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On that movie, I fired Haskell Wexler. I always thought he was a genius cameraman but I found him infantile, annoying like a pestering child, and I realized early if we had to have a Talmudic disagreement before and after every shot, Iād run months over schedule. I was sorry to do it, as I had looked forward to working with such a gifted man, but the chemistry was bad.
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