“
The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told...
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
The girls were expected to grow up to be somebody's wife. They were also expected to read and write, those being considered soft indoor jobs that were too fiddly for the boys.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
Question: if a girl kisses another girl with
no witness, does that revelation make a sound?
”
”
Natalie Wee (Our Bodies & Other Fine Machines)
“
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
Cara’s dad is giving you a lift back. If you get home before Mum and I are back from the cinema, will you let the dog out for a wee?
”
”
Holly Jackson (Kill Joy (A Good Girl's Guide to Murder, #0.5))
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
If it came to that, the book never gave you the evidence of anything. It talked about “a handsome prince”…was he really, or was it just because he was a prince that people called him handsome? As for “a girl who was as beautiful as the day was long”…well, which day? In midwinter it hardly ever got light! The stories didn’t want you to think, they just wanted you to believe what you were told
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30))
“
You're a model? Never would have guessed," Jonah said in a lazy, teasing voice that caused Hamilton's head to swivel. He'd never seen Jonah flirt before.
The girl tilted her head. The glossy hair spilled down one bare shoulder. "Un moment...you look familiar."
Jonah grinned. "Yeah?"
"'Ave we met? Are you an 'airdresser?"
"A hairdresser?" Jonah choked out.
"Guys, we'd better get going," Hamilton said.
"The name is Jonah," Jonah said, pronuncing his name carefully. He waited for a sign of recognition.
"Nicole."
"Jonah Wizard."
Nicole squinted at him. "You are a wee-zhard? Like the Harry Potter, non?"
"I'm Hamilton," Hamilton said, even though nobody asked.
”
”
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
“
She was a spill of sunshine in the shape of a girl
”
”
Alyssa Wees (The Waking Forest)
“
It was just a coat, I know, but I held onto it for so long. I’m not even sure why I kept it. It was with me every day. It kept me warm and dry, and billowed behind me as I rode my bike across the lot in the wee hours of the night. I can’t help feeling a little sad it’s gone. [But], the coat has served its purpose. The sun is blazing, and I don’t need it to keep me warm anymore. Rather than mourn the loss of my jacket, I will be thankful for the time we had together. I thank it for all it did for me, and then I let it go.
”
”
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
“
A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven. Tiffany had worried about that after all that trouble with Mrs. Snapperly. Stories like this stopped people thinking properly, she was sure. She’d read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people’s houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can’t tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family. The stories weren’t real.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
The one that sang, old Janine, was always whispering into the g***** microphone before she sang. She'd say, 'And now we like to geeve you our impression of Vooly Voo Fransay. Eet ees the story of leetle Fransh girl who comes to a beeg ceety, just like New York, and falls een love wees a leetle boy from Brookleen. We hope you like eet.' Then, when she was all done whispering and being cute as hell, she'd sing some dopey song, half in English and half in French, and drive all the phonies in the place mad with joy.
”
”
J.D. Salinger (The Catcher in the Rye)
“
You’re not powerful enough to do anything like that,” said Tiffany. “You know, you are right,” said the Queen. “That kind of physical magic is, indeed, very hard. But I can make you think I’ve done the most . . . terrible things. And that, little girl, is all I need to do. Would you like to beg for mercy now? You may not be able to later.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30))
“
One thing this night taught her beyond all doubt - all males were lunkheads, all of them. She recognized that protect the poor helpless girl and don’t worry her little wee head tone. “I’m not stupid. I’m not going to run into a situation I have no business being in to show no one can boss me around. I’m not a warrior and tonight made that clear in large neon signage. But I deserve to know about events that concern me and help make the decisions on how to handle them.
”
”
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
“
Uh-oh," Moni sang, and nodded her head in Chantal's direction. "I think someone's a wee bit upset with us." She turned and walked a few steps backward.
"Careful," I said. "We're not out of range."
"Have no fear, Super Brain is here." Moni whipped out her calculator, holding it up like a shield.
"What are you going to do, daze her with denominators?"
"Maybe. But first I'm going to pummel her with my Pythagorean theorem.
”
”
Charity Tahmaseb (The Geek Girl's Guide to Cheerleading)
“
Weetzie and My Secret Agent Lover Man and Dirk and Duck and Cherokee and Witch Baby and Slinkster Dog and Go-Go Girl and the puppies Pee Wee, Wee Wee, Teenie Wee, Tiki Tee, and Tee Pee were driving down Hollywood Boulevard on their way to the Tick Tock Tea Room for turkey platters.
”
”
Francesca Lia Block
“
Hello, little girl,” he said, which was only his first big mistake. “I’m sure you want to know all about hedgehogs, eh?” “I did this one last summer,” said Tiffany. The man looked closer, and his grin faded. “Oh, yes,” he said. “I remember. You asked all those…little questions.” “I would like a question answered today,” said Tiffany. “Provided it’s not the one about how you get baby hedgehogs,” said the man. “No,” said Tiffany patiently. “It’s about zoology.” “Zoology, eh? That’s a big word, isn’t it.” “No, actually it isn’t,” said Tiffany. “Patronizing is a big word. Zoology is really quite short.” The teacher’s eyes narrowed further. Children like Tiffany were bad news.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30))
“
You’re not a tagalong,” she says. “You’re a we-girl.” “Like a wee lass?” I ask. “No, like, We love that restaurant
”
”
Emily Henry (Funny Story)
“
Is that a dolly ye’ve got, Shuggie?” The boy was using his name like he had known him a long while. Without waiting for an answer he added, “Are ye a wee girl?” He stepped into the long grass, flattening it as he came. Shuggie shook his head again. “If ye’re no’ a wee girl then ye must be a wee poof.” He tightened his smile. His voice was low and sweet, like he was talking to a puppy. “Ye’re no’ a wee poof, are ye?
”
”
Douglas Stuart (Shuggie Bain)
“
what I’m saying to you is, if you’re going to have a woman in the house, you want one that fills a bit of space. It’s no good having some skin-and-bones scrap of a girl with a mousy wee voice on her and not a word out of her from one day to the next. You wouldn’t be getting your money’s worth. When you walk into the house, you want to be seeing your woman, and hearing her. You need to know she’s there, or what’s the point in having her at all?
”
”
Tana French (The Searcher)
“
Hate and anger were what had kept him alive. He had fed on them for so long, they were the only emotions he recognized, the only ones he still knew how to feel.
And yet, right now, surrounded by the warmth of the three precious girls who were using him as a pillow, hate seemed very far away, crowded out by things unknown and yet familiar, impossible things. Love. A feeling of belonging. A sense of peace.
He closed his eyes. It was all an illusion. He didn't belong anywhere. He didn't know what love was anymore. And peace . . . Christ, what was that? So Conor sat listening to the rain and stealing a few moments of trust and affection he did not deserve from three wee girls who were not his. And he reminded himself at least twice that night that he was not a family man.
”
”
Laura Lee Guhrke (Conor's Way)
“
What I'm saying to you is, if you're going to have a woman in the house, you want one that fills a bit of space. It's no good having some skin-and-bones scrap fo a girl with a mousy wee voice on her and not a word out of her from one day to the next. You wouldn't be getting your money's worth. When you walk in the house, you want to be seeing your woman, and hearing her. You need to know she's there, or what's the point in having her at all?
”
”
Tana French (The Searcher)
“
And exactly how old are you, MacRieve?”
“Twelve hundred, give or take.”
She glanced back at him, as though gauging if he was jesting. When he raised his brows, she said, “Great Hekate, you’re a relic. Don’t you have a museum exhibit to be in somewhere?”
He ignored her comments. “Another mystery—I dinna find a razor in your bag, but your legs and under your arms are smooth.”
“I was lasered,” she said, then added, “I can hear your frown, Father Time,” surprising him because he was.
She didn’t explain more, but he didn’t miss a beat. “Makes a man recall where else you’re so well groomed.” She shivered from a mere murmur in her ear. “I’m lookin’ forward tae touchin’ you there again.”
“Ha! Why would you think that I would ever let you?”
“I happen to ken that you’re a lusty one. And I’ve taken away your wee alternative. Tossed it into a river.” As she gasped, he said, “Took me a minute to figure out what it was—a minute more to believe you actually had it. Then imagining you using it? Had me in such a state, I could scarcely run without tripping over my own feet.”
“You’re trying to embarrass me again. Give it up. I’m not going to be ashamed because I’m like every other girl my age.”
“I doona want you to be ashamed—never in matters like that. And I ken you’re to turn immortal soon, know the need must be overwhelming. In fact, most females get confused by all their new lustiness,” he said. “Best to have a firm hand to guide them into immortal sex.”
“And I’ll just bet that you’re happy to volunteer.”
Making his tone aggrieved, he sighed, “If I must . . .
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
Girls, I was dead and down
in the Underworld, a shade,
a shadow of my former self, nowhen.
It was a place where language stopped,
a black full stop, a black hole
Where the words had to come to an end.
And end they did there,
last words,
famous or not.
It suited me down to the ground.
So imagine me there,
unavailable,
out of this world,
then picture my face in that place
of Eternal Repose,
in the one place you’d think a girl would be safe
from the kind of a man
who follows her round
writing poems,
hovers about
while she reads them,
calls her His Muse,
and once sulked for a night and a day
because she remarked on his weakness for abstract nouns.
Just picture my face
when I heard -
Ye Gods -
a familiar knock-knock at Death’s door.
Him.
Big O.
Larger than life.
With his lyre
and a poem to pitch, with me as the prize.
Things were different back then.
For the men, verse-wise,
Big O was the boy. Legendary.
The blurb on the back of his books claimed
that animals,
aardvark to zebra,
flocked to his side when he sang,
fish leapt in their shoals
at the sound of his voice,
even the mute, sullen stones at his feet
wept wee, silver tears.
Bollocks. (I’d done all the typing myself,
I should know.)
And given my time all over again,
rest assured that I’d rather speak for myself
than be Dearest, Beloved, Dark Lady, White Goddess etc., etc.
In fact girls, I’d rather be dead.
But the Gods are like publishers,
usually male,
and what you doubtless know of my tale
is the deal.
Orpheus strutted his stuff.
The bloodless ghosts were in tears.
Sisyphus sat on his rock for the first time in years.
Tantalus was permitted a couple of beers.
The woman in question could scarcely believe her ears.
Like it or not,
I must follow him back to our life -
Eurydice, Orpheus’ wife -
to be trapped in his images, metaphors, similes,
octaves and sextets, quatrains and couplets,
elegies, limericks, villanelles,
histories, myths…
He’d been told that he mustn’t look back
or turn round,
but walk steadily upwards,
myself right behind him,
out of the Underworld
into the upper air that for me was the past.
He’d been warned
that one look would lose me
for ever and ever.
So we walked, we walked.
Nobody talked.
Girls, forget what you’ve read.
It happened like this -
I did everything in my power
to make him look back.
What did I have to do, I said,
to make him see we were through?
I was dead. Deceased.
I was Resting in Peace. Passé. Late.
Past my sell-by date…
I stretched out my hand
to touch him once
on the back of the neck.
Please let me stay.
But already the light had saddened from purple to grey.
It was an uphill schlep
from death to life
and with every step
I willed him to turn.
I was thinking of filching the poem
out of his cloak,
when inspiration finally struck.
I stopped, thrilled.
He was a yard in front.
My voice shook when I spoke -
Orpheus, your poem’s a masterpiece.
I’d love to hear it again…
He was smiling modestly,
when he turned,
when he turned and he looked at me.
What else?
I noticed he hadn’t shaved.
I waved once and was gone.
The dead are so talented.
The living walk by the edge of a vast lake
near, the wise, drowned silence of the dead.
”
”
Carol Ann Duffy (The World's Wife)
“
build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the
”
”
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
“
Ah yes, the people concerned. That is very important. You remember, perhaps, who they were?’
Depleach considered.
‘Let me see-it’s a long time ago. There were only five people who were really in it, so to speak-I’m not counting the servants-a couple of faithful old things, scared-looking creatures-they didn’t know anything about anything. No one could suspect them.’
‘There are five people, you say. Tell me about them.’
‘Well, there was Philip Blake. He was Crale’s greatest friend-had known him all his life. He was staying in the house at the time.He’s alive. I see him now and again on the links. Lives at St George’s Hill. Stockbroker. Plays the markets and gets away with it. Successful man, running to fat a bit.’
‘Yes. And who next?’
‘Then there was Blake’s elder brother. Country squire-stay at home sort of chap.’
A jingle ran through Poirot’s head. He repressed it. He mustnot always be thinking of nursery rhymes. It seemed an obsession with him lately. And yet the jingle persisted.
‘This little pig went to market, this little pig stayed at home…’
He murmured:
‘He stayed at home-yes?’
‘He’s the fellow I was telling you about-messed about with drugs-and herbs-bit of a chemist. His hobby. What was his name now? Literary sort of name-I’ve got it. Meredith. Meredith Blake. Don’t know whether he’s alive or not.’
‘And who next?’
‘Next? Well, there’s the cause of all the trouble. The girl in the case. Elsa Greer.’
‘This little pig ate roast beef,’ murmured Poirot.
Depleach stared at him.
‘They’ve fed her meat all right,’ he said. ‘She’s been a go-getter. She’s had three husbands since then. In and out of the divorce court as easy as you please. And every time she makes a change, it’s for the better. Lady Dittisham-that’s who she is now. Open anyTatler and you’re sure to find her.’
‘And the other two?’
‘There was the governess woman. I don’t remember her name. Nice capable woman. Thompson-Jones-something like that. And there was the child. Caroline Crale’s half-sister. She must have been about fifteen. She’s made rather a name for herself. Digs up things and goes trekking to the back of beyond. Warren-that’s her name. Angela Warren. Rather an alarming young woman nowadays. I met her the other day.’
‘She is not, then, the little pig who cried Wee Wee Wee…?’
Sir Montague Depleach looked at him rather oddly. He said drily:
‘She’s had something to cry Wee-Wee about in her life! She’s disfigured, you know. Got a bad scar down one side of her face. She-Oh well, you’ll hear all about it, I dare say.’
Poirot stood up. He said:
‘I thank you. You have been very kind. If Mrs Crale didnot kill her husband-’
Depleach interrupted him:
‘But she did, old boy, she did. Take my word for it.’
Poirot continued without taking any notice of the interruption.
‘Then it seems logical to suppose that one of these five people must have done so.’
‘One of themcould have done it, I suppose,’ said Depleach, doubtfully. ‘But I don’t see why any of themshould. No reason at all! In fact, I’m quite sure none of themdid do it. Do get this bee out of your bonnet, old boy!’
But Hercule Poirot only smiled and shook his head.
”
”
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
“
When Bill was a fluffy white blob, the lassie rose and started to dry her thick hair, darkened to milky coffee with rain. Lyle struggled not to notice how the brisk movement of her arms jiggled her generous bosom against her thin blouse. He had a liking for small, curvy women. Or at least he did now. After draping his wet, crumpled towel over another chair, Lyle straightened and stared at his adorably disheveled companion. “Shouldn’t we introduce ourselves?” She lowered the towel from her hair and regarded him with unreadable eyes. To his complete amazement, she dropped into a curtsy. “My name is Flora, sir. I’m a housemaid here.” With difficulty, he stifled a scoffing laugh. His intelligence mustn’t have impressed her. That lie wouldn’t convince the county’s greatest blockhead. Not least because she spoke with a clipped upper-class accent and her hands, while undoubtedly competent, were as smooth and unblemished as any lady’s. “Flora…” he said in a thoughtful voice, studying the wee besom and trying to make sense of this latest twist in their interactions. “Yes, sir,” she said, dropping her gaze with unconvincing humility. What the devil was she playing at, Sir John Warren’s beautiful only child? She’d kept him guessing from the first, which promised interesting times to come. Last week in his London club, her father had offered this girl to Lyle as his bride. Intrigued and faintly annoyed that she judged him daft enough to swallow this twaddle, Lyle decided to allow her enough rope to hang herself. Plastering an ingenuous smile on his face, he stepped closer. “I’m delighted to meet you, Miss Flora. My name is Smith. Ebenezer Smith.
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop.
Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there.
Ahab turned.
"Starbuck!"
"Sir."
"Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
The girl is nine and narrow-faced like a sleek hunting dog. Electra, the eldest of Sevro’s three daughters, is taller than my son and twice as thin. But while Pax radiates an inner joy that makes adults’ eyes twinkle, there’s a deep grimness to the girl. Her eyes are dusky gold and hidden behind heavy lids. Sometimes when they look at me, I feel them judging with an aloofness that reminds me of her mother. Sevro leans forward eagerly. “I’ll wager Aja’s razor against Apollonius’s helm that my wee monster beats the piss out of your boy.” “I’m not going to bet on our children,” I whisper in indignation. “I’ll throw Aja’s Institute ring in as well.” “Have some decency, Sevro. They’re our children.” “And Octavia’s cape.” “I want the Falthe Ivory Tree.” Sevro gasps. “I love the Ivory Tree. Where else will I hang my trophies?” I shrug. “No Ivory Tree, no bet.” “Bloodydamn savage,” he says, sticking out a hand to shake. “You have a deal.
”
”
Pierce Brown (Iron Gold (Red Rising Saga, #4))
“
Though fully armed and uniformed, the row of Highlanders was relaxed; imposing, to be sure, but no longer threatening. Small boys—and not a few wee girls—scampered to and fro among them, impudently flicking the hems of the soldiers’ kilts or dashing in, greatly daring, to touch the gleaming muskets, dangling canteens, and the hilts of dirks and swords.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
Hey, we’ll let Huckleberry enjoy his lunch. Speaking of something, if you are in a better mood now, come with me to the Rainforest Room. I have something to show you. I wanted to wait until you calmed down because it means a lot to me, and I hoped you might be happy for me. Here, come with me.”
He led her back to the previous room, which had amazing, rare rainforest plants in it.
“Check this out!”
He tossed her a magazine that said Horticultural Digest on the cover. Holly neatly caught it and opened it up to the dog-eared page.
Blaring across the page in huge font was the title: WILLIAM SMITH, THE RAINMAKER OF SHELLESBY COLLEGE’S FAMOUS RAINFOREST ROOM. It was a five-page spread with big glossy photos of the Rainforest Room sprinkled throughout the article.
“Five, count ‘em, five pages! That’s my record. Until now, they’ve only given me four. Check it out: I’m the Rainmaker, baby! Let it rain, let it rainnnn!”
William stomped around in make-believe puddles on the floor. He picked up a garden hose lying along the side of the room and held it upright like an umbrella.
“I’m singing in the rain, just singing in the rain. What a glorious feeling. I’m happy again.”
Holly squealed with laughter and applauded.
William jumped up on a large over-turned pot and shifted the hose to now play air guitar while he repeated the verse.
“William, there is no air guitar in that song!”
“There is now, baby!”
Holly exploded again in laughter, clutching her sides.
After a few more seconds of air guitar, William jumped off the pot and lowered his voice considerably.
“Thank you, thank you very much,” William said in his Elvis impersonation.
He now held the garden hose like a microphone and said, “My next song is dedicated to my beagle, my very own hound dog, my Sweetpea. Sweetpea, girl, this is for youuuuuuu.”
He now launched into Elvis’s famous “Hound Dog.”
“You ain’t nothing but a hound dogggg.” With this, he also twirled the hose by holding it tight two feet from the nozzle, then twirling the nozzle in little circles above his head like a lasso.
“Work it, William! Work it!” Holly screamed in laughter.
He did some choice hip swivels as he sang “Hound Dog,” sending Holly into peals of laughter.
“William, stop! Stop! Where are you? I can’t see I’m crying so hard!”
William dropped his voice even lower and more dramatically.
In his best Elvis voice, he said, “Well, if you can’t find me darlin’, I’ll find you.” He dropped on one knee and gently picked up her hand.
“Thank you, thank you very much,” he said in Elvis mode.
“My next song, I dedicate to my one and only, to my Holly-Dolly. Little prickly pear, this one’s for youuuuuu.”
He now launched into Elvis’s famous “I Can’t Help Falling in Love with You.”
“Take my hand, take my whole life, too, for I can’t help falling in love with you.” With that, he gave her hand a soft kiss.
He then jumped up onto an empty potting table and spun around once on his butt, then pushed himself the length of the entire table, and slid off the far end.
“Loose, footloose!” William picked up his garden-hose microphone again and kept singing. “Kick off the Sunday shoes . . .”
He sang the entire song, and then Holly exploded in appreciative applause.
He was breathing heavily and had a million-dollar smile on his face.
“Hoo-wee, that was fun! I am so sweaty now, hoo-boy!”
He splashed some water on his face, and then shook his hair.
“William! When are you going to enter that karaoke contest at the coffee shop in town? They’re paying $1,000 to the winner of their contest. No one can beat you! That was unbelievable!”
“That was fun.” William laughed. “Are in a better mood now?”
“How can I not be? You are THE best!
”
”
Kira Seamon (Dead Cereus)
“
There once was a wee little chap Trying his Lore on a beer bottle cap. The girl could conjure a flash. His friend could zap men to ash, But the little one’s attempts were all— “Bewlah!” the captain bellowed. “Be nice.
”
”
Amanda Foody (The Weeping Tide (Wilderlore, #2))
“
When Huy was young, his classmates called him "wee wee” because of an unfortunate linguistic coincidence that shaped the part of him that constructs identity beneath a title. When he dwelled on the identity that his name began constructing for him in childhood, a loud American Schoolyard memory of boys and girls yelling "wee wee" at him was dominant, within a mental file full of similar confusion that came back to him as obnoxious, repetitive shaming.
”
”
Ani Baker (Handsome Vanilla)
“
I don’t want to hear your chirping wee voices or see your precious fucking faces. Do you understand?
”
”
C.M. Nascosta (Parties (Girls Weekend, #2))
“
Every one wanted to be her, to be ex-maybe-boyfriend's amazing championship mother, so they dispensed with the father, either pairing off themselves as two supremely costumed waltzing women, or else just pretending to have a male prop dancing partner, "for that way," explained wee sisters, "you get to dress up and be her every time." This explained the colour - for there had been an explosion of colour - plus fabric, accessories, make-up, feathers, plumes, tiaras, beads, sparkles, tassels, lace, ribbons, ruffles, layered petticoats, lipsticks, eyeshadows, even fur - I had glimpsed fringed fur - high heels too, which belonged to the little girls' big sisters and which didn't fit which was why periodically the little girls fell over, sustaining injuries. "But the thing is," reiterated wee sisters, "and you don't seem to be overjoyed by this, middle sister, you get to be her every time!
”
”
Anna Burns (Milkman)
“
You’re not a tagalong,” she says. “You’re a we-girl.” “Like a wee lass?” I ask. “No, like, We love that restaurant. We always vacation there. We don’t really like scary movies. A woman who’s more comfortable being a part of a whole, who never goes anywhere without a partner.
”
”
Emily Henry (Funny Story)
“
I would have never taken you for a coward, Mr. Mulberry, but honestly, do you really believe carting out your wards is going to convince me to agree to whatever madness has you seeking me out so late at night?” Everett smiled almost as brightly as the children. “Now, now, Miss Longfellow, there’s no cause to call me a coward. Smart like a fox, perhaps, but—” “You shouldn’t antagonize her, Everett,” Lucetta suddenly said, interrupting Everett’s speech before she turned to Millie. “And you shouldn’t be surprised he brought the children with him, considering everyone knows you have a distinct weakness for the wee ones. However, before the conversation moves forward, I really am going to have to insist that the two of you drop all of this Miss and Mister nonsense. We have a common friend in Oliver Addleshaw. Which means, like it or not, we’re now friends of a sort. And because of that, there’s really no reason for such formality.” “There is if he’s here to ask me to work for him.” “Of course he’s here to ask you to work for him,” Lucetta said. “But that has absolutely nothing to do with calling him by his given name.” Millie opened her mouth, but before she could respond, something that looked remarkably like mud began seeping through the paper wrapped around the flowers she was holding. Moving to the closest table, she unwrapped the paper before setting her sights on Everett again. “Did you pull these flowers right out of the ground, Mr. Mulberry?” Everett smiled. “Please, call me Everett since Lucetta was kind enough to point out we’re friends, and of course I didn’t pull those right out of the ground.” Millie held up the flowers, exposing the roots still clinging to dirt. “You would have me believe you purchased these from a flower shop?” “It’s after ten. There are no flower shops open, but if you must know, I had Rosetta pluck those out of the ground for you.” A little girl of about five raised an incredibly dirty hand and waved at her right as Everett cleared his throat, drawing Millie’s attention. “I think you should view it as a mark in my favor that I remembered the flowers, especially since, again, I’m a little sensitive to them, but . . . you were quite vocal about what it would take to get you to work for me.” He sent her a far-too-charming smile. Ignoring the charm, Millie lifted her chin. “You might as well tell me what disaster struck your household now.” Everett shot a glance to the children and seemed to shudder. “Why would you assume something disastrous happened?” Setting the flowers, roots and all, aside, Millie crossed her arms over her chest. “Don’t insult my intelligence, Everett. You wouldn’t be bringing me flowers or children if something of a disastrous nature hadn’t occurred.” “The children are adorable, aren’t they?” “Of course they’re adorable, dear, which I’m sure you were hoping to use to your advantage,” Abigail said as she arrived in the drawing room, pushing a cart that seemed to be heavy with treats.
”
”
Jen Turano (In Good Company (A Class of Their Own Book #2))
“
What You Pray Toward
“The orgasm has replaced the cross as the focus of longing and the image of fulfillment.”
—Malcolm Muggeridge, 1966
I.
Hubbie 1 used to get wholly pissed when I made
myself come. I’m right here!, he’d sputter, blood
popping to the surface of his fuzzed cheeks,
goddamn it, I’m right here! By that time, I was
in no mood to discuss the myriad merits of my
pointer, or to jam the brakes on the express train
slicing through my blood, It was easier to suffer
the practiced professorial huff, the hissed invectives
and the cold old shoulder, liver-dotted, quaking
with rage. Shall we pause to bless professors and
codgers and their bellowed, unquestioned ownership
of things? I was sneaking time with my own body.
I know I signed something over, but it wasn’t that.
II.
No matter how I angle this history, it’s weird,
so let’s just say Bringing Up Baby was on the telly
and suddenly my lips pressing against
the couch cushions felt spectacular and I thought
wow this is strange, what the hell, I’m 30 years old,
am I dying down there is this the feel, does the cunt
go to heaven first, ooh, snapped river, ooh shimmy
I had never had it never knew, oh i clamored and
lurched beneath my little succession of boys I cried
writhed hissed, ooh wee, suffered their flat lapping
and machine-gun diddling their insistent c’mon girl
c’mon until I memorized the blueprint for drawing
blood from their shoulders, until there was nothing
left but the self-satisfied liquidy snore of he who has
rocked she, he who has made she weep with script.
But this, oh Cary, gee Katherine, hallelujah Baby,
the fur do fly, all gush and kaboom on the wind.
III.
Don’t hate me because I am multiple, hurtling.
As long as there is still skin on the pad of my finger,
as long as I’m awake, as long as my (new) husband’s
mouth holds out, I am the spinner, the unbridled,
the bellowing freak. When I have emptied him,
he leans back, coos, edges me along, keeps wondering
count. He falls to his knees in front of it, marvels
at my yelps and carousing spine, stares unflinching
as I bleed spittle unto the pillows.
He has married a witness.
My body bucks, slave to its selfish engine,
and love is the dim miracle of these little deaths,
fracturing, speeding for the surface.
IV.
We know the record. As it taunts us, we have giggled,
considered stopwatches, little laboratories. Somewhere
beneath the suffering clean, swathed in eyes and silver,
she came 134 times in one hour. I imagine wires holding
her tight, her throat a rattling window. Searching scrubbed
places for her name, I find only reams of numbers. I ask
the quietest of them:
V.
Are we God?
”
”
Patricia Smith (Teahouse of the Almighty)
“
The vamp-mobile had vanished at some point during the wee hours, replaced by a huge pickup truck I could only assume belonged to a werewolf. Or a Republican from north Louisiana—hard to tell the difference.
”
”
Cecily White (Prophecy Girl (Angel Academy))
“
But I reckon yon Wintersmith wants to romance the big wee hag and she disna ken what tae do aboot it.” “So it is like how babbies are made?” said Daft Wullie. “No, ’cuz even beasties know that but only people know aboot Romancin’,” said Rob. “When a bull coo meets a lady coo, he disna have tae say, ‘My heart goes bang-bang-bang when I see your wee face,’ ’cuz it’s kinda built intae their heads. People have it more difficult. Romancin’ is verra important, ye ken. Basically it’s a way the boy can get close to the girl wi’oot her attackin’ him and scratchin’ his eyes oot.
”
”
Terry Pratchett (Wintersmith (Discworld, #35))
“
No one in his family could remember talking about it. Must have been dreadful, they agreed. And, being Walkers, and Bushes, they didn't bring it up.
It was only years later, when he got into politics and had to learn to retail bits of his life, that he ever tried to put words around the war.
His first attempts, in the sixties, were mostly about the cahm-rah-deree and the spirit of the American Fighting Man. The Vietnam War was an issue then, and Bush was for it. (Most people in Texas were.) He said he learned "a lot about life" from his years in the Navy—but he never said what the lessons were.
Later, when peace was in vogue, Bush said the war had "sobered" him with a grave understanding of the cost of conflict—he'd seen his buddies die. The voters could count on him not to send their sons to war, because he knew what it was.
Still later, when he turned Presidential prospect, and every bit of his life had to be melted down to the coin of the realm–character–Bush had to essay more thoughts about the war, what it meant to him, how it shaped his soul. But he made an awful hash of it, trying to be jaunty. He told the story of being shot down. Then he added: "Lemme tell ya, that'll make you start to think about the separation of church and state .
Finally, in a much-edited transcript of an interview with a minister whom he hired as liaison to the born-again crowd, Bush worked out a statement on faith and the war: something sound, to cover the bases. It wasn't foxhole Christianity, and he couldn't say he saw Jesus on the water—no, it was quieter than that.... But there, on the Finback, he spent his time standing watch on deck in the wee hours, silent, reflective, under the bright stars...
"It was wonderful and energizing, a time to talk to God.
"One of the things I realized out there all alone was how much family meant to me. Having faced death and been given another chance to live, I could see just how important those values and principles were that my parents had instilled in me, and of course how much I loved Barbara, the girl I knew I would marry…”
That was not quite how he was recalled by the men of the Finback. Oh, they liked him: a real funny guy. And they gave him another nickname, Ellie. That was short for Elephant. What they recollected was Bush in the wardroom, tossing his head and emitting on command the roaring trumpeted squeal of the enraged pachyderm; it was the most uncanny imitation of an elephant.
Nor were "sobered" or "reflective" words that leapt to Bar's mind when she remembered George at that time. The image she recalled was from their honeymoon, when she and George strolled the promenades, amid the elderly retirees who wintered at that Sea Island resort. All at once, George would scream "AIR RAID! AIR RAID!" and dive into the shrubs, while Bar stood alone and blushing on the path, prey to the pitying glances of the geezers who clucked about "that poor shell-shocked young man."
But there was, once, a time when he talked about the war, at night, at home, to one friend, between campaigns, when he didn't have to cover any bases at all.
"You know," he said, "it was the first time in my life I was ever scared.
"And then, when they came and pulled me out ..." (Him, Dottie Bush's son, out of a million miles of empty ocean!)
"Well." Bush trailed off, pleasantly, just shaking his head.
”
”
Richard Ben Cramer (What It Takes: The Way to the White House)
“
Not much in this world scares that girl, but horses can have her acting like a wee kinner, experiencing their first thunderstorm.” Startled by the sudden turn in the conversation, it took Reuben a moment to comprehend what David had just told him. Knowing that there was no way that he had come out here with just the intention to inform him of one of his dochder’s phobias, Reuben tilted his head and asked, “And?” “She used to love horses, you know.” A hint of sadness appeared in those watery eyes. Placing a gnarled hand on his hip, David bowed his head slightly. “When she was younger, they were a passion of hers. She’d be out in the barn or out in the fields, but alas, nee more.” “Used to?” A finger of dread ran down the length of Reuben’s spine. He did know of Nancy King, there weren’t many people in the District who didn’t, at least, know
”
”
Sarah Miller (15 Tales of Amish Love and Grace: Amish Romance 15 Book Box Set (Amish Romance Collections and Anthologies))
“
She grinned impishly. “A girl takes a set early; she likes fellows, so how could she possibly like girls? Of course everyone on God’s earth is born bisexual. You take a baby and tickle between its legs, and it couldn’t care less whether the tickling is being done by a guy or a gal. All that a wee child knows is that it damn well feels good.
”
”
Lawrence Block (Sex and the Stewardess)
“
This is who I was for my children. I told them to go. I told them to leave me. I said their dad had gone a wee bit mad but he had decided to do this and there was no going back. Jess shrank in her chair. I squeezed her hand. Come on. It'll be find. Don't be scared. It's just change. We're strong women, aren't we? I looked at them. They looked blankly back. They weren't women. They were tiny little girls. But I made them say that we were strong women. And I told them that I didn't want this. I didn't want to be away from them for a second but sometimes you have to fit into life, or waste a lot of time and energy wishin it would fit in with you.
”
”
Denise Mina (Conviction (Anna and Fin, #1))
“
So, what are your thoughts about this symbol, Kate?" he asked mildly.
"Well, you see, the picture jarred my memory. Actually, I can't believe that I forgot---but, then again, I was just a wee thing at the time."
"Forgot about what?" he asked impatiently.
"My mother's book!"
He eyed her warily, recalling at once the book he had seen the Count DuMarin's veiled daughter, Lady Gabrielle, holding tightly to her chest on the night she had been handed over into the watchful care of Captain Fox.
Rohan had assumed it was a Bible.
"My mother brought a book with her from France containing this same symbol!" Kate explained. "It was a big thick tome, with all kinds of strange symbols and diagrams and writings. It had little maps and puzzles of different sorts figure out. Back when I was a little girl on my father's ship, my parents were constantly poring over it."
He frowned.
"Rohan, it was all about Valerian the Alchemist!" she exclaimed. "I don't know if the book was by him or simply written about him, but it contained clues to the secret location of his tomb. They were on a treasure hunt!"
He narrowed his eyes. The Alchemist's Tomb? But it had passed into legend long ago.
"Alchemy---you know!" Kate was saying excitedly. "Changing base metals into gold? There was supposed to be a horde of hidden treasure buried with him.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
So what if it’s Achilles’ mother who can have a son that’s greater than its father? What if it’s Io, too? What if it’s any girl, every girl? Any woman? Every woman, Anna. Sure and can’t any son be greater than his father? Isn’t that what it’s all about, what makes us all go on? Ye can’t look at the sheer bloody-minded defiance of a wee babe screaming its lungs out at the terrible injustice of the world and not have hope. Every generation of us, all born kicking up a racket, revels every one of us. So who’s the son— the child— that’s greater than its father? I’ll tell ye who it is, Anna.
Humanity.
”
”
Hal Duncan (Vellum (The Book of All Hours, #1))
“
Povera Kendra!” Elisa says, and then switches into English. “Poor Kendra! She must be very sad today. It is very much a shame. She feels stupid, yes? Molto sciocca. Of course, she knows that she is not the first girl. Luigi, he has another stupid foreign girl two years ago. She cries a lot too when she finds out that he has a wife--”
Paige stands up, shoving her chair back with a scrape along the floor.
“I’m not staying here to listen to this,” she says. “I’ve got better things to do. Like going to pee.”
“Yes,” I agree, standing up too. “I think I might go for a wee too. Good idea, Paige.”
Elisa isn’t as disconcerted by our deliberate vulgarity as we hoped. She’s homed in on the weak link in our chain, and now she leans in to focus on Kelly, whose face is still damp.
“And you, Kellee?” she asks sweetly. “What will you do--cry some more?”
“Shut up,” I snap, as Kelly does indeed heave a sob at this. But I’m eclipsed by Paige, who loathes Elisa at least as much as I do, and clearly needs a truly satisfactory outlet for her fury at what’s happened to Kendra.
“You,” she says to Elisa, rounding the table with the whirling-dervish fury of a tornado in wedge heels, “you stay away from us, you hear? All of us. I’ve totally had it with you sticking your nose in the air and thinking you’re better than us just because you’re practically anorexic! You’re only dating Luca--if you even are--because Violet turned him down! If you say a word to any of us that isn’t just hello or goodbye or pass the salt at dinner, so help me, I’ll haul off and smash your skinny ass through the nearest window, don’t think I won’t! Right in front of your mama, too!”
I think I’m sort of in love with Paige at that moment. Of course, if you asked me, I would totally say that violence is wrong and people shouldn’t menace other people, and that I’d be very sorry to see Elisa go flying through a french window.
”
”
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
“
she has her audience in raptures. All the corridor girls are going too, we all managed to get time off and we’re really looking forward to it. And…Tina’s decided if she gets the contract, to put midwifery on hold, but continue nursing part time, and of course she’s getting married next year, so it’s all happening for our wee gastric orgasm.” They were laughing when the Domestic came in and told Susan Miss Stewart was in the ward. “I’ve just been speaking to Doctor Williams” Miss Stewart said with a smile “everything okay?” “Oooh yes, everything is just magical.
”
”
D.D. BRODIE (LETTERS OF A BROKEN LIFE)
“
I'll play with you later, okay, Em?" Michael said.
"But I have a shirt. And you said..."
Michael looked at Joe. "Maybe we could put her in the field. With Weasel. Just for a couple of outs?"
"Have you ever seen a girl play?" Joe said. "They can't catch. They scream when they see a fly ball coming. And they can't throw. They've got arms like chicken wings." Joe flapped his elbows and squawked.
Emma stared at her sneakers.
"She's not that bad," Michael said.
"And they're bad luck," Joe said. "Everybody knows that. I'm not playing on any team with some dumb girl. And it's my bat, remember? So beat it, Pee-wee!" He shouldered the equipment bag and turned away.
"I guess you'd better go home," Michael said.
Emma went slowly back up the walk to the house.
It wasn't fair. She knew she threw better than a chicken. She threw almost as well as Joe and a lot better than Weasel Malloy.
Why hadn't Michael told Joe that? He should have made Joe let her play. He'd promised. He should have stood up for her.
She kicked a stone into the flower bed. Then she sat down on the front steps with her chin in her hands. She wished the sun would stop shining. She wished a big black thundercloud would zap right over the Bombers' heads and rain their stupid ball game out.
”
”
Alison Cragin Herzig (The Boonsville Bombers)
“
Ed has a frizzy ginger mullet and wee round specs. Slick. Ginger isnae the problem (all the hottest girls are redheads), it’s not even the frizz; it’s the tone, a pissy-orange color, and it’s waist-length and—a mullet.
”
”
Jenni Fagan (The Panopticon)