Wedding Bouquet Quotes

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He took the hand that wasn’t holding the bou­quet of wildflowers and stared at it, holding it so tightly that she thought he might crack her bones. Then his hold gentled. He slipped a gold ring onto her finger and lifted his gaze to hers. “I’m not a brave man; I’ll never be a hero, but I love you more than life itself, and I will until the day I die. With you by my side, I’m a better man than I’ve ever been alone. I’m scared to death that I’ll let you down, but I won’t run this time. I’ll stand firm and face the challenge and work hard to see that you never have any regrets. You told me once that you wanted to share a corner of my dream. Without you, Amelia, I have no dream. With you, I have everything I could ever dream of wanting.” Tears burned her eyes as he glanced back at the preacher. “I’m done.” -Houston to Amelia as his wedding vow.
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
Lorcan nodded, "It'ss a beautiful night," he said. "The stars have all come out for you, Darcy." He turned to go, then had a fresh thought. "Oh and Tempest, a word to the wise..." Grace was busily gathering up the edges of Darcy's train. "Yes?" she said, glancing up at Lorcan. "What is it Furey?" Lorcan grinned."Just so you know, I've put down good money on you catching the wedding bouquet. I trust you wouldn't let me down!" as he winked at her, Grace thought his eyes never looked so blue. They were eyes you could never tire from looking at- as deep and constant and infinite as the ocean itself.
Justin Somper (Immortal War (Vampirates, #6))
True contentment is found in the quiet moments, wrapped in each other’s arms, with no place we'd rather be.
Rendi Ansyah (Beyond the Bouquet: A Symphony of Love in Fifty Movements)
The rose, however, made us girls somewhat fainthearted, because it really was something we felt mattered, the white bridal dream with the wedding bouquet and the kiss from the man who was to be ours forever. But then Laura said that the lady who had given it to us had gotten divorced only five years later. And since many of our parents were also divorce, if indeed they had ever been married at all, that dream clearly wasn't worth our time.
Janne Teller
The UK Royal family follow some weird rules. Among the least known are that they cannot play Monopoly, cannot eat shellfish, and every royal bride should carry myrtle in her wedding bouquet.
Nayden Kostov (323 Disturbing Facts about Our World)
I see you inside me," he said once, trailing us between classes. "I see you beneath my skin. I see you standing in the church of my lungs and you are there, holding my bones like a wedding bouquet.
Cassandra Khaw (The Library at Hellebore)
Let’s get you to your wedding, princess.” “I’ll make sure Rowen tosses the bouquet your way, sweetie,” Jesse said, adjusting his tie before buttoning his jacket. “Bite me, Walker.” He grinned at me. “Love you too, Black.
Nicole Williams (Finders Keepers (Lost & Found, #3))
I was stuck back on “you can’t have two maids of honor” and therefore fighting back hyperventilation at the same time flashing pictures filled my head of a commando-style wedding; Hawk in black cargos, me in a white flak jacket festooned with lace. The picture of me carrying a bouquet of flowers and Hawk carrying an automatic weapon. The picture of me admiring Hawk’s huge-ass hunting knife. The picture of Hawk carrying me out of the reception in a fireman’s hold while bullets flew and flames caused by Molotov cocktails danced on the dance floor.
Kristen Ashley
She wants lilacs in her wedding bouquet." "Okay . . ." Nevada had said she wanted carnations, but we could stuff some pretty pink lilacs in there. I didn’t see the problem. "Blue," Arabella squeezed out. "She wants blue lilacs." No and also no. "Nevada . . ." "I had to hide in a bush of French lilacs yesterday and they were very pretty and smelled nice. The card on the tree said, ‘Wonder Blue: prolific in bloom and lush in perfume.’" I googled French lilac, Wonder Blue. It was blue. Like in your face blue. "Why were you hiding in a bush?" "She was being shot at," Arabella said with a sour face. "So you stopped to smell the lilacs while people were shooting at you?" I couldn’t even.
Ilona Andrews (Diamond Fire (Hidden Legacy, #3.5))
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
I remember my wife in white. I remember her walking toward me on our wedding day, a bouquet of red flowers in her hand, and I remember her turning away from me in anger, her body stiff as a stone. I remember the sound of her breath as she slept. I remember the way her body felt in my arms. I remember, always I remember, that she brought solace to my life as well as grief. That for every dark moment we shared between us, there was a moment of such brightness I almost could not bear to look at it head-on. I try to remember the woman she was and not the woman I have built out of spare parts to comfort me in my mourning. And I find, more and more, as the days go by and the balm of my forgiveness washes over the cracked and parched surface of my heart, I find that remembering her as she was is a gift I can give us both.
Carolyn Parkhurst (The Dogs of Babel)
Men, she thought to herself with a sigh, didn’t really have to perform grand expansive gestures to have a woman melt inside. A simple arm crooked for their use was the equivalent of at least a dozen bouquets.
Milly Johnson (White Wedding)
Agapanthus and peonies in June. Scented stock and sweet peas in July. Sunflowers and sweet William in August. By the time September's oriental lilies and ornamental cabbages appeared, she wasn't hiding upstairs in the workroom anymore. She was spending more time in the shop, answering the phone, dealing with the customers. One Sunday she spent the afternoon at an allotment belonging to a friend of Ciara's, picking lamb's ear and dusty miller and veronica for a wedding, and didn't think about Michael once, but she kept remembering a Patrick Kavanagh poem she'd learned at school, the one about how every old man he saw reminded him of his father.
Ella Griffin (The Flower Arrangement)
Pandora, who walked down the aisle of the estate chapel on Devon's arm, was radiantly beautiful in a dress of white silk, the billowing skirts so intricately gathered and draped that no lace or ornamental trim had been necessary. She wore a coronet of fresh daisies and a veil of sheer tulle and carried a small bouquet of roses and daisies. If West had any remaining doubts about St. Vincent's true feelings for his bride, they were forever banished as he saw the man's expression. St. Vincent stared at Pandora as if she were a miracle, his cool composure disrupted by a faint flush of emotion. When Pandora reached him and the veil was pushed back, St. Vincent broke with etiquette by leaning down to press a tender kiss on her forehead. "That part isn't 'til later," Pandora whispered to him, but it was loud enough that the people around them overheard, and a rustle of laughter swept through the crowd.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Peonies are a gift from the heavens above. I mean, just look at this flower, so big and round. The ruffled petals that look like they belong on a ball gown? Absolute perfection. That scent? It always reminds me of rose and jasmine. I sell these stems at the Sweetplace, but there's no better place for them than in a wedding bouquet, since peonies represent a happy marriage and a happy life. Mix them with some good stock in a bouquet, and well, you're kicking married life off right.
Heather Webber (In the Middle of Hickory Lane)
The creamy millefeuille roses had arrived from Holland yesterday and been left in the warm kitchen, where they were opening like tulle ballerina skirts. The pale pink peonies were in the coolest corner of the shop downstairs so they wouldn't go over. The wildflower man would be in at 6 a.m. to deliver the cornflowers and foxgloves. Every flower in the bouquet had a special meaning for the bride. She had known exactly what she wanted, Lara remembered, and had turned up at the shop with her own color swatches and mood boards and Pinterest links.
Ella Griffin (The Flower Arrangement)
I follow her into a storeroom at the back of the shop and catch my breath when I see the bouquets she has made for the shoot. I've seen a lot of wedding flowers, but nothing like these. There are soft apricot roses with dusty-blue delphiniums, creamy-white peonies with miniature pink alliums. Waxy green orchids with deep purple irises. A phone rings in the shop and she excuses herself and goes back outside to answer it. I bend down and pick up a pretty tumble of glossy green ivy and pale purple bells on slender stems. The flowers have a delicate scent, something elusive between hyacinth and freesia.
Ella Griffin (The Flower Arrangement)
Desiree the child bride, and her sister Miranda, had gone grave-robbing for a wedding gown. In the north end of the cemetery, among the palatial mausoleums with their broken windows of stained glass where the ivy crept in, was the resting place of a young woman who’d been murdered at the altar while reciting her marital vows. The decaying tombstone, among the cemetery’s most envied, was a limestone bride in despair, shoulders as slumped as a mule’s, a bouquet of lilies strewn at her feet. Though her murder, by her groom’s jealous mother, had been long in the past, everyone knew that her father had had her buried in her gown of lace and silk.
Timothy Schaffert (My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales)
As Blake leaned down to accept her hug she whispered, “Remember when you and Livia tried to hog the spotlight at my wedding? Just when you and Livia get to the good part, Cole and I are going to have porno sex right there.”She and John took one small step at a time. She was obviously much more concerned about tripping than Kyle had been. During her descent, Blake just looked. Her white gown fit her frame perfectly, and the strapless dress revealed the gentle, tempting curves of her shoulders. Her bouquet contained the paper-napkin roses he’d made for her, combined with baby’s breath. A flowing train cascaded down the stairs behind Livia, and an even longer veil billowed in the gentle breeze like a blown wish.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
Diana Palmer (Paper Rose (Hutton & Co. #2))
My mouth went paper-dry as Alis fluffed out the sparkling train of my gown in the shadow of the garden doors. Silk and gossamer rustled and sighed, and I gripped the pale bouquet in my gloved hands, nearly snapping the stems. Elbow-length silk gloves- to hide the marking. Ianthe had delivered them herself this morning in a velvet-lined box. 'Don't be nervous,' Alis chuckled, her tree-bark skin rich and flushed in the honey gold evening light. 'I'm not,' I rasped. 'You're fidgeting like my youngest nephew during a haircut.' She finished fussing over my dress, shooing away some servants who'd come to spy on me before the ceremony. I pretended I didn't see them or the glittering, sunset-gilded crowd seated in the courtyard ahead, and toyed with some invisible fleck on my skirts. 'You look beautiful,' Alis said quietly. I was fairly certain her thoughts on the dress were the same as my own, but I believed her. 'Thank you.' 'And you sound like you're going to your funeral.' I plastered a grin on my face. Alis rolled her eyes. But she nudged me toward the doors as they opened on some immortal wind, lilting music streaming in. 'It's be over faster than you can blink,' she promised, and gently nudged me into the last of the sunlight.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Sitting under a tree, I studied my options. The fall flowers were in full bloom: verbena, goldenrod, chrysanthemum, and a late-blooming rose. The carefully tended city beds around the park held layers of textured evergreen but little color. I set to work, considering height, density, texture, and layers of scent, removing touch-damaged petals with careful pinches. When I had finished, spiraling white mums emerged from a cushion of snow-colored verbena, and clusters of pale climbing roses circled and dripped over the edge of a tightly wrapped nosegay. I removed every thorn. The bouquet was white as a wedding and spoke of prayers, truth, and an unacquainted heart.
Vanessa Diffenbaugh (The Language of Flowers)
Silent remembering is a form of prayer. No fragrance is more enchanting to re-experience than the aromatic bouquet gleaned from inhaling the cherished memories of our pastimes. We regularly spot elderly citizens sitting alone gently rocking themselves while facing the glowing sun. Although these sun worshipers might appear lonely in their state of serene solitude, they are not alone at all, because they deeply enmesh themselves in recalling the glimmering memories of days gone by. Marcel Proust wrote “In Search of Time Lost,” “As with the future, it is not all at once but grain by grain that one savors the past.” Test tasting the honeycombed memories of their bygone years, a delicate smile play out on their rose thin lips. The mellow tang of sweet tea memories – childhood adventures, coming of age rituals, wedding rites, recreational jaunts, wilderness explorations, viewing and creating art, literature, music, and poetry, sharing in the mystical experiences of life, and time spent with family – is the brew of irresistible intoxicants that we all long to sip as we grow old. The nectar mashed from a collection of choice memories produces a tray of digestible vignettes that each of us lovingly roll our silky tongues over. On the eve of lying down for the last time in the stillness of our cradled deathbeds, we will swaddle ourselves with a blanket of heartfelt love and whisper a crowning chaplet of affection for all of humanity. After all, we been heaven blessed to take with us to our final resting place an endless scroll amassing the kiss soft memories of time yore.
Kilroy J. Oldster (Dead Toad Scrolls)
Danielle wore a simple bias-cut gown of the palest blush silk- one of her own designs- with white roses and jasmine braided into her thick auburn hair swept up from the nape of her neck, onto which she'd applied a new perfume she'd blended with a corresponding harmony just for the wedding. She carried the flowers of Bellerose: mimosa, rose, jasmine, violet, and orange blossom, twined into a voluptuous bouquet that spilled from her hand. Jon stood before her, his velvety brown eyes sparkling with flecks of gold. She drank in the delicious, virile smell of him, loving how the scent of his skin melded with the perfume she had blended for him for this day- blood orange and orange blossom, patchouli and sandalwood, cinnamon and clove. She had devised a salty note, too, and added the sea's airy freshness.
Jan Moran (Scent of Triumph)
I walked through the cemetery holding a bouquet of yellow and red flowers with brown combat boots, feeling grateful and bitter the sun was shining so brightly. I felt an urge to run, as well as a magnet to reach the group of people surrounding you. I wanted to be wearing white. I wanted to be walking down an isle with flowers and for this to be a different ceremony. I wanted to curl up beside the earth that held you, the pink and yellow petals, strings of ground hanging loosely in the wind and be beside you. I was angry you were buried, I resented the earth falling upon you. Each scoop felt heavy and indefinite. I'm not ready to know this is definite. I watched your chest, in a white linen shirt last night wishing for your chest to rise. But when I kissed your forehead it was cold. And when I held your hands it wasn't you. It was a shell. It was a vessel. It was empty. The first time I heard your new music it was by accident and your voice drove me from your home into hysterics. But when I entered your home and it played with your casket it was welcome. I read your letter with your mom and dad out loud beside you, and halfway through "spelunking in your soul" started to play. That was a gift, thank you. Today walking back from the funeral a green and black beetle landed in my hair and crawled onto my finger. I just had a bad moment with a woman in your life and I felt you in the little beetle. I'm writing something to be read at your celebration of life. It's not going to be read by me. I have a wedding in Joshua tree. But I will celebrate you in the desert there. I wanted to read the poem "sex and wine for breakfast" I wrote about you but figured I would go less steamy. I love you.
Janne Robinson
Now into the small ceramic pan I grate the block of couverture. Almost at once the scent rises, the dark and loamy scent of bitter chocolate from the block. At this concentration it is slow to melt; the chocolate is very low in fat, and I will have to add butter and cream to the mixture to bring it to truffle consistency. But now it smells of history; of the mountains and forests of South America' of felled wood and spilled sap and campfire smoke. It smells of incense and patchouli; of the black gold of the Maya and the red gold of the Aztec; of stone and dust and of a young girl with flowers in her hair and a cup of pulque in her hand. It is intoxicating; as it melts, the chocolate becomes glossy; steam rises from the copper pan, and the scent grows richer, blossoming into cinnamon and allspice and nutmeg; dark undertones of anise and espresso; brighter notes of vanilla and ginger. Now it is almost melted through. A gentle vapor rises from the pan. Now we have the true Theobroma, the elixir of the gods in volatile form, and in the steam I can almost see- A young girl dancing with the moon. A rabbit follows at her heels. Behind her stands a woman with her head in shadow, so that for a moment she seems to look three ways- But now the steam is getting too thick. The chocolate must be no warmer than forty-six degrees. Too hot, and the chocolate will scorch and streak. Too cool, and it will bloom white and dull. I know by the scent and the level of steam that we are close to the danger point. Take the copper off the heat and stand the ceramic in cold water until the temperature has dropped. Cooling, it acquires a floral scent; of violet and lavender papier poudré. It smells of my grandmother, if I'd had one, and of wedding dresses kept carefully boxed in the attic, and of bouquets under glass.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Body parts really don’t like to be cut, stabbed or hacked into sections, and they express their anger by leaking all over the fuck. Jesus, we’re, like, seventy percent water or something? And you learn that’s so fucking true when you go to a fresh scene. Pools of it. Drips of it. Speckles of it. Then you got the stained clothes, rugs, bedsheets, walls, flooring—or if it’s outside, the ground cover, the concrete, the asphalt. And then there’s the smell. Blood, sweat, urine, other shit. That juicy bouquet will get in your sinuses and stay there for hours afterward.” He shook his head again. “The older cases . . . the smell is worse than the mess. Water deaths, with the bloating, are just ugly—and if that gas that’s built up gets out? The stench will knock you on your ass. And I don’t know, I wasn’t too crazy for the burn deaths either. I mean, you’d think we’d realize we’re not different than any other mammal—cooked meat is cooked meat, period. But I’ve never seen a grown man puke up his coffee and donuts over a medium rare T-bone.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
And, should anyone here present know of any reason that this couple should not be joined in holy matrimony,” Archbishop Callaghan said as he neared the end of the wedding ceremony. “Speak now or forever hold your peace.” There wasn’t even a slight pause when a voice rang out from behind. “Grant! No! I love you!” Vanessa Bennet came running down the aisle, her eyes glazed over. She was also wearing a full-length wedding gown. “You can’t marry her! You love me.” “Cazzo!” Frankie rolled her eyes. “Hold this,” she shoved her bouquet at Grant and picked up her skirts, intending to give Vanessa a piece of her mind. Who the hell wears white to another woman’s wedding? Before Frankie could even began walking towards the aisle, Vanessa let out a pained shriek as a fist connected with her jaw, sending her sprawling to the ground. “You. Will. Not. Ruin. This. Day!” Callista declared, her voice edged with danger as she rubbed her fist. Alynna guffawed loudly from her seat on the groom’s side. “Wow. I guess Callista’s not too classy to smack a biatch either.
Alicia Montgomery (Romancing the Alpha (True Mates #3))
What the fuck is going on?” Sloane asks, worry etched in her features, the green hues of her hazel eyes more vibrant against the bloodshot evidence of the worried tears she must have shed during her drive here. “I thought you hated Lachlan. You can’t be serious about marrying him.” “What gave you the impression I hate him?” “You saying, ‘Lachlan is a dickhead, I really hate that guy,’ might be one reason.” I let out an unsteady laugh as I try not to fidget with the bouquet clutched in my iron grip. “Well, he can kind of be a dickhead, sure, but hate might be a bit strong.” Sloane turns toward me, the car still idling in park. “Tell me what the fuck is going on, Lark. You’re my best friend. You’re the most impetuous person I know, but this? A random-as-fuck wedding to Lachlan Kane when you’ve spoken to each other what, like, five times? And all those times have been some kind of miserable? There has to be a reason for this sudden one-eighty.” She shakes her head as fresh tears well at her lash line. Her voice is barely more than a strained squeak when she says, “The math. It ain’t mathin’.
Brynne Weaver (Leather & Lark (Ruinous Love, #2))
Soon it was time for us to leave; the clock had struck midnight, and we had miles to go before we slept. After throwing my bouquet and saying good-byes, Marlboro Man and I ran through the doors of the club and climbed into the back of a smoky black limousine--the vehicle that would take us to the big city miles away, where we’d stay before flying to Australia the next day. As we pulled away from the waving, birdseed-throwing crowd at the front door of the club, we immediately settled into each other’s arms, melting into a puddle of white silk and black boots and sleepy, unbridled romance. It was all so new. New dress…new love…a new country--Australia--that neither of us had ever seen. A new life together. A new life for me. New crystal, silver, china. A newly renovated, tiny cowboy house that would be our little house on the prairie when we returned from our honeymoon. A new husband. My husband. I wanted to repeat it over and over again, wanted to shout it to the heavens. But I couldn’t speak. I was busy. Passion had taken over--a beast had been unleashed. Sleep deprived and exhausted from the celebration of the previous week, once inside the sanctity of the limousine, we were utterly powerless to stop it…and we let it fly. It was this same passion that had gotten us through the early stages of our relationship, and, ultimately, through the choice to wave good-bye to any life I’d ever imagined for myself. To become a part of Marlboro Man’s life instead. It was this same passion that assured me that everything was exactly as it should be. It was the passion that made it all make sense.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
How did you convince her to remarry you?” Tomas asked curiously, drawing Radcliffe from his thoughts. Making a face, he admitted, “I had to draw up a contract stating that I would never again condescend to her. That I would discuss business with her on a daily basis were she interested, and…” “And?” He sighed unhappily. “And that I would take her to my club dressed as a man.” Tomas gave a start. “What?” “Shh,” Radcliffe cautioned, glancing nervously around to be sure that they had not been overheard. No one seemed to be paying attention to them. Most of the guests were casting expectant glances toward the back of the church, hoping to spot the brides who should have been there by now. Glancing back to Tomas, he nodded. “She was quite adamant about seeing the club. It seems she was jealous of Beth’s getting with those ‘hallowed halls’-her words, not mine-and she was determined to see inside for herself.” “Have you taken her there yet?” “Nay, nay. I managed to put her off for quite some time, and then by the time she lost her patience with my stalling, she was with child and did not think the smoky atmosphere would be good for the baby. I am hoping by the time it is born and she is up and about again, she will have forgotten-“ A faint shriek from outside the church made him pause and stiffen in alarm. “That sounded like Charlie.” Turning, he hurried toward the back of the church with Tomas on his heel. Crashing through the church doors, they both froze at the top of the steps and gaped at the spectacle taking place on the street below. Charlie and Beth, in all their wedding finery, were in the midst of attacking what appeared to be a street vendor. Flowers were flying through the air as they both pummeled the man with their bouquets and shouted at him furiously. “Have I mentioned, Radcliffe, how little I appreciate the effect your wife has had on mine?” Tomas murmured suddenly, and Radcliffe glanced at him with amazement. “My wife? Good Lord, Tomas, you cannot blame Beth’s sudden change on Charlie. They grew up together, for God’s sake. After twenty years of influence, she was not like this.” Tomas frowned. “I had not thought of that. What do you suppose did it, then?” Radcliffe grinned slightly. “The only new thing in her life is you.” Tomas was gaping over that truth when Stokes slipped out of the church to join them. “Oh, dear. Lady Charlie and Lady Beth are hardly in the condition for that sort of behavior.
Lynsay Sands (The Switch)
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)
fasten them to their hats. Garters were removed from the bride and thrown in the same way a bridal bouquet might be tossed today. The maids would carry the bride to her bedchamber. The bride’s undressing, too, was a semi-social rite.19 After all, it was sex that made it a proper marriage. A priest traditionally blessed the bridal chamber and bed. Little is actually known about this final scene in the marriage rite other than from literary texts or the bedding ceremony of great people. Le Fresne by Marie de France describes the heroine preparing the bedchamber where the priest would bless the newly-weds. Marie de France writes, ‘For this was part of his [the priest’s] duty.’20 * * *
Carol McGrath (Sex and Sexuality in Tudor England)
The pièce de résistance was the aisle and spot where the couple would say their vows. The aisle itself was made of white plexiglass, and above it were draped lush, dimensional bouquets of white flowers with silver and blue accents. At a glance, it looked like fluffy clouds in a blue sky. The planners had managed to rig up other mirrors at angles to reflect the afternoon sky outside of the hangar. It would be like Jacqueline was walking on clouds to meet her groom. My internal wedding planner gave a silent slow clap. Bravo.
Mary Hollis Huddleston (Piece of Cake: A Novel)
And on February 19, I, Dorothea Mae Daley, took Emanuel Engel Jr., to be my wedded husband . . . There was no ring, no license, no bouquet, no veil, no Mass . . . Sounds of bombs were in the distance, and my feet, encased in huge army boots, felt awkward as I stood in an army hospital . . . But there was a solemnity and a sacredness about the ceremony, performed in the midst of so much tragedy, that made us both feel that ours was no ordinary marriage.
Elizabeth M. Norman (We Band of Angels: The Untold Story of American Nurses Trapped on Bataan by the Japanese)
The round table and four chairs looked as though they'd been plucked from a society wedding---shimmery-pink tablecloth, a full set of old and grass-green china, crystal glasses, low bouquets of plump blush-colored peonies. There was even a crystal candelabrum.
Kristen Callihan (Make It Sweet)
Annie dear, be sure you marry the right person; don't stand in your wedding dress with doubts in your bouquet
Fred Lybrand (Glaen: A Novel Message on Romance, Love & Relating)
on the day of the wedding: Maintain her bouquet. Hold it for her when it needs holding. Keep track of it when she sets it down. Have Kleenex at the ready, an emery board, dental floss, Band-Aids, tampons, eyeliner, mascara, and lipstick. Know the schedule. Make sure she always has a glass of champagne. Make sure she eats! I didn’t get a single bite of food at my reception at the Quilted Giraffe, something I’ve always regretted. Accompany her to the ladies’ room. Tell her she’s beautiful when she smiles.
Elin Hilderbrand (Beautiful Day)
Silk rose wedding bouquets, Rhinestones, Bridal Bouquets, Silk Flowers for Wedding, Foam Rose Wedding Bouquet with different color Satin Ribbon are available at world of weddings.
World of Weddings
Weddings seem to be something of a spectator sport in these parts.” Grace laughed. “Come to think of it, we have had our share of bouquets tossed in the past year or so.” Still smiling, she glanced at Fiona, who, along with Kerry, was still wrangling over who should be in charge of running Kerry’s love life. “And we’re not done yet,” Grace said. Smiling, he looked back at her and winked. “Yes, I’m rather counting on that bit.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))