Weekends With You Quotes

We've searched our database for all the quotes and captions related to Weekends With You. Here they are! All 100 of them:

I want everything with you, America. I want the holidays and the birthdays, the busy season and lazy weekends. I want peanut butter fingertips on my desk. I want inside jokes and fights and everything. I want a life with you.
Kiera Cass (The One (The Selection, #3))
Weekends don't count unless you spend them doing something completely pointless.
Bill Watterson
You guys didn't really think you could go off on a party weekend without me, did you? Especially here of all places—" He froze and it was one of those rare moments when Adrian Ivashkov was caught totally and completely off guard. "Did you know," he said slowly, "that Victor Dashkov is sitting on your bed?" "Yeah," I said. "It was kind of a shock to us too.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
If you only had 48 hours left to live, would you spend it like you normally spend your weekends? If not, why spend 2/7th of your life wasting your free time? After all, free time isn’t free. Free time is the most expensive time you have, because nobody pays for it but you. But that also makes it the most valuable time you have, as you alone stand to reap the profits from spending it wisely.
Jarod Kintz (I Should Have Renamed This)
When I was alive, I believed — as you do — that time was at least as real and solid as myself, and probably more so. I said 'one o'clock' as though I could see it, and 'Monday' as though I could find it on the map; and I let myself be hurried along from minute to minute, day to day, year to year, as though I were actually moving from one place to another. Like everyone else, I lived in a house bricked up with seconds and minutes, weekends and New Year's Days, and I never went outside until I died, because there was no other door. Now I know that I could have walked through the walls. (...) You can strike your own time, and start the count anywhere. When you understand that — then any time at all will be the right time for you.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
I" before "E" except after "C" and when sounding like "A" as in neighbor and weigh, and on weekends and holidays and all throughout May, and YOU'LL ALWAYS BE WRONG NO MATTER WHAT YOU SAY!!!!
Brian Regan
What about you, Sage? I know we don't have to worry about you violating the dress code. Did you have fun at your Alchemist spa this weekend?
Richelle Mead (The Golden Lily (Bloodlines, #2))
When I get to heaven one day, I'm going to ask God how it's possible that time moves so much quicker on the weekends than on school days.
Jenny B. Jones (There You'll Find Me)
Are you allowed to get pregnant yet?” I laugh. “Nope. Not this weekend. Besides, you have to kiss a girl before you can knock her up.” “Did someone not have sex education when she was homeschooled?” he says. “Because I could totally knock you up without ever kissing you. Want me to show you?
Colleen Hoover (Hopeless (Hopeless, #1))
I didn’t know that the times we spent together on the weekends, the times that we laughed together, and the times you helped me out was your way of silently wishing me a beautiful goodbye.
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
He's like six hundred years younger than you are. I refuse to be the moral compass of our cell! Most weekends I have an intoxispell bong attached to my mouth like a respirator. I love scatological humor, and I list 'pranks involving nuclear waste' and 'making demons eat things' as my hobbies.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
We have a long way to go to being the perfect couple, we certainly don’t live the fairy tale marriage, he doesn’t shower me with rose petals and fly me to Paris on weekends but when I get my hair cut, he notices. When I dress up to go out at night, he compliments me. When I cry, he wipes my tears. When I feel lonely, he makes me feel loved. And who needs Paris, when you can get a hug?
Cecelia Ahern (Love, Rosie)
It's like living in a retirement home! Clarence is taking a nap right now, and he eats at five. It's so boring." "You've only been here for two days." "And that's been more than enough. The only thing keeping me alive is that he keeps a hefty supply of liquor on hand. But at the rate I'm going, that'll be gone by the weekend. Jesus Christ, I'm climbing the walls." His eyes fell on the cross at my neck. "Oh. Sorry. No offense to Jesus.
Richelle Mead (Bloodlines (Bloodlines, #1))
Jamie: Please don't pretend like you know me, ok? Landon: But I do, I do. We've had all the same classes in the same school since kindergarten. Why you're Jamie Sullivan. You sit at lunch table 7. Which isn't exactly the reject table, but is definitely in self exile territory. You have exactly one sweater. You like to look at your feet when you walk. Oh, oh, and yeah, for fun, you like to tutor on weekends and hang out with the cool kids from "Stars and Planets." Now how does that sound? Jamie: Thoroughly predictable, nothing I haven't heard before. Landon: You don't care what people think about you? Jamie: No.
Nicholas Sparks (A Walk to Remember)
So what are you doing next Friday night?" "What have you got in mind?" "We could try hitting each other with cars," she suggested cheerfully. "Did that last weekend with Jase," he said with mock regret. "Go to the zoo and throw ourselves to the lions?" she fired back quickly, desperate to keep him focused on her rather than his caved-in chest. "The Romans sort of wore that one out. Got anything original?" "I'll think of something," she warned him. "Can't wait!
Josephine Angelini (Starcrossed (Starcrossed, #1))
There was this one weekend, a million summers ago, when I sat on the shore drinking a frozen limeade, and I realized the only thing I wanted to look at was the way the sun hit the girls swimming in the lake. The problem has always been this: When I look at you, I taste lime, and I see light on water.
Casey McQuiston (I Kissed Shara Wheeler)
Thank you. What is it?" "Our weekend special, " Atlas says. "It's called why are you avoiding me pasta.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
When you're doing something for yourself, or your best friend or family, you're not going to cheese out. If you don't love something, you're not going to go the extra mile, work the extra weekend, challenge the status quo as much.
Steve Jobs
Love me like Saturday night, like three glasses of champagne, like the room is spinning, like you're drunk on my love.
C.J. Carlyon
Tell it to the cleaning lady on Monday. Because you'll be dust on Monday. Because I'll be pulverizing you sometime over the weekend. And the cleaning lady... cleans up... dust. She dusts. And she has weekends off, so... Monday. Right?
Bryan Lee O'Malley (Scott Pilgrim, Volume 3: Scott Pilgrim & The Infinite Sadness)
Let's just try to have a marvelous time this weekend. I mean not try to analyze everything to death for once, if possible. Especially me. I love you.
J.D. Salinger (Franny and Zooey)
I just told you I didn't - and I don't like to be doubted," he scolds. "I didn't go anywhere last weekend. I sat and made the glider you gave me. Took me forever," he adds quietly.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Last weekend a young man asked me how I remain so positive. “It seems all the negativity in the world doesn’t affect you,” he said. I had no more than a minute with the young man so I offered this: It’s all about where you choose to put your attention, and I choose to be happy.
Jason Mraz
One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper. (And if you ever think otherwise, then you've turned into an arrogant self-satisfied prat, and should look for another job or another avocation or another weekend activity.) So you have to learn to live with the fact that you're never going to write well enough. Of course that's what keeps you trying -- trying as hard as you can -- which is a good thing.
Robin McKinley
The CID official said to the Russians, “I didn’t know contractors worked on weekends. Why are you two here today?
Karl Braungart (Counter Identity (Remmich/Miller, #2))
It's true, I did say I wanted girlfriends," I capitulated hesitantly, "but couldn't we start with something smaller and less terrifying? Like maybe spend a weekend at a crack house? I heard those people are very nonjudgmental, and if you accidentally say something offensive you can just blame it on their hallucinations.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
You know how most illnesses have symptoms you can recognize? Like fever, upset stomach, chills, whatever. Well, with manic depression, it's sexual promiscuity, excessive spending, and substance abuse - and that just sounds like a fantastic weekend in Vegas to me!
Carrie Fisher (Wishful Drinking)
So . . . middle school? Awkward. Having a hobby that's different from everyone else's? Awkward. Singing the national anthem on weekends instead of going to sleepovers? More awkward. Braces? Awkward. Gain a lot of weight before you hit the growth spurt? Awkward. Frizzy hair, don't embrace the curls yet? Awkward. Try to straighten it? Awkward!So many phases!
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
Guy? Mister? Mr. Goth Man, would you please wake up so I can leave? I really don't want to hang out in a closet with a dead man any longer than I have to, okay? C'mon, please, don't make this a Weekend at Bernie's thing! (Amanda)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Adulthood isn't black and white - it's a thousand shades of grey. Or taupe. It's not who you are, it's where you are.
Elizabeth Noble (Alphabet Weekends)
Hands up if you’re ready to do something you’ll regret this weekend. Go forth! You have my blessing.
Florence Welch
Nothing is more practical than finding God, That is, than falling in a love in a quite absolute, final way. What you are in love with, what seizes your imagination will affect everything. It will decide what will get you out of bed in the mornings, What you will do with your evenings, How you spend your weekends, What you read, Who you know, What breaks your heart, And what amazes you with joy and gratitude. Fall in love, stay in love, and it will decide everything.
Pedro Arrupe
Kronos became the Titan of time. He couldn’t pop around the time stream like Doctor Who or anything, but he could occasionally make time slow down or speed up. Whenever you’re in an incredibly boring lecture that seems to take forever, blame Kronos. Or when your weekend is way too short, that’s Kronos’s fault, too.
Rick Riordan (Percy Jackson's Greek Gods)
That's my entire weekend. I had plans" "A Vampire Dairies marathon is not plans." She looked at me like I lost my mind. "Have you even seen the Salvatore brothers? Holy mother of gingersnaps.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
When you are unemployed, weekends are seven days long.
Mokokoma Mokhonoana
Another night then,' Mom said. 'Maybe on the weekend we can have a barbecue and invite your sister.' 'Or,' I said turning to Rafe, 'if you want to skip the whole awkward meet-the-family social event you could just submit your life story including your view on politics religion and every social issue imaginable along with anything else you think they might need to conduct a thorough background check.' Mom sighed. 'I really don't know why we even bother trying to be subtle around you.' 'Neither do I. It's not like he isn't going to realize he's being vetted as daughter-dating material.' Rafe grinned. 'So we are dating.' 'No. You have to pass the parental exam first. It'll take you awhile to compile the data. They'd like it in triplicate.' I turned to my parents. 'We have Kenjii. We have my cell phone. Since we aren't yet officially dating I'm sure you'll agree that's all the protection we need.' Dad choked on his coffee.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
did you think i was a city big enough for a weekend getaway i am the town surrounding it the one you've never heard of but always pass through there are no neon lights here no skyscapers or statues but there is thunder for i make bridges tremble i am not street meat i am homemade jam thick enough to cut the sweetest thing you lips will touch i am not police sirens i am the crackle of a fireplace i'd burn you and you still couldn't take your eyes off of me cause i'd look so beautiful doing it you'd blush i am not a hotel room i am home i am not the whiskey you want i am the water you need don't come here with expectations and try to make a vacation out of me
Rupi Kaur (milk and honey)
I' before 'e' except after 'c' and when sounding like 'a' as in 'neighbor' and 'weigh' and on weekends and holidays and all throughout May and YOU'LL ALWAYS BE WRONG NO MATTER WHAT YOU SAY!!!!
Brian Regan
She opens her eyes slowly. It takes her a moment to adjust to the bright kitchen light, shining in her eyes. "Can we rearrange the furniture this weekend?" she asks sleepily. "So when I sleep out here, you don't shine all of Satan's fiery hell lights in my eyes first thing in the morning?
Lisa McMann (Fade (Wake, #2))
Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor tiles, is actually largely what people mean when they speak of 'life'.
Paul Murray (Skippy Dies)
That’s the girl you complain about driving home with every weekend? That’s the girl youwhine endlessly about walking in on you when you’re acting the fool? That’s the girl you dodge calls from and avoid like the plague? Geez Rule I never knew you were gay.
Jay Crownover (Rule (Marked Men, #1))
Thank you for a lovely weekend. They tell me it rained.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
Carolyn Parkhurst (The Dogs of Babel)
Sir Isaac Newton, renowned inventor of the milled-edge coin and the catflap!" "The what?" said Richard. "The catflap! A device of the utmost cunning, perspicuity and invention. It is a door within a door, you see, a ..." "Yes," said Richard, "there was also the small matter of gravity." "Gravity," said Dirk with a slightly dismissed shrug, "yes, there was that as well, I suppose. Though that, of course, was merely a discovery. It was there to be discovered." ... "You see?" he said dropping his cigarette butt, "They even keep it on at weekends. Someone was bound to notice sooner or later. But the catflap ... ah, there is a very different matter. Invention, pure creative invention. It is a door within a door, you see.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
Sundays are like confetti floating in the air in slow motion, in the evening they reach the ground and you hope a bit of wind could blow on them so they could fly a bit longer.
Alain Bremond-Torrent (running is flying intermittently (CATEMPLATIONS 1))
Rosie, I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say. I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick. He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try. I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to. Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day. I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always. Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy. All my love, Alex
Cecelia Ahern (Love, Rosie)
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
I want you to move in here with me. I want to fall asleep with your hair in my face every night. And I want to wake up wrapped around you every morning. I want us to spend whole weekends without any clothes on at all. I want to have clean fights and dirty makeup sex...I want to talk to you until the sun comes up, and I want to bring you cereal in bed every Sunday. I want to work long, endless hours in this office, but only if you’re here next to me.” Excerpt From: Chase, Emma. “Tangled.” Omnific Publishing, 2013-05-21T05:00:00+00:00. iBooks. This material may be protected by copyright.
Emma Chase (Tangled (Tangled, #1))
Be sad, hell, sit in bed all weekend and just watch Netflix. I’ve had those times too. But don’t stop living your life for them.
Mason Deaver (I Wish You All the Best)
I'll be there at ten." "Oh," I said suprised. "For some reason I thought that this was a day thing." "Halarious. Ten in the morning, darling." "Can't a girl sleep in on the weekend!" "You don't sleep. See you Sunday, and don't wear stupid shoes." Noah said, and hung up before I could reply. I stood, staring at the phone. He was so aggravating. But a nervous thrill traveled through my stomach. Me and Noah. Sunday. Just us.
Michelle Hodkin
And you're right, I do love you Eden. I will follow you into eternity, or until after this weekend when we all die gruesome, painful deaths... But with every breath I have left, I will use it to love you. Because, Eden, I want this... You; I want you more than life, more than anything. There was a time when I didn't think I was strong enough to face you again, or what is between us. I was too afraid of the heartache, of being shattered again. But now, it doesn't matter, nothing matters except you. I will take an eternity of hardship, of war or fighting my father, or anything, just to hold your love again. You are everything to me, my sun, my moon, the air I breathe. Nothing exists accept you. I love you.
Rachel Higginson (Endless Magic (Star-Crossed, #4))
Well … Zeus approves, Aeolus muttered. ―He says … he says it would be better if you could avoid saving her until after the weekend, because he has a big party planned—Ow! That‘s Aphrodite yelling at him, reminding him that the solstice starts at dawn. She says I should help you. And Hephaestus… yes. Hmm. Very rare they agree on anything. Hold on
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Well, I know about loneliness. I won't talk about it, but I was very lonely after the war. I know what it feels like to spend a whole weekend all by yourself and no one wants you at all.
Charles M. Schulz (Charles M. Schulz: Conversations (Conversations with Comic Artists Series))
I think motherhood is the noblest task of all, because you cannot do it at your convenience, or tailor it to suit your preferences. You have to be ready to give up everything when you take on this task: your time, restful nights, your hobbies, your pursuit of physical fitness, any beauty you may have had, and all of the private little pleasures you might have counted as a right, from late dinners and long soaks in the tub to weekend excursions and cycling trips…I’m not saying you can’t have any of these things, but you have to be ready to let them all go if you’re going to have children and put them first.
Johann Christoph Arnold (Endangered : Your Child in a Hostile World)
Lose control, baby. Just for a weekend. Let me take charge. I’ll take good care of you, I promise.
Mia Sheridan (Stinger)
Holy shit... but we were using condoms." Pink tinged her cheeks. "Not the weekend at the lodge." He leaned over and lowered his voice. "Yeah, but I pulled out." Emma cocked her brows. "And you're Mr. Super Potent Sperm, remember?
Katie Ashley (The Proposal (The Proposition, #2))
Dinner later. My house. Bring clothes for the weekend, ’cause you won’t be making it home.” Ty didn’t say another word, just turned and headed for the elevator at a stroll, shrugging into his overcoat as he went. Zane watched him go, enjoying the sight. “Score,” he said under his breath before he grabbed his phone and keys and hurried to follow.
Madeleine Urban (Divide & Conquer (Cut & Run, #4))
Dan habis ini, gue harap lo bakal lebih wise dan nyari seseorang yang bersedia tinggal di sisi lo - not just for weekend, but for the whole days in the week.
Christian Simamora (With You (Sehari Bersamamu))
Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are.
Jonathan Safran Foer
I can't kiss you tonight because kissing leads to the next thing, which leads to the next thing, and at the rate we're going, we'll be all out of firsts by next weekend. Don't you want to drag our firsts out a little longer?
Colleen Hoover (Hopeless (Hopeless, #1))
I think I'm going to go. I'll see you this weekend. And just so you know, holding grudges gives you premature wrinkles." "Yeah, well, in this case, not holding them would make you a wrinkle-less fool.
Priscilla Glenn (Back to You)
I would drink that whole bottle if I knew it wouldn’t get me completely drunk. I miss wine.” “Um, you haven’t had it for one night, and you miss it?” “Clearly, you underestimate my relationship with wine and what I do on the weekends when I’m by myself reading.
Rachel Van Dyken (The Bet (The Bet, #1))
Oh, hello," Dr. M says, shaking Balder's hand. "Wonderful costume. I'm a bit of a role player myself on the weekends. Tell me, where did you get the helmet?" It was forged in the North, blessed by the hands of Odin, given to me by my mother, Frigg," Balder answers. Lovely. I got mine on the Internet.
Libba Bray
But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin.
Zoë Heller (What Was She Thinking? Notes on a Scandal)
Dogs are never in a bad mood over something you said at breakfast. Dogs never sniff at the husks of old conversations, or conduct autopsies on weekends gone wrong. An unexamined life may not be worth living, but the overexamined life is hell. We talk too much.
Abigail Thomas (A Three Dog Life)
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too. Dawson: That's not true. Amanda: But it is. Honeymoons always come to an end. Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right. Amanda: We're not that young anymore- Dawson: But we are. We still have the rest of our lives. Amanda: I know. That's why I need you to do something for me. Dawson: Anything. Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
Nicholas Sparks (The Best of Me)
There are five unread messages on the screen, which is what happens when you’re the meat in a hot girl sandwich. Threesomes trump checking your phone. That’s a no-brainer. Logan: Hey, bro, Wellsy’s friend Allie is crashing at our place this weekend. Logan: Keep your dick in your pants. G and I aren’t in the mood to beat u senseless if u try something. Wellsy might be in the mood for violence, tho. So: dick = pants = don’t bother our guest. Hannah: Allie’s staying with u guys til Sunday. She’s in a vulnerable place right now. Don’t take advantage of her or else I’ll be unhappy. And u don’t want to make me unhappy, do u? I snicker. Hannah, diplomatic as always. I quickly scan the last two messages. Garrett: Allie’s gonna crash in my room. Garrett: Your dick can stay in your room. Jeez, what is everybody’s fascination with my dick?
Elle Kennedy (The Score (Off-Campus, #3))
When You Have Forgotten Sunday: The Love Story -- And when you have forgotten the bright bedclothes on a Wednesday and a Saturday, And most especially when you have forgotten Sunday -- When you have forgotten Sunday halves in bed, Or me sitting on the front-room radiator in the limping afternoon Looking off down the long street To nowhere, Hugged by my plain old wrapper of no-expectation And nothing-I-have-to-do and I’m-happy-why? And if-Monday-never-had-to-come— When you have forgotten that, I say, And how you swore, if somebody beeped the bell, And how my heart played hopscotch if the telephone rang; And how we finally went in to Sunday dinner, That is to say, went across the front room floor to the ink-spotted table in the southwest corner To Sunday dinner, which was always chicken and noodles Or chicken and rice And salad and rye bread and tea And chocolate chip cookies -- I say, when you have forgotten that, When you have forgotten my little presentiment That the war would be over before they got to you; And how we finally undressed and whipped out the light and flowed into bed, And lay loose-limbed for a moment in the week-end Bright bedclothes, Then gently folded into each other— When you have, I say, forgotten all that, Then you may tell, Then I may believe You have forgotten me well.
Gwendolyn Brooks (The Essential Gwendolyn Brooks: (American Poets Project #19))
TAKE THE TIME to talk to the elderly lady next door, to read a book, to walk to work instead of riding the subway when it’s a beautiful day. Take the time to escape for a weekend with friends. Take the time to listen and to get to know yourself. Take the time to change, to grow, to rest. Take the time to say yes, take the time to say no. Take the time to be quiet. Take the time to look after your body, to eat well. Take the time to ask yourself who you are and what you want.
Anne Berest (How To Be Parisian: Wherever You Are)
How do you make a book that anyone will read out of lives as quiet as these? Where are the things that novelists seize upon and readers expect? Where is the high life, the conspicuous waste, the violence, the kinky sex, the death wish? Where are the suburban infidelities, the promiscuities, the convulsive divorces, the alcohol, the drugs, the lost weekends? Where are the hatreds, the political ambitions, the lust for power? Where are speed, noise, ugliness, everything that makes us who we are and makes us recognize ourselves in fiction?
Wallace Stegner (Crossing to Safety)
You do things just to irritate me, don’t you?” Smiling, enjoying himself immensely, and determined to give her a wonderful and relaxing weekend, Van pushed Irene’s wet hair from her face. “Don’t be silly, doc.” He kissed her lips, nuzzled her chin. “Of course I do things just to irritate you.
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
Behold your future, Cavendish the Younger. You will not apply for membership, but the tribe of the elderly will claim you. Your present will not keep pace with the world's. This slippage will stretch your skin, sag your skeleton, erode your hair and memory, make your skin turn opaque so your twitching organs and blue-cheese veins will be semivisible. You will venture out only in daylight, avoiding weekends and school holidays. Language, too, will leave you behind, betraying your tribal affiliations whenever you speak. On escalators, on trunk roads, in supermarket aisles, the living will overtake you, incessantly. Elegant women will not see you. Store detectives will not see you. Salespeople will not see you, unless they sell stair lifts or fraudulent insurance policies. Only babies, cats, and drug addicts will acknowledge your existence. So do not fritter away your days. Sooner than you fear, you will stand before a mirror in a care home, look at your body, and think, E.T., locked in a ruddy cupboard for a fortnight.
David Mitchell (Cloud Atlas)
I really hope so. Partly because, yes, we're duty bound to produce heirs. But also... I want everything with you, America. I want the holidays and the birthdays, the busy seasons and lazy weekends. I want peanut butter finger-prints on my desk. I want inside jokes and fights and everything. I want a life with you." - Maxon Schreave
Kiera Cass (The One (The Selection, #3))
People who work in a factory, right, or some awful fucking mind-numbing job like that - ‘cause I worked in a factory, I know what it’s like; it’s fucking awful, yeah? Most people have to do that kind of job that they hate every day of their lives. Can you imagine what that must be like? You have to submerge your intellect completely, right, and just, y’know, che cha, y’know, and all that. So, at the weekend, they want to hear something that tears the heart out of ‘em and gives it back better.
Lemmy Kilmister
Don't get me started on the whole Doctor-Amy-Rory thing. It's kind of like... I dunno. Suppose you'd always fancied Ryan Reynolds. That's fine, yeah. You meet someone else, who is maybe not Ryan Reynolds, but perhaps he's got the same goofy smile. And you think, 'Yeah, that's it, I'm happy.' Then Ryan Reynolds himself roars up in a camper van and says 'Hey guys! Let's all go on a road trip. Bring the boyfriend! It'll be fun.' Only Ryan Reynolds doesn't save the universe. Well, not at weekends. So I guess that's my life. Crammed in a camper van, sneaking the odd glance at Ryan, squeezing the hand of my lovely husband...
James Goss (Doctor Who: Dead of Winter)
I am not a religious man. I have not attended a service for many years. But I do believe in God. My own practice of religion, you could say, it a nonpractice. I personally feel that it's just as worthy on a weekend to rake the lawns of an elderly neighbor or to climb a mountain and marvel at the beauty of this land we live in as it is to sing hosannas or go to Mass. In other words, I think every many finds his own church- and not all of them have four walls - Judge Haig (Page 399)
Jodi Picoult (Change of Heart)
It was strange to see someone you have only known alone begin interacting with other people, for that somebody known to you disappears and is replaced by a different, more complex, person. You watch him revolve in this new company, revealing new facets, and there is nothing you can do but hope you like these other sides as much as you like the side that seemed whole when it faced only you.
Peter Cameron (The Weekend)
The One.” Mike declared and Merry’s brows shot up. “The One?” Merry asked. “The One.” Mike confirmed. “In a weekend?” Merry asked. “In a weekend,” Mike confirmed. “No shit?” Merry whispered. “Absolutely no fuckin’ shit,” Mike answered. Merry whistled. Then he smiled. Then he repeated, “Good for you, man.” “Oh yeah,” Mike muttered.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
Very good, Mr.—?” “Robinson,” the boy supplied. Ms. Terwilliger produced a clipboard and scanned a list. “Ah, there you are. Robinson. Stephanie.” “Stephan,” corrected the boy, flushing as some of his friends giggled. Ms. Terwilliger pushed her glasses up her nose and squinted. “So you are. Thank goodness. I was just thinking how difficult your life must be with such a name. My apologies. I broke my glasses in a freak croquet accident this weekend, forcing me to bring my old ones today. So, Stephan-not-Stephanie, you’re correct. It’s a temple. Can you be more specific?” ... “Indeed it is,” she said. “And your name is?” “Sydney.” “Sydney …” She checked the clipboard and looked up in astonishment. “Sydney Melbourne? My goodness. You don’t sound Australian.” “Er, it’s Sydney Melrose, ma’am,” I corrected. Ms. Terwilliger scowled and handed the clipboard to Trey, who seemed to think my name was the funniest thing ever. “You take over, Mr. Juarez. Your youthful eyes are better than mine. If I keep at this, I’ll keep turning boys into girls and perfectly nice young ladies into the descendants of criminals.
Richelle Mead (Bloodlines (Bloodlines, #1))
It might seem to you that living in the woods on a riverbank would remove you from the modern world. But not if the river is navigable, as ours is. On pretty weekends in the summer, this riverbank is the very verge of the modern world. It is a seat in the front row, you might say. On those weekends, the river is disquieted from morning to night by people resting from their work. This resting involves traveling at great speed, first on the road and then on the river. The people are in an emergency to relax. They long for the peace and quiet of the great outdoors. Their eyes are hungry for the scenes of nature. They go very fast in their boats. They stir the river like a spoon in a cup of coffee. They play their radios loud enough to hear above the noise of their motors. They look neither left nor right. They don't slow down for - or maybe even see - an old man in a rowboat raising his lines... I watch and I wonder and I think. I think of the old slavery, and of the way The Economy has now improved upon it. The new slavery has improved upon the old by giving the new slaves the illusion that they are free. The Economy does not take people's freedom by force, which would be against its principles, for it is very humane. It buys their freedom, pays for it, and then persuades its money back again with shoddy goods and the promise of freedom.
Wendell Berry (Jayber Crow)
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening. Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.
Ryan O'Connell
I think the best life would be one that's lived off the grid. No bills, your name in no government databases. No real proof you're even who you say you are, aside from, you know, being who you say you are. I don't mean living in a mountain hut with solar power and drinking well water. I think nature's beautiful and all, but I don't have any desire to live in it. I need to live in a city. I need pay as you go cell phones in fake names, wireless access stolen or borrowed from coffee shops and people using old or no encryption on their home networks. Taking knife fighting classes on the weekend! Learning Cantonese and Hindi and how to pick locks. Getting all sorts of skills so that when your mind starts going, and you're a crazy raving bum, at least you're picking their pockets while raving in a foreign language at smug college kids on the street. At least you're always gonna be able to eat.
Joey Comeau
She turned and looked at Deuce, giving him a helpless gesture. “What the hell is going on?” “Livi, you remember my brother, Ty. This is his partner, Zane Garrett.” “Hi,” Zane offered in a low voice that sent a shiver up Ty’s spine. “And these are their… friends, Julian and Cameron,” Deuce said as he waved at the other two men. “Nice to meet you,” Cameron mumbled. She greeted them each, overwhelmed by the surprise, then looked at the doorknob and the string of straws, shaking her head. “What is all this?” “It was a security measure. We’re running from the CIA,” Ty told her, not even attempting to spare her. “They’re trying to kill us.” “Well, kill him, specifically,” Zane added as he pointed at Julian. “I sell antiques,” Julian said, monotone. She narrowed her eyes, looking amongst them and then at Deuce. “Is this some sort of boys’ weekend that I’m not supposed to intrude on? Because I can totally leave before they hurt themselves trying to lie convincingly.” Deuce gave her a warm smile and shook his head. “I think the only one lying is him,” he said, pointing at Julian.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
This guy is different. I see him once in a while and we have fun and theres no pressure. We just have a good time. And he still writes for tranks and downers. A couple of weeks ago we flew down to the Virgin Islands for a weekend. It was a ball. Hey, crazy. Sounds great. Yeah. So your folks are still footin the bills, tilting his head toward the rest of the apartment, for the pad and so forth? Yeah. She laughed out loud again, Plus the fifty a week for the shrink. And sometimes I do a little freelance editing for a few publishers. And the rest of the time you just lay up and get high, eh? She smiled, Something like that.
Hubert Selby Jr. (Requiem for a Dream)
I’m not studying the heroes who lead navies—and armies—and win wars. I’m studying ordinary people who you wouldn’t expect to be heroic, but who, when there’s a crisis, show extraordinary bravery and self-sacrifice. Like Jenna Geidel, who gave her life vaccinating people during the Pandemic. And the fishermen and retired boat owners and weekend sailors who rescued the British Army from Dunkirk. And Wells Crowther, the twenty-four-year-old equities trader who worked in the World Trade Center. When it was hit by terrorists, he could have gotten out, but instead he went back and saved ten people, and died. I’m going to observe six different sets of heroes in six different situations to try to determine what qualities they have in common.
Connie Willis (Blackout (All Clear, #1))
The older I get, the more I see how much motivations matter. The Zune was crappy because the people at Microsoft don't really love music or art the way we do. We won because we personally love music. We made the iPod for ourselves, and when you're doing something for yourself, or your best friend or family, you're not going to cheese out. If you don't love something, you're not going to cheese out. If you don't love something, you're not going to cheese out. If you don't love something, you're not going to go the extra mile, work the extra weekend, challenge the status quo as much.
Walter Isaacson (Steve Jobs)
My heart races and I look away. “Well I care. So, write it down. For nine weekends and eight thousand dollars, what's yours is mine including your friends.” I throw in a little sarcastic eye flutter. “We're going to be so head-over-heels-in-love. I can't wait to see how romantic you are!” “Oh no. I refuse to be your kind of bumper-sticker-romantic. Don't mistake me for Mr. Darcy.” I gasp. “You don't know Hunger Games or Forks, Washington, but you know Mr. Darcy? Start talking.” “Crap! My grandmother's a fan. She's tortured me since birth with Mr. Darcy. Thanks to her DVD collection, I can quote Jane Austen faster than the Elmo song.” I laugh, surprised again. “Prove it.” “Elizabeth, daaarling!” He's launched into a breathless English accent. “I love, love, love you, and I never want to be parted from you from this day forward. Pardon me, whilst I puke…” “No way!” I beam. “Let the contract state that I want the Mr. Darcy accent once a week!” I can't help but laugh again because he's shaking his head and laughing back.
Anne Eliot (Almost)
And even beyond the flaws, there are just some simple differences between Felipe and me that we will both have to accept. He will never—I promise you—attend a yoga class with me, no matter how many times I may try to convince him that he would absolutely love it. (He would absolutely not love it.) We will never meditate together on a weekend spiritual retreat. I will never get him to cut back on all the red meat, or to do some sort of faddish fasting cleanse with me, just for the fun of it. I will never get him to smooth out his temperament, which burns at sometimes exhausting extremes. He will never take up hobbies with me, I am certain of this. We will not stroll through the farmer’s market hand in hand or go on a hike together specifically to identify wildflowers. And although he is happy to sit and listen to me talk all day long about why I love Henry James, he will never read the collected works of Henry James by my side—so this most exquisite pleasure of mine must remain a private one.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
You know, you spend your childhood watching TV, assuming that at some point in the future everything you see will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined,that the world occupied by your parents, the world of washing dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'.
Paul Murray (Skippy Dies)
It was the American middle class. No one's house cost more than two or three year's salary, and I doubt the spread in annual wages (except for the osteopath) exceeded more than five thousand dollars. And other than the doctor (who made house calls), the store managers, the minister, the salesman, and the banker, everyone belonged to a union. That meant they worked a forty-hour week, had the entire weekend off (plus two to four weeks' paid vacation in the summer), comprehensive medical benefits, and job security. In return for all that, the country became the most productive in the world and in our little neighborhood it meant your furnace was always working, your kids could be dropped off at the neighbors without notice, you could run next door anytime to borrow a half-dozen eggs, and the doors to all the homes were never locked -- because who would need to steal anything if they already had all that they needed?
Michael Moore (Here Comes Trouble)
No,' Dahlia said, 'because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?' 'No, please elaborate.' 'Okay, say you go into the break room,' she said, 'and a couple people you like are there, say someone's telling a funny story, you laugh a little, you feel included, everyone's so funny, you go back to your desk with a sort of, I don't know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o'clock the day's just turned into yet another day, and you go on like that, looking forward to five o'clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that's what happens to your life.
Emily St. John Mandel (Station Eleven)
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles. He turns on her. "What could be funny?" She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again. "And you think that's funny?" "You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath. "Obviously." "Don't you see? It worked!" "All I saw was Toraf, my sister's mate, my best friend, kissing my...my..." "Your what?" "Student." Obsession. "Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous." Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?" She nods, laugher bubbling up again. "And it worked! Did you see her face?" "You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?" "I told him to do it." Galen's fists ball against his will. "You told him to kiss you?" "No! Sort of. Not really though." "Emma-" "I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!" She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?" "I just told you I did, Galen." "Not his plan. The kiss." The delight leaves her face like a receding tide. "That's none of your business, Highness." He runs a hand through his hair to keep from shaking her. And kissing her. "Triton's trident, Emma. Did you like it or not?" Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?" "What does that have to do with anything?" "Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house. "Emma, wait." "I'm tired of waiting, Galen. Good night.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He supposed he was only one of several million persons of his generation who had grown up and, somewhere around thirty, made the upsetting discovery that life wasn't going to pan out the way you'd always expected it would; and why this realization should have thrown him and not them—or not too many of them—was something he couldn't fathom. Life offered none of those prizes you'd been looking forward to since adolescence (he less than others, but looking forward to them all the same, if only out of curiosity). Adulthood came through with none of the pledges you'd been led somehow to believe in; the future still remained the future-illusion; a non-existent period of constantly-receding promise, hinting fulfillment, yet forever withholding the rewards. All the things that had never happened yet were never going to happen after all. It was a mug's game and there ought to be a law. But there wasn't any law, there was no rhyme or reason; and with the sour-grapes attitude of “Why the hell should there be”—which is as near as you ever came to sophistication—you retired within yourself and compensated for the disappointment by drink, by subsisting on daydreams, by living in a private world of your own making (hell or heaven, what did it matter?), by accomplishing or becoming in fancy what you could never bring about in fact.
Charles Jackson (The Lost Weekend)
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
Bianca, Since you keep running away from me at school, and, if I remember correctly, the sound of my voice causes you to have suicidal thoughts, I decided a letter might be the best way to tell you how I feel. Just hear me out. I’m not going to deny that you were right. Everything you said the other day was true. But my fear of being alone is not the reason I’m pursuing you. I know how cynical you are, and you’re probably going to come up with some snarky reply when you read this, but the truth is, I’m chasing you because I really think I am falling in love with you. You are the first girl who has ever seen right through me. You’re the only girl who has ever called me on my bullshit. You put me in my place, but, at the same time, you understand me better than anyone ever has. You are the only person brave enough to criticize me. Maybe the only person who looks close enough to find my faults—and, clearly, you’ve found many. I called my parents. They’re coming home this weekend to talk to Amy and me. I was afraid to do this at first, but you inspired me. Without you, I never could have done that. I think about you much more than any self-respecting man would like to admit, and I’m insanely jealous of Tucker—something I never thought I’d say. Moving on after you is impossible. No other girl can keep me on my toes the way you can. No one else makes me WANT to embarrass myself by writing sappy letters like this one. Only you. But I know that I’m right, too. I know you’re in love with me, even if you are dating Tucker. You can lie to yourself if you want, but reality is going to catch up with you. I’ll be waiting when it does… whether you like it or not. Love, Wesley p.s.: I know you’re rolling your eyes right now, but I don’t care. Honestly, it’s always been kind of a turn-on.
Kody Keplinger (The DUFF (Hamilton High, #1))
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
THE ORGANIC FOODS MYTH A few decades ago, a woman tried to sue a butter company that had printed the word 'LITE' on its product's packaging. She claimed to have gained so much weight from eating the butter, even though it was labeled as being 'LITE'. In court, the lawyer representing the butter company simply held up the container of butter and said to the judge, "My client did not lie. The container is indeed 'light in weight'. The woman lost the case. In a marketing class in college, we were assigned this case study to show us that 'puffery' is legal. This means that you can deceptively use words with double meanings to sell a product, even though they could mislead customers into thinking your words mean something different. I am using this example to touch upon the myth of organic foods. If I was a lawyer representing a company that had labeled its oranges as being organic, and a man was suing my client because he found out that the oranges were being sprayed with toxins, my defense opening statement would be very simple: "If it's not plastic or metallic, it's organic." Most products labeled as being organic are not really organic. This is the truth. You pay premium prices for products you think are grown without chemicals, but most products are. If an apple is labeled as being organic, it could mean two things. Either the apple tree itself is free from chemicals, or just the soil. One or the other, but rarely both. The truth is, the word 'organic' can mean many things, and taking a farmer to court would be difficult if you found out his fruits were indeed sprayed with pesticides. After all, all organisms on earth are scientifically labeled as being organic, unless they are made of plastic or metal. The word 'organic' comes from the word 'organism', meaning something that is, or once was, living and breathing air, water and sunlight. So, the next time you stroll through your local supermarket and see brown pears that are labeled as being organic, know that they could have been third-rate fare sourced from the last day of a weekend market, and have been re-labeled to be sold to a gullible crowd for a premium price. I have a friend who thinks that organic foods have to look beat up and deformed because the use of chemicals is what makes them look perfect and flawless. This is not true. Chemical-free foods can look perfect if grown in your backyard. If you go to jungles or forests untouched by man, you will see fruit and vegetables that look like they sprouted from trees from Heaven. So be cautious the next time you buy anything labeled as 'organic'. Unless you personally know the farmer or the company selling the products, don't trust what you read. You, me, and everything on land and sea are organic. Suzy Kassem, Truth Is Crying
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))