Wedding Rehearsal Quotes

We’re going to get a couple pretty, fluffy inches in the morning for a gorgeous December evening wedding. Go get ready for rehearsal.” “I’m afraid of rehearsal. My voice is going to squeak. I think I’m getting a zit right in the middle of my chin. I’m going to trip coming down the aisle. It’s okay if Carter trips. People expect it. But –” … “Carter isn’t nervous. “Mac narrowed her eyes in a scowl. “I could hate him for that.” “Mackensie.” Parker turned from the computer. “I was in the kitchen this morning when Mrs. G made him sit down and eat some breakfast. He put maple syrup in his coffee.” “He did?” She threw up her arms in a cheer. “He is nervous. I feel better.

He flashed the warmest smile I'd ever seen, and my heart felt comforted. Maybe D.J. saw my insecurities, my fears. Maybe he knew God still had a lot of work to do in my life before I'd be good girlfriend material. Or maybe, just maybe, he saw beyond all that and simply wanted to flirt with the wedding coordinator instead of rehearse for the big night. I did my best to relax...and let him.

The group laughed, and Sidney’s eyes met Vaughn’s as he walked up the aisle alongside his brother. She found herself momentarily holding her breath. Then he looked away when Isabelle walked up to greet him and Simon. Sidney exhaled and turned back around, when she saw Kathleen studying her. “Does he know?” Kathleen asked softly. Sidney opened her mouth to protest—but before she could say a word, Corinne, the wedding planner, clapped her hands. “All right, people. We’ve got a bride, a groom, and a pastor. Anyone who isn’t here can get the CliffsNotes later. Let’s get this rehearsal started,” Corinne said.

Even if I’m defending the rights of women?” “Until you grow a set of ovaries, you can shut the hell up about our rights!

Come dance with me then. It will be like a rehearsal.” My brows furrowed. “Rehearsal for what?” “For our wedding,” Alessio said. “When we grow up, I will marry you.” I didn't answer, just smiled.

I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew--that after this, nothing would be the same . And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's. Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book.

Mike’s Tuxedo Rental was a bolt-hole of polyester knockoffs sandwiched between a Dunkin’ Donuts on the corner and a local flower shop on the other side. As Anne parallel-parked across the street from it, she checked the clock on her dash and was relieved they had an hour before the shop closed at five.

He’s a dumb ass,” Emilio said to me. “I’m almost finished.” The second he was out of earshot, Marcus sauntered back up to the bench with stiff, rehearsed swag. Definitely a mirror practicer, that one. “Why you messin’ with Emilio? What’s up with you and me?” He wiped his hand on his black tank top and held it out, presumably for me to take, at which point we’d presumably climb aboard his moped and ride off into the sunset. Before I could shatter his dreams, Samuel smacked his hand away. “Keep it movin’,” Samuel said. He nudged him back toward the bikes, but the guy was unfazed. “She likes me.” “She thinks you stupid,” Samuel said. “And she right.” Marcus cocked an eyebrow and licked his lips, more dazzling mirror work, and leaned in for another proposition. “When you’re ready to graduate from a boy to a man, you call me.” “How about I call when you’re ready to graduate from a boy to a man?” The other guys howled, and just when I decided this game might be kind of fun, Emilio was at the bench, tugging a shirt over his head. “Vamos, princesa.

Friends and family arrived at the church: Becky and Connell, my two lifelong friends and bridesmaids. Marlboro Man’s cousins and college friends. And Mike. My dear brother Mike, who hugged everyone who entered the church, from the little old ladies to the strapping former college football players. And just as I was greeting my Uncle John, I saw Mike go in for the kill as Tony, Marlboro Man’s good college friend, entered the door. “Wh-wh-wh-what is you name?” Mike’s thundering voice echoed through the church. “Hi, I’m Tony,” Marlboro Man’s friend said, extending his hand. “It’s n-n-n-nice to meet you, Tony,” Mike shouted back, not letting go of Tony’s hand. “Nice to meet you too, Mike,” Tony said, likely wondering when he would get his hand back. “You so handsome,” Mike said. Oh, Lord. Please, no, I thought. “Why…thank you, Mike,” Tony replied, smiling uncomfortably. If it hadn’t been my wedding rehearsal, I might have popped some popcorn, sat back, and enjoyed the show. But I just couldn’t watch. Mike’s affection had never been any respecter of persons.

I had meant to take her to my favorite pastry shop after dinner. I'd known happiness there once, or maybe not happiness, but the vision of it. I wanted to see whether the place had changed at all, or whether I had changed, or whether, just by sitting with her I could make up for old loves I'd gotten so close to but had never been bold enough to seize. Always got so very close, and always turned my back when the time came. Manfred and I had dessert here so many times, especially after the movies, and before Manfred, Maud and I, because it was so hot on summer nights that we'd stop to drink fizzy lemonades here, night after night, happy to be together drinking nothing stronger. And Chloe, of course, on those cold afternoons on Rivington Street so many years ago. My life, my real life, had not even happened yet, and all of this was rehearsal still. Tonight, I thought, relishing Joyce's words and feeling exquisitely sorry for myself, the time has come for me to set out on my journey westward. Then I thought of Saint Augustine's words: "Sero te amavi! Late have I loved you!

Jeff Ament: The minute we started rehearsing and Ed started singing -- which was within an hour of him landing in Seattle -- was the first time I was like, "Wow, this is a band that I'd play at home on my stereo." What he was writing about was the space Stone and I were in. We'd just lost one of our friends to a dark and evil addiction, and he was putting that feeling to words. I saw him as a brother. That's what pulled me back in [to making music]. It's like when you read a book and there's something describing something you've felt all your life.

That night, Marlboro Man and I had a date. It was the Thursday night before our wedding, and the rehearsal dinner was the following night. It would be our last night alone together before we’d say I do. I couldn’t wait to see him; it had been two whole days. Forty-eight excruciating hours. I missed him fiercely. When he arrived on my parents’ doorstep, I opened the door and smiled. He looked gorgeous. Solid. Irresistible. Grinning, he stepped forward and kissed me. “You look good,” he said softly, stepping back. “You got some sun today.” I gulped, flashing back to the agony of my facial that afternoon and fearing for the future of my face. I should have just stayed home and packed all day.

Sal and Henry return with a gust of warm garden air and I settle down to create miniature roses from sugarpaste using tiny ivory spatulas and crimpers. I will have no antique tester bed crowning my cake, only a posy of flowers: symbols of beauty and growth, each year new-blossoming. I let Henry paint the broken pieces with spinach juice, while I tint my flowers with cochineal and yellow gum. As a pretty device I paint a ladybird on a rose, and think it finer than Sèvres porcelain. At ten o'clock tomorrow, I will marry John Francis at St. Mark's Church, across the square. As Sal and I rehearse our plans for the day, pleasurable anticipation bubbles inside me like fizzing wine. We will return from church for this bride cake in the parlor, then take a simple wedding breakfast of hot buttered rolls, ham, cold chicken, and fruit, on the silver in the dining room. Nan has sent me a Yorkshire Game Pie, so crusted with wedding figures of wheatsheafs and blossoms it truly looks too good to eat. We have invited few guests, for I want no great show, and instead will have bread and beef sent to feed the poor. And at two o'clock, we will leave with Henry for a much anticipated holiday by the sea, at Sandhills, on the southern coast. John Francis has promised Henry he might try sea-bathing, while I have bought stocks of cerulean blue and burnt umber to attempt to catch the sea and sky in watercolor.

How was I ever going to explain to him, or to myself, why I couldn’t go to his home and meet his family, though every part of me was dying to? Oliver wife. Oliver sons. Oliver pets. Oliver study, desk, books, world, life. What had I expected? A hug, a handshake, a perfunctory hail-fellow-well-met, and then the unavoidable Later! ? The very possibility of meeting his family suddenly alarmed me—too real, too sudden, too in-my-face, not rehearsed enough. Over the years I’d lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I’d dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn’t just how distant were the paths we’d taken, it was the measure of loss that was going to strike me—a loss I didn’t mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we’ve stopped thinking of things we’ve lost and may never have cared for. Or was it that I was jealous of his family, of the life he’d made for himself, of the things I never shared and couldn’t possibly have known about? Things he had longed for, loved, and lost, and whose loss had crushed him, but whose presence in his life, when he had them, I wasn’t there to witness and wouldn’t know the first thing about. I wasn’t there when he’d acquired them, wasn’t there when he’d given them up. Or was it much, much simpler? I had come to see if I felt something, if something was still alive. The trouble was I didn’t want anything to be alive either.

The wedding rehearsal itself was uneventful until Father Johnson decided it was time to show Marlboro Man and me the proper way to walk to the marriage altar. Evidently, all of Father Johnson’s theological studies and work was destined to culminate in whether or not Marlboro Man and I approached the altar in the perfectly correct and proper way, because he was intent on driving the point home. “At this point,” Father Johnson instructed, “you’ll start to turn and Ree will take your arm.” He lightly pushed Marlboro Man in the proper direction, and the two of us began walking forward. “Nope, nope, nope,” Father Johnson said authoritatively. “Come back, come back.” Marlboro Man’s college friends snickered. “Oh…what did we do wrong?” I asked Father Johnson humbly. Maybe he’d discovered the truth about the collages. He showed us again. Marlboro Man was to turn and begin walking, then wait for me briefly. Then, as I took his arm, he was to lead me to the altar. Wait. Wasn’t that what we just did? We tried again, and Father Johnson corrected us…again. “Nope, nope, nope,” he said, pulling us both by the arm until we were back in our starting position. Marlboro Man’s friends chuckled. My stomach growled. And Marlboro Man kept quietly restrained, despite the fact that he was being repeatedly corrected by his fiancée’s interim minister for something that arguably wasn’t all that relevant to the commitment we were making to spend the rest of our lives together. We went through no fewer than seven more takes, and with each redo I began to realize that this was Father Johnson’s final test for us. Forget the collage assignment--that was small potatoes. Whether we could keep our cool and take instruction when a nice steak dinner and drinks awaited us at the country club was Father Johnson’s real decider of whether or not Marlboro Man and I were mature, composed, and levelheaded enough to proceed with the wedding. And while I knew Marlboro Man would grit his teeth and bear it, I wasn’t entirely sure I could. But I didn’t have to. On the beginning of the eighth run, just after Father Johnson gave us another “Nope. You’re not getting it right, kids…” Mike’s loud voice echoed throughout the wood-and-marble sanctuary. “Oh, c-c-c-c-come on, Father Johnson!” The chuckles turned into laughter. And out of the corner of my eye I saw Tony giving Mike a subtle high five. Thank goodness for Mike. He was hungry. He wanted to get on to the party.

Most of the guests left the rehearsal dinner at the country club; the remaining group--a varied collection of important figures in both of our lives--had skittered away to the downtown hotel where all of the out-of-town guests were staying. Marlboro Man and I, not ready to bid each other good night yet, had joined them in the small, dimly lit (lucky for me, given the deteriorating condition of my epidermis) hotel bar. We gathered at a collection of tiny tables butted up together and wound up talking and laughing into the night, toasting one another and spouting various late-night versions of “I’m so glad I know you” and “I love you, man!” In the midst of all the wedding planning and craziness, hanging out in a basement bar with uncles, college friends, and siblings was a relaxing, calming elixir. I wanted to bottle the feeling and store it up forever. It was late, though; I saw Marlboro Man looking at the clock in the bar. “I think I’ll head back to the ranch,” he whispered as his brother told another joke to the group. Marlboro Man had a long drive ahead, not to mention an entire lifetime with me. I couldn’t blame him for wanting a good night’s sleep. “I’m tired, too,” I said, grabbing my purse from under the table. And I was; the long day had finally set in. The two of us stood up and said our good-byes to all the people who loved us so much. Men stood up, some stumbling, and shook hands with Marlboro Man. Women blew kisses and mouthed Love you guys! to us as we walked out of the room and waved good-bye. But no one left the bar. Nobody loved us that much.

It is said that, as he wandered the streets of the City, an ancient jackbird cycled three times above him, then came to rest upon Sam's shoulder, saying: "Are you not Maitreya, Lord of Light, for whom the world has waited, lo, these many years–he whose coming I prophesyed long ago in a poem?" "No, my name is Sam," he replied, "and I am about to depart the world, not enter into it Who are you?" "I am a bird who was once a poet. All morning have I flown, since the yawp of Garuda opened the day. I was flying about the ways of Heaven looking for Lord Rudra, hoping to befoul him with my droppings, when I felt the power of a weird come over the land. I have flown far, and I have seen many things, Lord of Light." "What things have you seen, bird who was a poet?" "I have seen an unlit pyre set at the end of the world, with fogs stirring all about it. I have seen the gods who come late hurrying across the snows and rushing through the upper airs, circling outside the dome. I have seen the players upon the ranga and the nepathya, rehearsing the Masque of Blood, for the wedding of Death and Destruction. I have seen the Lord Vayu raise up his hand and stop the winds that circle through Heaven. I have seen all-colored Mara atop the spire of the highest tower, and I have felt the power of the weird he lays–for I have seen the phantom cats troubled within the wood, then hurrying in this direction. I have seen the tears of a man and of a woman. I have heard the laughter of a goddess. I have seen a bright spear uplifted against the morning, and I have heard an oath spoken. I have seen the Lord of Light at last, of whom I wrote, long ago: Always dying, never dead; Ever ending, never ended; Loathed in darkness, Clothed in light, He comes, to end a world, As morning ends the night. These lines were writ By Morgan, free, Who shall, the day he dies, See this prophecy." The bird ruffled his feathers then and was still. "I am pleased, bird, that you have had a chance to see many things," said Sam, "and that within the fiction of your metaphor you have achieved a certain satisfaction. Unfortunately, poetic truth differs considerably from that which surrounds most of the business of life." "Hail, Lord of Light!" said the bird, and sprang into the air. As he rose, he was pierced through by an arrow shot from a nearby window by one who hated jackbirds. Sam hurried on.

The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.

She had never paid much attention to the Middle Eastern situation, per se, and now she knew why. It was an overload of craziness. It was a seventy-piece orchestra rehearsing a funeral dirge and a wedding march simultaneously in a broom closet.

Like right now? She was castrating him, throwing his balls down the disposal in the sink and hitting the switch

eyes as they stared up at him the night before, he started to speak, the words not coming from his brain,

You want to throw me against a wall and see if I stick?

ceremony rehearsal, and one of the groomsmen dared to suggest that Evan might want to take a small sedative before the real wedding, which, as you can imagine, did not go over well. Oh, and Francois threatened to quit halfway through the final menu tasting.” Harmony cringed. “Yikes.” “I think if Francois would have quit, I would have too.” I sighed. “I believe it. I’ve never seen you use the coffee table as an ottoman before.” I smiled and wiggled my toes. “I don’t know why not.” “Well, as you explained to me, this here is an authentic Jason Partillo design,” Harmony replied, a lilt in her voice as she gently needled me with her elbow. I laughed softly. “Are you trying to say that those of us who live in diva houses shouldn’t throw shoes?” She barked a laugh. “No. This Evan guy sounds like he left diva in the dust a long time ago and plowed straight into narcissistic jerk land.” “Can’t argue with that.” I closed my eyes, my head leaning against the back of the sofa. “Two days and then it’s over and they won’t be my problem anymore. I have fifteen weddings between now and June. That’s going to feel like a walk in the park compared to this nonsense.” “And in the meantime, you get the rest of the night off to spend with me and your bestie!” Harmony said. “Assuming I can stay awake, that is,” I replied, peeling my eyes open. “I should have left room in the schedule for a pre-dinner nap.” Harmony laughed and sprang off the sofa to continue getting ready. “Do you think I should wear my black tights with the red sweater dress, or can I get away with jeans? Is the place we’re going fancy fancy or fancy-ish?” I smiled at my sister’s nervous musings. She wasn’t one to ask for my fashion advice, mostly because I preferred my clothes hole-free and didn’t own anything with spikes or studs on it. While she could dress up when the situation warranted, Harmony tended toward a certain grunge-chic aesthetic with colorful streaks in her otherwise bleached-blonde hair, four piercings in each ear, and a penchant for artfully torn clothing and bomber jackets. And she’d recently added a small crystal stud to her nose. “It’s fancy-adjacent,” I told her. “Go with the leggings and dress.” Harmony nodded, even as her teeth worked nervously at her lower lip. I smiled. “She’s going to love you, Harmony. Stop stressing.” Holly Boldt, my good friend and fellow witch, was coming into the Seattle Haven to speak at a potion making conference, and we’d made plans

I skipped a class because his old college friends were in town. Then I was late for a rehearsal because he was getting an award. He had an open slot in his schedule, and we'd talked about taking a vacation together. I was about to turn down a concert when I finally woke up and realized I was losing myself.

We were a band,” Seiwell contended. “We’d just done all this touring, we’d knit as a unit, and at the rehearsals in Scotland, everybody was giving their all. So I said to Paul, ‘Can’t we just postpone this for a month? That studio in Lagos will still be ready for you, but let’s first break in a new guitarist, so we can go down and record the album as a band.’ And he said, ‘No, I don’t want to do that. Let’s just go down, and it will be like Ram—we’ll just get the basic tracks and do overdubs.’ That didn’t sit well with me.

The stewards of Honeywell House had really outdone themselves with the decorations. As with the rehearsal dinner, everything was lit by candlelight. Delicate crystal chandeliers hung from the ceiling, light danced from the brass sconces on the walls, and there were pillars holding bowls of water with small tealight candles floating on the top in the shape of water lilies. It was like a set from one of those Nancy Meyers movies his mums had made him watch growing up.

From the day I met her at the wedding rehearsal, I couldn’t stop thinking of her beautiful face. I was forever drawing her, sketching her, and even tattooing her. How many people in Ellsberg were walking around with tattoos of Lark’s face? Whenever a client didn’t bring a specific image in and a woman’s face was involved, I used Lark’s. Hell, I hadn’t even noticed this fact until two happy clients showed off their tattoos and I realized the pinup girl and fairy princess had the same face.

The wedding I was very calm the next morning when we were getting up at Clarence House. Must have been awake about 5am. Interesting--they put me in a bedroom overlooking the Mall which meant I didn’t get any sleep. I was very, very calm, deathly calm. I felt I was a lamb to the slaughter. I knew it and couldn’t do anything about it. My last night of freedom with Jane at Clarence House. Father was so thrilled he waved himself stupid. We went past St Martin-in-the-Fields and he thought we were at St Paul’s. He was ready to get out. It was wonderful, that. As I walked up the aisle I was looking for her [Camilla]. I knew she was in there, of course. I looked for her. Anyway I got up to the top. I thought the whole thing was hysterical, getting married, in the sense that it was just like it was so grown up and here was Diana--a kindergarten teacher. The whole thing was ridiculous! I cried a lot on the Monday when we had done the rehearsal because the tension had suddenly hit me. But by Wednesday I was fine and I had to get my father basically up the aisle and that’s what I concentrated on and I remember being terribly worried about curtseying to the Queen. I remember being so in love with my husband that I couldn’t take my eyes off him. I just absolutely thought I was the luckiest girl in the world. He was going to look after me. Well, was I wrong on that assumption.

How did you learn to ballroom dance? That’s quite an accomplishment for a boy your age.” “My mom taught me.” He glanced at her. The anger had faded from his eyes. “I’m pretty good.” “I’m not surprised.” She liked the way he’d perked up. It was good to see his confidence emerging. Too bad he couldn’t showcase his talent for tomorrow’s audience. She was certain it would be beneficial. “Is there anything else you could do for the show? What other talents do you have?” Max shrugged. “Nothing, really.” His feet shuffled under the table. “’Cept being a goalie and building boat models, but I can’t do those for a talent show.” “Is there some other kind of dance you could do?” “It’s too late to come up with a new dance. The show’s tomorrow. Besides, it’s for a parent and their child.” His eyes pulled down at the corners, and he ducked his head. “I wish I could help, but I don’t know how to ballroom dance. I guess it wouldn’t be the same without your mom anyway.” His head lifted. Hope sparkled in his eyes. “You could learn.” “Oh, I—I think it would take longer than a day, Max.” Meridith laughed uneasily. “Especially for me.” His head and shoulders seemed to sink. “I guess you’re right. I only know how to lead, and I don’t know how to teach it.” “I know how.” Jake appeared in the doorway, filling it with his broad shoulders and tall frame. “Didn’t mean to eavesdrop.” “He could teach you!” Max’s eyes widened. He looked back and forth between Jake and Meridith. “Oh,” Meridith said, “We couldn’t ask—” “I’m offering,” Jake said. “I can be here bright and early tomorrow morning.” Max’s dimple hollowed his cheek. “No, I—you don’t understand, the show’s tomorrow night, and I’m a bad dancer.” Jake leaned against the doorframe, crossed his arms. “You said you wanted to help.” “Well, I do, but I don’t see how—you know how to ballroom dance?” The notion suddenly struck her as unlikely. “I can do more than swing a hammer.” “I didn’t mean—” “So you’ll do it?” Max bounced on the chair. She hadn’t seen him this excited since she’d arrived. She looked at Jake. At his wide shoulders, thick arms, sturdy calloused hands. She remembered the look in his eyes just minutes ago and imagined herself trapped in the confines of his embrace for as long as it took her to learn the dance. Which would be about, oh, a few years. “And why would you do this?” It wasn’t as if he owed her anything. Unless he was punching the time clock on the lessons. “Let’s just say I was picked on a time or two myself.” Max rubbed his hands together. “Toby and Travis, eat your heart out!” “Now, hold on. We already missed dress rehearsals. I don’t know if Mrs. Wilcox will let us slip in last minute.” “Call her,” Jake said. He had all the answers, didn’t he? She spared him a scowl as she slid past on her way to the phone. “Hi, Mrs. Wilcox? This is Meridith Ward again.” She looked over her shoulder. Max waited, Jake standing behind him, thumbs hooked in his jeans pockets, looking all smug. “I was wondering. If Max can get a replacement for the dance, could he still participate?” Please say no. “I know he’s missing dress rehearsals and—” “That would be no problem whatsoever.” Mrs. Wilcox sounded delighted. “We’d fit him in and be glad to have him. Have you found him another partner?” “Uh, looks like we have.” She thanked Mrs. Wilcox and hung up, then turned to face a hopeful Max. “What did she say?” he asked. Meridith swallowed hard. “She said they could work you back into the schedule.” She cast Jake a plea. “But I don’t know if I can do this. I wasn’t kidding, I have no rhythm whatsoever.” “Look at the kid. You can’t say no to that.” Max was grinning from ear to ear. It was Meridith’s shoulders that slunk now. Heaven help her. She winced and forced the words. “All right. I’ll do it.” Max let out a whoop and threw his arms around her.

The sessions for Some Girls always had a following wind from the moment we started rehearsing in the strangely shaped Pathé Marconi studios in Paris. It was a rejuvenation, surprisingly for such a dark moment, when it was possible that I would go to jail and the Stones would dissolve. But maybe that was part of it. Let’s get something down before it happens. It had an echo of Beggars Banquet about it—a long period of silence and then coming back with a bang, and a new sound. You can’t argue with seven million copies and two top ten singles out of it, “Miss You” and “Beast of Burden.” Nothing was prepared before we got there. Everything was written in the studio day by day. So it was like the earlier times, at RCA in Los Angeles in the mid-’60s—songs pouring out. Another big difference from recent albums was that we had no other musicians in with us—no horns, no Billy Preston. Extra stuff was dubbed later. If anything the buildup of sidemen had taken us down a different path in the ’70s, away from our best instincts on some occasions. So the record was down to us, and it being Ronnie Wood’s first album with us, down to our guitar weaving on tracks like “Beast of Burden.” We were more focused and we had to work harder. The sound we got had a lot to do with Chris Kimsey, the engineer and producer who we were working with for the first time. We knew him from his apprenticeship at Olympic Studios, and so he knew our stuff backwards. And he would, on the basis of this experiment, engineer or coproduce eight albums for us. We had to pull something out—not make another Stones-in-the-doldrums album. He wanted to get a live sound back and move away from the clean and clinical-sounding recordings we’d slipped into. We were in the Pathé Marconi studios because they were owned by EMI, with whom we’d just made a big deal.

ISBN 978-1-9821-0536-5 (ebook)

Rehearsal? Why do they need a rehearsal? The ceremony’s pretty straightforward.” He drops onto the step next to me and slides an arm around my shoulders. “You just do what the guy tells you to do.” “The guy?” I lean against him, his warm body making me forget the discomfort of the hard steps. “Sure, the wedding guy. The officiant. Whatever.

The day before my wedding, I was in my room at my dad's getting ready for the rehearsal dinner as my thoughts drifted back to the reunion between Chelsea and Victoria. After our near Guinness-record-breaking group hug, Trace and I sat with Victoria for almost five hours talking. It had been heartbreaking to witness the pain in Victoria’s eyes as Trace recounted the events leading up to the accident and Chelsea’s condition. Like mother, like son, Victoria blamed herself while fervently telling Trace that he was not at fault. None of it mattered when the two women actually met and, though thirteen years had passed, the bond between mother and daughter was still there. In the two weeks since, the three of them had gotten to know each other and had become a family reconnected.

Who gives this woman to be wed?” he asked in a booming voice. There was a speculative pause as Stephen looked from the minister to Julianne. She held her breath, wondering what her brother was up to now. “No one,” Stephen stated, deviating from what they’d rehearsed the night before. “This woman comes of her own free will out of love for this man. And with the support and love of her family.

Kate looked out into the garden, gripping the edges of the leather so tightly that her fingers were white, and said she was owed an apology. Meg asked: For what? You hurt my feelings, Meghan. When? Please tell me. I told you I couldn’t remember something and you said it was my hormones. What are you talking about? Kate mentioned a phone call in which they’d discussed the timing of wedding rehearsals. Meg said: Oh, yes! I remember: You couldn’t remember something, and I said it’s not a big deal, it’s baby brain. Because you’d just had a baby. It’s hormones. Kate’s eyes widened: Yes. You talked about my hormones. We’re not close enough for you to talk about my hormones! Meg’s eyes got wide too. She looked genuinely confused. I’m sorry I talked about your hormones. That’s just how I talk with my girlfriends. Willy pointed at Meg. It’s rude, Meghan. It’s not what’s done here in Britain. Kindly take your finger out of my face. Was this really happening? Had it actually come to this? Shouting at each other about place cards and hormones? Meg said she’d never intentionally do anything to hurt Kate, and if she ever did, she asked Kate to please just let her know so it wouldn’t happen again. We all hugged. Kind of. And then I said we’d better be going.

Mazursky worked the opposite of me. He rehearsed around a table, then on a floor with tape marks, then at the actual locations. He planned every single shot and knew exactly what he was going to shoot each morning. I, by contrast, never rehearsed, never planned anything, often had no idea what I was shooting till I came on the set and was handed the pages for the day. Sometimes I didn’t even own a script. This was contrary to how Gordon Willis worked, but we liked each other and both kind of compromised our instinctive way to work, with me doing most of the compromising. With Carlo Di Palma it was a different story. Carlo was a great photographer but totally undisciplined and he was like me; he liked to come on to the set and feel the light, mosey around, and eventually his gut told him where to go and what lights to use. So we’d both arrive, Carlo and I, Carlo sipping his morning cup of beer at seven a.m. and I’d mosey and he’d mosey and I’d say, “What scene is that again?” And the meter would be moseying at a hundred fifty grand a day and finally I’d feel what I wanted to do. Carlo would get it, maybe suggest a tweak—as opposed to Gordy’s “I’m not making that fucking shot, it’s pretentious.” And somehow we all made movies together.

knew how much I didn’t like swapping. I was always worried we’d be caught out. The last time almost ended in disaster, and the memory of that day caused my pulse to spike even more. Did Ronnie and Holly suspect that we’d swapped? They were aware of Ali’s birthmark which was the only way to tell us apart. Perhaps Ronnie would try to sneak a peek at my shoulder before rehearsals

Like I said, it’s you and me against the world for this train wreck.

So. Cake. Chocolate raspberry?" "The cupcakes," Agnes said, concentrating on the important stuff, since the gunfire seemed to have stopped. "I know that's your favorite, Maria, but the cake has to be strong enough to support the fondant, and that one's pretty delicate. It'd be wonderful served with raspberry sauce at the rehearsal dinner, though. The raspberry sauce is in the silver bowl. The heart-shaped cakes are Italian cream cake and the round ones are pound cake, which is the only kind I'm positive will hold up the fondant. The square ones are a coconut pound cake that I'm trying out.

Etymologically, paroikia (a compound word from para and oikos) literally means “next to” or “alongside of the house” and, in a technical sense, meant a group of resident aliens. This sense of “parish” carried a theological context into the life of the Early Church and meant a “Christian society of strangers or aliens whose true state or citizenship is in heaven.” So whether one’s flock consists of fifty people in a church which can financially sustain a priest or if it is merely a few people in a living room whose priest must find secular employment, it is a parish. This original meaning of parish also implies the kind of evangelism that accompanies the call of a true parish priest. A parish is a geographical distinction rather than a member-oriented distinction. A priest’s duties do not pertain only to the people who fill the pews of his church on a Sunday morning. He is a priest to everyone who fills the houses in the “cure” where God as placed him. This ministry might not look like choir rehearsals, rector’s meetings, midweek “extreme” youth nights, or Saturday weddings. Instead, it looks like helping a battered wife find shelter from her abusive husband, discretely paying a poor neighbor’s heating oil bill when their tank runs empty in the middle of a bitter snow storm, providing an extra set of hands to a farmer who needs to get all of his freshly-baled hay in the barn before it rains that night, taking food from his own pantry or freezer to help feed a neighbor’s family, or offering his home for emergency foster care. This kind of “parochial” ministry was best modeled by the old Russian staretzi (holy men) who found every opportunity to incarnate the hands and feet of Christ to the communities where they lived. Perhaps Geoffrey Chaucer caught a glimpse of the true nature of parish life through his introduction of the “Parson” in the Prologue of The Canterbury Tales. Note how the issues of sacrifice, humility, and community mentioned above characterize this Parson’s cure even when opportunities were available for “greater” things: "There was a good man of religion, a poor Parson, but rich in holy thought and deed. He was also a learned man, a clerk, and would faithfully preach Christ’s gospel and devoutly instruct his parishioners. He was benign, wonderfully diligent, and patient in adversity, as he was often tested. He was loath to excommunicate for unpaid tithes, but rather would give to his poor parishioners out of the church alms and also of his own substance; in little he found sufficiency. His parish was wide and the houses far apart, but not even for thunder or rain did he neglect to visit the farthest, great or small, in sickness or misfortune, going on foot, a staff in his hand… He would not farm out his benefice, nor leave his sheep stuck fast in the mire, while he ran to London to St. Paul’s, to get an easy appointment as a chantry-priest, or to be retained by some guild, but dwelled at home and guarded his fold well, so that the wolf would not make it miscarry… There was nowhere a better priest than he. He looked for no pomp and reverence, nor yet was his conscience too particular; but the teaching of Christ and his apostles he taught, and first he followed it himself." As we can see, the distinction between the work of worship and the work of ministry becomes clear. We worship God via the Eucharist. We serve God via our ministry to others. Large congregations make it possible for clergy and congregation to worship anonymously (even with strangers) while often omitting ministry altogether. No wonder Satan wants to discredit house churches and make them “odd things”! Thus, while the actual house church may only boast a membership in the single digits, the house church parish is much larger—perhaps into the hundreds as is the case with my own—and the overall ministry is more like that of Christ’s own—feeding, healing, forgiving, engaging in all the cycles of community life, whether the people attend

really

So how do you think scripts should be read? How can they be read? When I was trying to write the stage directions for publication—in those final few weeks of scramble before we opened—I got really worried about all this. I remember in rehearsals we’d delete chunks of the script because the actors were communicating something effortlessly with a look, so didn’t need the lines I’d written. This script was created for a particular group of actors, but others need to inhabit the roles too. The reader needs to visualize the characters, as does the director. When you’re reading a script for the first time, what are you looking for? JOHN: As a director, the first time you read a new script is very precious. It’s the closest you’re ever going to be to an audience watching a production of this script for the first time. Reading a finished script should allow us access to the story, its characters, and the themes the playwright is exploring. A script can make us laugh and cry. It can take us through the joy of its story and also make us feel deep despair for the suffering of its characters. A script builds towards a fully realized production and an experience that can be shared with the audience.   As a playwright, how much of this full experience do you imagine when you are writing a script? Do you speak the characters’ lines out loud as you type them? JACK: I do worse than that, I move like them. Which, when you’re working in well-known coffee shops and sandwich retailers, can lead to you attracting some strange looks. I find myself twisting into the character and gesticulating like them. It’s all very embarrassing.   The thing that was perhaps most interesting about the process of writing this particular script is that I have never spent more time with actors—ever. Through the weeks of workshops and then weeks of rehearsals we were all in those rooms together for so long, all of us, from the design team to the sound team to the lights. I don’t think any of us have experienced anything like that—I think it probably works out at eight months or so, all in all. What effect would you say that had on what was created? I’m sure it made it all a lot better, but more than that do you think it somehow changed the tone of what we did?

Gabriela’s brows scrunch together. “Yeah. I texted you about it yesterday.” Shoot. I turned on the Do Not Disturb setting because Mom kept hounding me with questions about my maid of honor speech. While I haven’t managed to write a sentence yet, Aiden’s best man, Luke Darling, already sent my mom a copy for her to approve. “Is Aiden joining us going to be a problem?” My sister asks in a somewhat strained tone. Mom’s gaze bounces between the two of us, accusatory as ever when it lands on me, silently demanding that I don’t cause a scene and ruin my sister’s day. “No,” I fight to transform my frown into a smile. “No issue at all.” It’s a lie, but thankfully, no one calls me out on it. To say things have been slightly awkward between my sister and me since she started dating my ex is an understatement, but then again, I haven’t helped matters either. Which is why you’re here, making an effort to be present and helpful before Gabriela’s wedding instead of avoiding everyone until right before the rehearsal dinner. My expression must ease my sister’s concerns because she quickly turns toward the restaurant’s front door. Her smile returns. “Oh good! Luke decided to come after all.” I was so distracted by my thoughts that I didn’t notice Luke strolling into the restaurant behind Aiden. Shit. My heart falters. “He’s here too?” Gabriela glances over at me. “He and Aiden had plans, so I invited him.” “Why?” The question accidentally slips out. I may have only spoken to Luke on four separate occasions, but it was enough. I’ve dated guys like him in the past, and it never ended

It is nice, this ritual. She likes that there is a specific phrase for it, this turning down of the room, this recognition that the night is something we must prepare for. Because the night is hard... She would crawl into bed and think of all the different women she could have become. All the different ways better women end their days. How did Mia end her day? She didn't know why the end of each day always felt like such a test, but it did. It felt like a rehearsal for the end of life, which did not bode well for her, because Phoebe often did it with a drink in her hand, watching endless episodes of some period drama. Phoebe turned on all the lights at home and then her TV and lowered the woofer because the sounds of the British rifles were too realistic.