Werner Quotes

When I lost my sight, Werner, people said I was brave. When my father left, people said I was brave. But it is not bravery; I have no choice. I wake up and live my life. Don't you do the same?

What would an ocean be without a monster lurking in the dark? It would be like sleep without dreams.

Your problem, Werner,” says Frederick, “is that you still believe you own your life.

Not only is the Universe stranger than we think, it is stranger than we can think.

What we observe is not nature itself, but nature exposed to our method of questioning.

Werner wonders in the dead of night, isn’t life a kind of corruption? A child is born, and the world sets in upon it.

Academia is the death of cinema. It is the very opposite of passion. Film is not the art of scholars, but of illiterates.

The first gulp from the glass of natural sciences will turn you into an atheist, but at the bottom of the glass God is waiting for you.

Do you not then hear this horrible scream all around you that people usually call silence.

Look into the eyes of a chicken and you will see real stupidity. It is a kind of bottomless stupidity, a fiendish stupidity. They are the most horrifying, cannibalistic and nightmarish creatures in the world.

There are things that are so serious that you can only joke about them.

The reality we can put into words is never reality itself.

It strikes Werner just then as wondrously futile to build splendid buildings, to make music, to sing songs, to print huge books full of colorful birds in the face of the seismic, engulfing indifference of the world - what pretensions humans have!

And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough?

Read, read, read, read, read, read, read, read, read, read, read, read, read...if you don't read, you will never be a filmmaker.

An expert is someone who knows some of the worst mistakes that can be made in his subject, and how to avoid them.

Whenever we proceed from the known into the unknown we may hope to understand, but we may have to learn at the same time a new meaning of the word 'understanding.

Facts do not convey truth. That's a mistake. Facts create norms, but truth creates illumination.

Quantum theory provides us with a striking illustration of the fact that we can fully understand a connection though we can only speak of it in images and parables.

I believe the common denominator of the universe is not harmony; but chaos, hostility and murder.

In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel.

I remember discussions with Bohr which went through many hours till very late at night and ended almost in despair; and when at the end of the discussion I went alone for a walk in the neighbouring park I repeated to myself again and again the question: Can nature possibly be so absurd as it seemed to us in these atomic experiments?

[T]he atoms or elementary particles themselves are not real; they form a world of potentialities or possibilities rather than one of things or facts.

It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.

People think we had a love-hate relationship. Well, I did not love him, nor did I hate him. We had mutual respect for each other, even as we both planned each other's murder.

I think that modern physics has definitely decided in favor of Plato. In fact the smallest units of matter are not physical objects in the ordinary sense; they are forms, ideas which can be expressed unambiguously only in mathematical language.

Jutta opens her eyes but doesn't look at him. 'Don't tell lies. Lie to yourself, Werner, but don't lie to me.

May I propose a Herzog dictum? those who read own the world, and those who watch television lose it.

إن أول جرعة من كأس العلوم الطبيعية سوف تحوّلك إلى ملحد، ولكن فى قاع الكأس، ستجد الله فى إنتظارك..

A girl got kicked out of the swimming hole today. Inge Hachmann. They said they wouldn’t let us swim with a half-breed. Unsanitary. A half-breed, Werner. Aren’t we half-breeds too? Aren’t we half our mother, half our father?

If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.

If you’re purely after facts, please buy yourself the phone directory of Manhattan. It has four million times correct facts. But it doesn’t illuminate.

I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.

Galen Werner, you may choose one of my daughters to be your bride, and when I die, you shall sit beside her as co-ruler of Westfallin." "Your Majesty.... I - I don't know - " Rose felt her knees shaking. Did he not love her after all? "Psst, Galen?" Pansy tugged on his arm. Galen leaned down. "If Rose doesn't want you," the little girl whispered loudly, "you can marry me." Galen laughed shakily. "Thanks, Pansy." "Oh, Rose! Don't just stand there like a lump," Poppy said, poking her in the back. "If he's too embarrased, you should be the one to say something." "Poppy!" Daisy looked scandalized. "It's not Rose's place to - " Under cover of their squabbling, Rose took Galen's hand and moved closer to him. "Do you want to marry me?" she whispered in a much quieter tone than Pansy had used. "Yes," he said. "If neither of you is going to speak up," King Gregor said, "I shall simply have to decide it for myself!" "Father," Rose protested, "that won't be necessary!" "I choose Rose," Galen blurted out at the same time. "There. Done. Easy." King Gregor clapped his hands.

We have to remember that what we observe is not nature in itself but nature exposed to our method of questioning.

Civilization is like a thin layer of ice upon a deep ocean of chaos and darkness.

But the question that everyone wanted answered was whether I would have the nerve and the strength to start the whole process from scratch. I said yes; otherwise I would be someone who had no dream left, and without dreams I would not want to live.

Jeder für sich und Gott gegen alle

Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.

A fairly young, intelligent-looking man with long hair asked me whether filming or being filmed could do harm, whether it could destroy a person. In my heart the answer was yes, but I said no.

Werner, people said I was brave. When my father left, people said I was brave. But it is not bravery; I have no choice. I wake up and live my life. Don’t you do the same?” He says, “Not in years. But today. Today maybe I did.

There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.

And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it.

Revere those things beyond science which really matter and about which it is so difficult to speak.

It is not only my dreams, my belief is that all these dreams are yours as well. The only distinction between me and you is that I can articulate them. And that is what poetry or painting or literature or filmmaking is all about... and it is my duty because this might be the inner chronicle of what we are. We have to articulate ourselves, otherwise we would be cows in the field.

I'm quite convinced that cooking is the only alternative to film making. Maybe there's also another alternative, that's walking on foot.

They’ll say you’re too little, Werner, that you’re from nowhere, that you shouldn’t dream big. But I believe in you. I think you’ll do something great.

Even if it were possible to cast my horoscope in this one life, and to make an accurate prediction about my future, it would not be possible to 'show' it to me because as soon as I saw it my future would change by definition. This is why Werner Heisenberg's adaptation of the Hays Office—the so-called principle of uncertainty whereby the act of measuring something has the effect of altering the measurement—is of such importance. In my case the difference is often made by publicity. For example, and to boast of one of my few virtues, I used to derive pleasure from giving my time to bright young people who showed promise as writers and who asked for my help. Then some profile of me quoted someone who disclosed that I liked to do this. Then it became something widely said of me, whereupon it became almost impossible for me to go on doing it, because I started to receive far more requests than I could respond to, let alone satisfy. Perception modifies reality: when I abandoned the smoking habit of more than three decades I was given a supposedly helpful pill called Wellbutrin. But as soon as I discovered that this was the brand name for an antidepressant, I tossed the bottle away. There may be successful methods for overcoming the blues but for me they cannot include a capsule that says: 'Fool yourself into happiness, while pretending not to do so.' I should actually want my mind to be strong enough to circumvent such a trick.

My mind was formed by studying philosophy, Plato and that sort of thing.

There are only two things in the world: nothing and semantics.

It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.

Man keeps looking for a truth that fits his reality. Given our reality, the truth doesn't fit.

Everything science has taught me strengthens my belief in the continuity of our spiritual existence after death. I believe in an immortal soul. Science has proved that nothing disintegrates into nothingness. Life and soul, therefore, cannot disintegrate into nothingness, and so are immortal.

For all of us it’s the things that won’t work that keep our interest.

The world reveals itself to those who travel on foot

Only a few know, how much one must know, to know how little one knows

At all times and under all circumstances, we have the power to transform the quality of our lives.

I am firmly convinced that we must never judge political movements by their aims, no matter how loudly proclaimed or how sincerely upheld, but only by the means they use to realize these aims.

Whether we like it or not, modern ways are going to alter and in part destroy traditional customs and values.

Es gibt keinen Gott und Dirac ist sein Prophet. (There is no God and Dirac is his Prophet.) {A remark made during the Fifth Solvay International Conference (October 1927), after a discussion of the religious views of various physicists, at which all the participants laughed, including Dirac, as quoted in Teil und das Ganze (1969), by Werner Heisenberg, p. 119; it is an ironic play on the Muslim statement of faith, the Shahada, often translated: 'There is no god but Allah, and Muhammad is his Prophet.'}

And I don't believe that melodramatic feelings are laughable - they should be taken absolutely seriously.

the chicken's still dancing the chicken won't stop

The essence of communication is intention.

Our repartee would be rich with subtlety and sarcasm, as smart and funny as midcareer Woody Allen. Our fucking, like Werner Herzog, serious and perplexing.

In classical physics, science started from the belief – or should one say, from the illusion? – that we could describe the world, or least parts of the world, without any reference to ourselves.

Natural science, does not simply describe and explain nature; it is part of the interplay between nature and ourselves.

People are terrible. They can bear anything. Anything! People are hard and brutal. And everyone is disposable. Everyone! That's the lesson.

It is only through writing that I become myself

Women think in [Douglas] Sirk’s films. Something which has never struck me with other directors. None of them. Usually women are always reacting, doing what women are supposed to do, but in Sirk they think. It’s something that has to be seen. It’s great to see women think. It gives one hope. Honestly.

I think your hair could blow every which ways in a high wind and still look pretty," he answered, then dropped his gaze and cleared his throat. "Uh, well, are you ready to go?" he added in a brisker tone." Joshua

It strikes Werner just then as wondrously futile to build splendid buildings, to make music, to sing songs, to print huge books full of colorful birds in the face of the seismic, engulfing indifference of the world—what pretensions humans have! Why bother to make music when the silence and wind are so much larger? Why light lamps when the darkness will inevitably snuff them?

People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

The opinion of the public is sacred. The director is a cook who merely offers different dishes to them and has no right to insist they react in a particular way. A film is just a projection of light, completed only when it crosses the gaze of the audience[...]

The positivists have a simple solution: the world must be divided into that which we can say clearly and the rest, which we had better pass over in silence. But can anyone conceive of a more pointless philosophy, seeing that what we can say clearly amounts to next to nothing? If we omitted all that is unclear, we would probably be left completely uninteresting and trivial tautologies.

Foul, misbegotten mound of walking donkey dung!

Werner thinks of her, whether he wishes to or not. Girl with a cane, girl in a gray dress, girl made of mist. That air of otherworldliness in the snarls of her hair and the fearlessness of her step. She takes up residence inside him, a living doppelgänger to face down the dead Viennese girl who haunts him every night.

You don't have to go looking for love when it's where you come from.

Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect

Tucked between the last two pages, she finds an old sealed envelope. He has written For Frederick across the front. Frederick: the bunkmate Werner used to write about, the boy who loved birds. He sees what other people don’t. What the war did to dreamers.

If nature leads us to mathematical forms of great simplicity and beauty—by forms, I am referring to coherent systems of hypotheses, axioms, etc.—to forms that no one has previously encountered, we cannot help thinking that they are “true,” that they reveal a genuine feature of nature…. You must have felt this too: the almost frightening simplicity and wholeness of the relationships which nature suddenly spreads out before us and for which none of us was in the least prepared.

In the history of science, ever since the famous trial of Galileo, it has repeatedly been claimed that scientific truth cannot be reconciled with the religious interpretation of the world. Although I an now convinced that scientific truth is unassailable in its own field, I have never found it possible to dismiss the content of religious thinking as simply part of an outmoded phase in the consciousness of mankind, a part we shall have to give up from now on, Thus in the course of my life I have repeatedly been compelled to ponder on the relationship of these two regions of though, for I have never been able to doubt the reality of that to which they point.

The existing scientific concepts cover always only a very limited part of reality, and the other part that has not yet been understood is infinite. Whenever we proceed from the known into the unknown we may hope to understand, but we may have to learn at the same time a new meaning of the word ‘understanding’.

Werner hears Marie-Laure inhale, Marie-Laure hears Werner scrape three fingernails across the wood, a sound not unlike the sound of a record coursing beneath the surface of a needle, their faces an arm’s reach apart. He says, "Es-tu là?

Nature does not know extinction; all it knows is transformation. Everything science has taught me, and continues to teach me, strengthens my belief in the continuity of our spiritual existence after death.

....Charles laughingly observed,'Gospel and the blues are really, if you break it down, almost the same thing. It's just a question of whether you're talkin' about a woman or God.

Even the truth, when believed, is a lie. You must experience the truth, not believe it.

If we wanted to construct a basic philosophical attitude from these scientific utterances of Pauli's, at first we would be inclined to infer from them an extreme rationalism and a fundamentally skeptical point of view. In reality however, behind this outward display of criticism and skepticism lay concealed a deep philosophical interest even in those dark areas of reality of the human mind which elude the grasp of reason. And while the power of fascination emanating from Pauli's analyses of physical problems was admittedly due in some measure to the detailed and penetrating clarity of his formulations, the rest was derived from a constant contact with the field of creative processes, for which no rational formulation as yet exists.

at the press conference for the film he impressed everyone with his complete sincerity and innocence. he said he had come to see the sea for the first time and marveled at how clean it was. someone told him that, in fact, it wasn't. 'when the world is emptied of human beings' he said, 'it will become so again

Americans believe that they are normal, that they make sense, and that the rest of the world is exotic. They do not seem to understand that they are the most exotic people in the world right now.

Ride the horse in the direction it's going.

Am I in the wrong place here, or in the wrong life? Did I not recognize, as I sat in a train that raced past a station and did not stop, that I was on the wrong train, and did I not learn from the conductor that the train would not stop at the next station, either, a hundred kilometers away, and did he not also admit to me, whispering with his hand shielding his mouth, that the train would not stop again at all?

For Werner, doubts turn up regularly. Racial purity, political purity—Bastian speaks to a horror of any sort of corruption, and yet, Werner wonders in the dead of night, isn’t life a kind of corruption? A child is born, and the world sets in upon it. Taking things from it, stuffing things into it. Each bite of food, each particle of light entering the eye—the body can never be pure. But this is what the commandant insists upon, why the Reich measures their noses, clocks their hair color. The entropy of a closed system never decreases.

Truth itself wanders through the forests.

For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.

Meanwhile it's got stormy, the tattered fog even thicker, chasing across my path. Three people are sitting in a glassy tourist cafe between clouds and clouds, protected by glass from all sides. Since I don't see any waiters, it crosses my mind that corpses have been sitting there for weeks, statuesque. All this time the cafe has been unattended, for sure. Just how long have they been sitting here, petrified like this?

Ah, what he is; that is quite another thing. I have seen so many remarkable things in him, that if you would have me really say what I think, I shall reply that I really do look upon him as one of Byron's heroes, whom misery has marked with a fatal brand; some Manfred, some Lara, some Werner, one of those wrecks, as it were, of some ancient family, who, disinherited of their patrimony, have achieved one by the force of their adventurous genius, which has placed them above the laws of society.

Taking a close look at - at what's around us there - there is some sort of a harmony. It is the harmony of... overwhelming and collective murder. And we in comparison to the articulate vileness and baseness and obscenity of all this jungle - Uh, we in comparison to that enormous articulation - we only sound and look like badly pronounced and half-finished sentences out of a stupid suburban... novel... a cheap novel. We have to become humble in front of this overwhelming misery and overwhelming fornication... overwhelming growth and overwhelming lack of order. Even the - the stars up here in the - in the sky look like a mess. There is no harmony in the universe. We have to get acquainted to this idea that there is no real harmony as we have conceived it. But when I say this, I say this all full of admiration for the jungle. It is not that I hate it, I love it. I love it very much. But I love it against my better judgment.

Amos Vogel was a mentor, a guiding light for me. In his presence, you always rose. But his importance to me is of minor significance. What is significant is that with him an entire epoch ends. The Last Lion has left us. I am still not capable – or rather unwilling – to understand the fact that Amos passed away, because a man like him cannot be dead. His traces are everywhere. (on the passing of Amos Vogel, his friend for more than 45 years)

A vision had seized hold of me, like the demented fury of a hound that has sunk its teeth into the leg of a deer carcass and is shaking and tugging at the downed game so frantically that the hunter gives up trying to calm him. It was the vision of a large steamship scaling a hill under its own steam, working its way up a steep slope in the jungle, while above this natural landscape, which shatters the weak and the strong with equal ferocity, soars the voice of Caruso, silencing all the pain and all the voices of the primeval forest and drowning out all birdsong. To be more precise: bird cries, for in this setting, left unfinished and abandoned by God in wrath, the birds do not sing; they shriek in pain, and confused trees tangle with one another like battling Titans, from horizon to horizon, in a steaming creation still being formed. Fog-panting and exhausted they stand in this unreal misery - and I, like a stanza in a poem written in an unknown foreign tongue, am shaken to the core.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.