Welsh Quotes

We've searched our database for all the quotes and captions related to Welsh. Here they are! All 100 of them:

You can't lie to your soul.
Irvine Welsh (Porno (Mark Renton, #3))
By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be.
Irvine Welsh (Trainspotting)
Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers... Choose DSY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stucking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life... But why would I want to do a thing like that?
Irvine Welsh (Trainspotting)
We start off with high hopes, then we bottle it. We realise that we’re all going to die, without really finding out the big answers. We develop all those long-winded ideas which just interpret the reality of our lives in different ways, without really extending our body of worthwhile knowledge, about the big things, the real things. Basically, we live a short disappointing life; and then we die. We fill up our lives with shite, things like careers and relationships to delude ourselves that it isn’t all totally pointless.
Irvine Welsh (Trainspotting)
You were what you were and you are what you are. Fuck that regrets bullshit.
Irvine Welsh (Porno (Mark Renton, #3))
I'm not running away, I'm moving on.
Irvine Welsh
You may be right. I think it was round about Christmas when I got my Welsh dragon tattoo.” At that, Tessa had to try very hard not to blush. “How did that happen?” Will made an airy gesture with his hand. “I was drunk…” “Nonsense. You were never really drunk.” “On the contrary—in order to learn how to pretend to be inebriated, once must become inebriated at least once, as a reference point. Six-Fingered Nigel had been at the mulled cider—“ “You can’t mean there’s truly a Six-Fingered Nigel?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Some people are easier to love when you don't have to be around them.
Irvine Welsh
There's that horrible-beautiful moment, that bitter-sweet impasse where you know that somebody is bullshitting you but they're doing it with such panache and conviction...no, it's because they say exactly what you want to hear, at that point in time.
Irvine Welsh (Porno (Mark Renton, #3))
Love does not exist, it's like religion, the state wants you to believe in that kind of crap so they can control you, and f**k your head up.
Irvine Welsh (Trainspotting)
Welsh is an actual, currently used language and our next-door neighbors Angela and Gaenor spoke it. It sounds like Wizard.
Maureen Johnson (The Name of the Star (Shades of London, #1))
Now there is apparently a causal link between heroin addiction and vegetarianism.
Irvine Welsh (Trainspotting)
Mates are a waste of fucking time. They are always ready to drag you down tae their level of social, sexual and intellectual mediocrity.
Irvine Welsh (Trainspotting)
Sometimes ah think that people become junkies just because they subconsciously crave a wee bit ay silence.
Irvine Welsh (Trainspotting (Mark Renton, #2))
Do you miss Wales?” Tessa inquired. Will shrugged lightly. “What’s to miss? Sheep and singing,” he said. “And the ridiculous language. Fe hoffwn i fod mor feddw, fyddai ddim yn cofio fy enw.” “What does that mean?” “It means ‘I wish to get so drunk I no longer remember my own name,’ Quite useful.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Wizard Howl," said Wizard Suliman. "I must apologize for trying to bite you so often. In the normal way, I wouldn't dream of setting teeth in a fellow countryman.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
People think it's all about misery and desperation and death and all that shite, which is not to be ignored, but what they forget is the pleasure of it. Otherwise we wouldn't do it. After all, we're not fucking stupid. At least, we're not that fucking stupid.
Irvine Welsh (Trainspotting)
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?
Irvine Welsh (Trainspotting)
English, however, is kinky. It has a predilection for dressing up like Welsh on lonely nights.
John McWhorter (Our Magnificent Bastard Tongue: The Untold History of English)
When two people were in love you had to leave them to it. Especially when you weren't in love and wished that you were. That could embarrass. That could hurt.
Irvine Welsh (Ecstasy)
I was anti-everything and everyone. I didn't want people around me. This aversion was not some big crippling anxiety; merely a mature recognition of my own psychological vulnerability and my lack of suitability as a companion. Thoughts jostled for space in my crowded brain as i struggled to give them some order which might serve to motivate my listless life.
Irvine Welsh (The Acid House)
This is what being alive's all about, all those fucked up feelings. You've got to have them; when you stop, watch out.
Irvine Welsh (The Acid House)
His mother had told him that when you looked into the eyes of God at the pearly gates, all the questions you ever had were answered. Ronan had a lot of questions. Waking Glendower might be like that. Fewer angels attending, and maybe a heavier Welsh accent. Slightly less judgment.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
take your best orgasm, multiply the feeling by twenty, and you're still fuckin miles off the pace
Irvine Welsh (Trainspotting (Mark Renton, #2))
Without the presence of black people in America, European-Americans would not be "white"-- they would be Irish, Italians, Poles, Welsh, and other engaged in class, ethnic, and gender struggles over resources and identity. (p. 107-108)
Cornel West (Race Matters)
You fucking knew that fucking cunt would fuck some cunt.
Irvine Welsh (Trainspotting)
The train was nearly twenty minutes late, an excellent performance by British Rail standards.
Irvine Welsh (Trainspotting (Mark Renton, #2))
His eyes are wild, psychotic slits that bat-dance in your soul looking for good things to crush or bad elements to identify with.
Irvine Welsh
I'm more of a warrior than you'll ever be. I believe in the class war. I believe in the battle of the sexes. I believe in my tribe. I believe in the righteous, intelligent clued-up section of the working classes against the brain-dead moronic masses as well as the mediocre, soulless bourgeoisie.
Irvine Welsh (Porno (Mark Renton, #3))
He tolerated his fellow Englishmen, but the Welsh were cabbage-farting dwarves, the Scots were scabby arse-suckers, and the French were shriveled turds.
Bernard Cornwell
Thir must be less tae life than this
Irvine Welsh (Trainspotting)
... Basically, we live a short, disappointing life; and then we die. We fill up oor lives wi shite, things like careers and relationships tae delude oorsels that it isnae aw totally pointless.
Irvine Welsh (Trainspotting (Mark Renton, #2))
Everything in the street today seems soft focus.
Irvine Welsh (Trainspotting)
I like the idea of a black sun; like a black hole in space, sucking everything into darkness, where we came from and where we're heading
Irvine Welsh (The Blade Artist (Mark Renton, #4))
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.” “Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.” “I’m not afraid of London,” Cecily said defiantly. Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh* She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.” Will blinked at her words. You are my brother, and I want to go with you. It was the sort of thing he was used to hearing Jem say. Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination. “Do you even care where I’m going?” he said. “What if I were going to hell?” “I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?” “Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.” “Wouldn’t you stop them?” “I suppose it would depend on whether they cut me a part of the profit.” She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?” “How do you know the drugs are for Jem?” Will said. “I’m not an idiot, Will.” “No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.” “So what am I?” Cecily said. Will exhaled, too desperate to check himself. “You are my weakness.” “And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.” “Oh,” said Will, “and what do you want?” “I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child. “The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.” “Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.” Will fought the urge to shake her. “Are you ready?” She nodded, and he raised his hand to knock on the door.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
It's only now that I realize that behaviour always has a context and precedents, it's what you do rather than what you are, although we often never recognise that context or understand what these precedents are.
Irvine Welsh (Marabou Stork Nightmares)
Aye Oedipus, yir a complex fucker right enough
Irvine Welsh (The Acid House)
Poor Wales. So far from Heaven, so close to England.
Sharon Kay Penman (Here Be Dragons (Welsh Princes, #1))
Fuckin failures in a country of failures. Its nae good blamin it oan the English fir colonising us. Ah don't hate the English. They're just wankers. We are colonised by wankers. We can't even pick a decent, vibrant healthy society to be colonised by. No..we are ruled by effete arseholes. What does that make us? The lowest of the low, the scum of the earth. The most wretched servile, miserable, pathetic trash that was ever shat intae creation. Ah don't hate the English. They just git oan wis the shite thev got. Ah hate the Scots.
Irvine Welsh (Trainspotting)
You can only live in the world you ken. The rest is just wishful thinking or paranoia.
Irvine Welsh (Filth)
The Earl of Lancaster loudly spoke, “Piers Gaveston, this court finds you guilty of treason, of sodomy and sedition as well as many other crimes against God! You shall be taken to Blacklow Hill, which shall by your place of execution, and you shall be put to death by two of my Welsh soldiers! May God have mercy upon your soul!
Michael G. Kramer (Isabella Warrior Queen)
We wait and think and doubt and hate. How does it make you feel? The overwhelming feeling is rage. We hate ourself for being unable to be other than what we are. Unable to be better. We feel rage. The feelings must be followed. It doesn't matter whether you're an ideologue or a sensualist, you follow the stimuli thinking that they're your signposts to the promised land. But they are nothing of the kind. What they are is rocks to navigate the past, each on your brush against, ripping you a little more open and they are always more on the horizon. But you can't face up to the that, so you force yourself to believe the bullshit of those you instinctively know are liars and you repeat those lies to yourself and to others, hoping that by repeating them often and fervently enough you'll attain the godlike status we accord those who tell the lies most frequently and most passionately. But you never do, and even if you could, you wouldn't value it, you'd realise that nobody believes in heroes any more. We know that they only want to sell us something we don't really want and keep from us what we really do need. Maybe that's a good thing. Maybe we're getting in touch with our condition at last. It's horrible how we always die alone, but no worse than living alone.
Irvine Welsh (Filth)
It shouldn't have happened at all, but their friendship had been cemented in only the time it took to get to school that morning - Adam demonstrating how to fasten the Camaro's ground wire more securely, Gansey lifting Adam's bike halfway into the trunk so they could ride to school together, Adam confessing he worked at a mechanic's to put himself through Aglionby, and Gansey turning to the passenger seat and asking, "What do you know about Welsh kings?
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Same rules apply.
Irvine Welsh (Filth)
Even as I'm shoveling up my hooter, I realize the sad truth. Coke bores me, It bores us all. We're jaded cunts, in a scene we hate, a city we hate, pretending that we're at the center of the universe, trashing ourselves with crap drugs to stave off the feeling that real life is happening somewhere else, aware that all we're doing is feeding that paranoia and disenchantment, yet somehow we're too apathetic to stop. Cause, sadly, there's nothing else of interest to stop for.
Irvine Welsh (Porno (Mark Renton, #3))
Now, for the first time, he's seeing that there really is a way out of this, and it's all so simple. You don't have to run away. You just meet somebody special and step sideways into a parallel universe.
Irvine Welsh (Skagboys (Mark Renton, #1))
The fact that you use the term "cunt" in the same breath as "sexist", shows that you display the same muddled, fucked-up thinking oan this issue as you do oan everything else.
Irvine Welsh (Trainspotting)
I love doubt in a woman. It's nearly as sexy as determination.
Irvine Welsh (Filth)
[Arthur to Merlin] I'm the Prince of Wales, and you're Welsh. I can do whatever I bloody well like to you.
FayJay (The Student Prince (The Student Prince, #1))
She is like a cat in the dark And then she is the darkness She rules her life like a fine skylark And when the sky is starless All your life you've never seen a woman Taken by the wind Would you stay if she promised you heaven? Will you ever win?
Stevie Nicks (Best of Fleetwood Mac)
With the gift of faith, we move on.
Irvine Welsh (Skagboys (Mark Renton, #1))
It's easy tae be philosophical when some other cunt's got shite fir blood.
Irvine Welsh (Trainspotting)
Society invents a spurious convoluted logic tae absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ah'm gaunnae huv a short life, am ah sound mind, ectetera, ectetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whit they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life. Well, ah choose no tae choose life. If the cunts cannae handle that, it's thair fuckin problem. As Harry Launder sais, ah jist intend tae keep right on to the end of the road...
Irvine Welsh
don't let jesus in. AA is just one obsession replaced with another
Irvine Welsh (The Bedroom Secrets of the Master Chefs)
Life is a dynamic rather than a static process, and when we don't change it kills us. It's not running away, it's moving on.
Irvine Welsh (Glue)
Ah walk doon Hammersmith Broadway, London seeming strange and alien, after only a three-month absence, as familiar places do when you’ve been away. It’s as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the wey things are in a dream. They say you have to live in a place to know it, but you have to come fresh tae really see it.
Irvine Welsh (Trainspotting)
It was the books I started reading. It was the music I started listening to. It was the television I started watching. I found myself thinking again. I tried to stop because it was only causing pain. I couldn't. Wen all this is in your head it has to come out into your life. If it doesn't, you get crushed. I'm not going to get crushed.
Irvine Welsh (Ecstasy)
I’ll admit that my garden now grows hope in lavish profusion, leaving little room for anything else. I suppose it has squeezed out more practical plants like caution and common sense. Still, though, hope does not flourish in every garden, and I feel thankful it has taken root in mine.
Sharon Kay Penman (The Reckoning (Welsh Princes, #3))
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
Bruce, you’re an ugly and silly old man. You’re very possibly an alcoholic and God knows what else. You’re the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You’re a mess. You’ve gone wrong somewhere pal.
Irvine Welsh (Filth)
She even learnt the language of a strange country which Senior Cosetti had been told some people believed still existed, although no-one in the world could say where it was. The name of this country was Wales.
Susanna Clarke (Jonathan Strange & Mr. Norrell)
You just want tae fuck up on drugs so that everyone'll think how deep and fucking complex you are. It's pathetic, and fucking boring.
Irvine Welsh (Trainspotting (Mark Renton, #2))
But even Es and cocaine, over the years they blow holes in your brain, rob you of your memories, your past. Which is fair enough, convenient even.
Irvine Welsh (Porno (Mark Renton, #3))
Why? I mean, why you? I can perfectly comprehend not liking my husband. I dislike him intensely most of the time.” Professor Lyall stifled a chuckle. “I am given to understand that he does not approve of spelling one’ s name with two ll’s. He finds it inexcusably Welsh. I suspect he may be quite taken with you, however.
Gail Carriger (Changeless (Parasol Protectorate, #2))
She knew that she could not be Jem for Will. No one could. But slowly the hollow places in his heart were filling in. Having Cecily about was a joy for Will; Tessa could see that when they sat together before the fire, speaking Welsh softly, and his eyes glowed; he had even grown to like Gabriel and Gideon, and they were friends for him, though no one could be a friend as Jem had been. And of course, Charlotte's and Henry's love was as steadfast as ever. The wound would never go away... the haunted look faded from his eyes, she began to breathe more easily, knowing that look was not a mortal one.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
"Mom, Arnie Welsh keeps calling me a geek. He says it like it's a bad thing. Is being a geek a bad thing?" "Of course not, Soda Pop. And don't listen to labels. They don't matter." "What are labels?" "It's an imaginery sticker people slap on you with the word they think you are written on it. It doesn't matter who they think you are. It matters who you think you are." "I think I might be a geek." She laughed. "Then you be a geek. Just be whatever makes you happy, Soda Pop, and I'll be happy too.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
Iggy Pop looks right at me as he sings the line: 'America takes drugs in psychic defence'; only he changes 'America' to 'Scatlin', and defines us mair accurately in a single sentence than all the others have ever done.
Irvine Welsh (Trainspotting)
Lieutenant Welsh remembered walking around among the sleeping men, and thinking to himself that 'they had looked at and smelled death all around them all day but never even dreamed of applying the term to themselves. They hadn't come here to fear. They hadn't come to die. They had come to win.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Rhys absorbed that with chagrin. "No one has ever accused me of being a romantic," he said ruefully. "If you were, how would you propose?" He thought for a moment. "I would begin by teaching you a Welsh word. Hiraeth There's no equivalent in English." "Hiraeth," she repeated, trying to pronounce it with a tapped R, as he had. "Aye. It's a longing for something that was lost, or never existed. You feel it for a person or a place, or a time in your life...it's a sadness of the soul. Hiraeth calls to a Welshman even when he's closest to happiness, reminding him that he's incomplete." Her brow knit with concern. "Do you feel that way?" "Since the day I was born." He looked down into her small, lovely face. "But not when I'm with you. That's why I want to marry you.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
It’s all okay, it’s all beautiful; but ah fear that this internal sea is gaunnae subside soon, leaving this poisonous shite washed up, stranded up in ma body.
Irvine Welsh (Trainspotting)
Remember how it felt yesterday? What you saw me do?” I snorted and grinned. “Man, do I ever. I remembered twice last night and again this morning.
Missy Welsh (My Summer of Wes (Wes & Mal, #1))
He emphasised basic truths: you are not dying yet, you have to live your life until you are. Underpinning them was the belief that the grim reality of impending death can be talked away by trying to invest in the present reality of life. I didn’t believe that at the time, but now I do. By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be.
Irvine Welsh (Trainspotting)
...to limit the meaning of Aslan simply to lion from Turkish is to miss its deep northern resonances and the song of the snowflakes whirling around it. Lewis admitted that, as a boy, he had been ‘crazed by northern–ness’ and there are many subtle references to Norse mythology in the story. In fact, if we treat Aslan as a word from Old Norse, it simply means god of the land. By combining that meaning with Turkish lion, it is essentially cognate which Welsh, Llew, lion, the very word from which the name Lewis is derived.
Anne Hamilton
Why didn't I know about this, Gideon?" Lady Augusta demanded, clearly aggrieved at not being first with the news. "And what Welsh aunt is this?" "Auntie Angharad," Gideon informed her solemnly. Lady Augusta thought for a moment and then declared, "You don't have an Auntie Angharad!" "No," he agreed in a sorrowful voice. "She's dead.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
Time passes. Listen. Time passes. Come closer now. Only you can hear the houses sleeping in the streets in the slow deep salt and silent black, bandaged night.
Dylan Thomas (Under Milk Wood)
When I get home I take some sleeping pills and within what seemed like half an hour of unconsciousness it was Monday morning again.
Irvine Welsh (Filth)
Are you asking me or telling me?
Irvine Welsh (Filth)
It wis like auld times, but in a sense that only served tae remind us ay how much things hud changed.
Irvine Welsh
Ah fuckin hate the way some American cunts call lassies cunts. Fuckin offensive, that shite.
Irvine Welsh (Dead Men's Trousers [May 29, 2018] Welsh, Irvine (181 GRAND))
How did it make you feel?
Irvine Welsh (Filth)
The Victim was a chronic fuck-up. People Like her always seemed to hang out with The Poisonous Cunt. In turn, she kept their self-esteem low and made sure that they stayed in psychic immiseration. She was a curator of dead souls.
Irvine Welsh (Ecstasy)
During the day, memories could be held at bay, but at night, dreams became the devil's own accomplices.
Sharon Kay Penman (The Reckoning (Welsh Princes, #3))
Renton asks the cop: ‘But what did ye say tae get him tae come back inside?’ The officer replies: ‘I just told him that no matter how bad it all seemed right now, it’s just part and parcel of being young. That it gets easier.’ ‘Does it?’ Renton asks, and the policeman shakes his head: ‘Does it fuck; it gets bleeding worse. All that happens is that the expectations you have of life fall. You just get used to all the shit.’ But what if you can’t get used to it? The officer shrugs: ‘Well, that window’s still gonna be there.
Irvine Welsh (Skagboys (Mark Renton, #1))
Some other facts I picked up: Welsh is an actual, currently used language and our next-door neighbours Angela and Gaenor spoke it. It sounds like Wizard. Baked beans are very popular in England. For breakfast. On toast. On baked potatoes. They can't get enough. "American History" is not a subject everywhere. England and Britain and the United Kingdom are not the same thing. England is the country. Britain is the island containing England, Scotland, and Wales. The United Kingdom is the formal designation of England, Scotland, Wales and Northern Ireland as a political entity. If you mess this up, you will be corrected. Repeatedly.
Maureen Johnson (The Name of the Star (Shades of London, #1))
I feel Sel’s gaze on the back of my neck, on my cheek, before I hear his voice. “Mae hi’n brydferth.” “What?” I ask. Nick turns when I do, just as confused. Arthur’s memories don’t recognize modern Welsh, and I only know a little. I do recognize the words for “she” and “beautiful” though. Or maybe Nick isn’t just as confused as me, because a slow, laughing smile spreads across his face, like he understands Sel’s game already. He leans a hip against the wall to watch me beside his Kingsmage, eyes teasing. “Ydi, mae hi. Yn dragwyddol.” Maybe that last word was “forever.” “Beautiful forever”? No, “always”? I flush, then pout. “Because of Arthur, I’m only fluent in Old Welsh, not modern. You know this isn’t fair.” “We know,” they respond together, and laugh.
Tracy Deonn (Bloodmarked (Legendborn, #2))
I'm more of a warrior than you'll ever be. I believe in the class war. I believe in the battle of the sexes. I believe in my tribe. I believe in the righteous, intelligent clued-up section of the working classes against the brain-dead moronic masses as well as the mediocre, soulless bourgeoisie. I believe in punk rock. In northern soul. In acid house. In mod. In rock and roll. I also believe in pre commercial righteous, rap and hip hop. That's my manifesto.
Irvine Welsh (Porno (Mark Renton, #3))
Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed- interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing sprit- crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that?
John Hodge (Trainspotting: A Screenplay (Based on the Novel by Irvine Welsh))
The pit of melancholy was a bottomless one, and he was descending fast, falling further away from the good times. Such times often seemed tantalisingly within reach; he could see them, going on all around him. His mind was like a cruel prison, giving his captive soul a sight of freedom, but no more.
Irvine Welsh (Trainspotting)
And all those boys of Europe born in those times, and thereabouts those times, Russian, French, Belgian, Serbian, Irish, English, Scottish, Welsh, Italian, Prussian, German, Austrian, Turkish – and Canadian, Australian, American, Zulu, Gurkha, Cossack, and all the rest – their fate was written in a ferocious chapter in the book of life, certainly. Those millions of mothers and their million gallons of mother’s milk, millions of instances of small talk and baby talk, beatings and kisses, ganseys and shoes, piled up in history in great ruined heaps, with a loud and broken music, human stories told for nothing, for ashes, for death’s amusement, flung on the mighty scrapheap of souls, all those million boys in all their humours to be milled by the millstones of a coming war.
Sebastian Barry (A Long Long Way (Dunne Family #3))
Will looked at his sister. “And you don’t care about being a Shadowhunter. How is this: I shall write a letter and give it to you if you promise to deliver it home yourself — and not to return.” Cecily recoiled; she had many memories of shouting matches with Will, of the china dolls she had owned that he had broken by dropping them out an attic window; but there was also kindness in her memories: the brother who had bandaged up a cut knee, or retied her hair ribbons when they came loose. That kindness was absent from the Will who stood before her now. Her mother had used to cry for the first year or two after Will went; she had said, in Welsh, holding Cecily to her, that they — the Shadowhunters — would “take all the love out of him.” A cold, unloving people, she had told Cecily, who had forbidden her marriage to her husband. What could he want with them, her Will, her little one? “I will not go,” Cecily said, staring her brother down. “And if you insist that I must, I will — I will —” The door of the attic slid open and Jem stood silhouetted in the doorway…
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.
Irvine Welsh (Trainspotting)
...we need tits and arse because they have got to be available to us; to be pawed, fucked, wanked over. Because we’re men? No. Because we’re consumers. Because those are things we like, things we intrinsically feel or have been conned into believing will give us value, release satisfaction. We value them so we need to at least have the illusion of their availability. For tits and arse read coke, crisps, speedboats, cars, houses, computers, designer labels, replica shirts. That’s why advertising and pornography are similar; they sell the illusion of availability and the non-consequence of consumption.
Irvine Welsh (Porno (Mark Renton, #3))
All I can think about is that boy’s skull, bashed in, the way his head was caved in and how it wasn’t like a heid at all, just like a broken silly puppet face, about how when you destroy something, when you brutalise it, it always looks warped and disfigured and slightly unreal and unhuman and that’s what makes it easier for you to go on brutalising it, go on fucking it and hurting it and mashing until you’ve destroyed it completely, proving that destruction is natural in the human spirit, that nature has devices to enable us to destroy, to make it easier for us; a way of making righteous people who want to act do things without the fear of consequence, a way of making us less than human, as we break the laws . . .
Irvine Welsh (Filth)
Old people only say that life happens quickly to make themselves feel better. The truth is that it all happens in tiny increments like now now now now now now and it only takes twenty to thirty consecutive nows to realize that you’re aimed straight at a bench in Singleton Park. Fair play though, if I was old and had forgotten to do something worthwhile with my life, I would spend those final few years on a bench in the botanical gardens, convincing myself that time is so quick that even plants – who have no responsibilities whatsoever – hardly get a chance to do anything decent with their lives except, perhaps, produce one or two red or yellow flowers and, with a bit of luck and insects, reproduce. If the old man manages to get the words father and husband on his bench plaque then he thinks he can be reasonably proud of himself.
Joe Dunthorne (Submarine)
It was Begbie who ensured he could never return. He had done what he wanted to do. He could now never go back to Leith, to Edinburgh, even to Scotland, ever again. There, he could not be anything other than he was. Now, free from them all, for good, he could be what he wanted to be. He'd stand or fall alone. This thought both terrified and excited him as he contemplated life in Amsterdam.
Irvine Welsh (Trainspotting)
Renton looks at her and sees her pain and anger. It cuts him up. It confuses him. Kelly has a great sense of humour. What's wrong with her? The knee–jerk thought: Wrong time of the' month is forming in his head when he looks about and picks up the intonations of the laughter around the bar. It's not funny laughter. This is lynch mob laughter. How was ah tae know, he thinks. How the fuck was ah tae know?
Irvine Welsh (Trainspotting)
Can you taste it Bruce? Can you taste the filth, the dirt, the oily blackness of that fossil fuel in our mouth as you choke and gag and spit it out? Do you still hear his voice in your head urging you to eat? Eat, eat eat. Your mother's cries. Do you hear them? You should be Bruce. Because I know that it's never left you alone. Now you can eat what you want to eat. For me, for you, for all the others. Now you can consume to your heart's content or your soul's destruction, whichever comes first. So eat.
Irvine Welsh (Filth)
But race is the child of racism, not the father. And the process of naming 'the people' has never been a matter of genealogy and physiognomy so much as one of hierarchy. Difference in hue and hair is old. But belief in the preeminence of hue and hair, the belief that these factors can correctly organize a society and that they signify deeper attributes , which are indelible--this is the new idea at the heart of these new people who have been brought up hopelessly, tragically, to believe that they are white. These people are, like us, a modern invention. But unlike us, their new name has no real meaning divorced from the machinery of criminal power. The new people were something else before they were white--Catholic, Corsican, Welsh, Mennonite, Jewish--and if all our national hopes have any fulfillment, then they will have to be something else again. Perhaps they will truly become American and create a nobler basis for their myths. I cannot call it. As for now, it must be said that the process of washing the disparate tribes white, was not achieved through wine tasting and ice cream socials, but rather through the pillaging of life, liberty, labor, and land; through the flaying of backs; the chaining of limbs; the strangling of dissidents; the destruction of families; the rape of mothers; the sale of children; and various other acts meant, first and foremost, to you and me the right to secure and govern our own bodies.
Ta-Nehisi Coates (Between the World and Me)