Weeds Funny Quotes

We've searched our database for all the quotes and captions related to Weeds Funny. Here they are! All 34 of them:

It is easier to tell a person what life is not, rather than to tell them what it is. A child understands weeds that grow from lack of attention, in a garden. However, it is hard to explain the wild flowers that one gardener calls weeds, and another considers beautiful ground cover.
Shannon L. Alder
Somewhere, in some shadowy bedroom of a leaf-strewn town, a father bolts the door to a child's room, then steps closer to the bed. In a neighbor's garden lurks a weed with a funny, blade-petaled flower, its poison choking the red roses. Somewhere a car is crashing; a phone is ringing in the center of night. The spider waits poised in the slipper. The bird swoops headlong into glass it thought was farther air. The strangler envisions a neighborhood of throats. The head finds the noose; the foot kicks the chair.
Scott Heim (We Disappear)
I've never written a quote I feel would be suitable for my gravestone. Wouldn't it be ironic if it were this one? Oh, and could you pull a few weeds while you're here?
Ryan Lilly (Write like no one is reading)
Christopher throws dandelion head after dandelion head into his bag. It's getting heavy now and his fingers are stained from the work but there are still so many left to kill. His biggest mistake is giving them names.
Brian Martinez (Kissing You is Like Trying to Punch a Ghost)
Memories are funny, don’t you think? Creep up on you, break through the ground of your mind like a weed, even when they don’t have permission to be there.
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
He loves weed like Alaska loves sex," the Colonel said. "This is a man who once constructed a bong using only the barrel of an air rifle, a ripe pear, and an eight-by-ten glossy photograph of Anna Kournikova. Not the brightest gem in the jewelry shop, but you've got to admire his single-minded dedication to drug abuse.
John Green (Looking for Alaska)
New Rule: If we want to find a place to cut government waste, we must start with the DEA rubber duck. Yes, on the DEA's website you can buy a rubber ducky with a DEA badge and a cop's hat. Which I recommend doing, because they're a great place to hide your weed.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
if my name was on a serious work like this it would never get fair treatment. They would all say I had tried to be funny and failed.
Jerome K. Jerome
You know what? We need a recession in this country, because that would finaly weed out al the subnormal, underdeveloped, stupefied, puerile people in this workforce.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
Lit more than enlightened.
Tanuja Desai Hidier
the funny thing bout weeds. You can pull em up by the root, burn the soil where they stood, might lie dormant for years, but they’ll always find a way.
Kim Liggett (The Grace Year)
Get high on love, not drugs.
Matshona Dhliwayo
... something in the back of her mind whispered that there was no help coming and if she ran out of money, she had no real way to earn more. Her only skills were embroidery and weeding gardens. I suppose I could sell my body, but I'm not sure how one does that, either. It seemed like it would be a lot more complicated than getting a seat on a coach. Dis you approach people, or did they approach you, and how did you start a conversation that ended in money for sex? Was there an etiquette? This was not the sort of thing one was taught at convents. It was easier just to sleep in the coaches.
T. Kingfisher (Nettle & Bone)
It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually. Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.
Charles Dickens (Oliver Twist)
Well, it is half an hour yet before prayer-meeting time, so I am going around to the kitchen garden to have a little evening hate with the weeds.
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
She did not know how to react, for when your heart has been poisoned and someone picks a dandelion for you - because it is bright and yellow and you seem like you could use something like that - all you can do is contemplate the funny ways of weeds.
Anne Ursu
Sara suddenly had celebrity. Funny thing was, the sun didn't rise any later. The cow didn't milk herself, the weeds didn't stop growing, the tub of wash water didn't get any lighter, and corn bread didn't miraculously appear on plates every night. Day to day, Sara's life didn't change one whit. At least not right away.
Mark Zwonitzer
The truth a fairly important thing to hold on to when you’ve been pulled out of the sea after wanting to drown in it. I could’ve let the sea take me. I could easily be dead now, which is funny when you think of it. When I say funny, what I actually mean is weird and kind of disturbing. When there’s the loud sound of a siren screaming in your head it doesn’t take too long before a feeling of not caring what happens washed over you and you become recklessly self- destructive. I used to be full of energy and happiness but I could barely remember those kinds of feelings. The cheerful, childish things I used to think had been replaced. A whole load of new realisations had begun to grow inside me like tangled weeds, and they were starting to kill me. That’s why I’d make the decision that involved heading ogg to the pier on my pike in the middle of the night and cycling off it.
Sarah Moore Fitzgerald (The Apple Tart of Hope)
Now I myself, I cheerfully admit, feel that enormity in Kensington Gardens as something quite natural. I feel it so because I have been brought up, so to speak, under its shadow; and stared at the graven images of Raphael and Shakespeare almost before I knew their names; and long before I saw anything funny in their figures being carved, on a smaller scale, under the feet of Prince Albert. I even took a certain childish pleasure in the gilding of the canopy and spire, as if in the golden palace of what was, to Peter Pan and all children, something of a fairy garden. So do the Christians of Jerusalem take pleasure, and possibly a childish pleasure, in the gilding of a better palace, besides a nobler garden, ornamented with a somewhat worthier aim. But the point is that the people of Kensington, whatever they might think about the Holy Sepulchre, do not think anything at all about the Albert Memorial. They are quite unconscious of how strange a thing it is; and that simply because they are used to it. The religious groups in Jerusalem are also accustomed to their coloured background; and they are surely none the worse if they still feel rather more of the meaning of the colours. It may be said that they retain their childish illusion about their Albert Memorial. I confess I cannot manage to regard Palestine as a place where a special curse was laid on those who can become like little children. And I never could understand why such critics who agree that the kingdom of heaven is for children, should forbid it to be the only sort of kingdom that children would really like; a kingdom with real crowns of gold or even of tinsel. But that is another question, which I shall discuss in another place; the point is for the moment that such people would be quite as much surprised at the place of tinsel in our lives as we are at its place in theirs. If we are critical of the petty things they do to glorify great things, they would find quite as much to criticise (as in Kensington Gardens) in the great things we do to glorify petty things. And if we wonder at the way in which they seem to gild the lily, they would wonder quite as much at the way we gild the weed.
G.K. Chesterton (The New Jerusalem)
What a funny girl, I thought, and then I realized something. To the three-year-old ye, and maybe even to the thirty year old eye, weeds and grass look very similar. Same color, same feeling, same texture.
Angie Smith (Mended: Pieces of a Life Made Whole)
That’s so,” said Mrs. Wiggins with a laugh, and then she said: “My land, I mustn’t get to laughing, or I’ll shake this chair to pieces. Don’t you say anything funny, Freddy.” Uncle
Walter Rollin Brooks (Freddy's Cousin Weedly (Freddy the Pig))
It’s funny how something always seems to interrupt Charles’s speeches,” said Mrs. Wiggins to Freddy.
Walter Rollin Brooks (Freddy's Cousin Weedly (Freddy the Pig))
When one gets down in these weeds it’s hard to avoid veering into the “Is Die Hard a Christmas movie?” level of perhaps unresolvable debate.
Billy Mernit (Writing the Romantic Comedy: The Art of Crafting Funny Love Stories for the Screen)
Antigone," he told the dark-haired woman, "I'd like you to meet Flavia de Luce." I knew for a fact that she was going to say, "Oh, yes, my husband has mentioned you," and she would say it with that little smirk that tells you so much about the amused conversation that had followed. "I'm so pleased to meet you, Flavia," she said, putting out the most beautiful hand in the world and giving me a good solid shake, "and to find that you share my love of marionettes." If she'd told me to "fetch" I would have done it. "I love your name," I managed. "Do you? My father was Greek and my mother Italian. She was a ballet teacher and he was a fishmonger, so I grew up dancing in the streets of Billingsgate." With her dark hair and sea green eyes, she was the image of Botticelli's Flora, whose features adorned the back of a hand mirror at Buckshaw that Father had once given to Harriet.
Alan Bradley (The Weed That Strings the Hangman's Bag (Flavia de Luce, #2))
Pumpkins are just like everything else in nature,” said Papa Bear as he and the cubs finished weeding the pumpkin patch. “No two of them are exactly alike.” “That’s for sure,” agreed Brother Bear. “Look at that funny flat one and that lumpy one over there.” Then there was The Giant, which is what Papa had named one that just seemed to be getting bigger and bigger. “Why is it that no two things are exactly alike?” asked Sister Bear. “It’s just the way nature is,” answered Papa. “Time to wash up for supper!” called Mama Bear from the tree house steps. “What about Queenie McBear’s twin brothers?” asked Sister. “They certainly look a lot alike,” said Papa. “But I’ve noticed that Mrs. McBear can tell them apart quite easily.” “In you go,” said Mama, shooing her family into the house. But Sister didn’t go right in. She stood on the stoop for a moment and looked out over Bear Country. It was well into fall, so the days were getting shorter. Halloween had come and gone. Pretty soon the Bears would start thinking about Christmas. But right now Bear Country was aglow in the setting sun. Farmer Ben’s well-kept farm looked especially fine, with its baled hay, corn shocks, and pumpkins casting long shadows. “I guess nature’s pretty amazing,” Sister said as she looked out over the beautiful scene. “It’s the most amazing thing there is,” said Mama.
Stan Berenstain (The Berenstain Bears and the Prize Pumpkin)
It occurred to her that Mikaela was being nice to her. She did not know how to react, for when your heart has been poisoned and someone picks a dandelion for you -- because it is bright and yellow and you seem like you could use something like that -- all you can do is contemplate the funny ways of weeds.
Anne Ursu (Breadcrumbs)
Monza remembered Sazine displaying the money to the new boys, all laid out in sparkling stacks. "If the walls fall, a thousand scales to the first man on the battlements, a hundred each to the next ten who follow him." "Provided they survive to collect the bounty," Cosca added. "If the task's impossible, they'll never collect, and if they do, well, you achieved the impossible for two thousand scales. It ensures a steady flow of willing bodies up the ladders, and has the added benefit of weeding the bravest men out of the company to boot." Shivers looked even more baffled. "Why would you want to do that?" "'Bravery is the dead man's virtue.'" Monza muttered. "'The wise commander never trusts it.'" "Verturio!" Cosca slapped on leg. "I do love an author who can make death funny! Brave men have their uses but they're damned unpredictable. Worrying to the herd. Dangerous to bystanders." "Not to mention potential rivals for command." "Altogether safest to cream them off," Cosca mimed the action with a careless flick of two fingers. "The moderately cowardly make infinitely better soldiers.
Joe Abercrombie (Best Served Cold)
RECIPE FOR LIFE 1. Life is a funny thing, Abby. Don't take it too seriously. 2. Spend time in the garden. Weeding cleanses your heart and soul. 3. If you need to, then sleep. If you need to cry, then cry. 4. Drink lots of water. It washes out the toxins in your body. 5. Look for the signs. They're all around you. 6. Treasure your friends. Good friends are hard to find. 7. Don't worry about what other people think. It doesn't matter. 8. Appreciate every day - even the ones that suck. 9. Always have eggs in the fridge. They're easy to cook. 10. Fall in love. It's fun
Melissa Crosby (In Three Years (Mulberry Lane #3))
In the garden of my childhood my mother grew corn and asparagus, beans, zucchini, and more, but the thing I remember most is the cherry tomatoes, bushy in their cages, the leaves slightly sticky, funny smelling. My mother wore long-sleeve shirts to weed the tomatoes. I remember her plucking them off the bush, my brother and me opening our mouths like baby birds for her to pop them in. I closed my eyes to experience the exact moment my teeth pierced the smooth skin and the tomato exploded in a burst of acid sweet, the seeds slightly bitter in their jelly pouches. The sensation was so unexpected each time it happened that my eyes flew open. And there was my mother, smiling at me. That is what I remember. My mother did not smile often. We have pictures where she is smiling, me or my brother nestled on her lap. You can tell she loves us. Her body language shows it. But mostly we knew she loved us because of how hard she worked for us. Usually elsewhere. But the garden—the garden was her project. In the little time she had not devoted to work and cleaning and trying to hold her small world together, my mother grew food. My brother and I didn't help in the garden, but we were usually playing nearby. We always wanted to be nearby when she was home. I remember her letting us crawl through the dried cornstalks after the ears had been harvested. I remember running my hands through the asparagus that had been allowed to go to seed. I remember eating plums from the old tree that lived in the corner of the yard. I remember her feeding us tomatoes fresh off the vine and still warm from the sun. When I think of those tomatoes, it is not the flavor that moves me. They were shockingly sweet and tangy, but that is not what I remember the most. It is not what I yearned for. Eating cherry tomatoes meant my mother was home; it meant she was smiling at me.
Tara Austen Weaver (Orchard House: How a Neglected Garden Taught One Family to Grow)
Babs fidgets. “Um, wanna hear something funny?” “Sure,” I say. Anything to deflect from me and Graham. “Someone just came in and asked for a book on how to turn himself invisible.” Jane squints. “No way. Was he an adult?” Babs smirks. “Oh yeah, and totally stoned. He smells like wacky weed. I told him we have a book called The Invisible Man, and I may have told him that we have an invisible section, but he’d have to find it on his own. Last I saw, he was feeling along all the walls on the second floor.
Ilsa Madden-Mills (My Darling Bride (The Darlings))
Victor jumped on Arthur and started pummeling him furiously, landing roundhouse blows to his head so fast that his arms were a blur, like the nylon strings on a Weed Whacker.
Edward Bloor (Tangerine)
The internet, with its endless streams of information and echo chambers, feeds this natural bias like super fertilizer on a weed.
Simba Mudonzvo (Clickonomics: How to Win Customers and Influence People on the Internet)
True,” he says, “but I haven’t had any luck yet tracking down the stretch of beach where thirtysomethings go to smoke weed.” “Oh, they’re all just vaping from their beds while watching HGTV.
Emily Henry (Funny Story)
that’s the funny thing bout weeds. You can pull em up by the root, burn the soil where they stood, might lie dormant for years, but they’ll always find a way.
Kim Liggett (The Grace Year)