Weighting Heights Quotes

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The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in love poetry of every age, the woman longs to be weighed down by the man's body.The heaviest of burdens is therefore simultaneously an image of life's most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?
Milan Kundera (The Unbearable Lightness of Being)
who are you really? you are not a name or a height, or a weight or a gender you are not an age and you are not where you are from you are your favorite books and the songs stuck in your head you are your thoughts and what you eat for breakfast on Saturday mornings you are a thousand things but everyone chooses to see the million things you are not you are not where you are from you are where you are going and i'd like to go there too
m.k
I need words that mean more than they mean, words not just with height and width, but depth and weight and, and other dimensions that I cannot even name.
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
But is heaviness truly deplorable and lightness splendid? The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in the love poetry of every age, the woman longs to be weighed down by the man’s body. The heaviest of burdens is therefore simultaneously the image of life’s most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of a burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?
Milan Kundera (The Unbearable Lightness of Being)
For too long, and despite what people told me, I had fallen for what the culture said about beauty, youth, features, heights, weights, hair textures, upper arms.
Anne Lamott
The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?
Milan Kundera (The Unbearable Lightness of Being)
[He] Spoke and rose to full height, sword in air, Then cleft the man's brow square between the temples Cutting his head in two -- a dreadful gash Between the cheeks all beardless. Earth resounded Quivering at the great shock of his weight As he went tumbling down in all his armor, Drenched with blood and brains; in equal halves His head hung this and that way from his shoulders.
Virgil (The Aeneid)
I purchased some clothes for you," Theodora said..."I was given you measurements, so hopefully they fit. If they don't, you will have to either lose or gain weight or height.
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
Did Jane tell you all she knows about bears?" "Yes," the king replied. "Don't act like food, inexplicably double your height and weight, and play dead unless it doesn't work." "She didn't, perhaps, mention how me might kill the beast?" "No," Edward said. "Her information was more the useless type.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
No visible scars. Hair dark brown, some gray. Eyes brown. Height six feet, one half inch. Weight about one ninety. Name Philip Marlowe. Occupation private detective.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
How much do you work out?" "I don't," he said. "It's genetic." Which it was. Puberty had brought him many things unbidden, including height and weight and an extreme mesomorph physique, with a six-pack like a cobbled city street, and a chest like a suit of NFL armor, and biceps like basketballs, and subcutaneous fat like a Kleenex tissue. He had never messed with any of it. No diets. No weights. No gym time. If it ain't broke, don't fix it, was his attitude.
Lee Child (Never Go Back (Jack Reacher, #18))
He who makes fun of a short and fat man’s weight is much less cruel than he who makes fun of his height.
Mokokoma Mokhonoana
The idea in our culture of body solely as sculpture is wrong. Body is not marble. That is not its purpose. Its purpose is to protect, contain, support and fire the spirit and soul within it, to be a repository for memory, to fill us with feeling - that is the supreme psychic nourishment. It is to lift us and propel us, to fill us with feeling to prove that we exist, that we are here, to give us grounding, heft, weight. It is wrong to think of it as a place we leave in order to soar to the spirit. The body is the launcher of those experiences. Without body there would be no sensations of crossing thresholds, there would be no sense of lifting, no sense of height, weightlessness. All that comes from the body. The body is the rocket launcher. In its nose capsule, the soul looks out the window into the mysterious starry night and is dazzled.
Clarissa Pinkola Estés
Right now, can you make an unconditional relationship with yourself? Just at the height you are, the weight you are, with the intelligence that you have, and your current burden of pain? Can you enter into an unconditional relationship with that?
Pema Chödrön (Comfortable with Uncertainty: 108 Teachings on Cultivating Fearlessness and Compassion)
More often than not, expecting to lose weight without first losing the diet that made the weight loss necessary is like expecting a pig to be spotless after hosing it down while it was still rolling in mud.
Mokokoma Mokhonoana
Must love decorating for holidays, mischief, kissing in cars, and wind chimes. No specific height, weight, hair color, or political affiliation required but would prefer a warm spirited non racist. Cynics, critics, pessimists, and “stick in the muds” need not apply. Voluptuous figures a plus. Any similarity in look, mind set, or fashion sense to Mary Poppins, Claire Huxtable, Snow White, or Elvira wholeheartedly welcomed. I am dubious of actresses, fellons and lesbians but dont want to rule them out entirely. Must be tolerant of whistling, tickle torture, James Taylor, and sleeping late. I have a slight limp, eerily soft hands, and a preternatural love of autumn. I once misinterpreted being called a coal-eyed dandy as a compliment when it was intended as an insult. I wiggle my feet in my sleep, am scared of the dark, and think the Muppets Christmas Carol is one of the greatest films of all time. All I want is butterfly kisses in the morning, peanut butter sandwiches shaped like a heart, and to make you smile until it hurts.
Matthew Grey Gubler
When you love, age, height and weight are just .numbers I agree and filling that the heart, has its own way ... count people and things!
Georgia Kakalopoulou
Undesirable things that man can alter (e.g., his weight), he alters. Those that he cannot (e.g., his height), he calls the will of God.
Mokokoma Mokhonoana
A Person is Not Big or Small from Height or Weight. It’s the Thoughts of a Person that Makes him Small or Big. You can Assess a Person only from Heights of his Thoughts...
Saurabh Dudeja (Love You Forever Only In That Way)
The weight of money stops us to reach heights. It's a good servant, but a terrible master.
Françoise Sagan (Réponses: The autobiography of Françoise Sagan)
Stormtroopers were literally supposed to be within the same range of height and weight in part because of exactly that—he wasn’t joking when he said he was too tall to be a stormtrooper.
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
Men are more likely than women to be involved in a car crash, which means they dominate the numbers of those seriously injured in car accidents. But when a woman is involved in a car crash, she is 47% more likely to be seriously injured than a man, and 71% more likely to be moderately injured,46 even when researchers control for factors such as height, weight, seat-belt usage, and crash intensity.47 She is also 17% more likely to die.48 And it’s all to do with how the car is designed – and for whom.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
My Sadness is Deeper than Yours My sadness is deeper than yours. My interior life is richer than yours. I am more interesting than you. I don’t care about anybody else’s problems. They are not as serious as mine. Nobody knows the weight I carry, the trouble I’ve seen. There are worlds in my head that nobody has access to: fortunately for them, fortunately for me. I have seen things that you will never see, and I have feelings that you are incapable of feeling, that you would never allow yourself to feel, because you lack the capacity and the curiosity. Once you felt the hint of such a feeling, you would stamp it out. I am a martyr to futility and I don’t expect to be shut down by a pretender. Mothballs are an aphrodisiac to me, beauty depresses me. You could never hope to fathom the depth of my feelings, deeper than death. I look down upon you all from my lofty height of lowliness. The fullness of your satisfaction lacks the cadaverous purity of my pain. Don’t talk to me about failure. You don’t know the meaning of the word. When it comes to failure, you’re strictly an amateur. Bush league stuff. I’m ten times the failure you’ll ever be. I have more to complain about than you, and regrets: more than a few, too many to mention. I am a fully-qualified failure, I have proven it over and over again. My credentials are impeccable, my resume flawless. I have worked hard to put myself in a position of unassailable wretchedness, and I demand to be respected for it. I expect to be rewarded for a struggle that produced nothing. I want the neglect, the lack of acknowledgment. And I want the bitterness that comes with it too.
John Tottenham
Feeling like one doesn’t fit is a horrible feeling,” she continued, unruffled. “Humans naturally want to belong—it’s part of our biology. But our society makes us feel that we’re never good enough to belong. Do you know what I mean, Phil? Because we measure ourselves against useless yardsticks of sex, race, religion, politics, schools. Even height and weight—” “What?
Bonnie Garmus (Lessons in Chemistry)
Season late, day late, sun just down, and the sky Cold gunmetal but with a wash of live rose, and she, From water the color of sky except where Her motion has fractured it to shivering splinters of silver, Rises. Stands on the raw grass. Against The new-curdling night of spruces, nakedness Glimmers and, at bosom and flank, drips With fluent silver. The man, Some ten strokes out, but now hanging Motionless in the gunmetal water, feet Cold with the coldness of depth, all History dissolving from him, is Nothing but an eye. Is an eye only. Sees The body that is marked by his use, and Time's, Rise, and in the abrupt and unsustaining element of air, Sway, lean, grapple the pond-bank. Sees How, with that posture of female awkwardness that is, And is the stab of, suddenly perceived grace, breasts bulge down in The pure curve of their weight and buttocks Moon up and, in swelling unity, Are silver and glimmer. Then The body is erect, she is herself, whatever Self she may be, and with an end of the towel grasped in each hand, Slowly draws it back and forth across back and buttocks, but With face lifted toward the high sky, where The over-wash of rose color now fails. Fails, though no star Yet throbs there. The towel, forgotten, Does not move now. The gaze Remains fixed on the sky. The body, Profiled against the darkness of spruces, seems To draw to itself, and condense in its whiteness, what light In the sky yet lingers or, from The metallic and abstract severity of water, lifts. The body, With the towel now trailing loose from one hand, is A white stalk from which the face flowers gravely toward the high sky. This moment is non-sequential and absolute, and admits Of no definition, for it Subsumes all other, and sequential, moments, by which Definition might be possible. The woman, Face yet raised, wraps, With a motion as though standing in sleep, The towel about her body, under her breasts, and, Holding it there hieratic as lost Egypt and erect, Moves up the path that, stair-steep, winds Into the clamber and tangle of growth. Beyond The lattice of dusk-dripping leaves, whiteness Dimly glimmers, goes. Glimmers and is gone, and the man, Suspended in his darkling medium, stares Upward where, though not visible, he knows She moves, and in his heart he cries out that, if only He had such strength, he would put his hand forth And maintain it over her to guard, in all Her out-goings and in-comings, from whatever Inclemency of sky or slur of the world's weather Might ever be. In his heart he cries out. Above Height of the spruce-night and heave of the far mountain, he sees The first star pulse into being. It gleams there. I do not know what promise it makes him.
Robert Penn Warren
In the world of eternal return the weight of unbearable responsibility lies heavy on every move we make. That is why Nietzsche called the idea of eternal return the heaviest of burdens. If eternal return is the heaviest of burdens, then our lives can stand out against it in all their splendid lightness. But is heaviness truly deplorable and lightness splendid? The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in the love poetry of every age, the woman longs to be weighed down by the man's body. The heaviest of burdens is therefore simultaneously an image of life's most intense fulfillment. The heavier the burden, the more real and truthful they become. Conversely, the absolute absence of a burden causes man to be lighter than air, to soar into the heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness? ...That is the question. The only certainty is: the lightness/weight opposition is the most mysterious, most ambiguous of all.
Milan Kundera (The Unbearable Lightness of Being)
Always remember, that YOU are the most beautiful woman in the world. Your weight, your height, your eyes, your scars, your idiosyncrasies, your complexion, and your sartorial choices have nothing to do with beauty. The mirror lies darling. It does. Your heart is where all the beauty rests. And of course, it’s your smile that sprinkles a dash of magic! The world is a better place because of your gorgeous smile. Never walk out without a smile on our face, a zing in your step, and a high dose of faith in your heart.
Manprit Kaur
Minutes passed, each pulling my hopes down a little lower from the heights to which they had soared, and then, when tension on my nerves and the weight of the heavy rifle were becoming unbearable, I heard a stick snap at the upper end of the thicket. Here was an example of how a tiger can move through the jungle. From the sound she had made I knew her exact position, had kept my eyes fixed on the spot, and yet she had come, seen me, stayed some time watching me, and then gone away without my having seen a leaf or a blade of grass move.
Jim Corbett (Man-eaters of Kumaon)
here it is -- the final page you turn it and walk away you dreamt that you were flying and you realize that somehow, you were breathing under the weight of it all you marvel at the height of the fall don't you remember why you don't have a mother do you know how you got here? memories fade, left behind anxieties forgotten in the back of your mind are your friends lost, too? did you hold them tight or did you let them go? were they buried under the weight of it all such a high place from which to fall didn't you love them? when have you last spoken?
Andrew Hussie
We’re all suffering from a wasting disease, you know. Over there it showed itself as a mismatch between our weight and our height, but here, back home, it’s a mismatch between our feelings and our ability to express them in what we say and do.
Svetlana Alexievich (Zinky Boys: Soviet Voices from the Afghanistan War)
There are extremes within any population, but on average, at least among young adults, those who feel lonely actually spend no more time alone than do those who feel more connected. They are no more or less physically attractive than average, and they do not differ, on average, from the non-lonely in terms of height, weight, age, education, or intelligence. Most important, when we look at the broad continuum (rather than just the extremes) of people who feel lonely, we find that they have the capacity to be just as socially adept as anyone else. Feeling lonely does not mean that we have deficient social skills.
John T. Cacioppo (Loneliness: Human Nature and the Need for Social Connection)
Hey, what are you doing with your hand?”   Eli’s voice came out high pitched in surprise, as she clutched at Rafe’s shoulders. “It’s the best place for leverage if you’re going to make that ladder.” “My ass?  Really?” “What can I say, I’ve done the math, factored in the weight and height ratios and your ass is definitely where I will gain the most leverage in lifting you.
Jane Cousins (To Thrill A Thief (Southern Sanctuary, #8))
The good Lord, in his infinite wisdom, did not make us all the same. Goodness gracious, if he had, this would be a boring world, don't you think? You are different from each other in height, weight, background, intelligence, talent, and many other ways. For that reason, each one of you deserves individual treatment that is best for you. I will decide what that treatment will be.
Daniel Coyle (The Talent Code: Unlocking the Secret of Skill in Sports, Art, Music, Math, and Just About Everything Else)
...his size drew attention from everyone who happened to glance downwards. But Mulch quickly discovered that Mud People could find a reason to distrust almost anyone. Height, weight, skin colour, religion. It was almost safer to be different in some way.
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
So that's how we end up helping Aviva pick out a male escort. Even Darcy is impressed with Eugene's organization; each profile in the boy binder has two pictures, a head shot and a full-body shot, and lists essential information: age, school, height, weight, extracurriculars, hobbies, and dance ability (which ranges from "occasional Dance Dance Revolution participation" to "so good he could back up the Biebs").
Flynn Meaney (The Boy Recession)
For his part, Temeraire had been following this exchange with cocked head and increasing confusion; now he said, "I do not understand in the least, why ought it make any difference at all? Lily is female, and she can fight just as well as I can, or almost," he amended, with a touch of superiority. Riley, still dissatisfied even after Laurence's reassurance looked after this remark very much as though he had been asked to justify the tide, or the phase of the moon; Laurence was by long experience better prepared for Temeraire's radical notions, and said, "Women are generally smaller and weaker than men, Temeraire, less able to endure the privations of service." "I have never noticed that Captain Harcourt is much smaller than any of the rest of you," Temeraire said' well he might not, speaking from a height of some thirty feet and a weight topping eighteen tons. "Besides, I am smaller than Maximus, and Messoria is smaller than me; but that does not mean we cannot still fight." "It is different for dragons than for people," Laurence said. "Among other things, women must bear children, and care for them through childhood, where your kind lay eggs and hatch ready to look to your own needs. Temeraire blinked at this intelligence. "You do not hatch out of eggs?" he asked, in deep fascination. "How then--" "I beg your pardon, I think I see Purbeck looking for me," Riley said, very hastily, and escaped at a speed remarkable, Laurence thought somewhat resentfully, in a man who had lately consumed nearly a quarter his own weight in food. "I cannot really undertake to explain the process to you; I have no children of my own," Laurence said.
Naomi Novik (Throne of Jade (Temeraire, #2))
It may be easier to believe that we remain lean because we're virtuous and we get fat because we're not, but the evidence simply says otherwise. Virtue has little more to with our weight than our height. When we grow taller, it's hormones and enzymes that are promoting growth, and we consume more calories than we expend as a result. Growth is the cause - increased appetite and decreased energy expenditure (gluttony and sloth) are the effects. When we grow fatter, the same is true as well. We don't get fat because we overeat; we overeat because were fat.
Gary Taubes (Why We Get Fat: And What to Do About It)
Many more villagers, who have seen an elephant for the first time in their lives, give absurd exaggerations regarding his size, weight, and height. One of them describes him as ‘a fundament!’. Another, elaborating, alludes to the term ‘firmament,’ because of the elephant’s hugeness. He felt as though the sky was obliterated from his vision. The last to be interviewed by the local TV station swears that he sensed the world lean forward as the elephant came closer and tilt backwards as the beast walked away. This large mammal ambles purposefully. He pays no heed to the crowded silence following him in stealthy consciousness. One of the villagers, a woman often suspected of dabbling in witchcraft, talks of her inspired theory: that this was no elephant, more like a human on a holy mission of avenging justice. Two other witnesses, neither having had any contact with the woman, speak in substantiation of the woman’s claims, giving as evidence the observation that the elephant turned around when someone said something in Somali. Several villagers will not comment, afraid of a fitting retribution should they do so.
Nuruddin Farah
I roamed L.A. by night. I got repeatedly rousted by LAPD. I sensed that a cop-street fool compact existed. I behaved accordingly. I denied all criminal intent. I acted respectfully. My height-to-weight ratio and unhygienic appearance caused some cops to taunt me. I sparred back. Street schtick often ensued. I mimicked jailhouse jigs like some WASP Richard Pryor. Rousts turned into streetside yukfests. They played like Jack Webb unhinged. I started to dig the LAPD. I started to grok cop humor. I couldn't quite peg it as performance art. I hadn't read Joseph Wambaugh yet.
James Ellroy (The Best American Crime Writing 2005 (Best American Crime Reporting))
God is a great illustrator especially when I look at the humankind; different races, different genders, different heights, different weights and different shapes.His illustrations are simply breath taking, full of details and very inspiring. His creativity is beyond great and He's a mighty God.
Euginia Herlihy
This got him to the door. There, ridiculously, he turned. It was only at the door, he decided in retrospect, that her conduct was quite in excusable: not only did she stand unncessarily close, but, by shifting the weight of her body to one leg and leaning her head sidewise, she lowered her height several inches, placing him in a dominating position exactly suited to the broad, passive shadows she must have known were on her face." (“Snowing in Greenwich Village")
John Updike (The Maples Stories (Everyman's Library Pocket Classics))
Alice, I think I’ve also experienced that sensation you had in the convenience shop. For me it feels like looking down and seeing for the first time that I’m standing on a minuscule ledge at a dizzying vertical height, and the only thing supporting my weight is the misery and degradation of almost everyone else on earth.
Sally Rooney (Beautiful World, Where Are You)
Equality does not mean that all plants must grow to the same height - a society of tall grass and dwarf trees, a jostle of conflicting jealousies. It means, in civic terms, an equal outlet for all talents; in political terms, that all votes will carry the same weight; and in religious terms that all beliefs will enjoy equal rights.
Victor Hugo
In graduate school, Jim had studied Albert Camus’ essay The Myth of Sisyphus. (Camus begins: “The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor.” At the end of the essay, Camus refutes its beginning: “The struggle itself toward the heights is enough to fill a man’s heart. One must imagine Sisyphus happy.”)
Tracy Kidder (Rough Sleepers)
We are more than height, weight, religion, and income. Others judge us on the basis of general subjective and aesthetic attributes, such as our manner of speaking and our sense of humor. We are also a scent, a sparkle of the eye, a sweep of the hand, the sound of a laugh, and the knit of a brow—ineffable qualities that can’t easily be captured in a database.
Dan Ariely (The Upside of Irrationality: The Unexpected Benefits of Defying Logic at Work and at Home)
Because we measure ourselves against useless yardsticks of sex, race, religion, politics, schools. Even height and weight—
Bonnie Garmus (Lessons in Chemistry)
We call the sum of the weights times the heights gravitational potential energy—the energy which an object has because of its relationship in space, rela- tive to the earth.
Richard P. Feynman (The Feynman Lectures on Physics)
The weight of my grief in the depth of sorrows rivals the bliss of our love at the height of past joys.
Richelle E. Goodrich (A Heart Made of Tissue Paper)
Male or female, your waist should be less than half your height.
Michael Mosley (The Fast Diet: The Simple Secret of Intermittent Fasting: Lose Weight, Stay Healthy, Live Longer)
alice, i think i've also experienced that sensation you had in the convenience shop. for me it feels like looking down and seeing for the first time that i'm standing on a minuscule ledge at a dizzying vertical height, and the only thing supporting my weight is the misery and degradation of almost everyone else on earth. and i always end up thinking: i don't even want to be up here. i don't need all these cheap clothes and imported foods and plastic containers, i don't even think they improve my life. they just create waste and make me unhappy anyway.
Sally Rooney (Beautiful World, Where Are You: Chapter Sampler)
How beautiful or handsome you are it doesn't depend on your skin color, body height, weight, age, race, origin & faith. It depends on the level of your confidence, optimism, nimbleness, look and smile. How important you are to people it doesn't depend on your appearance, money, power, family and education. It depends on the level of your honesty, expertise, kindness and love.
Lord Robin
talking as if she wasn’t fired? “Feeling like one doesn’t fit is a horrible feeling,” she continued, unruffled. “Humans naturally want to belong—it’s part of our biology. But our society makes us feel that we’re never good enough to belong. Do you know what I mean, Phil? Because we measure ourselves against useless yardsticks of sex, race, religion, politics, schools. Even height and weight—” “What?
Bonnie Garmus (Lessons in Chemistry)
weight. Arnhem also sports an unusually large x-height for a serif, which enables not only dense text, but also a more harmonious fit with most sans serifs. Good for: Magazines. Forward-thinking newspapers.
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
The capper came when the manager of the bank came forward to testify in my behalf. He said that i was definitely not the woman who robbed the bank and that the robber was a different height and weight from mine.
Assata Shakur (Assata: An Autobiography)
If as a society we place more value on people for their physical appearance; such as weight, skin, eye color, and height, versus their heart and character, then we are draining the wealth and heart out of our society.
Leta B. (Your Steady Soul: May you transform your pain, anger, and hurt into wisdom, kindness, and love.)
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
hold your tongue, or I'll drop on your head!" Master Andry raised his eyes, seemed to measure in an instant the height of the pillar, the weight of the scamp, mentally multiplied that weight by the square of the velocity and remained silent.
Victor Hugo (Complete Works of Victor Hugo)
Another study that winds up in half the textbooks makes the same point, if more subtly. The subjects of the “experiment” were children reared in two different orphanages in Germany after World War II. Both orphanages were run by the government; thus there were important controls in place—the kids in both had the same general diet, the same frequency of doctors’ visits, and so on. The main identifiable difference in their care was the two women who ran the orphanages. The scientists even checked them, and their description sounds like a parable. In one orphanage was Fräulein Grun, the warm, nurturing mother figure who played with the children, comforted them, and spent all day singing and laughing. In the other was Fräulein Schwarz, a woman who was clearly in the wrong profession. She discharged her professional obligations, but minimized her contact with the children; she frequently criticized and berated them, typically among their assembled peers. The growth rates at the two orphanages were entirely different. Fräulein Schwarz’s kids grew in height and weight at a slower pace than the kids in the other orphanage. Then, in an elaboration that couldn’t have been more useful if it had been planned by a scientist, Fräulein Grun moved on to greener pastures and, for some bureaucratic reason, Fräulein Schwarz was transferred to the other orphanage. Growth rates in her former orphanage promptly increased; those in her new one decreased.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
During and after the American Civil War, racist science boomed, asserting a litany of pseudoscientific, intellectualized justifications for racism and enslavement, allowing white people to prove to ourselves, once again, that our supremacy was innate, earned, and somehow right. That boom time in racist science also left us with the body mass index, a measurement derived solely from the heights and weights of white men conscripts in the nineteenth century and never tested or meaningfully adjusted for anyone else.
Aubrey Gordon ("You Just Need to Lose Weight": And 19 Other Myths About Fat People (Myths Made in America))
Whey protein Whey protein has got more bad press than whisky, gin, rum, wine, beer, and even grass. Whey protein is a powder made from milk which you mix with water to turn into a drink. It has the best biological value of protein; which means that almost every gram of whey you consume gets used for its intended purpose and is absorbed by the body. Whey isolate, made from whey protein is a boon for lactose intolerant vegetarians like me as it doesn’t irritate the stomach or the intestines. Whey protein has been accused of affecting the kidney, liver and heart but this isn’t true. Although superstars, cricketers and doctors advertise for the so called ‘Protein drinks’, (especially for children, easy targets perhaps, not to mention their parents’ obsession with their height), the reality is that these drinks are so loaded in sugar and have such miniscule amounts of protein (not to mention poor biological value too) that they really do much more harm than any good. And a nutrient is never specifically beneficial for a particular age group. Whey protein on the other hand is easy on the system, has zero sugar, and is easy to digest. If you weight train regularly or run long distances, whey protein will become a necessity. (It also comes in all flavours: chocolate, vanilla, strawberry and many more.) Word of caution: whey protein is a supplement. It is not supposed to be used as an alternative to eating correctly. Consuming adequate protein, carbs and fat by means of a well-balanced diet is a must. Only then can whey protein be of any help. Like with everything else, if you overdo it or depend on it alone to provide you with protein, you stand to lose out on its considerable benefits.
Rujuta Diwekar (Don'T Lose Your Mind, Lose Your Weight)
Why do you wear those?" asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.'' "Gah!" I said. "Don't do that!" My miniature captive came to the edge of the dresser and peered down at me. "Don't ask questions?" "Don't come in here all quiet and spooky and scare me like that!" "You're six times my height, and fifty times my weight," Lacuna said gravely. "And I've agreed to be your captive. You don't have any reason to be afraid." "Not afraid," I snapped back. "Startled. It isn't wise to startle a wizard!" "Why not?" "Because of what could happen!" "Because they might fall down on the floor?" "No!" I snarled.Lacuna frowned and said, "You aren't very good at answering questions." I started shoving myself into my clothes. "I'm starting to agree with you.
Jim Butcher (Cold Days (The Dresden Files, #14))
They were the same height and weight, and could wear each other’s clothes. But Lev had charm by the ton. He was unreliable and selfish, and he lived on the edge of the law, but women adored him. Grigori was honest and dependable, a hard worker and a serious thinker, and he was single. It would
Ken Follett (Fall of Giants (The Century Trilogy #1))
For me it feels like looking down and seeing for the first time that I'm standing on a minuscule ledge at a dizzying vertical height, and the only thing supporting my weight is the misery and degredation of almost everyone else on earth. And I always end up thinking: I don't want to be up here.
Sally Rooney (Beautiful World, Where Are You)
For me it feels like looking down and seeing for the first time that I'm standing on a minuscule ledge at a dizzying vertical height, and the only thing supporting my weight is the misery and degradation of almost everyone else on eart. And I always end up thinking: I don't even want to be up here.
Sally Rooney (Beautiful World, Where Are You)
If learning required mistakes, then teaching required watching different people make the same mistakes. Teaching was relentless déjà vu but grounding. It cemented the idea that we are all the same--height and weight did not matter, and the possibility of failure (or success) for anyone was never too far off.
Weike Wang (Joan Is Okay)
There was nothing you could be sure about, it was all lies, and it was all done to mess with minds because the control and the power trip was so important to them, as well as it being necessary in terms of screwing up anything you might remember from an evidential perspective. They would also build up your hopes, in terms of any tiny thing you did like or were less scared of, so I'd be told that it would be a nice night because Uncle Andrew would be coming, but then it wouldn't be him. There would be someone else There would be someone else who I was told was my Uncle Andrew as he was raping me. Sometimes, this other person would have a mask on but I would know that it wasn't really him. They would be the wrong height or the wrong weight or, sometimes, even obviously a woman. There were occasions when I would be told to call the person Uncle Andrew and then when I did, they would ask me why I was doing that. Sometimes he would be there, too, but that was rare. Was it Satanic? I don't know. Personally I don't believe in God or Satan or any of those things, but abusers use whatever they can to silence children because if you go to the police and say something about Satan, you are so much less likely to be believed. I personally think they were just a group of likeminded people who had no beliefs other than that they wanted to get satisfaction out of abusing children and it's as simple and horrible as that. My uncle certainly doesn't have any satanic beliefs — he just thinks that he loves children and is allowed to get sexual satisfaction from them. Why is there sex involved if it is just about Satan? Why does it always come down to them getting off? No matter what they do that's all it is, whether masturbation or penetration or humiliation, that's what it's about. I encountered people who just liked to humiliate — they wouldn't allow you to go to the bathroom, you would be given drink after drink, fizzy drinks, whatever, so you ended up absolutely desperate and that's where they got off — that's when they started to masturbate themselves, as you stood there peeing yourself. That was just awful, so humiliating. Where is God or Satan in that? (her Uncle was convicted for abusing her and jailed)
Laurie Matthew (Groomed)
On the switchboard of my memory two pair of gloves have crossed wires - those leather gloves of Omi's and a pair of white ceremonial gloves. I never seem to be able to decide which memory might be real, which false. Perhaps the leather gloves were more in harmony with his coarse features. And yet again, precisely because of his coarse features, perhaps it was the white pair which became him more. Coarse features - even though I use the words, actually such a description is nothing more than that of the impression created by the ordinary face of one lone young man mixed in among boys. Unrivaled though his build was, in height he was by no means the tallest among us. The pretentious uniform our school required, resembling a naval officer's, could scarely hang well on our still-immature bodies, and Omi alone filled his with a sensation of solid weight and a sort of sexuality. Surely I was not the only one who looked with envious and loving eyes at the muscles of his shoulder and chest, that sort of muscle which can be spied out even beneath a blue-serge uniform. Something like a secret feeling of superiority was always hovering about his face. Perhaps it was that sort of feeling which blazes higher and higher the more one's pride is hurt. It seemed that, for Omi, such misfortunes as failures in examinations and expulsions were the symbols of a frustrated will. The will to what? I imagined vaguely that it must be some purpose toward which his 'evil genius' was driving him. And i was certain that even he did not yet know the full purport of this vast conspiracy against him.
Yukio Mishima (Confessions of a Mask)
What interests me about the eyes is that they are part of the body that doesn't age. In other words, if one looks for ones childhood across all the signs of aging in the body, the deterioration of musculature, the whitening of the hair, changes in height and weight, one can find one's childhood in the look of the eyes.
Jacques Derrida
Girls Wanted to Enter Flight Stewardess Training Group Here is the Career Opportunity for Which You Have Been Waiting! If you are interested and feel you can meet all of the qualifications below, please write in detail and attach a full length photograph. HEIGHT: Between 5'2" and 5'6" WEIGHT: 135 pounds maximum ATTRACTIVE: "Just below Hollywood" standards Plenty of Personality and Poise GENDER: Female MARITAL STATUS: Single, Not Divorced, Separated, or Widowed RACE: White AGE: 21-26 years old EDUCATION: Registered Nurse or Two Years of College VISION: 20/20 without glasses Must be a US citizen and available for training within 6 months. If you feel you qualify--
Judy Blume (In the Unlikely Event)
Any big goal, having to do with weight loss or not, can become a source of discouragement if we focus on how far we have to go. In this situation, it’s much more reassuring to look at how far you’ve come and only look as far as your next small goal. The only way you’ll make it is to put one foot in front of the other and keep moving forward.
Jessica Heights (100 Pound Loser: How I Ate What I Wanted, Had Four Babies, & Still Took Control Of My Weight - And You Can Too!)
In despair, I offer your readers their choice of the following definitions of entropy. My authorities are such books and journals as I have by me at the moment. (a) Entropy is that portion of the intrinsic energy of a system which cannot be converted into work by even a perfect heat engine.—Clausius. (b) Entropy is that portion of the intrinsic energy which can be converted into work by a perfect engine.—Maxwell, following Tait. (c) Entropy is that portion of the intrinsic energy which is not converted into work by our imperfect engines.—Swinburne. (d) Entropy (in a volume of gas) is that which remains constant when heat neither enters nor leaves the gas.—W. Robinson. (e) Entropy may be called the ‘thermal weight’, temperature being called the ‘thermal height.’—Ibid. (f) Entropy is one of the factors of heat, temperature being the other.—Engineering. I set up these bald statement as so many Aunt Sallys, for any one to shy at. [Lamenting a list of confused interpretations of the meaning of entropy, being hotly debated in journals at the time.]
Sydney Herbert Evershed
Forty-three years of age, congenitally average in weight, height, and looks, I was an inoffensive man of the comfortable sort. 'Danny always calms the room,' Abbie, my wife, would say in social gatherings with University colleagues. That always got smiles and nods of recognition. I was like a very pleasant virus, contagious but passing soon. People liked me.
Thomas H. Carry (Privilege)
Feeling like one doesn’t fit is a horrible feeling,” she continued, unruffled. “Humans naturally want to belong—it’s part of our biology. But our society makes us feel that we’re never good enough to belong. Do you know what I mean, Phil? Because we measure ourselves against useless yardsticks of sex, race, religion, politics, schools. Even height and weight
Bonnie Garmus (Lessons in Chemistry)
Humans naturally want to belong—it’s part of our biology. But our society makes us feel that we’re never good enough to belong. Do you know what I mean, Phil? Because we measure ourselves against useless yardsticks of sex, race, religion, politics, schools. Even height and weight—” “What?” “In contrast, Supper at Six focuses on our commonalities—our chemistries.
Bonnie Garmus (Lessons in Chemistry)
Graham and the undertaker's assistants strapped the body to a wide board with a rope that crossed under his right shoulder and again over his groin, then they tilted the man until he was nearly vertical and let the camera lens accept the scene for a minute. The man's eyes were shut, the skin around them was slightly green, and the sockets themselves seemed so cavernous that photographic copies were later repainted with two blue eyes looking serenely at some vista in the middle distance. Likewise missing in the keepsake photographs was the mean contusion over his left eyebrow that wound convince some reporters that it was the gunshot's exit wound and others that it showed the incidence of Bob Ford's smashing the stricken man with a timber. The body's cheeks and chest and belly were somewhat inflated with preservatives, necessitating the removal of the man's thirty-two-inch brown leather belt, and making his weight seem closer to one hundred eighty-five pounds than the one hundred sixty it was. His height was misjudged by four inches, being recorded as six feet or more by those who wrote about him.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
He had spent the previous year sharpening his observations of quotidian matters. He noted down all sorts of minutiae, the better to portray the American prepubescent girl at the heart of his novel with greater accuracy. Nabokov recorded heights and weights, average age of first menstruation, attitude changes, even the “proper method of inserting an enema tip into a rectum.
Sarah Weinman (The Real Lolita: The Kidnapping of Sally Horner and the Novel that Scandalized the World)
This equation is very accurate for all but the extremely muscular and extremely obese, where it may overestimate caloric needs. Men: BMR = 66 + (13.7 × weight in kilograms) + (5 × height in centimeters) − (6.8 × age in years) Women: BMR = 655 + (9.6 × weight in kilograms) + (1.8 × height in centimeters) − (4.7 × age in years) Conversions: 1 inch = 2.54 centimeters 1 kilogram = 2.2 pounds
Tom Venuto (Burn the Fat, Feed the Muscle: Transform Your Body Forever Using the Secrets of the Leanest People in the World)
Reader of dead words who would live deeds, this is the flowering of my logic: I dream of a world of infinitive and valuable variety; not in the laws of gravity or atomic weights, but in human variety in height and weight, color and skin, hair and nose and lip. But more especially and far above and beyond this, is a realm of true freedom: in thought and dream, fantasy and imagination; in gift, aptitude, and genius—all possible manner of difference, topped with freedom of soul to do and be, and freedom of thought to give to a world and build into it, all wealth of inborn individuality. Each effort to stop this freedom of being is a blow at democracy—that real democracy which is reservoir and opportunity . . . There can be no perfect democracy curtailed by color, race, or poverty. But with all we accomplish all, even Peace.
W.E.B. Du Bois
Something happens to you in an old-growth forest. At first you are curious to see the tremendous girth and height of the trees, and you sally forth, eager. You start to saunter, then amble, slower and slower, first like a fox and then an armadillo and then a tortoise, until you are trudging at the pace of an earthworm, and then even slower, the pace of a sassafras leaf's turning. The blood begins to languish in your veins, until you think it has turned to sap. You hanker to touch the trees and embrace them and lean your face against their bark, and you do. You smell them. You look up at leaves so high their shapes are beyond focus, into far branches with circumferences as thick as most trees. Every limb of your body becomes weighted, and you have to prop yourself up. There's this strange current of energy running skyward, like a thousand tiny bells tied to your capillaries, ringing with your heartbeat. You sit and lean against one trunk-it's like leaning against a house or a mountain. The trunk is your spine, the nerve centers reaching into other worlds, below ground and above. You stand and press your body into the ancestral and enduring, arms wide, and your fingers do not touch. You wonder how big the unseen gap. If you stay in one place too long, you know you'll root.
Janisse Ray
My method of equitation consists in distribution of weight by the height of the neck bent at the poll and not at the withers ; propulsion by means of the hocks being brought under the body; and lightness by the loosening of the lower jaw. When we know this, we know everything, and we know^ nothing. We know everything, because these principles are of universal application ; and we know nothing, because they have to be applied practically.
Anonymous
Before I became a Christian, I remember looking into the mirror and taking inventory of my face, my eyes, the shape of my nose, skin color, hair texture, height and weight, then thinking, ‘how could a random process or chance explosion be responsible for this level of detail? I am unique, and there is no one else like me. Just like my father intentionally thought of my unique name, someone must have intentionally thought of my unique frame.
Kinite McCrae (I Am A Christian, This Is Why: A Logical Response to the Skeptic (I Am Series Book 1))
Waist-to-Height Ratio, or WHtR.120 Instead of a scale, grab a simple measuring tape. Stand up straight and take a deep breath, exhale, and let it all hang out. The circumference of your belly (halfway between the top of your hip bones and the bottom of your rib cage) should be half your height—ideally, less. If that measurement is more than half your height, it’s time to start eating healthier and exercising more regardless of your weight.121
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
Q&As covered my fave color (purple), my fave shows (Family Ties and Cosby), my height (5′ 7″), weight (130 pounds) and eye color (hazel). They also printed false information. One said my parents were a psychologist and a newspaper reporter. Sure, my television parents held those careers—my real parents were a math/P.E. teacher and a housewife/manager (of me). I was supposed to be the coolest kid on the planet, but no one knew what a dork I was.
Kirk Cameron (Still Growing: An Autobiography)
They’d talk of the famous painters who took until their twenties or thirties to really get to grips with their talent, and then they’d say, “But Lenni Pettersson was only five years and three months old when she created this work—how is it even possible she was already that good?” In honor of my own vanity, at the bottom of my painted star, in yellow and using the thinnest brush I could find, I wrote Lenni, aged 17. Seeing this, Margot did the same. Margot, she wrote, 83. And then we put them side by side, the two stars against the dark. Numbers don’t mean a lot to me. I don’t care about long division or percentages. I don’t know my height or my weight and I can’t remember my dad’s phone number, though I know I used to know it. I prefer words. Delicious, glorious words. But there were two numbers in front of me that mattered, and would matter for the rest of my numbered days. “Between us,” I said quietly, “we’re a hundred years old.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
Duiri Tal, a small lake, lies cradled on the hill above Okhimath, at a height of 8,000 feet. It was a favourite spot of one of Garhwal's earliest British Commissioners, J.H. Batten, whose administration continued for twenty years (1836-56). He wrote:   The day I reached there, it was snowing and young trees were laid prostrate under the weight of snow; the lake was frozen over to a depth of about two inches. There was no human habitation, and the place looked a veritable wilderness. The next morning when the sun appeared, the Chaukhamba and many other peaks extending as far as Kedarnath seemed covered with a new quilt of snow, as if close at hand. The whole scene was so exquisite that one could not tire of gazing at it for hours. I think a person who has a subdued settled despair in his mind would all of a sudden feel a kind of bounding and exalting cheerfulness which will be imparted to his frame by the atmosphere of Duiri Tal.   This
Ruskin Bond (Roads to Mussoorie)
The squaw on the hippo? In his mind's eye, Darbishire pictured the wife of a red indian chief, resplendent in feathered head-dress, riding proudly on the tribal hippopotamus. But how could she be equal to the squaws on the other two sides of the animal? equal in weight? . . . In height? . . . in importance? He stared at the diagram wondering whether it was meant to represent a three sided hippopotamus, but it wasn't easy to imagine what such an animal would look like in real life, Determined to please Mr Wilkins, he tried again. perhaps the theorem meant she was equal in weight. Supposing you had a very fat squaw, weighing, say, fifteen stone; and two thinner squaws weighing, say, eight stone and seven stone respectively . . . What then? the scholar's eyes shone with inspiration. He'd got it! seven and eight made fifteen! So the squaw on one side of the hipppotamus would be equal in weight to the sum of the squaws on the other two sides. That meant that the animal would be properly balanced and wouldn't topple over.
Anthony Buckeridge (Jennings in Particular)
By all means," cried Bingley; "let us hear all the particulars, not forgetting their comparative height and size; for that will have more weight in the argument, Miss Bennet, than you may be aware of. I assure you that if Darcy were not such a great tall fellow, in comparison with myself, that I should not pay him half so much deference. I declare I do not know a more awful object than Darcy, on particular occasions, and in particular places; at his own house especially, and of a Sunday evening, when he has nothing to do.
Jane Austen (Pride & Predjudice)
The hardest part was coming to terms with the constant dispiriting discovery that there is always more hill. The thing about being on a hill, as opposed to standing back from it, is that you can almost never see exactly what’s to come. Between the curtain of trees at every side, the ever-receding contour of rising slope before you, and your own plodding weariness, you gradually lose track of how far you have come. Each time you haul yourself up to what you think must surely be the crest, you find that there is in fact more hill beyond, sloped at an angle that kept it from view before, and that beyond that slope there is another, and beyond that another and another, and beyond each of those more still, until it seems impossible that any hill could run on this long. Eventually you reach a height where you can see the tops of the topmost trees, with nothing but clear sky beyond, and your faltering spirit stirs—nearly there now!—but this is a pitiless deception. The elusive summit continually retreats by whatever distance you press forward, so that each time the canopy parts enough to give a view you are dismayed to see that the topmost trees are as remote, as unattainable, as before. Still you stagger on. What else can you do? When, after ages and ages, you finally reach the telltale world of truly high ground, where the chilled air smells of pine sap and the vegetation is gnarled and tough and wind bent, and push through to the mountain’s open pinnacle, you are, alas, past caring. You sprawl face down on a sloping pavement of gneiss, pressed to the rock by the weight of your pack, and lie there for some minutes, reflecting in a distant, out-of-body way that you have never before looked this closely at lichen, not in fact looked this closely at anything in the natural world since you were four years old and had your first magnifying glass. Finally, with a weary puff, you roll over, unhook yourself from your pack, struggle to your feet, and realize—again in a remote, light-headed, curiously not-there way—that the view is sensational: a boundless vista of wooded mountains, unmarked by human hand, marching off in every direction. This really could be heaven.
Bill Bryson
Like high mountain climbers who set up a base in the valley at the foot of the mountains and another camp and camp number two and camp number three at various heights on the road to the peak, and in every camp they leave food and provisions and equipment to make their last climb easier and to collect on their way back everything that might help them as they descend, so I leave my childhood and my youth and my adult years in various camps with a flag on every camp. I know I shall never return, but to get to the peak with no weight, light, light!
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
All right, you. Stand straight. Pull your belly in. Pull your chin in. Keep your shoulders back. Hold your head level. Look straight front. Turn left. Turn right. Face front again and hold your hands out. Palms up. Palms down. Pull your sleeves back. No visible scars. Hair dark brown, some gray. Eyes brown. Height six feet, one half inch. Weight about one ninety. Name Philip Marlowe. Occupation private detective. Well, well, nice to see you, Marlowe. That’s all. Next man.” Much obliged, Captain. Thanks for the time. You forgot to have me open my mouth. I have some nice inlays and one very high-class porcelain jacket crown. Eighty-seven dollars worth of porcelain jacket crown. You forgot to look inside my nose too, Captain. A lot of scar tissue in there for you. Septum operation and was that guy a butcher! Two hours of it in those days. I hear they do it in twenty minutes now. I got it playing football, Captain, a slight miscalculation in an attempt to block a punt. I blocked the guy’s foot instead—after he kicked the ball. Fifteen yards penalty, and that’s about how much stiff bloody tape they pulled out of my nose an inch at a time the day after the operation. I’m not bragging, Captain. I’m just telling you. It’s the little things that count.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
PHYSIOLOGY 1. Sex 2. Age 3. Height and weight 4. Color of hair, eyes, skin 5. Posture 6. Appearance: good-looking, over- or underweight, clean, neat, pleasant, untidy. Shape of head, face, limbs. 7. Defects: deformities, abnormalities, birthmarks. Diseases. 8. Heredity SOCIOLOGY 1. Class: lower, middle, upper. 2. Occupation: type of work, hours of work, income, condition of work, union or nonunion, attitude toward organization, suitability for work. 3. Education: amount, kind of schools, marks, favorite subjects, poorest subjects, aptitudes. 4. Home life: parents living, earning power, orphan, parents separated or divorced, parents’ habits, parents’ mental development, parents’ vices, neglect. Character’s marital status. 5. Religion 6. Race, nationality 7. Place in community: leader among friends, clubs, sports. 8. Political affiliations 9. Amusements, hobbies: books, newspapers, magazines he reads. PSYCHOLOGY 1. Sex life, moral standards 2. Personal premise, ambition 3. Frustrations, chief disappointments 4. Temperament: choleric, easygoing, pessimistic, optimistic. 5. Attitude toward life: resigned, militant, defeatist. 6. Complexes: obsessions, inhibitions, superstitions, phobias. 7. Extrovert, introvert, ambivert 8. Abilities: languages, talents. 9. Qualities: imagination, judgment, taste, poise. 10. I.Q.
Lajos Egri (The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives)
He found himself thinking about a guy named Johnnie Larch he’d shared a cell with when he’d first been put inside, who told Shadow how he’d once got out after five years behind bars, with $100 and a ticket to Seattle, where his sister lived. Johnnie Larch had got to the airport, and he handed his ticket to the woman on the counter, and she asked to see his driver’s license. He showed it to her. It had expired a couple of years earlier. She told him it was not valid as ID. He told her it might not be valid as a driver’s license, but it sure as hell was fine identification, and it had a photo of him on it, and his height and his weight, and damn it, who else did she think he was, if he wasn’t him?
Neil Gaiman (American Gods)
The natural world gives us many examples of the great effectiveness of this way. The Chinese philosophy of which judo itself is an expression—Taoism—drew attention to the power of water to overcome all obstacles by its gentleness and pliability. It showed how the supple willow survives the tough pine in a snowstorm, for whereas the unyielding branches of the pine accumulate snow until they crack, the springy boughs of the willow bend under its weight, drop the snow, and jump back again. If, when swimming, you are caught in a strong current, it is fatal to resist. You must swim with it and gradually edge to the side. One who falls from a height with stiff limbs will break them, but if he relaxes like a cat he will fall safely. A building without 'give' in its structure will easily collapse in storm or earthquake, and a car without the cushioning of tires and springs will soon come apart on the road. The mind has just the same powers, for it has give and can absorb shocks like water or a cushion. But this giving way to an opposing force is not at all the same thing as running away. A body of water does not run away when you push it; it simply gives at the point of the push and encloses your hand. A shock absorber does not fall down like a bowling-pin when struck; it gives, and yet stays in the same place. To run away is the only defense of something rigid against an overwhelming force. Therefore the good shock absorber has not only 'give,' but also stability or 'weight.
Alan W. Watts (The Wisdom of Insecurity: A Message for an Age of Anxiety)
-Now the paperwork – -What if I don’t want to do the Ultimate, right away? Maybe I want to ease into this thing gently. -No you don’t. -I might. I might just want to ease into the activity, the idea of it. -it’ll be fine, said Rebecca. -you will be fine, and no regrets, honestly. Jillian took me over to the desk. -No possible regrets, said Rebecca, just sign this, she handed me a sheaf of forms. -Jesus I don’t want to buy the place, I scanned the pages – 45 pages. -just fill in page 25 through28 and sign. -Pages 25 through 28, what is this? Rebecca took the pages of forms from my hand – look its simple stuff, here we’ll read it through. Jillian looked over her shoulder at the pages -weight? -what? - Say 110, Jillian said. -Height? -5’ 8’’, Jillian again. -Hair length? -What? Why? -Long, Jillian again. -Cup size? - O come on. - say C -how about say nothing, I was getting angry -Shaved or bikini or natural? -Fuck off Rebecca ticked a box anyway – well she was at the waxing too. Why ask in fact? -Last menstrual cycle? - enough, enough, give me those papers -Yes ignore that, said Rebecca taking the pages away from my grasping hand -Tested? she said this to Jillian -Tested? What tested? What do you mean tested? -Yes, said Jillian, I forwarded a blood sample from the main island -You what! -You were sleeping. -Great now sign here, Rebecca handed me a page and a pen -Who has blood samples for a theme park? -Everyone -especially the staff, can’t have mi’lady getting STDs I took a breath -This is getting a bit weird guys are you sure? I mean, well this is a bit, weird. -We’re 100 and a million per cent sure, said Jillian - 100 million per cent, said Rebecca
Germaine Gibson (Theme Park Erotica)
I’ve never seen Klamm, Frieda doesn’t like me very much, as you know, and she would never have let me have a look at him; but of course they know very well what he looks like in the village, some people have seen him, they’ve all heard of him, and from these glimpses and rumours, as well as some deliberately misleading reports, a picture of Klamm has emerged that is probably generally accurate. But only generally; otherwise it varies, and perhaps it doesn’t even vary as much as Klamm’s actual appearance. He is supposed to look quite different when he arrives in the village and when he leaves, different before and after he’s been drinking beer, different when he’s awake and when he’s asleep, different when he’s alone and when he’s talking to someone – and then, as you can imagine, almost completely different up at the Castle. And even when he’s in the village there are reports of quite substantial differences, differences in his height, his shape, his weight, his beard. Fortunately, there’s one thing the descriptions agree about, his clothes – he’s always dressed the same: in a black frock coat with long tails. Of course, all these differences are due to magic, they are quite understandable because they depend on the present mood, the level of excitement, the countless degrees of hope or despair on the part of the observer, who is in any case only able to catch a momentary glimpse of Klamm. I’m telling you all this just as Barnabas has often explained it to me, and on the whole it’s reassuring as long as one’s not directly or personally involved. It doesn’t affect me, but for Barnabas it’s a matter of vital importance whether it’s really Klamm he is talking to or not.’ ‘It’s
Franz Kafka (The Castle (Classics of World Literature))
SIWƎ┴ɹIČN∀ ʞOWƎpIſ∀ Wouᴉ-n pǝ qnlᴉ Zʌɐo sǝ uǝʞɐp lǝodɐɹp ƃɐžɐ qǝšǝ lɾᴉƃɐʌɐ slɐuᴉuɐ oʌuɐ ᴉ ʞɹʇᴉuɐ ƃɐzǝlǝ ɹɐp qᴉ zuɐo ʌɐšǝ ɯᴉšlɾǝuɾǝ ʞɐʞo ɯn ʞᴉčɯɐ osǝćɐšǝ zʌǝzpǝ ʞɹoz žᴉɔǝ znqᴉ ʞɹoz ʇnuǝl ƃlᴉsʇɐ˙ Nɐ lǝžɐɾn uoć n uoćᴉ sʇɹʌᴉuɐɹ zʌǝzpǝ sn qlǝsɐʞ nɯᴉuđnšǝuoƃ nɯɐ zʌǝzpǝ nqǝsʞɹɐɾǝuǝ lᴉɹsʞᴉ zʌǝzpǝ dop loƃɐɹᴉʇɯoɯ ɾnžuoƃ dolɐ lǝʇǝ šɐʞɐlsʞᴉ ɥǝʞsɐɯǝʇɹᴉ ɾɐɯqᴉ ǝlǝɟɐuʇɐ sɐʞsoɟousʞᴉ sᴉƃuɐl ɥᴉɾǝuǝ zɐ ɯǝsǝčǝʌǝ ɯɐuǝ n ʞnlᴉsɐɯɐ dop šɐʇoɹᴉɯɐ oɯɐɹǝ ɾɐ ʌɐs ʌolᴉɯ ʞɐo ɹᴉs ɹᴉsɐ )ɐq(uoɹɯɐluo˙ ∩ ɐɯɐlƃɐɯn čǝžuɾǝ čnluo n ʌǝʇɹoʌᴉʇᴉɯ ʌopɐɯɐ sǝuɐsʇǝ lᴉɹᴉʞǝ ʇɐʞo ʇᴉ ʞoqᴉ ʇᴉ ʇɐʞo¿ žǝlᴉ sǝ sɯɹʇ ɐʇᴉusʞoɯ ɹɐpošćn sʌǝʇloƃ ʞɹǝznqoƃ sᴉsɐučǝʇɐ ɹnƃoqoɯ ʇǝlɐsɐsʇᴉɥ čǝlɾnsʇᴉ ʞnʇuɾɐčʞᴉɯ ʌᴉlᴉɔɐɯɐ ɹɐʞᴉpžᴉsʞᴉɯ ƃlɐsuᴉɔɐɯɐ snlnupɐɹsʞᴉɯ sᴉlɐsʞoɯ ɔɹǝʌɐ oʞɐɹuᴉɐsʇᴉɯ žǝlnpɔǝɯ sdǝlnuʞoɯ pǝɾǝʞɔᴉɾǝ dlɐʌoɯ ʞɐo ʞɐdɹᴉ zqoƃ lᴉɹsʞǝ ʇǝzǝ ɐquoɹɯɐluǝ zʌǝzpǝ zqoƃ pžǝlɐʇɐ lɾᴉƃɐʌoƃ oʌuɐ ʞɹʇǝ ƃɐzǝlǝ ɹsʞɐʌǝ zʌǝzpǝ zpǝuɐsʇǝ lɐsʇǝ sʇǝƃunʇoƃ ƃunɐ ɐƃunsɐ pǝᴉ oɐʇɐuǝ
Vladan L.L. Kuzmanovich
55. Unholy Scam The Divine made You as a holy expression of Love exactly as You are. But many get told they need to become worthy of love from other humans, and even from God. However, trees, grass, seashells, kittens, dragon lizards, spider monkeys, Pomeranians, chipmunks, and just about anyone and anything besides deluded, brainwashed humans do NOT feel this way. Sense a scam? Here’s the Truth. You already are Love. And You already are Worthy. This is a central tenet of existence, independent of age, race, gender, charisma, height, weight, bank account, sexual orientation, and genital size. Over time, the Divine can reveal this, if it is sincerely offered. Why the heck not? Change me Divine Beloved into One who knows without question my own beauty, worthiness, and desirability. Let me remember constantly who I am, a spark of Divinity, of Love, in a temporary human form. Awaken me from any traces of amnesia; may I always recall my true nature as radiant Light.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
It isn’t the height that scares me—the height makes me feel alive with energy, every organ and vessel and muscle in my body singing at the same pitch. Then I realize what it is. It’s him. Something about him makes me feel like I am about to fall. Or turn to liquid. Or burst into flames. My hand almost misses the next rung. “Now tell me…,” he says through a bursting breath, “what do you think learning strategy has to do with…bravery?” The question reminds me that he is my instructor, and I am supposed to learn something from this. A cloud passes over the moon, and the light shifts across my hands. “It…it prepares you to act,” I say finally. “You learn strategy so you can use it.” I hear him breathing behind me, loud and fast. “Are you all right, Four?” “Are you human, Tris? Being up this high…” He gulps for air. “It doesn’t scare you at all?” I look over my shoulder at the ground. If I fall now, I will die. But I don’t think I will fall. A gust of air presses against my left side, throwing my body weight to the right. I gasp and cling to the rungs, my balance shifting. Four’s cold hand clamps around one of my hips, one of his fingers finding a strip of bare skin just under the hem of my T-shirt. He squeezes, steadying me and pushing me gently to the left, restoring my balance. Now I can’t breathe. I pause, staring at my hands, my mouth dry. I feel the ghost of where his hand was, his fingers long and narrow. “You okay?” he asks quietly. “Yes,” I say, my voice strained. I keep climbing, silently, until I reach the platform. Judging by the blunted ends of metal rods, it used to have railings, but it doesn’t anymore. I sit down and scoot to the end of it so Four has somewhere to sit. Without thinking, I put my legs over the side. Four, however, crouches and presses his back to the metal support, breathing heavily. “You’re afraid of heights,” I say. “How do you survive in the Dauntless compound?” “I ignore my fear,” he says. “When I make decisions, I pretend it doesn’t exist.” I stare at him for a second. I can’t help it. To me there’s a
Veronica Roth (Divergent (Divergent, #1))
Tris,” he says. “What did they do to you? You’re acting like a lunatic.” “That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--” “I’m not going to kiss you. I’m going to figure out what’s going on,” he says. I pout my lower lip for a second, but then I grin as the pieces come together in my mind. “That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.” “Come on,” he says. “We’re going to see Johanna.” “I like you, too.” “That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.” He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works. When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face. “You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.” Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange. “What did you do to her?” Tobias says, terse. “What in God’s name did you do?” “I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.” “They must have given her too much of what?” he says. “You have a nice voice,” I say. “Tris,” he says, “please be quiet.” “The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.” Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.” Johanna does not respond for a few seconds. She folds her hands in front of her. “Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.” “Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.” “Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.” “Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
Veronica Roth (Insurgent (Divergent, #2))
Page 50: It is a common misconception that psychological measurements of human abilities are generally more prone to error or inaccuracy than are physical measurements. In most psychological research, and especially in psychometrics, this kind of measurement error is practically negligible. If need be, and with proper care, the error variance can usually be made vanishingly small. In my laboratory, for example, we have been able to measure such variables as memory span, flicker-fusion frequency (a sensory threshold), and reaction time (RT) with reliability coefficients greater than .99 (that is, less than 1 percent of the variance in RT is due to errors of measurement). The reliability coefficients for multi-item tests of more complex mental processes, such as measured by typical IQ tests, are generally about .90 to .95. This is higher than the reliability of people's height and weight measured in a doctor's office! The reliability coefficients of blood pressure measurements, blood cholesterol level, and diagnosis based on chest X-rays are typically around .
Arthur R. Jensen (The g Factor: The Science of Mental Ability (Human Evolution, Behavior, and Intelligence))
Are we taking the Subaru?” “No. We’ll run.” Running is not part of my plan. Stopping right here is my plan. “I’m not actually supposed to run,” I try to say. “The arm and everything.” “I’m sorry about your arm.” “Really?” He swoops me up as if I weigh nothing, leans me against his chest, and carries me the way grooms are supposed to carry brides over thresholds. He is cold now, away from the fire. He smells of mushrooms. “Are you afraid of heights?” He keeps my good arm against him, and doesn’t even jostle my cast arm. It’s smooth and quick and I don’t have time to ...He sets me down on the rolling ground in a large clearing in the middle of tall pine trees. My breath whooshes out like I’d been holding it. “Oh, that was amazing,” I say before I realize it. “You’re glowing. I thought you hated me.” “I do. But flying? I don’t hate flying. I read this book once where—” “You read?” “Yeah.” “Good. I like philosophy myself. It’s good to have a daughter who reads.” I swallow, shift my weight on my feet. They won’t be able to follow us here; we left no tracks. I can’t believe we flew. “Can all pixies fly? Because I was totally unprepared for that. I mean, I didn’t read that.” “Only ones with royal blood. You can.
Carrie Jones (Need (Need, #1))
He had been a timid child in New York City, cut off from schoolboy society by illness, wealth, and private tutors. Inspired by a leonine father, he had labored with weights to build up his strength. Simultaneously, he had built up his courage “by sheer dint of practicing fearlessness.” With every ounce of new muscle, with every point scored over pugilistic, romantic, and political rivals, his personal impetus (likened by many observers to that of a steam train) had accelerated. Experiences had flashed by him in such number that he was obviously destined to travel a larger landscape of life than were his fellows. He had been a published author at eighteen, a husband at twenty-two, an acclaimed historian and New York State Assemblyman at twenty-three, a father and a widower at twenty-five, a ranchman at twenty-six, a candidate for Mayor of New York at twenty-seven, a husband again at twenty-eight, a Civil Service Commissioner of the United States at thirty. By then he was producing book after book, and child after child, and cultivating every scientist, politician, artist, and intellectual of repute in Washington. His career had gathered further speed: Police Commissioner of New York City at thirty-six, Assistant Secretary of the Navy at thirty-eight, Colonel of the First U.S. Volunteer Cavalry, the “Rough Riders,” at thirty-nine. At last, in Cuba, had come the consummating “crowded hour.” A rush, a roar, the sting of his own blood, a surge toward the sky, a smoking pistol in his hand, a soldier in light blue doubling up “neatly as a jackrabbit” … When the smoke cleared, he had found himself atop Kettle Hill on the Heights of San Juan, with a vanquished empire at his feet.
Edmund Morris (Theodore Rex)
That there is struggle and inequality even in beauty, and war for power and supremacy: that doth he here teach us the plainest parable. How divinely do vault and arch here contrast in the struggle: how with light and shade they strive against each other, the divinely striving ones. — This is a clear description of the Gothic cathedral where you really feel that life itself has become congealed-one could say it was congealed life. It is often compared to a wood or to the branches of a tree; all sorts of animals run up and down those columns and spires. It is wood that has become stone, or spirit that has become incorruptible matter, and the architecture symbolizes the struggle from which it arose. One sees the struggle itself represented in Norman art, in those manifold representations of the fight between man and monsters, particularly. In the Gothic cathedral this conflict is fully developed and fully represented in the enormous height and depth, in the light and the shadow, and in the extraordinary complication of all those architectural forms melting into each other, or fighting one another. It is also expressed in the peculiar arches built outside the church to support the walls inside; it gives one the idea of tremendous tension, of a thing that is almost bursting. When you look, for instance, in Notre Dame in Paris, at the tension of the walls inside supported by the arches, you realize how daring the whole enterprise was-to catch so much spirit in matterand what they had to do in order to secure it. There is no such thing in the Norman cathedrals; they are really made of stone, while in the Gothic cathedrals one begins to doubt the weight of the stone. And a little later one sees the same peculiarity in sculpture. In the cinquecento sculpture of Michelangelo and the later men, they seemed to deny the immobility of the stone; up to that time, stone had been practically immovable, even Greek sculpture, but with Michelangelo, the stone began to move with a surplus of life which is hardly believable. It seems as if it either were not stone or as if something wrong had happened. There is too much life, the stone seems to walk away. It begins to move till the whole thing falls asunder. You see, that is what Nietzsche is describing here. He calls them the divinely striving ones that are no longer striving; they have congealed, they have come to rest. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 1109-1110)
C.G. Jung (Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939 C.G. Jung)
I’d like to see some identification,” growled the inspector. I fully expected Barrons to toss O’Duffy from the shop on his ear. He had no legal compulsion to comply and Barrons doesn’t suffer fools lightly. In fact, he doesn’t suffer them at all, except me, and that’s only because he needs me to help him find the Sinsar Dubh. Not that I’m a fool. If I’ve been guilty of anything, it’s having the blithely sunny disposition of someone who enjoyed a happy childhood, loving parents, and long summers of lazy-paddling ceiling fans and small-town drama in the Deep South which-while it’s great—doesn’t do a thing to prepare you for live beyond that. Barrons gave the inspector a wolfish smile. “Certainly.” He removed a wallet from the inner pocket of his suit. He held it out but didn’t let go. “And yours, Inspector.” O’Duffy’s jaw tightened but he complied. As the men swapped identifications, I sidled closer to O’Duffy so I could peer into Barrons’ wallet. Would wonders never cease? Just like a real person, he had a driver’s license. Hair: black. Eyes: brown. Height: 6’3”. Weight: 245. His birthday—was he kidding?—Halloween. He was thirty-one years old and his middle initial was Z. I doubted he was an organ donor. “You’ve a box in Galway as your address, Mr. Barrons. Is that where you were born?” I’d once asked Barrons about his lineage, he’d told me Pict and Basque. Galway was in Ireland, a few hours west of Dublin. “No.” “Where?” “Scotland.” “You don’t sound Scottish.” “You don’t sound Irish. Yet here you are, policing Ireland. But then the English have been trying to cram their laws down their neighbors’ throats for centuries, haven’t they, Inspector?” O’Duffy had an eye tic. I hadn’t noticed it before. “How long have you been in Dublin?” “A few years. You?” “I’m the one asking the questions.” “Only because I’m standing here letting you.” “I can take you down to the station. Would you prefer that?” “Try.” The one word dared the Garda to try, by fair means or foul. The accompanying smile guaranteed failure. I wondered what he’d do if the inspector attempted it. My inscrutable host seems to possess a bottomless bag of tricks. O’Duffy held Barrons’ gaze longer than I expected him to. I wanted to tell him there was no shame in looking away. Barrons has something the rest of us don’t have. I don’t know what it is, but I feel it all the time, especially when we’re standing close. Beneath the expensive clothes, unplaceable accent, and cultural veneer, there’s something that never crawled all the way out of the swamp. It didn’t want to. It likes it there.
Karen Marie Moning (Bloodfever (Fever, #2))
The way circus elephants are trained demonstrates this dynamic well: When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot. “You’ll never amount to anything;” “You can’t sing;” “You’re not smart enough;” “Without money, you’re nothing;” “Who’d want you?;” “You’re just a loser;” “You should have more realistic goals;” “You’re the reason our marriage broke up;” “Without you kids I’d have had a chance;” “You’re worthless”—this opera is being sung in homes all over America right now, the stakes driven into the ground, the heavy chains attached, the children reaching the point they believe they cannot pull free. And at that point, they cannot. Unless and until something changes their view, unless they grasp the striking fact that they are tied with a thread, that the chain is an illusion, that they were fooled, and ultimately, that whoever so fooled them was wrong about them and that they were wrong about themselves—unless all this happens, these children are not likely to show society their positive attributes as adults. There’s more involved, of course, than just parenting. Some of the factors are so small they cannot be seen and yet so important they cannot be ignored: They are human genes. The one known as D4DR may influence the thrill-seeking behavior displayed by many violent criminals. Along with the influences of environment and upbringing, an elongated D4DR gene will likely be present in someone who grows up to be an assassin or a bank robber (or a daredevil). Behavioral geneticist Irving Gottesman: “Under a different scenario and in a different environment, that same person could become a hero in Bosnia.” In the future, genetics will play a much greater role in behavioral predictions. We’ll probably be able to genetically map personality traits as precisely as physical characteristics like height and weight. Though it will generate much controversy, parents may someday be able to use prenatal testing to identify children with unwanted personality genes, including those that make violence more likely. Until then, however, we’ll have to settle for a simpler, low-tech strategy for reducing violence: treating children lovingly and humanely.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Standing, balanced precariously on the narrow top of a drainpipe, you had to give a good leap up to grab hold of the narrow ledge, and then swing your whole body up and over. It took some guts, and a cool head for heights. Get it wrong and the fall was a long one, onto concrete. In an attempt to make it harder, the school security officers had put barbed wire all around the lip of the roof to ensure such climbs were “impossible.” (This was probably installed after Ran Fiennes’s escapades onto the dome all those years earlier.) But in actual fact the barbed wire served to help me as a climber. It gave me something else to hold on to. Once on the roof, then came the crux of the climb. Locating the base of the lightning conductor was the easy bit, the tough bit was then committing to it. It held my weight; and it was a great sense of achievement clambering into the lead-lined small bell tower, silhouetted under the moonlight, and carving the initials BG alongside the RF of Ran Fiennes. Small moments like that gave me an identity. I wasn’t just yet another schoolboy, I was fully alive, fully me, using my skills to the max. And in those moments I realized I simply loved adventure. I guess I was discovering that what I was good at was a little off-the-wall, but at the same time recognizing a feeling in the pit of my stomach that said: Way to go, Bear, way to go. My accomplice never made it past the barbed wire, but waited patiently for me at the bottom. He said it had been a thoroughly sickening experience to watch, which in my mind made it even more fun. On the return journey, we safely crossed one college house garden and had silently traversed half of the next one. We were squatting behind a bush in the middle of this housemaster’s lawn, waiting to do the final leg across. The tutor’s light was on, with him burning the midnight oil marking papers probably, when he decided it was time to let his dog out for a pee. The dog smelled us instantly, went bananas, and the tutor started running toward the commotion. Decision time. “Run,” I whispered, and we broke cover together and legged it toward the far side of the garden. Unfortunately, the tutor in question also happened to be the school cross-country instructor, so he was no slouch. He gave chase at once, sprinting after us across the fifty-meter dash. A ten-foot wall was the final obstacle and both of us, powered by adrenaline, leapt up it in one bound. The tutor was a runner but not a climber, and we narrowly avoided his grip and sprinted off into the night. Up a final drainpipe, back into my open bedroom window, and it was mission accomplished. I couldn’t stop smiling all through the next day.
Bear Grylls (Mud, Sweat and Tears)
There is an art to the business of making sandwiches which it is given to few ever to find the time to explore in depth. It is a simple task, but the opportunities for satisfaction are many and profound: choosing the right bread for instance. The Sandwich Maker had spent many months in daily consultation and experiment with Grarp the baker and eventually they had between them created a loaf of exactly the consistency that was dense enough to slice thinly and neatly, while still being light, moist and having that fine nutty flavour which best enhanced the savour of roast Perfectly Normal Beast flesh. There was also the geometry of the slice to be refined: the precise relationships between the width and height of the slice and also its thickness which would give the proper sense of bulk and weight to the finished sandwich: here again, lightness was a virtue, but so too were firmness, generosity and that promise of succulence and savour that is the hallmark of a truly intense sandwich experience. The proper tools, of course, were crucial, and many were the days that the Sandwich Maker, when not engaged with the Baker at his oven, would spend with Strinder the Tool Maker, weighing and balancing knives, taking them to the forge and back again. Suppleness, strength, keenness of edge, length and balance were all enthusiastically debated, theories put forward, tested, refined, and many was the evening when the Sandwich Maker and the Tool Maker could be seen silhouetted against the light of the setting sun and the Tool Maker’s forge making slow sweeping movements through the air trying one knife after another, comparing the weight of this one with the balance of another, the suppleness of a third and the handle binding of a fourth. Three knives altogether were required. First there was the knife for the slicing of the bread: a firm, authoritative blade which imposed a clear and defining will on a loaf. Then there was the butter-spreading knife, which was a whippy little number but still with a firm backbone to it. Early versions had been a little too whippy, but now the combination of flexibility with a core of strength was exactly right to achieve the maximum smoothness and grace of spread. The chief amongst the knives, of course, was the carving knife. This was the knife that would not merely impose its will on the medium through which it moved, as did the bread knife; it must work with it, be guided by the grain of the meat, to achieve slices of the most exquisite consistency and translucency, that would slide away in filmy folds from the main hunk of meat. The Sandwich Maker would then flip each sheet with a smooth flick of the wrist on to the beautifully proportioned lower bread slice, trim it with four deft strokes and then at last perform the magic that the children of the village so longed to gather round and watch with rapt attention and wonder. With just four more dexterous flips of the knife he would assemble the trimmings into a perfectly fitting jigsaw of pieces on top of the primary slice. For every sandwich the size and shape of the trimmings were different, but the Sandwich Maker would always effortlessly and without hesitation assemble them into a pattern which fitted perfectly. A second layer of meat and a second layer of trimmings, and the main act of creation would be accomplished.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
Ifemelu was struck by how arresting, how attractive, she was. No longer a ropy mass of gangly arms and gangly legs, but now a big, firm, curvy woman, exulting in her weight and height, and it made her imposing, a presence that drew the eyes. “Ranyi!
Chimamanda Ngozi Adichie (Americanah)
Pride is like spittle —you can spit it out or swallow it. It is like excessive body weight — you can shed it. Do not treat it like body height which you have no power over. Pride sets people back more than it moves them forward.
Nkwachukwu Ogbuagu
their appearance was prescribed down to age, height, weight (which was governed by regular weigh-ins), hairstyle, makeup (including a single shade of lipstick), skirt length, and other physical requirements that excluded such things as “a broad nose”—only one of many racist reasons why stewardesses were overwhelmingly white. They had to be single as well as young, and were fired if they married or aged out at over thirty or so.
Gloria Steinem (My Life on the Road)
At its core, regression analysis seeks to find the “best fit” for a linear relationship between two variables. A simple example is the relationship between height and weight. People who are taller tend to weigh more—though that is obviously not always the case.
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
With age one ought to gain something other than weight Height Adherence There’s a lot of waiting in the drama of experience
Lyn Hejinian (Oxota: A Short Russian Novel)
To help slow this aging pathway, on a daily basis, consider: striving to stick to the recommended daily intake of protein of 0.8 g per healthy kg of body weight (0.36 g per pound), which translates to about 45 g a day for the average-height woman and about 55 g a day for the average-height man choosing plant-based protein sources whenever possible
Michael Greger (How Not to Age: The Scientific Approach to Getting Healthier as You Get Older)
The largest studies in the United States2991 and around the world found that having a normal body mass index between 20 and 25 is associated with the longest lifespan.2992 When you put together all the best available studies with the longest follow-up, that ideal range can be narrowed down even further to a BMI of 20 to 22,2993 which is about 124 to 136 pounds for someone who stands five feet six inches tall.2994 You can use this unisex chart to see what your optimal weight might be based on your height:
Michael Greger (How Not to Age: The Scientific Approach to Getting Healthier as You Get Older)
The explosion came with the birth of the skyscraper. When structures began to rise not in tier on ponderous tier of masonry, but as arrows of steel shooting upward without weight or limit, Henry Cameron was among the first to understand this new miracle and to give it form. He was among the first and the few who accepted the truth that a tall building must look tall. While architects cursed, wondering how to make a twenty-story building look like an old brick mansion, while they used every horizontal device available in order to cheat it of its height, shrink it down to tradition, hide the shame of its steel, make it small, safe and ancient—Henry Cameron designed skyscrapers in straight, vertical lines, flaunting their steel and height. While architects drew friezes and pediments, Henry Cameron decided that the skyscraper must not copy the Greeks. Henry Cameron decided that no building must copy any other.
Ayn Rand (The Fountainhead)
Something about this man made me want to be in his damn skin. He had me in height and weight, and when he held me, I just wanted to melt.
Kimberly Brown (Rhythm's Blues)
help slow this aging pathway, on a daily basis, consider: following all the steps to boost AMPK from here striving to stick to the recommended daily intake of protein, 0.8 g per healthy kg of body weight (0.36 g per pound), which translates to about 45 g a day for the average-height woman and about 55 g a day for the average-height man choosing plant-based protein sources whenever possible
Michael Greger (How Not to Age: The Scientific Approach to Getting Healthier as You Get Older)
We’re almost matched in height this way, with me kneeling on the desk. I’m tall enough to clutch at his shirt. I can use my weight as a counterbalance. But I’m still the one on my knees.
Skye Warren (Audition (North Security, #4))
On Trial – Spurs are giving a month’s trial to an amateur, Wm. E. Nicholson, an inside-right of Scarborough Working Men’s Club. He recently celebrated his 17th birthday. His height is 5ft 8in and weight 10st 12lb.
Julie Welch (The Biography of Tottenham Hotspur)
But here I run into yet another data gap: the available research on whether car headrests have been designed to account for the female body is seemingly non-existent. This gap is hardly unexpected though: car design has a long and ignominious history of ignoring women. Men are more likely than women to be involved in a car crash, which means they dominate the numbers of those seriously injured in car accidents. But when a woman is involved in a car crash, she is 47% more likely to be seriously injured than a man, and 71% more likely to be moderately injured, 46 even when researchers control for factors such as height, weight, seat-belt usage, and crash intensity.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
My metabolic rate is slightly over the Gethenian norm, as are my height and weight; Estraven had figured these differences into the food-ration calculations, in his scrupulous way, which one could see as either house-wifely or scientific, and from the start I had had a couple of ounces more food per day than he.
Ursula K. Le Guin (The Left Hand of Darkness)
Bodybuilding changed me entirely. I think I would be a different person now if I’d never trained, if I’d just worked somewhere. It gave me confidence and pride and an unlimited positive attitude. I can apply my success to everything. One thing is that people listen much more to bigger guys; the bigger you are and the more impressive you look physically, the more people listen and the better you can sell yourself or anything else. In business school I saw a study of how many big companies in America hire salesmen above a certain height and weight. Because it has been proved that big people are more impressive salespeople. They’re more convincing. It’s true. I found it out myself, that I can persuade people easier than a small person can.
Arnold Schwarzenegger (Arnold: The Education of a Bodybuilder)
He was gorgeous but in a devilish way." "Gorgeous but devilish?" He heaved a sigh. "Can you be more descriptive? Hair and eye color. Weight. Height. Clothes." "Leather jacket. Very worn. Boots. Also worn. His hair was tousled like he'd just got out of bed. It looked good on him. Sexy." I licked my lips, imagining Oliver in place of Garcia in my tropical island fantasy. "He was about the same height and build as you, but leaner. I don't think he spends as much time in the gym as you probably do..." I trailed off when Riswan shook his head. "Or not. It's nothing to do with me how much time you spend in the gym. Or don't. Or whether you even like gyms. Maybe you were born with biceps the size of watermelons---
Sara Desai (To Have and to Heist (Simi Chopra, #1))
Common sense never applied to magic-born. Some could take weights of several tons and just heft them on their shoulders, all by themselves. Any scrap material or rock could be pulverized with a single fist. Flight was a given with these guys, so safety at lofty heights was never a concern. Any regulations drafted with humans in mind simply didn’t apply.
Fuse (That Time I Got Reincarnated as a Slime (Light Novel), Vol. 11)
Master Andry," pursued Jean Jehan, still clinging to his capital, "hold your tongue, or I'll drop on your head!" Master Andry raised his eyes, seemed to measure in an instant the height of the pillar, the weight of the scamp, mentally multiplied that weight by the square of the velocity and remained silent.
Anonymous
For example, if we believed there was a linear relationship between the height values and the weight values of D, we might ask R to try to fit this model like so, using the lm() linear model function: model = lm(weight ~ height)
Anonymous
You cannot change your height, the width of your hips, the length of your feet, or any of several other anthropometric variables affecting endurance performance that I have discussed in this chapter. You can’t change your genetic potential for leanness, either. But you can reduce your body-fat percentage (and thereby adjust your weight) to the level that is optimal for performance in your chosen endurance sport given your unchangeable genetic constraints.
Matt Fitzgerald (Racing Weight: How to Get Lean for Peak Performance, 2nd Edition (The Racing Weight Series))
Where do such numbers come from? I’ll tell you where they don’t come from: They don’t come from the body-weight tables and formulas created by health experts. These tables and formulas, which include height-weight charts used by life insurance companies and body-mass index guidelines used widely by doctors, are far too general to help individual men and women determine an ideal body weight.
Matt Fitzgerald (Racing Weight: How to Get Lean for Peak Performance, 2nd Edition (The Racing Weight Series))
researchers who analyzed the data from four large research studies that had followed thousands of people from birth to adulthood calculated that when corrected for such variables as age and gender and weight, an inch of height is worth $789 a year in salary.
Anonymous
S.P. is a 68-year-old retired painter who is experiencing right leg calf pain. The pain began approximately 2 years ago but has become significantly worse in the past 4 months. The pain is precipitated by exercise and is relieved with rest. Two years ago, S.P. could walk two city blocks before having to stop because of leg pain. Today, he can barely walk across the yard. S.P. has smoked two to three packs of cigarettes per day (PPD) for the past 45 years. He has a history of coronary artery disease (CAD), hypertension (HTN), peripheral vascular disease (PVD), and osteoarthritis. Surgical history includes quadruple coronary artery bypass graft (CABG × 4) 3 years ago. He has had no further symptoms of cardiopulmonary disease since that time, even though he has not been compliant with the exercise regimen his cardiologist prescribed, he continues to eat anything he wants, and continues to smoke two to three PPD. Other surgical history includes open reduction internal fixation of the right femoral fracture 20 years ago. S.P. is in the clinic today for a routine semiannual follow-up appointment with his primary care provider. As you take his vital signs, he tells you that, besides the calf pain, he is experiencing right hip pain that gets worse with exercise, the pain doesn't go away promptly with rest, some days are worse than others, and his condition is not affected by a resting position. � Chart View General Assessment Weight 261 lb Height 5 ft, 10 in. Blood pressure 163/91 mm Hg Pulse 82 beats/min Respiratory rate 16 breaths/min Temperature 98.4° F (36.9° C) Laboratory Testing (Fasting) Cholesterol 239 mg/dL Triglycerides 150 mg/dL HDL 28 mg/dL LDL 181 mg/dL Current Medications Lisinopril (Zestril) 20 mg/day Metoprolol (Lopressor) 25 mg twice a day Aspirin 325 mg/day Simvastatin (Zocor) 20 mg/day Case Study 4 Name Class/Group Date ____________________ Group Members INSTRUCTIONS All questions apply to this case study. Your responses should be brief and to the point. When asked to provide several
Mariann M. Harding (Winningham's Critical Thinking Cases in Nursing - E-Book: Medical-Surgical, Pediatric, Maternity, and Psychiatric)
The autumn air is chill and damp. As he does each morning at just about this time, Adolf Hitler emerges from the artificial light of his concrete bunker into the morning sun. He holds his two-year-old German shepherd Blondi on a short leash for their daily walk through the thick birch forest. A fussy man of modest height and weight who is prone to emotional outbursts, Hitler wears his dark brown hair parted on the right and keeps his Charlie Chaplin mustache carefully combed and trimmed. Hitler
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
Before the war, five-stories was the rule, and commercial life was carried on primarily at ground level—in streets and showrooms, at sales counters, on exchange floors. After the war, office buildings went vertical, climbing to unprecedented heights—six stories, seven, eight. “Our business men are building up to the clouds,” one newsman exclaimed. The elevator made this possible. Lift technology had improved since the vertical screw used at the Fifth Avenue Hotel. Now the “steam and drum” method was available. Steel wire cables were run over a drum at the top of the shaft, which was then revolved to raise or lower the cab. An alternative model hauled the cage up and down the shaft by looping its wire cable over a pulley, then attaching a wrought-iron bucket almost as weighty as the cage. When filled with water from a tank, the bucket descended by gravity, pulling the cage up. At the bottom, an operator emptied the bucket, shifting the weight balance in favor of the cage, which then descended and pulled the bucket back up.
Mike Wallace (Gotham: A History of New York City to 1898)
The height of your success will be measured with reference to the depth from which you started.
Israelmore Ayivor (Leaders' Frontpage: Leadership Insights from 21 Martin Luther King Jr. Thoughts)
But then his tongue moved over me and started to lick the whipped cream over my sex, making my legs fall open, swiping the creamy coolness down and over my cleft, making a long, ragged moan escape me, dragging a rumbling sound from his chest that made another rush of wet pool as his mouth closed over my clit and sucked hard. Then he devoured me, drove me up fast and unrelenting until the orgasm started to crest, seeming to start at the base of my spine and exploding outward until it took over whole body, making me cry out his name as he took possession of my clit and sucked it in pulses as the waves washed over me, dragging it out, intensifying everything. As soon as the waves lessened, he released me and licked a line back upward, taking the whipped cream off my breasts then pressing up to balance over me, wicked look in his eyes. "Tell me." "Tell you what?" I asked, brain nothing but sparking misfirings right then. He smiled at that, either delighted with his prowess or glad to torture me more. Or, more likely, both. I grabbed the can of whipped cream as I moved to straddle him, watching as his eyes went knowing just a second before I started making a line down his stomach with the cream, then down the little happy trail, over his balls, and then up the underside of his cock until there was a large amount on the swollen head. Then I tossed the can to the side and gave him a smile before ducking my head and starting my path down, deciding that while foreplay was always good, it was infinitely better with food involved as my tongue licked the cream off his balls then his shaft before closing my lips around the head and licking it off from there as well, making Brant let out a deep, primal groan that spurred me on, made me work him faster, deeper. "Maddy..." he warned, but I didn't need a warning. I wanted to make him come. I wanted to give him the selfless orgasm he gave me. "Fuck," he growled, his hand crushing into the back of my head as he came down my throat. I worked him for a long moment before letting him slide away, looking up at him to find an intense weight in his gaze. "From now on, we only ever eat dessert off of each other," he said a second later, his hand going under my chin and pulling me until I moved to straddle him, bringing my face close to his. "I can get behind that plan," I agreed with a smile before he yanked me forward and our lips crashed together. It wasn't a slow, sweet, post-orgasm kiss. It was still wild, hungry, primal. It said we weren't done. "Come on," he said when he pulled away, a little out of breath. "Let's go take a shower. That was hot as fuck but we're both sticky now." Thank God. I didn't want to complain, but every time I moved, my skin got stuck to his skin and it was weird and decidedly unsexy. I went to move off him, but his arms went to slip around my lower back, holding me to him as he stood and started walking around the house. Then up the stairs. I was generally not the kind of girl who got carried around. I was fit, sure, but I was tall and leggy and most guys wanted to carry around the short, lithe little women. But since Brant was a huge wall of muscle, he didn't seem bothered by my height and less than dainty limbs. He set me on my feet outside the shower and reached in to put the water on, water I knew would take a couple of minutes to warm up. But he stepped in regardless, cursing at the cold spray. "Yeah, I think not," I said when he looked at me expectantly. I should have known to step away. I really should have. But I didn't and the next thing I knew, he was yanking me in with him, making me let out a string of incredibly unladylike curses before I felt the water get warmer against my back.
Jessica Gadziala
When we are man and wife you will do as I say. You will never speak of this again!” Samuel came forward and loomed over her, his thick breath clouding the air in front of her face. “When you are mine, you will obey me.” “I will not be your wife. I refuse to marry a man who is dishonest.” “I have never been dishonest with you.” Fresh malice boiled in Eliza’s belly. “You said you would not harm Thomas if I promised to return here and marry you, did you not?” “I did.” “So why did you tell Donaldson to burn Thomas’s property after we were married? I refuse to be your wife, since you have rescinded on our agreement.” A monster unleashed before her. Samuel shoved Eliza against Father’s rows of books, their hard covers stabbing into her back just as Samuel’s eyes stabbed into her chest. “If you do not marry me, not only will his house burn, but Thomas will as well.” Eliza’s blood escaped her face and she braced herself as the room twisted around her. “You wouldn’t.” Samuel’s eyes narrowed into small black slits. “I would.” Her bones wanted to crack under the weight of his words and her voice refused to work, but somehow she found her ability to speak. “If I find that you have done anything to him after we are married I will do everything in my power to leave you, make no mistake.” Samuel relaxed his numbing grip, a wicked laugh rumbling in his chest. “You can’t leave me, Eliza. Not after everything I’ve done for you.” “I can, and I will!” Samuel roared and without warning slapped her across the face, causing her to tumble sideways. She hit Father’s chair and landed in a rough heap on the floor. He rushed to her, panic lighting his features, as if it had been someone else who had struck her. “Eliza, I’m so sorry. I don’t know what came over me. Are you hurt?” A trickle of warm liquid ran down her cheek. He tried to touch her face, but she slapped his hand away. “Don’t you dare touch me.” His face drained of all color and he sputtered as he spoke, his voice quiet. “I’m so sorry, Eliza, I—” “Thomas would have never dreamed of hitting me, Samuel.” She straightened to her full height, breathing in deep heaves. “He lets me speak my mind and ask questions. He believes that what I think matters. He loves me!” Samuel lowered his brow and his tone rumbled in his chest as he shook her shoulders. “You will never speak of Thomas again. Today we will be married, and you will be mine forever and you will love me! As far as you are concerned, Thomas never existed.” The finality of his statement sluiced over her, causing her knees to buckle. She gripped the row of books behind her to steady her stance. “So be it, Samuel Martin,” she said, filling her voice with razors. “But know this, there is only one man that I will ever love—dead or alive. And it will never be you!
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
The Woman" I have never clearly given to you the associations you have for me, you with such divided presence my dream does not show you. I do not dream. I have compounded these sensations, the accumulation of the things left me by you. Always your tits, not breasts, but harsh sudden rises of impatient flesh on the chest--is it mine--which flower against the vagueness of the air you move in. You walk such a shortness of intent strides, your height is so low, in my hand I feel the weight of yours there, one over one of both, as you pivot upon me, the same weight grown as the hair, the second of your attributes, falls to cover us. We couple but lie against no surface, have lifted as you again grow small against myself, into the air. The air the third of the signs of you are known by: a quiet, a soughing silence, the winds lightly moved. Then your mouth, it opens not speaking, touches, wet, on me. Then I scream, I sing such as is given to me, roar- ing unheard, like stark sight sees itself inverted into dark turned. Onanistic. I feel around myself what you have left me with, wetness, pools of it, my skin drips.
Robert Creeley (The Collected Poems of Robert Creeley, 1945-1975)
The hard length of his arousal pressed against her stomach, no longer a weapon to be feared but an instrument of pleasure. Lara reached for it cautiously, encircling the shaft with her fingers, sliding them along the hot silken skin. Her touch made him shiver, his body responding eagerly to the caress. She sensed that there were things he wanted to show her, teach her, but for now he let her explore him as she liked. She moved down to the pouch between his legs, testing the pendulous weight, and slid her fingers up the shaft to the smooth, broad tip. He groaned and lowered his mouth to her throat, kissing her, telling her in guttural murmurs how much he wanted her. Pushing her knees upward and apart, he settled in the lee of her thighs and took her, sheathing himself in a deep slide. Lara gasped and wriggled to accommodate him. There was only an instant of discomfort before her body accepted him in dewy welcome. He began a steady rhythm, driving straight and sure within her, angling himself to press against her sex with each stroke. She lifted herself up to him, cradling him with her hips, her hands gripping the dense muscles of his back. He was hard, delicious, riding her just as she wanted, covering her with his masculine weight, plunging deeper, deeper... The pleasure of it was overwhelming. She cried out at the height of it, her body filled with a liquid rush of delight, a shudder of satisfaction. It was equally pleasurable to share Hunter's fulfillment, to hold him in her arms and feel him shake with sensations he could no longer control. He remained inside her for a long time while his mouth covered hers, caressing and tasting.
Lisa Kleypas (Stranger in My Arms)
marlow martin | January 1, 2016 Noted Ring Names: Dean Ambrose, Jon Moxley From: Cincinnati, Ohio Date of Birth: December 7, 1985 WWE Debut: Survivor Series 2012 WWE Titles Held: United States Championship, Intercontinental Championship Born: December 7, 1985 (age 30), Cincinnati, OH Height: 6′ 4″ Weight: 225 lbs Nationality: American Trained by: Les Thatcher Movies and TV shows: WWE Raw, 12 Rounds 3: Lockdown Dean Ambrose started his career back in 2004 under the name of Jon Moxley. Earning high praise from independent companies around the world, he became a household name for the hardcore, holding championship gold in companies such as Combat Zone Wrestling. With his name capturing the attention of wrestling fans across the globe, Jon soon earned a developmental contract with the WWE. He then took on the name of Dean Ambrose and began the process of cementing his name in stone. Feuding with William Regal and Seth Rollins most notably on NXT, Ambrose went on to make his much anticipated main roster debut at Survivor Series 2012, coming in alongside Seth Rollins and Roman Reigns to make a massive impact in the main event, aiding CM Punk in retaining his WWE Championship. The Shield have torn an unstoppable path through the WWE and at Extreme Rules 2013, Dean laid claim to his first taste of WWE gold, capturing the
Marlow Martin (Dean Ambrose)
The first forests about which anything is known were made up of the simplest kinds of plants, all of them spore-produced - horsetails, club mosses, and ferns. Relics of these primitive plants still survive today; everyone is familiar with the delicate, lacy ferns that are found in damp places in the woods, growing in the niches of rocks, spreading over the remains of fallen trees. But these plants are only miniature versions of their ancestors. During the Paleozoic era, between 280 and 425 million years ago, at about the time reptiles were evolving, ferns forty feet tall and club mosses five feet in diameter and 120 feet in height flourished in swampy lowlands between recurrent invasions of the sea. As these huge plants fell over into the water and slowly turned into peat, they retained their rich stores of solar energy, acquired through photosynthesis, which compacted first into lignite and then into coal by the growing weight of millions of years of deposits. Forest grew upon forest, and each in its turn was compressed into seams of coal beneath the surface of the ground. When we burn coal, we are using a fuel made from the sun’s energy and stored away in trees more than a quarter of a billion years ago.
Richard M. Ketchum (The Secret Life of the Forest)
Blow after blow, some bloody, others a resounding shock to muscle and bone, he felt Robert’s fervor until, at last, his misbegotten brother tired and all that remained was for Christian to put his weight and height and strength behind him—to move from sword play to sword lust that he might forever end Robert’s treachery and depravity.
Tamara Leigh (The Redeeming (Age of Faith #3))
The work of soul has nothing at all to do with your physical appearance, weight, height, muscle size, breast size, penis size, or the amount of hair on your head. Nothing physical endures, because nothing physical needs to endure. Nothing physical matters, because matter doesn’t matter. And nothing physical is worth perfecting, because that which is truly perfect was always yours from the beginning.
Sean Patrick Brennan (The Angel's Guide to Taking Human Form)
Food can’t really be a friend or a source of comfort to us—we can’t expect it to fill the role that God designed for Himself, and for our human relationships to fill.
Jessica Heights (100 Pound Loser: How I Ate What I Wanted, Had Four Babies, & Still Took Control Of My Weight - And You Can Too!)
Hi, Lisa.” Janet stooped for an air kiss from Lisa. At five seven and one hundred and thirty pounds, Janet was no giant. Fine, maybe she was not dainty, but her weight was smack in the middle of the healthy category for her height. But at five two and
Marie Astor (To Catch a Bad Guy (Janet Maple, #1))
Your life does not begin when you lose ten pounds, twenty pounds, and so on. Life is happening now.   Get out there, and enjoy it!
Jessica Heights (100 Pound Loser: How I Ate What I Wanted, Had Four Babies, & Still Took Control Of My Weight - And You Can Too!)
Guard your heart, Mama. Guard your lips. There will be plenty of confusing, negative messages aimed at your girls through their lives; please, do not live one of them. Build your own self-worth on the unshakable love and truth of your Father, that you may teach your girls to do the same.
Jessica Heights (100 Pound Loser: How I Ate What I Wanted, Had Four Babies, & Still Took Control Of My Weight - And You Can Too!)
Height, weight and body mass index.’ Gene was skimming ahead. ‘Can’t you do the calculation yourself?’ ‘That’s the purpose of the question,’ I said. ‘Checking they can do basic arithmetic. I don’t want a partner who’s mathematically illiterate.
Graeme Simsion (The Rosie Project (Don Tillman #1))
Exercise stimulates growth plates, by putting pressure on bone cells, forcing them to specialize and create new cells. Too much pressure, however, damages the growth plates, which are soft and fragile...The rule of thumb is that lifting one's own body weight (in push-ups,pull-ups, etc) is fine at any age, and kids over fifteen can lift weights.
Arianne Cohen (The Tall Book: A Celebration of Life from on High)
She was impatient, disappointed with herself, with the limitations imposed by her physical presence, by her height and weight, age and maturity, mortality and fragility. The earth spun on its axis, and gravity grounded her. She sensed that the girl could fly if she chose to, that she could disappear and reappear, and pass through objects... all while Mary Beth grew old, day after day, and some cruel god counted the rotations, the laps around the sun... A tree grew until it fell.
Dana Cann (Ghosts of Bergen County)
It is not a matter of me marrying either you or a gas pumper. It is a matter of marrying a man. I do not much care what he does, so long as he is a man. You are 21,” she said, “and under the law you are a man, and your height and weight is that of a man. In the bed you are a man,” and she smiled a little. “But you are losing your manhood faster then hell. Pretty soon in bed will be the only place you are a man. But that is not manhood. Dogs and bulls and tomcats do the same. Yes, you are losing your manhood and becoming simply an island in the empire of Moors.
Mark Harris (The Southpaw)
Girls excel boys in practically all the aspects of memory. In rote memory, that is, memory for lists of unrelated words, there is not much difference; but the girls are somewhat better. However, in the ability to remember the ideas of a story, girls excel boys at every age. This superiority of girls over boys is not merely a matter of memory. A girl is superior to a boy of the same age in nearly every way. This is merely a fact of development. A girl develops faster than a boy, she reaches maturity more quickly, in mind as well as in body. Although a girl is lighter than a boy at birth, on the average she gains in weight faster and is heavier at twelve than a boy of the same age. She also gains faster in height, and for a few years in early adolescence is taller than a boy of the same age. Of course, boys catch up and finally become much taller and heavier than girls. Similarly, a girl’s mind develops faster than the mind of a boy, as shown in memory and other mental functions.
William Henry Pyle (The Science of Human Nature: A Psychology for Beginners)
Heavy Equipment Recovery Combat Utility Lift and Evacuation System (HERCULES) (M88A2) Mission Provide towing, winching, and hoisting to support battlefield recovery operations and evacuation of heavy tanks and other tracked combat vehicles. Entered Army Service 1997 Description and Specifications The M88A2 HERCULES is a full-tracked, armoured vehicle that uses the existing M88A1 chassis but significantly improves towing, winching, lifting, and braking characteristics. The HERCULES is the primary recovery support vehicle for the Abrams tank fleet, the heavy Assault Bridge, and heavy self-propelled artillery. Length: 338 in Height: 123 in Width: 144 in Weight: 70 tons Speed: 25 mph w/o load; 17 mph w/load Cruising Range: 200 miles Boom Capacity: 35 tons Winch Capacity: 70 tons/670 ft Draw Bar Pull: 70 tons Armament: One .50-calibre machine gun Power train: 12 cylinder, 1050 HP air-cooled diesel engine with 3-speed automatic transmission Crew: 3 Manufacturer
Russell Phillips (This We'll Defend: The Weapons & Equipment of the US Army)
Physically, I’m five foot nine, though at a recent doctor’s visit, I was told I’m closer to five foot seven. It’s pretty shocking when you spend your whole life thinking you’re one height and then find out you’re another. I still consider myself to be five nine. That doctor and his stupid science measuring stuff were full of shit. I was born weighing six pounds, twelve ounces, on September 17, 1982, in Pekin, Illinois, though I’ve gained a significant amount of weight since then. I currently weigh in around 175 pounds. With my semishort height and my weight, I’m a little dumpy. One friend described me as being a sad little cannonball. I feel that’s accurate.
Dan Marshall (Home Is Burning)
Wait. First, tell me what you saw at the river." "By the depth and weight of the footprints, the person I glimpsed at the river's edge could have been a light man or a woman." "The prince is not much over my height and he is slender. Perhaps Mr. Anders. Wait a minute. You went outside again already, to study the footprints, while I lounged in a hot bath drinking tea?" "If you had invited me into the bath I would have gladly delayed the trip outside." Her throat clogged. She cleared it awkwardly."you called me obstinate." "I do not recall doing so directly." "You implied it. And yet you say outrageous things to me like you want to kiss me and share my bath." He crossed his arms over his chest that she had pressed her face into, and leaned a shoulder against the door frame. "What effect, I wonder, do these contrary comments have on the lady?" "It makes the lady want to box your ears." "Hm. Then my work here is done." He was smiling slightly. -Ravenna &Vitor
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
am convinced that neither death nor life nor angels nor rulers nor things present nor things to come nor powers nor height nor depth nor anything else in all creation will be able to separate us from the love of God and Christ Jesus our Lord.” Or again, “even though our outer nature is wasting away, our inner nature is being renewed, day by day, for this slight momentary affliction is preparing us for an eternal weight of glory beyond all measure because we look not at what can be seen, but at what cannot be seen. For what can be seen is temporary, but what cannot be seen is eternal.
Ray Barfield (Pascal's Wager (VeriTalks Book 1))
life: “I am convinced that neither death nor life nor angels nor rulers nor things present nor things to come nor powers nor height nor depth nor anything else in all creation will be able to separate us from the love of God and Christ Jesus our Lord.” Or again, “even though our outer nature is wasting away, our inner nature is being renewed, day by day, for this slight momentary affliction is preparing us for an eternal weight of glory beyond all measure because we look not at what can be seen, but at what cannot be seen. For what can be seen is temporary, but what cannot be seen is eternal.
Ray Barfield (Pascal's Wager (VeriTalks Book 1))
Love like the sun can't be held down or captured. Love has no weight nor depth, no height, no length, no matter. Love is like a spark of inspiration, the flittering touch of a butterfly's wing, a sudden, unexpected, ephemeral flash of lightning. Grab it when you can.
Chloe Thurlow (Girl Trade)
a woman with a BMI of 35 has 93 times the risk of developing type 2 diabetes[27] (a different study for men concluded that the risk was very similar[28]). A BMI of 35 would be an average height woman (5'4") weighing 14 stone 7 lbs (203lb) – that's not breathtakingly high. Sometimes we may think that it is vain to worry about our weight – it's not vain – it's life preserving.
Zoe Harcombe (Why Do You Overeat? When All You Want Is To Be Slim)
What is that which cannot be contained by volume,for it has neither height, nor breadth, nor length, nor width? It constantly weighs on us, but its weight cannot be determined. It is a liquid, but it's viscosity is ever changing. Although we measure it, it cannot be measured.
Marcia E. Letaw (Raskolnikov's Disorder: A Eutopian Murder Mystery)
As we started our long drive back to the zoo, we stopped at what could be called a general store. There was a pub attached to the establishment, and the store itself sold a wide variety of goods, groceries, cooking utensils, swags, clothing, shoes, even toys. As we picked up supplies in the shop, we passed the open doorway to the pub. A few of the patrons recognized Steve from television. We could hear them talking about him. The comments weren’t exactly positive. Steve didn’t look happy. “Let’s just get out of here,” I whispered. “Right-o,” he said. One of the pub patrons was louder than the others. “I’m a crocodile hunter too,” he bragged. “Only I’m the real crocodile hunter. The real one, you hear me, mate?” The braggart made his living at the stuffy trade, he informed his audience. A stuffy is a baby crocodile mounted by a taxidermist to be sold as a souvenir. To preserve their skins, hunters killed stuffys in much the same way that the bear poachers in Oregon stabbed their prey. “We drive screwdrivers right through their eyes,” Mister Stuffy boasted, eyeing Steve through the doorway of the pub. “Right through the bloody eye sockets!” He was feeling his beer. We gathered up our purchases and headed out to the Ute. Okay, I said to myself, we’re going to make it. Just two or three more steps… Steve turned around and headed back toward the pub. I’d never seen him like that before. My husband changed into somebody I didn’t know. His eyes glared, his face flushed, and his lower lip trembled. I followed him to the threshold of the pub. “Why don’t you blokes come outside and tell me all about stuffys in the car park here?” he said. I couldn’t see very well in the darkness of the pub interior, but I knew there were six or eight drinkers with Mister Stuffy. I thought, What is going to happen here? There didn’t seem any possible good outcomes. The pub drinkers stood up and filed out to face Steve. A half dozen against one. Steve chose the biggest one, who Mister Stuffy seemed to be hiding behind. “Bring it on, mate,” Steve said. “Or are you only tough enough to take on baby crocs, you son of a bitch?” Then Steve seemed to grow. I can’t explain it. His fury made him tower over a guy who actually had a few inches of height on him and outweighed him with a whole beer gut’s worth of weight. I couldn’t imagine how he appeared to the pub drinkers, but he was scaring me. They backed down. All six of them. Not one wanted to muck with Steve, who was clearly out of his mind with anger. All the world’s croc farms, all the cruelty and ignorance that made animals suffer the world over, came to a head in the car park of the pub that evening. Steve got into the truck. We drove off, and he didn’t say anything for a long time. “I don’t understand,” I finally said in the darkness of the front seat, as the bush landscape rolled by us. “What were they talking about? Were they killing crocs in the wild? Or were they croc farmers?” I heard a small exhalation from Steve’s side of the truck. I couldn’t see his face in the gloom. I realized he was crying. I was astounded. This was the man I had just seen turn into a furious monster. Five minutes earlier I’d been convinced I was about to see him take on a half-dozen blokes bare-fisted. Now he wept in the darkness. All at once, he sat up straight. With his jaw set, he wiped the tears from his face and composed himself. “I’ve known bastards like that all my life,” he said. “Some people don’t just do evil. Some people are evil.” He had told me before, but that night in the truck it hit home: Steve lived for wildlife and he would die for wildlife. He came by his convictions sincerely, from the bottom of his heart. He was more than just my husband that night. He was my hero.
Terri Irwin (Steve & Me)
floating motionless at the surface of the pool without support for the height and weight of the dorsal fin leads to the collapse.
John Hargrove (Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish)
Gareth strode straight up to Lucien, seized his shoulder and spun him roughly around on his heel. The pistol went flying from the dummy's wooden hand. "I beg your pardon," Lucien said, raising his brows at Gareth's open display of hostility. "Where is she?" The duke turned back to his target and calmly reloaded his pistol. "Probably halfway to Newbury by now, I should think," he said, mildly. "Do go away, dear boy. This is no sport for children like yourself, and I wouldn't want you to get hurt." The condescending remark cut deep. Gareth marched around to face his brother. They were of equal height, equal build, and almost of equal weight, and his blue eyes blazed into Lucien's black ones as he seized the duke's perfect white cravat and yanked him close. Lucien's eyes went cold, and he reached up and caught Gareth's wrist in an iron grip of his own. All civility vanished. "Don't push me," the duke warned, menacingly. "I've had all I can take of your childish pranks and degenerate friends." "You dare call me a child?" "Yes, and I will continue to do so as long as you continue to act like one. You are lazy, feckless, dissolute, useless. You are an embarrassment to this family — especially to me. When you grow up and learn the meaning of responsibility, Gareth, perhaps I shall treat you with the respect I did your brother." "How dare you talk to me of responsibility when you banish an innocent young woman to fend for herself, and she with a six-month-old baby who happens to be your niece!  You're a cold-hearted, callous, unfeeling bastard!" The duke pushed him away, lifting his chin as he repaired the damage to his cravat. "She was handsomely paid. She has more than enough money to get back to those godforsaken colonies from which she came, more than enough to see herself and her bastard babe in comfort for the rest of her life. She is no concern of yours." Bastard babe. Gareth pulled back and sent his fist crashing into Lucien's jaw with a force that nearly took his brother's head off. The duke staggered backward, his hand going to his bloodied mouth, but he did not fall. Lucien never fell. And in that moment Gareth had never hated him more. "I'm going to find her," Gareth vowed, as Lucien, coldly watching him, took out a handkerchief and dabbed at his mouth. "And when I do, I'm going to marry her, take care of her and that baby as Charles should have done — as it's our duty to do. Then I dare you to call me a child and her little baby a bastard!" He spun on his heel and marched back across the lawn. "Gareth!" He kept walking. "Gareth!" He swung up on Crusader and thundered away.   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Fortunately, there may be an even better tool than BMI that we can use to gauge the health risks of body fat. It’s called Waist-to-Height Ratio, or WHtR.120 Instead of a scale, grab a simple measuring tape. Stand up straight and take a deep breath, exhale, and let it all hang out. The circumference of your belly (halfway between the top of your hip bones and the bottom of your rib cage) should be half your height—ideally, less. If that measurement is more than half your height, it’s time to start eating healthier and exercising more regardless of your weight.
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
Economist Bhashkar Mazumder has shown that incomes among brothers are more correlated than height or weight. If you are rich and tall, your brother is more likely to also be rich than he is tall.
Morgan Housel (The Psychology of Money)
The birds inspired me." “They may be born with wings, but they too fall before learning to fly. While they begin life amongst other birds, growing up, they must fend for themselves. Some may express displeasure, others would show admiration, but they cannot allow either of the emotions to get to them. Riding on winds and touring the sky, they do not worry about the ones who do not keep up with their pace, because if they halt to look back at the companions they lost, they will never reach the heights they were destined to. Birds do not carry excess baggage; the weight will hinder their flight. Free-spirited, they explore the skies with faith, trusting Allah to take care of them. Everything else is transient. Ibn al-Qayyim used their example and said, the heart, in its journey to Allah, The Exalted, is like that of a bird: love is its head, fear and hope are its two wings.
Sarah Mehmood (The White Pigeon)
good luck betide him that invented sleep, the cloak that covers over all a man’s thoughts, the food that removes hunger, the drink that drives away thirst, the fire that warms the cold, the cold that tempers the heat, and, to wind up with, the universal coin wherewith everything is bought, the weight and balance that makes the shepherd equal with the king and the fool with the wise man. Sleep, I have heard say, has only one fault, that it is like death; for between a sleeping man and a dead man there is very little difference.
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
Although celiac disease is typically thought of as a “gut problem,” more precisely, it is a body-wide inflammatory disease that manifests in the gut. Celiacs, it turns out, can have poor teeth for a couple of reasons. One, gut inflammation can lead to poor absorption of minerals, making the teeth generally weaker and prone to decay. And two, enamel defects commonly seen in celiacs make teeth vulnerable to cavity-forming bacteria. In children, celiac disease often presents as failure to thrive, anemia, digestive symptoms like diarrhea or constipation, or a distinctive rash on the skin. Rosa was too healthy. She had hit every milestone in her development, and her height and weight were above average for her age group. She had no signs or symptoms of anemia, digestive symptoms, or rashes. But in addition to her cavities, she did have another symptom common to celiacs: frequent canker sores.
Cynthia Li (Brave New Medicine: A Doctor's Unconventional Path to Healing Her Autoimmune Illness)
Crash-test dummies were first introduced in the 1950s and for decades they were based around the 50th-percentile male. Today, the most commonly used dummy is 1.77 m (5 ft 10 in) tall and weighs 76 kg (168 lb), significantly taller and heavier than an average woman. The dummy also has male muscle-mass proportions and a male spinal column. As a result, female drivers are endangered in so many aspects. Men are more likely than women to be involved in a car crash, which means they dominate the numbers of those seriously injured in them. However, when a woman is involved in a car crash, she is 47% more likely to be seriously injured and 71% more likely to be moderately injured, even when researchers control for factors such as height, weight, seatbelt usage, and crash intensity. She is also 17% more likely to die.
Nayden Kostov (323 Disturbing Facts about Our World)
The guy didn’t move. He was five inches down in height, maybe thirty pounds in weight, maybe a whole foot in reach. Evidently unarmed, because otherwise his weapon would have been out and in his hand already. Evidently unsettled, too, by Reacher’s gaze, which was steady, and calm, and slightly amused, but also undeniably predatory, and even a little unhinged. Not a good situation for the guy to be in.
Lee Child (Blue Moon (Jack Reacher, #24))
Write down (actually write it with a real pen on real paper - it will be more effective that way) at least one complete sentence specifically defining what you’re looking for in each of these ten categories: Financial means - How much money/assets/property/material value do you want him to have? Willingness to spend money – Do you want someone who is thrifty or someone who throws money around like it’s no big deal? Willingness to start a family – Is he in the same place as you regarding children? If you have children, how do you want him to interact with them? Is he willing to become part of an established family? Adventurousness – Do you want a home body or someone who’ll take up a new adventure every now and then? Introvert or Extrovert - Do you have a strong preference for someone who likes to be around other people/talks freely to other people/has an outgoing, sociable personality? Height – Are there height parameters you want in a man? Weight – Do you want an athletic build or are you okay with a guy who has a little paunch? Handsomeness – No, this isn’t shallow – define what a good looking guy is to you – it’s different for everyone! Distance – Are you okay with a long distance relationship or would you rather date someone who lives closer? You know my choice! Educational level – Do you want to be with a college graduate or is it not important to you what educational level your mate has attained?
Gregg Michaelsen (Love is in the Mouse! Online Dating for Women: Crush Your Rivals and Start Dating Extraordinary Men (Relationship and Dating Advice for Women Book 5))
They crested the top, and when they looked down, the man’s breath caught in his throat. What he saw was so alien it could only be understood in installments. The strip mine was a crater that had been sunk a quarter mile into the ground. It was like a pit in the middle of the Amazon. Things were crawling all over it the way bees swarm a hive. And it took the man a moment to realize that these were people. Hundreds of them. The weather was warm, and the men laboring below had their shirts off. Each was covered head to toe in mud. The only part of them that seemed human were their teeth and the whites of their eyes. Gigantic ladders had been bolted to the walls of the crater, each the size of a football field. At any one time, at least a hundred men were scaling the ladders with sacks of dirt lashed to their backsides. The sacks were so heavy that when the men reached the top, some could no longer bear the weight and collapsed gradually with each step to the ground. Something deep inside the man wanted to make it stop. And it all came to him in an instant. What he saw was the entire history of the human race. He saw the slave labor camps of the Nazis and the communists. He saw the seas of peasants chained and lashed by great empires—the Romans, the Greeks and all the others that people still spoke of with admiration. He saw the palace eunuchs in the Middle East, free people reengi- neered into model servants by their own biology. He saw the human chattel shipped to the new world, worked for a lifetime, then forced to breed their replacements. And he remembered there was no high-watermark of culture, no height of civilization, that didn’t stand on the back of a mass labor force. And he thought, My god, this is it. This is all of us.
Scott Reardon (The Death of a 10-Year-Old Boy)
Monty inclines his head in my direction, then says to Felicity, as though I can’t hear him, “Isn’t he tall?” “Should I be amazed?” Felicity asks without looking up. “I was hoping for outrage. Be outraged with me! Every precious centimeter you and I would have coveted got shaved off and reallocated to him.” “Speak for yourself,” Felicity replies, tipping the wormwood onto a scale and adjusting the weights. “Not all of us are so cripplingly insecure about our height.” “I’m not insecure.” “You were delivered to my house with a broken leg, wearing heels.” “You didn’t throw them out, did you?” “Are those the only shoes you brought for a voyage to Morocco?” “No. But they were the least formal.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Men’s RMR 10 × weight (kg) + 6.25 × height (cm) – 5 × age + 5
Mark Lauren (You Are Your Own Gym: The Bible of Bodyweight Exercises)
Forever Grateful For a loving Mother From cradle to the grave You have been so brave With many children to raise You did well, with no haste You took away our pain And turned the rain Into bright sunny days in many special ways You made us find reasons to celebrate always You shared wise words Your wisdom carried us to new heights Lifted off our shoulders the heavy weight Made life so great Our lives, you changed Each one of us, you embraced The school of parenthood, you aced Your Motherhood distinction cannot be erased You ran your race with grace For us, you created a safe space To us, you have a special place That no one can ever take Mother, we are forever grateful
Gift Gugu Mona
[The Gaze of an Invisible Stranger] In western Europe and north America In the cities of cruelty, racism, freedom & democracy, Cities of exile and alienation, You see many young people Who’d rather die than greet a stranger, You observe how they master the art of ignoring And not acknowledging the humanity of anyone Who is not their height and weight Whose features, skin color, and eyes are different than theirs… In return, you observe cities filled with older people Who delight at a nod or greeting from any stranger Who are hungry for the slightest kind human touch From any by passerby… Making you, the Invisible Stranger, wonder: Did these same elderly folks raise the young ones? Are they merely inheriting a world of their creation? Do the young ones realize The isolation, loneliness, and desolation awaiting them tomorrow? [Original poem published in Arabic on January 3, 2023, at ahewar.org]
Louis Yako
scan the pages quickly, feigning interest until I come upon a line drawing of a child next to a picture of a massive rifle, and then I really am interested. I read the associated paragraph: After the daughter was recovered, the M.E. examined the girl and found no evidence of bruising on her limbs or torso consistent with having fired a Winchester Magnum. Given the size of the weapon relative to the girl’s height and weight as well as the lack of physical evidence, the M.E. ruled that the daughter did not fire the rifle. My heart pounds. I place the folder carefully on the table and wipe my hands on my jeans and stick them under my legs to stop them from shaking. I don’t understand. I shot my mother. I killed her—I know I did. I’ve seen myself standing over her body with the rifle so many, many times.
Karen Dionne (The Wicked Sister)
I know I can't levitate my own weight at this height," said Simon. "You can't if you think you can't," said Jinx. Without meaning to, he blinked, and the plank dropped several feet. He levitated again. "That was certainly confidence inspiring," said Simon. "I blinked
Sage Blackwood (Jinx's Fire (Jinx #3))
How come scientists could cure limp dicks but we still had nothing to combat middle-aged weight gain, fatigue, or hot flashes? We were told to better control our diet and exercise more because goddess knows that fistful of raisins I’d scarfed mid-day while helping my son set up his dorm room was the height of indulgence.
Jennifer L. Hart (Midlife Magic Mirror (Legacy Witches of Shadow Cove #1))
News “…she fell into the water from the sky…” Jae-in Doe Decedent is an Asian female. Twenty-two she just had turned. The cause of death we cannot tell Despite the many things we’ve learned. TOP SECRET My Doe-type can be difficult to track. Yet here I am, my voice-box playing back From lips hydrangea-lavender in hue His thoughts during our first few interviews. The hair is shoulder-length, the color black. The height and weight suggest she won’t fight back. The fingernails are unadorned and short. The eyes are brown; no makeup do they sport. The skin appears unpierced and untattooed, Yet scars of ruby-pearl seem to protrude Like self-inflicted jewelry on each arm And wrist—which means she’s vulnerable to harm. The language of her flesh, as I assess her, Reveals Confucian worship of professors. Her deference Korean gives me right To use her innocence for my delight.
Seo-Young Chu (The Best American Nonrequired Reading 2018: New Fiction, Poetry, and Category-Defying Literary Gems)
Economist Bhashkar Mazumder has shown that incomes among brothers are more correlated than height or weight. If you are rich and tall, your brother is more likely to also be rich than he is tall. I
Morgan Housel (The Psychology of Money)
Don’t over-focus on external attributes like appearance, weight, physique, height, hair, or how fast they can run. These are low-hanging fruit and easy to focus on, but, if you do so, children’s sense of self and validation then starts to derive from their appearance and veer into a more extrinsic worldview, as well as a physically defined sense of self. It’s
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
Don’t over-focus on external attributes like appearance, weight, physique, height, hair, or how fast they can run. These are low-hanging fruit and easy to focus on, but, if you do so, children’s sense of self and validation then starts to derive from their appearance and veer into a more extrinsic worldview, as well as a physically defined sense of self. It’s more important to compliment their kindnesses, work ethic, grit, resilience, and good deeds. This can push the focus to who they are, instead of how they look or their external achievements, and enhance self-valuation from the inside.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
He was an arithmetician rather than a mathematician. None of the humor, the music, or the mysticism of higher mathematics ever entered his head. Men might vary in height or weight or color, just as 6 is different from 8, but there was little other difference.
John Steinbeck (The Moon is Down)
FOREWORD When Commander Perry opened up to the occidental world that shut-tight little island Kingdom, Japan, he did more than merely contact for our manufacturers a people who bought "Nifty Clothes," with two pair of pants. He gave us an insight into a world that was thoroughly organized and civilized long before Columbus discovered West where the East should have been. The Japanese learned much from the so-called civilized world, -but they taught us something we could never have learned from intercourse with any other nation. They gave our governmental forces of law and order a weapon that aided materially in the suppression of disorderly elements throughout our great cities. It took time, of course, to break down the prejudices that our early enforcement officers, in common with our then wild and wooly population, had against anything that was foreign. But when the great police forces of our largest metropolises realized that guns and billies alone would not be proof against big, burly lawbreakers, and that to instil respect in the hearts of "bruisers" they needed something other than armaments—pistols that could not be drawn fast enough,—they then discovered the wonder of Jiu-jitsu. They found that the wily little brown man depended on brain instead of brawn and that he had developed a Science and an Art that utilized another's strength to his own undoing. Strangely enough it was the layman who first appreciated the potential value of Jiu-jitsu. For many years before the Police Forces of our cities put a study of this Science into the training of every rookie policeman, there were physical culture experts in America who advocated the use of it by everyone who had any respect for physical prowess but who found the spirit more willing than the flesh. They showed that it needed no possession of unusual strength to overcome an opponent that depended entirely on his bulk and ferocious appearance to cow the meeker ones of the earth into submission. The Japanese, by the very fact of their small stature, are compelled to place more emphasis on strategy than on force. Thus they have thoroughly developed Jiu-jitsu and there is barely a saffron-hued tot in Japan that doesn't know something about the "Gentle-Art" as it is known. President Masaryk of Czechoslovakia, one of the world's greatest educators, who, together with millions of his enlightened and progressive countrymen, is a firm believer in "a strong mind in a strong body," sought to teach every schoolboy in his country some knowledge of the wisest of all physical sciences. While it does not itself develop and build muscle, it is an invaluable aid to the sensible use of the body. It is a form of wrestling that combines the cunning of the fox with the lithe grace and agility of the panther. It sharpens the brain and quickens the nerve centers. The man or woman who has self-respect must not sit by and permit our people to become a nation of spectators watching athletic specialists perform, while we become obese and ungainly applauders. Jiu-jitsu gives the man, woman and child, denied by nature a great frame, the opportunity to walk without fear, to resist successfully the bullies of their particular world, and the self-confidence which only a "well-armed" athlete can have. By its use, differences in weight, height and reach are practically wiped out, so that he who knows, may smilingly face superior odds and conquer.
Louis Shomer (Police Jiu-Jitsu: and Vital Holds In Wrestling)
I’ve fallen into the thought process of “I’ll be happy when I’m a size _____.” This is shallow and untrue. We cannot find our self-worth or happiness in our size. There is no such thing as a “size happy.” Large or small, Jesus loves us all. Friend, please stop looking for your validation in the mirror or on a scale. Your identity cannot be found there no matter how long you stare. Your worth cannot be found on the tag inside your jeans or leggings. Your beauty cannot be measured. Your appearance does not define you. Your identity is found in something that no one but God can truly see. Check out what God said when the prophet Samuel saw David’s impressive elder brother and thought Eliab must be the man God had chosen to be king: The LORD said to Samuel, “Do not consider his appearance or his height, for I have rejected him. The LORD does not look at the things people look at. People look at the outward appearance, but the LORD looks at the heart.” (1 Samuel 16:7) God looks at the heart. Your weight will fluctuate, your body will change, but his love for you remains the same. Your body is a vessel. It’s a tool. It does not determine your value. Only Christ can do that. Your body is not an object for others to look at for pleasure. Your identity is safely hidden in God’s care. The apostle Paul said it this way: “You died to this life, and your real life is hidden with Christ in God” (Colossians 3:3 NLT). No amount of Photoshop can change who we are in Christ. It’s time to remove the filters we hide behind and allow God to reveal our identity in him.
Brittany Maher (Her True Worth: Breaking Free from a Culture of Selfies, Side Hustles, and People Pleasing to Embrace Your True Identity in Christ)
What is a good correlation? How high should it be? These are commonly asked questions. I have seen several schemes that attempt to classify correlations as strong, medium, and weak. However, there is only one correct answer. The correlation coefficient should accurately reflect the strength of the relationship. Take a look at the correlation between the height and weight data, 0.705. It’s not a very strong relationship, but it accurately represents our data. An accurate representation is the best-case scenario for using a statistic to describe an entire dataset.
Jim Frost (Regression Analysis: An Intuitive Guide for Using and Interpreting Linear Models)
squared is a primary measure of how well a regression model fits the data. This statistic represents the percentage of variation in one variable that other variables explain. For a pair of variables, R-squared is simply the square of the Pearson’s correlation coefficient. For example, squaring the height-weight correlation coefficient of 0.705 produces an R-squared of 0.497, or 49.7%. In other words, height explains about half the variability of weight in preteen girls.
Jim Frost (Regression Analysis: An Intuitive Guide for Using and Interpreting Linear Models)
Continuous variables can take on almost any numeric value and can be meaningfully divided into smaller increments, including fractional and decimal values. You often measure a continuous variable on a scale. For example, when you measure height, weight, and temperature, you have continuous data. Categorical variables have values that you can put into a countable number of distinct groups based on a characteristic. Categorical variables are also called qualitative variables or attribute variables. For example, college major is a categorical variable that can have values such as psychology, political science, engineering, biology, etc.
Jim Frost (Regression Analysis: An Intuitive Guide for Using and Interpreting Linear Models)
This graph shows all the observations together with a line that represents the fitted relationship. As is traditional, the Y-axis displays the dependent variable, which is weight. The X-axis shows the independent variable, which is height. The line is the fitted line. If you enter the full range of height values that are on the X-axis into the regression equation that the chart displays, you will obtain the line shown on the graph. This line produces a smaller SSE than any other line you can draw through these observations. Visually, we see that that the fitted line has a positive slope that corresponds to the positive correlation we obtained earlier. The line follows the data points, which indicates that the model fits the data. The slope of the line equals the coefficient that I circled. This coefficient indicates how much mean weight tends to increase as we increase height. We can also enter a height value into the equation and obtain a prediction for the mean weight. Each point on the fitted line represents the mean weight for a given height. However, like any mean, there is variability around the mean. Notice how there is a spread of data points around the line. You can assess this variability by picking a spot on the line and observing the range of data points above and below that point. Finally, the vertical distance between each data point and the line is the residual for that observation.
Jim Frost (Regression Analysis: An Intuitive Guide for Using and Interpreting Linear Models)
I rolled my eyes. We were similar, that’s all it ever was. Two years ago I’d been happy about it. Not only did we have the same sign and the same blood type, but we were even the same height and weight. Now I’m an inch taller, though.
Izumi Suzuki (Terminal Boredom: Stories)
In order for you to cross the threshold of your initiation, a loss of lower vibrational relationships is required. Releasing this dead weight will allow you to rise to newer heights. Remember, history is not an excuse to hang on to a connection that has withered out and long expired.
Robin S. Baker
Describe the assailant, including, but not limited to: sex, race, age, height, weight, build, and clothing worn (any unusual bulges). Also include any factors or observations that indicate the subject was under the influence of alcohol or drugs. An evaluation of strength, physical condition, and possible combative skills of the assailant should be articulated. If you’ve had prior contact with the adversary, this information will be relevant to your state of mind. Also, who else was with the combatant (e.g., friends, relatives) and did their presence pose an additional potential threat to the safety of you or a third party? Checklist: Documenting Use of Force Consider all of the factors below: Describe the nature of the incident concisely and clearly. Location (remote, obscure, isolated, or high-crime area; lighting, or lack thereof) Time of incident (late night/early morning) Document the objective signs that were apparent to you regarding the attacker’s emotional, mental, and physical state. Clearly describe why you perceived the subject to be dangerous and how this perception influenced your own mental state (e.g., concerned, fearful, etc.). Detail any and every aggressive action by the subject directed toward you or third parties. Include verbal threats, gestures, aggressive stance, demeanor, any weapons displayed, and applications of force toward you. Describe any action by the assailant, such as abrupt movements, attempting to conceal an object, or evasive conduct/responses. Describe any conversation or orders, if any were made, that you directed to the assailant before the actual physical confrontation. Be sure to describe the assailant’s verbal and physical conduct and the reactions (e.g., clenched fists, took a fighting stance, etc.). Describe the force used to overcome the subject’s resistance: • To the extent possible, identify any techniques and strikes you used and the intended target areas and areas actually struck. • Describe the force referencing the circumstances that occurred, including any verbalization or directions given to the assailant. Articulate any escalation or de-escalation of force and the attenuating reasons, such as the lack of the combatant’s response to the force you used. Describe the combatant’s reactions to the force applied in specific detail. This is of critical importance if the force you use is ineffective in stopping the assailant. This will clearly justify why, out of necessity, you had to escalate the level of force used. • Describe obstacles and difficulties encountered, including fatigue and/or the inability to overcome injuries received from the assailant. • Describe how the conflict ultimately concluded. Indicate the actions that were necessary for you to overcome the attacker’s actions, his resistance, how you eliminated the danger posed by the assailant, and what you did to resolve the dangerous circumstances and restore your safety.
Darren Levine (Krav Maga for Women: Your Ultimate Program for Self Defense)
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[ FAQ's Rules On Airways ] "Breeze Airways Baggage Fees"
Breeze Airways Baggage Fees: A Complete 2025 Guide When it comes to affordable travel within the United States, + 1- 833 - 845 - (1858) Breeze Airways has quickly become a popular choice for budget-conscious travelers. + 1- 833 - 845 - (1858) Offering low base fares to a growing list of destinations, Breeze operates on an à la carte model — meaning many services,+ 1- 833 - 845 - (1858)+ 1- 833 - 845 - (1858) including baggage, come at an additional cost. Before you finalize your booking, + 1- 833 - 845 - (1858) it's essential to understand Breeze Airways baggage fees to avoid unexpected expenses and plan your trip smartly. + 1- 833 - 845 - (1858) In this guide, we’ll break down everything you need to know about checked bags, carry-on bags, + 1- 833 - 845 - (1858) special items, fee-saving tips, and more. Are Baggage Fees Included in Breeze Airways Tickets? The short answer is no. Breeze Airways offers three fare options: + 1- 833 - 845 - (1858) Nice, Nicer, and Nicest. The basic Nice fare, which is often the lowest-priced option, + 1- 833 - 845 - (1858) does not include any checked or full-size carry-on bags. Only one personal item (like a purse, laptop bag, or small backpack) + 1- 833 - 845 - (1858) is allowed for free under this fare type. If you want to bring additional luggage, you must either purchase bags separately or book a higher-tier fare. Nicer Fare: Typically includes one checked bag and additional perks like extra legroom seating. Nicest Fare: May include both a checked bag and a carry-on, along with premium extras like priority boarding. To avoid extra charges, it’s important to choose the right fare based on how much luggage you intend to bring. Breeze Airways Checked Baggage Fees If you need to check a bag with Breeze Airways, + 1- 833 - 845 - (1858) here’s what you can expect to pay depending on when you add baggage: When You Add Bags Estimated Fee (First Bag) During Booking ~$35 After Booking (via App/Online) ~$45 At the Airport Counter ~$50+ Each passenger is allowed to check up to three bags. + 1- 833 - 845 - (1858) However, remember that fees apply per bag, and the more bags you add, the higher your total cost. Breeze Airways Checked Bag Size and Weight Limits: Weight limit: 50 pounds (23 kg) per bag Size limit: 62 linear inches (length + width + height combined) Checked bags that exceed these limits will incur additional fees (more on that below). Breeze Airways Carry-On Baggage Fees Unlike many traditional airlines, + 1- 833 - 845 - (1858) Breeze Airways charges for full-size carry-on bags. This means that if you want to bring a standard roller bag into the cabin, you’ll need to pay a fee similar to a checked bag. When You Add Carry-On Estimated Fee During Booking ~$35–$40 After Booking (Online/App) ~$45 At the Airport ~$50+ Important: One personal item is always free. Your personal item must fit underneath the seat in front of you. Typical personal items include a small backpack, purse, or briefcase. Overweight and Oversized Baggage Fees If your checked bag exceeds + 1- 833 - 845 - (1858) Breeze Airways' standard weight or size limits, extra fees apply. Overweight Bags (51–99 lbs): Additional fee of around $50–$75 per bag (in addition to the checked bag fee). Oversized Bags (over 62 inches): Additional fee of about $75 per bag. Breeze Airways does not accept any bag over 99 pounds. Always weigh and measure your luggage before heading to the airport to avoid these hefty charges. Special Items and Sports Equipment Breeze Airways makes traveling with special items relatively simple. + 1- 833 - 845 - (1858) You can check sports gear and other special items, + 1- 833 - 845 - (1858) but they must comply with size and weight limits. Some examples include: Golf Clubs Skis and Snowboards Bicycles Surfboards
# Breeze Flight Protocal # "Breeze Airways Baggage Fees"