Wedding Season Quotes

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Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.
Joss Whedon
There was no normal. There never had been. "Normal" and "natural" were the biggest lies we'd ever created.
Samantha Shannon (The Bone Season (The Bone Season, #1))
Is not this a true autumn day? Just the still melancholy that I love - that makes life and nature harmonise. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one's very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns." [Letter to Miss Lewis, Oct. 1, 1841]
George Eliot (George Eliot’s Life, as Related in her Letters and Journals (Cambridge Library Collection - Literary Studies))
Forgetting it is important. We do it on purpose. It means we get a bit of a rest. Are you listening? We have to forget. Or we’d never sleep ever again.
Ali Smith (Autumn (Seasonal, #1))
Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw— actually saw— a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
If we lived in a State where virtue was profitable, common sense would make us good, and greed would make us saintly. And we'd live like animals or angels in the happy land that /needs/ no heroes. But since in fact we see that avarice, anger, envy, pride, sloth, lust and stupidity commonly profit far beyond humility, chastity, fortitude, justice and thought, and have to choose, to be human at all... why then perhaps we /must/ stand fast a little --even at the risk of being heroes.
Robert Bolt (A Man for All Seasons: A Play in Two Acts)
Some of us will never know we'd owned someone's heart for a season.
Joyce Rachelle
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around in our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.
Brit Bennett (The Mothers)
It's all right to forget, you know, he said. It's good to. In fact, we have to forget things sometimes. Forgetting it is important. We do it on purpose. It means we get a bit of a rest. Are you listening? We have to forget. Or we'd never sleep ever again.
Ali Smith (Autumn (Seasonal Quartet, #1))
You long to jump off, but you just can’t work up the nerve, so you tell yourself you’re content to look at the view.
Laura Lee Guhrke (Wedding of the Season (Abandoned at the Altar, #1))
One couldn't spend one's entire life waiting for life to start.
Laura Lee Guhrke (Wedding of the Season (Abandoned at the Altar, #1))
Being a bad parent is a sign of not having learned from experience.
Mokokoma Mokhonoana
I can't really remember the days. The light of the sun blurred and annihilated all color. But the nights, I remember them. The blue was more distant than the sky, beyond all depths, covering the bounds of the world. The sky, for me, was the stretch of pure brilliance crossing the blue, that cold coalescence beyond all color. Sometimes, it was in Vinh Long, when my mother was sad she'd order the gig and we'd drive out into the country to see the nighta s it was in the dry season. I had that good fortune- those nights, that mother. The light fell from the sky in cataracts of pure transparency, in torrents of silence and immobility. The air was blue, you could hold it in your hand. Blue. The sky was the continual throbbing of the brilliance of the light. The night lit up everything, all the country on either bank of the river as far as the eye could reach. Every night was different, each one had a name as long as it lasted. Their sound was that of the dogs, the country dogs baying at mystery. They answered on another from village to village, until the time and space of the night were utterly consumed.
Marguerite Duras (The Lover)
The ceremonies that persist—birthdays, weddings, funerals— focus only on ourselves, marking rites of personal transition. […] We know how to carry out this rite for each other and we do it well. But imagine standing by the river, flooded with those same feelings as the Salmon march into the auditorium of their estuary. Rise in their honor, thank them for all the ways they have enriched our lives, sing to honor their hard work and accomplishments against all odds, tell them they are our hope for the future, encourage them to go off into the world to grow, and pray that they will come home. Then the feasting begins. Can we extend our bonds of celebration and support from our own species to the others who need us? Many indigenous traditions still recognize the place of ceremony and often focus their celebrations on other species and events in the cycle of the seasons. In a colonist society the ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but it seems they did not survive emigration in any substantial way. I think there is wisdom in regenerating them here, as a means to form bonds with this land.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
And if some savage told us of a mag-ical worm that built a little windowless house, slept there a season, thenone day emerged and flew away as a jeweled bird, we'd laugh at suchsuperstition if we'd never seen a butterfly.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
Nonsense. He'd wed her in a heartbeat if he thought she'd have him.
Sarah MacLean (The Season)
She pulls out her calendar. “Where’s the wedding?” “The Four Seasons.” “The hotel? Or Total Landscaping?
Julie Soto (Forget Me Not)
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
I do believe you think what now you speak, but what we do determine oft we break. Purpose is but the slave to memory, of violent birth, but poor validity, which now, like fruit unripe, sticks on the tree, but fall, unshaken, when they mellow be. Most unnecessary 'tis that we forget to pay ourselves what to ourselves is debt. What to ourselves in passion we propose, the passion ending, doth the purpose lose. The violence of either grief or joy their own enactures with themselves destroy. Where joy most revels, grief doth most lament. Grief joys, joy grieves on slender accident. This world is not for aye, nor 'tis not strange that even our loves should with our fortunes change. For 'tis a question left us yet to prove, whether love lead fortune, or else fortune love. The great man down, you mark his favorite flies. The poor advanced makes friends of enemies. And hitherto doth love on fortune tend, for who not needs shall never lack a friend, and who in want a hollow friend doth try, directly seasons him his enemy. But, orderly to end where I begun, our wills and fates do so contrary run that our devices still are overthrown. Our thoughts are ours, their ends none of our own. So think thou wilt no second husband wed, but die thy thoughts when thy first lord is dead.
William Shakespeare (Hamlet)
Because loners are born everywhere, we end up living everywhere. We do not, have not, tended to single ourselves out as special, elite, requiring rarefied environments. Too often we have done the opposite; lived where we lived because our jobs were there, or families, or because we'd heard the schools were good there, or that we would love a place with changing seasons. Then, no matter what, we put our noses to the grindstone. We take living there as a fait accompli, a fact. Too often we are miserable somewhere without realizing why. We blame ourselves for not buckling down, settling in, fitting in. The problem is the place, but too often we do not see this, we will not allow ourselves to see this. It's the same old thing: This is a friendly town, so what's your problem? ...To the non-loner, or the self-reproaching loner, the fact of being a loner is not comparable to those other determinants. It is not a matter of life and death, we tell ourselves. It its not a matter of breathing or of execution by stoning. But home is the crucible of living...So how can living not be a matter of life and death?
Anneli Rufus (Party of One: The Loner's Manifesto)
Not one word about proposals, no matter how much she pushes,” I told my friends. “No matter what she says or how loud she cries, don’t try to throw that up as a distraction.” Gabriel’s lips twitched. “I don’t think it’s going to be that bad. It’s one woman against five supernatural creatures... And Zeb.” “You laugh because you haven’t heard my mother’s thirty-minute verbal dissertation on appropriate seasonal flower choices. We’re better off letting her yell at us for being dirty, premarital fornicators.
Molly Harper (Nice Girls Don’t Sign a Lease Without a Wedding Ring (Jane Jameson, #3.5))
Romance is… it’s the seasoning, I suppose. It’s what makes life taste good.
Sienna Waters (The Wedding That Almost Wasn't)
But life isn't like one of my novels, where I can change the characters' circumstances.
Justine Castellon (The Last Snowfall (Through the Seasons Book 2))
I want to be the one he can't live without.
Aimee Carson (The Unexpected Wedding Guest (The Wedding Season, #1))
O may it come, the time of love, The time we'd be enamoured of. - Song of the Highest Tower
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
He once told me our relationship was like a rose. Beautiful, yes, but it came with thorns. I liked it to the weather. It was always changing. Icy seasons. Warm spells. Months when we'd talk almost every day and long sections of radio silence.
Riley Sager (Home Before Dark)
We'd all be leaving one another, going to other places in the fall; and now that the season was changing, rushing towards graduation, everything we did felt like a long good-bye or a premature reunion. We were nostalgic for a time that wasn't yet over.
Nina LaCour (We Are Okay)
A Match If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf. If I were what the words are, And love were like the tune, With double sound and single Delight our lips would mingle, With kisses glad as birds are That get sweet rain at noon; If I were what the words are, And love were like the tune. If you were life, my darling, And I your love were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath; If you were life, my darling, And I your love were death. If you were thrall to sorrow, And I were page to joy, We'd play for lives and seasons With loving looks and treasons And tears of night and morrow And laughs of maid and boy; If you were thrall to sorrow, And I were page to joy. If you were April's lady, And I were lord in May, We'd throw with leaves for hours And draw for days with flowers, Till day like night were shady And night were bright like day; If you were April's lady, And I were lord in May. If you were queen of pleasure, And I were king of pain, We'd hunt down love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were queen of pleasure, And I were king of pain.
Algernon Charles Swinburne
Longing has a favorite season: winter. It is borne of the first drops of water on dry grass and heaves deep sighs of feminine hues, craving moisture. Rain is the promise of a universal wedding. Rain is a promise that what is sealed will open into an essence and that the infinite will reincarnate itself in nature.
Mahmoud Darwish (In the Presence of Absence)
It's alright to forget, you know. It's good to. In fact we have to forget things sometimes. Forgetting it is important. We do it on purpose. It means we get a bit of rest. Are you listening? We have to forget. Or we'd never sleep ever again.
Ali Smith (Autumn (Seasonal Quartet, #1))
You bet that we’d get together the first month of the season?” “I always bet on myself.
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
All I know is that I'd rather face uncertainty with you than all the certainty in the world with someone else.
Aimee Carson (The Unexpected Wedding Guest (The Wedding Season, #1))
Something in me was changing season too. I was no longer striving, fighting to change the unchangeable, not clenching in anxiety at the life we’d been unable to hold on to, or angry at an authoritarian system too bureaucratic to see the truth. A new season had crept into me, a softer season of acceptance. Burnt in by the sun, driven in by the storms. I could feel the sky, the earth, the water and revel in being part of the elements without a chasm of pain opening at the thought of the loss of our place within it all. I was a part of the whole. I didn’t need to own a patch of land to make that so. I could stand in the wind and I was the wind, the rain, the sea; it was all me, and I was nothing within it. The core of me wasn’t lost. Translucent, elusive, but there and growing stronger with every headland.
Raynor Winn (The Salt Path)
Like any great and good country, Japan has a culture of gathering- weddings, holidays, seasonal celebrations- with food at the core. In the fall, harvest celebrations mark the changing of the guard with roasted chestnuts, sweet potatoes, and skewers of grilled gingko nuts. As the cherry blossoms bloom, festive picnics called hanami usher in the spring with elaborate spreads of miso salmon, mountain vegetables, colorful bento, and fresh mochi turned pink with sakura petals.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
We must emerge slowly from our wintering. We must test the air and be ready to shrink back into safety when blasted by unseasonal winds; we must gradually unfurl our new leaves. There will still be the debris of a long, disordered season. These are the moments when we have to find the most grace: when we come to atone for the worst ravages of our conduct in darker times, when we have to tell truths that we’d rather ignore. Sometimes we will have to name our personal winters, and the words will feel barbed in our throats: grief, rejection, depression, illness. Shame, failure, despair.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
...now he's written himself off the page, which means you have some options. You can wait to see if he pops up later, letting the paragraph waffle on with nothing much happening until he does OR you can embark on the next adventure, ready to greet new characters that enter, experience a change of scenery.
Katy Birchall (The Wedding Season)
What is the spirit of Christmas, you ask?  Let me give you the answer in a true story... On a cold day in December, feeling especially warm in my heart for no other reason than it was the holiday season, I walked through the store sporting a big grin on my face.  Though most people were far too busy going about their business to notice me, one elderly gentleman in a wheelchair brought his eyes up to meet mine as we neared each other traveling opposite directions.  He slowed in passing just long enough to speak to me. "Now that's a Christmas smile if I ever saw one," he said. My lips stretched to their limit in response, and I thanked him for the compliment.  Then we went our separate ways. But, as I thought about the man and how sweetly he'd touched me, I realized something simply wonderful!  In that brief, passing interaction we'd exchanged heartfelt gifts! And that, my friend, is the spirit of Christ~mas. 
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Moving had no season, was all seasons, crossed time like a train with no schedule. We moved so often our mail never caught up with us, moved sometimes before we'd even gotten properly unpacked or I'd learned the names of all the teachers at my new school. Moving gave me a sense of time passing and everything sliding, as if nothing could be held on to anyway. It made me feel ghostly, unreal and unimportant, like a box that goes missing and then turns up but then you realize you never needed anything in it anyway.
Dorothy Allison (Bastard Out of Carolina)
If we’d never met, then there would be only three seasons.” “Hmm,” I said. “Am I supposed to guess which season?” “Yup.” I thought a moment—​then I smiled. “Spring. Then there would be no spring.” “Spring,” she said.
Benjamin Alire Sáenz (The Inexplicable Logic of My Life)
In a moment of crisis we don't act out of reasoned judgment but on our conditioned reflexes. We may be able to send men to the moon, but we'd better remember we're still closely related to Pavlov's dog. Think about driving a car: only the beginning driver thinks as he performs each action; the seasoned driver's body works kinesthetically . . .A driver prevents an accident because of his conditioned reflexes; hands and feet respond more quickly than thought. I'm convinced the same thing is true in all other kinds of crisis, too. We react to our conditioning built up of every single decision we've made all our lives; who we have used as our mirrors, as our points of reference. If our slow and reasoned decisions are generally wise, those which have to be made quickly are apt to be wise, too. If our reasoned decisions are foolish, so will be those of the sudden situation.
Madeleine L'Engle (A Circle of Quiet (Crosswicks Journals, #1))
In the beginning of dog days Frankie's cat had gone away. And the season of dog days is like this: it is the time at the end of the summer when as a rule nothing can happen - but if a change does come about, that change remains until dog days are over. Things that are done are not undone and a mistake once made is not corrected.
Carson McCullers (The Member of the Wedding)
So she knew she ought to leave the town and go to some place far away. For the late spring, that year, was lazy and too sweet. The long afternoons flowered and lasted and the green sweetness sickened her. The town began to hurt Frankie. Sad and terrible happenings had never made Frankie cry, but this season many things made Frankie suddenly wish to cry. Very early in the morning she would sometimes go out into the yard and stand for a long time looking at the sunrise sky. And it was as though a question came into her heart, and the sky did not answer.
Carson McCullers (The Member of the Wedding)
... I regularly frequent St. George';s, Hanover Square, during the genteel marriage season; and though I have never seen the bridegroom's male friends give way to tears, or the beadles and officiating clergy in any way affected, yet it is not at all uncommon to see women who are not in the least concerned in the operations going on -- old ladies who are long past marrying, stout middle-aged females with plenty of sons and daughters, let alone pretty young creatures in pink bonnets, who are on their promotion, and may naturally taken an interest in the ceremony -- I say it is quite common to see the women present piping, sobbing, sniffling; hiding their little faces in their little useless pocket-handkerchiefs; and heaving, old and young, with emotion.
William Makepeace Thackeray (Vanity Fair)
Ought a woman to disclose her frailties earlier than the wedding day? Few husbands, I assure you, make the discovery in such good season, and still fewer complain that these trifles are concealed too long. Well, what a strange man you are! Poh! you are joking.
Nathaniel Hawthorne (Mosses from an Old Manse)
He cupped my chin with his big hand and watched me. He breathed hard through his nose. His shoulders heaved way harder than they should have after a few minutes of kissing. I was about to suggest some additional conditioning exercises before football season started. I opened my mouth to tell him. He kissed me again. His tongue passed my lips and played across my teeth. We’d only been kissing like this for a week, but it seemed very natural when I kissed him back the same way. My body was on autopilot as I reached blindly for his waist and dragged him even closer, his torso skin-to-skin with mine against the tree. Who were we? I was turning into any of the assorted older girls who’d been seen leaving the cab of Sean’s truck at night. I’d always viewed those girls with a mixture of awe and derision. Sexual attraction was funny. Lust was hilarious. Now, not so much. Those girls had my sympathy, because I totally got it. I ran my fingers lightly up Adam’s bare back. He gasped. I opened my eyes to see if I’d done something wrong. He still touched the tree, but his muscles were taut, holding on to it for dear life. His eyes were closed. He rubbed his rough cheek slowly against mine. I had done nothing wrong. He was savoring. I knew how he felt. Tracing my fingernails down his back again, I whispered, “Stubble or what?” Eyes still closed, he chuckled. “I’m not shaving until our parents let us date again.” He kissed my cheek. “What if it takes… a… while?” I asked, struggling to talk.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
In my mind, no other flower can compete with the perfection and the fragrance of the Peony. The silky petals, delicate shape, romantic shades and graceful foliage make this flower my all time favorite and I’m not alone. Brides plan their wedding dates around peony season. Flower enthusiasts plant them all through their gardens. Florists go crazy over all the different shades available from white, to coral, yellow to reds and every imaginable pink!  Sadly, this bloom can only be enjoyed in nature for a very short time each year. That’s the reason their paper counterparts have become such a hit!
Chantal Larocque (Bold & Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home)
Put no expectations on others, only on yourself. If you put no expectations on others they can not disappoint you.
Samantha Price (Impossible Love (Amish Wedding Season #1))
If we were living in harmony with the seasons, most of us would not be working the same hours in winter. In fact, we'd be resting.
Paul Wyrd
Normal’ and ‘natural’ were the biggest lies we’d ever created. We humans with our little minds. And maybe being normal wouldn’t suit me.
Samantha Shannon (The Bone Season (The Bone Season, #1))
them. “Go to hell,” she said, and stood up. “Or better yet, go back to Egypt. That godforsaken place is probably hotter and more miserable than hell anyway.
Laura Lee Guhrke (Wedding of the Season (Abandoned at the Altar, #1))
She pulls out her calendar. “Where’s the wedding?” “The Four Seasons.” “The hotel? Or Total Landscaping?” I snort. “Don’t pretend I didn’t double-check ten times.
Julie Soto (Forget Me Not)
I'll put on some Bing and we can believe for a marvelous, miraculous, glorious Christmas season.
Rachel Hauck (The Wedding Dress Christmas (The Wedding Collection))
I have found out the hard way that sometimes the things we want most take the longest. The seasonings of time, and desire, and hard work are like nothing else.
January Bell (Wed to the Alien Beast (Accidental Alien Brides, #5))
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
It was radicals like you and your father that hijacked your faith, hijacked a few planes, and made thousands of children orphans in a single day. You pretend my country beats you because you are poor, but you ignore that it was people of your faith that made this war. People like your father made this war. People like your father called for jihad. Well now you got it. You don’t like it? Tell the Imam that his ignorance made his people poor. You don’t understand Americans at all. We don’t beat you because you’re poor. You pissed us off. We’d beat your ass rich or poor.
Tucker Elliot (The Rainy Season)
Adam and I left the party, and we got into bed and tried to get through another episode of the drug cartel show we were watching that everyone said got really good at the end of the third season, but we were only up to the second, and we had existential angst about whether we should be watching something that only promised to be good but wasn’t yet. We agreed the answer was yes, that hope was good, and in those moments—the ones when we endured, the ones where we agreed, the ones where we disagreed and found the other person’s point dumb enough to laugh out loud, the ones where he still agreed to do our fully choreographed wedding dance in the kitchen for no reason at all and to no music, the ones where he showed me a window into how much smarter he was than I was and how even though he was that smart he never needed to flaunt it, the ones where we rolled our eyes at how dumb everyone else was, the ones where he evacuated me from my misery and made me a cheese omelet because I was stoned and wanted something warm and milky, that was when I remembered the most essential thing about Adam and me, which was that I never once doubted if I should be with him.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
From the ceiling, lanterns in sage green and robin's egg blue hung like jewels, glowing gently. Flowers were gathered and tied to the seats that flanked the aisle: irises, bluebells, peonies. All of Immy's favorite blooms, some of which weren't even in season at this time of year. That had been a maid-of-honor task for Dina's magical expertise. Immy had asked for multicolored sunflowers and Dina had made them for her.
Nadia El-Fassi (Best Hex Ever)
We’d all be leaving one another, going to other places in the fall; and now that the season was changing, rushing toward graduation, everything we did felt like a long good-bye or a premature reunion. We were nostalgic for a time that wasn’t yet over.
Nina LaCour (We Are Okay)
It’s all right to forget, you know, he said. It’s good to. In fact, we have to forget things sometimes. Forgetting it is important. We do it on purpose. It means we get a bit of a rest. Are you listening? We have to forget. Or we’d never sleep ever again.
Ali Smith (Autumn (Seasonal Quartet, #1))
It’s all right to forget, you know, he said. It’s good to. In fact, we have to forget things sometimes. Forgetting it is important. We do it on purpose. It means we get a bit of a rest. Are you listening? We have to forget. Or we’d never sleep ever again.
Ali Smith (Autumn (Seasonal, #1))
It was May already. We’d all be leaving one another, going to other places in the fall; and now that the season was changing, rushing toward graduation, everything we did felt like a long good-bye or a premature reunion. We were nostalgic for a time that wasn’t yet over.
Nina LaCour (We Are Okay)
Time passes quickly while you are travelling, slowly while you are waiting, making time a mental construct we live by as if it is some axiomatic truth, which it is not. The tides are moved by the moon. Nature progresses by seasons. The animals by instinct. Only man is wedded to his own invention – and impediment – the clock.
Chloe Thurlow (Katie in Love)
Fools," Alex mumbled under his breath. "In actual fact, gentlemen, I think we'd all much prefer to steer clear of heart stealing of any kind, victim or perpetuator," Alex continued. "Of course, you lot wouldn't understand that. You're never going to be forced into dancing with some namby-pamby so your mothers can feel better about your marriage prospects.
Sarah MacLean (The Season)
Without me to struggle against, without the constant chaos of our first growing season, without the pressure of our impending wedding, he seemed to have found his own steady rhythm. I worked my way into it, looking for the harmony this time, instead of conflict. We found easy joy in working together, becoming real partners, instead of combatants, for the first time.
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
The space center's proximity to my backyard came to signify an intersection between heaven and hell. Florida was somewhere between the two; it was America's phantom limb, a place where spaceships were catapulted out into the cosmos. Alligators emerged from brackish water. Vultures and hawks circled above. Mosquitoes patrolled the atmosphere at eye level. We shared an ocean with sharks and dolphins. There were no seasons, only variations of humidity. Time slithered, festering in a damp wake of recollections. I believed in the Bermuda Triangle. I thought it would move in over Florida one night. By dusk an unknown force would vaporize us through a tear in the atmosphere. We'd be stuck, wandering in a parallel version of the same place, unaware that we were dead but dreaming. People came here to vanish.
Wake Island (And Every Day Was Overcast)
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn't. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor's son and went to the abortion clinic downtown to take care of it.
Brit Bennett (The Mothers)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
When we’d all settled down from that first night, Julie found a bag on the porch, which we thought must have been left by the same three girls who had brought me to them. Just like the clues on my skin, I’d only been left with two worldly possessions. The first was a wad of cash that I immediately handed to Ben and Julie as compensation for giving me a home. Most of it went to pay for Akinli’s medical bills, which was fine with me. I didn’t know if there was a word bigger than soul mates, something that meant the feeling of being so connected that it was hard to tell where one person ended and the other began. If there was, that word belonged to Akinli and me. The second thing was a bottle of water. It was so peculiar, this water, a blue that was both dark and brilliant, too thick to see through but still carrying light. No matter the season, it was always cold, and there were tiny shells in it that never settled. Sometimes I slept with it, even though it was cold enough to wake me up if I rolled on it the wrong way. It was the only clue I had to tell me who I had been before the night I was left on the porch, and I loved it second only to Akinli. Somehow, I knew that this love was important, as if treasuring the water meant I treasured myself. And I did. I loved my recovering body, I loved my blue-eyed soul mate, I loved my adopted family. I held the water to my chest, and I loved.
Kiera Cass (The Siren)
Because when the season is over, we’re going to throw a wedding and then go on a spectacular vacation. I want to plan it without you worrying about the cost. There’s still some grueling weeks ahead of us, right? It will be easier every time I look at the screensaver I’ve downloaded for whatever beach we’re going to.” I don’t know what to say. “It doesn’t have to be expensive.” Wes chews on my neck for a moment before answering. “Privacy costs money. And I have money.” He tugs on my shoulder, so I have to turn around and face him. “You know how I got rich?” I shake my head. “By waking up one morning to find that my grandfather had died, leaving me a pile of cash. My asshole father can’t touch my trust, either. The old man knew Dad was a greedy bastard.” He grins. “It’s all just the luck of the draw, okay? And even if I’d earned every penny digging ditches, there isn’t anything I have that I don’t want to give you. Not one thing.
Sarina Bowen (Us (Him, #2))
Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
As awkward as our first night together was, our honeymoon was even worse. As soon as we arrived in Hawaii, I became ill with strep throat. I mostly slept and lay in the bathtub in our hotel room for a week shaking violently with a fever. Missy looked out the window at the beautiful beach and Pacific Ocean and cried. It was miserable. I was sweating profusely and thought I was going to die. We’d saved our money for months--about eight hundred dollars--to go to Hawaii, and it ended up being the worst trip of our lives. My getting sick actually saved us from the embarrassment of realizing that we couldn’t do much on eight hundred bucks anyway. We laugh now at being so naïve and young. When we went back to Hawaii for the season finale of Duck Dynasty last year, Missy was determined to make up for a lot of bad memories. I did everything she wanted to do. We went on helicopter rides, boat rides, romantic dinners, and everything else you could do in Hawaii. She got her money’s worth the second time!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
You couldn’t see it, Eliza, all the ways he was hurting you.” He sighs. “Shira and I were beside ourselves, but you couldn’t see it. He was isolating you from people, shifting who you were allowed to be around. He was always making those little digs about your job, the ones that were supposed to come off as jokes but never did. Like the ones he made all the time about what you were eating, and you got so thin. And all that mess about the wedding . . . you were so unhappy, ahuva, but he had you so twisted around about everything, you hardly knew which way was up.
Dot Hutchison (The Vanishing Season (The Collector, #4))
But I didn’t feel safer. Maybe it had nothing to do with Australia. Maybe it was just because the clock was ticking down on our mission and we were closer to Tuvalu than we’d ever been. Still, I’d noticed that in spite of the stress, I wasn’t ticking as much as usual. Instead of blinking or gulping, I was sparking more. I wondered if it was just because I was becoming more electric or if my Tourette’s was taking a different form. The weather might have had something to do with my anxiety as well. I think I might have a bit of SAD—seasonal affective disorder—which is just an Ostin way of saying I get blue when the skies aren’t blue. And the skies were definitely not blue. I don’t think that I’d ever seen it rain so hard in my life. Not in Idaho, at least. The rain was practically horizontal. It was a challenge getting Zeus off the plane. First, we couldn’t land because the runways were backed up because of lightning striking the tarmac. Then there was no hangar for the plane—so even if we had wanted to make a run for the terminal, Zeus still had to wait for a break in the weather, which, unfortunately, didn’t come until about
Richard Paul Evans (Fall of Hades (Michael Vey, #6))
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower...'Habitualization,' a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, 'devours works, clothes, furniture, one's wife, and the fear of war.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw - a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there'd be pandemonium in the streets. People would lie by the thousands in the fields on their backs.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Whether you're a bride or a birthday boy, your options are much the same. Cake comes in chocolate, yellow, or white. Frosting comes in chocolate or vanilla buttercream, or you can opt for whipped cream. Fillings are either chocolate or vanilla custard, fresh bananas, or strawberries or raspberries in season. For birthday cakes, you can have either flowers or balloons in your choice of colors. For wedding cakes, you can add either fondant or marzipan covering, or either smooth or basket-weave buttercream, in white or ivory, with either pearl-like dots or ribbony swags made of frosting, and fondant faux flowers are extra.
Stacey Ballis (Wedding Girl)
In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone. Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)
Robbie Arnott (Limberlost)
Kristen and I always have a lot to celebrate at the end of June. First there’s Father’s Day, followed by our wedding anniversary and my birthday. But prior to the Best Practices this two-week season of parties didn’t inspire much of a celebratory mood. It always felt strange celebrating Father’s Day, given that my parenting skills had been something of a disappointment for the first three years, and the tears that Kristen had shed on our third wedding anniversary spoke rather poignantly to the fact that our marriage hadn’t been much to celebrate, either. That left my birthday, a day that was all about toasting the birth of the very person who had made Kristen’s life miserable.
David Finch (The Journal of Best Practices: A Memoir of Marriage, Asperger Syndrome, and One Man's Quest to Be a Better Husband)
The more I experimented, the more I wanted to discover flavor, texture, scent. Gently toasting spices. Mixing herbs. My immediate instincts were toward anything like comfort food, the hallmarks of which were a moderate warmth and a sloppy, squelching quality: soups, stews, casseroles, tagines, goulashes. I glazed cauliflower with honey and mustard, roasted it alongside garlic and onions to a sweet gold crisp, then whizzed it up in a blender. I graduated to more complicated soups: Cuban black bean required slow cooking with a full leg of ham, the meat falling almost erotically away from the bone, swirled up in a thick, savory goo. Italian wedding soup was a favorite, because it looked so fundamentally wrong- the egg stringy and half cooked, swimming alongside thoughtlessly tossed-in stale bread and not-quite-melted strips of Parmesan. But it was delicious, the peculiar consistency and salty heartiness of it. Casseroles were an exercise in patience. I'd season with sprigs of herbs and leave them ticking over, checking up every half hour or so, thrilled by the steamy waves of roasting tomatoes and stewed celery when I opened up the oven. Seafood excited me, but I felt I had too much to learn. The proximity of Polish stores resulted in a weeklong obsession with bigos- a hunter's stew made with cabbage and meat and garnished with anything from caraway seeds to juniper berries.
Lara Williams (Supper Club)
You who have walked with me these seven steps, become my best companion, my dearest friend. We shall share the same gardens, the same sunlight, we shall cross the same threshold, we shall share the same hearth. We shall welcome the same days and the same shy nights. I shall be the sun, you shall be its light; I shall be the light, you shall be its brilliance. I shall be the moon, you shall be its silver. I shall be the earth, you shall be its patience. I shall be the waters, you shall be its sanctity. I shall be the sky, you shall be its stretch of stars, I shall be the wind, you shall be its centre, I shall be all the seasons, you shall be their promise. For you, I shall be the lampflame, you shall be my stillness.
Poile Sengupta (Inga)
I'm not really a flowers-and-proper-dates girl," I said, fully aware of his thigh muscles tightening under my hand. "I'm more of a burgers-and-football girl, to be honest. Baseball or hockey since we're in the off-season. Basketball too. Burgers, sports, nothing proper. I'm not proper." Cal rested his forehead on my shoulder with a quiet groan. That sound, it was more intimate than a kiss. It belonged to private spaces where no one else could listen in. But we'd already forgotten about the rest of the world. We were alone here, me and Cal, and I wasn't smitten. I wasn't lovestruck. "Marry me, Stella. Marry me and bear my children." His hand skated up my arm and over my shoulder to cup my face, and just like that, I was kissing a man I'd met an hour ago.
Kate Canterbary (Before Girl (Vital Signs, #1))
NEAR THE BASILICA OF ST. ANTHONY Antica Trattoria dei Paccagnella, the most serious restaurant near the basilica, serves up nicely presented, seasonal local dishes with modern flair and an impressive attention to ingredients. The place has friendly service, modern art on the walls, and no pretense. It’s thoughtfully run by two brothers, Raffaele and Cesare, who happily explain why they are so excited about local hens (€9-12 pastas, €14-18 secondi, Mon 19:00-22:00, Tue-Sat 12:00-14:00 & 19:00-22:00, closed Sun, Via del Santo 113, tel. 049-875-0549). Pizzeria Pago Pago dishes up wood-fired Neapolitan pizzas (a local favorite) and daily specials depending on what’s in season. Get there early for dinner or wait (€5-8 pizzas, €9 salads, Wed-Mon 12:00-14:00 & 19:00-24:00, closed Tue; 2 blocks from Basilica
Rick Steves (Rick Steves Italy 2015)
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
The autumn was a happy time. The crops around the countryside were good, and over at the Forks Falls market the price of tobacco held firm that year. After the long hot summer the first cool days had a clean bright sweetness. Goldenrod grew along the dusty roads, and the sugar cane was ripe and purple. The bus came each day from Cheehaw to carry a few of the younger children to the consolidated school to get an education. Boys hunted foxes in the pinewoods, winter quilts were aired out on the wash lines, and sweet potatoes bedded in the ground with straw against the colder months to come. In the evening, delicate shreds of smoke rose from the chimneys, and the moon was round and orange in the autumn sky. There is no stillness like the quiet of the first cold nights in the fall. Sometimes, late in the night when there was no wind, there could be heard in the town the thin wild whistle of the train that goes through Society City on its way far off to the North.
Carson McCullers (The Ballad of the Sad Cafe and Other Stories. The Heart is a Lonely Hunter. The Member of the Wedding. (In One Volume))
You couldn’t see it, Eliza, all the ways he was hurting you.” He sighs. “Shira and I were beside ourselves, but you couldn’t see it. He was isolating you from people, shifting who you were allowed to be around. He was always making those little digs about your job, the ones that were supposed to come off as jokes but never did. Like the ones he made all the time about what you were eating, and you got so thin. And all that mess about the wedding . . . you were so unhappy, ahuva, but he had you so twisted around about everything, you hardly knew which way was up.” “I should have seen it,” I whisper. “How could you? It doesn’t matter if you’re trained to see it in others; it’s different when it’s you. He was very good at it. It’s not like he slammed into it all at once either. He worked up to it too slowly for you to see. And you were never going to see it, Eliza. Not when he wasn’t the only one doing it.” “What do you mean?” “Your mother’s been doing it your whole life.
Dot Hutchison (The Vanishing Season (The Collector, #4))
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw - a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there'd be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something - gray-brown bark, say, fissured into broad, vertical plates - and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife?
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Dear—Prince,” she started haltingly. She’d never prayed to a Fate, and she didn’t want to get it wrong. “I’m here because my parents are dead.” Evangeline cringed. That was not how she was supposed to start. “What I meant to say was, my parents have both passed away. I lost my mother a couple of years ago. Then I lost my father last season. Now I’m about to lose the boy that I love. “Luc Navarro—” Her throat closed as she said the name and pictured his crooked smile. Maybe if he’d been plainer, or poorer, or crueler, none of this would have happened. “We’ve been seeing each other in secret. I was supposed to be in mourning for my father. Then, a little over two weeks ago, on the day that Luc and I were going to tell our families we were in love, my stepsister, Marisol, announced that she and Luc were getting married.” Evangeline paused to close her eyes. This part still made her head spin. Quick engagements weren’t uncommon. Marisol was pretty, and although she was reserved, she was also kind—so much kinder than Evangeline’s stepmother, Agnes. But Evangeline had never even seen Luc in the same room as Marisol. “I know how this sounds, but Luc loves me. I believe he’s been cursed. He hasn’t spoken to me since the engagement was announced—he won’t even see me. I don’t know how she did it, but I’m certain this is all my stepmother’s doing.” Evangeline didn’t actually have any proof that Agnes was a witch and she’d cast a curse on Luc. But Evangeline was certain her stepmother had learned of Evangeline’s relationship with Luc and she’d wanted Luc, and the title he’d someday inherit, for her daughter instead. “Agnes has resented me ever since my father died. I’ve tried talking to Marisol about Luc. Unlike my stepmother, I don’t think Marisol would ever intentionally hurt me. But every time I try to open my mouth, the words won’t come out, as if they’re also cursed or I’m cursed. So I’m here, begging for your help. The wedding is today, and I need you to stop it.” Evangeline opened her eyes. The lifeless statue hadn’t changed. She knew statues didn’t generally move. Yet she couldn’t help but think that it should have done something—shifted or spoken or moved its marble eyes. “Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
here was Dorothy, always knotted to the point of strangulation, aspiring to be what she was not, because of that parvenu prince. Mrs Hunter saw him: the groove in the lower lip, above the cleft chin, beneath the pink-shaded restaurant lights. She had ordered tournedos Lulu Watier. After the first shock of mutual disapproval, she felt that she and Hubert were enjoying each other. Alfred said, ‘Out with us, the food is plainer. We don’t feel the need to titillate our palates by dolling it up with a lot of seasoning and fancy sauces.’ He might have worsened the situation if she hadn’t kicked him under the table. They had gone over for the wedding because the old princess insisted she could not travel out to ce pays si lointain et inconnu. It was the first occasion the mountain hadn’t come to Elizabeth Hunter: she couldn’t very well believe it; nor that she would overlook the fact that her little Dorothy was being received into the Roman Catholic Church. But you did: at the nuptial mass there was your plain little girl in the dress by Lanvin tissé expres à la main à Lyon, and none of it could disguise the fact that you were prostituting your daughter to a prince, however desirably suave and hung with decorations. For one instant, out of the chanting and the incense, Elizabeth Hunter experienced a kind of spiritual gooseflesh.
Patrick White (The Eye of the Storm)
In the meantime, Marlboro Man was working his fingers to the bone. To prepare for our three-week honeymoon to Australia, he’d rearranged the schedule of many goings-on at the ranch, compressing a normally much longer shipping season into a two-week window. I could sense a difference in his work; his phone calls to me were fewer and farther between, and he was getting up much earlier than he normally did. And at night, when he did call to whisper a sweet “good night” to me before his head hit the pillow, his voice was scratchy, more weary than normal. He was working like a dog. In the midst of all of this, the deadline for our collage assignment loomed. It was Monday evening before our Tuesday get-together with Father Johnson, and I knew neither Marlboro Man nor I had gotten around to our respective collages. There was just too much going on--too many cows, too many wedding decisions, too many cozy movies on Marlboro Man’s tufted leather couch. We had way too much romance to take care of when we were together, and besides that, Father Johnson had explicitly told us we couldn’t work on the collages in each other’s presence. This was fine with me: sitting upright at a table and cutting our magazine photos was the last thing I wanted to do with such a fine specimen of a human. It would have been a criminal misuse of our time together.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Cendrillon specialized in seafood, so we had four fish stations: one for poaching, one for roasting, one for sautéing, and one for sauce. I was the chef de partie for the latter two, which also included making our restaurant's signature soups. O'Shea planned his menu seasonally- depending on what was available at the market. It was fall, my favorite time of the year, bursting with all the savory ingredients I craved like a culinary hedonist, the ingredients that turned my light on. All those varieties of beautiful squashes and root vegetables- the explosion of colors, the ochre yellows, lush greens, vivid reds, and a kaleidoscope of oranges- were just a few of the ingredients that fueled my cooking fantasies. In the summer, on those hot cooking days and nights in New York with rivulets of thick sweat coating my forehead, I'd fantasize about what we'd create in the fall, closing my eyes and cooking in my head. Soon, the waitstaff would arrive to taste tonight's specials, which would be followed by our family meal. I eyed the board on the wall and licked my lips. The amuse-bouche consisted of a pan-seared foie gras served with caramelized pears; the entrée, a boar carpaccio with eggplant caviar, apples, and ginger; the two plats principaux, a cognac-flambéed seared sea scallop and shrimp plate served with deep-fried goat cheese and garnished with licorice-perfumed fennel leaves, which fell under my responsibility, and the chief's version of a beef Wellington served with a celeriac mash, baby carrots, and thin French green beans.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
I remembered meeting the Dharma Raja’s gaze and wreathing his neck with a wedding garland of sweet marigold and blood red roses. Death clung to him subtly, robbing the warmth of his eyes and silvering his beauty with a wintry touch. And yet, I saw how he was beautiful. It was his presence that conjured the brilliant peacock shades of the late-season monsoon sky. It was his aura that withered sun-ripe mangos and ushered in the lush winter fruits of custard apple and singhora chestnuts. And it was his stride that adorned the Kalidas Mountains with coronets of snow clouds. His hands moved to my shoulders, warm and solid, and his arms were a universe for me alone. He had enthralled me, unwound the seams of my being until I was filled with the sight of him and still ached with want. “I hoped you would choose me,” he said. I blushed, suddenly aware of my unbraceleted arms and simple sari. “I have no dowry.” He laughed, a hesitant, half-nervous sound that did not match his stern features. “I don’t care.” “Then what do you want from me?” “I want to lie beside you and know the weight of your dreams,” he said, brushing his lips against my knuckles. “I want to share whole worlds with you and write your name in the stars.” He moved closer and a chorus of songbirds twittered silver melodies. “I want to measure eternity with your laughter.” Now, he stood inches from me; his rough hands encircled my waist. “Be my queen and I promise you a life where you will never be bored. I promise you more power than a hundred kings. And I promise you that we will always be equals.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
First things first. Let’s bone up on history. If men had wanted to stay bad forever, they could have, agreed? Agreed. Did we stay out in the fields with the beasts? No. In the water with the barracuda? No. Somewhere we let go of the hot gorilla’s paw. Somewhere we turned in our carnivore’s teeth and started chewing blades of grass. We been working mulch as much as blood, into our philosophy, for quite a few lifetimes. Since then we measure ourselves up the scale from apes, but not half so high as angels. It was a nice new idea and we were afraid we’d lose it, so we put it on paper and built buildings like this one around it. And we been going in and out of these buildings chewing it over, that one new sweet blade of grass, trying to figure how it all started, when we made the move, when we decided to be different. I suppose one night hundreds of thousands of years ago in a cave by a night fire when one of those shaggy men wakened to gaze over the banked coals at his woman, his children, and thought of their being cold, dead, gone forever. Then he must have wept. And he put out his hand in the night to the woman who must die some day and to the children who must follow her. And for a little bit next morning, he treated them somewhat better, for he saw that they, like himself, had the seed of night in them. He felt that seed like slime in his pulse, splitting, making more against the day they would multiply his body into darkness. So that man, the first one, knew what we know now: our hour is short, eternity is long. With this knowledge came pity and mercy, so we spared others for the later, more intricate, more mysterious benefits of love. “So, in sum, what are we? We are the creatures that know and know too much. That leaves us with such a burden again we have a choice, to laugh or cry. No other animal does either. We do both, depending on the season and the need. Somehow, I feel the carnival watches, to see which we’re doing and how and why, and moves in on us when it feels we’re ripe.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Reed was involved in some of our most famous duck hunts; he even has a blind named after him. It’s called the Reed Robertson Hole. One year, we were having a really bad duck season. It was hot and there always seemed to be southwest winds, which aren’t ideal conditions on Phil’s property. One Sunday, the forecast called for more southwest winds, so nobody wanted to go hunting. I wasn’t going to pass up a morning in the duck blind, so I decided to take Reed with me. My expectations were so low that I was really only taking him to see the sunrise. I was convinced we wouldn’t see a single duck. Well, it got to be daylight and nothing happened. But we were still spending quality time together, and I was talking to him about God and the outdoors. I looked up and saw two birds. I literally thought it was two crows flying overhead. But then I realized it was two mallard drakes. I called them and they made two passes over our blind before backpedaling right in front of us. They seemed to stop in motion about ten feet in front of us. “Shoot!” I said. Reed raised his gun and shot three times in less than three seconds. Apparently, he still believed his shotgun was an AK-47. He went boom! Boom! Boom! By the time Reed was gone, I raised my gun and shot both of them. He looked at me and was like, “What happened?” He looked at his gun and thought something was wrong with it. “Son, you got excited and fired too quickly,” I said. “You’ve got to get on the duck.” As soon as I looked up, I saw ten teals circling toward us. They came right into our decoys. I decided to give Reed the first shot again. “Cut ‘em,” I said. Reed raised his gun and fired again. Boom! Boom! Boom! He shot one and then I shot another one. “Hey, you’re on the board,” I said. A while later, about seventy-five teals made three passes over us. I was going to let them light so Reed could get a good shot. About half of them lit and the other half came right toward us. “Cut ’em,” I said. I raised my gun and shot two of them. I heard Reed fire three times but didn’t see anything on the water. “I think I got three of them that time,” he said. “Son, don’t be making up stories,” I told him. I was looking right where he shot and didn’t see anything. But then I looked to the right and realized he’d actually shot four. He hit three on one side and a stray pellet hit one in the back. “Son, you have arrived,” I said. We wound up killing our limit that day, when I didn’t expect us to see any ducks at all. Phil and everybody else made a big deal about it because we hadn’t seen many ducks in days. It was the most ducks we’d ever shot out of that blind, and we’ve never mauled them like that again there. Because I shared the experience with my son, it was one of my most special and memorable hunts. I learned a valuable lesson that day: you never know when the ducks are going to show up. That is why I go every day the season is open.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
He was not baptized before, now he is. He is a new mann in Gott. He has put off the old mann and become a new mann. 2 Corinthians 5:17 says, Therefore if any man be in Christ, he is a new creature: old things are passed away; behold, all things are become new.
Samantha Price (Impossible Love (Amish Wedding Season #1))
back, change into something formal. I’m taking you out to the most famous restaurant in all of Paris,’ he said proudly. She giggled. Listening to him make every effort to be the romantic tickled her to bits. Though she was a seasoned and toughened law enforcement agent, she still wasn’t beyond feeling giddy when it came to Pope’s courting efforts. For their long overdue holiday, a honeymoon-before-the-wedding kind of thing, Pope splashed out. The sky was the limit. Five months ago, when he asked her where she wanted to go, she had said Paris. So, Paris it had to be. There were no ifs or buts. And they were going to do it in style. He booked them a room at the Banke Hôtel for the entire duration of their stay. Luckily, he got it at a special rate, otherwise a Federal employee like him wouldn’t have been able to stretch the budget that far. Housed in a former bank, the Baroque revival hotel had an ornate columned façade. The interior was grand in scale and lavishly decorated. The room didn’t disappoint. Charming period detailing had been retained; in their
Jack O. Daniel (Scorched)