“
Read the best books first, or you may not have a chance to read them at all.
”
”
Henry David Thoreau (A Week on the Concord and Merrimack Rivers)
“
Our life is made up of time; our days are measured in hours, our pay measured by those hours, our knowledge is measured by years. We grab a few quick minutes in our busy day to have a coffee break. We rush back to our desks, we watch the clock, we live by appointments. And yet your time eventually runs out and you wonder in your heart of hearts if those seconds, minutes, hours, days, weeks, months, years and decades were being spent the best way they possibly could. In other words, if you could change anything, would you?
”
”
Cecelia Ahern (Love, Rosie)
“
Ginny, listen...I can't be involved with you anymore. We've got to stop seeing each other. We can't be together."
"It's for some stupid noble reason isn't it?"
"It's been like...like something out of someone else's life these last few weeks with you. But I can't...we can't...I've got to do things alone now. Voldemort uses people his enemies are close to. He's already used you as bait once, and that was just because you were my best friend's sister. Think how much danger you'll be in if we keep this up. He'll know, he'll find out. He'll try and get me through you."
"What if I don't care?"
"I care. How do you think I'd feel if this was your funeral...and it was my fault...
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Real friends were the kind where you pick up where you’d left off, whether it be a week since you’d seen each other or two years.
”
”
Jojo Moyes (One Plus One)
“
Wednesdays were the best thing about Atlantis. The middle of the week was a traditional holiday there. Everyone stopped work and celebrated the fact that half the week was over.
”
”
Walter Moers (The 13½ Lives of Captain Bluebear (Zamonia, #1))
“
The best ideas will eat at you for days, maybe even weeks, until something, some incident, some impulse, triggers you to finally express them.
”
”
Criss Jami (Killosophy)
“
It’s the people who know you the best who can hurt you the most.
”
”
Monica Murphy (One Week Girlfriend (One Week Girlfriend, #1))
“
This is my report on how to live... They say the best way is just to live one day at a time... If you try to live seven days at a time, the week will be over before you know it...
”
”
Charles M. Schulz
“
You want useless, you have come to the right guy. I can be useless for hours at a time. Weeks even. I'm currently closing in on a month of being totally useless, which is by way of being a personal best.
”
”
Sarah Rees Brennan (The Demon's Covenant)
“
Having the freedom to read and the freedom to choose is one of the best gifts my parents ever gave me.
”
”
Judy Blume
“
Fridays are absolutely without a doubt the best day of the week, five grueling days of the same routine seem to melt at three o'clock on Friday afternoon. There's a sense of magic there, everything smells better, tastes better, and the colors are brighter. As opposed to Sunday evenings when everything begins to get dim all over again.
”
”
Stefanie Ellis (Ashes (The Gray Area, #1))
“
She got to me."
"It happens to the best of us."
"Yeah? Who gets to you?" He was so strong that sometimes she worried. Everyone needed to bend a little, even a panther responsible for the lives of his entire pack.
"That damn wolf. He sent you a present last week."
Sascha smiled at the thought of Hawke's flirting. The SnowDancer alpha did it only to jerk Lucas's chain. "I never saw any present. What was it?"
"How the hell should I know? I stomped on it and threw it into the deepest crevice I could find." He smirked. "Then I called him to ask how Sienna was doing."
She burst out laughing. "Wicked, wicked man.
”
”
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
“
We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.
”
”
Michelle Richmond (The Year of Fog)
“
Charles could care less about shoes - and he suspected he wasn't alone among men in his feelings. Shoe, no shoe, he didn't care. Naked was good, though over the past couple of weeks he was beginning to think that dressed in his clothes was a decent second best.
”
”
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
“
Most people feel best about their work the week before their vacation, but it's not because of the vacation itself. What do you do the last week before you leave on a big trip? You clean up, close up, clarify, and renegotiate all your agreements with yourself and others. I just suggest that you do this weekly instead of yearly.
”
”
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
“
Our life is made up of time. Our days are measured in hours, our pay measured by those hours, our knowledge is measured by years. [...] And yet time eventually runs out and you wonder in your heart of hearts if those seconds, minutes, hours, days, weeks, months, years and decades were being spent the best way they possibly could.
”
”
Cecelia Ahern
“
They are hypocrites, they think the Church is a cage to keep God in, so he will stay locked up there and not go wandering about the earth during the week, poking his nose into their business, and looking in the depths and darkness and doubleness of their hearts, and their lack of true charity; and they believed they need only be bothered about him on Sundays when they have their best clothes on and their faces straight, and their hands washed and their gloves on, and their stories all prepared.
”
”
Margaret Atwood (Alias Grace)
“
She was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts, and to care for knowledge that was tinged with the unfamiliar...It may be affirmed without delay that She was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; impulsively, she often admired herself...Every now and then she found out she was wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only on this condition that life was worth living; that one should be one of the best, should be conscious of a fine organization, should move in the realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic.
”
”
Henry James (The Portrait of a Lady)
“
My request today is simple. Today. Tomorrow. Next week. Find somebody, anybody, that’s different than you. Somebody that has made you feel ill-will or even hateful. Somebody whose life decisions have made you uncomfortable. Somebody who practices a different religion than you do. Somebody who has been lost to addiction. Somebody with a criminal past. Somebody who dresses “below” you. Somebody with disabilities. Somebody who lives an alternative lifestyle. Somebody without a home.
Somebody that you, until now, would always avoid, always look down on, and always be disgusted by.
Reach your arm out and put it around them.
And then, tell them they’re all right. Tell them they have a friend. Tell them you love them.
If you or I wanna make a change in this world, that’s where we’re gonna be able to do it. That’s where we’ll start.
Every. Single. Time.
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
Books have always been my escape - where I go to bury my nose, hone my senses, or play the emotional tourist in a world of my own choosing... Words are my best expressive tool, my favorite shield, my point of entry...When I was growing up, books took me away from my life to a solitary place that didn't feel lonely. They celebrated the outcasts, people who sat on the margins of society contemplating their interiors. . . Books were my cure for a romanticized unhappiness, for the anxiety of impending adulthood. They were all mine, private islands with secret passwords only the worthy could utter. If I could choose my favorite day, my favorite moment in some perfect dreamscape, I know exactly where I would be: stretched out in bed in the afternoon, knowing that the kids are taking a nap and I've got two more chapters left of some heartbreaking novel, the kind that messes you up for a week.
”
”
Jodie Foster
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
...my father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room ... I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun.
”
”
Gillian Flynn (Gone Girl)
“
Your Monday morning thoughts set the tone for your whole week. See yourself getting stronger, and living a fulfilling, happier & healthier life.
”
”
Germany Kent
“
Best friends are treasures. Hug them for their caring. Applaud their accomplishments. Laugh with them gratefully.
”
”
Amy Leigh Mercree
“
Her chin lifted. "Very well. Here is my best offer. Half of my nakedness for all of yours."
He pretended to think on it. " It's a bargain.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
Kate,
I'm not always the best at expressing myself to you, so I'm taking advantage of the fact that I will be completely unresponsive when you read this, and therefore incapable of messing things up.
I want to thank you for giving me a chance. When I first saw you, I knew I had found something incredible. And since then all I've wanted was to be with you as much as possible.
When I thought I had lost you, I was torn between wanting you back and wanting the best for you—wanting you to be happy. Seeing you so miserable during the weeks we were apart gave me the courage to fight for us . . . to find a way for things to work. And seeing you happy again in the days we've been back together makes me think I did the right thing.
I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you.
Thank you for being here, my beauty. Mon ange. My Kate.
Yours utterly,
Vincent
”
”
Amy Plum (Die for Me (Revenants, #1))
“
With six weeks' worth of recuperation time, you'll also be able to see any glaring holes in the plot or character development. And listen--if you spot a few of these big holes, you are forbidden to feel depressed about them or to beat up on yourself. Screw-ups happen to the best of us.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
What was the lifespan of these improbable loves? An hour. A week. A few months at best. The end was a natural thing, like the seasons, like getting older, fruit turning. That was the saddest part—there was no one to blame and no way to reverse
”
”
Miranda July (The First Bad Man)
“
Create your best life with your consciously chosen thoughts, words, and actions.
”
”
Amy Leigh Mercree
“
Jason took me by the shoulders—not out of anger, or in a clinging way, but as a brother. “Promise me one thing. Whatever happens, when you get back to Olympus, when you’re a god again, remember. Remember what it’s like to be human.”
A few weeks ago, I would have scoffed. Why would I want to remember any of this?
At best, if I were lucky enough to reclaim my divine throne, I would recall this wretched experience like a scary B-movie that had finally ended. I would walk out of the cinema into the sunlight, thinking Phew! Glad that’s over.
Now, however, I had some inkling of what Jason meant. I had learned a lot about human frailty and human strength. I felt…different toward mortals, having been one of them. If nothing else, it would provide me with some excellent inspiration for new song lyrics!
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
[Slitscan's audience] is best visualized as a vicious, lazy, profoundly ignorant, perpetually hungry organism craving the warm god-flesh of the anointed. Personally I like to imagine something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It's covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth, Laney, no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote. Or by voting in presidential elections.
”
”
William Gibson (Idoru (Bridge, #2))
“
I am tortured too. I am tortured by belly fat and magazine covers about how to please everyone but myself. I am tortured by sheep who click on anything that will guarantee a ten-pound loss in one week. Sheep who will get on their knees if it means someone will like them more. I am tortured by my inability to want to hang out with desperate sheep. I am tortured by goddamned yearbooks full of bullshit. I met you when. I’ll miss the times. I’ll keep in touch. Best friends forever. Is this okay? Are you all right? Are you tortured too?
”
”
A.S. King (Glory O Brien's History of the Future)
“
What does regression do? It finds a prediction based on the average of what has occurred in the past. For instance, if all you have to go on to determine whether it is going to rain tomorrow is what happened each day last week, your best guess might be an average. If it rained on two of the last seven days, you might predict that the probability of rain tomorrow is around two in seven, or 29 percent. Much of what we know about prediction has been making our calculations of the average better by building models that can take in more data about the context.
”
”
Ajay Agrawal (Prediction Machines: The Simple Economics of Artificial Intelligence)
“
That night, before you sent me away, was the best night of my life. The marks you laced me with lasted a full week. Every time I looked in a mirror, or touched a bruise in the shower, I grew slick for you. You visited my dreams. I woke to aching wetness and an empty heart.
”
”
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
“
Oh now now he says that's all over you must forget all about that next week your solitary finishes how about that hmm? I felt like laughing in his face: How can your solitary finish? That's the best laugh yet.
”
”
Patrick McCabe (The Butcher Boy)
“
I waited at least two hours. I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him for ever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset.
Then I look up and there he was, three metres away, just watching me. Without even thinking, I jumped up and threw my arms around him, making some weird sound that combined laughing, choking and crying.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
We had fallen in love; that was still true. But given the right psychological conditions, a person could fall in love with anyone or anything. A wooden desk—always on all fours, always prone, always there for you. What was the lifespan of these improbable loves? An hour. A week. A few months at best. The end was a natural thing, like the seasons, like getting older, fruit turning. That was the saddest part—there was no one to blame and no way to reverse it.
”
”
Miranda July (The First Bad Man)
“
My best days are Monday through Friday, and Saturday and Sunday."
"Ian," Wesley noted, "that covers the whole week."
Ian nods his head. "Pretty much.
”
”
Carroll Bryant (Children of the Flower Power)
“
Our life is made up of time; our days are measured in hours, our pay measured by those hours, our knowledge is measured by years. We grab a few quick minutes in our busy day to have a coffee break. We rush back to our desks, we watch the clock, we live by appointments. And yet your time eventually runs out and you wonder in your heart of hearts if those seconds, minutes, hours, days, weeks, months, years and decades were being spent the best way they possibly could. In other words, if you could change anything, would you?
”
”
Cecelia Ahern
“
An odd by-product of my loss is that I’m aware of being an embarrassment to everyone I meet. At work, at the club, in the street, I see people, as they approach me, trying to make up their minds whether they’ll ‘say something about it’ or not. I hate it if they do, and if they don’t. Some funk it altogether. R. has been avoiding me for a week. I like best the well brought-up young men, almost boys, who walk up to me as if I were a dentist, turn very red, get it over, and then edge away to the bar as quickly as they decently can. Perhaps the bereaved ought to be isolated in special settlements like lepers.
”
”
C.S. Lewis (A Grief Observed)
“
My stomach sank. “I don’t want you to be miserable.”
“Then don’t go,” he said. His expression was so desperate that the guilt formed a lump in my throat.
“I can’t move in here, Travis. That’s crazy.”
“Says who? I just had the best two weeks of my life.”
“Me, too.”
“Then why do I feel like I’m never gonna see you again?
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
You have liberty to cast all your cares upon him who cares for you. By one hour's intimate access to the throne of grace, where the Lord causes his glory to pass before the soul that seeks him — you may acquire more true spiritual knowledge and comfort, than by a day or a week's converse with the best of men, or the most studious perusal of many folios.
”
”
John Newton (The Letters of John Newton)
“
I mean, it's one thing saying you've got the best god, but sayin' it's the only real one is a bit of a cheek, in my opinion. I know where I can find at least two any day of the week. And they say everyone starts out bad and only gets good by believin' in Om, which is frankly damn nonsense.
”
”
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
“
His hatred for all was so intense that it should extinguish the very love from which it was conceived. And thus, he ceased to feel. There was nothing further in which to believe that made the prospect of feeling worthwhile. Daily he woke up and cast downtrodden eyes upon the sea and he would say to himself with a hint of regret at his hitherto lack of indifference, 'All a dim illusion, was it? Surely it was foolish of me to think any of this had meaning.' He would then spend hours staring at the sky, wondering how best to pass the time if everything—even the sky itself— were for naught. He arrived at the conclusion that there was no best way to pass the time. The only way to deal with the illusion of time was to endure it, knowing full well, all the while, that one was truly enduring nothing at all. Unfortunately for him, this nihilistic resolution to dispassion didn’t suit him very well and he soon became extremely bored. Faced now with the choice between further boredom and further suffering, he impatiently chose the latter, sailing another few weeks along the coast , and then inland, before finally dropping anchor off the shores of the fishing village of Yami.
”
”
Ashim Shanker (Only the Deplorable (Migrations, Volume II))
“
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed.
Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume."
The faerie looked puzzled.
Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes."
"We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks."
"I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets."
"I have done nothing to break the Cold Peace," said the fey.
"Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine."
The fey looked puzzled. "Where does the sun not shine? Is this a riddle?"
Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood."
The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
The best part about best friends is that you can maintain a relationship at any distance. In this day and age, we have Skype, FaceTime, text messages, audio messages, photo messages, and every social media site you can think of. With my friends, I send little photo updates almost daily and do a video call every week. It’s really not that difficult. We talk about anything and everything. I can confide my deepest, darkest secrets with my best friends and fear no judgment. It’s actually the best. And when we have the luxury of being in the same location, we pick things up like we were never separated. It really doesn’t matter where we go or what we do; it’s honestly just so nice to be in each other’s presence that the rest doesn’t matter.
”
”
Connor Franta (A Work in Progress)
“
As I make hundreds of small choices throughout the day, I’m building a life—but at one and the same time, I’m closing off the possibility of countless others, forever. (The original Latin word for “decide,” decidere, means “to cut off,” as in slicing away alternatives; it’s a close cousin of words like “homicide” and “suicide.”) Any finite life—even the best one you could possibly imagine—is therefore a matter of ceaselessly waving goodbye to possibility.
”
”
Oliver Burkeman (Four Thousand Weeks)
“
It's like they say about soldiers coming back from war. People all around you are dying. Really dying, Eric. You go in for a week's chemotherapy and you're in a ward with people who are really, actually dying, there and then and doing their best to come to terms with it. When the week's up, you go home and you see your family and your friends and everything's normal and familiar. It's too much. You think - one world can't possibly hold both these lives and you feel like you're going to go crazy when you realise the world is that big and it can fill with the most terrible things whenever it wants to.
”
”
Steven Hall (The Raw Shark Texts)
“
I never know what to tell them. I mean, there's nothing you can say to make a person stop hurting. Half the time, I just feel like telling them the truth. I'd say that for 3 months, you're going to feel worse than you've ever felt and you cope as best you can. And that after 6 months, the pain isn't so bad, but it still hurts more than you think it will. And even after years, you still find yourself thinking about the person you lost and get sad about it. And you still miss them all the time.
”
”
Nicholas Sparks (Three Weeks with My Brother)
“
But when you are week the best way to fortify yourself is to strip the people you fear of the last bit of prestige you’re still inclined to give them. Learn to consider them they are, worse than they are in fact and from every point of view. That will release you, set you free, protect you more than you can possibly imagine. It will give you another self. There will be two of you.
That will strip their words and deeds of the obscene mystical fascination that weakens you and makes you waste your time. From then on you’ll find their act no more amusing, no more relevant to your inner progress than that of the lowliest pig.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Budge and I were sworn enemies from day one. But ever since the day I lifted the lid on the craziness that killed his best friend last fall, Budge has been extremely nice to me. We talk all the time. Like last week he said, "Hey, moron, can you pass the milk?"
That's some good progress.
”
”
Jenny B. Jones (I'm So Sure (The Charmed Life, #2))
“
To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep.
To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.
”
”
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
“
For a while, I'll think obsessively about her, I'll become embittered, I'll bore my friend because all I ever talk about is my wife leaving me. I'll try to justify what happened, spend days and nights reviewing every moment spent by her side, I'll conclude that she was too hard on me, even though I always tried to do my best. I'll find other women. When I walk down the street, I'll keep seeing women who could be her. I'll suffer day and night, night and day. This could take weeks, months, possibly a year or more... Until one morning, I'll wake up and find I'm thinking about something else, and then I'll know the worst is over. My heart might be bruised, but it will recover and became capable of seeing the beauty of life once more. It's happened before, it will happen again, I'm sure. When someone leaves, it's because someone else is about to arrive--I'll find love again.
”
”
Paulo Coelho (The Zahir)
“
For it was Saturday night, the best and bingiest glad-time of the week, one of the fifty-two holidays in the slow-turning Big Wheel of the year, a violent preamble to a prostrate Sabbath. Piled up passions were exploded on Saturday night, and the effect of a week's monotonous graft in the factory was swilled out of your system in a burst of goodwill. You followed the motto of 'be drunk and be happy,' kept your crafty arms around female waists, and felt the beer going beneficially down into the elastic capacity of your guts.
”
”
Alan Sillitoe (Saturday Night and Sunday Morning)
“
Dear Son,
I would call you by name, but I’m waiting for your mother to decide. I only hope she is joking when she calls you Albert Dalbert.
For weeks now I have watched your mother zealously gather her tokens for this box. She’s so afraid of you not knowing anything about her, and it bothers me greatly that you’ll never know her strength firsthand. I’m sure by the time you read this, you’ll know everything I do about her.
But you’ll never know her for yourself and that pains me most of all. I wish you could see the look on her face whenever she talks to you. The sadness she tries so hard to hide. Every time I see it, it cuts through me.
She love you so much. You’re all she talks about. I have so many orders from her for you. I’m not allowed to make you crazy the way I do your Uncle Chris. I’m not allowed to call the doctors every time you sneeze and you are to be allowed to tussle with your friends without me having a conniption that someone might bruise you.
Nor am I to bully you about getting married or having kids. Ever.
Most of all, you are allowed to pick your own car at sixteen. I’m not supposed to put you in a tank. We’ll see about that one. I refuse to promise her this last item until I know more about you. Not to mention, I’ve seen how other people drive on the roads. So if you have a tank, sorry. There’s only so much changing man my age can do.
I don’t know what our futures will hold. I only hope that when all is said and done, you are more like your mother than you are like me. She’s a good woman. A kind woman. Full of love and compassion even though her life has been hard and full of grief. She bears her scars with a grace, dignity, and humor that I lack.
Most of all, she has courage the likes of which I haven’t witnessed in centuries. I hope with every part of me that you inherit all her best traits and none of my bad ones.
I don’t really know what more to say. I just thought you should have something of me in here too.
Love,
Your father (Wulf)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
To me a good book is like a quiet friend—a friend who’s happy to share thoughts and feelings with you, who’s always there when you need them. Best of all, this friend doesn’t have any secrets. They trust you to understand them. They take you to their innermost places. They share their sensations and emotions—and they let you experience them. Wherever you go and however you feel, they are always by your side. For an hour, a day, a week, or forever, their life becomes yours. Their story is your story. That’s the kind of book I’m trying to write.
”
”
Kevin Brooks
“
In Plaster
I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was
Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.
Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.
I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.
She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.
She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.
I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.
I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.
--written 26 Feburary 1961
”
”
Sylvia Plath (The Collected Poems)
“
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."...
It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
It's not that we had no heart or eyes for pain. We were all afraid. We all had our miseries. But to despair was to wish for something already lost. Or to prolong what was already unbearable...What was worse, to sit and wait for our own deaths with proper somber faces? Or to choose our own happiness?
"So we decided to hold parties and pretend each week had become the new year. Each week we could forget past wrongs done to us. We weren't allowed to think a bad thought. We feasted, we laughed, we played games, lost and won, we told the best stories. And each week we could hope to be lucky. That hope was our only joy. And that's how we came to call our little parties Joy Luck.
”
”
Amy Tan (The Joy Luck Club)
“
I don’t know why one person gets sick, and another does not, but I can only assume that some natural laws which we don’t understand are at work. I cannot believe that God “sends” illness to a specific person for a specific reason. I don’t believe in a God who has a weekly quota of malignant tumors to distribute, and consults His computer to find out who deserves one most or who could handle it best. “What did I do to deserve this?” is an understandable outcry from a sick and suffering person, but it is really the wrong question. Being sick or being healthy is not a matter of what God decides that we deserve. The better question is “If this has happened to me, what do I do now, and who is there to help me do it?” As we saw in the previous chapter, it becomes much easier to take God seriously as the source of moral values if we don’t hold Him responsible for all the unfair things that happen in the world.
”
”
Harold S. Kushner (When Bad Things Happen to Good People)
“
That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self — struggling to lift itself out of its inadequacy and incompetence — you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself. The only calibration that counts is how much heart people invest, how much they ignore their fears of being hurt or caught out or humiliated. And the only thing people regret is that they didn’t live boldly enough, that they didn’t invest enough heart, didn’t love enough. Nothing else really counts at all.
”
”
Ted Hughes (Letters of Ted Hughes)
“
I have calculated the total number of hours
we spend sleeping beside each other in a week
and I wanted to tell you it could be considered
a full-time job. We could be eligible for healthcare
benefits, could probably even pay for a mortgage
by now. I remind myself of this, in daylight, when
I miss you and cannot reach across the bed
for the comforting filling and refilling
of your chest. Such a strange affair
we are having on each other; these hours
that I have not lost but do not remember.
This cannot be the best of love: to drool
on someone’s collarbone or inhale an elbow to
the jaw or be woken by the most ungraceful sounds
of the body. But what is it if not the softening
of grips? A letting go of. Your heart
finally slowly that stubborn, lonely march.
”
”
Sierra DeMulder
“
My Sabine,
I just left your room. You were so beautiful lying there sound asleep that I couldn’t bear to wake you. But I’m not feeling so great and there are things I promised to tell you that I fear I may not get the chance to.
I know you had once hoped that I would be the one to pass on your letters to Maddie once you were gone. But, as it turns out, I think it is going to be me who ends up leaving the letters behind.
Be mad at me. You should. But after that try to understand that I did what I thought was best. I wanted to tell you. So many times I snuck down to your room planning on telling you everything, but I just couldn’t.
Partly it was for you – yes. You needed time and I didn’t want to influence your choices, even once I realised what was happening between us, even more so then. Falling in love with you only made those choices more complicated and I feared that you might choose to stay for me and then, after I was gone, change your mind. I couldn’t let that happen.
Partly the choice was selfish, and for that I am sorry. For so long now people have been trying to fix me, but where they failed, you succeeded. You’ve given me more life in the last couple of weeks that I’ve had in years. Being with you, loving you, making memories with you, fearing for you, wanting to show you the beauty of life instead of the terror – it was bittersweet, but more importantly Sabine, it was real.
I know this is the part when I beg you to go on, live your life and be happy. But I don’t need to say those things. I know you. Your lives will be extraordinary. You certainly made mine feel that way.
Please find it in your heart to forgive me one day. I wish we had more time, but I want to thank you – for giving me life in my time of death.
My love for you is eternal.
Ethan.
”
”
Jessica Shirvington (Between the Lives)
“
26 Thought-Provoking Questions:
1. if you could own any single object that you don't have now, what would it be?
2. if you could have one superpower, what would it be?
3. if you could meet anyone in history, who would you choose and what would you ask them?
4. if you could add one person to your family, who would it be?
5. if you could be best friends with anyone in the world, who would you pick?
6. if you could change anything about your face, what would it be
7. if you could change anything about your parents, what would it be?
8. if you could fast-forward your life, how old would you want to be and why?
9. what is the one object you own that matters more to you than anything else?
10. what is the one thing in the world that you are most afraid of?
11. if you could go to school in a foreign country, which one would you pick?
12. if you had the power to drop any course from your curriculum, what would it be?
13. if you caught your best friend stealing from you, what would you do?
14. if you had a chance to spend a million dollars on anything but yourself, how would you spend it?
15. if you could look like anyone you wanted, who would that be?
16. if you were a member of the opposite sex, who would you want to look like?
17. if you could change your first name, what name would you chose?
18. what's the best thing about being a teen?
19. what's the worst?
20. if someone you like asked you out on a date, but your best friend had a crush on this person, what would you do?
21. what is the worst day of the week?
22. if you had to change places with one of your friends, who would you chose?
23. if you could be any sports hero, who would you like to be?
24. what's the one thing you've done in your life that you wish you could do over differently?
25. what would you do if you found a dollar in the street? what if you found $100? $10,000?
26. if you had a chance to star in any movie, who would you want as a costar?
”
”
Sandra Choron (The Book of Lists for Teens)
“
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.)
This purple hair clip?
It really is magic…just like your dad told you it was.
It’s magic because, no matter how many times it lets you down…you keep having hope in it.
You keep trusting it.
No matter how many times it fails you,
You never fail it.
Just like you never fail me.
I love that about you,
because of you.
(I set it back down and pull out a strip of paper and unfold it.)
Your mother.
(I sigh)
Your mother was an amazing woman, Lake.
I'm blessed that I got to know her,
And that she was a part of my life, too.
I came to love her as my own mom…just as she came to love Caulder and I as her own.
I didn’t love her because of you, Lake.
I loved her because of her.
So, thank you for sharing her with us.
She had more advice about
Life and love and happiness and heartache than anyone I've ever known.
But the best advice she ever gave me?
The best advice she ever gave us?
(I read the quote in my hands)
"Sometimes two people have to fall apart, to realize how much they need to fall back together."
(She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.)
The last item I have wouldn’t fit, because you’re actually sitting in it.
That booth.
You’re sitting in the exact same spot you sat in when you watched your first performance on this stage.
The way you watched this stage with passion in your eyes…I'll never forget that moment.
It's the moment I knew it was too late.
I was too far gone by then.
I was in love with you.
I was in love with you because of you.
(I back up and sit down on the stool behind me, still holding her stare.)
I could go on all night, Lake.
I could go on and on and on about all the reasons I'm in love with you.
And you know what? Some of them are the things that life has thrown our way.
I do love you because you're the only other person I know that understands my situation.
I do love you because both of us know what it's like to lose your mom and your dad.
I do love you because you're raising your little brother, just like I am.
I love you because of what you went through with your mother.
I love you because of what we went through with your mother.
I love the way you love Kel.
I love the way you love Caulder.
And I love the way I love Kel.
So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them.
And no, I don’t need days, or weeks, or months to think about why I love you.
It’s an easy answer for me.
I love you because of you.
Because of
every
single
thing
about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Didn't you just turn eighteen, Jen?" Vasile asked her.
Jen looked a little confused at his choice of response. "Umm, yes. I believe that loud racket you heard a couple of weeks ago was Sally and Jacque's idea of a birthday party. What does that have to do with me leaving?"
"If you are eighteen, Jen, you are an adult. I can't make you stay here. If you want to leave, if you really think that is the best thing for you, then you can go. I will allow you to use the pack plane to get back to the U.S. if that is truly what you want," Vasile explained.
Jen cocked her head to the side, eyes narrowed at the Alpha sitting calmly in front of her. "Just like that? No trying to convince me to stay, or telling me not to give up, or yada yada yada bull crap?"
"No 'yada yada yada bull crap'," he agreed.
"Huh, okay then.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
Fat Charlie blew his nose. "I never knew I had a brother," he said.
"I did," said Spider. "I always meant to look you up, but I got distracted. You know how it is."
"Not really."
"Things came up."
"What kind of things?"
"Things. They came up. That's what things do. They come up. I can't be expected to keep track of them all."
"Well, give me a f'rinstance."
Spider drank more wine. "Okay. The last time I decided that you and I should meet, I, well, I spent days planning it. Wanted it to go perfectly. I had to choose my wardrobe. Then I had to decide what I'd say to you when we met. I knew that the meeting of two brothers, well, it's the subject of epics, isn't it? I decided that the only way to treat it with the appropriate gravity would be to do it in verse. But what kind of verse? Am I going to rap it? Declaim it? I mean, I'm not going to greet you with a limerick. So. It had to be something dark, something powerful, rhythmic, epic. And then I had it. The perfect line: Blood calls to blood like sirens in the night. It says so much. I knew I'd be able to get everything in there - people dying in alleys, sweat and nightmares, the power of free spirits uncrushable. Everything was going to be there. And then I had to come up with a second line, and the whole thing completely fell apart. The best I could come up with was Tum-tumpty-tumpty-tumpty got a fright."
Fat Charlie blinked. "Who exactly is Tum-tumpty-tumpty-tumpty?"
"It's not anybody. It's just there to show you where the words ought to be. But I never really got any futher on it than that, and I couldn't turn up with just a first line, some tumpties and three words of an epic poem, could I? That would have been disrespecting you."
"Well...."
"Exactly. So I went to Hawaii for the week instead. Like I said, something came up.
”
”
Neil Gaiman (Anansi Boys)
“
This Sir Alisdair fellow.” Her cheeks blushed crimson. “I’m just saying, he’s likely older than Francine. And less attractive.”
“I don’t care! I don’t care if he’s ancient and warty and leprous and hunchbacked. He would still be learned, intelligent. Respected and respectful. He would still be a better man than you. You know it, and you’re envious. You’re being cruel to me to soothe your pride.” She looked him up and down with a contemptuous glare. “And you’re going to catch flies in your mouth, if you don’t shut it.”
For once, Colin found himself without words. The best he could do was take her advice and hoist his dropped jaw.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
In the eulogy by the graveside, I told everyone how my sister and I used to sing to each other on our birthday. I told them that, when I thought of my sister, I could still hear her laughter, sense her optimism, and feel her faith. I told them that my sister was the kindest person I;ve ever known, and that the world was a sadder place without her in it. And finally, I told them to remember my sister with a smile, like I did, for even though she was being buried near my parents, the best parts of her would always stay alive, deep within our hearts.
”
”
Nicholas Sparks (Three Weeks with My Brother)
“
Q: Where and when do you do your writing?
A: Any small room with no natural light will do. As for when, I have no particular schedules... afternoons are best, but I'm too lethargic for any real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or that some other asshole only works half an hour every two weeks, does fifty press-ups and stands on his head before and after the "creative moment." I remember reading that kind of stuff in profiles like this and becoming convinced everything I was doing was wrong. What's the American phrase? If it ain't broke...
”
”
Zadie Smith
“
MOTHER – By Ted Kooser
Mid April already, and the wild plums
bloom at the roadside, a lacy white
against the exuberant, jubilant green
of new grass and the dusty, fading black
of burned-out ditches. No leaves, not yet,
only the delicate, star-petaled
blossoms, sweet with their timeless perfume.
You have been gone a month today
and have missed three rains and one nightlong
watch for tornadoes. I sat in the cellar
from six to eight while fat spring clouds
went somersaulting, rumbling east. Then it poured,
a storm that walked on legs of lightning,
dragging its shaggy belly over the fields.
The meadowlarks are back, and the finches
are turning from green to gold. Those same
two geese have come to the pond again this year,
honking in over the trees and splashing down.
They never nest, but stay a week or two
then leave. The peonies are up, the red sprouts,
burning in circles like birthday candles,
for this is the month of my birth, as you know,
the best month to be born in, thanks to you,
everything ready to burst with living.
There will be no more new flannel nightshirts
sewn on your old black Singer, no birthday card
addressed in a shaky but businesslike hand.
You asked me if I would be sad when it happened
and I am sad. But the iris I moved from your house
now hold in the dusty dry fists of their roots
green knives and forks as if waiting for dinner,
as if spring were a feast. I thank you for that.
Were it not for the way you taught me to look
at the world, to see the life at play in everything,
I would have to be lonely forever.
”
”
Ted Kooser (Delights and Shadows)
“
Connor asked that I make you like me,” Ashton casually says, easing his tight grip on my hips so that I’m not pressed directly against his erection, allowing me to breathe again. His mouth twists as if from something sour. “Since he really likes you.” Then he sighs, looking over my head, as he adds, “And I’m his best friend.” As if he’s reminding himself of that. Right, Connor. I swallow. The mention of Connor and his feelings for me while my hands are still flattened against his best friend’s chest, the one that I pawed repeatedly not even two weeks ago, fills me with guilt. “So?” Serious dark eyes lock on my face. “How do I do that, Irish? How do I make you like me?
”
”
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
Pink Balloons
My name is Olivia King
I am five years old
My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot pink ribbon
trickling
down her arm,
wrapped
around her
wrist
. She was
smiling
at me as she
untied
the ribbon and wrapped it around my hand.
"Here Livie, I bought this for you."
She called me Livie.
I was so
happy
. I'd
never
had a
balloon
before. I mean, I always saw balloon wrapped around
other
kids wrist in the parking lot of
Wal-Mart
, but I never
dreamed
I would have my very
own.
My
very own
pink balloon.
I was
excited!
So
ecstatic!
So
thrilled!
i couldn't
believe
my mother bought me something! She'd
never
bought me
anything
before! I played with it for
hours
. It was full of
helium
and it
danced
and
swayed
and
floated
as I
drug
it around from
room
to
room
with me, thinking of places to take it. Thinking of places the balloon had
never
been before. I took it in the
bathroom
, the
closet
, the
laundry room
, the
kitchen
, the
living room
. I wanted my new best friend to see
everything
I saw! I took it to my mother's
bedroom!
My mothers
Bedroom?
Where I wasn't supposed to be?
With my pink
balloon...
I
covered
my ears as she
screamed
at me,
wiping
the
evidence
off her
nose!
She
slapped
me across the face as she told me how
bad
I was! How much I
misbehaved!
How I never
listened!
She
shoved
me into the hallways and
slammed
the door, locking my pink balloon inside with her. I wanted him
back!
He was
my
best friend!
Not her!
The pink ribbon was
still
tied around my
wrist
so I
pulled
and
pulled
, trying to get my new best friend
away
from her.
And
it
popped.
My name is Eddie.
I'm seventeen years old.
My birthday is next week. I'll be big One-Eight. My foster dad is buying me these boots I've been wanting. I'm sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I'll even get a nice little card from my foster care worker, wishing me a happy eighteenth birthday, informing me I've aged out of the system.
I'll have a good time. I know I will.
But there's
one
thing I know
for
sure
I better not get any
shitty ass pink balloons!
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
People always ask me, "What kind of people make it through Hell Week?" I don't really have an answer to that. I do know-- generally-- who won't make it through Hell Week. The weightlifting meatheads who think the size of their biceps indicates their strength: they usually fail. The kids covered in tattoos announcing to the world how tough they are: they usually fail. The preening leaders who don't want to be dirty: they usually fail. The "me first, look at me, I'm the best" former athletes who've always been told they're stars: they usually fail. The blowhards who have a thousand stories about what they're going to do but a thin record of what they've actually done: they usually fail. The whiners, the "this is not fair" guys: they usually fail.
”
”
Eric Greitens (The Warrior's Heart: Becoming a Man of Compassion and Courage)
“
Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it... Usually, that child is a wretchedly isolated undeveloped little being. It’s been protected by the efficient armour, it’s never participated in life, it’s never been exposed to living and to managing the person’s affairs, it’s never been given responsibility for taking the brunt. And it’s never properly lived. That’s how it is in almost everybody. And that little creature is sitting there, behind the armour, peering through the slits. And in its own self, it is still unprotected, incapable, inexperienced...
And in fact, that child is the only real thing in them. It’s their humanity, their real individuality, the one that can’t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That’s the carrier of all the living qualities. It’s the centre of all the possible magic and revelation. What doesn’t come out of that creature isn’t worth having, or it’s worth having only as a tool—for that creature to use and turn to account and make meaningful...
And so, wherever life takes it by surprise, and suddenly the artificial self of adaptations proves inadequate, and fails to ward off the invasion of raw experience, that inner self is thrown into the front line—unprepared, with all its childhood terrors round its ears.
And yet that’s the moment it wants. That’s where it comes alive—even if only to be overwhelmed and bewildered and hurt. And that’s where it calls up its own resources—not artificial aids, picked up outside, but real inner resources, real biological ability to cope, and to turn to account, and to enjoy.
That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember.
But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self—struggling to lift itself out of its inadequacy and incompetence—you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself.
”
”
Ted Hughes (Letters of Ted Hughes)
“
Of course," agreed Basil, "if you read it carelessly, and act on it rashly, with the blind faith of a fanatic; it might very well lead to trouble. But nature is full of devices for eliminating anything that cannot master its environment. The words 'to worship me' are all-important. The only excuse for using a drug of any sort, whether it's quinine or Epsom-salt, is to assist nature to overcome some obstacle to her proper functions. The danger of the so-called habit-forming drugs is that they fool you into trying to dodge the toil essential to spiritual and intellectual development. But they are not simply man-traps. There is nothing in nature which cannot be used for our benefit, and it is up to us to use it wisely. Now, in the work you have been doing in the last week, heroin might have helped you to concentrate your mind, and cocaine to overcome the effects of fatigue. And the reason you did not use them was that a burnt child dreads fire. We had the same trouble with teaching Hermes and Dionysus to swim. They found themselves in danger of being drowned and thought the best way was to avoid going near the water. But that didn't help them to use their natural faculties to the best advantage, so I made them confront the sea again and again, until they decided that the best way to avoid drowning was to learn how to deal with oceans in every detail. It sounds pretty obvious when you put it like that, yet while every one agrees with me about the swimming, I am howled down on all sides when I apply the same principles to the use of drugs.
”
”
Aleister Crowley (Diary of a Drug Fiend)
“
Among university professors, for example, getting tenure is a major hurdle and milestone, and at most universities tenure depends heavily on having published some high-quality, original work. One researcher, Bob Boice, looked into the writing habits of young professors just starting out and tracked them to see how they fared. Not surprisingly, in a job where there is no real boss and no one sets schedules or tells you what to do, these young professors took a variety of approaches. Some would collect information until they were ready and then write a manuscript in a burst of intense energy, over perhaps a week or two, possibly including some long days and very late nights. Others plodded along at a steadier pace, trying to write a page or two every day. Others were in between. When Boice followed up on the group some years later, he found that their paths had diverged sharply. The page-a-day folks had done well and generally gotten tenure. The so-called “binge writers” fared far less well, and many had had their careers cut short. The clear implication was that the best advice for young writers and aspiring professors is: Write every day. Use your self-control to form a daily habit, and you’ll produce more with less effort in the long run.
”
”
Roy F. Baumeister (Willpower: Rediscovering Our Greatest Strength)
“
So why were you with her?"
"She was my assignment."
"From The Eye?"
"No,from the Boy Scouts. That Witch Dating badge just kept eluding me."
"Well,you must have at least three Total Douchebag badges by now, so that has to count for something. What about Holly? Was that fake,too?" I was panting slightly, thanks to trying to keep up with him. Stupid short legs.
He had his hands in his pockets, and hi head was slightly down, like he was walking against the wind. "You know, these were all things I was willing to tell you several weeks ago. Too bad you decided to stand me up."
I had caught up to him by now, and I snagged his elbow,doing my best to ignore the little thrill that went through me even at that innocent touch. "How is that you can go from decent human being to complete jackass in zero-point-two seconds? Do they teach you that in The Eye?"
He stopped, and his eyes glided over my lips. "Actually,I'm just trying to see if I can make you mad enough to kiss me again.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."
He's supposed to know that.
When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.
When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.
When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"
When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.
Ripe apples fall about them.
What else can they do but eat?
When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.
They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.
One year they broke up seven times and threatened to do it
another nine times.
When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.
When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.
When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
”
”
David Lehman (When a Woman Loves a Man: Poems)
“
daughter of the servants.” “Gee, you must have been lonely, Judge, having nobody to play with.” “I played with Sam Westing—chess. Hour after hour I sat staring down at that chessboard. He lectured me, he insulted me, and he won every game.” The judge thought of their last game: She had been so excited about taking his queen, only to have the master checkmate her in the next move. Sam Westing had deliberately sacrificed his queen and she had fallen for it. “Stupid child, you can’t have a brain in that frizzy head to make a move like that.” Those were the last words he ever said to her. The judge continued: “I was sent to boarding school when I was twelve. My parents visited me at school when they could, but I never set foot in the Westing house again, not until two weeks ago.” “Your folks must have really worked hard,” Sandy said. “An education like that costs a fortune.” “Sam Westing paid for my education. He saw that I was accepted into the best schools, probably arranged for my first job, perhaps more, I don’t know.” “That’s the first decent thing I’ve heard about the old man.” “Hardly decent, Mr. McSouthers. It was to Sam Westing’s advantage to have a judge in his debt. Needless to say, I have excused myself from every case remotely connected with
”
”
Ellen Raskin (The Westing Game)
“
And as the music ended, he saw her, like a woman in a romance, pull from her cotton sleeve a note that she pushed into his breast pocket. It would burn there unread for another hour as he danced and talked with in-laws who did not matter to him, who got in the way, whose bloodline connection to him or his wife he could not care less about. Everything that was important to him existed suddenly in the potency of Marie-Neige. He could tell what the shallow freize of the wedding party that surrounded them would continue to be, and yet the one he knew best-he could not conceive how she would behave or respond to him in a week, or even in an hour. She had stepped into more than his arms for a dance, had waited for the precise seconds so it was possible and socially forgivable-the sunlit wedding procession, the eternal meal-and she had passed him a billet-doux as if they were within a Dumas. The note she had written said 'Good-bye.' Then it said 'Hello.' And then it reminded him that 'A message sent by pigeon to The Hague can sometimes change everything.' She had, like one of those partially villainous and always evolving heroines, turned his heart over on the wrong day.
”
”
Michael Ondaatje (Divisadero)
“
Kait,im not always the beat at exspressing myself to you,so im taking advantage of the fact that i will be completely unresponsive when you read this, and therefore incapable of messing things up.
I want to thank you for giving me a chance. when i first saw you, i knew i had found something incredible. And since then all i've wanted was to be with you as much as possible.
When i thought i had lost you, i was torn betewwn wanting you back and wanting the best for you-wanting you to be happy.seeing you so miserable during the weeks we were apart gave me the courage to fight for us...to find a way for things to work.And seeing you happy again in the dayswe've been back together makes me think i did the right thing.
I cant promise you an ordinary experience,kate.I wish i could transform myself into a normal man and be there for you,always,without th trama that defines my life as "the walking dead." Since that isnt possible, I can only reassure yoiu that i will do everything in my power to make it up make it up to you. To give you more that a normal boyfriend could.I have no idea what that will mean, exactly, but i'm looking forward to finding out. With you.
Thank ou for being here, my beauty. Mon ange. My Kate.
Yours utterly,
Vincent
”
”
Amy Plum (Die for Me (Revenants, #1))
“
I would like to ofer some exercises that can help us use the Five Precepts to cultivate and strengthen mindfulness. It is best to choose one of these exercises and work with it meticulously for a week. Then examine the results and choose another for a subsequent week. These practices can help us understand and find ways to work with each precept.
1. Refrain from killing: reverence for life. Undertake for one week to purposefully bring no harm in thought, word, or deed to any living creature. Particularly, become aware of any living beings in your world (people, animals, even plants) whom you ignore, and cultivate a sense of care and reverence for them too.
2. Refraining from stealing: care with material goods. Undertake for one week to act on every single thought of generosity that arises spontaneously in your heart.
3. Refraining from sexual misconduct: conscious sexuality. Undertake for one week to observe meticulously how often sexual feelings arise in your consciousness. Each time, note what particular mind states you find associated with them such as love, tension, compulsion, caring, loneliness, desire for communication, greed, pleasure, agression, and so forth.
4. Refraining from false speech: speech from the heart. Undertake for one week not to gossip (positively or negatively) or speak about anyone you know who is not present with you (any third party).
5. Refraining from intoxicants to the point of heedlessness. Undertake for one week or one month to refrain from all intoxicants and addictive substances (such as wine, marijuana, even cigarettes and/or caffeine if you wish). Observe the impulses to use these, and become aware of what is going on in the heart and mind at the time of those impulses (88-89).
”
”
Jack Kornfield (For a Future to Be Possible)
“
On the wall next to the door we’d entered through was a huge floor-to-ceiling bulletin/whiteboard combo and hanging from a thumbtack on the bulletin board amongst pictures and other various sorts of memorabilia was my bra. It’d been washed but it still had
a good many blotches of pink on it. If that wasn’t shocking enough, the dialogue written over the last two weeks on the whiteboard pertaining to said bra certainly was. I’ll include the copy just so you can truly appreciate what I’m dealing with here.
Tristan’s Mom: What’s this?
Tristan: A size 34B lace covered slingshot.
Jeff: Nice!
Tristan’s Mom: Do I want to know?
Tristan: I don’t know, do you?
Tristan’s Mom: Not really. Are you planning on returning it or did you win some kind of prize?
Tristan: I plead the fifth.
Tristan’s Dad: Well done son.
Jeff: Ditto!
Tristan’s Mom: Don’t encourage him.
Tristan: Gee, thanks Mom.
Tristan’s Dad: Can’t a father be proud of his only child?
Tristan’s Mom: He doesn’t need your help…obviously.
Tristan’s Dad: That’s because he takes after me.
Tristan: Was there anything else I can do for you two?
Tristan’s Mom: Tell her I tried to get the stains out, but I’m afraid they set in before I got to it.
Tristan: I’m sure she’ll appreciate your effort, but if I’m any judge (and I’d like to think I am) its
size has caused it to become obsolete and she needs to trade up.
Jeff: I’m so proud.
Tristan: Thanks man.
Tristan’s Mom: A name would be nice you know.
Tristan: Camie.
Tristan’s Mom: Do we get to meet her?
Tristan: Sure. I’ll have my people call your people and set it up.
Tristan’s Mom: I don’t know why I bother. Do you want anything from the store?
Tristan: Yeah, Camie’s sleeping over tonight and I promised her bacon and eggs for breakfast.
Jeff’s got the eggs covered but could you pick up some bacon for us and maybe a box of Twinkies
for the bus? Thanks, you’re the best.
Jeff: I have the eggs covered?
Tristan’s Dad: He gets his sense of humor from you.
Tristan’s Mom: Flattery will get you everywhere. How would you like your eggs prepared dear?
”
”
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
“
In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair's breadth from the truth in the telling of it.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
You and he were never ...you know. You were our best fighters. You bickered all the time, but you brought out the best in each other as warriors. Going into battle to you turned him on more than any woman could.'
I give her a dubious look and she laughs.'Maybe a slight exaggeration, but he really did love it.' Her smiles fades.'And you and Jude were inseparable. That's why it made no sense that you would take the opposite side to either one of them - let alone both...It got worse after you and Jude disappeared last year. We thought he'd gone back to the Sanctuary to be with you. And when we heard you'd both dies...Honestly, I though Rafa was going to harm himself. He wouldn't talk to anyone for weeks. He drifted in and out of our operations, and then a few months ago he lost interest completely and stopped answering calls. We only know he was still alive because he's send Zak an occasional text. We he told Zak about the possibility you'd resurfaced there was no doubt he's come looking for you-'
A fist bangs on the door. 'Gabe' Rafa barks. 'Your boyfriend's here. Get your arse into gear.'
'Yeah' I get to my feet. 'I'm the wind beneath his wings.
”
”
Paula Weston (Shadows (The Rephaim, #1))
“
Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we are going to haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.
”
”
Tom Hanks
“
If you tell someone you have depression, they will often say, "Oh, I've been depressed before, too." The difference lies between being depressed and having depression. Everyone's been depressed at one time or another, but these are far from being the same things. One is a passing mood. The other is a chronic illness that does not come and go, ebb and flow, is here one day and gone the next.
The difference between being depressed and having depression is that one is a mood and the other is an illness. One is a momentary bout of melancholy. The other is a debilitating condition that requires medical treatment. Would you feel better about having a cancerous lesion if I likened it to the rash I had last week?
The difference between being depressed and having depression is the difference between a mood that will soon pass, and a serious illness that disrupts your ability to function and will take years to treat. The difference between being depressed and having depression is the difference between Cleveland and Bangkok, or your frying pan and the surface of the sun.
So, no, we (depressives) do not feel better when you tell us about your rash. We'll do our best to be polite about it, but no, it really doesn't help at all.
”
”
Northern Adams (Mickey and the Gargoyle)
“
To the extent that propaganda is based on current news, it cannot permit time for thought or reflection. A man caught up in the news must remain on the surface of the event; he is carried along in the current, and can at no time take a respite to judge and appreciate; he can never stop to reflect. There is never any awareness -- of himself, of his condition, of his society -- for the man who lives by current events. Such a man never stops to investigate any one point, any more than he will tie together a series of news events. We already have mentioned man's inability to consider several facts or events simultaneously and to make a synthesis of them in order to face or to oppose them. One thought drives away another; old facts are chased by new ones. Under these conditions there can be no thought. And, in fact, modern man does not think about current problems; he feels them. He reacts, but be does not understand them any more than he takes responsibility for them. He is even less capable of spotting any inconsistency between successive facts; man's capacity to forget is unlimited. This is one of the most important and useful points for the propagandist, who can always be sure that a particular propaganda theme, statement, or event will be forgotten within a few weeks. Moreover, there is a spontaneous defensive reaction in the individual against an excess of information and -- to the extent that he clings (unconsciously) to the unity of his own person -- against inconsistencies. The best defense here is to forget the preceding event. In so doing, man denies his own continuity; to the same extent that he lives on the surface of events and makes today's events his life by obliterating yesterday's news, he refuses to see the contradictions in his own life and condemns himself to a life of successive moments, discontinuous and fragmented.
This situation makes the "current-events man" a ready target for propaganda. Indeed, such a man is highly sensitive to the influence of present-day currents; lacking landmarks, he follows all currents. He is unstable because he runs after what happened today; he relates to the event, and therefore cannot resist any impulse coming from that event. Because he is immersed in current affairs, this man has a psychological weakness that puts him at the mercy of the propagandist. No confrontation ever occurs between the event and the truth; no relationship ever exists between the event and the person. Real information never concerns such a person. What could be more striking, more distressing, more decisive than the splitting of the atom, apart from the bomb itself? And yet this great development is kept in the background, behind the fleeting and spectacular result of some catastrophe or sports event because that is the superficial news the average man wants. Propaganda addresses itself to that man; like him, it can relate only to the most superficial aspect of a spectacular event, which alone can interest man and lead him to make a certain decision or adopt a certain attitude.
But here we must make an important qualification. The news event may be a real fact, existing objectively, or it may be only an item of information, the dissemination of a supposed fact. What makes it news is its dissemination, not its objective reality.
”
”
Jacques Ellul (Propaganda: The Formation of Men's Attitudes)
“
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night.
Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible.
So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming.
I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me.
He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm.
After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck.
I bit my lip. Alarm bells started going off in my head.
Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?”
I stammered, “I…you…I…slept just fine, thank you.”
I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him.
He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
”
”
E. Lockhart (We Were Liars)
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
The work I do is not exactly respectable. But I want to explain how it works without any of the negatives associated with my infamous clients. I’ll show how I manipulated the media for a good cause. A friend of mine recently used some of my advice on trading up the chain for the benefit of the charity he runs. This friend needed to raise money to cover the costs of a community art project, and chose to do it through Kickstarter, the crowdsourced fund-raising platform. With just a few days’ work, he turned an obscure cause into a popular Internet meme and raised nearly ten thousand dollars to expand the charity internationally. Following my instructions, he made a YouTube video for the Kickstarter page showing off his charity’s work. Not a video of the charity’s best work, or even its most important work, but the work that exaggerated certain elements aimed at helping the video spread. (In this case, two or three examples in exotic locations that actually had the least amount of community benefit.) Next, he wrote a short article for a small local blog in Brooklyn and embedded the video. This site was chosen because its stories were often used or picked up by the New York section of the Huffington Post. As expected, the Huffington Post did bite, and ultimately featured the story as local news in both New York City and Los Angeles. Following my advice, he sent an e-mail from a fake address with these links to a reporter at CBS in Los Angeles, who then did a television piece on it—using mostly clips from my friend’s heavily edited video. In anticipation of all of this he’d been active on a channel of the social news site Reddit (where users vote on stories and topics they like) during the weeks leading up to his campaign launch in order to build up some connections on the site. When the CBS News piece came out and the video was up, he was ready to post it all on Reddit. It made the front page almost immediately. This score on Reddit (now bolstered by other press as well) put the story on the radar of what I call the major “cool stuff” blogs—sites like BoingBoing, Laughing Squid, FFFFOUND!, and others—since they get post ideas from Reddit. From this final burst of coverage, money began pouring in, as did volunteers, recognition, and new ideas. With no advertising budget, no publicist, and no experience, his little video did nearly a half million views, and funded his project for the next two years. It went from nothing to something. This may have all been for charity, but it still raises a critical question: What exactly happened? How was it so easy for him to manipulate the media, even for a good cause? He turned one exaggerated amateur video into a news story that was written about independently by dozens of outlets in dozens of markets and did millions of media impressions. It even registered nationally. He had created and then manipulated this attention entirely by himself.
”
”
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh.
I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains.
Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school.
Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix.
Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
In every interview I’m asked what’s the most important quality a novelist has to have. It’s pretty obvious: talent. Now matter how much enthusiasm and effort you put into writing, if you totally lack literary talent you can forget about being a novelist. This is more of a prerequisite than a necessary quality. If you don’t have any fuel, even the best car won’t run.The problem with talent, though, is that in most cases the person involved can’t control its amount or quality. You might find the amount isn’t enough and you want to increase it, or you might try to be frugal and make it last longer, but in neither case do things work out that easily. Talent has a mind of its own and wells up when it wants to, and once it dries up, that’s it. Of course, certain poets and rock singers whose genius went out in a blaze of glory—people like Schubert and Mozart, whose dramatic early deaths turned them into legends—have a certain appeal, but for the vast majority of us this isn’t the model we follow.
If I’m asked what the next most important quality is for a novelist, that’s easy too: focus—the ability to concentrate all your limited talents on whatever’s critical at the moment. Without that you can’t accomplish anything of value, while, if you can focus effectively, you’ll be able to compensate for an erratic talent or even a shortage of it. I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else.
…
After focus, the next most important thing for a novelist is, hands down, endurance. If you concentrate on writing three or four hours a day and feel tired after a week of this, you’re not going to be able to write a long work. What’s needed of the writer of fiction—at least one who hopes to write a novel—is the energy to focus every day for half a year, or a year, or two years.
…
Fortunately, these two disciplines—focus and endurance—are different from talent, since they can be acquired and sharpened through training. You’ll naturally learn both concentration and endurance when you sit down every day at your desk and train yourself to focus on one point. This is a lot like the training of muscles I wrote of a moment ago. You have to continually transmit the object of your focus to your entire body, and make sure it thoroughly assimilates the information necessary for you to write every single day and concentrate on the work at hand. And gradually you’ll expand the limits of what you’re able to do. Almost imperceptibly you’ll make the bar rise. This involves the same process as jogging every day to strengthen your muscles and develop a runner’s physique. Add a stimulus and keep it up. And repeat. Patience is a must in this process, but I guarantee results will come.
In private correspondence the great mystery writer Raymond Chandler once confessed that even if he didn’t write anything, he made sure he sat down at his desk every single day and concentrated. I understand the purpose behind his doing this. This is the way Chandler gave himself the physical stamina a professional writer needs, quietly strengthening his willpower. This sort of daily training was indispensable to him.
…
Most of what I know about writing I’ve learned through running every day. These are practical, physical lessons. How much can I push myself? How much rest is appropriate—and how much is too much? How far can I take something and still keep it decent and consistent? When does it become narrow-minded and inflexible? How much should I be aware of the world outside, and how much should I focus on my inner world? To what extent should I be confident in my abilities, and when should I start doubting myself? I know that if I hadn’t become a long-distance runner when I became a novelist, my work would have been vastly different. How different? Hard to say. But something would definitely have been different.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
Putting It into Practice: Neutralizing Negativity Use the techniques below anytime you’d like to lessen the effects of persistent negative thoughts. As you try each technique, pay attention to which ones work best for you and keep practicing them until they become instinctive. You may also discover some of your own that work just as well. ♦ Don’t assume your thoughts are accurate. Just because your mind comes up with something doesn’t necessarily mean it has any validity. Assume you’re missing a lot of elements, many of which could be positive. ♦ See your thoughts as graffiti on a wall or as little electrical impulses flickering around your brain. ♦ Assign a label to your negative experience: self-criticism, anger, anxiety, etc. Just naming what you are thinking and feeling can help you neutralize it. ♦ Depersonalize the experience. Rather than saying “I’m feeling ashamed,” try “There is shame being felt.” Imagine that you’re a scientist observing a phenomenon: “How interesting, there are self-critical thoughts arising.” ♦ Imagine seeing yourself from afar. Zoom out so far, you can see planet Earth hanging in space. Then zoom in to see your continent, then your country, your city, and finally the room you’re in. See your little self, electrical impulses whizzing across your brain. One little being having a particular experience at this particular moment. ♦ Imagine your mental chatter as coming from a radio; see if you can turn down the volume, or even just put the radio to the side and let it chatter away. ♦ Consider the worst-case outcome for your situation. Realize that whatever it is, you’ll survive. ♦ Think of all the previous times when you felt just like this—that you wouldn’t make it through—and yet clearly you did. We’re learning here to neutralize unhelpful thoughts. We want to avoid falling into the trap of arguing with them or trying to suppress them. This would only make matters worse. Consider this: if I ask you not to think of a white elephant—don’t picture a white elephant at all, please!—what’s the first thing your brain serves up? Right. Saying “No white elephants” leads to troops of white pachyderms marching through your mind. Steven Hayes and his colleagues studied our tendency to dwell on the forbidden by asking participants in controlled research studies to spend just a few minutes not thinking of a yellow jeep. For many people, the forbidden thought arose immediately, and with increasing frequency. For others, even if they were able to suppress the thought for a short period of time, at some point they broke down and yellow-jeep thoughts rose dramatically. Participants reported thinking about yellow jeeps with some frequency for days and sometimes weeks afterward. Because trying to suppress a self-critical thought only makes it more central to your thinking, it’s a far better strategy to simply aim to neutralize it. You’ve taken the first two steps in handling internal negativity: destigmatizing discomfort and neutralizing negativity. The third and final step will help you not just to lessen internal negativity but to actually replace it with a different internal reality.
”
”
Olivia Fox Cabane (The Charisma Myth: How Anyone Can Master the Art and Science of Personal Magnetism)