Wedding Engraving Quotes

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When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
Okay, gang," I said, "according to blueprints, there's an elevator access panel on the east side of the building. We may get a little dirty, but—" "I thought we'd just go through the doors," Liz said, flashing three beautifully engraved invitations and some wonderfully authentic fake IDs. The tickets were $20,000 each. The Secret Service had been vetting the guest list for weeks, so Bex and I stopped beneath a streetlamp and studied Liz. "Do I even want to know where you got those?" I asked. Liz seemed to ponder it, and then she said, "No.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
Napoleon had the words “To Destiny!” engraved on the wedding ring he gave his wife. Destiny was what he’d always believed in, it was how he justified his boldest, most ambitious ideas.
Ryan Holiday (Ego Is the Enemy)
On the eve of the wedding, which Diana spent at Clarence House, her mood was much improved when Charles sent her a signet ring engraved with the Prince of Wales feathers and an affectionate card which said: “I’m so proud of you and when you come up I’ll be there at the altar for you tomorrow. Just look ‘em in the eye and knock ‘em dead.
Andrew Morton (Diana: Her True Story in Her Own Words)
Guess my fingers are a little fatter than they used to be. It’s engraved on the inside, the date of our wedding: July twenty-third, 2005. Best day of my life …” An empty laugh, to push away the tears. “I like wearing the ring. It’s a little reminder of Rachel, of the life we had together, however short it was. Means she’s still here in some small way.
Holly Jackson (The Reappearance of Rachel Price)
I didn’t want a fancy engagement ring or a gaudy wedding band; for me, a plain wedding ring was a perfect symbol. I like simple, especially in a wedding ring: it reminds you that love is about love, nothing else--not money, not appearances, not showing off. But it seemed almost impossible to convince anyone of that. Including Chris. He kept asking me what I wanted, and wouldn’t take “simple” for an answer. Then my mother got into the act. My grandmother had left her a diamond from a ring that she had had. Mom suggested that I use it as the centerpiece of an engagement ring. I told her thanks, but no thanks. “I don’t care whether you wear it as an engagement ring or a belly button ring,” she insisted after we went around a bit. “But I’m sending it.” She did. It was lovely. Chris and I ended up taking it to a local jewelry store. We found a wonderful setting we both loved and had the jeweler set the diamond in it. We got our wedding rings the same day, adding an engraving on the inside. “All of me,” Chris wrote on mine. “My love, my life,” I said on his.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium. “It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?” Aric nodded. “I will be on the lookout for it.” Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body. The return view was even more rewarding. He sat beside me and handed me a small jewelry box. “I want you to have this.” I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased. “My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.” First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.” The symbol of his parents’ marriage had been derived from trees. Another waypoint.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.
Laura Brooks (Greek Isles (Timeless Places))
I continue opening boxes. I find more faded and cracked photographs than I ever want to see. I find many engraved invitations to the weddings of people who are no longer married. I find many mass cards from the funerals of people whose faces I no longer remember. In theory these mementos serve to bring back the moment. In fact they serve only to make clear how inadequately I appreciated the moment when it was here. How inadequately I appreciated the moment when it was here is something else I could never afford to see.
Joan Didion (Blue Nights)
But every parent will know that it makes perfect sense. After his birth, the logic is different. Instantly it became clear that the life of the child has infinite dignity. Of course it is worth the grief, even if the candle is only lit for such a short time. Once a kid is born you’ve been seized by a commitment, the strength of which you couldn’t even have imagined beforehand. It brings you to the doorstep of disciplined service. When a parent falls in love with a child, the love arouses amazing energy levels; we lose sleep caring for the infant. The love impels us to make vows to the thing we love; parents vow to always be there for their kid. Fulfilling those vows requires us to perform specific self-sacrificial practices; we push the baby in a stroller when maybe we’d rather go out alone for a run. Over time those practices become habits, and those habits engrave a certain disposition; by the time the kid is three, the habit of putting the child’s needs first has become second nature to most parents. Slowly, slowly, by steady dedication, you’ve transformed a central part of yourself into something a little more giving, more in harmony with others and more in harmony with what is good than it was before. Gradually the big loves overshadow the little ones: Why would I spend my weekends playing golf when I could spend my weekends playing ball with my children? In my experience, people repress bad desires only when they are able to turn their attention to a better desire. When you’re deep in a commitment, the distinction between altruism and selfishness begins to fade away. When you serve your child it feels like you are serving a piece of yourself. That disposition to do good is what having good character is all about. In this way, moral formation is not individual; it is relational. Character is not something you build sitting in a room thinking about the difference between right and wrong and about your own willpower. Character emerges from our commitments. If you want to inculcate character in someone else, teach them how to form commitments—temporary ones in childhood, provisional ones in youth, permanent ones in adulthood. Commitments are the school for moral formation.
David Brooks (The Second Mountain: The Quest for a Moral Life)
The lumps of granite look like friendly gnomes; powdery bark curls off the birches’ trunks, heavy rich paper engraved with rust-colored lines like a wedding invitation; the ferns are comical, elegant hairdos on invisible heads. So I’m lost in the woods, oh well.
Kate Christensen (Welcome Home, Stranger: A Novel)
Syrians reduced to numbers Announced on TV broadcasts Transformed to names, Printed on death announcements Engraved on headstones Cherished by beloved ones alone --from "A Damascene Wedding" (Wild River Review)
Muna Imady
railroad tracks. After the train went past, we’d scramble around trying to find them, and when we did, we’d always marvel at how any trace of engraving would be completely gone. Sometimes the pennies were still hot. I remember almost burning my fingers one time. When I think back on my childhood, it’s mostly about small pleasures like that.” Katie shrugged, but Jo remained silent, willing her to go on.
Anonymous
Um, Your Majesty,” the priest cleared his throat, “we’re not to that part of the ceremony yet.” Still, Darling held on to her and whispered in her ear with that deep, damaged voice that sent chills all over her body. “In all my life, I have only had one haven that sheltered me from my hell. One woman whose smile made me fly even after I’d hit the ground so hard that I didn’t think I could ever stand again. There is nothing in this universe that could destroy me, except you, Zarya. You have taken a monster and made him human. My wounded soul was healed because of your smile. So long as I live and even beyond this life, I am and will always be ever yours.” Her tears fell even harder as she heard the sincerity behind those words. “Ever yours” was what he’d engraved in the band of her wedding ring… She
Sherrilyn Kenyon (Born of Silence (The League #5))
but she kept the box engraved with his initials, J. C., next to her bed. Along with the medals were one or two photos, a wedding ring, and a single lock of blond hair. Sometimes Jocelyn took the box out and opened it and held the lock of hair very gently in her hands before putting it back and carefully locking the box up again.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
It’s not Victoria,” I whispered. Liam shook his head. “No, it’s not. When celestials or gods die, the energy that makes us returns to where it came from. There is no body to bury. This must be one of her trusted subjects.” I stepped a little to his left as he peered further inside. In the tomb lay the remains of what could possibly be a man. The wear and tear of time had left a grayish hulk covered in a white shawl. Beads and jewels lined the neck, and it held a worn and tattered book in its hands. It was thick, at least a thousand pages, but was not made of any type of paper I had ever seen. Various symbols were engraved deeply into the brown leather cover, and silver latches held it closed. The Book of Azrael. We’d finally found it. Not only had we found it, but we’d found it before Kaden and Tobias.
Amber V. Nicole (The Book of Azrael (Gods and Monsters, #1))
Look at the inside,” he says. I peer at the engraving. June 16. The day we first kissed that summer all those years ago. My eyes jerk to his. “You remembered,” I say. “I never forgot.
Sophia Travers (One Wealthy Wedding (Kings Lane Billionaires, #3))
Hell. I swallowed hard and traced a finger along one of the cuff bracelets. The color of platinum. “My God, Lee.” I picked one of them up and felt the weight of it in my hand. Such a simple design, straight lines, gleaming metal, about four or five millimeters wide, maybe two millimeters thick. Both had the same engraving. The Property and Love of Master Kingsley. Lee’s arms appeared under mine, and he placed a tiny screwdriver of sorts next to the box. It was the key, I realized. He was collaring me—permanently. Fuck. I wasn’t gonna cry, I wasn’t gonna cry. “Wear my collar,” he whispered in my ear. “For the rest of your life.” I nodded jerkily as my throat closed up. Holy shit, this was happening. “Always, Master.” He pressed himself closer to my back and took the first cuff from me. And he used the little screwdriver, in the same material, and unlocked the tiny lock. “Have you heard of cobalt chrome before?” he asked quietly. I shook my head, unable to stop staring at the cuffs. “Long before we started marketing it as an alternative for gold in wedding rings, we’ve used it for artificial joints, implants, and prosthetics because of how our bodies accept the metal.” He attached the first cuff around my left wrist, and it snapped into place with the faintest snick. Then he used the tool to secure the locking mechanism. “You’ll wear them day and night. You’ll shower with them. They’ll weather every storm, every fight-fuck in the woods, every flame from my Kevlar flogger, and any insecurity we might face together.” I sniffled and blinked past the sting in my eyes. “They’ll always be with you.” He moved on to the second cuff. “By default, I will always be with you too. They’re not just proof of my ownership—they’re a reminder that Master is one call away. And only he has the key.” My chest seized up, and the second both cuffs were locked into place, I spun in his embrace and threw my arms around his neck. I couldn’t fucking find my words. I just felt how full my heart was, how joy surged through me, how comfort threw a giant blanket over my existence. Lee tightened his arms around me and squeezed me so hard. “They’re never coming off.” “Good,” I croaked. “I love you so much.” Stronger than titanium. Like our love.
Cara Dee (Out of the Ashes (The Game, #5))
THE CONNECTION BETWEEN social status and reproduction has been lost in modern society, thanks to our prosperity and our access to effective birth control. Human psychology, however, can’t shake the effects of this age-old connection. Since our inborn tendencies derive from ancestors who spread their genes, their means of social success are engraved into our psychology. Both male and female primates, and both men and women, are eager to ascend the social ladder. This has always been the winning ticket. Our primate heritage is still visible in the way we evaluate male and female leaders. We pay attention to the physical size of men, for example, but not of women. You’d think that we’d pay at least as much attention to a man’s intellect, experience, and expertise, but we remain stubbornly sensitive to his height. Our biases echo a time when physical prowess mattered more.
Frans de Waal (Different: Gender Through the Eyes of a Primatologist)
Displayed on top of a chest of drawers were several wedding gifts received twenty-five years earlier by Francesco’s parents: an engraved wooden box; an open case containing six crystal glasses, each in its own faded velvet-lined niche; a collection of small plaster figurines; and other such objects. The only use for these things was to be shown off, and they never moved from their place on the dresser except to be delicately cleaned and dusted. Gathered in what could be described as an altar, the great value of these precious things had been impressed on Francesco from a very young age, so that the objects would not fall victim to the violence of his curious little hands. And so acquiring, because inviolable, increased power and mystery, these nuptial gifts inhabited his childhood like people of a strange and noble lineage.
Elsa Morante (Lies and Sorcery)
She came anyway, but this time, she brought a wedding gift with her. A wedding gift that would kick off the Trojan War. Eris, the goddess of Discord, wasn't invited to the wedding of Peleus and Thetis. Not to be deterred, she came anyway, and she brought something with her. What she brought with her was a golden apple that had the words, "...to the fairest" engraved on it. And the three goddesses - Aphrodite, Athena and Hera - began fighting each other over it...and that's how the Trojan War started. It's also how Rome was founded, as the story goes.
Michael Jagdeo
She tried not to judge—a little bit—but alas. That would no doubt be engraved on her tombstone: Camilla tried to be good, but not for very long.
Courtney Milan (After the Wedding (The Worth Saga, #2))
But you could run out of gas on boyish, that was the thing. A message that should be engraved in every woman’s wedding band.
Barbara Kingsolver (Flight Behavior)