What A Beautiful Weather Quotes

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What are you staring at?" "Rain drops on window glass is a sort of love-bite, is it not?
Jasleen Kaur Gumber
What is a life lived without passion? he asked himself. And what is passion, but a yearning of the soul for recognition and self-expression? The beauty within seeks beauty without.
Dermot Davis (Stormy Weather)
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
The garden is one of the two great metaphors for humanity. The garden is about life and beauty and the impermanence of all living things. The garden is about feeding your children, providing food for the tribe. It’s part of an urgent territorial drive that we can probably trace back to animals storing food. It’s a competitive display mechanism, like having a prize bull, this greed for the best tomatoes and English tea roses. It’s about winning; about providing society with superior things; and about proving that you have taste, and good values, and you work hard. And what a wonderful relief, every so often, to know who the enemy is. Because in the garden, the enemy is everything: the aphids, the weather, time. And so you pour yourself into it, care so much, and see up close so much birth, and growth, and beauty, and danger, and triumph. And then everything dies anyway, right? But you just keep doing it.
Anne Lamott (Bird by Bird)
Walking around, even on a bad day, I would see things – I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that – like I was an instrument and the world touched me and reverberated inside me. After a couple of months, I started to miss days. Sometimes I would fall asleep without remembering to write anything, but then other nights I’d open the book and not know what to write – I wouldn’t be able to think of anything at all. When I did make entries, they were increasingly verbal and abstract: song titles, or quotes from novels, or text messages from friends. By spring I couldn’t keep it up anymore. I started to put the diary away for weeks at a time – it was just a cheap black notebook I got at work – and then eventually I’d take it back out to look at the entries from the previous year. At that point, I found it impossible to imagine ever feeling again as I had apparently once felt about rain or flowers. It wasn’t just that I failed to be delighted by sensory experiences – it was that I didn’t actually seem to have them anymore. I would walk to work or go out for groceries or whatever and by the time I came home again I wouldn’t be able to remember seeing or hearing anything distinctive at all. I suppose I was seeing but not looking – the visual world just came to me flat, like a catalogue of information. I never looked at things anymore, in the way I had before.
Sally Rooney (Beautiful World, Where Are You)
Because to stand against it would be to provoke the Mask's wrath. To stand against it would be to stand against Death itself. Death herself. Azriel shook, weathering that primal power. But they were both Illyrian, whether Az liked it or not. And so they did what their people had always done before Death's beautiful face. They bowed.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I love this place; I love mountains and big skies and forests. And the weather is still supremely beautiful even though the lower peaks are powdered with fresh snow. But Heavens! What sun. It never has an ending. I am basking at this minute - half past four - too hot without a hat, & the sky is that transparent blue only to be seen in autumn - the forest trees steeped in light.
Katherine Mansfield (The Collected Letters of Katherine Mansfield: Volume 1: 1903-1917)
I went back to my conversation with Siegfried that morning; we had just about decided that the man with a lot of animals couldn't be expected to feel affection for individuals among them. But those buildings back there were full of John Skipton's animals - he must have hundreds. Yet what made him trail down that hillside every day in all weathers? Why had he filled the last years of those two old horses with peace and beauty? Why had he given them a final ease and comfort which he had withheld from himself? It could only be love.
James Herriot (All Creatures Great and Small (All Creatures Great and Small #1-2))
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
It’s a beautiful day” – by which we meant that the weather was good. But we never say, “The weather’s good,” “The weather’s pleasant.” We say, “It’s a beautiful day,” “What a beautiful day.
Denis Johnson (Jesus’ Son)
Spring advanced rapidly; the weather became fine, and the skies cloudless. It surprised me that what before was desert and gloomy should now bloom with the most beautiful flowers and verdure. My senses were gratified and refreshed by a thousand scents of delight, and a thousand sights of beauty.
Mary Wollstonecraft Shelley (Frankenstein)
The tinker in his burial tree was a wonder to the birds. The vultures that came by day to nose with their hooked beaks among his buttons and pockets like outrageous pets soon left him naked of his rags and flesh alike. Black mandrake sprang beneath the tree as it will where the seed of the hanged falls and in spring a new branch pierced his breast and flowered in a green boutonnière perennial beneath his yellow grin. He took the sparse winter snows upon what thatch of hair still clung to his dried skull and hunters that passed that way never chanced to see him brooding among his barren limbs. Until wind had tolled the thinker's bones and seasons loosed them one by one to the ground below and his bleached and weathered brisket hung in that lonesome wood like a bone birdcage.
Cormac McCarthy (Outer Dark)
This is not a test. Life is messy and sometimes tragic and often just plain hard for a woman to weather. But when you step back for a moment, the whole of it is incredibly beautiful—and that is what we must choose to focus on.
Camille Pagán (I'm Fine and Neither Are You)
If you were to take a plastic bag and place it inside a large bowl, and then, using a wooden spoon, stir the bag around and around the bowl, you could use the expression 'a mixed bag' to describe what you had in front of you, but you would not be using the expression in the same way I am about to use it now. Although 'a mixed bag' sometimes refers to a plastic bag that has been stirred in a bowl, more often it is used to describe a situation that has both good parts and bad parts. An afternoon at a movie theater, for instance, would be a mixed bag if you favourite movie were showing but if you had to eat gravel instead of popcorn. A trip to the zoo would be a very mixed bag if the weather were beautiful, but all the man- and woman-eating lions were running around loose.
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
And I thought about how life was like the weather, it could change, and how Dante had moods that were pure as a blue sky and sometimes they were dark like a storm and that maybe, in some ways, he was just like me, and maybe that wasn’t such a good thing - but maybe it wasn’t such a bad thing either. People were complicated. I was complicated. Dante, he was complicated, too. People - they were included in the mysteries of the universe. What mattered is that he was an original. That he was beautiful and human and real and I loved him - and I didn’t think anything would ever change that.
Benjamin Alire Sáenz (Aristotle and Dante Dive into the Waters of the World (Aristotle and Dante, #2))
He began to see a kind of beauty in the strangeness of the field, too. It was quite different from what he had been taught to expect —as he had already discovered, were many of the things in this world—yet there weas pleasure for him now in its alien colors and textures, its new sights and smells. In sounds, too; for his ears were very acute and he heard many strange and pleasant noises in the grass, the diverse rubbings and clickings of those insects that had survived the cold weather of early November; and even, with his head now against the ground, the very small, subtle murmurings in the earth itself.
Walter Tevis (The Man Who Fell to Earth)
In the wake of violence, acute or prolonged, we ask what we might need, how we might weather this time, how we might care for each other, how we might cultivate the space which encourages honesty, which encourages surrender. How we might build a small world, where we might feel beautiful, might feel free.
Caleb Azumah Nelson (Small Worlds)
You must want to be free. It must become first with you before anything else. Everything that you’ve done all your life, is only a game, a game you’re playing with your self, only it seems to be real. The only reality is the Self and you are That. Why look for anything else? Everything else will take care of itself. You’ve got to abide in the Self, just in the Self. Everything else will take care of itself in a beautiful way. You are boundless space, like the ocean, like the sky, all-pervasive. This is your real nature. But for some reason you believe you are a body, confined to a small space. This is not you. It’s illusion. You are all-pervading absolute reality. This is your true nature. This is who you really are. Just by thinking about these things all the time, something begins to happen to you, something wonderful. Do not think about the weather, or about the day’s work or your problems. For all the thinkers, who thinks? Find out who has the problems? Find out who you really are, who am I? It’s up to you to awaken from this mortal dream. You can keep on going like you are right now, with the good things and the bad things. Yet you live in a universe of dualities, which means for every good there is a bad. For every bad there is a good. It’s a false world in which you live. You need to awaken to this truth. Be aware of yourself, always. The world goes through its own karma. It has absolutely nothing to do with you. You belong to God. Everything you see is God. This is why you should be nonjudgemental. Leave everything alone. By practising these things, you become radiantly happy. Everyone wants something. If your mind stops thinking, what happens? Some of you believe you will not have anything, that you will have more problems. But it’s in reverse. You experience bliss, joy and happiness when you don’t want anything. From what we know, people want something and when they get it, they become more miserable than ever before. Nothing is wrong. Everything is right just the way it is. Do not try to understand this or figure it out. Leave it alone. It will happen by itself, by keeping yourself quiet and still. You quiet the mind because of realization. Let it be calm. In all situations be calm. Let it be still and quiet. The world doesn’t need any help from you. Aren’t you the world, aren’t you the Creator? You created the world the way it is. It came out of you, of your mind. The world that you are in, is a creation of your own mind. When the mind becomes still, the world begins to disappear. And you’re in divine harmony and joy. Therefore, happiness comes to you when you stop thinking, when you stop judging, when you stop being afraid. When you begin to contemplate what is happiness. All the answers are within you. Everything you’re looking for is within you, everything. Nobody can help but your Self. Know who you are. You are the power. All the power of the universe is within you. You have all the power you need. All is well, exceedingly well. It has always been well, it will always be well. When you leave here today act like a god or a goddess. Do not act like a human being any longer. Stop feeling sorry for yourself, saying you’re unhappy. Stand up tall. Know the truth about yourself. Become the witness of all phenomena that you see and be free. Peace.
Robert Adams (Silence of the Heart: Dialogues with Robert Adams)
The conference is geared to people who enjoy meaningful discussions and sometimes "move a conversation to a deeper level, only to find out we are the only ones there." . . . When it's my turn, I talk about how I've never been in a group environment in which I didn't feel obliged to present an unnaturally rah-rah version of myself. . . . Scientists can easily report on the behavior of extroverts, who can often be found laughing, talking, or gesticulating. But "if a person is standing in the corner of a room, you can attribute about fifteen motivations to that person. But you don't really know what's going on inside." . . . So what is the inner behavior of people whose most visible feature is that when you take them to a party they aren't very pleased about it? . . . The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive . . . . They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions--sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments--both physical and emotional--unusually deeply. They tend to notice subtleties that others miss--another person's shift in mood, say, or a lightbulb burning a touch too brightly. . . . [Inside fMRI machines], the sensitive people were processing the photos at a more elaborate level than their peers . . . . It may also help explain why they're so bored by small talk. "If you're thinking in more complicated ways," she told me, "then talking about the weather or where you went for the holidays is not quite as interesting as talking about values or morality." The other thing Aron found about sensitive people is that sometimes they're highly empathic. It's as if they have thinner boundaries separating them from other people's emotions and from the tragedies and cruelties of the world. They tend to have unusually strong consciences. They avoid violent movies and TV shows; they're acutely aware of the consequences of a lapse in their own behavior. In social settings they often focus on subjects like personal problems, which others consider "too heavy.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Beautiful day out there,” I said, perching on the stool and crossing my legs. “It’s autumn, Sunday, great weather, and crowded everywhere you go. Relaxing indoors like this is the best thing you can do on such a nice day. It’s exhausting to get into those crowds. And the air is bad. I mostly do laundry on Sundays—wash the stuff in the morning, hang it out on the roof of my dorm, take it in before the sun goes down, do a good job of ironing it. I don’t mind ironing at all. There’s a special satisfaction in making wrinkled things smooth. And I’m pretty good at it, too. Of course, I was lousy at it at first. I put creases in everything. After a month of practice, though, I knew what I was doing. So Sunday is my day for laundry and ironing. I couldn’t do it today, of course. Too bad: wasted a perfect laundry day.
Haruki Murakami (Norwegian Wood)
If you are not asking when the road will end, where the road is going, when the weather will darken, what are the dangers on the road, you should know that you are traveling on a great road! On a fascinating road, you only think about the beauty of the road, you never ask questions!
Mehmet Murat ildan
Spring is sweet, the baby season; summer is the teenage season -- too much energy, too much growth and beauty and heat and late nights, none of them what they are cracked up to be. Fall is the older season, a more seasoned season. The weather surrounds you instead of beating down on you.
Anne Lamott (Plan B: Further Thoughts on Faith)
It was kind of a beautiful day, finally real summer in Indianapolis, warm and humid—the kind of weather that reminds you after a long winter that while the world wasn’t built for humans, we were built for the world. Dad was waiting for us, wearing a tan suit, standing in a handicapped parking spot typing away on his handheld. He waved as we parked and then hugged me. “What a day,” he said. “If we lived in California, they’d all be like this.
John Green (The Fault in Our Stars)
I think of two landscapes- one outside the self, the other within. The external landscape is the one we see-not only the line and color of the land and its shading at different times of the day, but also its plants and animals in season, its weather, its geology… If you walk up, say, a dry arroyo in the Sonoran Desert you will feel a mounding and rolling of sand and silt beneath your foot that is distinctive. You will anticipate the crumbling of the sedimentary earth in the arroyo bank as your hand reaches out, and in that tangible evidence you will sense the history of water in the region. Perhaps a black-throated sparrow lands in a paloverde bush… the smell of the creosote bush….all elements of the land, and what I mean by “the landscape.” The second landscape I think of is an interior one, a kind of projection within a person of a part of the exterior landscape. Relationships in the exterior landscape include those that are named and discernible, such as the nitrogen cycle, or a vertical sequence of Ordovician limestone, and others that are uncodified or ineffable, such as winter light falling on a particular kind of granite, or the effect of humidity on the frequency of a blackpoll warbler’s burst of song….the shape and character of these relationships in a person’s thinking, I believe, are deeply influenced by where on this earth one goes, what one touches, the patterns one observes in nature- the intricate history of one’s life in the land, even a life in the city, where wind, the chirp of birds, the line of a falling leaf, are known. These thoughts are arranged, further, according to the thread of one’s moral, intellectual, and spiritual development. The interior landscape responds to the character and subtlety of an exterior landscape; the shape of the individual mind is affected by land as it is by genes. Among the Navajo, the land is thought to exhibit sacred order…each individual undertakes to order his interior landscape according to the exterior landscape. To succeed in this means to achieve a balanced state of mental health…Among the various sung ceremonies of this people-Enemyway, Coyoteway, Uglyway- there is one called Beautyway. It is, in part, a spiritual invocation of the order of the exterior universe, that irreducible, holy complexity that manifests itself as all things changing through time (a Navajo definition of beauty).
Barry Lopez (Crossing Open Ground)
And you remember how warm bourbon tasted, in a paper cup with water dipped out of the lake at your feet. How the nights were so unbearably, hauntingly beautiful that you wanted to cry. How every patch of light and shadow from the moon seemed deep and lovely. Calm or storm, it didn't matter. It was exquisite and mysterious, just because it was night. I wonder now how I lost it, the mysteriousness, the wonder. It faded steadily until one day it was entirely gone, and night became just dark, and the moon was only something that waxed and waned and heralded a changing in the weather. And rain just washed out graveled roads. The glitter was gone. And the worst part was that you didn't know exactly at what point it disappeared. There was nothing you could point to and say: now, there. One day you saw that it was missing and had been missing for a long time. It wasn't even anything to grieve over, it had been such a long time passing. The glitter and hush-breath quality just slipped away...there isn't even a scene--not for me, nothing so definite--just the seepage, the worms of time...I look at my children now and I think: how long before they slip away, before I am disappointed in them.
Shirley Ann Grau (The Keepers of the House)
As we have seen, prayer, celebration of the religious offices, alms, consoling the afflicted, the cultivation of a little piece of ground, fraternity, frugality, hospitality, self-sacrifice, confidence, study, and work, filled up each day of his life. Filled up is exactly the phrase; and in fact, the Bishop's day was full to the brim with good thoughts, good words, and good actions. Yet it was not complete if cold or rainy weather prevented him from passing an hour or two in the evening, when the two women had retired, in his garden before going to sleep. It seemed as though it were a sort of rite with him, to prepare himself for sleep by meditating in the presence of the great spectacle of the starry firmament. Sometimes late at night, if the two women were awake, they would hear him slowly walking the paths. He was out there alone with himself, composed, tranquil, adoring, comparing the serenity of his heart with the serenity of the skies, moved in the darkness by the visible splendors of the constellations, and the invisible splendor of God, opening his soul to the thoughts that fall from the Unknown. In such moments, offering up his heart at the hour when the flowers of night emit their perfume, lit like a lamp in the center of the starry night, expanding his soul in ecstasy in the midst of creation’s universal radiance, perhaps he could not have told what was happening in his own mind; he felt something depart from him, and something descend upon him; mysterious exchanges of the depths of the soul with the depths of the universe. He contemplated the grandeur, and the presence of God; the eternity of the future, that strange mystery; the eternity of the past, a stranger mystery; all the infinities hidden deep in every direction; and, without trying to comprehend the incomprehensible, he saw it. He did not study God; he was dazzled by Him. He reflected upon the magnificent union of atoms, which give visible forms to Nature, revealing forces by recognizing them, creating individualities in unity, proportions in extension, the innumerable in the infinite, and through light producing beauty. These unions are forming and dissolving continually; from which come life and death. He would sit on a wooden bench leaning against a decrepit trellis and look at the stars through the irregular outlines of his fruit trees. This quarter of an acre of ground, so sparingly planted, so cluttered with shed and ruins, was dear to him and satisfied him. What more was needed by this old man, who divided the leisure hours of his life, where he had so little leisure, between gardening in the day time, and contemplation at night? Was this narrow enclosure, with the sky for a background not space enough for him to adore God in his most beautiful, most sublime works? Indeed, is that not everything? What more do you need? A little garden to walk in, and immensity to reflect on. At his feet something to cultivate and gather; above his head something to study and meditate on; a few flowers on earth and all the stars in the sky.
Victor Hugo (Les Misérables)
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.
Gabrielle Renee
How curious that sometimes objects became more beautiful as they weathered the storms and traumas of the world. What caused some wood to rot and decay into nothing, while other pieces of wood became burnished, splendid, and tougher under the relentless assault of the pounding ocean current?
Elizabeth Camden (The Rose of Winslow Street)
I've stuck like a plaster to the old faith I was born in. Yes; there's this to be said for the Church, a man can belong to the Church and bide in his cheerful old inn, and never trouble or worry his mind about doctrines at all. But to be a meetinger, you must go to chapel in all winds and weathers, and make yerself as frantic as a skit. Not but that chapel members be clever chaps enough in their way. They can lift up beautiful prayers out of their own heads, all about their families and shipwrecks in the newspaper." "They can -- they can," said Mark Clark, with corroborative feeling; "but we Churchmen, you see, must have it all printed aforehand, or, dang it all, we should no more know what to say to a great gaffer like the Lord than babes unborn," "Chapelfolk be more hand-in-glove with them above than we," said Joseph, thoughtfully. "Yes," said Coggan. "We know very well that if anybody do go to heaven, they will. They've worked hard for it, and they deserve to have it, such as 'tis. I bain't such a fool as to pretend that we who stick to the Church have the same chance as they, because we know we have not. But I hate a feller who'll change his old ancient doctrines for the sake of getting to heaven.
Thomas Hardy
There may be wrong actions in the sense of actions contrary to the rules of human communication. But the way you feel towards other people: loving, hating, et cetera, et cetera; there aren’t any wrong feelings. And so, to try and force one’s feelings to be other than what they are is absurd. And furthermore: dishonest. But you see: the idea that there are no wrong feelings is an immensely threatening one to people who are afraid to feel. This is one of the peculiar problems of our culture: we are terrified of our feelings. We think that if we give them any scope and if we don’t immediately beat them down, they will lead us down into all kinds of chaotic and destructive actions. But if, for a change, we would allow our feelings and look upon their comings and goings as something as beautiful and necessary as changes in the weather, the going of night and day and the four seasons, we would be at peace with ourselves.
Alan W. Watts
I learned to move silently in the background, a dirty, neglected little kid with no voice, no wants, and who made no trouble so as not to call the wrath of the eight or so tweaking adults who lived there down on me. I drifted, faded, and became a listless, ghostlike scavenger who took what she could get. I lived mostly in my head and for a while actually convinced myself that I was a survivor of one of those catastrophic earthquakes or tornadoes I used to see on the Weather Channel,a dazed, bewildered, and emotionless girl picking her way through an endless landscape of foul and stinking rubble to try and come out on the other side.
Laura Wiess (Ordinary Beauty)
But then she met Nick, who told her she was beautiful, and whenever he toucher her, it was as if his touch were actually making her as beautiful as he seemed to believe she was. So why would she deny herself a second piece of mud cake or glass of champagne if Nick was there with the knife or the bottle poised, grinning evilly and saying "You only live once," as if every day were a celebration. Nick had little boy's sweet tooth, and an appreciation of good food, fine wine and beautiful weather; eating and drinking with Nick in hot sunshine was like sex. He made her feel like a well-fed happy cat: plump, sleek, purring with sensual satisfaction.
Liane Moriarty (What Alice Forgot)
And what a wonderful relief every so often to know who the enemy is—because in the garden, the enemy is everything: the aphids, the weather, time. And so you pour yourself into it, care so much, and see up close so much birth and growth and beauty and danger and triumph—and then everything dies anyway, right? But you just keep doing it.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
Why may you not kiss me?” she had demanded. “Am I a corpse?” “Of course not.” “Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?” “Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.” “So you’re afraid my kisses will take what little brain you have left?” “I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.” “Did you ever think to ask them the reasons behind their demands?” “When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.” “You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.” Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.” She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.” “I don’t love the angels.” “Clearly you don’t love me either.” They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in. “All is well, Hawk?’ he had asked. Hawk had learned their tongue. “It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.” The chief had thought this over and laughed. "That would bring you great honor." "I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back." The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?" "I couldn't be happier." (from The Name of the Hawk, Book 2)
Murray Pura (Legion (The Name of the Hawk, #1))
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather." He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it." I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive." "Well, I have a healthy respect for what the sun does," he counters with a smile." "I'd rather have the sun after a good, hard rainfall." He just shakes his head at me but he's smiling. "The good with the bad?" "Isn't that life?" He frowns. "Why do I sense a metaphor behind that?" "Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch. Where a father is murdered bacause he made the mistake of wanting a van for his family. In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched. Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it. What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her. Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
K.A. Tucker (Becoming Rain (Burying Water, #2))
She could have shot herself, scratched herself, or indulged in other forms of self mutilation, but she chose what she probably felt was the weakest option-to at least endure the discomfort of the weather." "The minutes were cruel. Hours were punishing. Standing above him at all moments of awakeness was the hand of time, and it didn't hesitate to wring him out. It smiled and squeezed and let him live. What great malice there could be in allowing someone to live." "And I stop listening to me, because to put it bluntly, i tire me. When I start thinking like that, I become so exhausted, and I don't have the luxury of indulging fatigue. I am compelled to continue on, because although it's not true for every person on earth, it's true for the vast majority-that death waits for no man-and if he does, he doesn't usually wait very long." "Please believe me when I say I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear.
Markus Zusak (The Book Thief)
Our ship is a barque. She’s a lot like a barquentine, but not exactly like. Similar in length to the Monsea, and three-masted, but the foremast and the mainmast carry square-rigged sails and only the aftermost mast is rigged fore-and-aft. Do I sound more and more like I know what I’m talking about? The front and middle masts carry square sails that drop down from above. The back mast carries triangle sails that we raise from below, with lines I know the names of. And she’s beautiful, she’s so, so completely beautiful with the wind in her sails. She’s tried and true; she has barnacles clinging to her once-crimson hull that’s been burnished by the sun and the sea into something more weathered. Annet bought her from a wine merchant in Monport, on behalf of the queen. Bitterblue wanted to rename her something boring, but Annet and Navi both cried out in alarm that it was bad luck to rename a ship. I was relieved, because her name is the Fledgling. “Silly name for a ship that’s sailed many seas,” said Bitterblue, but I like to imagine a grown bird that’s only just now learning to fly.
Kristin Cashore (Seasparrow (Graceling Realm, #5))
The age was the Elizabethan; their morals were not ours; nor their poets; nor their climate; nor their vegetables even. Everything was different. The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. The moment is brief they sang; the moment is over; one long night is then to be slept by all. As for using the artifices of the greenhouse or conservatory to prolong or preserve these fresh pinks and roses, that was not their way. The withered intricacies and ambiguities of our more gradual and doubtful age were unknown to them. Violence was all. The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice. Girls were roses, and their seasons were short as the flowers. Plucked they must be before nightfall; for the day was brief and the day was all.
Virginia Woolf (Orlando)
Yes, you do hate Switzerland. And," doctor Messerli paused for effect, "you love it. You love it and you hate it. What you don't feel is apathy. You're not indifferent. You're ambivalent." Anna had thought about this before, when nights came during which she could do nothing but wander Dietlikon's sleeping streets or hike the hill behind her house to sit upon the bench where most often she went to weep. She'd considered her ambivalence many, many times, and in the end, she's diagnosed herself with a disease that she'd also invented. Switzerland syndrome. Like Stockholm syndrome. But instead of my captors, I'm attached to the room in which I'm held captive. It's the prison I'm bound to, not the warden. Anna was absolutely right. It was the landscape. it was the geography. The fields, the streams, the lakes, the forests. And the mountains. On exceptionally clear days when the weather was right, if you walked south on Dietlikon's Bahnhofstrasse you could see the crisp outlines of snow-capped Alps against a blazing blue horizon eighty kilometers away. On these certain days it was something in the magic of the atmosphere that made them tangible and moved them close. The mutability of those particular mountains reminded Anna of herself. And it wasn't simply the natural landscape that she attached herself to emotionally. It was the cobblestone roads of Zürich's old town and the spires of this church and the towers of that one. And the trains, the trains, the goddamn trains. She could take the train anywhere she wanted to go.
Jill Alexander Essbaum
I don't believe the sickest people that I meet throughout my day at work are in the business of having outlandish desires, either. I don't think they are staring at the square-tiled ceiling of the intensive-care unit and dreaming of being an astronaut or an explorer. I don't think they're holding the hand of their wife and thinking, "I hope we win the lottery and become rich." Perhaps I am wrong, but I think they are, for the most part, simply hoping they will get to be a part of life again. They are hoping for all the things we take for granted every day: the ability to breathe by yourself, to get out of bed, to sit on a toilet or lie in a bath. To swallow your food and choose what you want for breakfast. To walk out into the world and appreciate all its beauty, or complain about the weather - but to have that choice.
Aoife Abbey (Seven Signs of Life: Stories from an Intensive Care Doctor)
To come back to the question, the wise man, self-sufficient as he is, still desires to have a friend if only for the purpose of practising friendship and ensuring that those talents are not idle. Not, as Epicurus put it in the same letter, ‘for the purpose of having someone to come and sit beside his bed when he is ill or come to his rescue when he is hard up or thrown into chains’, but so that on the contrary he may have someone by whose sickbed he himself may sit or whom he may himself release when that person is held prisoner by hostile hands. Anyone thinking of his own interests and seeking out friendship with this in view is making a great mistake. Things will end as they began; he has secured a friend who is going to come to his aid if captivity threatens: at the first clank of a chain that friend will disappear. These are what are commonly called fair-weather friendships. A person adopted as a friend for the sake of his usefulness will be cultivated only for so long as he is useful. This explains the crowd of friends that clusters about successful men and the lonely atmosphere about the ruined – their friends running away when it comes to the testing point; it explains the countless scandalous instances of people deserting or betraying others out of fear for themselves. The ending inevitably matches the beginning: a person who starts being friends with you because it pays him will similarly cease to be friends because it pays him to do so. If there is anything in a particular friendship that attracts a man other than the friendship itself, the attraction of some reward or other will counterbalance that of the friendship. What is my object in making a friend? To have someone to be able to die for, someone I may follow into exile, someone for whose life I may put myself up as security and pay the price as well. The thing you describe is not friendship but a business deal, looking to the likely consequences, with advantage as its goal. There can be no doubt that the desire lovers have for each other is not so very different from friendship – you might say it was friendship gone mad. Well, then, does anyone ever fall in love with a view to a profit, or advancement, or celebrity? Actual love in itself, heedless of all other considerations, inflames people’s hearts with a passion for the beautiful object, not without the hope, too, that the affection will be mutual. How then can the nobler stimulus of friendship be associated with any ignoble desire?
Seneca (Letters from a Stoic)
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE STILL DANCES, EVEN IN THE RAIN.
Gabrielle Renee
This is what I have learned in these short weeks in the refuge: You cannot afford to make careless mistakes, like meditating in the presence of wolves, or topping your boots in the river, or losing a glove, or not securing your tent down properly. Death is a daily occurrence in the wild, not noticed, not respected, not mourned. In the Arctic, I've learned that ego is as useless as money. Choose one's travel companions well. Physical strength and prudence are necessary. Imagination and ingenuity are our finest traits. Expect anything. You can change your mind like the weather. Patience is more powerful than anger. Humor is attractive than fear. Pay attention. Listen. We are most alive when we are discovering. Humility is the capacity to see. We are meant to live simply. We are meant to live joyfully. Life continues with and without us. Beauty is another word for God.
Terry Tempest Williams (The Open Space of Democracy)
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
and here instead’s another version of what was happening that morning, as if from a novel in which sophia is the kind of character she’d choose to be, prefer to be, a character in a much more classic sort of story, perfectly honed and comforting, about how sombre yet bright the major-symphony of winter is and how beautiful everything looks under a high frost, how every grassblade is enhanced and silvered into individual beauty by it, how even the dull tarmac of the roads, the paving under our feet, shines when the weather’s been cold enough and how something at the heart of us, at the heart of all our cold and frozen states, melts when we encounter a time of peace on earth, goodwill to all men; a story in which there’s no room for severed heads; a work in which sophia’s perfectly honed minor-symphony modesty and narrative decorum complement the story she’s in with the right kind of quiet wisdom-from-experience ageing-female status, making it a story that’s thoughtful, dignified, conventional in structure thank god, the kind of quality literary fiction where the slow drift of snow across the landscape is merciful, has a perfect muffling decorum of its own, snow falling to whiten, soften, blur and prettify even further a landscape where there are no heads divided from bodies hanging around in the air or anywhere, either new ones, from new atrocities or murders or terrorisms, or old ones, left over from old historic atrocities and murders and terrorisms and bequeathed to the future as if in old french revolution baskets, their wickerwork brown with the old dried blood, placed on the doorsteps of the neat and central-heating-interactive houses of now with notes tied to the handles saying please look after this head thank you, well, no, thank you, thank you very much:
Ali Smith (Winter (Seasonal, #2))
Radar Data #12 It was in the absence of light as when near new moon and no moonlight; as when a part of a picture is in shadow (as opposed to a light); as when in the condition of being hidden from view, obscure, or unknown—in concealment, or else without knowledge as regards to some particular; and of the weather, season, air, sky, sea, etc., characterized by tempest; in times, events, circumstances etc. subject to tempers; inflamed, indicative, predictive, or symbolical of strife (harbinger of coming trouble)—a period of darkness occurring between one day & the next during which a place receives no light from the sun, and what if it is all behind us? I no longer fear the rain will never end, but doubt our ability to return to what lies passed. On the radar, a photopresent scraggle of interference, as if the data is trying to pretend something’s out there where everything is lost.
Lytton Smith (my radar data knows its thing)
Ordinarily to look at the sky for any length of time is impossible. Pedestrians would be impeded and disconcerted by a public sky-gazer. What snatches we get of it are mutilated by chimneys and churches, serve as a background for man, signify wet weather or fine, daub windows gold, and, filling in the branches, complete the pathos of dishevelled autumnal plane trees in London squares. Now, become as the leaf or the daisy, lying recumbent, staring straight up, the sky is discovered to be something so different from this that really it is a little shocking. This then has been going on all the time without our knowing it!—this incessant making up of shapes and casting them down, this buffeting of clouds together, and drawing vast trains of ships and waggons from North to South, this incessant ringing up and down of curtains of light and shade, this interminable experiment with gold shafts and blue shadows, with veiling the sun and unveiling it, with making rock ramparts and wafting them away—this endless activity, with the waste of Heaven knows how many million horse power of energy, has been left to work its will year in year out.
Virginia Woolf (On Being Ill)
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
Amanda Gorman
It was George the Mailman’s last day on the job after 35 years of carrying the mail through all kinds of weather to the same neighborhood. When he arrived at the first house on his route, he was greeted by the whole family who congratulated him and sent him on his way with a tidy gift envelope. At the second house, they presented him with a box of fine cigars. The folks at the third house handed him a selection of terrific fishing lures. At the fourth house, he was met at the door by a strikingly beautiful blonde woman in a revealing negligee. She took him by the hand, gently led him through the door, which she closed behind him, and took him up the stairs to the bedroom where she blew his mind with the most passionate love he had ever experienced. When he had enough, they went downstairs and she fixed him a giant breakfast: eggs, potatoes, ham, sausage, blueberry waffles, and fresh-squeezed orange juice. When he was truly satisfied, she poured him a cup of steaming coffee. As she was pouring, he noticed a dollar bill sticking out from under the cup’s bottom edge. "All this was just too wonderful for words," he said, "But what’s the dollar for?" "Well," she said, "Last night, I told my husband that today would be your last day, and that we should do something special for you. I asked him what to give you. He said, “Screw him. Give him a dollar.” The breakfast was my idea.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
Their attention was caught by the increasingly animated conversation between Beatrix and Annandale. “…I can climb a tree as well as any of the Ramsay estate woodsmen,” Beatrix was telling him. “I don’t believe you,” the earl declared, tremendously entertained. “Oh, yes. Off with the skirts, off with the corset, I put on a pair of breeches, and--” “Beatrix,” Audrey interrupted, before this scandalous discussion of intimate apparel progressed any further. “I just caught a glimpse of Poppy in the next room. It’s been ages since I’ve seen her. And I’ve never been introduced to her husband.” “Oh.” Reluctantly Beatrix turned her attention away from Annandale. “Shall I take you to them?” “Yes.” Audrey seized her arm. Annandale looked disgruntled, his black brows lowering as Audrey propelled Beatrix away. Christopher bit back a grin. “What do you think of her?” he asked. Annandale replied without hesitation. “I would marry her myself, were I five years younger.” “Five?” Christopher repeated skeptically. “Ten, damn you.” But a slight smile had appeared on the earl’s time-weathered face. “I commend you on your choice. She’s a spirited girl. Fearless. Lovely in her own way, and with her charm she has no need of true beauty. You’ll need to keep a firm hand on the reins, but the trouble will be worth it.” He paused, looking wistful. “Once you’ve had a woman like that, you can never be content with the ordinary kind.” Christopher had been about to argue over the question of Beatrix’s beauty, which in his opinion was unequaled.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Build houses and make yourselves at home. You are not camping. This is your home; make yourself at home. This may not be your favorite place, but it is a place. Dig foundations; construct a habitation; develop the best environment for living that you can. If all you do is sit around and pine for the time you get back to Jerusalem, your present lives will be squalid and empty. Your life right now is every bit as valuable as it was when you were in Jerusalem, and every bit as valuable as it will be when you get back to Jerusalem. Babylonian exile is not your choice, but it is what you are given. Build a Babylonian house and live in it as well as you are able. Put in gardens and eat what grows in the country. Enter into the rhythm of the seasons. Become a productive part of the economy of the place. You are not parasites. Don’t expect others to do it for you. Get your hands into the Babylonian soil. Become knowledgeable about the Babylonian irrigation system. Acquire skill in cultivating fruits and vegetables in this soil and climate. Get some Babylonian recipes and cook them. Marry and have children. These people among whom you are living are not beneath you, nor are they above you; they are your equals with whom you can engage in the most intimate and responsible of relationships. You cannot be the person God wants you to be if you keep yourself aloof from others. That which you have in common is far more significant than what separates you. They are God’s persons: your task as a person of faith is to develop trust and conversation, love and understanding. Make yourselves at home there and work for the country’s welfare. Pray for Babylon’s well-being. If things go well for Babylon, things will go well for you. Welfare: shalom. Shalom means wholeness, the dynamic, vibrating health of a society that pulses with divinely directed purpose and surges with life-transforming love. Seek the shalom and pray for it. Throw yourselves into the place in which you find yourselves, but not on its terms, on God’s terms. Pray. Search for that center in which God’s will is being worked out (which is what we do when we pray) and work from that center. Jeremiah’s letter is a rebuke and a challenge: “Quit sitting around feeling sorry for yourselves. The aim of the person of faith is not to be as comfortable as possible but to live as deeply and thoroughly as possible—to deal with the reality of life, discover truth, create beauty, act out love. You didn’t do it when you were in Jerusalem. Why don’t you try doing it here, in Babylon? Don’t listen to the lying prophets who make an irresponsible living by selling you false hopes. You are in Babylon for a long time. You better make the best of it. Don’t just get along, waiting for some miraculous intervention. Build houses, plant gardens, marry husbands, marry wives, have children, pray for the wholeness of Babylon, and do everything you can to develop that wholeness. The only place you have to be human is where you are right now. The only opportunity you will ever have to live by faith is in the circumstances you are provided this very day: this house you live in, this family you find yourself in, this job you have been given, the weather conditions that prevail at this moment.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
The Blue Mind Rx Statement Our wild waters provide vast cognitive, emotional, physical, psychological, social, and spiritual values for people from birth, through adolescence, adulthood, older age, and in death; wild waters provide a useful, widely available, and affordable range of treatments healthcare practitioners can incorporate into treatment plans. The world ocean and all waterways, including lakes, rivers, and wetlands (collectively, blue space), cover over 71% of our planet. Keeping them healthy, clean, accessible, and biodiverse is critical to human health and well-being. In addition to fostering more widely documented ecological, economic, and cultural diversities, our mental well-being, emotional diversity, and resiliency also rely on the global ecological integrity of our waters. Blue space gives us half of our oxygen, provides billions of people with jobs and food, holds the majority of Earth's biodiversity including species and ecosystems, drives climate and weather, regulates temperature, and is the sole source of hydration and hygiene for humanity throughout history. Neuroscientists and psychologists add that the ocean and wild waterways are a wellspring of happiness and relaxation, sociality and romance, peace and freedom, play and creativity, learning and memory, innovation and insight, elation and nostalgia, confidence and solitude, wonder and awe, empathy and compassion, reverence and beauty — and help manage trauma, anxiety, sleep, autism, addiction, fitness, attention/focus, stress, grief, PTSD, build personal resilience, and much more. Chronic stress and anxiety cause or intensify a range of physical and mental afflictions, including depression, ulcers, colitis, heart disease, and more. Being on, in, and near water can be among the most cost-effective ways of reducing stress and anxiety. We encourage healthcare professionals and advocates for the ocean, seas, lakes, and rivers to go deeper and incorporate the latest findings, research, and insights into their treatment plans, communications, reports, mission statements, strategies, grant proposals, media, exhibits, keynotes, and educational programs and to consider the following simple talking points: •Water is the essence of life: The ocean, healthy rivers, lakes, and wetlands are good for our minds and bodies. •Research shows that nature is therapeutic, promotes general health and well-being, and blue space in both urban and rural settings further enhances and broadens cognitive, emotional, psychological, social, physical, and spiritual benefits. •All people should have safe access to salubrious, wild, biodiverse waters for well-being, healing, and therapy. •Aquatic biodiversity has been directly correlated with the therapeutic potency of blue space. Immersive human interactions with healthy aquatic ecosystems can benefit both. •Wild waters can serve as medicine for caregivers, patient families, and all who are part of patients’ circles of support. •Realization of the full range and potential magnitude of ecological, economic, physical, intrinsic, and emotional values of wild places requires us to understand, appreciate, maintain, and improve the integrity and purity of one of our most vital of medicines — water.
Wallace J. Nichols (Blue Mind: The Surprising Science That Shows How Being Near, In, On, or Under Water Can Make You Happier, Healthier, More Connected, and Better at What You Do)
Zane awakened them both early. By the time Chase stirred, he had both their tents down and was on his third cup of coffee. Phoebe had promised she could act completely normal, but looking at her from across the fire, he wasn’t so sure. There was no way anyone could see her dreamy expression and not know something was different. She tucked a strand of hair behind her ear. “What? You keep looking at me. I know my makeup can’t be smudged. I’m not wearing any.” It didn’t matter; she was still beautiful. “You look different,” he told her. “Satisfied?” Color flared on her cheeks. “You’re only saying that because you know the truth.” “Uh-huh.” He doubted that, but maybe she was right. Or maybe the weather would be enough of a distraction to keep everyone from figuring out the truth. “How long is it going to rain?” she asked as she fingered a pole holding up the canvas sheet they put up to protect the fire and the seating area around it. “It sure got cold and damp in a hurry.” Zane shrugged. “No way to tell. The storm is supposed to hang around for a few days, but maybe it will blow over.” He hoped it would. Traveling in the rain wouldn’t be fun for anyone. And he couldn’t simply turn them around, head to the ranch and be there in time for lunch. They were at the farthest point from his house. It was a full two-day ride back. Phoebe finished her coffee. “I’m going to check and see if my things are dry,” she said as she stood. He nodded, then watched her go. Cookie had started a second campfire on the far side of camp. Phoebe’s clothes and sleeping bag were getting a dose of smoky warm air in an attempt to get them dry before they headed out. Zane knew the old man wouldn’t tease Phoebe. Instead he would save his comments for Zane.
Susan Mallery (Kiss Me (Fool's Gold, #17))
How delicious! Layer upon layer of exquisitely delicate sweetness blooms in the mouth like the unfurling petals of a flower! And it's different from the cake Sarge presented in one very distinct way!" ?! The flavors explode not like a bomb but a firecracker! What a silky-smooth, mild sweetness! "How were you able to create such a uniquely beautiful flavor?" "See, for the cake, I used Colza oil, flour, baking powder... and a secret ingredient... Mashed Japanese mountain yam! That gave the batter some mild sweetness along with a thick creaminess. Simply mashing it instead of pureeing it gave the cake's texture some soft body as well. Then there're the two different frostings I used! The white cream I made by blending into a smooth paste banana, avocado, soy milk, rice syrup and some puffed rice I found at the convenience store. I used this for the filling. *Rice syrup, also called rice malt, is a sweetener made by transforming the starch in rice into sugars. A centuries-old condiment, it's known for being gentle on the stomach. * I made the dark cream I used to frost the cake by adding cocoa powder to the white cream." "I see. How astonishing. This cake uses no dairy or added sugar. Instead, it combines and maximizes the natural sweetness of its ingredients to create a light and wonderfully delicious cake!" "What?!" "He didn't put in any sugar at all?!" "But why go to all that time and effort?!" "For the people patiently waiting to eat it, of course. This cake was made especially for these people and for this season. When it's hot and humid out... even if it's a Christmas Cake, I figured you'd all prefer one that's lighter and softer instead of something rich and heavy. I mean, that's the kind of cake I'd want in this weather.
Yūto Tsukuda (食戟のソーマ 34 [Shokugeki no Souma 34] (Food Wars: Shokugeki no Soma, #34))
I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.
Sally Rooney (Beautiful World, Where Are You)
You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears. Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister. Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line. “I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Man belongs to two spheres. And Scripture not only teaches that these two spheres are distinct, it also teaches what estimate of relative importance ought to be placed upon them. Heaven is the primordial, earth the secondary creation. In heaven are the supreme realities; what surrounds us here below is a copy and shadow of the celestial things. Because the relation between the two spheres is positive, and not negative, not mutually repulsive, heavenly-mindedness can never give rise to neglect of the duties pertaining to the present life. It is the ordinance and will of God, that not apart from, but on the basis of, and in contact with, the earthly sphere man shall work out his heavenly destiny. Still the lower may never supplant the higher in our affections. In the heart of man time calls for eternity, earth for heaven. He must, if normal, seek the things above, as the flower's face is attracted by the sun, and the water-courses are drawn to the ocean. Heavenly-mindedness, so far from blunting or killing the natural desires, produces in the believer a finer organization, with more delicate sensibilities, larger capacities, a stronger pulse of life. It does not spell impoverishment, but enrichment of nature. The spirit of the entire Epistle shows this. The use of the words "city" and "country" is evidence of it. These are terms that stand for the accumulation, the efflorescence, the intensive enjoyment of values. Nor should we overlook the social note in the representation. A perfect communion in a perfect society is promised. In the city of the living God believers are joined to the general assembly and church of the firstborn, and mingle with the spirits of just men made perfect. And all this faith recognizes. It does not first need the storms and stress that invade to quicken its desire for such things. Being the sum and substance of all the positive gifts of God to us in their highest form, heaven is of itself able to evoke in our hearts positive love, such absorbing love as can render us at times forgetful of the earthly strife. In such moments the transcendent beauty of the other shore and the irresistible current of our deepest life lift us above every regard of wind or wave. We know that through weather fair or foul our ship is bound straight for its eternal port.
Geerhardus Vos (Grace and Glory)
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently. But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him. Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow. All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman. Or slept past 5:00 A.M.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
No sugarcoating would be necessary,” Matthew interrupted calmly. “Daisy…that is, Miss Bowman, is entirely—” Beautiful. Desirable. Bewitching. “—acceptable. Marrying a woman like Miss Bowman would be a reward in itself.” “Good,” Bowman grunted, clearly unconvinced. “Very gentlemanly of you to say so. Still, I will offer you fair recompense in the form of a generous dowry, more shares in the company and so forth. You will be quite satisfied, I assure you. Now as to the wedding arrangements—” “I didn’t say yes,” Matthew interrupted. Bowman stopped pacing and sent him a questioning stare. “To start with,” Matthew continued carefully, “it is possible Miss Bowman will find a suitor within the next two months.” “She will find no suitors of your caliber,” Bowman said smugly. Matthew replied gravely despite his amusement. “Thank you. But I don’t believe Miss Bowman shares your high opinion.” The older man made a dismissive gesture. “Bah. Women’s minds are as changeable as English weather. You can persuade her to like you. Give her a posy of flowers, throw a few compliments in her direction…better yet, quote something from one of those blasted poetry books she reads. Seducing a woman is easily accomplished, Swift. All you have to do is—” “Mr. Bowman,” Matthew interrupted with a sudden touch of alarm. God in heaven, all he needed was an explanation of courtship techniques from his employer. “I believe I could manage that without any advice. That’s not the issue.” “Then what…ah.” Bowman gave him a man-of-the-world smile. “I understand.” “You understand what?” Matthew asked apprehensively. “Obviously you fear my reaction if you should decide later on that my daughter is not adequate to your needs. But as long as you behave with discretion, I won’t say a word.” Matthew sighed and rubbed his eyes, suddenly feeling weary. This was a bit much to face so soon after his ship had landed in Bristol. “You’re saying you’ll look the other way if I stray from my wife,” he said rather than asked. “We men face temptations. Sometimes we stray. It is the way of the world.” “It’s not my way,” Matthew said flatly. “I stand by my word, both in business and in my personal life. If or when I promise to be faithful to a woman, I would be. No matter what.” Bowman’s heavy mustache twitched with amusement. “You’re still young enough to afford scruples.” “The old can’t afford them?” Matthew asked with a touch of affectionate mockery. “Some scruples have a way of becoming overpriced. You’ll discover that someday.” “God, I hope not.” Matthew sank into a chair and buried his head in his hands, his fingers tunneling through the heavy locks of his hair.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
By the time they reached the lake, the sky was spitting raindrops at them. Dare pulled into the dirt parking lot nearest the little beach everyone in the club used for swimming. He killed the engine and turned in his seat to face her. "What d'ya think about..." The question died in his throat. Because under the helmet's clear visor, Haven wore the most beautiful smile he'd ever seen in his life. "God, I love riding," she said. She lifted the helmet from her head, shaking out her new brown hair. The movement made him hard. "What do I think about what?" She grinned up at the sky as a few fat drops landed on her face. "The weather," Dare said distractedly, just struck stupid by her declaration, her beauty, the knowledge that riding with him made so damn happy. She shrugged, her expression entirely untroubled. "I'm gonna get wet anyway." He swallows around the desire stalking through his body. "Are you now?" he asked, purposely playing on the innuendo of her words when he knew she hadn't meant anything by them. Just to see if she'd take the bait. Lips pressed together in a mischievous smirk, she looked him right in the eyes. "Sure hope so." Game. Fucking. On.
Laura Kaye (Ride Hard (Raven Riders, #1))
On Monday mornings in nice weather, Diana would ask, “Where did you go this weekend, Mrs. Robertson?” She knew we made frequent trips outside London. Other English friends would tell us about their favorite spots, but Diana was not forthcoming with travel suggestions. At the time, I assumed that she might not have seen as much of England and Scotland as we did during that year. Diana enjoyed our enthusiasm for her country--its natural beauty, its stately homes and castles, its history. She must have smiled inside when I would tell her of my pleasure in the architecture, paintings, and furniture I saw in England’s famous mansions. She’d grown up in one! And she would always ask, “How did Patrick enjoy…Warwick Castle or Canterbury Cathedral or Dartmoor?” Patrick was a very good-natured sightseer. In return, I would ask, “And how was your weekend?”, leaving it up to her to say as little or as much as she chose. I would not have asked specifically, “What did you do last weekend?” She would answer politely and briefly, “Fine,” or “Lovely,” maybe mentioning that she’d been out in the country. Of course, I didn’t know “the country” meant a huge estate that had been in the family for centuries. Diana was unfailingly polite but sparing of any details. She considered her personal life just that, personal. She was careful never to give us a clue about her background. If she did not volunteer information, something in her manner told me I should not intrude. She may not have even been aware of this perception I had. I viewed her understated manner as appealing and discreet, not as off-putting or unfriendly. Clearly, Diana did not want us to know who she was. We may possibly have been the only people Diana ever knew who had no idea who she was. We welcomed her into our home and trusted her with our child for what she was. This may have been one reason she stayed in touch with us over the years.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
As far as her parents could tell from their vantage point behind the spire, Psyche plummeted to her death. They never found her body, but that didn’t mean anything. It was a windy day, and they were too upset to launch a full-scale search. Besides, if Psyche hadn’t died, that meant the monster of the prophecy had taken her, which was even worse. The king and queen returned home, brokenhearted, convinced they would never see their beloved daughter and favorite tourism magnet again. The end. Not really. In the long run, Psyche would’ve suffered less if she had died, but she didn’t. As she fell from the rock, the winds swirled around her. Forty feet from the valley floor, they slowed her fall and lifted her up. “Hi,” said a disembodied voice. “I’m Zephyrus, god of the west wind. How ya doing today?” “Um…terrified?” said Psyche. “Great,” said Zephyrus. “So we have a short flight this morning, heading over to my master’s palace. Weather looks good. Maybe a little turbulence on our initial ascent.” “Your master’s palace?” “Please remember to keep your seat belt fastened, and don’t disable the smoke detectors in the lavatory.” “What language are you speaking?” Psyche demanded. “What are you talking—AHHH!” The west wind swept her away at a thousand miles an hour, leaving behind Psyche’s stomach and a trail of black flower petals. They touched down in a grassy valley blanketed with wildflowers. Butterflies flitted through the sunlight. Rising in the distance was the most beautiful palace Psyche had ever seen. “Thanks for flying with us today,” Zephyrus said. “We know you have a lot of options when choosing a directional wind, and we appreciate your business. Now, you’d better get going. He’ll be waiting.” “Who—?” But the air turned still. Psyche sensed that the wind god was gone.
Rick Riordan (Percy Jackson's Greek Heroes (A Percy Jackson and the Olympians Guide))
Dinner on Kitt Peak wrapped up in time for everyone to head outside and watch the sunset together before scattering to the telescope, a time-honored tradition of astronomers everywhere. If asked, we would all supply some good practical scientific reasoning behind the habit - you get a glimpse of what sort of night it's going to be, a sense of upcoming weather, the sky quality, and so on - but the basic reason remains that it's simply beautiful. Standing on a remote mountain with the earth stretching out into the distance and slowly spinning away from our nearest star, it's a wonderful quiet moment to enjoy the vastness and stillness and colors as the night begins. On any given evening, I can promise you that scattered across the planet are a few small groups of astronomers, standing on dome catwalks or dining hall patios or even just a stretch of hard-packed earth and pausing in their work for a few moments to admire the simple beauty of the sky.
Emily M. Levesque (The Last Stargazers: The Enduring Story of Astronomy's Vanishing Explorers)
What is wrong with looking muscular? Muscles are beautiful. Strength is beautiful. Muscle tissue is beautiful. It is metabolically, medically, and philosophically beautiful. Muscles retreat when they’re not used, but they will always come back if you give them good reason. No matter how old you get, your muscles never lose hope. Few cells of the body are as capable as muscle cells are of change and reformation, of achievement and transcendence… Women need muscle, as much as they can muster. They need muscle to shield their light bones, and they need muscle to weather illness. And being strong in a blunt way, a muscleheaded way, is easier than being skilled at a sport. It is a democratic option, open to the klutzes and the latecomers, and women should seize the chance to become cheaply, fowzily strong, because the chance exists, and let’s be honest, we don’t have many. Being strong won’t make you happy or fulfilled, but it’s better to be sullen and strong than sullen and weak
Natalie Angier (Woman: An Intimate Geography)
What about our retired couple?         •  The Character: Retired couples         •  The Problem: A second mortgage         •  The Plan: A time-share option         •  The Success: Avoiding those cold, northern winters         •  “We help retired couples who want to escape the harsh cold avoid the hassle of a second mortgage while still enjoying the warm, beautiful weather of Florida in the winter.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
And then we spoke of the weather, which had been awfully hot. After that, unable to think of anything more to say, we fell into a silence that was troubled and unwelcome. Trying to end it, I said finally, “Well, we’ve had a time,” speaking of the weather. And Mat said, “Yes, we’ve had a time,” speaking of the war. We spoke in very general terms, then, of the war and other trials of life in this world. Mat said, “Everything that will shake has got to be shook.” “That’s Scripture,” I said, and he nodded. Thinking to try to comfort him, I said, “Well, along with all else, there’s goodness and beauty too. I guess that’s the mercy of the world.” Mat said, “The mercy of the world is you don’t know what’s going to happen.” And then after a pause, speaking on in the same dry, level voice as before, he told me why he had been up walking about so late. He had had a dream. In the dream he had seen Virgil as he had been when he was about five years old: a pretty little boy who hadn’t yet thought of anything he would rather do than follow Mat around at work. He looked as real, as much himself, as if the dream were not a dream. But in the dream Mat knew everything that was to come. He told me this in a voice as steady and even as if it were only another day’s news, and then he said, “All I could do was hug him and cry.” And then I could no longer sit in that tall chair. I had to come down. I came down and went over and sat beside Mat. If he had cried, I would have. We both could have, but we didn’t. We sat together for a long time and said not a word. After a while, though the grief did not go away from us, it grew quiet. What had seemed a storm wailing through the entire darkness seemed to come in at last and lie down. Mat got up then and went to the door. “Well. Thanks,” he said, not looking at me even then, and went away.
Wendell Berry (Jayber Crow)
Taki As a prolific author and journalist, Taki has written for many top-rated publications, including the Spectator, the London Sunday Times, Vanity Fair, National Review, and many others. Greek-born and American-educated, Taki is a well-known international personality and a respected social critic all over the world. In June 1987, I was an usher at the wedding of Harry Somerset, Marquis of Worcester, to Tracy Ward. The wedding and ensuing ball took place in the grand Ward country house, attended by a large portion of British society, including the Prince and Princess of Wales. Late in the evening, while I was in my cups, a friend, Nicky Haslam, grabbed my arm and introduced me to Diana, who was coming off the dance floor. We exchanged pleasantries, me slurring my words to the extent that she suddenly took my hand, looked at me straight in the face, and articulated, “T-a-k-e y-o-u-r t-i-m-e.” She mistook my drunken state for a severe speech impediment and went into her queen-of-hearts routine. Nicky, of course, ruined it all by pulling her away and saying, “Oh, let him be, ma’am; he’s drunk as usual.” We occasionally met after that and always had a laugh about it. But we never got further than that rather pathetic incident. In 1994, I began writing the “Atticus” column for the Sunday Times, the bestselling Sunday broadsheet in Britain. By this time Diana and Charles had separated, and Diana had gone on the offensive against what was perceived by her to be Buckingham Palace plotting. As a confirmed monarchist, I warned in one of my columns that her popularity was enough to one day bring down the monarchy. I also wrote that she was bonkers. One month or so later, at a ball given in London by Sir James Goldsmith and his daughter Jemima Khan, a mutual friend approached me and told me that Princess Diana would like to speak with me. As luck would have it, yet again I was under the weather. When I reached her table, she pulled out a seat for me and asked me to sit down. The trouble was that I missed the chair and ended up under the table. Diana screamed with laughter, pulled up the tablecloth, looked underneath, and asked me pointblank: “Do you really think I’m mad?” For once I had the right answer. “All I know is I’m mad about you.” It was the start of a beautiful friendship, as Bogie said in Casablanca.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Neil’s feet were still numb from the frostbite. Long exposure up high, sat waiting in the snow for all those hours at the Balcony, had taken their toll. At base camp, we bandaged them up, kept them warm, and purposefully didn’t discuss the very real prospect of him losing his toes. He didn’t need to be told that he was unlikely ever to feel them again properly. Either way, we realized that the best option for them was to get him proper medical attention and soon. There was no way he was going to be walking anywhere with his feet bandaged up like two white balloons. We needed an air-evacuation. Not the easiest of things in the thin air of Everest’s base camp. The insurance company said that at dawn the next day they would attempt to get him out of there. Weather permitting. But at 17,450 feet we really were on the outer limits of where helicopters could fly. True to their word, at dawn we heard the distant rotors of a helicopter, far beneath us in the valley. A tiny speck against the vast rock walls on either side. In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself.
Bear Grylls (Mud, Sweat and Tears)
What do you know of Lord Lionel Honiton?” She lobbed the question at him in retaliation for his peremptory tone, also because he’d give her an honest answer. “I know he’s vain as a peacock, but other than that, probably no more given to vice than most of his confreres.” This was said with such studied detachment, Louisa’s curiosity was piqued. “Many young men are vain. Lionel is an attractive man.” “Perhaps, but you are equally attractive, Louisa Windham, more attractive because you neither drape yourself in jewels nor flaunt your attributes with cosmetics, and I don’t see you lording it over the ladies less endowed than you are.” He was presuming to scold her, and yet Louisa couldn’t help feeling a backhanded sort of pleasure at the implied compliment. “Beauty fades,” Louisa said. “All beauty. If Lord Lionel is vain, time will see him disabused of his beauty soon enough.” Unbidden, the memory of Sir Joseph reciting Shakespeare came to Louisa’s mind: “That time of year thou mayst in me behold, when yellow leaves, or none, or few do hang on boughs which shake against the cold…” “So it will.” Sir Joseph held back a branch for Louisa to pass. “While yours will never desert you.” “Are you attempting flattery before breakfast, Sir Joseph?” His lips quirked up at her question, a fleeting, blink-and-she’d-miss-it suggestion of humor. “I am constitutionally incapable of flattery. You are honest, Louisa Windham, loyal to your family, and possessed of sufficient courage to endure many more social Seasons than I’ve weathered. To a man who understands what matters most, those attributes grow not less attractive over time, but more.
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
This is what I imagined as I watched my kite, my beautiful kite, with its heart, its star and crayon, its note and flowers glowing from the light of the sun behind it. I felt love and grief and joy and all the emotions in between, letting my weathered broken heart knit itself back together again as I said goodbye to my mother. Our imaginations are such gifts, she used to say. So I thanked her for mine.
Donna Freitas (The Survival Kit)
Today's enemies can be your friends tomorrow. And today's friends can be tomorrow's enemies. What you reject today, you could accept tomorrow. And what you accept today, you could reject tomorrow. Never say never unless you can predict the future. Unforeseeable circumstances can make a rich man, poor - And a poor man, rich. And unpredictable experiences can also make a good man, bad - And a bad man, good. Like the weather or bonds between lovers, Transformations cannot always be predicted. All energy transmutes one day or another, In one way or another, Either in its form or composition, Or in its position or disposition. Today will always offer new experiences, And tomorrow will always offer new opportunities. But if you heed to yesterday's lessons, You can shape your present and future To be filled with positive relationships And beautiful blessings. TODAY AND TOMORROW by Suzy Kassem THE SPRING FOR WISDOM Copyright 1993
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
Trusting and entrusting; we will build a strong foundation we simply can’t have a healthy god homering mutually god satisfying marriage without trust. In a fallen world trust is the fine china of a relationship. It is beautiful when it’s there, but its surly delicate and breakable. When trust is broken it can be very hard to repair; it is trust that allows a husband and wife to face all the internal and external threats to their unite love and understanding, it is trust that allows couple to weather the difference and disarrangements that every marriage faces. It is trust allows couple to talk with honest and hope about the most personal and difficult things. There are two sides to trust; first you must do everything you can to proof yourself trustworthy. Second, you must make the decision to entrust yourself into your spouse’s care. What does it look like to engender a marriage where trust thrives? What does it look like rebuild trust when it’s been shattered? What are the characteristics of a relationship where trust is the glue?
Paul Tripp
1 It was early December. The streets of Milan glistened with Christmas decorations, with people coming and going carefree, carrying elegant shopping bags. It was past eight, and several minutes earlier I had closed behind me the door of Passerella, the modelling agency I ran. I had let my assistant, Giovanni, file the photos of the new faces we had initially chosen for Dante’s summer collection. He was an up-and-coming designer. The minute I walked down Monte Napoleone, one of the city’s most commercial streets, the chilly air forced me to wrap up well in my brand new light green coat. An original piece of cashmere, the five letters embossed on its lapel making it even more precious in that cold weather. My fingers contentedly groped for the word “Prada” before I stuck my hand into its warm pocket, while clutching my favourite handbag tight. A huge red ostrich Hermes where you could find cosmetics, scarves, and accessories, which I could use throughout the day, giving a different twist to my appearance. I wanted to walk a little bit to let off steam. My job may have been pleasant as it had to do with the world’s most beautiful creatures, men and women, but it wasn’t without its tensions. Models went to and fro, trade representatives looking for new faces, endless castings, phone calls, text messages, tailors, photographers, reports from my secretary and assistants—a rowdy disorder! I had already left the building where my job was, and I was going past another two entrances of nearby premises, when my leg caught on something. I instantly thought of my brand new Manolo Blahnik shoes. I’d only put them on for the second time, and they were now falling victim to the rough surface of a cardboard box, where a homeless man slept, at the entrance of a building. My eyes sparked as I checked if my high heels were damaged. On the face of it, they were intact. But that wasn’t enough for me. I found a lighter, and tried to check their red leather in the dim light. Why should the same thing happen over and over again every time I buy new shoes? I wondered and walked on, cursing. Why had that bloke chosen that specific spot to sleep, and why had I headed for his damn cardboard box! As I held my lighter, my angry gaze fell on the man who was covered with an impermeable piece of nylon, and carried on sleeping. He looked so vulnerable out in the cold that I didn’t dare rouse him from his sleep. After all, how could I hold him responsible in this state? I quickened my gait. Bella was waiting for me to start our night out with a drink and supper at Galleria Vittorio Emanuele, the imposing arcade with a dome made of glass, its ambience warm and romantic. Bella’s office was nearby, and that meeting place was convenient for both of us. That’s where we made up our minds about how to spend the night.I walked several metres down the road, but something made me stop short. I wanted to have a second look at that man. I retraced my steps. He was a young man who, despite his state, seemed so out of place. His unkempt hair and unshaven face didn’t let me see anything else but his profile, which reminded of an ancient Greek statue, with pronounced cheekbones and a chiselled nose. This second time, he must have sensed me over him. The man’s body budged, and he eyed me without making me out, dazzled by the lighter flame. As soon as I realised what I had done, I took to my heels. What had made me go back? Maybe, the sense of guilt I felt inside my warm Prada coat, maybe, the compassion I had to show as Christmas was just around the corner. All I knew was that a small bell jingled within, and I obeyed it. I walked faster, as if to escape from every thought. As I left, I stuck my hand in my bag, and got hold of my mobile. My secretary’s voice on the other end of the line sounded heavy and imposing. Giovanni wasn’t the embodiment of “macho” man, but he had all it takes to be the perfect male. Having chosen to quit modelling, he still looked gorgeous at the age of
Charlotte Bee (SLAVE AT MY FEET)
Today's enemies can be your friends tomorrow. And today's friends can be tomorrow's enemies. What you reject today, you could accept tomorrow. And what you accept today, you could reject tomorrow. Never say never unless you can predict the future. Unforeseeable circumstances can make a rich man, poor - And a poor man, rich. And unpredictable experiences can also make a good man, bad - And a bad man, good. Like the weather or bonds between lovers, Transformations cannot always be predicted. All energy transmutes one day or another, In one way or another, Either in its form or composition, Or in its position or disposition. Today will always offer new experiences, And tomorrow will always offer new opportunities. But if you heed to yesterday's lessons, You can shape your present and future To be filled with positive relationships And beautiful blessings. TODAY AND TOMORROW by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I have four pets,’ Bjørnar Nicolaisen tells me at 69.31°N, ‘two cats and two sea eagles. I feed them all together on the shore, there by the throne, with the best fish in the world!’ He gives a huge laugh, and points east through the window of his living room: snow-filled fields sloping away to a rocky beach that borders a fjord several miles in width. Steel-blue water in the fjord, choppy where the currents are running. Far across the fjord, ranks of smooth-snowed peaks gleam in the late sunlight. They are shaped more wildly than any mountains I have ever seen before. Witches’ hats and shark fins and jabbing fingers, all polished white as porcelain. I cannot see a throne on the shore, though. ‘Here, try these.’ He hands me a pair of binoculars. Black leather-clad barrels, weathered in places to brown. Polished eye-pieces – and a Nazi eagle engraved into the left-hand barrel-back. ‘Wehrmacht-issue,’ says Bjørnar. ‘Beautiful lenses. An officer’s. When my father was dying, he asked me what I wanted from his possessions. “One thing only,” I told him, “the binoculars you took from the Germans.”‘ I lift the binoculars and the shoreline leaps to my eyes, close enough to touch. Calibrated cross-hairs float in my vision. I pan right along the beach. Nothing. I switch back left. Yes, there, a chair of some kind – but six or seven feet tall, built from driftwood lashed and nailed together. It looks like something the ironborn of Westeros might have made. ‘I take the eagles a cod or a saithe whenever I come back from a good day’s fishing. I feed them by my chair, there.’ ‘Bjørnar, you are the only person I know who counts sea eagles among his pets.’ ‘I am more of a cat person,’ Bjørnar replies. ‘Than a dog person or than an eagle person?’ ‘Than a people person!’ Bjørnar laughs and laughs – a deep, explosive laugh coming from far inside his chest.
Robert Macfarlane (Underland: A Deep Time Journey)
From what he'd been told about the duke's past, Keir would have expected a florid old dandy, or a rheumy-eyed satyr. Anything but this elegantly lean man who moved with the supple ease of a tomcat. His clean-shaven face was a marvel of bone structure: a gift of male beauty that could never be outlived. The dark gold of his hair was silvered at the temple and sides, and time had weathered his complexion here and there with fine lines. But the signs of maturity only made him seem more powerful. The sheer presence of the man caused the hairs on Keir's arms to prickle in warning beneath the too-short sleeves of his ready-made coat.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
If you get used to the storm, the fear inside you will go away, what comes instead is to live the storm calmly; now you start to see the beauty of stormy weather!
Mehmet Murat ildan
Diana braced herself for the glare of the sun, the crowds and the cacophony of taxi horns, but New York delivered one of those rare, perfect autumn twilights. The air was cool and faintly fall-scented; the sky was a rich, lustrous blue, and everyone seemed to have slowed down enough to appreciate the night's beauty. "Oh, wow." Daisy gave a dreamy sigh, then looked sideways at Diana and smiled. "You probably think I'm a total country bumpkin." "No," said Diana, because she could see what Daisy was seeing. "Magic hour. That's what photographers call it. That light at the very end of the day.
Jennifer Weiner (That Summer)
And who doesn’t love Miami Beach? Palm trees, beautiful girls, perfect weather.
Alex Finlay (What Have We Done)
train me, nice as could be other than acting like she’s my mom, all honey-this and honey-that and “You think you can remember all that, sweetie?” Just three or four years out of high school herself. But she did have three kids, so probably she’d wiped so many asses she got stuck that way. I didn’t hold it against her. Coach Briggs’s brother stayed upstairs in the office. Heart attack guy was a mystery. First they said he might come back by the end of summer. Then they all stopped talking about him. As far as customers, every kind of person came in. Older guys would want to chew the fat outside in the dock after I loaded their grain bags or headgates or what have you. I handled all the larger items. They complained about the weather or tobacco prices, but oftentimes somebody would recognize me and want to talk football. What was my opinion on our being a passing versus running team, etc. So that was amazing. Being known. It was the voice that hit my ear like a bell, the day he came in. I knew it instantly. And that laugh. It always made you wish that whoever made him laugh like that, it had been you. I was stocking inventory in the home goods aisle, and moved around the end to where I could see across the store. Over by the medications and vaccines that were kept in a refrigerator case, he was standing with his back to me, but that wild head of hair was the giveaway. And the lit-up face of Donnamarie, flirting so hard her bangs were standing on end. She was opening a case for him. Some of the pricier items were kept under lock and key. I debated whether to go over, but heard him say he needed fifty pounds of Hi-Mag mineral and a hundred pounds of pelleted beef feed, so I knew I would see him outside. I signaled to Donnamarie that I’d heard, and threw it all on the dolly to wheel out to the loading dock. He pulled his truck around but didn’t really see me. Just leaned his elbow out the open window and handed me the register ticket. He’d kept the Lariat of course, because who wouldn’t. “You’ve still got the Fastmobile, I see,” I said. He froze in the middle of lighting a smoke, shifted his eyes at me, and shook his head fast, like a splash of cold water had hit him. “I’ll be goddamned. Diamond?” “The one,” I said. “How you been hanging, Fast Man?” “Cannot complain,” he said. But it seemed like he wasn’t a hundred percent on it really being me loading his pickup. He watched me in the side mirror. The truck bounced a little each time I hefted a mineral block or bag into the bed. Awesome leaf springs on that beauty. I came around to give him back his ticket, and he seemed more sure.
Barbara Kingsolver (Demon Copperhead)
Chiara gasped as her mentor passed her the wand, and a small star appeared at its tip. It should have warmed Chiara's heart to see it, but she could barely muster a smile. "The reception of a fairy's wand is often a bittersweet occasion. Let that be a reminder for you that magic can bring great joy as well as sorrow, hope as well as fear. May you use yours to shine light upon darkness." "I will," Chiara vowed. As soon as the words left her lips, the star on her wand came aglow and a pair of iridescent wings bloomed from her back. "What name will you take, Chiara Belmagio?" The answer was one she had toyed with ever since she'd considered the fairies' invitation. "The Blue Fairy." Blue was the color that brought her joy. The color of the walls of the music room where she and Ilaria had spent countless hours laughing and chasing each other and making music; the color of her father's eyes, like hers; the color of the sea where she and Niccolo took their little boat out when the weather was fair. Her dress shimmered with stardust. The pale color deepened into a warm and rich blue, and the fabric softened into gossamer silk. The threads stitched themselves into a gown worthy of a good fairy, turning her long sleeves into iridescent swaths of starlight. A beautiful yet understated uniform. Perfect for the new fairy. Only the ribbon she wore in her hair was the same as before. A reminder of Chiara Belmagio, daughter of Pariva.
Elizabeth Lim (When You Wish Upon a Star)
She and her kisses It was Saturday afternoon, The Summer Sun shone bright, And there she was as usual basking in the casual moments of the noon, While I stood there looking at her beautiful face in the Summer light, She turned sideways and sometimes I could only see her back, And as her locks of hair descended downwards from her shoulders, I could witness in the daylight the magic of the beautiful black, It was a beautiful sight for all heavenly and earthly beholders, To see her splendor of beauty humble the Summer light, And what made her even more beautiful was her ignorance of this fact, That she was brighter than the summer light and during the night she was the envy of moonlight, And with time she seemed to have a secret pact, For the afternoon sun had now set behind the horizon of dusk, But she and her beauty were still embalmed by a mysterious eternal light, That charged at the keeper of time like the ferocious tusk, And guarded her beauty like the most devout knight, When she finally stood up and left the place, I followed the trail of her scent, her shadows and her feet, And there I saw her enter a grand palace of grace, The residence of beautiful innocence made radiant by acts of kindness that nothing can defeat, Because time and beauty are the gatekeepers of this place, Where she sleeps and renews her youth, her charms and her sensitive acts of tenderness, Then in a moment she vanishes behind the veil of sleep without leaving any trace, On the fleeting moments of time, so nobody knows how she attains this beautiful grace of absolute calmness, Maybe it is her ability to look at men and women differently, For no matter who she comes across she greets them genuinely, And offers them a smile of kindness fondly, And it is these acts, small insignificant acts of kindness that flash on her face so beautifully, That is why I love her, even if it means looking at her from the distance, Because I seek not that smile of kindness that she offers to all, I love to be with her and feel that secret romance, That has enslaved time to her commands and makes her the most beautiful woman of all, Someday when the sun has set and the moonlight is bright, And she travels in her dreams into the kingdom of time and eternity, There I shall be her dream, to be so then every night, And then that is what I shall love to be her and my eternity, Where she kisses me, And we lie cocooned in the shell of love, With time winding its silk strings around me, As she kisses me like the rain drops of love, Then as the silk cocoon of time preserves us both, I shall confess to her, under the afternoon Sun, That for her I was the moth, That died a billion times just to let her face, be the beauty’s eternal Sun, So she owes me a moment of love, with a billion kisses, And as she agrees we both shall sleep in the cocoon of time together, Nothing to separate us, not even light, we shall then grow as a grand feeling of love thriving on kisses, And grow in the cocoon of eternal time where love and kisses shall be the only weather.
Javid Ahmad Tak (They Loved in 2075!)
I used honey from the Amur Cork Tree !" "Amur Cork...?!" AMUR CORK HONEY The Amur Cork tree is a member of the citrus family. Honey made from its flowers has a clear sweetness to it, with underlying hints of bitterness. Depending on the weather and what other plants are growing nearby, there are years when no honey can be collected from the trees, making Amur Cork Honey one of the rarer, more expensive varieties of honey available. "Most common honeys would have the thick, mellow richness necessary to adequately accentuate the flavor of bear meat. However, when paired with the strong savory punch of the Menchi-Katsu hamburger steak, that thick and sticky flavor would be too much, making the overall dish taste heavy and cloying. Not so in the case of Amur Cork Honey! The hints of astringency in its aftertaste match perfectly with the flavor of the bear meat, and it prevents the sweetness from becoming too cloying. In fact, it's astounding how beautifully the two flavors go together! Not only did Soma Yukihira discover a potent ingredient in honey, he was also diligent enough to think through its weaknesses and search for ways to refine his dish even further!
Yūto Tsukuda (食戟のソーマ 22 [Shokugeki no Souma 22] (Food Wars: Shokugeki no Soma, #22))
What do you think of her?" he asked. Annandale replied without hesitation. "I would marry her myself, were I five years younger." "Five?" Christopher repeated skeptically. "Ten, damn you." But a slight smile had appeared on the earl's time-weathered face. "I commend you on your choice. She's a spirited girl. Fearless, Lovely in her own way, and with her charm she has no need of true beauty. You'll need to keep a firm hand on the reins, but the trouble will be worth it." He paused, looking wistful. "Once you've had a woman like that, you can never be content with the ordinary kind." Christopher had been about to argue over the question of Beatrix's beauty, which in his opinion was unequaled. But that last sentence caught his attention. "You're referring to Grandmother?" he asked. "No. Your grandmother was the kind of woman I thought I should marry. I was in love with someone else- a far less suitable girl. And I let her go, to my everlasting regret." He sighed, pondering some distant memory. "A lifetime without her..." Fascinated, Christopher wanted to ask more... but this was hardly the time or place for such a conversation. However, it gave him an unexpected insight into his grandfather. What would it do to a man, to marry a Prudence when one might have had a Beatrix? It would be enough to turn anyone bitter.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
It is a lovely strath. The flat river lands widen and narrow, the path goes by and through hazel woods where nuts ripen in harvest weather, discloses sudden meadows where rabbits look and vanish, swerves round and on, but ever holds by the river. The slopes that shut out the strath from the moors are steep and wooded to their summits. It is not a glen of the mountains, craggy, stupendous, physically impressive. There is nothing here to overwhelm the romantic mind. Its beauty is an inward grace in oneself akin to what is indefinable in the memory of a masterpiece. Beauty, intimate and secretive, has a lingering, lovely mirth; at the core of it, hope and fulfilment meet and tread a measure; while heads turn with glistening eyes to look for any or no excuse to laugh. In some such mood the Creator must have looked upon his handiwork and called it good.
Neil M. Gunn (Highland River (Canongate Classic))
Our thoughts have more power over what happens today than almost anything else; more than our families, more than our schedules, more than the weather. They shape our moods, our feeling of self-worth, our capacity for joy, our sense of abundance. They are constant companions that can be guided to serve us in creating this beautiful day.
Mary Davis (Every Day Spirit: A Daybook of Wisdom, Joy and Peace)
chaos in her eyes Sitting with Christine, thinking about the chaos in her eyes, his emotional chaos, plotting to lure her out for a weekend of love, he wished in a chaotic, physical logic,” I wish I could count the number of causes and their probabilities that affect your feelings about me and that will determine what kind of answer I get if I ask you out for a date.” -What? What is that you just said? (An internal voice). By knowing the causes and the probabilities of the order in which they occur, you predict emotions Is that possible? Can we treat human emotions like the weather? Are there sensors to measure our emotions across time points in our history from which we can predict our future actions and their impact on us and others? Is there a computer with enormous capacity that can collect, analyze, and predict them? Do human emotions fall within this randomness? Throughout their history, physicists have rejected the idea of a relationship between human emotions and the surrounding world. Emotions are incomprehensible, they cannot be expected, what cannot be expected cannot be measured, what cannot be measured cannot be formulated into equations, and what cannot be formulated into equations, screw it, reject it, get rid of it, it is not part of this world. These ideas were acceptable to physicists in the past before we knew that we can control the effect of randomness to some extent through control sciences, and predict it by collecting a huge amount of data through special sensors and analyzing it. What affects when a plane arrives? Wind speed and direction? Our motors compensate for this unwanted turbulence. A lightning strike could destroy it? Our lightning rods control this disturbance and neutralize its danger. Running out of fuel? We have fuel meter indicators. Engine failure? We have alternative solutions for an emergency landing. All fall under the category of control sciences, But what about the basic building blocks of an airplane model during its flight? Humans themselves! A passenger suddenly felt dizzy, and felt ill, did the pilot decide to change his destination to the nearest airport? Another angry person caused a commotion, did he cause the flight to be canceled? Our emotions are part of this world, affect it, and can be affected by, interact with. Since we can predict chaos if we have the tools to collect, measure, and analyze it, and since we can neutralize its harmful effects through control science, thus, we can certainly do the same to human emotions as we do with weather and everything else that we have been able to predict and neutralize its undesirable effect. But would we get the desired results? nobody knows… -“Not today, not today, Robert”, he spoke to himself. – If you can’t do it today, you can’t do it for a lifetime, all you have to do now is simply to ask her out and let her chaos of feelings take you wherever she wants. Unconsciously, about to make the request, his phone rang, the caller being his mother and the destination being Tel Aviv. Standing next to Sheikh Ruslan at the building door, this wall fascinated him. -The universe worked in some parts of its paint even to the point of entropy, which it broke, so it painted a very beautiful painting, signed by its greatest law, randomness. If Van Gogh was here, he would not have a nicer one. Sheikh Ruslan knocked on the door, they heard the sound of footsteps behind him, someone opened a small window from it, as soon as he saw the Sheikh until he closed it immediately, then there was a rattle in the stillness of the alley, iron locks opening. Here Robert booked a front-row seat for the night with the absurd, illogic and subconscious.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
Snow-melt in the stream: Mama Nature turning winter's storms into nourishment for the soil, fecundity, and beauty. This is what I must now learn to do with the stormy weather I've been passing through: turn it into beauty, turn it into art, so new life can germinate and bloom. One example of a creative artist who does this is my friend Jane Yolen, who wrote her exquisite book of poems The Radiation Sonnets while her husband was undergoing treatment for the cancer that would eventually claim his life. This is what all artists must do: take whatever life gives us and "alchemize" it into our art (either directly and autobiographically, as in Jane's book, or indirectly; whatever approach works best), turning darkness into light, spinning straw into gold, transforming pain and hardship into what J.R.R. Tolkien called 'a miraculous grace.
Terri Windling
Hardie Boys- Exterior Millwork Exterior spaces on your property are largely exposed to the elements and that means they have to endure considerable wear and tear. This is why it becomes important to make sure that the structures, features and elements are manufactured by specialists that use high-quality, weather-resistant materials and products. We at Hardie Boys, Inc. are a leading manufacturer of various type of exterior architectural work. Since our inception in 1997, we have moved from strength to strength and created a niche for ourselves in this space. Today, when property owners across the region want any exterior millwork done, the first company they think of is us. Not only do we design, manufacture & install a variety of columns, soffit systems, brackets and louvers and a number of other similar products, but use very unique materials and techniques in making these features. Take a look at how our products differ from standard ones used in these applications: • Longevity- Traditionally, these features are made using materials such as foam, wood, concrete, plaster, brick, aluminum, iron etc. While most of these materials are quite hardy they aren’t always able to withstand the elements well. Wood can rot, while metal can rust and corrode over time; concrete tends to develop cracks when exposed to temperature fluctuations and plaster loses its resilience over time. All our products are made with a unique cellular PVC material which is extremely resilient and lasts for a number of years without any trouble. • Minimal maintenance- When you have exterior structures made of wood, they require specialized treatment and have to be polished or painted with regularity. Metal features have to be sanded and painted regularly as well and concrete needs to be resurfaced when it develops cracks. In comparison, the cellular PVC material we use is low-maintenance and only requires basic cleaning. • Aesthetics- As mentioned earlier, the material we use in exterior millwork is weather-resistant and doesn’t fade or deteriorate as much as traditionally-used materials do. This means the features and installations on your property continue to look attractive and add to the aesthetics and value of your property. • Fast and simple installation-The installation of the features made of cellular PVC is easy and quick. This means the project can be completed within a shorter timeframe and with the least amount of disruption to the daily activities on your property. • Versatility- This material is extremely versatile and can be used in the manufacture of various features and installation. We are also very creative and innovative in our approach and keep adding new products to our existing line of premium products. We are a customer-centric company that focuses on customization; and work very closely with our customers and provide beautifully-designed custom exterior millwork installations that are resilient and durable. While the British West Indies style is what we are more inclined towards, our products complement architectural styles including Dutch West Indies, Florida Vernacular, Coastal, Key West and more. For any more information about our custom designed cellular PVC, exterior millwork, contact Hardie Boys, Inc. on this number- 954-784-8216.
Hardie Boys
During the year before Shara and I got married, I managed to persuade the owners of a small island, situated in Poole Harbor, to let me winter house-sit the place in return for free lodging. It was a brilliant deal. Chopping logs, keeping an eye on the place, doing a bit of maintenance, and living like a king on a beautiful twenty-acre island off the south coast of England. Some months earlier, I had been walking along a riverbank outside of London when I had spotted a little putt-putt fishing boat with an old 15 hp engine on the back. She was covered in mold and looked on her last legs, but I noticed her name, painted carefully on the side. She was called Shara. What were the chances of that? I bought her on the spot, with what was pretty well my last £800. Shara became my pride and joy. And I was the only person who could get the temperamental engine to start! I used the boat, though, primarily, as my way of going backward and forward to the small island. I had done some properly dicey crossings in Shara during the middle of that winter. Often done late at night, after an evening out, the three-mile crossing back to the island could be treacherous in bad weather. Freezing waves would crash over the bows, threatening to swamp the boat, and the old engine would often start cutting in and out. I had no nav-lights, no waterproofs, no life jacket, and no radio. And that meant no backup plan--which is bad. Totally irresponsible. But totally fun. I held my stag weekend over there with my best buddies--Ed, Mick, Neil, Charlie, Nige (one of Shara’s uni friends who has become such a brilliant buddy), Trucker, Watty, Stan, and Hugo--and it was a wild one. Charlie ended up naked on a post in the middle of the harbor, we got rescued twice having broken down trying to water-ski behind the underpowered Shara, and we had a huge bonfire while playing touch-rugby by firelight. Perfect.
Bear Grylls (Mud, Sweat and Tears)
out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie
Liz Fenwick (The Cornish House)
them reminded him of all he had experienced and learned during these weeks and this recollection was pleasant to him. For some days the weather had been calm and clear with slight frosts in the mornings—what is called an “old wives’ summer.” In the sunshine the air was warm, and that warmth was particularly pleasant with the invigorating freshness of the morning frost still in the air. On everything—far and near—lay the magic crystal glitter seen only at that time of autumn. The Sparrow Hills were visible in the distance, with the village, the church, and the large white house. The bare trees, the sand, the bricks and roofs of the houses, the green church spire, and the corners of the white house in the distance, all stood out in the transparent air in most delicate outline and with unnatural clearness. Near by could be seen the familiar ruins of a half-burned mansion occupied by the French, with lilac bushes still showing dark green beside the fence. And even that ruined and befouled house—which in dull weather was repulsively ugly—seemed quietly beautiful now, in the clear, motionless brilliance. A French corporal, with coat unbuttoned in a homely way, a skullcap on his head, and a short pipe in his mouth, came from behind a corner of the shed and approached Pierre with a friendly wink. “What sunshine, Monsieur Kiril!” (Their name for Pierre.) “Eh? Just like spring!” And the corporal leaned against the door and offered Pierre his pipe, though whenever he offered it Pierre always declined it. “To be on the march in such weather . . .” he began. Pierre inquired what was being said about leaving, and the corporal told him that nearly all the troops were starting and there ought to be an order about the prisoners that day. Sokolov, one of the soldiers in the shed with Pierre, was dying, and Pierre told the corporal that something should be done about him. The corporal replied that Pierre need not worry about that as they had an ambulance and a permanent hospital and arrangements would be made for the sick, and that in general everything that could happen had been foreseen by the authorities. “Besides, Monsieur Kiril, you have only to say a word to the captain, you know. He is a man who never forgets anything. Speak to the captain when he makes his round, he will do anything for you.” (The captain of whom the corporal spoke often had long chats with Pierre and showed him all sorts of favors.) “ ‘You see, St. Thomas,’ he said to me the other day. ‘Monsieur Kiril is a man of education, who speaks French. He
Leo Tolstoy (War and Peace)
Great Roofing Tips You Should Check Out To make sure that you get the right roof for your needs, learn more about it before you hire someone to install one. This article is going to teach you a few things that can help you to have a roofing project that goes well. You just might learn a thing or two about roofing that can save you some time or money. Don't mess around with your roof if the weather is inclement. Not only does it make it more dangerous for you to go up there, but it can also ruin the work you're attempting to do. Wait for nice weather, both temperature and storm-wise, and then take advantage of the beautiful day. Always be safe when you're up on your roof. If you don't know what you're doing, don't go up there! Wear the right safety gear and don't do anything that puts your body at risk. Remember to bring along the right tools for the job as well to ensure you do the work right. Safety should always be your primary concern when repairing a roof. A quick way to seriously injure yourself is to try to work on your roof in wet conditions. Put a bucket beneath any leaks until the weather improves, then go inspect the roof and see if it's possible for you to repair it. Gutter To protect the integrity of your roof, clean the gutters regularly. Many roof problems, such as leaking, are caused by back-ups in the gutter system. Having a clogged gutter means that rain and snow cannot adequately drain and that puts an extra burden on your roofing materials. Buy tools to make cleaning the gutters faster and easier on you. If you have a hard time getting debris out of your gutter, you may want to bring in some new tools. Try fastening a metal angle on the end of a long board, then move the material towards you with a raking motion. Afterwards, clear out extra debris with a wire brush. While you should give your gutter periodic deep cleanings, there are certain things you should get away from your gutter the moment you see them. Litter, twigs, and pine needles are all big clogging culprits, and knocking them out of the way will help you prevent problems with your own gutter. These short tips have given you the knowledge you needed. These tips will maximize your knowledge of roofing. It can be a nightmare to repair or replace your roof if you are not educated on the matter.
GutterRepair
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.
Gabrielle Renee
Well, folks, we’re not sure what happened exactly, but that beautiful day we predicted just didn’t seem to materialize. Instead, a high ridge of . . .” And what’s with the singsong voices they deliver the weather in, anyway?
Catherine McKenzie (Smoke)
Whether planned or unplanned, no journey is easy. One can plan the date of journey, the mode of travel, and a place for the stay but how can you plan your experiences - people you might meet, the weather of the day, and situations you will be put through. So, what about the most unplanned journey – the journey of your life. It won’t be easy, right? But then who has been promised an easy life? No one. Life is just beautiful. It’s a balancing act. There are failures, rejections, disappointments, and hatred. And there are celebrations, acceptance, love, and compassion. Life is amazing. Fasten your seatbelts and be ready for unique experiences, designed just for you.
Sanjeev Himachali
Christopher bit back a grin. “What do you think of her?” he asked. Annandale replied without hesitation. “I would marry her myself, were I five years younger.” “Five?” Christopher repeated skeptically. “Ten, damn you.” But a slight smile had appeared on the earl’s time-weathered face. “I commend you on your choice. She’s a spirited girl. Fearless. Lovely in her own way, and with her charm she has no need of true beauty. You’ll need to keep a firm hand on the reins, but the trouble will be worth it.” He paused, looking wistful. “Once you’ve had a woman like that, you can never be content with the ordinary kind.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))