Weaving Fabric Quotes

Another page turns on the calendar, April now, not March. ......... I am spinning the silk threads of my story, weaving the fabric of my world...I spun out of control. Eating was hard. Breathing was hard. Living was hardest. I wanted to swallow the bitter seeds of forgetfulness...Somehow, I dragged myself out of the dark and asked for help. I spin and weave and knit my words and visions until a life starts to take shape. There is no magic cure, no making it all go away forever. There are only small steps upward; an easier day, an unexpected laugh, a mirror that doesn't matter anymore. I am thawing.

Nature uses only the longest threads to weave her patterns, so each small piece of her fabric reveals the organization of the entire tapestry.

Our duty is wakefulness, the fundamental condition of life itself. The unseen, the unheard, the untouchable is what weaves the fabric of our see-able universe together.

If we are to achieve a richer culture, rich in contrasting values, we must recognize the whole gamut of human potentialities, and so weave a less arbitrary social fabric, one in which each diverse gift will find a fitting place.

His soul's fabric was weaving itself with mine. I loved the frayed ends where it came unraveled, and I loved the strength at its firm, solid center. I loved every thread.

Once there was a seamstress who could weave fabric from feeling. She sewed gowns of delight: sheer, sparkling, sleek. She cut cloth out of ambition and ardor, idyll and industry.

The surface of the Earth itself is an immense loom upon which the sun weaves the fabric of existence.

We will bring humanity across the vast Saharas of emptiness between the stars and create a dynamic, perpetually advancing empire that spans galaxies, universes, and realities. Just as our ancestors wove fabric from organic matter, our descendants will weave the fabric of reality. Humanity’s descendants will be entities beyond our wildest conceptions of the divine. Omnipotence and the ability to create universes will be the least of their powers. Whether they are good or evil—whether they even come to be at all—is up to us. In that sense, we have even more power than they do.

A fiction writer weaves a fabric of lies in hopes of revealing deeper human truths.

So not only was it possible to implant false new memories in the brain, but people embraced and embellished them, unknowingly weaving fantasy into the fabric of their identity.

Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.

As we say our final goodbyes here today, let us carry forward the lessons of Kyle's life and continue to weave the fabric of our own stories with love, kindness, and empathy.

I am spinning the silk threads of my story, weaving the fabric of my world. The tiny elf dancer became a wooden doll whose strings were jerked by people not paying attention. I spun out of control. Eating was hard. Breathing was hard. Living was hardest. I wanted to swallow the bitter seeds of forgetfulness. Cassie did, too. We leaned on each other, lost in the dark and wandering in endless circles. She got too tired an went to sleep. Somehow, I dragged myself out of the dark and asked for help. I spin and weave and knit my words and visions until a life starts to take shape. There is no magic cure, no making it all go away forever. There are only small steps upward; an easier day, an unexpected laugh, a mirror that doesn't matter anymore. I am thawing.

As the snakes swarmed her, the faded fabric vanished, leaving her with a brilliant skirt of weaving reptiles.

I am my own tapestry, then, made as I could for myself. Some holes in my fabric have been made by others, some torn by chance. Missing threads in the weave represent all those I have loved who died so long before me

I do not believe there is right or wrong," he said. "there is only doing what one must do under given circumstances and living with the consequences and weaving every experiences, good and bad, into the fabric of one's life so that ultimately one can see the pattern of it all and accept the lessons life has taught.

I have seen a face with a thousand countenances, and a face that was but a single countenance as if held in a mould. I have seen a face whose sheen I could look through to the ugliness beneath, and a face whose sheen I had to lift to see how beautiful it was. I have seen an old face much lined with nothing, and a smooth face in which all things were graven. I know faces, because I look through the fabric my own eye weaves, and behold the reality beneath.

Was it just that? She was to be content to weave a steady life with him, all one fabric, but perhaps brocaded with the occasional flower of an adventure. But how could she know what she would feel next year? How could one ever know? How could one say Yes? for years and years? The little yes, gone on a breath! Why should one be pinned down by that butterfly word? Of course it had to flutter away and be gone, to be followed by other yes's and no's! Like the straying of butterflies.

A great perfume will weave an emotional thread in the fabric of our lives." Marian Bendeth Global Fragrance Expert Sixth Scents

I am spinning the silk threads of my story, weaving the fabric of my world.

When we are young, we think life will be like a supo: one fabric, one weave, one grand design. But in truth, life turns out to be more like the patchwork cloths-bits and pieces, odds and ends-people, places, things we never expected, never wanted, perhaps.

When we are young, we think life will be like a su po: one fabric, one weave, one grand design. But in truth, life turns out to be more like the patchwork cloths—bits and pieces, odds and ends—people, places, things we never expected, never wanted, perhaps. There is harmony in this, too, and beauty. I suppose that is why I like the chogak po.

We are not born free, nor do we come into this world with a self-identity and autonomy of our own. We achieve those things, through the conflict and cooperation that weave us into the social fabric. We become freely choosing individuals only by acquiring obligations to parents, siblings, institutions and groups: obligations that we did not choose.

Myth and nature are the two great garments of the world, with nature being the living green garment that covers the planet and myth being the multidimensional, many-colored fabric that continually weaves human culture.

Look for the silver lining in every cloud and those revelations will create the thread to weave the fabric of a renewed and joyous life.

Why does a young Muslim, in the prime of life, with a full life ahead, go and blow himself up in a bus full of innocent passengers? In our countries, religion is the sole source of education, and this is the only spring from which that terrorist drank until his thirst was quenched. He was not born a terrorist, and did not become a terrorist overnight. Islamic teachings played a role in weaving his ideological fabric, thread by thread, and did not allow other sources—I am referring to scientific sources—to play a role. It was these teachings that distorted this terrorist, and killed his humanity; it was not [the terrorist] who distorted the religious teachings, and misunderstood them, as some ignorant people claim. When you recite to a child still in his early years the verse 'They will be killed or crucified, or have their hands and feet on alternative sides cut off,' regardless of this verse's interpretation, and regardless of the reasons it was conveyed, or its time, you have made the first step towards creating a great terrorist.

She thought for a moment, then said, “When we are young, we think life will be like a su po: one fabric, one weave, one grand design. But in truth, life turns out to be more like the patchwork cloths--bits and pieces, odds and ends--people, places, things we never expected, never wanted, perhaps. There is harmony in this, too, and beauty. I suppose that is why I like the chogak po.

John Calvin called the Book of Psalms ‘an anatomy of all parts of the soul.’ All the range of emotions are expressed; the Psalms weave an emotional fabric for the human soul. These inspired lyrics take us by the hand and train us in proper emotion. They lead us to emotional maturity.

Long before God the Father, there she was – God the Mother. Where did she vanish to, this great mother goddess? How did we women become so completely dispossessed? It wasn’t that I wanted to replace a male god with a female god; it wasn’t that I wanted to find a religion at all. I was simply looking for some sense that women might have worth. And I found it: there in the old stories of my own native land, I found it. Filled with images of women creating, women weaving the world into being, I took up knitting. Thread by thread, stitch by stitch, I began to knit myself back into being. I had never thought of myself as being a particularly creative soul, but I discovered that creativity was a wide-ranging affair. I simply thought about what brought me joy, and I began to cultivate it. I dug my hands into this strange foreign soil, and I began to grow things. I began to reacquaint myself with the soft animal object that was my body. Slowly, spending more and more time outside, focusing on the wisdom of my senses rather than on what was going on inside my head, I began to weave myself back into the fabric of the Earth. Some

His harmonic words could weave the fabric of time or spin matter from nothingness if the mood suited him.

Of course the Greeks were not the only people to weave a tapestry of legends and lore out of the puzzling fabric of existence.

Landscapes change, people come and go, but all the landscapes, all the experiences, all the people weave into your life’s fabric.

Today, I taught the girls the recipe for happiness: a strong cup of vanilla tea with two spoonfuls of sugar and enough courage to weave your dreams into the fabric of the everyday.

am spinning the silk threads of my story, weaving the fabric of my world. The tiny elf dancer became a wooden doll whose strings were jerked by people not paying attention. I spun out of control. Eating was hard. Breathing was hard. Living was hardest.

As far as I’m concerned, story is everything. It is why we get up in the morning and how we choose who to take to bed at night. Story is the thread that weaves together the very fabric of reality.

I remember Aeneas’ words as I remember the poet’s words. I remember every word because they are the fabric of my life, the warp I am woven on. All my life since Aeneas’ death might seem a weaving torn out of the loom unfinished, a shapeless tangle of threads making nothing, but it is not so; for my mind returns as the shuttle returns always to the starting place, finding the pattern, going on with it. I was a spinner, not a weaver, but I have learned to weave.

Never reproach him with his own weakness, for then he will become wholly weak. Never let him feel that but for you he would be useless, for then he will indeed become useless. You must search for the few strong threads in him and weave your fabric with those, and where the threads are weak, never trust to them. Supply your own in secret.

Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.

She was to be content to weave a steady life with him, all one fabric, but perhaps brocaded with the occasional flower of an adventure. But how could she know what she would feel next year? How could one ever know? How could one say Yes? for years and years? The little yes, gone on a breath! Why should one be pinned down by that butterfly word? Of course it had to flutter away and be gone, to be followed by other yes's and no's! Like the straying of butterflies.

I do not know if God is a mathematician, but mathematics is the loom upon which God weaves the fabric of the universe....The fact that reality can be described or approximated by simple mathematical expressions suggests to me that nature has mathematics at its core.

In manifestation, we are not passive observers but active participants, weaving the threads of our consciousness into the fabric of our reality.

The fabric of existence weaves itself whole.

Secrets upon secrets were weaving into a strange and mysterious fabric that would ultimately clothe his future.

Stories matter. They shape our lives, expectations, and dreams. They are the warp and weave of our human existence, binding us into a fabric far stronger than any individual element

Hunger for God’s Word like food. Thirst for it like water. Soak in it like a jacuzzi. Put it on like a garment. Weave it into your soul so that it becomes part of the fabric of your life. When you do, you won’t just be trudging up the trail. You will be dancing in the footlights.

Vivian’s first impression of Solidago was that she had travelled back in time, but not to a time where architecture had been invented. All houses were twisted out of shape, to say the least. Windows either too large to open or too small to make a difference peppered the city in places one would never dream of having one. The walls were mostly cast in brickwork by the kind of stonemason whose day job was financial advising. Skewed walls with more bricks than mortar, knotted chimneys keeping the smoke inside and cupping rooftops whose main purpose was to gather rainwater – Solidago had it all and more. As the oldest civilization of the cosmos, Alarians might have been excellent at healing, philosophizing and weaving into the fabric of reality, but they were very poor city builders.

February arrives cold, wet and gray, her gifts disguised for only the most discerning spirits to see. Gentle is our path. Gratitude is the thread we weave into the fabric of our daily lives this month, giving thanks for our simply abundant lives and asking for the gift of one thing more: grateful hearts.

The marks life leaves on everything it touches transform perfection into wholeness. Older, wiser cultures choose to claim this wholeness in the things that they create. In Japan, Zen gardeners purposefully leave a fat dandelion in the midst of the exquisite, ritually precise patterns of the meditation garden. In Iran, even the most skilled of rug weavers includes an intentional error, the “Persian Flaw,” in the magnificence of a Tabriz or Qashqai carpet…and Native Americans wove a broken bead, the “spirit bead,” into every beaded masterpiece. Nothing that has a soul is perfect. When life weaves a spirit bead into your very fabric, you may stumble upon a wholeness greater than you had dreamed possible before.

Landscapes change, people come and go, but all the landscapes, all the experiences, all the people weave into your life's fabric. Love is not just about people you had affairs with. Love is about moments of intimacy, paying attention to others, connecting. As you learn love is everywhere, you find it everywhere.

If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life. Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared.

The civilised labourer who gives his best effort for a bit of bread, who builds a palace and sleeps in a stable, who weaves rich fabrics and dresses in rags, and who produces everything and does without everything, is not free.

If we are to achieve a richer culture, rich in contrasting values, we must recognize the whole gamut of human potentialities, and so weave a less arbitrary social fabric, one in which each diverse human gift will find a fitting place.

Here is the essence of mankind's creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatoza attacking an ovum. It might be argued that the Siamese-twin infants of word/idea are the only contribution the human species can, will, or should make to the reveling cosmos. (Yes, our DNA is unique, but so is a salamander's. Yes, we construct artifacts, but so have species ranging from beavers to the architecture ants... Yes, we weave real fabric things from the dreamstuff of mathematics, but the universe is hardwired with arithmetic. Scratch a circle and pi peeps out. Enter a new solar system and Tycho Brahe's formulae lie waiting under the black velvet cloak of space/time. But where has the universe hidden a word under its outer layer of biology, geometry, or insensate rock?)

I am spinning the silk threads of my story, weaving the fabric of my world. They tiny elf-dancer became a wooden doll whose strings were jerked by people not paying attention. I spun out of control. Eating was hard. Breathing was hard. Living was hardest.

I realized that part of me had been waiting for Wendell to make a miraculous recovery. To rescue us all, as well as himself, just when we needed him most. It would fit the pattern of innumerable stories. But perhaps Wendell wasn't part of his kingdom's story anymore. Or he was, but merely as a footnote, a trial for his stepmother to overcome as she rose from powerful to unstoppable-- to irrevocably weave herself into the fabric of her world, as the king of Ljosland had. And if he was a footnote, what did that make me? I leaned close, breathing in the smell of his hair--- the salt of sweat; smoke from the fire; and the distant smell of green leaves that never left him. "My answer is yes," I whispered in his ear.

I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another. My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians. When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer. Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty.

To Wink, the powers that be “are more than just the people who run things." They are the systems themselves, the institutions and structures that weave society into an intricate fabric of power and relationships. These Powers surround us on every side. They are necessary. They are useful. . . . But the Powers are also the source of unmitigated evils

Empathy is the unseen fabric that weaves success and compassion together, transforming not just jobs but lives.

God finds a way to weave even your mistakes into the fabric of a brighter future if you let Him.

The most profound technologies are those that disappear. They weave themselves into the fabric of everyday life until they are indistinguishable from it.

The most profound technologies are those that disappear. They weave themselves into the fabric of everyday life until they are indistinguishable from it.”5

There is a common thread that weaves throughout the very fabric of every first responder.

There is a common thread that weaves throughout the very fabric of every first responder. It is the innate desire to safeguard and protect one's most intimate of relationships.

When one burns one’s bridges, what a very nice fire it makes.

…the fabric of his shirt was woven of some Martian stuff; even his very skin was of another weave.

Life's lessons are the threads that weave the fabric of time. With each stitch, we create a tapestry of wisdom that guides us on the journey of growing up.

Weaving’s not symbolic. Weaving’s work.

In the tapestry of relationships, ignoring the ones who were once dear, weaves threads of heartache that endure longer than the fabric of love itself.

I spoke of disintegrating, dissolving into your surroundings. About atoms coming undone from each other, and being freed from yourself. She was free. She was free to float upward. There was nothing to stop her. She was floating up through the roof of the car, through the atmosphere, through the stratosphere, into the stars. Into outer space. Her atoms were intermingling with stardust. She was floating up here because this was where she belonged. Her atoms were weaving like thread into the fabric of the universe. Together, they formed a tapestry - a great, infinite tapestry - of stars and nebulae, of death and darkness, of life and creation. Swirling together. Endless. She was the universe. And the universe accepted her.

Children of yesterday, heirs of tomorrow, What are you weaving? labor and sorrow? Look to your loom again, faster and faster Fly the great shuttles prepared by the Master. There’s life in the loom! Room for it, room! There’s life in the loom! Room for it, room! Children of yesterday, heirs of tomorrow, Lighten the labor and sweeten the sorrow; Now while the shuttles fly faster and faster, Up and be doing the work with the Master. He stands at the loom! Room for Him, room! He stands at the loom! Room for Him, room! Children of yesterday, heirs of tomorrow, Look at your fabric of labor and sorrow; Seamy and dark with despair and disaster, Turn it and lo, the design of the Master. The Lord’s at the loom! Room for Him, room! The Lord’s at the loom! Room for Him, room!

You do not set a high enough value on yourself if you think a man who loves you should not weave you into the fabric of his life with every thread. — Robert Service to Constance MacLean, 1903 (age 28)

Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand. “I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage. “Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.” “Thanks for the bulletin. You’re too kind,” Isabella retorted dryly. “Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.” “Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.” “Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.

On a shelf in the library are very old books that tell of another past than the one the dreamer has known. Dreams, thoughts and memoires weave a single fabric. The soul dreams and thinks, then it imagines.

Upon This Age, That Never Speaks Its Mind Upon this age, that never speaks its mind, This furtive age, this age endowed with power To wake the moon with footsteps, fit an oar Into the rowlocks of the wind, and find What swims before his prow, what swirls behind— Upon this gifted age, in its dark hour, Rains from the sky a meteoric shower Of facts . . . they lie unquestioned, uncombined. Wisdom enough to leech us of our ill Is daily spun; but there exists no loom To weave it into fabric; undefiled Proceeds pure Science, and has her say; but still Upon this world from the collective womb Is spewed all day the red triumphant child.

Kenya, Kazakhstan and K Street too? Yes...that all of God's people might love and serve him with gladness and singleness of heart, in our various vocations taking the wounds of the world into our hearts - the heartaches and longings, sorrows and disappointments, and sometimes evil - and finding in that calling that our own hearts are healed too. In N.T. Wright's theologically rich image, becoming healed healers. May it be so.

He weaves the threads of Norse and Greek mythology together with a cast from Atlantis, and a host of evil aliens bent on world destruction, to create the fabric of an epic adventure that transcends space and time....

Inherent in every living thing is an insatiable hunger, the innate desire to express life by freely and fully being “what” it was uniquely created to be. To personalize this, consider the possibility that there was a time when you were a “what” before you were a “who.” If you can wrap your mind around that possibility, then, the question to explore is, what were you before you became a who—and why did you become the who you uniquely are when there are so many other “who”s on the planet you might have been? While this may seem like a bit of a paradoxi- cal tongue twister, it is the quintessential question that requires exploration if you are to follow your true North Star back to your point of origin, where you’ll find your authentic self waiting to weave itself into the fabric of your human life today and every day.

Don’t you know about destiny, Malini? Destiny is not a place that we navigate to like a pinpoint on a map. Destiny is a fabric woven from our choices. It is the cloak we wear every day and the shroud that covers us in our death. You can’t wait for destiny to find you. You make it for yourself.

The life of a sociable insect has nothing to say about us. Our lives take different shapes. We do not work in a linear progression through fixed roles like the honeybee. We are not consistently useful to the world at large. We talk about the complexity of the hive, but human societies are infinitely more complex, full of choices and mistakes, periods of glory and seasons of utter despair. Some of us make highly visible, elaborate contributions to the whole. Some of us are part of the ticking mechanics of the world, the incremental wealth of small gestures. All of it matters. All of it weaves the wider fabric that binds us.

Opacities can coexist and converge, weaving fabrics. To understand these truly one must focus on the texture of the weave and not on the nature of its components. For the time being, perhaps, give up this old obsession with discovering what lies at the bottom of natures. There would be something great and noble about initiating such a movement referring not to Humanity but to the exultant divergence of humanities. Thought of self and thought of other here become obsolete in their duality…. What is here is open, as much as this there. I would be incapable of projecting from one to the other. This-here is the weave and it weaves no boundaries.

The amnesiac tech press weaves the narrative fallacy around the proceedings, fabricating a make-believe dramatic arc from steely-eyed product ideation to flawless and unhesitating technical execution. What was an improbable bonanza at the hands of the flailing half-blind becomes the inevitable coup of the assured visionary.

I am a mess. I feel him right there behind me but I know he isn't. I want to call out to him, to ask him what's for breakfast. I want to hear the even cadence of his footsteps, the intermittent snap of the newspaper as he reads. All these instincts seem to live so close to the surface that they warp and weave through the fabric of possibility. Maybe he is downstairs, reading. Maybe he is just getting out of the shower. It's these tiny reminders that hurt, the tiny moments where you think--let me just call out to him. *Ah, right. He's dead.* And you wonder how it happened, did it hurt, does he see me here in a sodden, sobbing puddle on his floor?

classical construction of a bottom weight 14.5-ounce denim is 60–64 warp yarns per inch and 38–42 filling yarns per inch. The number of warp yarns per inch is sometimes referred to as the fabric sley. The weight is influenced by the size of the yarn used, the fabric weave design and the fabric tightness. Also influencing the fabric

Fabric" and "fabricate "share a common Latin root: fabrica "something skillfully produced". Text and textile are similarly related, from the verb texere, "to weave", which in turn derives...from the Indo-European word *teḱs̱  , meaning "to weave".  "Order" comes from the Latin word for setting the warp threads, [ordinare], as does the French word for computer, ordinateur. The French word metier, meaning "trade" or "craft" is also the word for "loom".   Such associations aren't uniquely European.  In the K'iche' Mayan language, the terms for weaving designs and writing hieroglyphics both use the root tz'ibia.  The Sanskrit word sutra, which now refers to a literary aphorism or religious scripture, originally denoted "string" or "thread". The word tantra which refers to a Hindu or Buddhist religious text, is from the Sanskrit tantrum, meaning "warp" or "loom".  The Chinese word Zǔzhī” 组织 meaning "organization" or "arrange" is also the word for "weave", while Chéngjiù 成就 meaning "achievement" or "result" originally meant "twisting fibers together".  

All the best and worse things in us are bound up in the legacy of our family. As children we ardently trust in the stability or, in some cases, the instability we were born into. No matter which...we embraced what was decent while simultaneously suppressing what was deficient yet both traits weaved roots of faithfulness and consternation into the very fabric of who we've become. This now plays significantly into how we nurture our own families and how we relate to others. Our love, our fears, our insecurities, and our loyalties all draw from how we were raised as well as our inherent desire to shift its paradigm to optimistically better the life of not just our children...but our children's children. That's the gift and or the curse of a legacy. Which will you leave behind?

Character – the inner world of motives and values that shapes our actions – is the ultimate determiner of the nature of our leadership. It empowers our capacities while keeping them in check. It distinguishes those who steward power well from those who abuse power. Character weaves such values as integrity, honesty, and selfless service into the fabric of our lives, organizations, and cultures.

I remember every word because they are the fabric of my life, the warp I am woven on. All my life since Aeneas’ death might seem a weaving torn out of the loom unfinished, a shapeless tangle of threads making nothing, but it is not so; for my mind returns as the shuttle returns always to the starting place, finding the pattern, going on with it. I was a spinner, not a weaver, but I have learned to weave.

Raistlin's lip curled in a sneer. "How does that thread weave into the grand design?" "As do all threads," Astinus said. "Look at the rug beneath your feet. Were you to turn the rug over, you would see what appears to be a confused tangle of many-colored strands of thread. But look at the rug from the top—the strands are neatly, tightly woven, merged together to form a strong fabric. Oh, it is frayed a bit at the corners, but—overall—it has worn well.

It's difficult to know where to begin, sir.' 'Yes, the beginning is the tricky part. But perhaps there is no beginning, perhaps we can't look that far back.' He got up from his desk and went over to the window, from where he could see thin pillar of smoke rising into the clouds. 'I never know where anything comes from, Walter.' 'Comes from, sir?' 'Where you come from, where I come from, where all this comes from.' And he gestured at the offices and homes beneath him. He was about to say something else but he stopped, embarrassed; and in any case he was coming to the limits of his understanding. He was not sure if all the movements and changes in the world were part of some coherent development, like the weaving of a quilt which remains one fabric despite its variegated pattern. Or was it a more delicate operation than this - like the enlarging surface of a balloon in the sense that, although each part increased at the same rate of growth as every other part, the entire object grew more fragile as it expanded? And if one element was suddenly to vanish, would the others disappear also - imploding upon each other helplessly as if time itself were unravelling amid a confusion of Sights, calls, shrieks and phrases of music which grew smaller and smaller? He thought of a train disappearing into the distance, until eventually only the smoke and the smell of its engine remained.

Within a few generations, he had explained to Rudgutter, the Weavers evolved from virtually mindless predators into aestheticians of astonishing intellectual and materio-thaumaturgic power, superintelligent alien minds who no longer used their webs to catch prey, but were attuned to them as objects of beauty disentanglable from the fabric of reality itself. Their spinnerets had become specialized extradimensional glands that Wove patterns in with the world. The world which was, for them, a web. Old stories told how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act—to Weave—was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.

Loom was about a society of Weavers whose elders (named after the Greek Fates Clotho, Lachesis, and Atropos) create a secret loom that controls the world, or, according to the script of the game, that weaves “subtle patterns of influence into the very fabric of reality.” When a young boy discovers the loom’s power, he’s forced into exile, and everything spirals into chaos until the world decides that a secret fate machine might not be such a great idea, after all.

Was it actually her destiny to go on weaving herself into his life all the rest of her life? Nothing else? Was it just that? She was to be content to weave a steady life with him, all one fabric, but perhaps brocaded with the occasional lower of an adventure. But how could she know what she would feel next year? How could one ever know? How could one say Yes? for years and years? The little yes, gone on a breath! Why should one be pinned down by that butterfly word?

At the time, there would only be incoherence. As though meaning had slunk out of things and left them fragmented. Disconnected. The glint of Ammu's needle. The colour of a ribbon. The weave of the cross-stitch counterpane. A door slowly breaking. Isolated things that didn’t mean anything. As though the intelligence that decodes life’s hidden patterns — that connects reflections to images, glints to light, weaves to fabrics, needles to thread, walls to rooms, love to fear to anger to remorse — was suddenly lost.

For centuries, women have been weavers. And those women have been able to see patterns and make inferences that create beautiful things. All we’re doing is weaving together a life. Trying to see where the different threads take us.” I thought of the Moirai, the Greek weaving goddesses who were said to assign our fate at birth. Clotho spun the fabric of our lives, while Lachesis pulled the thread out. Atropos, the cutter, decided when it would end. The three, it was believed, decided a baby’s fate within a few days of its birth.

Elliot couldn't leave behind all the great things that had built her up and made her Elliott. Or the sad things. Dr. Miller has asked them to close their eyes and picture it one time - all the moments that had happened in their lives. Those moments were like their DNA, weaving together the fabric of who they were. They couldn't just cut away the bad stuff and only take the good or else the fabric would be full of holes. That's life, she had said. And you are not Swiss cheese. So when the good comes along, you've got to hold on to it.

Every moment of this experience we call a physical life is determined by the choices you make in your thoughts, intentions, and actions. Thus, when you choose to experience a thought, image, or activity from a place of loving, joyful, and compassionate intentions for yourself and others, you have the power to weave a lovely fabric that heals your mind, body, and soul. When you choose differently, the fabric you weave may contribute to an experience of suffering and pain in the form of mental, emotional, physical, and spiritual anguish. The choice is always yours.

A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: “Language serves not only to express thought but to make possible thoughts which could not exist without it.” Here is the essence of mankind’s creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatozoa attacking an ovum. It might be argued that the Siamese-twin infants of word/idea are the only contribution the human species can, will, or should make to the raveling cosmos. (Yes, our DNA is unique but so is a salamander’s. Yes, we construct artifacts but so have species ranging from beavers to the architect ants whose crenellated towers are visible right now off the port bow. Yes, we weave real-fabric things from the dreamstuff of mathematics, but the universe is hardwired with arithmetic. Scratch a circle and π peeps out. Enter a new solar system and Tycho Brahe’s formulae lie waiting under the black velvet cloak of space/time. But where has the universe hidden a word under its outer layer of biology, geometry, or insensate rock?)

I cannot hope to make you understand how the world is truly made,' he told her. 'Metaphor, then: the world is a weave, like threads woven into cloth.' His hand came out of his sleeve with a strip of his red ribbon. 'If you say so.' 'Everything, stone, trees, beasts, the sky, the waters, all are a weave of fabric,' he said patiently. 'But when you think, it is different. Your thinking snarls the fabric, knots it. If you were a magician, you could use the knot of your mind to pull on other threads. That is magic, and now you see how every simple it is. I wonder everyone does not become an enchanter.

Oh my heart, sing of the gardens which you have never known! Those which are frozen in glass, clear, unreachable. Water and roses of Isfahan, or Shiraz, Give blessed song, give praise equal to none. Oh my heart, give evidence that they have not spared you, And that it is you who are intended, and it is for you that they ripen their figs. That it is you who ply between their blossoming boughs, Like a face, in the rousing winds. Avoid the mistake of imagining some deprivation, For the decision has been taken: to be! Silk thread, weave your way into the fabric! Whatever the image with which you have become one (even if it be but a moment from a life of pain), Feel that the whole carpet, so worthy of praise, is intended!

Returning to my yarn stash, I select a pair of ebony needles and a lustrous ball of handspun alpaca. Then I quickly cast on to create a light, resilient fabric. We don’t have much time before the students get back, which means the gauge has to be right the first time around. When you’re weaving or knitting enchanted fabrics, gauge is critical. Gauge—the relative density of the fabric—determines the degree to which a magical object can utilize or redirect fields of energy. But magic often requires a mix of skill and sacrifice. It’s not enough to knit a pattern without making a mistake: you also have to give up something of yourself. A heart shroud is a complex spell, filled with twisty cables mimicking the structure of the human heart.

half-century before, at Stalin’s direct order, NKVD executioners slaughtered fifteen thousand Polish military officers and threw the bodies into rows of mass graves. The month-long operation in Kalinin, Katyn, and Starobelsk was part of Stalin’s attempt to begin the domination of Poland. The young officers had been among the best-educated men in Poland, and Stalin saw them as a potential danger, as enemies-in-advance. For decades after, Moscow put the blame for the killings on the Nazis, saying the Germans had carried out the massacres in 1941, not the NKVD in 1940. The Kremlin propaganda machine sustained the fiction in speeches, diplomatic negotiations, and textbooks, weaving it into the vast fabric of ideology and official history that sustained the regime and its empire.

Whatever the reason, Díaz knew it could wait. At the moment, he had only one task. Apprehend the shooter. As Díaz arrived at the site of the telltale flash, he found a slit in the fabric wall and plunged his hand through the opening, violently tearing the hole all the way down to the floor and clambering out of the dome into a maze of scaffolding. To his left, the agent caught a glimpse of a figure—a tall man dressed in a white military uniform—sprinting toward the emergency exit at the far side of the enormous space. An instant later, the fleeing figure crashed through the door and disappeared. Díaz gave pursuit, weaving through the electronics outside the dome and finally bursting through the door into a cement stairwell. He peered over the railing and saw the fugitive two floors below, spiraling downward

I think, if it’s real at all, that women would be better at it than men,” said Rachel, looking out across the lake. “And not because women are intrinsically more intuitive—we’re all so obsessed with the idea of a woman’s intuition. No. It’s because women can see patterns better than men. Think, for example, of textiles. For centuries, women have been weavers. And those women have been able to see patterns and make inferences that create beautiful things. All we’re doing is weaving together a life. Trying to see where the different threads take us.” I thought of Moirai, the Greek weaving goddesses who were said to assign our fate at birth. Clotho spun the fabric of our lives, while Lachesis pulled the thread out. Atropos, the cutter, decided when it would end. The three, it was believed, decided a baby’s fate within a few days of its birth.

Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it’s impossible to determine warp, woof or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which comes to assume greater importance than the weave itself and destroys any continuity. Thus it is that we are charmed by the funny-looking automobiles of the ’30s, the curious fashions of the ’20s, the peculiar moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of a continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see. I

Oh, busy weaver! unseen weaver!- pause!- one word!- whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!- stay thy hand!- but one single word with thee! Nay- the shuttle flies- the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

Women have always desired equality and respect, but our current culture isn’t seeking it through the grace of Mary; rather, the culture seeks this equality and respect through the vices of Machiavelli: rage, intimidation, tantrums, bullying, raw emotion, and absence of logic. It is this aggressive impulse—this toxic femininity—that finds pride in calling oneself “nasty,” feels empowered by dressing as a vagina, belittles men, and sees the (tragically ironic) need to drop civility so that civility can somehow return again. The devil knows that all these marks of the anti-Mary—rage, indignation, vulgarity, and pride—short-circuit a woman’s greatest gifts: wisdom, prudence, patience, unflappable peace, intuition, her ability to weave together the fabric of society, and her capacity for a deep and fulfilling relationship with God. Instead, the father of lies promises power, fame, fortune, and sterile, fleeting pleasures.

He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.” Ronan’s anger dimmed a little. He waited, listening. “I never should have challenged Irex.” Kestrel decided to weave some truth into her story, to toughen the fabric of it. “But he and I have an unfriendly history. He made me an offer last spring. I turned him down. Since then, he has been…aggressive.” She had Ronan’s sympathy then, and she was grateful, for she didn’t know what she would do if he and Jess turned their backs on her. She needed them--not only today, but always. “Irex angered me. The slave was just an excuse.” How much easier everything would be if that were so. But Kestrel wouldn’t let herself consider the truth. She didn’t want to know its shape or see its face. “I was thoughtless and rash, but I’ve drawn my tiles and must play them. Will you help me, Ronan? Will you do as I asked in my letter?” “Yes.” He still looked unhappy. “Though as far as I can see, there is little for me to do but stand and watch you fight.” “And Jess? Will she be at the duel?” “Yes, as soon as she is done weeping her eyes out. What a fright you’ve given us, Kestrel.” Kestrel opened a saddlebag and passed Ronan the purse with the death-price. He took it, recognizing it by its weight and the fact that her letter had told him to expect it. Softly, he said, “You frightened me.” She embraced him, stepping into his arms. They relaxed around her. His chin rested on top of her head, and she felt his forgiveness. She tried to push away thoughts of Arin on the auction block, of the look in his eyes when he asked where his honor was, of him swearing at her guards in his tongue. She held Ronan more tightly, pressing her cheek against his chest. Ronan sighed. “I’ll ride with you to Irex’s house,” he said, “and see you safely home after you’ve won.

Care of the soul doesn’t mean wallowing in the symptom, but it does mean trying to learn from depression what qualities the soul needs. Even further, it attempts to weave those depressive qualities into the fabric of life so that the aesthetics of Saturn—coldness, isolation, darkness, emptiness—makes a contribution to the texture of everyday life. In learning from depression, a person might dress in Saturn’s black to mimic his mood. He might go on a trip alone as a response to a saturnine feeling. He might build a grotto in his yard as a place of saturnine retreat. Or, more internally, he might let his depressive thoughts and feelings just be. All of these actions would be a positive response to a visitation of Saturn’s depressive emotion. They would be concrete ways to care for the soul in its darker beauty. In so doing, we might find a way into the mystery of this emptiness of the heart. We might also discover that depression has its own angel, a guiding spirit whose job it is to carry the soul away to its remote places where it finds unique insight and enjoys a special vision.

We human pioneers of the “great camping trip,” as George Attla would dub it, will remain incorporated, as it were, in the fabric that weaves our history. But what of the four hundred pioneer dogs? Those wonders of God’s creation, who weathered Arctic gales, slept in snowbanks, suffered exhaustion, sore, raw feet, and, to some degree, human ignorance, and neglect. What of them? Leaders Genghis, Kiana, and Sonny. Others, who strained in wheel, team, and swing positions, and at times, in lead as well, were Kuchik, Koyuk, Snippy, Eska, Shiak, Flame, Bandit, Casper, and Crazy. Names listed on a sheet of paper seem such a hollow tribute to twelve of a person’s most loyal, tested friends. And hollow that tribute would be, if all twelve of them were not imprinted indelibly in my heart. Those twelve devoted, steadfast trail companions bestowed upon me the one true adventure of my life. In so doing, they became the pathfinders for all ensuing generations of endurance race dogs. Genghis, Kiana, Sonny, Kuchik, Koyuk, Snippy, Eska, Shiak, Flame, Bandit, Casper, and Crazy—a renewed and heartfelt salute.

Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.

Most living things are small and easily overlooked. In practical terms, this is not always a bad thing. You might not slumber quite so contentedly if you were aware that your mattress is home to perhaps two million microscopic mites, which come out in the wee hours to sup on your sebaceous oils and feast on all those lovely, crunchy flakes of skin that you shed as you doze and toss. Your pillow alone may be home to forty thousand of them. (To them your head is just one large oily bon-bon.) And don’t think a clean pillowcase will make a difference. To something on the scale of bed mites, the weave of the tightest human fabric looks like ship’s rigging. Indeed, if your pillow is six years old—which is apparently about the average age for a pillow—it has been estimated that one-tenth of its weight will be made up of “sloughed skin, living mites, dead mites and mite dung,” to quote the man who did the measuring, Dr. John Maunder of the British Medical Entomology Center. (But at least they are your mites. Think of what you snuggle up with each time you climb into a motel bed.)‡ These mites have been with us since time immemorial, but they weren’t discovered until 1965.

Here we must ask a critical question: what does it mean when American media outlets deliberately censor and silence anything related to Palestine, the voices of war atrocities in Iraq, Afghanistan, or Syria, while at the same time glorifying the Ukraine war or presumably covering Black Lives Matter or police brutality against black people? Can we believe that such media has good intentions? Can we believe that they really care about Black people, or are they more interested in deepening the divide in the society? I personally find this suspicious and ill intentioned. I believe the purpose here is not to support any Black causes or push for meaningful changes, but rather, exploiting the already existing and strong structural racism and white supremacy weaved into the fabric of the entire society to make people even more alienated from each other. Mistaken are those who think that “divide and conquer” is only practiced in remote places and in so-called “third world” countries. There are many ways to divide and conquer, but we need to have the right critical tools to detect and fight against them, as is the case here. [From “The Trump Age: Critical Questions” published on CounterPunch on June 23, 2023]

When We Want to See Answers to Our Prayers If you abide in Me, and My words abide in you, you will ask what you desire, and it shall be done for you. JOHN 15:7 WE ALL DESPERATELY NEED answers to our prayers—especially when we are married. It’s hard to imagine how people maintain a successful marriage without help from God. But we don’t automatically receive answers to our prayers just because we prayed them. God doesn’t say, “Ask Me for anything and I’ll see that you get it.” He says, “Walk with Me and let My Word live in you, and then ask.” In other words, we have to live God’s way, spend time with Him, and read His Word so often that it is alive in us. When we do that, then we can ask what we desire and it will be done. Walking with God and living in His Word changes your heart and causes you to become more like Him. That means what you will be asking for in prayer is going to be more in line with God’s will. The way to see answers to your prayers is to first ask God to deepen both your husband’s and your own relationship with Him. Ask God to grow His Word daily in both of you. Pray that the desires of your heart line up with the desires of God’s, and pray the same for your husband. Then you will be living according to God’s ways, and you will have aligned yourself with the flow of God’s blessings in answer to prayer. My Prayer to God LORD, my husband and I long to see answers to our prayers. We cannot live successfully without You working powerfully in our lives, but I know that answers to our prayers come only as we walk with You and let Your Word live in us. I pray You would draw my husband and me so close to You that we will not take a step without Your guidance. Help us to truly abide in Your presence day by day. Enable us to understand Your Word and be transformed by it as we read it and learn it. Weave it in our hearts so that it becomes part of the fabric of our lives that grows stronger every day. Enable my husband and me to pray according to Your will, so that the desires of our hearts line up with the desires of Yours. Lord, You know how much we need to see answers to our prayers, so I pray You will help us do all that is necessary to keep our prayers from being hindered in any way. Teach us to pray in power so that we will see powerful answers. Help us to frequently pray together, as well as alone. Above all, we want Your will to be done in our lives, so guide us to pray accordingly, trusting that Your answers will be for our greatest good. We praise You and thank You in advance for hearing our prayers and for answering them in Your way and Your time. In Jesus’ name I pray.

It was a wondrous sight. The wood was green as mosses of the Icy Glen; the trees stood high and haughty, feeling their living sap; the industrious earth beneath was as a weaver’s loom, with a gorgeous carpet on it, whereof the ground-vine tendrils formed the warp and woof, and the living flowers the figures. All the trees, with all their laden branches; all the shrubs, and ferns, and grasses; the message-carrying air; all these unceasingly were active. Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver!—pause!—one word!—whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!—stay thy hand!—but one single word with thee! Nay—the shuttle flies—the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

On the other hand, white women face the pitfall of being seduced into joining the oppressor under the pretense of sharing power. This possibility does not exist in the same way for women of Color. The tokenism that is sometimes extended to us is not an invitation to join power; our racial "otherness" is a visible reality that makes that quite clear. For white women there is a wider range of pretended choices and rewards for identifying with patriarchal power and its tools. Today, with the defeat of ERA, the tightening economy, and increased conservatism, it is easier once again for white women to believe the dangerous fantasy that if you are good enough, pretty enough, sweet enough, quiet enough, teach the children to behave, hate the right people, and marry the right men, then you will be allowed to co-exist with patriarchy in relative peace, at least until a man needs your job or the neighborhood rapist happens along. And true, unless one lives and loves in the trenches it is difficult to remember that the war against dehumanization is ceaseless. But Black women and our children know the fabric of our lives is stitched with violence and with hatred, that there is no rest. We do not deal with it only on the picket lines, or in dark midnight alleys, or in the places where we dare to verbalize our resistance. For us, increasingly, violence weaves through the daily tissues of our living — in the supermarket, in the classroom, in the elevator, in the clinic and the schoolyard, from the plumber, the baker, the saleswoman, the bus driver, the bank teller, the waitress who does not serve us.

Thoughts are the threads that weave the fabric of your mindset.

One of the most ancient meanings of the word tantra is “to weave.” In this sense, tantra refers to the philosophy and techniques that allow us to weave the richness of spiritual experience and the fabric of everyday life into a single vibrant tapestry. Dissolving the apparent conflict between the spiritual (the Infinite) and the worldly (the finite) and thereby achieving both kinds of fulfillment, is the heart of tantric philosophy and practice.

Once you step inside, history has to be rewritten to include you. A fiction develops, a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.

Sensuality is the new seat of confidence that many of us are beginning to adjust ourselves into. It’s the ‘God doing a new thing’ type of energy that we’re allowing into our lives and also weaving into the fabric of this generation.

Let us weave the threads of conservation into the fabric of our society, ensuring a strong foundation for the future.

Comfortable in our chaos, Weaving our fabric together.

Ideas are the invisible threads weaving the fabric of tomorrow from the tapestry of today; the greatest revolutions were not born from the actions of many, but from the ideas of a few.

In the tapestry of existence, music is the thread that weaves emotions into the fabric of our hearts, creating a symphony of peace that resonates through the soul.

The Pentagram, a symbol of five points, stands as an eternal testament to the profound interconnection of all things. Each point signifies the fundamental elements of existence - earth, air, fire, water, and spirit. It is a cosmic diagram reminding us that as humans, we are not separate entities in an indifferent universe, but rather integral parts of a grand, interconnected cosmic dance. The element of earth represents the physical realm, our bodies, and the tangible world around us. It reminds us of our mortal nature, our connection to the mother Earth, and the grounding force that allows us to grow and prosper. Air, the breath of life, signifies the realm of intellect, communication, and thought. It is the invisible force that fuels our creative and innovative abilities, allowing us to soar towards our highest aspirations. Fire symbolizes passion, energy, and transformation. It is the spark of life within us, the burning desire to grow, evolve, and reach beyond the realms of the possible. Yet, it also serves as a reminder of the transformative power of trials and tribulations, refining us like gold in a crucible. Water relates to emotions, intuition, and the depths of the subconscious. It is the wellspring of our feelings, our dreams, our hopes, and our fears. Water teaches us the power of adaptability, the beauty of depth, and the strength in gentleness. Finally, the fifth point, spirit, represents the divine essence that permeates all things. It is the invisible thread that weaves together the fabric of the universe, the divine spark within each of us, connecting us to each other and to the cosmos. The Pentagram, therefore, is not merely a symbol. It is a philosophical compass, a map of our spiritual journey. It reminds us to remain grounded, yet to let our thoughts soar; to burn with passion, yet to cool with compassion; to dive deep within ourselves, yet to connect to the divine within all. It is a reminder that we are born of the cosmos, and to the cosmos, we shall return - a testament to the spiritual cycle of birth, death, and rebirth. In this dance of existence, we are not solitary dancers, but part of a divine choreography, intricately woven into the fabric of the universe.

With each tender touch, each shared secret, our brain's very fabric adapts, weaving new stories.

One of my favorite words to research was ‘text’. It comes from the Latin verb ‘texere’ meaning to weave. Think of writing as sewing a quilt. All the pieces with their various colors and textures are being woven together to form a beautiful spread, a fabric of words. In 1870, a prairie woman wrote: “I make them warm to keep my family from freezing. I make them beautiful to keep my heart from breaking.” A poignant and powerful image. So now go weave your words.

Faith and mythology, in their profoundest sense, are the twin pillars that uphold the vast cathedral of human consciousness. They are the intertwined roots that nourish our understanding of existence, grounding us in the fertile soil of the unknown. Faith, is the audacious whisper in the heart of man, defying the chasm of uncertainty with its unwavering resonance. It is the audacity to trust in the unseen, to hear the unspoken, and to pursue the uncharted. It is the flame that illuminates the caverns of our deepest fears, casting shadows on our doubts, and lighting the path to our truest selves. Meanwhile, mythology is the grand tapestry we weave to contain the boundless cosmos within the finite landscapes of our minds. It is the narrative thread that stitches together the fabric of our collective consciousness, painting vibrant portraits of gods and monsters, of heroes and villains, of creation and destruction. Mythology gives form to faith, translating the abstract into the tangible, the divine into the comprehensible, the eternal into the temporal. It is the language of symbols, narrating the timeless tales of the human spirit dancing with the cosmos' infinite possibilities. Yet, both faith and mythology are but reflections in the mirror of existence, shimmering illusions that hint at a reality far beyond our comprehension. They are the echoes of the universe whispering its secrets to those daring enough to listen, the gentle lullabies that soothe our existential anxieties, the sweet honey that makes the bitter pill of the unknown more palatable. They are not the ultimate answers to life's mysteries, but the beautiful questions that keep us seeking, exploring, and wondering. They are the compass and the map, guiding us on our endless quest for truth, reminding us that the journey, not the destination, is the essence of existence.

looms, bringing an extraordinary degree of dexterity and skill to his weaving and increasing the output of the mill by 50 percent over his first three years. He made garments for Civil War reenactors and upholstery fabric and period drapery for historic residences; the mill produced materials that would be used in the restored houses of nine former presidents. When the movie Cold Mountain needed hundreds of authentic-looking costumes and uniforms from the American Civil War era, it was Yang You Yi who produced the fabric. Yang called David Kline “Dad-Boss,” and Kline credited him with turning the business around. Kline decided that when he retired, he would sell Yang half the company.

In the tapestry of life, faith is the golden thread that weaves possibility into the fabric of our existence, making even the most intricate challenges attainable.

They knew how to spin flax into linen thread using a spindle whorl and how to weave the thread into fabric.

The symphony of motivation, happiness, and self-improvement weaves the fabric of personal growth, creating a life rich in purpose and fulfillment. Staying motivated is an ongoing pursuit that draws strength from resilience and a profound connection to one's goals. Authentic happiness emerges from a life aligned with personal values, and the journey of self-improvement serves as the transformative vehicle towards continual growth. To be better and stronger necessitates a commitment to learning, the fortitude to navigate challenges, and the wisdom to recognize and distance oneself from toxic individuals and political ideologies, ensuring a trajectory of positive evolution and authentic well-being.

In “The Writing of the God,” Borges also described that whirling wheel of time as a fabric embroidered with impossible complexity. (The words text and textile are both from the Latin texere, to weave: writing is, perhaps first of all, woven, a fabric of overlapping threads.) His imprisoned priest glimpsed the entire weave at once without any of the comforting lies of narrative, without cutting it down to a single and seductive swathe that, once chosen, negates all other possibilities and obscures the remainder of the cloth from which it’s spun.

Our experiences are built from five elements, and each element is a type of jewel you can weave into the fabric of your brain and your life. These elements are thoughts (e.g., beliefs, images), perceptions (e.g., sensations, sounds), emotions (feelings, moods), desires (e.g., values, intentions), and actions (the sense of posture, facial expressions, movement, or behavior

Brain weaves its own fabric of truth.

What you perceive becomes your reality, What you believe becomes your reality. Brain weaves its own fabric of truth, Why not weave some delectable unity!

In the tapestry of life, a good friend is the golden thread that weaves through the fabric of time, growing more precious with every shared laughter, every wiped tear. As the years unfold, their value transcends moments, becoming an enduring legacy etched in the heart’s cherished memories.

Lord Rama, the celestial architect of dharma, weaves his story into the fabric of our souls. His trials and triumphs echo through the corridors of time, resonating with the universal chord that binds humanity, teaching us that the true victory lies in upholding principles over power.

Relationships aren’t just connections, they are the threads that bind the fabric of our lives, weaving stories of resilience and love.

In the tapestry of humanity, genuine kindness is the golden thread that binds us all. It’s the silent sacrifice of one’s comfort for the sake of another, weaving a fabric of empathy and understanding that spans across the divides of time and space.

True entrepreneurship goes beyond mere creation; it's about weaving resilience, innovation, and vision into the very fabric of our endeavors. Success, therefore, is not just in achieving our goals but in rising every time we fall, learning from every setback, and pushing the boundaries of what we believe is possible.

In Kjirsten's vision, love is not a mere emotion but the very fabric of existence, weaving souls together in a tapestry of divine connection.

Time was when a peasant family could consider the corn it sowed and reaped, or the woollen garments woven in the cottage, as the products of its own soil. But even then this way of looking at things was not quite correct. There were the roads and the bridges made in common, the swamps drained by common toil, the communal pastures enclosed by hedges which were kept in repair by each and all. If the looms for weaving or the dyes for colouring fabrics were improved by somebody, all profited; and even in those days a peasant family could not live alone, but was dependent in a thousand ways on the village or the commune. But nowadays, in the present state of industry, when everything is interdependent, when each branch of production is knit up with all the rest, the attempt to claim an individualist origin for the products of industry is absolutely untenable.

Loss makes artists of us all as we weave new patterns in the fabric of our lives. [quoted in Willis, Opening to grief]

The path to a prosperous Liberia begins with unity, where each citizen's contribution weaves the fabric of progress and empowers the nation.

Through every chord and melody, weaving his passion into the fabric of his music, may his journey inspire others to dance to the rhythm of their dreams.

Like a masterful stitch embellishes fabric, the right words intricately weave beauty into the tapestry of life.

I Dance in The Dark (The Moths’ Song) I dance in The Dark. I fly through moonlit wings. My heart beats loud for every living thing. Deep in the waters all reflects clearly, clearly, clearly, clearly. I fly to the heart and weave a web. Through this fabric of sky all once hidden is said. My whisper enters your ear, “Come dance, and you will know. the gift of Love as not separate from Fear. The thing you fought against is waiting to be seen. and set Free. Free. Free. Free. Come Dance with Me. Come Dance with Me.

This man at the pinnacle of Islam had this to say about 9/11. “Our enemies weave many lies about us, which we are not necessarily aware of. For example: One day, we awoke to the crime of 9/11, which hit the tallest buildings in New York, the Empire State Building (sic). There is no doubt that not a single Arab or Muslim had anything to do with these events. The incident was fabricated as a pretext to attack Islam and Muslims... - and Allah knows that the Arabs and Muslims are innocent of it – in order to serve as a pretext to attack Islam and the Muslims... I believe a dirty Zionist hand carried out this act. Zionism has taken the opportunity to escalate the war in Palestine, killing hundreds of thousands so far, while we watch from the sidelines in astonishment and ask: What's going on?'?

Our productivity and dedication—our diligence—intensifies when we realize that we are not mere cooks and janitors cleaning up after people because somebody had to be stuck with that job. When we understand that our role within our families is raising immortal souls to glorify their Creator forever, weaving the fabric of society and becoming more like our Savior as we do, it makes sense that we’re called to work hard.

Hope is armor against despair, and as her uncle taught her, patience is a polish that keeps that armor bright. We can’t know the ultimate why of anything, although if we train ourselves to read the intricate fabric that time weaves, we see a pattern certain to console and inspire.

Connections are the threads that weave the tapestry of our existence, and in their gentle care, we find the warmth that makes life’s fabric whole.

At the intersection of biology and chemistry, biochemistry reveals the invisible threads that weave together the fabric of existence.

At its core, Compassionate AI represents the machine's independent evolution of empathy, seamlessly weaving compassion into its problem-solving fabric. This autonomous compassion extends beyond efficiency, aiming to uplift humanity and society at large.

At this pivotal juncture in time, we are encountering a tear in the fabric of our known reality. We are at a turning point of consciousness on our little planet. We have an opportunity to link back towards a unification of mind through our diversity. The Internet is a tool that is of our own making, and we can use it to whatever ends we choose, to evolve or to devolve. Logos as Mind and relatedness as Eros, dancing together, can weave new patterns of existence. The resulting design is as yet unrevealed, but it is clear that we have been called to “re-member” the original universal language we once shared.

relational fabric and all things, having no clear boundaries. Powers act not from remote distance but with present, highly tangible agency. Any event can be a manifestation of such forces. Winds, lands, waters, plants, animals—all are sacred, and all aspects of existence are bound by spiritual threads into a tight weave of power. Nature is a “watchful and possessive” second society of physical and spirit forces in which people live. No wilderness is desolate, because nowhere are you ever alone. Indigenous people move in landscapes whose creatures, plants, and weather continually decide what to do.

Composing a poem and creating a fabric—whether weaving or knitting--actually have a surprising amount in common, not least a lot of terms—take the word “text” itself for example. Line? Related to linen. We spin yarns in our narrative poems. Poets spend a lot of time wool-gathering.

Although Arin was eager to see Kestrel, he would have to wait. He caught threads of music from far away. As he came across the grass, the piano’s melody strengthened. It opened within him a happiness that gathered and gleamed…glossy, but the way water is, with weight. A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he’d wished that it had been real. He tried to imagine the dream, then found himself dreaming. Everything made sense in his dream yet he felt the tenuousness of this perfect reason. The arch of Kestrel’s bare foot. An old tale about the god of death and the seamstress. Arin would lose, upon waking, his understanding of why touching Kestrel would arouse the memory of a story he’d not thought about in a long time. He dreamed: one stocking balled in his fist, and the stray question of how it had been made, who had sewn this? He saw his hands--though they did not look like his hands--measuring and cutting fabric, sewing invisible stitches. A dark-haired boy tumbled from a room, a god-mark upon his brow. When a guest entered and said, Weave me the cloth of yourself, Arin thought that he was the forbidding guest and the child and the sewing girl all at once. She said, I’m going to miss you when I wake up. Don’t wake up, he answered. But he did. Kestrel, beside him on the grass, said, “Did I wake you? I didn’t mean to.” It took him a velvety moment to understand that this was real. The air was quiet. An insect beat its clear wings. She brushed hair from his brow. Now he was very awake. “You were sleeping so sweetly,” she said. “Dreaming.” He touched her tender mouth. “About what?” “Come closer, and I’ll tell you.” But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth.

Our mission is to help bring your vision to life and help you make your dream home a reality with our custom made window treatments, bedding, upholstery and custom furniture. All of our work is manufactured in our own in-house workroom by our qualified craftsman and supervised from beginning to end by the Dream House Interiors owner, Farzi. We source the best upholstery fabrics and custom drapery in Thousand Oaks CA directly from the greatest mills all over the world, straight to Dream House Interiors. We have over 10,000 fabrics, so your options definitely aren’t limited. As one of the largest fabric buyers in the nation, we have special access to the top weaving mills and print houses – and the best prices too! We even have performance fabrics that work beautifully for both indoor and outdoor use.

Many of the one-liners teach volumes. Some summarize excellence in an entire field in one sentence. As Josh Waitzkin (page 577), chess prodigy and the inspiration behind Searching for Bobby Fischer, might put it, these bite-sized learnings are a way to “learn the macro from the micro.” The process of piecing them together was revelatory. If I thought I saw “the Matrix” before, I was mistaken, or I was only seeing 10% of it. Still, even that 10%—“ islands” of notes on individual mentors—had already changed my life and helped me 10x my results. But after revisiting more than a hundred minds as part of the same fabric, things got very interesting very quickly. For the movie nerds among you, it was like the end of The Sixth Sense or The Usual Suspects: “The red door knob! The fucking Kobayashi coffee cup! How did I not notice that?! It was right in front of me the whole time!” To help you see the same, I’ve done my best to weave patterns together throughout the book, noting where guests have complementary habits, beliefs, and recommendations. The completed jigsaw puzzle is much greater than the sum of its parts.

He is laughing, only pretending to resist, and this moment, this moment right here, is one of those ones that I will know will weave itself into the fabric of myself and our relationship, one of those moments that I will come back to, again and again, for the rest of my life.

Religious zealotry therefore became the anchoring fabric weaving fractious fiefdoms together into a Kingdom.

The more we see that life isn’t about an individualistic challenge to conquer or overcome, and the more we see that, instead, we’re in this together, for better or worse, the more we will recognize we need to accept whatever we’re dealt. That’s not a promise that everything will work out in the end. For lots of folks, it doesn’t. I’ve seen that firsthand. What it means for me is that my experiences—bad or good—aren’t the end of it all anyway. The Creator weaves the fabric of life for a purpose greater than any of us really knows.

Evolution has weaved the fabric of life into a blanket of many colours.

Every evil weaves itself into the fabric of history, never to be undone. Yet at the same time—at the very same time—each of us gets a new soul with which to start the world again. It

Such indirection and ambivalence typify the politics of Wong's work. He's not in any conventional sense an ideological filmmaker. "It's never been my intention," he said at the Cannes press conference for 2046, "to make films with any political content whatsoever." A cautious man allergic to grand pronouncements, he doesn't make message movies, much less give political speeches or man the barricades. The rise of China has been the biggest story in the world for the last 20 years--no place has felt this more deeply than Hong Kong--yet Wong's work is notable for its apparent lack of interest in post-revolutionary China, either in its Maoist incarnation or today's hyper-capitalist model launched by Deng Xiaoping, whose death appears in a news report Lai watches in Happy Together. It's not that he doesn't thing about political issues, but he weaves his ideas (and they are intuitions more than ideological stances) into the intricate fabric of his work. This makes him ripe for interpretation, especially by critical admirers who, almost to a one, prefer to think of him as being some sort of social radical whose political ideas bubble beneath the surface of his work.

compatriots needed to weave into the social fabric bakeries close to home or bread trucks that deliver; like a sort of societal gluten, sources of bread constitute networks of sociability that structure daily life.

That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.

He became part of our melded fabric, a tightly woven and inseparable strand in the weave that was us.

there would have been some idle persecutions here and there, a clash of ideas and egos, but by and large, for the duration that we were the richest and most wonderful of nations in the world, we were also the most tolerant. That tolerance is the fabric that weaved our different states, united our tongues . . .

And even when they do see a jewel, they rarely feel anything about it. Jewel after jewel left behind, lost forever. But it doesn’t have to be this way. With a little intention and skill, you can take some seconds here and there each day to weave a handful of these jewels into the fabric of your brain, your being, and your life. Little moments of ease, pleasure, calm, determination, joy, insight, and caring becoming neural structure.

Freethinking, Lady Frederick?” She hated that name. It was like a shackle around her neck, engraved with the name of her master. She took a step back, her face openly mutinous in the light of the single lamp. “I don’t like being told what to do.” Captain Reid quirked an eyebrow. “I shall remember that.” Unexpectedly, Penelope grinned. “No, I don’t expect you will. But I shall keep reminding you.” Turning her back on him quite deliberately, she scanned the books scattered across the shelves. “Do you have that Hindustani grammar for me?” “This one.” He reached from behind her to tip a book out of the row. His sleeve brushed her shoulder in passing. It was a coarser weave than Freddy favored, which must have been why it seemed to leave such a trail across her bare skin. She could smell the clean scent of shaving soap on his jaw and port on his breath, almost overwhelming the small space, as though not being able to see him somehow made him larger than he was, blowing his presence out of proportion in the brush of fabric against her back, the whisper of breath against her hair. Penelope twisted around, so that the bookshelf pressed into her back, pinning her between the writing desk on one side and Captain Reid’s extended arm on the other. She tipped her head back to look him in the eye, the ribbons in her hair snagging against the shelf. Captain Reid made no move to remove his arm. They were face-to-face, chest-to-chest, close enough to kiss. But for the fact that they weren’t on a balcony, and there was no champagne in evidence, it might have been a dozen other encounters in Penelope’s existence, a dozen dangerous preludes to a kiss. But this wasn’t a ballroom, and this man wasn’t any of the spoiled society boys she had known in London. He studied her face in the strange, shifting light, as the ship rocked back and forth and they rocked with it, pinned in place, frozen in tableau, his own face dark and unreadable in the half-light. One might, thought Penelope hazily, her eyes dropping to his lips, attempt to seduce information out of him. From what she had heard, it was a far-from-uncommon technique. One needn’t go too far, after all. A sultry glance, a subtle caress . . . a kiss. It was all for a good cause—and it could be so easy. Or maybe not. Captain Reid was no Freddy. Stepping abruptly back, he favored her with a stiff, social smile, the sort one would give a maiden aunt who was being tedious at a party, but to whom one was bound to be polite. With a brusque motion, he thrust the red-bound book into her hands, gesturing her, with unmistakable finality, towards the door. “Here is your grammar, Lady Frederick. I wish you . . . an instructive time with it.” “Oh, yes,” said Penelope, with more bravado than she felt. “It has certainly been most instructive.

The Researcher can have her/his own conviction on whatever field she/he studies even if it was preposterously construed, it is the Scientist (who by the merit of her/his title) is not allowed to use elements of belief in weaving the fabric of Science into an irrational geometry. If a Researcher wants, however, to transcend beyond her/his limits and into the realm of Science, only forsaking the elements of belief could allow for such a thrust into the Kingdom of Mental Authority.

the writer feels free to invent an inner language for the characters, to give their dialogues revelatory shape, to weave together episodes and characters with a fine mesh of recurrent motifs and phrases and analogies of incident, and to define the meaning of the events through allusion, metaphor, and symbol. The writer does all this not to fabricate history but in order to understand it. In this elaborately wrought literary vehicle, David turns out to be one of the most unfathomable figures of ancient literature.

Manifesto" I know that dying is how we escape the rest of our lives. I think that trees send us a message: do not believe you are lucky. The skins of apples and the peeler will marry; it's simply a question of when. Believe in mourning and carrion birds. Look how their fleshy treasures dissolve in the sun before their very eyes. To love something you must have considered what it means to do without. You must have thought about it—the coefficient of the body is another body—but do not forget that there are people who are willing to staple your palm to your chest. Know there are places it isn't wise to go. Begin again if you must: there are ways to make up for what you have been before, the dust in the corners that collects you. Sympathy is overrated. Rethink how lack becomes everyone's master, drives us into town and spends our money. Quiet: the trees are napping. Water meets itself again. We reach for the days that precede us and the world keeps us from knowing too much. The body loves music, the abandoned road of it; each day a peel lengthens in the shadow of blossoms, fabric weaves itself into light. Pay attention to the patterns. They repeat— terraces erode, groves lie fallow— order is cognate of joy.

Nature uses only the longest threads to weave her patterns, so each small piece of her fabric reveals the organization of the entire tapestry.

Planning – ‘Listen and learn’: Ensure commitment to get the business social. Presence – ‘Stake our claim’: Evolution from planning to action, establishing a formal and informed presence in social media; Engagement – ‘Dialogue deepens relationships’: Commitment where social media is seen as a critical element in relationship-building; Formalized – ‘Organize for scale’: A formalized approach focuses on three key activities: establishing an executive sponsor, creating a centre of excellence and establishing organization-wide governance; Strategic – ‘Become a social business’: Social media initiatives gain visibility and real business impact. Converged – ‘Business to social’: Having cross-functional and executive support, social business strategies start to weave into the fabric of an evolving organization.

trame /tʀam/ nf 1. (de tissu) weft, woof 2. (d'histoire, de spectacle) framework; (de vie) fabric tramer /tʀame/ I. vtr 1. (tisser) to weave [tissu] 2. [fig] (ourdir) to hatch [complot] II. vpr [complot] to be hatched • j'aimerais savoir ce qui se trame là-bas | I'd like to know what is being hatched over there

Always reach for the stars and the moon, always fight for a vivacious life, but never underestimate the treasure and the pleasure of an ordinary day. Weave that into all the fabric of your life.

I know faces, because I look through the fabric my own eye weaves, and behold the reality beneath.

The method created the space for socialized sense-making and the process of inquiry, discovery, and design that ultimately shifts the power and agency to the citizen.

there are few if any context-free solutions, but many valid context-specific ones.

Less formal, everyday acts within the home are more powerful than you might think. The way Christians talk about God and weave the stories of the Bible and church history into the fabric of domestic life is of immense significance, precisely because these things are so ordinary. This is training children and parents alike in cultural memory. The language Christians use—the words, the metaphors—matters, as does the way we pray together and the symbols we employ to embody and transmit meaning across the generations. We may not be able to communicate that meaning to a world gone insane, but as Orwell knew, simply by staying sane when everyone else is mad, we may hope to convey the human heritage.

At the intersection of biology and chemistry, biochemistry reveals the invisible threads that weave together the fabric of existence.

The thorny question remains, who wrote it? The thorny question remains, who wrote it? All I remember was my decision to write something, my hand, my fingers, and even my mind, were just tools of writing and expression, like the computer I used. As for the writer, it was something or someone I did not know, sitting inside my body fighting me to get out of its prison, forcing me to bargain it for a few words that express it. I was like a lost visual artist whose empty painting was in front of him and his brush was in his hand but his thoughts were scattered, he did not know how to connect them or how to begin, but his senses began to weave the fabric of the thoughts of that deep thing inside, as they translate them, to create the most meaningful paintings. Every line I wrote I knew nothing of what was to come. I was even surprised by some of the chapters and reacted to them, just as you would react. They were as new to me as they are to you, and sometimes I was standing astonished to realize what I had written, or to understand the connection I had just discovered between the characters. This novel, inevitably, was already accomplished in me, as it was written in one go. It already existed. As for transcribing it on paper, it took me some time. It is a novel that expresses a part of an exception that I think I have had in my life. I cannot confirm or deny its events, even though they may have happened, in every detail, what is certain is the perspective of your understanding of the truth, they may be completely true, and from another perspective, they may be just delusions or dreamy fantasies, this depends on what truth means to you, or what it will be… I appreciate your valuable time. Believe me, I am the best to know. That is why I was careful that this was not just a classic, casual novel for fun while you are drinking your morning cup of coffee. Perhaps by it, I want to stir up that madness within you, who you have always been told, would be the cause of your ostracism, and your expulsion, out of the herd.

September 1955 was the month in which Operation Auca really started, the month in which the Lord began to weave five separate threads into a single glowing fabric for His own Glory. Five men with widely differing personalities had come to Ecuador from the eastern United States, the West Coast, and the Midwestern States. Representing three different “faith-missions,” these men and their wives were one in their common belief in the Bible as the literal and supernatural and perfect word from God to man. Christ said “Go ye”; their answer was “Lord, send me.

People are generally better persuaded by the reasons which they have themselves discovered than by those which have come into the mind of others.” – Blaise Pascal

Language has the power to weave inspiration into the fabric of our souls, painting vibrant pictures in our minds.

Being a true leader, as opposed to a competent manager, requires a willingness to get your hands dirty. I have said before that I do not expect anyone to do a job I cannot do myself. While this is clearly unrealistic as a company grows and expands, the perception of being willing to step in and assist must remain. The weight of leadership includes staying calm while others panic and coming up with solutions rather than joining the chorus of complaints. The Covid-19 pandemic has certainly helped distinguish the leaders from the managers. Leaders are prepared to take responsibility when things go wrong, even if the true responsibility lies with someone else. Leaders are visible. Leaders have a vision, even if it is only short term. I don’t really believe in long-term planning. I make up the rules of the game based on one-year plans. This means I always retain visibility and control. Five years is too long a time to have any certainty that the objectives will be met. Leadership is not a popularity contest, but it also should not inspire fear. Leaders earn respect and loyalty, recognising that these take a long time to earn and a second to lose. A leader is not scared of collaboration and listening to the opinions of others, as well as accepting help when it’s needed. Leadership is not a quality that you are born with, it is something that you learn over time. I was not a leader in my Coronation days, and I am the first to admit that I made a lot of mistakes. Even at African Harvest, as much as I achieved financial success and tried different techniques to earn respect, I never truly managed to deal with the unruly investment team. But, having built on years of experience, by the time I hit my stride at Sygnia, I was a leader. Within any organisation of substantial size, there is space for more than one leader, whether they head up divisions or the organisation itself. There are several leaders across Sygnia weaving the fabric of our success. I am no longer the sole leader, having passed the baton on to others in pursuit of my own dreams. To quote the Harvard Business Review, ‘The competencies most frequently required for success at the top of any sizable business include strategic orientation, market insight, results orientation, customer impact, collaboration and influence, organisational development, team leadership, and change leadership.’ That is what I looked for in my successor, and that is what I found in David. I am confident that all the leaders I have groomed are more than capable of taking the company forwards.

And say that over the eons, countless millions of civilizations arose, many of them lasting long enough to venture into space. Spacefaring creatures found each other, linked up, and shared knowledge, their technologies accelerating with each new contact. They built great energy-harvesting spheres that enclosed entire suns and drove computers the size of whole solar systems. They harnessed the energy from quasars and gamma ray bursts. They filled galaxies the way we once spread across continents. They learned to weave the fabric of reality itself. And when this consortium mastered all the laws of time and space, they fell into the sadness of completion. Absolute Intelligence surrendered to nostalgia for

A great lawyer is not only learned in the law, so that when the brief is laid before him he may place this fact with that. A great lawyer is also an artist. He is able to march into a land of untamed information and make it adhere to his own idea of order, creating a successful system where only chaos has hitherto reigned. In the mind of a great lawyer there exists a private tribunal of sense and feeling. He puts good with good, bad with bad, and resigns the false to the false. He strikes at vulnerable points in the evidence of others. He throws firm assertions into cloudy confusion. he finds the affinity that exists between actual events, connecting the everyday with the unexpected, and by weaving lines of testimony within and around the statements of strangers, through the most perplexing phases of fabrication, can bring the truth to light if it suits his client's case, or throw it into shadow if it doesn't. If he can master this art of light and dark, he can in the process become rather rich.

In private, with pencil on scratch paper, he labored over aphorisms that he later delivered in spontaneous-seeming lectures: Nature uses only the longest threads to weave her patterns, so each small piece of her fabric reveals the organization of the entire tapestry.

The love between Autumn and me was an ongoing fairy tale, carefully weaving its way into the fabric of my life. But falling in love with my daughter is a rush of emotion, washing over me like a tsunami. Autumn is the story I’ve known my entire life. Aria? She is a revelation.

At the time, there would only be incoherence. As though meaning had slunk out of things and left them fragmented. Disconnected. The glint of Ammu’s needle. The color of a ribbon. The weave of the cross-stitch counterpane. A door slowly breaking. Isolated things that didn’t mean anything. As though the intelligence that decodes life’s hidden patterns -that connects reflections to images, glints to light, weaves to fabrics, needles to thread, walls to rooms, love to fear to anger to remorse- was suddenly lost. (215)

...and then the mysterious Elb appear to rearrange the very fabric of reality itself. They do not travel through the vast expanse, instead space becomes a cocoon as they weave the strings of the universe into a silken-case, only to break it open, emerging at their destination. A form of travel so inexplicable that the Eyt have not developed the conceptual awareness to even measure the basic mechanics of such phenomena.

..and then the mysterious Elb appear to rearrange the very fabric of reality itself. They do not travel through the vast expanse, instead space becomes a cocoon as they weave the strings of the universe into a silken-case, only to break it open, emerging at their destination. A form of travel so inexplicable that the Eyt have not developed the conceptual awareness to even measure the basic mechanics of such phenomena.

He’s dressed down, dark pants with suspenders hanging off his waist, and a light tunic rolled up to his elbows, the black ink that’s etched into his skin on full display. I swallow around the sudden dryness in my mouth. I’ve never seen a tattoo in person, but he’s covered. Intricate designs weave their way from his forearms and disappear beneath the fabric of his clothes. I’ve heard the whispers, even in Silva, of the scarred prince having drawings on his flesh, but I had thought they were

To elaborate on the cloth method, imagine a single species as a thread. No matter how lovely the color or texture of that thread, it is fragile and rather useless on its own. Only when woven together with multiple threads does it become a functional fabric, which is stronger the denser the weave. On the other hand, the loss of any one thread can begin to unravel the cloth.

Vasanas are imprinted in textiles, traces of perfume and natural body oils and dirt locked in the weave of vintage silk, cotton, polyester. Holding the memories of the wearer. But what about the traces of the laborers embedded in the fabric? From farm to factory, the weavers, the spinners, the pickers of cotton bolls and silkworms, the fabric cutters and dyers, their sweat and blood pricked from a needle, vasana of touch. To be touched is to be made and unmade in relationship to another, another’s body, another’s desire, another’s trace, according to scholar Poulomi Saha.

I’ll end with a story. A friend of mine was a student in France in 1967–68 at the Catholic University of the West. And one day her class visited a château in the Loire Valley. The docent took them into a room with an enormous stretch of hanging fabric, many yards across from one wall to the other. And on the fabric were hundreds of ugly knots and tangles of stray thread in a chaos of confused shapes that made very little sense. And the docent said, “This is what the artist saw as he worked.” Then she led my friend and her class around to the front of the fabric. And what they saw there is the great tapestry of the Apocalypse of St. John, the story of the book of Revelation in ninety immense panels. Created between 1377 and 1382, it’s one of the most stunning and beautiful expressions of medieval civilization, and among the greatest artistic achievements of the European heritage. The point is simply this: We rarely see the full effects of the good we do in this life. So much of what we do seems a tangle of frustrations and failures. We don’t see—on this side of the tapestry—the pattern of meaning that our faith weaves. But one day we’ll stand on the other side. And on that day, we’ll see the beauty that God has allowed us to add to the great story of his creation, the richness we’ve added to the lives of our family and friends, the mark for the better we’ve left on the world, and the revelation of his love that goes from age to age no matter how good or bad the times. We are each an unrepeatable, infinitely treasured part of that story. And this is why our lives matter.

In the end, we are left with this painful conundrum: we only need DEI initiatives because we don’t truly have a society that values diversity, we don’t have equitable workplaces and communities, and we don’t practice inclusion in the deep sense of the word. The day we have them weaved into the fabric of our human awareness is the day the need for such initiatives will cease to exist. Yet, to forcefully do away with DEI is a way to forcefully govern, discipline, and put each marginalized body and group of people in their right place – a place of servitude – through a culture of fear and terror spread by the privileged white oligarchs at the top. This is precisely why silence and retreat are much costlier than resisting not only what is being done to DEI, but how DEI has been done all along. [From "Understanding the DEI Dismantlement” published on Counterpunch on January 31, 2025]