Well Deserved Win Quotes

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Staring Girl I once knew a girl who would just stand there and stare. At anyone or anything, she seemed not to care She'd stare at the ground, She'd stare at the sky. She'd stare at you for hours, and you'd never know why. But after winning the local staring contest, she finally gave her eyes a well-deserved rest.
Tim Burton
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
It struck me that such analyses had it backward. It’s the American public for whom the Iraq War is often no more real than a video game. Five years into this war, I am not always confident most Americans fully appreciate the caliber of the people fighting for them, the sacrifices they have made, and the sacrifices they continue to make. After the Vietnam War ended, the onus of shame largely fell on the veterans. This time around, if shame is to be had when the Iraq conflict ends - and all indications are there will be plenty of it - the veterans are the last people in America to deserve it. When it comes to apportioning shame my vote goes to the American people who sent them to war in a surge of emotion but quickly lost the will to either win it or end it. The young troops I profiled in Generation Kill, as well as the other men and women in uniform I’ve encountered in combat zones throughout Iraq and Afghanistan, are among the finest people of their generation. We misuse them at our own peril.
Evan Wright (Generation Kill: Devil Dogs, Iceman, Captain America, and the New Face of American War)
What makes people good communicators is, in essence, an ability not to be fazed by the more problematic or offbeat aspects of their own characters. They can contemplate their anger, their sexuality, and their unpopular, awkward, or unfashionable opinions without losing confidence or collapsing into self-disgust. They can speak clearly because they have managed to develop a priceless sense of their own acceptability. They like themselves well enough to believe that they are worthy of, and can win, the goodwill of others if only they have the wherewithal to present themselves with the right degree of patience and imagination. As children, these good communicators must have been blessed with caregivers who knew how to love their charges without demanding that every last thing about them be agreeable and perfect. Such parents would have been able to live with the idea that their offspring might sometimes—for a while, at least—be odd, violent, angry, mean, peculiar, or sad, and yet still deserve a place within the circle of familial love.
Alain de Botton (The Course of Love)
Politics is a delicate business. I understand that well. But if a party is not willing to stand up for what is right, does it deserve to win back control of the government?
Tasha Alexander (Dangerous to Know (Lady Emily, #5))
You know what obstacles are?" "What?" "They're tests to see if you deserve to win. How do you show someone they're worth fighting for unless you've knocked down whatever's in your way? If you're just gonna sit on your ass and not even try..." He shook his head. "Well, I guess you don't deserve the prize anyway. I thought you had more balls than that, kid.
Vi Keeland (The Rivals)
His failure to defeat something more powerful than himself, and the scar that reminds him of his failure, is no reason for shame; guilt is deserved only when the effort to resist evil is never made. Yet the human heart is disheartened by the most unreasonable self-judgments, because even when we take on giants, we too often confuse failure with fault, which I know too well. The only way back from such a bleak despondency is to shape humiliation into humility, to strive always to triumph over the darkness while never forgetting that the honor and the beauty are more in the striving than in the winning. When triumph at last comes, our efforts alone could not have won the day without that grace which surpasses all understanding and which will, if we allow it, imbue our lives with meaning. Odd Thomas Odd Interlude #3 (An Odd Thomas Story)
Dean Koontz (Odd Interlude #3 (Odd Thomas, #4.3))
A piece of advice: You’ll come across many people who will want to be with you. People’s imaginations aren’t entirely idle; they can slot you into their futures easily. You have qualities that people wouldn’t mind spending time with, at least for a while. You could be the perfect girl for Anybody. We are conditioned to be obsessed with people falling in love with us. Reaching that point is seen as a success. We’re always asking, ‘Why do they act this way?’ and then morphing, cooing, comforting. By the time you win them over, you don’t know how to really love them in return because we never ask ourselves enough about what we want. Don’t ever forget you have the ability to choose. Never wait to be chosen by someone who came ready to treat you right. I know it may not seem this way in art and literature, but we are not mere vessels for love and admiration. If I said yes to every proposition I was given just because I was flattered by it, well!” What she means is have an idea of what you want and never get talked out of it. I am slowly learning to never accept less than I deserve. Deciding how much I deserve is another matter. I wish someone would say to me, "I will never look up or down on you.
Marlowe Granados (Happy Hour)
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
Robert Jordan
To the enormous majority of persons who risk themselves in literature, not even the smallest measure of success can fall. They had better take to some other profession as quickly as may be, they are only making a sure thing of disappointment, only crowding the narrow gates of fortune and fame. Yet there are others to whom success, though easily within their reach, does not seem a thing to be grasped at. Of two such, the pathetic story may be read, in the Memoir of A Scotch Probationer, Mr. Thomas Davidson, who died young, an unplaced Minister of the United Presbyterian Church, in 1869. He died young, unaccepted by the world, unheard of, uncomplaining, soon after writing his latest song on the first grey hairs of the lady whom he loved. And she, Miss Alison Dunlop, died also, a year ago, leaving a little work newly published, Anent Old Edinburgh, in which is briefly told the story of her life. There can hardly be a true tale more brave and honourable, for those two were eminently qualified to shine, with a clear and modest radiance, in letters. Both had a touch of poetry, Mr. Davidson left a few genuine poems, both had humour, knowledge, patience, industry, and literary conscientiousness. No success came to them, they did not even seek it, though it was easily within the reach of their powers. Yet none can call them failures, leaving, as they did, the fragrance of honourable and uncomplaining lives, and such brief records of these as to delight, and console and encourage us all. They bequeath to us the spectacle of a real triumph far beyond the petty gains of money or of applause, the spectacle of lives made happy by literature, unvexed by notoriety, unfretted by envy. What we call success could never have yielded them so much, for the ways of authorship are dusty and stony, and the stones are only too handy for throwing at the few that, deservedly or undeservedly, make a name, and therewith about one-tenth of the wealth which is ungrudged to physicians, or barristers, or stock-brokers, or dentists, or electricians. If literature and occupation with letters were not its own reward, truly they who seem to succeed might envy those who fail. It is not wealth that they win, as fortunate men in other professions count wealth; it is not rank nor fashion that come to their call nor come to call on them. Their success is to be let dwell with their own fancies, or with the imaginations of others far greater than themselves; their success is this living in fantasy, a little remote from the hubbub and the contests of the world. At the best they will be vexed by curious eyes and idle tongues, at the best they will die not rich in this world’s goods, yet not unconsoled by the friendships which they win among men and women whose faces they will never see. They may well be content, and thrice content, with their lot, yet it is not a lot which should provoke envy, nor be coveted by ambition.
Andrew Lang (How to Fail in Literature: A Lecture)
Women and horses have a lot in common. Would you like to know what? Fine. Well, if a horse refuses, you've phrased your question wrongly. It's the same with women. Don't ask them: 'Shall we go out to dinner?' Ask: 'What can I cook for you?' Can she say no to that? No, she can't. Instead of whispering instructions to them like you would to a horse - lie down, woman, put your harness on - you should listen to them. Listen to what they want. In fact, they want to be free and to sail across the sky. It takes only one word to hurt a woman, a matter of seconds, one stupid, impatient blow of the crop. But winning back her trust takes years. And sometimes there isn't the time. It's amazing how unimpressed people are by being loved when it doesn't fit in with their plans. Love irks them so much that they change the locks or leave without warning. And when a horse leaves us, Jeanno, we deserve that love as little as when a woman does. They are superior beings to us men. When they love us, then they are being gracious, for only rarely do we give them reason to love us. And that's why it hurts so much. When women stop loving, men fall into a void of their own making.
Nina George (The Little Paris Bookshop)
She let her bad mood seethe into the silence of the carriage. Finally, she couldn’t bear the vicious cycle of her thoughts, the way they kept returning to Irex and her stupid decision to humiliate him at Bite and Sting. “Well?” she asked Arin. He sat across from her in the carriage, but didn’t lift his eyes to meet hers. He studied his hands. “Well, what?” “What do you think?” “About?” “About the party. About anything. About the bargain we made that you could at least pretend to uphold.” “You want to gossip about the party.” He seemed tired. “I want you to speak to me.” He looked at her then. She found that she had clenched her silk skirts in a fist. She let go. “For example, I know you overheard about Senator Andrax. Do you think he merits torture? Death?” “He deserves what he gets,” he said, and went quiet again. Kestrel gave up. She sank into her anger. “That isn’t what’s bothering you.” Arin sounded reluctant, almost incredulous, as if he couldn’t believe the words coming from his mouth. Kestrel waited. He said, “That man is an ass.” It was clear whom he meant. It was clear that no slave should ever say that of any Valorian. But it was magic to hear the words out loud. Kestrel breathed a laugh. “And I am a fool.” She pressed chilly hands to her forehead. “I knew what he’s like. I should have never played Bite and Sting with him. Or I should have let him win.” The corner of Arin’s mouth twitched. “I enjoyed watching him lose.” There was silence, and Kestrel, though she felt comforted, knew that Arin’s understanding of the afternoon had been fairly complete. He had waited beyond the laran trees, listening to her and Irex. Would he have continued to do nothing, had something else happened? “Do you know how to play Bite and Sting?” she asked. “Maybe.” “Either you do or you don’t.” “Whether I know or don’t doesn’t matter.” She made an impatient noise. “Because?” His teeth flashed in the late, shifting light. “Because you would not want to play against me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Well, feminine, but not too feminine, then.” “Careful: In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup.’” “Maybe she didn’t deserve a partnership?” “She brought in the most business of any employee.” “Hmm. Well, maybe a little more feminine.” “Not so fast. Policewoman Nancy Fahdl was fired because she looked ‘too much like a lady.’” “All right, less feminine. I’ve wiped off my blusher.” “You can lose your job if you don’t wear makeup. See Tamini v. Howard Johnson Company, Inc.” “How about this, then, sort of…womanly?” “Sorry. You can lose your job if you dress like a woman. In Andre v. Bendix Corporation, it was ruled ‘inappropriate for a supervisor’ of women to dress like ‘a woman.’” “What am I supposed to do? Wear a sack?” “Well, the women in Buren v. City of East Chicago had to ‘dress to cover themselves from neck to toe’ because the men at work were ‘kind of nasty.’” “Won’t a dress code get me out of this?” “Don’t bet on it. In Diaz v. Coleman, a dress code of short skirts was set by an employer who allegedly sexually harassed his female employees because they complied with it.” It would be funny if it weren’t true. And when we see that British law has evolved a legal no-win situation very close to this one, a pattern begins to emerge.
Naomi Wolf (The Beauty Myth)
As the service proceeded, the clergyman drew such pictures of the graces, the winning ways, and the rare promise of the lost lads that every soul there, thinking he recognized these pictures, felt a pang in remembering that he had persistently blinded himself to them always before, and had as persistently seen only faults and flaws in the poor boys. The minister related many a touching incident in the lives of the departed, too, which illustrated their sweet, generous natures, and the people could easily see, now, how noble and beautiful those episodes were, and remembered with grief that at the time they occurred they had seemed rank rascalities, well deserving of the cowhide. The congregation became more and more moved, as the pathetic tale went on, till at last the whole company broke down and joined the weeping mourners in a chorus of anguished sobs, the preacher himself giving way to his feelings, and crying in the pulpit.
Mark Twain (The Adventures of Tom Sawyer)
So, then...” Petra interjected, caught up for the moment in the story, “nobody knows who was right? “Who was right?” Growland repeated slowly. “How do you mean?” “In the war.” As she tried to articulate her question, she became less sure of it. “You don't know which side was... right?” “Cub,” the big bear explained patiently, “nobody has ever gone to war believing their cause to be wrong!” “Well, sure, I get that. But afterwards... don't people usually... figure out... who was really right?” she finished lamely. “What people?” “I don't know!” Petra said, flinging her arms wide. “Historians, maybe?” Jumphrey snorted and removed his pipe from between his teeth. “Historians are people, and people have opinions and sympathies. I think if you pay attention, you'll find that histories usually demonstrate that the winning side was in the right all along; or else, occasionally, they demonstrate that those who won are despots and tyrants who deserved to be fought against, and still should be. You see? Everyone has a perspective. If you convened a representative post-war council to discuss what started the conflict and who ought to have given way to whom, a new war would break out from their arguments.” Petra felt her spirits slump a little. “But then... how–” “As everyone has always done,” the rabbit answered. “You pray that war does not come. But if it does come, you fight in accordance with your own convictions, or to defend the home or people you love; or you take a vow of pacifism, and follow your conscience some other way, if you are allowed. Whatever the political justification for war is said to be, armies are invariably made up of ordinary people fighting for the most basic of ideas, the simplest of reasons. 'Sides' are largely determined by the happenstance of birth, nothing more.” “That's... tragic,” Petra said, realizing a truth she'd heard before but never really processed. Jumphrey shrugged, and said simply, “All war is.
J. Aleksandr Wootton (Her Unwelcome Inheritance (Fayborn, #1))
I instantly saw something I admired no end. So while he was weighing my envelope, I remarked with enthusiasm: "I certainly wish I had your head of hair." He looked up, half-startled, his face beaming with smiles. "Well, it isn't as good as it used to be," he said modestly. I assured him that although it might have lost some of its pristine glory, nevertheless it was still magnificent. He was immensely pleased. We carried on a pleasant little conversation and the last thing he said to me was: "Many people have admired my hair." I'll bet that person went out to lunch that day walking on air. I'll bet he went home that night and told his wife about it. I'll bet he looked in the mirror and said: "It is a beautiful head of hair." I told this story once in public and a man asked me afterwards: "'What did you want to get out of him?" What was I trying to get out of him!!! What was I trying to get out of him!!! If we are so contemptibly selfish that we can't radiate a little happiness and pass on a bit of honest appreciation without trying to get something out of the other person in return - if our souls are no bigger than sour crab apples, we shall meet with the failure we so richly deserve.
Dale Carnegie (How to Win Friends & Influence People)
What franticke fit (quoth he) hath thus distraught Thee, foolish man, so rash a doome to give? What justice ever other judgement taught, But he should die, who merites not to live? None else to death this man despayring drive, But his owne guiltie mind deserving death. Is then unjust to each his due to give? Or let him die, that loatheth living breath? Or let him die at ease, that liveth here uneath? Who travels by the wearie wandring way, To come unto his wished home in haste, And meetes a flood, that doth his passage stay, Is not great grace to helpe him over past, Or free his feet, that in the myre sticke fast? Most envious man, that grieves at neighbours good, And fond, that joyest in the woe thou hast, Why wilt not let him passe, that long hath stood Upon the banke, yet wilt thy selfe not passe the flood? He there does now enjoy eternall rest And happie ease, which thou doest want and crave, And further from it daily wanderest: What if some litle paine the passage have, That makes fraile flesh to feare the bitter wave? Is not short paine well borne, that brings long ease, And layes the soule to sleepe in quiet grave? Sleepe after toyle, port after stormie seas, Ease after warre, death after life does greatly please. [...] Is not his deed, what ever thing is donne, In heaven and earth? did not he all create To die againe? all ends that was begonne. Their times in his eternall booke of fate Are written sure, and have their certaine date. Who then can strive with strong necessitie, That holds the world in his still chaunging state, Or shunne the death ordaynd by destinie? When houre of death is come, let none aske whence, nor why. The lenger life, I wote the greater sin, The greater sin, the greater punishment: All those great battels, which thou boasts to win, Through strife, and bloud-shed, and avengement, Now praysd, hereafter deare thou shalt repent: For life must life, and bloud must bloud repay. Is not enough thy evill life forespent? For he, that once hath missed the right way, The further he doth goe, the further he doth stray. Then do no further goe, no further stray, But here lie downe, and to thy rest betake, Th'ill to prevent, that life ensewen may. For what hath life, that may it loved make, And gives not rather cause it to forsake? Feare, sicknesse, age, losse, labour, sorrow, strife, Paine, hunger, cold, that makes the hart to quake; And ever fickle fortune rageth rife, All which, and thousands mo do make a loathsome life. Thou wretched man, of death hast greatest need, If in true ballance thou wilt weigh thy state: For never knight, that dared warlike deede, More lucklesse disaventures did amate: Witnesse the dongeon deepe, wherein of late Thy life shut up, for death so oft did call; And though good lucke prolonged hath thy date, Yet death then, would the like mishaps forestall, Into the which hereafter thou maiest happen fall. Why then doest thou, O man of sin, desire To draw thy dayes forth to their last degree? Is not the measure of thy sinfull hire High heaped up with huge iniquitie, Against the day of wrath, to burden thee? Is not enough, that to this Ladie milde Thou falsed hast thy faith with perjurie, And sold thy selfe to serve Duessa vilde, With whom in all abuse thou hast thy selfe defilde? Is not he just, that all this doth behold From highest heaven, and beares an equall eye? Shall he thy sins up in his knowledge fold, And guiltie be of thine impietie? Is not his law, Let every sinner die: Die shall all flesh? what then must needs be donne, Is it not better to doe willinglie, Then linger, till the glasse be all out ronne? Death is the end of woes: die soone, O faeries sonne.
Edmund Spenser (The Faerie Queene)
What is it?” “I had a private talk with Harrow,” Cam said, his face expressionless. “And?” “He wants to marry Win. But he intends the marriage to be in name only. She doesn’t know it yet.” “Bloody hell,” Kev muttered. “She’ll be the latest addition to his collection of fine objects. She’ll stay chaste while he has his affairs—” “I don’t know her well,” Cam murmured, “but I don’t think she would ever agree to such an arrangement. Especially if you offered her an alternative, phral.” “There is only one alternative, and that is to stay safe with her family.” “There’s one more. You could offer for her.” “That’s not possible.” “Why not?” Kev felt his face burn. “I couldn’t stay celibate with her. I could never hold to it.” “There are ways to prevent conception.” That elicited a contemptuous snort from Kev. “That worked well for you, didn’t it?” He rubbed his face wearily. “You know the other reasons I can’t offer for her.” “I know the way you once lived,” Cam said, choosing his words with obvious care. “I understand your fear of harming her. But in spite of all that, I find it hard to believe that you would really let her go to another man.” “I would if that was best for her.” “Can you actually say that the best Winnifred Hathaway deserves is someone like Harrow?” “Better him,” Kev managed to say, “than someone like me.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
You ever choked? You know what I mean, fumbled at the goal line, stuck your foot in your mouth when you were trying to ask that girl on a date, had a brain freeze on the final exam you were totally prepared for, lipped out a three-foot putt to win the golf tournament, or been paralyzed by the feeling of “Oh my god life can’t get any better, do I really deserve this?” I have. What happens when we get that feeling? We clench up, get short of breath, self-conscious. We have an out-of-body experience where we observe ourselves in the third person, no longer present, now not doing well what we are there to do. We become voyeurs of our moment because we let it become bigger than us, and in doing so, we just became less involved in it and more impressed with it. Why does this happen? It happens because when we mentally give a person, place, or point in time more credit than ourselves, we then create a fictitious ceiling, a restriction, over the expectations we have of our own performance in that moment. We get tense, we focus on the outcome instead of the activity, and we miss the doing of the deed. We either think the world depends on the result, or it’s too good to be true. But it doesn’t, and it isn’t, and it’s not our right to believe it does or is. Don’t create imaginary constraints. A leading role, a blue ribbon, a winning score, a great
Matthew McConaughey (Greenlights)
Tonight would’ve been . . . pretty rough if you hadn’t stopped by.” “I know,” he told her. “For me too.” “Awwwwwww, you guys are SO adorable,” Ro jumped in. “You want to talk about adorable,” Keefe snapped back. “I wrote another verse in The Ballad of Bo and Ro—and just think! Tomorrow, Foster finally gets to meet your long-lost love!” “Do not share that verse,” Ro warned, pretty much guaranteeing that Keefe would be chanting it to her for the rest of the night. But first she told Sophie, “Don’t tell him anything about me.” “Why not?” Sophie had to ask. “Because he doesn’t deserve to know.” Keefe leaned closer to Sophie, stage-whispering. “You realize it’s now your job to pester Bo for all the details Ro’s trying to hide from us.” Ro smirked. “Try it—Bo won’t tell you a thing.” “Wanna bet?” Keefe countered. “Bad idea,” Sophie told him. “You’ve won twice now—that means you’re pretty much guaranteed to lose. Especially since this bet relies on me again.” He grinned. “Exactly, Foster. You’re always the safe bet.” “Not this time,” Ro told him. “We doing this, then?” Keefe asked her. Ro folded her arms. “Fine. If I win, I get one guaranteed dare. I can tell you to do anything I want, and you have to do it.” Keefe raised one eyebrow. “Deal—but only if I get the same thing if I win.” Ro leaned into his face, flashing a deadly smile. “It’s on.” Sophie sighed, laying on the sarcasm nice and thick when she mumbled, “This can only end well.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
We are each of us the result of billions of years of the universe evolving toward its own splendor. And evolution builds: the very mitochondria that power our cells and give us life once existed as separate organisms that first infected our pre–pre–human ancestors and then became one with them. We each contain not only the slime mold and the worm, the fish and amphibian and reptile, but the pig and the ape and the barely human. If we look hard enough, we can discern hundreds of parts: kings and queens, warriors and troubadours, mages, bullies, and saints. And hustlers, adventurers, survivors, rebels, reactionaries, and rogues. And the part of us that wants to be more than human, or rather more fully human. I believe that we need to enlist all these separate selves into a single army of free companions who respect each other and love each other to the death. And who are willing to devote their lives to fight together in order to win a shared splendor. I will return to this theme of integration again and again, for it is key to everything. All of my characters struggle with themselves, and face as well external obstacles such as exploding stars or dragons or icy wastelands cold enough to freeze the breath. Maram, who writes poems glorifying his second chakra (the body’s sexual center), pants like a dog after every enticing woman he sees. Even as he resists his essential nobility and destiny as a hero, he insists that every man deserves at least one vice. When it is pointed out to him that he also drinks, gambles, gluttonizes, and whores, he declares that he is still trying to decide which vice will be his.
David Zindell (Splendor)
Apparently, Stoneville meant to gain his amusement solely from watching Jackson bait Celia. Jackson wasn’t entirely sure why, but neither did he care. He cared only about making sure he shot well enough to beat Celia’s three suitors, to prevent them from gaining the kiss. So you can gain it yourself. He scowled as they halted in their new spot to reload. Nonsense. But if he did happen to win it, he would treat her like the lady she was. Devonmont was just the kind of joking fellow to be impudent with her in front of everyone. Lyons had already had a taste of her lips, so he might very well think to make his second taste more intimate. And Basto, who already had a fondness for holding her hand, confound the insolent devil- Jackson swore under his breath. He was acting like some jealous idiot. All right, so he was jealous, but this wasn’t about that. He merely wanted to keep Celia from making an enormous mistake. When she’d tried to get out of shooting, Jackson had realized she was serious about choosing one of these idiots as a husband. Clearly, she thought if she pretended to be some milk-and-water miss, it would help her chances. So he’d made sure she didn’t do any such thing. If they were worthy of her, they had to be worthy of the real her, not the pretend one she presented. Personally, he thought them all fools for not seeing she was putting on an act. And couldn’t she see that a marriage built on such deceptions would fail? No, she was too blinded by her determination to prove her grandmother wrong about her. Well, he couldn’t let her stumble into some idiotic engagement with gentlemen who didn’t deserve her. Especially not after what he’d learned about them.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Hymn to Mercury : Continued 71. Sudden he changed his plan, and with strange skill Subdued the strong Latonian, by the might Of winning music, to his mightier will; His left hand held the lyre, and in his right The plectrum struck the chords—unconquerable Up from beneath his hand in circling flight The gathering music rose—and sweet as Love The penetrating notes did live and move 72. Within the heart of great Apollo—he Listened with all his soul, and laughed for pleasure. Close to his side stood harping fearlessly The unabashed boy; and to the measure Of the sweet lyre, there followed loud and free His joyous voice; for he unlocked the treasure Of his deep song, illustrating the birth Of the bright Gods, and the dark desert Earth: 73. And how to the Immortals every one A portion was assigned of all that is; But chief Mnemosyne did Maia's son Clothe in the light of his loud melodies;— And, as each God was born or had begun, He in their order due and fit degrees Sung of his birth and being—and did move Apollo to unutterable love. 74. These words were winged with his swift delight: 'You heifer-stealing schemer, well do you Deserve that fifty oxen should requite Such minstrelsies as I have heard even now. Comrade of feasts, little contriving wight, One of your secrets I would gladly know, Whether the glorious power you now show forth Was folded up within you at your birth, 75. 'Or whether mortal taught or God inspired The power of unpremeditated song? Many divinest sounds have I admired, The Olympian Gods and mortal men among; But such a strain of wondrous, strange, untired, And soul-awakening music, sweet and strong, Yet did I never hear except from thee, Offspring of May, impostor Mercury! 76. 'What Muse, what skill, what unimagined use, What exercise of subtlest art, has given Thy songs such power?—for those who hear may choose From three, the choicest of the gifts of Heaven, Delight, and love, and sleep,—sweet sleep, whose dews Are sweeter than the balmy tears of even:— And I, who speak this praise, am that Apollo Whom the Olympian Muses ever follow: 77. 'And their delight is dance, and the blithe noise Of song and overflowing poesy; And sweet, even as desire, the liquid voice Of pipes, that fills the clear air thrillingly; But never did my inmost soul rejoice In this dear work of youthful revelry As now. I wonder at thee, son of Jove; Thy harpings and thy song are soft as love. 78. 'Now since thou hast, although so very small, Science of arts so glorious, thus I swear,— And let this cornel javelin, keen and tall, Witness between us what I promise here,— That I will lead thee to the Olympian Hall, Honoured and mighty, with thy mother dear, And many glorious gifts in joy will give thee, And even at the end will ne'er deceive thee.' 79. To whom thus Mercury with prudent speech:— 'Wisely hast thou inquired of my skill: I envy thee no thing I know to teach Even this day:—for both in word and will I would be gentle with thee; thou canst reach All things in thy wise spirit, and thy sill Is highest in Heaven among the sons of Jove, Who loves thee in the fulness of his love. 80. 'The Counsellor Supreme has given to thee Divinest gifts, out of the amplitude Of his profuse exhaustless treasury; By thee, 'tis said, the depths are understood Of his far voice; by thee the mystery Of all oracular fates,—and the dread mood Of the diviner is breathed up; even I— A child—perceive thy might and majesty.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
The Robot With Human Hair Pt2" Said it's the coming of man And I forget when you went away Like a kick to the face Not winning the race (Lion, I've seen you from afar) I've seen her in the car Knowing that you deserve such more Deserved to know you're free Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you from all of those bruised, bruised and battered wounds (Wave right with a gun in his hand wave right) Can you taste this blood Dripping sweeter than...? And over your eyes And I, and I fall to both knees Not to beg for your forgiveness But to hate the word And you speak Take a right off these cliffs The ground is staring at your wounded weapons Wounded weapons (And I can't believe that you're right) You can bank the night on this its round And glaring at your well I get hyphy Tell 'em I get hyphy And this is where it ends Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you, save you Save you, save you I can't believe these long words Come from many national absurd This is a line cut across Hope, defeat, the line, the loss I can never be this lone wolf You can never see me across this earth This will be a light that I run from You thought you were so strong You pleaded to never be wrong (Brace yourself, fasten belts) Well, now that you go (Close the hatch, flip the latch) I sit here and wonder (They're not dead, speed ahead) Times have changed It's like we've been trashing silos (Well, now that you go) In the time bomb aisle (I sit here and wonder) Maybe they'll dodge the spill Oil kills, sure it will And I can't breathe the air (Hide your daughter 'cause I'm coming over) To reach for this light (You know I'm not lying about) (Trashing silos in the time bomb aisle) And you can't breathe the air (About trashing silos in the time bomb aisle) Not leaving her to reach The line, the work, the rope, the love And I have seen such worse for you It's a no, I'm not coming back It's a no, I'm not coming back It's a no, I'm not coming back And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone
Dance Gavin Dance
Unattractive, like a selfish woman. Ugly, like an ambitious one. Like one who chose to punish a good man for not being the right man, who left because staying was too boring, too painful, too hard. Like a woman who had to be a weapon because she couldn’t be anything else. thing, for one chance— Parisa tousled her hair, switching her part from one side to the other. She didn’t have a bad side. —but I’m done being grateful! I’m done trying to make myself suitable for this family, for this God, for this life. I’m done being small, I’ve outgrown the person who needed you to save her, I don’t even know who she is anymore— She pouted at the mirror and started again, pinching her cheeks to see the color come and go. —and I want more, so much more— Lip balm. Mascara. Lips softer, eyes wider, be something different, something else. —I just want to live, Nas! Just let me live! What was the point of reliving the past? She was hunting her invisible nemeses, grappling for power, finding new methods of control. She should be busy, too busy being the most dangerous person in this or any world to think about why she’d been such an easy target for Atlas Blakely, a man in need of weapons just to make a universe that he could stand. But now— Now she was thinking about Nasser, as if it mattered at all what kind of person she’d been over a decade ago. Just an hour of your time, now and then. That’s all I ask. I know, I know, I’m asking a lot more from you inside my head, but that’s not fair—doesn’t it matter what I choose to put in front of you? Someday maybe you’ll understand that there’s a difference between what a person thinks and who they choose to be— A glint caught her eye from her reflection. A brief, unnatural sparkle in the placid lake of her appearance, the consistency of her beauty, the easy grace she always wore. She leaned forward, forgetting her internal monologue, letting it collapse. Someday the view will be different, eshgh, and I hope you see me in a softer light— “Parisa?” Dalton leaned against the frame of the bathroom door. In his left hand was one of her dresses. In his right hand was her phone. “I don’t care if you want to see your husband. Sorry—Nasser. If you want me to call him that, I will. I suppose you’re right, anyway, you’ll need to see him, because if the Society could find evidence of him in your past then the Forum surely can as well, and so can Atlas. And so can anyone else who wants you dead.” Another pause as Dalton set her phone back on the bathroom counter. “I replied to the physicist for you as well. I think you’ll need to find out what he plans to do about the archives, or at least keep track of what Atlas is doing at the house. Atlas is going to win over both the physicists unless you can convince one of them to do it differently. “What is it?” Dalton asked, frowning at her silence. His gaze traced the placement of her fingers, which had been parsing the thickness of her hair. “I—” Parisa was caught somewhere between laughing and crying. “I found a gray hair.” “So?” Laughter, definitely laughter. It escaped her in something of a rueful bray. Unattractive, like a selfish woman. Ugly, like an ambitious one. Like one who chose to punish a good man for not being the right man, who left because staying was too boring, too painful, too hard. Like a woman who had to be a weapon because she couldn’t be anything else. “Nothing.” Only the future loss of her desirability, the collapse of her personhood. The first glimpse of an empire steadily falling to unseen ruin. The fate she already knew was coming, the punishment she’d always known she deserved. What timing!
Olivie Blake (The Atlas Six (The Atlas, #1))
Almost a decade ago, I was browsing in a Barnes & Noble when I came across a book called Route 666: On the Road to Nirvana. It was a music book about a band I liked, so I started paging through it immediately. What I remember are two sentences on the fourth page which discussed how awesome it was that 'Smells Like Teen Spirit' was on the radio, and how this was almost akin to America electing a new president: 'It's not that everything will change at once,' wrote the author, 'it's that at least the people have voted for better principles. Nirvana's being on the radio means my own values are winning: I'm no longer in the opposition.' I have never forgotten those two sentences, and there are two reasons why this memory has stuck with me. The first reason is that this was just about the craziest, scariest idea I'd ever stumbled across. The second reason, however, is way worse; what I have slowly come to realize is that most people think this way all the time. They don't merely want to hold their values; they want their values to win. And I suspect this is why people so often feel 'betrayed' by art and consumerism, and by the way the world works. I'm sure the author of Route 666 felt completely 'betrayed' when Limp Bizkit and Matchbox 20 became superfamous five years after Cobain's death and she was forced to return to 'the opposition' ...If you feel betrayed by culture, it's not because you're right and the universe is fucked; it's only because you're not like most other people. But this should make you happy, because—in all likelihood—you hate those other people, anyway. You are being betrayed by a culture that has no relationship to who you are or how you live... Do you want to be happy? I suspect that you do. Well, here’s the first step to happiness: Don’t get pissed off that people who aren’t you happen to think Paris Hilton is interesting and deserves to be on TV every other day; the fame surrounding Paris Hilton is not a reflection on your life (unless you want it to be). Don’t get pissed off because the Yeah Yeah Yeahs aren’t on the radio enough; you can buy the goddamn record and play “Maps” all goddamn day (if that’s what you want). Don’t get pissed off because people didn’t vote the way you voted. You knew that the country was polarized, and you knew that half of America is more upset by gay people getting married than it is about starting a war under false pretenses. You always knew that many Americans worry more about God than they worry about the economy, and you always knew those same Americans assume you’re insane for feeling otherwise (just as you find them insane for supporting a theocracy). You knew this was a democracy when you agreed to participate, so you knew this was how things might work out. So don’t get pissed off over the fact that the way you feel about culture isn’t some kind of universal consensus. Because if you do, you will end up feeling betrayed. And it will be your own fault. You will feel bad, and you will deserve it. Now it’s quite possible you disagree with me on this issue. And if you do, I know what your argument is: you’re thinking, But I’m idealistic. This is what people who want to inflict their values on other people always think; they think that there is some kind of romantic, respectable aura that insulates the inflexible, and that their disappointment with culture latently proves that they’re tragically trapped by their own intellect and good taste. Somehow, they think their sense of betrayal gives them integrity. It does not. If you really have integrity—if you truly live by your ideals, and those ideals dictate how you engage with the world at large—you will never feel betrayed by culture. You will simply enjoy culture more.
Chuck Klosterman (Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas)
But as she rounded the last turn before the hall landing, she nearly collided with Sir Ian, carrying his mother’s shawl. “Oh!” Lina exclaimed, coming to an abrupt halt a step above his. “Rather careless of you to leave this behind,” he said. He was too close. “Aye, it was,” she agreed, stepping back up a step to gain more space. His eyes danced. “Mayhap I should demand a penance before returning it.” “You dare,” she said, stiffening and wishing he were not so fiendishly beguiling with that boyish gleam of mischief in his eyes. He was definitely not just a mischievous boy anymore, though. And, for a lady to encourage such behavior . . . He looked up, as if to heaven, and murmured, “Just one wee ki—” “Shame on you, Sir Ian Colquhoun,” she interjected, thinking she sounded just like her mother. “Galbraith cannot know that you are on this stairway.” “Once again, you are wrong, lass,” he said, his eyes still alight. “He is still with Lizzie on the dais—giving her a well-deserved scolding, I trust. I saw that you had left the shawl and offered to find a maidservant to return it to you. But this is much better. I do think you should thank me prettily for taking so much trouble.” “I will thank you. After you have returned it to me.” Cocking his head, he held the shawl higher, so she’d have to reach for it. When she did, he moved it back out of her reach. Lina lowered her outstretched hand to her side and eyed him sternly from her slightly superior height. “I thought you sought my approval.” He stepped up to the stair below hers, putting the shawl out of reach again. His face was now inches higher than hers and his body again much too close for comfort. “I’d prefer something else just now,” he said softly, looking into her eyes. Reaching with his left hand for her right wrist, he held it firmly. Apparently oblivious of her attempt to snatch it free, he pressed the shawl into her hand and let go of her wrist, his gaze never leaving hers. She waited to see what he would do next. He smiled then, wryly, as if he dared her to walk away. His lips were tantalizingly close. Lina shut her eyes. “Coward,” Ian murmured, enjoying himself. Her eyes flew open. Then, to his astonishment, she learned forward, brushed her lips against his right cheek, and whirled, snatching up her skirts in her free hand as first her right foot and then her left blindly sought the next stair upward. Reaching out, he easily caught her arm. “Not so fast,” he said, turning her back to face him. “You must not kiss and run, lass. That’s against the rules.” “The lady makes the rules, sir. Let go of me.” She was two steps above his again, looking disdainfully down her nose at him. She did not try to pull away. She was testing him, he knew. But she was right about who made the rules. Even so, the urge was strong to seize her and teach her what kissing was all about. However, he also wanted to make her desire that kiss enough to abandon her disapproval. And that was the greater challenge. Sakes, if he were seeking a wife and had no royal duty commanding him . . . Shifting his grip to her hand, he drew it to his lips and slowly kissed each knuckle. Then he kissed the silky skin above them, turned her trembling hand palm up long enough to breathe gently into that tender palm . . . and released her. With a barely discernable gasp, she turned away, her dignity apparently still—or again—intact. He enjoyed watching her move, so he stood where he was to savor the sight. His reward came when she stopped before vanishing around the next curve and looked back. Her lips parted slowly, invitingly, in surprise. He bowed and had the delight of seeing her whirl again and hurry away. “I shall win this battle, I think,” he murmured to himself.
Amanda Scott (The Knight's Temptress (Lairds of the Loch, #2))
I can’t be alone with you. This can’t happen again.” This, Win decided with a surge of anger, was an impossible situation. Merripen refused to acknowledge his feelings for her and wouldn’t explain why. Surely she deserved more trust from him than that. “Very well,” she said stiffly, struggling to her feet. As Merripen stood and reached for her, she pushed impatiently at his hand. “No, I don’t want help.” She began to shake out her skirts. “You are absolutely right, Merripen. We should not be alone together, since the result is always a foregone conclusion: you make an advance, I respond, and then you push me away. I am no child’s toy to be pulled back and forth on a string, Kev.” He found her bonnet and handed it to her. “I know you’re not—” “You say I don’t know you,” she said furiously. “Apparently it hasn’t occurred to you that you don’t know me, either. You’re quite certain of who I am, aren’t you? But I’ve changed during the past two years. You might at least make an effort to find out what kind of woman I’ve become.” She went to the end of the fabric corridor, peeked out to make certain the coast was clear, and she stepped out into the main part of the court. Merripen followed. “Where are you going?” Glancing at him, Win was satisfied to see that he looked as rumpled and exasperated as she felt. “I’m leaving. I’m too cross to enjoy any of the displays now.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
AFFIRMATIONS FOR SELF-CONFIDENCE ♦ I am safe and secure. ♦ I trust my intuition to guide me. ♦ I have enough time, money, and intelligence to accomplish my goals. ♦ I know that I am guided toward good today. ♦ I deserve all that is good. ♦ When I win, others win as well. ♦ I always find time to fulfill my dreams. ♦ I am blessed in many ways. ♦ Other people like and respect me. ♦ My efforts are always supported and encouraged. ♦ God always takes care of my every human need. ♦ I am devoted to teaching the world about love. ♦ I take advantage of spare moments in the day, and my small efforts add up to large accomplishments. ♦ My body obeys my every command.
Doreen Virtue (I'd Change My Life If I Had More Time: A Practical Guide to Making Dreams Come True)
The Revenant watched her as he drove. He seemed to be waiting for something, but she didn’t know what. What could she—What could anyone say about this? The horror was too big to even to choke on. “They came to us,” he said at last. “I know.” “The war was over and we were content with its end. They were the ones to bring it back.” She nodded. She knew that, too. “What did they think would happen?” the Revenant muttered, bumping over a pike that had fallen across the road. Lan could only shake her head. They thought they’d win, of course. Wasn’t that the point of every old book and film and fairy tale, that Mankind would prevail? Dragons, demons, aliens, superviruses…zombies…they were all the same shadow, cringing away from the light. And no matter how terrible the threat or how unstoppable it seemed or how many millions of people had to die first, there would always be survivors and if those survivors just…just survived long enough…well, of course they’d win. Because they deserved to. Because they were fighting for their homes and their way of life and for all humanity. Because nothing could be stronger than the human spirit. But that was only true in stories. The Earth may be Man’s home, but it didn’t have to love them for it, and in its unflinching eyes, humans were parasites, no different and no more deserving of life than any other worm feeding on a body from within. They were not owed victory. That went, as it went in every war, to the one best equipped to fight. The dead couldn’t get any deader; the living could.
R. Lee Smith (Land of the Beautiful Dead)
FIDELITY AND BETRAYAL He loved her from the time he was a child until the time he accompanied her to the cemetery; he loved her in his memories as well. That is what made him feel that fidelity deserved pride of place among the virtues: fidelity gave a unity to lives that would otherwise splinter into thousands of split-second impressions. Franz often spoke about his mother to Sabina, perhaps even with a certain unconscious ulterior motive: he assumed that Sabina would be charmed by his ability to be faithful, that it would win her over. What he did not know was that Sabina was charmed more by betrayal than by fidelity. The word fidelity reminded her of her father, a small-town puritan, who spent his Sundays painting away at canvases of woodland sunsets and roses in vases. Thanks to him, she started drawing as a child. When she was fourteen, she fell in love with a boy her age. Her father was so frightened that he would not let her out of the house by herself for a year. One day, he showed her some Picasso reproductions and made fun of them. If she couldn't love her fourteen-year-old schoolboy, she could at least love cubism. After completing school, she went off to Prague with the euphoric feeling that now at last she could betray her home. Betrayal. From tender youth, we are told by father and teacher that betrayal is the most heinous offense imaginable. But what is betrayal? Betrayal means breaking ranks. Betrayal means breaking ranks and going off into the unknown. Sabina knew of nothing more magnificent than going off into the unknown. Though a student at the Academy of Fine Arts, she was not allowed to paint like Picasso. It was the period when so-called socialist realism was prescribed and the school manufactured Portraits of Communist statesmen. Her longing to betray her father remained unsatisfied: Communism was merely another father, a father equally strict and limited, a father who forbade her love (the times were puritanical) and Picasso, too. And if she married a second-rate actor, it was only because he had a reputation for being eccentric and was unacceptable to both fathers. Then her mother died. The day following her return to Prague from the funeral, she received a telegram saying that her father had taken his life out of grief. Suddenly she felt pangs of conscience: Was it really so terrible that her father had painted vases filled with roses and hated Picasso? Was it really so reprehensible that he was afraid of his fourteen-year-old daughter's coming home pregnant? Was it really so laughable that he could not go on living without his wife? And again she felt a longing to betray: betray her own betrayal. She announced to her husband (whom she now considered a difficult drunk rather than an eccentric) that she was leaving him. But if we betray B., for whom we betrayed A., it does not necessarily follow that we have placated A. The life of a divorcee-painter did not in the least resemble the life of the parents she had betrayed. The first betrayal is irreparable. It calls forth a chain reaction of further betrayals, each of which takes us farther and farther away from the point of our original betrayal.
Milan Kundera (The Unbearable Lightness of Being)
But even before Hez the shine had gone off the showing world for me. Your pony's way of going often wasn't taken into consideration, and with the irregularities in the judging I was starting to wonder why I bothered: you'd travel round the country and ride well only to lose out to people who really didn't deserve to win.
Charlotte Dujardin (The Girl on the Dancing Horse: Charlotte Dujardin and Valegro)
Reluctance to make waves has impacted her at work as well as at home. She’s known as an affable and easygoing woman, but is not 1 considered “high potential” because she won’t express opposing opinions—even ones that could help the company to grow. Being a nice girl has gotten her to where she is—but it won’t get her to where she wants to go.
Lois Frankel (Nice Girls Just Don't Get It: 99 Ways To Win The Respect You Deserve, The Success You've Earned, And The Life You Want)
nice girls are more concerned with how others may react, or what others may think of them, than they are with their own well- being.
Lois Frankel (Nice Girls Just Don't Get It: 99 Ways To Win The Respect You Deserve, The Success You've Earned, And The Life You Want)
Meritocracy is a false and not very salutary belief. As with any ideology, part of its draw is that it justifies the status quo, explaining why people belong where they happen to be in the social order. It is a well-established psychological principle that people prefer to believe that the world is just. However, in addition to legitimation, meritocracy also offers flattery. Where success is determined by merit, each win can be viewed as a reflection of one’s own virtue and worth. Meritocracy is the most self-congratulatory of distribution principles. Its ideological alchemy transmutes property into praise, material inequality into personal superiority. It licenses the rich and powerful to view themselves as productive geniuses. While this effect is most spectacular among the elite, nearly any accomplishment can be viewed through meritocratic eyes. Graduating from high school, artistic success or simply having money can all be seen as evidence of talent and effort. By the same token, worldly failures becomes signs of personal defects, providing a reason why those at the bottom of the social hierarchy deserve to remain there. ("A Belief in Meritocracy Is Not Only False: It’s Bad for You", Aeon)
Clifton Mark
Christ's sacred face was spat upon to cleanse our soul which was blacker than coal. His precious flesh was covered with a robe that the veil of ignorance we had incurred by sin might be lifted and our spiritual blindness cured: he was presented before the judges that we might appear fearlessly before the Judge of all men. He kept silence to make satisfaction for Eve's speech with the serpent, and that our much and evil speaking might be chastised in his divine Person. He was left naked that we might be stripped of the old man and adorn ourselves with virtuous habits in readiness for the eternal nuptials, Christ was scourged to screen us from the scourge of justice we so well deserved; mock honors were paid to him on earth to win true honor for us in heaven. He wore a crown of thorns to crown us with glory; bore a reed in his hand that we might be given the scepter of the kingdom and was crucified between thieves to deliver us from the infernal companions with whom we had made friends and to make us companions of the holy angels.
Francisco De Osuna (Third Spiritual Alphabet)
Entitled leaders act as if the world revolves around them. Their thinking goes something like this: I’ve been blessed. I have gifts and influence. I have worked hard and deserve to be treated well. This is what I refer to as “power over” others leadership. The opposite of an entitled leader is a grateful leader. Grateful leaders continually marvel at all they have received from God. But as a leader’s sense of gratitude shrinks, their sense of entitlement grows in equal measure. While the world practices a “power over” strategy characterized by dominance and win-lose competitiveness, Jesus taught a “power under” strategy characterized by humility and sacrificial service. In the world, says Jesus, leaders throw their weight around, “[but it is] not so with you. . . . Whoever wants to become great among you must be your servant” (Mark 10:42 – 43). While Jesus is the invisible God who holds all things together — Almighty, eternal, immortal, and infinite — he became human, temporal, mortal, and finite. Jesus demonstrated his power not by force or control, but by choosing to come under us, humbly washing feet and dying for our sins. He carefully stewarded his power: “[Christ Jesus,] who, being in very nature God, did not consider equality with God something to be used to his own advantage; rather, he made himself nothing by taking the very nature of a servant” (Philippians 2:6 – 7).
Peter Scazzero (The Emotionally Healthy Leader: How Transforming Your Inner Life Will Deeply Transform Your Church, Team, and the World)
From The Bridge” by Captain Hank Bracker Mundane Happenings Life is just packed with “Mundane Happenings!” It’s the mundane happenings that usually take the most time and they always seem to interfere, just about when you want to do something really important. Let’s start with mundane things that are routine, like doing the dishes and taking out the garbage. The list for a single person might be a little less involved or complicated but it would be every bit as important as that of a married couple or people with lots of children or even pets. Oh yes, for some the list of mundane responsibilities would include washing clothes and taking the children to their activities. You know what I mean… school, sports, hobbies, their intellectual endeavors and the like. For most of us beds have to be made, the house has to be kept clean, grass has to be cut and the flowers have to be pruned. Then there are the seasonal things, such as going trick or treating, buying the children everything they need before school starts or before going to summer camp. Let’s not forget Christmas shopping as well as birthdays and anniversaries. This list is just an outline of mundane happenings! I’m certain that you can fill in any of these broad topics with a detailed account of just how time consuming these little things can be. Of course we could continue to fill in our calendar with how our jobs consume our precious time. For some of us our jobs are plural, meaning we have more than one job or sometimes even more than that. I guess you get the point… it’s the mundane happenings that eat up our precious time ferociously. Blink once and the week is gone, blink twice and it’s the month and then the year and all you have to show for it, is a long list of the mundane things you have accomplished. Would you believe me, if I said that it doesn’t have to be this way? Really, it doesn’t have to, and here is what you can do about it. First ask yourself if you deserve to recapture any of the time you are so freely using for mundane things. Of course the answer should be a resounding yes! The next question you might want to ask yourself is what would you do with the time you are carving out for yourself? This is where we could part company, however, whatever it is it should be something personal and something that is fulfilling to you! For me, it became a passion to write about things that are important to me! I came to realize that there were stories that needed to be told! You may not agree, however I love sharing my time with others. I’m interested in hearing their stories, which I sometimes even incorporate into my writings. I also love to tell my stories because I led an exciting life and love to share my adventures with my friends and family, as well as you and future generations. I do this by establishing, specifically set, quiet time, and have a cave, where I can work; and to me work is fun! This is how and where I wrote The Exciting Story of Cuba, Suppressed I Rise, now soon to be published as a “Revised Edition” and Seawater One…. Going to Sea! Yes, it takes discipline but to me it’s worth the time and effort! I love doing this and I love meeting new friends in the process. Of course I still have mundane things to do…. I believe it was the astronaut Allen Shepard, who upon returning to Earth from the Moon, was taking out the garbage and looking up saw a beautifully clear full Moon and thought to himself, “Damn, I was up there!” It’s the accomplishment that makes the difference. The mundane will always be with us, however you can make a difference with the precious moments you set aside for yourself. I feel proud about the awards I have received and most of all I’m happy to have recorded history as I witnessed it. My life is, gratefully, not mundane, and yours doesn’t have to be either.” Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba.
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
You ever choked? You know what I mean, fumbled at the goal line, stuck your foot in your mouth when you were trying to ask that girl on a date, had a brain freeze on the final exam you were totally prepared for, lipped out a three-foot putt to win the golf tournament, or been paralyzed by the feeling of “Oh my god life can’t get any better, do I really deserve this?” I have. What happens when we get that feeling? We clench up, get short of breath, self-conscious. We have an out-of-body experience where we observe ourselves in the third person, no longer present, now not doing well what we are there to do. We become voyeurs of our moment because we let it become bigger than us, and in doing so, we just became less involved in it and more impressed with it. Why does this happen? It happens because when we mentally give a person, place, or point in time more credit than ourselves, we then create a fictitious ceiling, a restriction, over the expectations we have of our own performance in that moment. We get tense, we focus on the outcome instead of the activity, and we miss the doing of the deed. We either think the world depends on the result, or it’s too good to be true. But it doesn’t, and it isn’t, and it’s not our right to believe it does or is. Don’t create imaginary constraints. A leading role, a blue ribbon, a winning score, a great idea, the love of our life, euphoric bliss, who are we to think we don’t deserve these fortunes when they are in our grasp? Who are we to think we haven’t earned them? If we stay in process, within ourselves, in the joy of the doing, we will never choke at the finish line. Why? Because we aren’t thinking of the finish line, we’re not looking at the clock, we’re not watching ourselves on the Jumbotron performing. We are performing in real time, where the approach is the destination, and there is no goal line because we are never finished. When Bo Jackson scored, he ran over the goal line, through the end zone, and up the tunnel . The greatest snipers and marksmen in the world don’t aim at the target, they aim on the other side of it. When we truly latch on to the fact that we are going to die at some point in time, we have more presence in this one. Reach beyond your grasp, have immortal finish lines, and turn your red light green, because a roof is a man-made thing.
Matthew McConaughey (Greenlights)
Propagandists across the world and across the ages play on the same emotional notes like well-worn scales. They manipulate the desire to belong; provide a sense of false community to those left feeling deracinated by rapid change; help project our worst feelings about ourselves onto others; allow you to feel special, even superior, and foster the sense that you are surrounded by enemies that want to take something from you, something that’s yours and only yours and only you deserve.
Peter Pomerantsev (How to Win an Information War: The Propagandist Who Outwitted Hitler)
Accelerate Your Learning with a Questionnaire QUESTIONS TO ASK ABOUT THE PAST Performance How well or poorly has the company performed in the past? What goals were set? What kind of benchmarks were employed? What actions were taken when goals were not reached? What initiatives for change were made in the past? Who was most responsible for change initiatives? How effective or ineffective were these attempts at change? What drivers have had a positive impact on performance? Why? What drivers have had a negative impact on performance? Why? How have the company’s strategy, structure, technical capabilities, culture, and politics impacted performance? QUESTIONS TO ASK ABOUT THE PRESENT Vision and Strategy Does the company have a clear vision statement? If so, what is it? Does the company have a clear articulation of strategy? If so, what is it? Is the company’s strategy being executed optimally? If not, why not? If so, will this strategy win? The Team Who is exceptional? Who is competent and capable? Who is not competent and capable? Who deserves the company’s total confidence? Who does not deserve the company’s total confidence? Who are the influencers on the team? What are the sources of their influence? Company Policies and Processes What are the company’s most significant practices and processes? Do the essential practices and processes promote value, productivity, and safety? What can be done to improve performance of practices and processes? Latent Risks and Hazards Are there latent risks and hazards that threaten the performance of the company? Is the company subject to cultural/political risks or peril? What are they? Easy Victories to Score Where and what are business areas in which easy and early wins can be scored? QUESTIONS ABOUT THE FUTURE Near-Future Challenges and Problems What challenges and problems will the business likely encounter in the coming year? How should we prepare to meet and overcome them? Near-Future Opportunities What unexploited opportunities lie ahead? What do we need to realize them? Obstacles What significant obstacles do we face ahead? What do we need to do now to prepare to overcome these obstacles? Company Culture Is the company culture in need of change? Which aspects of the company culture should be preserved? Which aspects should be changed?
Bill Canady (The 80/20 CEO: Take Command of Your Business in 100 Days)
Yesterday is not ours to recover, but tomorrow is ours to win or lose. ​— ​LYNDON B. JOHNSON
Damon Zahariades (The Art of Letting GO: How to Let Go of the Past, Look Forward to the Future, and Finally Enjoy the Emotional Freedom You Deserve! (The Art Of Living Well Book 2))
I played well, and Pia was like, I’m going to offer you a contract, and I said, No, I’m retiring,” Markgraf remembers. She finished her career at 201 caps for the national team. Because of the dispute, however, the national team’s contract with U.S. Soccer started to contain a new clause going forward—it was nicknamed “The Markgraf Rule.” It guaranteed that if a player left the team for pregnancy, once she was fit enough to return, she would be put back on the same contract and continue to be called up for at least three months—enough time to try to prove she still deserved her spot. That rule went on to benefit a number of players over the years. Amy Rodriguez has been perhaps the best example. She gave birth in 2013, and through repeated call-ups after she recovered, she discovered arguably the best form of her career. She led her club team to two National Women’s Soccer League championships and helped the U.S. win a World Cup. Shannon Boxx is another player who earned her spot back after giving birth and won a World Cup. But by 2009, all anyone knew was that a woman should never be kicked off the team for having a child again. Little by little, even if it didn’t happen in the public, acrimonious ways of the past, the national team was continuing to stand up for itself.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
It’s a common thing in the world. A man who is poor, alone, and humiliated— he is an anima vilis for the amusement of his fellowmen. In Siberia, as well as in Europe, the same principle applies.” He whipped up his horse and added with a smile: “I am accustomed to it. Fate and mankind have tested me. My life was hard, and my sister, observing it , used to say, ‘Antony, you deserve happiness. Fate is your debtor, and one day she will pay you.’” Miss Marya made an impatient movement, and her eyes again became dark. “That is not true,” she said bitterly. “Man’s luck is for life. One is born to enjoy life, to succeed in love, in winning general favor, or to use others. Another is born to be hated, treated with indifference, or forgotten altogether. A man who is not born with good luck gets no pay for his suffering.”“That is not true,” he said with gentle dignity. “Honest work brings its own peace, and poverty borne patiently makes a man better-natured and more open. Perhaps he who has the least for himself has the most in himself. That also constitutes riches.
Maria Rodziewiczówna (An Expendable Soul: Life and Love In Siberian Exile 1870 (The Wonderful World of Maria Ro))
So how were these people judged? How will we be judged? We get up every morning thinking that if we're good, we'll make it to heaven, and if we're bad, we'll have trouble. But then we see a six-year-old girl die of cancer. We see raging waters and mud swallow innocent people in South America. And we see our neighbor, who cheats on his wife or steals from his boss, become wealthy. We see our cousin, the liar, win the lottery. What sense does this make?" A few people shake their heads. I want to know, too. "Got me," Natto says. "Got me. But I'll tell you this. I want to know. I want to find out. And I'll tell you two more things. One is, overall, we have seen a lot of times in life that what comes around goes around, haven't we?" A few people nod. "In the case of Venezuela, there's no good explanation. But we see sinners locked up every day, and brave men rewarded. And last night on the news, they showed heroes, people who saved lives in Venezuela. We saw people working together. Rescue workers. Relief workers. And that is God." He stops pacing. "That is God," he says again. He goes back to pacing. He has a strong gait. "These people do good. And if one of their planes crashed on the way back to whereever they came from? What sense would that make? I don't know. I don't claim to have all the answers. And maybe there are cases where I will never ever understand them. This is something a lot of churches don't want to admit, but I really might never have the answers. And sometimes, this might make me very angry." I like this. "But I said there were two more things I'll tell you. One is that we have seen that what comes around goes around. And here's the second thing. We judge within ourselves. Those people in Venezuela, the dying, if they led a good life, they knew it. They died at peace. They knew that they didn't deserve it, that it was just something that happened. But a guy who's been hurting people, who suddenly feels a rumble and the sky caves in, he's lying there, torn apart, and besides the physical pain, he knows in his heart, or he feels in his heart, that he's being punished. He can't lie there and say, "Please God I don't deserve to die". Because he knows he did wrong, and he has to apologize and make amends. And so in that way, judgement comes upon him. And we all know in our hearts, whether we're to be judged in the afterworld or not, that while we're on this earth, we judge ourselves.
Caren Lissner (Carrie Pilby)
If someone has a big ego, that means they think they are the greatest thing in the world. They think they are better than other people. They think they deserve to be at the top. If someone’s ego is too small, then they lack confidence. They don’t think they can do well—they don’t think they can win.
Jocko Willink (Way of the Warrior Kid 3: Where there's a Will...)
What makes people good communicators is, in essence, an ability not to be fazed by the more problematic or offbeat aspects of their own characters. They can contemplate their anger, their sexuality and their unpopular, awkward or unfashionable opinions without losing confidence or collapsing into self-disgust. They can speak clearly because they have managed to develop a priceless sense of their own acceptability. They like themselves well enough to believe that they are worthy of and can win the goodwill of others, if only they have the wherewithal to present themselves with the right degree of patience and imagination. As children, these good communicatiors must have been blessed with caregivers who knew to love their charges without demanding that every last thing about them be agreeable and perfect. Such parents would have been able to live with the idea that their offsping might sometimes - for a while, at least - be odd, violent, angry, mean, peculiar or sad, and yet still deserve a place within the circle of familial love. The parents would thus have created an invaluable wellspring of courage from which those children would eventually be able to draw to sustain the confessions and direct conversations of adult life.
Alain de Botton (The Course of Love)
His dismissal shouldn’t hurt. I’m only pretend-dating his son. I don’t even want to like Blake, and I will never meet this man again. Still, to be judged unworthy in so short a space of time really pisses me off. I at least deserve a shot. Blake vanishes into the bathroom. As I’m marshaling the nerve to try and start a polite conversation, Mr. Reynolds looks off into the distance, hoists his water glass, and lets out a sigh. “Fifty thousand dollars.” My first thought is that Blake must have told him about our deal after all. I sit in place, waiting for him to give some explanation, to make some sort of demand. But he takes a long swallow of water and doesn’t say anything more. I fold my hands in my lap. “Well?” he asks after a few interminable seconds. “I can’t wait forever.” He’s not even going to pretend to be polite, and I suspect that everything he says from here on out will only get worse. Fine. If he wants to play that way, I can come along for the ride. “No,” I say with my most charming smile. “You probably can’t. Five minutes of your time is worth a fortune. But my time is worth basically nothing. So if we want to keep staring at each other, I’ll win. Eventually.” He leans against the booth, letting his arm trail along the back. He has Blake’s wiry build, but there’s an edginess to him that Blake lacks, as if he has a low-voltage current running through him at all times. He drums his fingers against the table as if to dispel a constant case of jitters. His glare intensifies. “Cut the innocent act. If you’re smart enough to hold Blake’s interest, you’re smart enough to know what I’m talking about. My son is obviously emotionally invested in you, and I’d rather he not be hurt any more than necessary. If all you want is money, I’ll give you fifty thousand dollars to walk away right now.” I pause, considering this. On the one hand, fifty thousand dollars to walk away from a nonexistent relationship is a lot of money. On the other hand, technically, at this point, Blake has offered me more. Besides, I doubt Mr. Reynolds would ever actually pay me. He’d just spill everything to Blake, assuming that revealing my money-grubbing status would end this relationship. In other words, true to form, he’s being a dick. Surprise, surprise. “I see you’re thinking about it,” he says. “Chances are this thing, whatever it is, won’t last. We’ve established that you don’t really care about Blake. The only thing left to do is haggle over the price.” “That’s not what I’m thinking.” I pick up my own water glass and take a sip. “I think we need to make the stakes even. I’ll accept sixty-six billion dollars. I take cash, check, and nonliquid assets.” His knowing smirk fades. “Now you’re just being ridiculous.” I set my glass down. “No. I’m simply establishing that you don’t love your son, either.” He almost growls. “What the fuck kind of logic is that? Sixty-six billion dollars is materially different than fifty thousand.” The bathroom door opens behind us, and Blake starts toward us. Mr. Reynolds looks away from me in annoyance. Blake approaches the table and slides in next to me. He sits so close I can feel the warm pressure of his thigh against mine. He looks from me to his father and back. “What’s going on?” The fact that I’m not actually dating Blake, and don’t care about the state of his relationship with his terrible father, makes this extremely easy. “Your father and I,” I tell him sweetly, “are arguing over how much he’ll pay me to dump you. Stay out of this; we’re not finished yet.” “Oh.” A curiously amused look crosses Blake’s face. “He offered fifty thousand bucks,” I say. “I countered with sixty-six billion.” Blake’s smile widens. “She’s not negotiating in good faith,” Mr. Reynolds growls. “What the fuck kind of girlfriend did you bring?” “Don’t mind me.” Blake crosses his arms and leans back. “Pretend I’m not here. Carry on.
Courtney Milan
Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.
G R R Martin
Driving over the bridge separating downtown Kansas City from the old airport, my commission check safely locked away in my briefcase, my attorney looked over at me and asked, "Well, how do you feel?" Without hesitating, I looked at him and replied, "Deserving.
Robert J. Ringer (Winning Through Intimidation)
Without knowing who we are, we tend to have particular trouble coping with either denigration or adulation. If others decide that we are worthless or bad, there will be nothing inside us to prevent us from swallowing their verdicts in their entirety, however wrong-headed, extreme or unkind they may be. We will be helpless before the court of public opinion. We’ll always be asking others what we deserve before seeking inside for an answer. Lacking an independent verdict, we also stand to be unnaturally hungry for external praise: the clapping of an audience will matter more than would ever be wise. We’ll be prey to rushing towards whatever idea or activity the crowd happen to love. We will laugh at jokes that aren’t funny, uncritically accept undeserving concepts that are in vogue and neglect our truer talents for easy popular wins. We’ll trail public opinion slavishly, constantly checking the world’s whims rather than consulting an inner barometer in order to know what we should want, feel and value.
The School of Life
These days I feel like I'm a monster, too. I like knowing that I'm good enough to win. It makes me think one day I'll be strong enough to burn this Kingdom down. But they made us into monsters, Thom. We weren't born monsters. They enslaved us. They put us in an arena and told us it was kill or die. If we fight back and take them down, if we win and become better than them, then we don't deserve to die. Do you hear me? In this world, the only ones who live do so with bloody hands. But we didn't start this, and we're not going to be them once we're free. Monsters until we're safe, and then we'll be the people we should have been from the start.
Rebecca Crunden (A Promise of Return (The Outlands Pentalogy #3))
Why won’t you embrace what we’ve got? This isn’t forever, living here. This isn’t the last stop on the train. We have no idea where life is going to take us next.” The words were new to my consciousness, but they didn’t surprise me. If nothing else, I had spent the past few years learning that life was not the unfolding pathway to greatness I had expected and planned on. Life was not a succession of well-deserved wins acquired through hard work and sacrifice. Life was hard work and sacrifice with maybe a few accidental wins along the way. Maybe the point was to wait out the hard times and then soak up the good moments for as long as they lasted. But maybe these were the good times and the hard times, all rolled into one.
Natalie Keller Reinert (Forward (Eventing #5))