny barked the last Let’s go!, and Ferguson and the other starters trotted back onto the court. They
Paul Auster (4 3 2 1)
Serafina had thought Mrs. Coulter beautiful, for a short-life; but Ruta Skadi was as lovely as Mrs. Coulter, with an extra dimension of the mysterious, the uncanny. She had trafficked with spirits, and it showed. She was vivid and passionate, with large black eyes; it was said that Lord Asriel himself had been her lover. She wore heavy gold earrings and a crown on her black curly hair ringed with the fangs of snow tigers. Serafina’s dæmon, Kaisa, had learned from Ruta Skadi’s dæmon that she had killed the tigers herself in order to punish the Tartar tribe who worshiped them, because the tribesmen had failed to do her honor when she had visited their territory. Without their tiger gods, the tribe declined into fear and melancholy and begged her to allow them to worship her instead, only to be rejected with contempt; for what good would their worship do her? she asked. It had done nothing for the tigers. Such was Ruta Skadi: beautiful, proud, and pitiless.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
Morning, Miss Ashford.” She stopped short. “Marshal Caradon!” She let out a breath. “You startled me. I thought you’d be gone by now.” Why was this woman always trying to get rid of him? “No ma’am.” Smiling, he raised an apologetic brow. “I’m still here.” He walked from the stall, aware of the way she was looking at him—good and long, full up and down—and he couldn’t help but hope she liked what she was seeing, at least a little. He certainly liked what he was looking at. Her long brown hair fell about her shoulders, curly and loose, like it had last night. Her skirt and shirtwaist were simple homespun, yet somehow took on a fancier appearance with her giving them shape. She had a strength about her that was compelling and impossible to miss. Yet if you looked closely enough—if she let you that close—the woman had a vulnerable side too. One she worked to keep hidden behind that wall she kept up. She’d never believe it if he told her, but it was that vulnerability that he found most attractive.
Tamera Alexander (The Inheritance)
In a far-off country there was once a little girl who was called Silver-hair, because her curly hair shone brightly. She was a sad romp, and so restless that she could not be kept quiet at home, but must needs run out and away, without leave. One day she started off into a wood to gather wild flowers, and into the fields to chase butterflies. She ran here and she ran there, and went so far, at last, that she found herself in a lonely place, where she saw a snug little house, in which three bears lived; but they were not then at home. The door was ajar, and Silver-hair pushed it open and found the place to be quite empty, so she made up her mind to go in boldly, and look all about the place, little thinking what sort of people lived there. Now the three bears had gone out to walk a little before this. They were the Big Bear, and the Middle-sized Bear, and the Little Bear; but they had left their porridge on the table to cool. So when Silver-hair came into the kitchen, she saw the three bowls of porridge. She tasted the largest bowl, which belonged to the Big Bear, and found it too cold; then she tasted the middle-sized bowl, which belonged to the Middle-sized Bear, and found it too hot; then she tasted the smallest bowl, which belonged to the Little Bear, and it was just right, and she ate it all. She went into the parlour, and there were three chairs. She tried the biggest chair, which belonged to the Big Bear, and found it too high; then she tried the middle-sized chair, which belonged to the Middle-sized Bear, and she found it too broad; then she tried the little chair, which belonged to the Little Bear, and found it just right, but she sat in it so hard that she broke it. Now Silver-hair was by this time very tired, and she went upstairs to the chamber, and there she found three beds. She tried the largest bed, which belonged to the Big Bear, and found it too soft; then she tried the middle-sized bed, which belonged to the Middle-sized Bear, and she found it too hard; then she tried the smallest bed, which belonged to the Little Bear, and found it just right, so she lay down upon it, and fell fast asleep. While Silver-hair was lying fast asleep, the three bears came home from their walk. They came into the kitchen, to get their porridge, but when the Big Bear went to his, he growled out: “SOMEBODY HAS BEEN TASTING MY PORRIDGE!” and the Middle-sized Bear looked into his bowl, and said: “Somebody Has Been Tasting My Porridge!” and the Little Bear piped: “Somebody has tasted my porridge and eaten it all up!” Then they went into the parlour, and the Big Bear growled: “SOMEBODY HAS BEEN SITTING IN MY CHAIR!” and the Middle-sized Bear said: “Somebody Has Been Sitting In My Chair!” and the Little Bear piped: “Somebody has been sitting in my chair, and has broken it all to pieces!” So they went upstairs into the chamber, and the Big Bear growled: “SOMEBODY HAS BEEN TUMBLING MY BED!” and the Middle-sized Bear said: “Somebody Has Been Tumbling My Bed!” and the little Bear piped: “Somebody has been tumbling my bed, and here she is!” At that, Silver-hair woke in a fright, and jumped out of the window and ran away as fast as her legs could carry her, and never went near the Three Bears’ snug little house again.
Robert Southey (Goldilocks and the Three Bears)
The industrialist dropped me already. And it’s all because of politics. Politics poisons human relationships. I spit on it. The emcee was a Jew, the one on the bike was a Jew, the one who was dancing was a Jew.… So he asks me if I’m Jewish too. My God, I’m not — but I’m thinking: if that’s what he likes, I’ll do him the favor — and I say: “Of course — my father just sprained his ankle at the synagogue last week.” So he says, he should have known, with my curly hair. Of course it’s permed, and naturally straight like a match. So he gets all icy; turns out he’s nationalist with a race, and race is an issue — and he got all hostile — it’s all very difficult. So I did exactly the wrong thing. But I didn’t feel like taking it all back. After all, a man should know in advance whether he likes a woman or not. So stupid! At first they pay you all sorts of compliments and are drooling all over you — and then you tell them: I’m a chestnut! — and their chin drops: oh, you’re a chestnut — yuk, I had no idea. And you are exactly the way you were before, but just one word has supposedly changed you.
Irmgard Keun (The Artificial Silk Girl)
Both men and women of the race were extremely handsome; the former tall and strong, with fine features, curly hair, and a clear bronze complexion. They wore long tunics and turbans, and carried lances, bucklers, or round shields, and large swords slung across their shoulders, the latter, also very tall and well formed, were dressed in becoming bodices with full skirts, a loose mantle enveloping the whole form in graceful drapery. They wore jewels in their ears, and necklaces, bracelets, bangles, and anklets, made of gold, ivory, or shells.   Thousands of oxen paced quietly along with these men, women, old men, and children. They had neither harness nor halter, only bells or red tassels on their heads, and double packs thrown across their backs, which contained wheat and other grains.   A whole tribe journeyed in this manner, under the directions of an elected chief, called the “naik,” whose power is despotic while it lasts. He controls the movements of the caravan, fixes the hours for the start and the halt, and arranges the dispositions of the camp.   I was struck by the magnificent appearance of a large bull, who with superb and imperial step led the van. He was covered with a bright coloured cloth, ornamented with bells and shell embroidery, and I asked Banks if he knew what was the special office of this splendid animal.   “Kâlagani will of course be able to tell us,” answered he. “Where is the fellow?”   He was called, but did not make his appearance, and search being made, it was found he had left Steam House.   “No doubt he has gone to renew acquaintance with some old comrade,” said Colonel Munro. “He will return before we resume our journey.”   This seemed very natural. There was nothing in the temporary absence of the man to occasion uneasiness, but somehow it haunted me uncomfortably.   “Well,” said Banks, “to the best of my belief this bull represents, or is an emblem of, their deity. Where he goes they follow; where he stops, there they encamp; but of course we are to suppose he is in reality under the secret control of the ‘naik.’ Anyhow, he is to these wanderers an embodiment of their religion.”   The cortege seemed interminable, and for two hours there was no sign of an approaching end.
Jules Verne (The Steam House)
The place to take the true measure of a man is not in the darkest place or in the amen corner, nor the cornfield, but by his own fireside. There he lays aside his mask and you may learn whether he is an imp or an angel, cur or king, hero or humbug. I care not what the world says of him: whether it crowns him boss or pelts him with bad eggs. I care not a copper what his reputation or religion may be: if his babies dread his homecoming and his better half swallows her heart every time she has to ask him for a five-dollar bill, he is a fraud of the first water, even though he prays night and morning until he is black in the face. But if his children rush to the front door to meet him and love's sunshine illuminates the face of his wife every time she hears his footfall, you can take it for granted that he is pure, for his home is a heaven. I can forgive much in that fellow mortal who would rather make men swear than women weep; who would rather have the hate of the whole world than the contempt of his wife; who would rather call anger to the eyes of a king than fear to the face of a child (W. C. Brann, “A Man’s Real Measure,” in Elbert Hubbard’s Scrapbook, New York: Wm. H. Wise and Co., 1923, p. 16)
W.C. Brann
She nods, turning the silver bangle around on her wrist. “She came from some village north of here, a few hours away. She traveled all the way to the city just to…” She trails off, feeling a lump grow in her throat. “…to take you to that orphanage?” Sanjay finishes for her. Asha nods. “And she gave me this.” She slides the bangle back on her wrist. “They gave you everything they had to give,” Sanjay says. He reaches across the table for her hand. “So how do you feel, now that you know?” Asha gazes out the window. “I used to write these letters, when I was a little girl,” she says. “Letters to my mother, telling her what I was learning in school, who my friends were, the books I liked. I must have been about seven when I wrote the first one. I asked my dad to mail it, and I remember he got a really sad look in his eyes and he said, ‘I’m sorry, Asha, I don’t know where she is.’” She turns back to face Sanjay. “Then, as I got older, the letters changed. Instead of telling her about my life, I started asking all these questions. Was her hair curly? Did she like crossword puzzles? Why didn’t she keep me?” Asha shakes her head. “So many questions." “And now, I know,” she continues. “I know where I came from, and I know I was loved. I know I’m a hell of a lot better off now than I would have been otherwise.” She shrugs. “And that’s enough for me. Some answers, I’ll just have to figure out on my own.” She takes a deep breath. “You know, I have her eyes.” Asha smiles, hers glistening now. She rests the back of her head on the booth. “I wish there was some way to let them know I’m okay, without…intruding on their life.
Shilpi Somaya Gowda (Secret Daughter)
This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything. I tell Tactus to give me twenty-five lashes. I’ve taken worse. His arms are weak and so is his will to do it. It still stings, but I stand up after five lashes and give the lash to Pax. They start the count at six. “Start over!” I shout. “A little rapist cur can’t swing hard enough to hurt me.” But Pax bloodywell can. My army cries in protest. They don’t understand. Golds don’t do this. Golds don’t sacrifice for one another. Leaders take; they do not give. My army cries out again. I ask them, how is this worse than the rape they were all so comfortable with? Is not Nyla now one of us? Is she not part of the body? Like Reds are. Like Obsidians are. Like all the Colors are. Pax
Pierce Brown (Red Rising (Red Rising Saga, #1))
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))
Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
Erica Chilson (Queened (Mistress & Master of Restraint, #6))