Weary Traveler Quotes

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It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?" I could risk no sort of answer by this time: my heart was still. "Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.
Charlotte Brontë (Jane Eyre)
To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd!
William Shakespeare (Hamlet)
Does a leaf, when it falls from the tree in winter, feel defeated by the cold? The tree says to the leaf: "That’s the cycle of life. You may think you’re going to die, but you live on in me. It’s thanks to you that I’m alive, because I can breathe. It’s also thanks to you that I have felt loved, because I was able to give shade to the weary traveller. Your sap is in my sap; we are one thing.
Paulo Coelho (Manuscript Found in Accra)
When we are “time traveling”, we may trip over problems from the past which distort our memory. If we are weary of dealing with lost causes or lame ducks in our history, we have to make up our mind and give up destructive thinking patterns. At that juncture, time has come to go back to the future. ( “A glimpse of the future" )
Erik Pevernagie
Time is not measured by the years that you live But by the deeds that you do and the joy that you give- And each day as it comes brings a chance to each one To love to the fullest, leaving nothing undone That would brighten the life or lighten the load Of some weary traveler lost on Life's Road- So what does it matter how long we may live If as long as we live we unselfishly give.
Helen Steiner Rice
So much there is to see, but our morning eyes describe a different world than do our afternoon eyes, and surely our wearied evening eyes can report only a weary evening world.
John Steinbeck (Travels with Charley: In Search of America)
Here's another poem, like all others before and after, dedicated to you. There isn't anything left to be said but I will spend my life trying to put you into words. You who is every goodness, every optimism and hope. Your love is a better fate for me than anything I could wish for. If you are a part of me, then you’re the best part. And if you're separate from me, then you are my destination. But I’ve become a weary traveller, so please, let us never be apart.
Kamand Kojouri
We all walk in a land of dreams. For what are we but atoms and hope, a handful of stardust and sinew? We are weary travelers trying to find our way home on a road that never ends. Am I a part of your dream? or are you but a part of mine?
Libba Bray
Time is not measured by the years that you live But by the deeds that you do and the joy that you give- And each day as it comes brings a chance to each one To love to the fullest, leaving nothing undone That would brighten the life or lighten the load Of some weary traveler lost on Life's Road- So what does it matter how long we may live If as long as we live we unselfishly give.
Helen Steiner Rice
And thus ever by day and night, under the sun and under the stars, climbing the dusty hills and toiling along the weary plains, journeying by land and journeying by sea, coming and going so strangely, to meet and to act and react on one another, move all we restless travellers through the pilgrimage of life.
Charles Dickens (Little Dorrit)
The seeds we sow today will grow to serve as shades for weary travellers tomorrow
Nike Thaddeus
We have great cities to visit: New York and Washington, Paris and London; and further east, and older than any of these, the legendary city of Samarkand, whose crumbling palaces and mosques still welcome travelers on the Silk road. Weary of cities? Then we’ll take to the wilds. To the islands of Hawaii and the mountains of Japan, to forests where Civil War dead still lie, and stretches of sea no mariner ever crossed. They all have their poetry: the glittering cities and the ruined, the watery wastes and the dusty; I want to show you them all. I want to show you everything.
Clive Barker (Galilee)
Ah Sun-flower! weary of time, Who countest the steps of the Sun: Seeking after that sweet golden clime Where the traveller's journey is done. Where the Youth pined away with desire, And the pale Virgin shrouded in snow: Arise from their graves and aspire, Where my Sun-flower wishes to go.
William Blake (Songs of Experience)
Familiarity, globalisation, cheap travel, mere weariness had diluted our sense of foreign-ness.
David Nicholls (Us)
The Blues The Blahs The Weary Dismals Lost in Gloom Woesome Me's The Eternal 3 AM of the Soul.
Vivian Swift (When Wanderers Cease to Roam: A Traveler's Journal of Staying Put)
Fantastic fortune thou deceitful light, That cheats the weary traveler by night, Though on a precipice each step you tread, I am resolved to follow where you lead.
Aphra Behn (The Rover)
Once again her face changed. She was like someone standing in strong sunlight on a mountain top, looking back down the valley from which she had emerged and trembling with the memory still in her bones of the length and nature of the road she had travelled, the glaciers and forded rivers, the weariness and danger, and conscious of how far she still had to go.
Magda Szabó (The Door)
So expressive it was, of a hopeless and lost creature, that a famished traveler, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.
Charles Dickens (A Tale of Two Cities)
To the man of science, on his unassuming and laborious travels, which must often enough be journeys through the desert, there appear those glittering mirages called 'philosophical systems'; with bewitching deceptive power they show the solution of all enigmas and the freshest draught of the true water of life to be near at hand; his heart rejoices, and it seems to the weary traveller that his lips already touch the goal of all the perseverance and sorrows of the scientific life... Other natures again, may well grow exceedingly ill-humoured and curse the salty taste which these apparitions leave behind in the mouth and from which arises a raging thirst – without one having been brought so much as a step nearer to any kind of spring.
Friedrich Nietzsche
You are so stubborn." "I am? I? Woman who insists everything be her way? You must wear hard white shoes. You must remove your weapons. You must travel in a car. You must not kiss me even though I wrap my legs around you when you do. Must must must. I weary of that word.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
Who would fardels bear, To groan and sweat under a weary life, But that the dread of something after death, The undiscovered country, from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus, conscience does make cowards of us all;
William Shakespeare
He was listening with pain of spirit to the overtone of weariness behind their frail fresh innocent voices. Even before they set out on life's journey they seemed weary already.
James Joyce (A Portrait of the Artist as a Young Man)
Where my soul went during that swoon I cannot tell. Whatever she saw, or wherever she travelled in her trance on that strange night she kept her own secret; never whispering a word to Memory, and baffling imagination by an indissoluble silence. She may have gone upward, and come in sight of her eternal home, hoping for leave to rest now, and deeming that her painful union with matter was at last dissolved. While she so deemed, an angel may have warned her away from heaven's threshold, and, guiding her weeping down, have bound her, once more, all shuddering and unwilling, to that poor frame, cold and wasted, of whose companionship she was grown more than weary. I know she re-entered her prison with pain, with reluctance, with a moan and a long shiver. The divorced mates, Spirit and Substance, were hard to re-unite: they greeted each other, not in an embrace, but a racking sort of struggle.
Charlotte Brontë
I want to observe the ordinary things of earth—the moon, the stars, the rainbows, even the yellow leaves of the old cherry trees—and receive their messages. To hear them say what every weary traveler, every earnest seeker, longs to hear. Welcome home.
Christie Purifoy (Roots and Sky: A Journey Home in Four Seasons)
Books, he thought, were a sort of migratory bird. Here they rested a while, weary of their travels, before taking flight again, before moving, settling in another nest for a time. They seemed to him like a flock that had descended on these tables, pages fluttering like wings, and here they rested in the shade, enjoying the lull, knowing it would soon be time to go on their way again.
Lavie Tidhar (Osama)
That night, I fell into a deep, travel-weary sleep, lulled by the familiar sound of the waterfall beyond the window. I dreamed of the beck fairies, a blur of lavender and rose-pink and buttercup-yellow light, flitting across the glittering stream, beckoning me to follow them toward the woodland cottage. There, the little girl with flame-red hair picked daisies in the garden, threading them together to make a garland for her hair. She picked a posy of wildflowers- harebell, bindweed, campion, and bladderwort- and gave them to me.
Hazel Gaynor (The Cottingley Secret)
Weary with toil, I haste me to my bed,   The dear respose for limbs with travel tir'd;   But then begins a journey in my head   To work my mind, when body's work's expired:   For then my thoughts—from far where I abide—   Intend a zealous pilgrimage to thee,   And keep my drooping eyelids open wide,   Looking on darkness which the blind do see:   Save that my soul's imaginary sight   Presents thy shadow to my sightless view,   Which, like a jewel (hung in ghastly night,   Makes black night beauteous, and her old face new.     Lo! thus, by day my limbs, by night my mind,     For thee, and for myself, no quiet find.
William Shakespeare
So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.
Charles Dickens (A Tale of Two Cities)
Dim as the borrowed beams of moons and stars To lonely, weary, wandering travelers, Is Reason to the soul; and, as on high Those rolling fires discover but the sky, Not light us here, so Reason's glimmering ray Was lent, not to assure our doubtful way, But guide us upward to a better day.
John Dryden (Religio Laici, or A Layman's Faith)
Happily men don't realise how stupid they are, or half the world would commit suicide. Knowledge is a will-of-the-wisp, fluttering ever out of the traveller's reach; and a weary journey must be endured before it is even seen. It is only when a man knows a good deal that he discovers how unfathomable is his ignorance. The man who knows nothing is satisfied that there is nothing to know, consequently that he knows everything; and you may more easily persuade him that the moon is made of green cheese than that he is not omniscient.
W. Somerset Maugham (Mrs Craddock (Classic, 20th-Century, Penguin))
The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long long ago. So entirely had it lost the life and resonance of the human voice, that if affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would remember home and friends in such a tone before lying down to die.
Charles Dickens (A Tale of Two Cities)
He was wrong in thinking that by saying 'Nnphnn!' Sunny had been complaining about getting undressed in front of her siblings. Sunny's oversized suit had muffled the word she was really saying, and it was a word that still haunts me in my dreams as I toss and turn each night, images of Beatrice and her legacy filling my weary, grieving brain no matter where in the world I travel and no matter what important evidence I discover.
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
So many of us spend our lives in our minds wandering from past to future like weary time travelers completely ignoring the beautiful now unraveling all around us.
Atticus Poetry (LVOE: Poems, Epigrams & Aphorisms)
Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank...
Gustave Flaubert
But why do spirits walk the earth, and why do they come to me?" "It is required of every man," the Ghost returned, "that the spirit within him should walk abroad among his fellow-men, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death. It is doomed to wander through the world--oh, woe is me!--and witness what it cannot share, but might have shared on earth, and turned to happiness! ...I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!
Charles Dickens (A Christmas Carol)
But what then? What had he really gained by all this trouble? What had he brought back from this long and weary journey? Nothing, say you? Perhaps so;...Truly, would you not for less than that go around the world?
Jules Verne (Around the World in Eighty Days)
Dogs in My Nose -- When I woke up that morning, it didn't take me long to realize there were dogs in my nose. I could hear their muffled barks; I could feel their playful vibrations. It's not dangerous to have dogs in your nose, in fact, it's quite all right to leave them in there for an hour or so. But in this case, because they got in there without permission, I decided to expel them immediately, coaxing them out with a piece of hamburger. The dogs popped out and landed on the floor. They shook their little floppy ears and bounded off, and I was amused at the prospect of some other weary traveler awakening to find he had dogs in his nose.
Steve Martin
The author of these Travels, Mr. Lemuel Gulliver, is my ancient and intimate friend; there is likewise some relation between us on the mother's side. About three years ago, Mr. Gulliver growing weary of the concourse of curious people coming to him at his house in Redriff, made a small purchase of land, with a convenient house, near Newark, in Nottinghamshire, his native country; where he now lives retired, yet in good esteem among his neighbours.
Jonathan Swift (Gulliver's Travels (Signet Classics))
If you've ever taken a sub, you'll know they have available every luxury item the weary traveller could ever wish to purchase. Drinks, food, perfumes, clothes, blankets, anything. These compartments weren't empty, but I doubt the weary traveller was really in the market for a selection of low and high powered pistols, assault rifles, armour piercing rounds and the variety of explosive devices on offer. Unless they were on the way to a Christmas family get-together.
G.R. Matthews (Nothing Is Ever Simple (Corin Hayes, #2))
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
Perhaps that is what made me sick with weary nausea. Here was no principle good or bad, no direction. These blowzy women, with their little hats and their clippings, hungered for attention. They wanted to be admired. They simpered in happy, almost innocent triumph when they were applauded. Theirs was the demented cruelty of egocentric children, and somehow this made their insensate beastliness much more heart-breaking. These were not mothers, not even women. They were crazy actors playing to a crazy audience. The
John Steinbeck (Travels With Charley: In Search of America)
How sweet it would be to treat men and things, for an hour, for just what they are! [...] When we are weary with travel, we lay down our load and rest by the wayside. So, when we are weary with the burden of life, why do we not lay down this load of falsehoods which we have volunteered to sustain, and be refreshed as never mortal was? Let the beautiful laws prevail. Let us not weary ourselves by resisting them. When we would rest our bodies we cease to support them; we recline on the lap of the earth. So, when we would rest our spirits, we must recline on the Great Spirit. Let things alone; let them weigh what they will; let them soar of fall.
Henry David Thoreau (Letters to a Spiritual Seeker)
The gate was packed with weary travelers, most of them standing and huddled along the walls because the meager allotment of plastic chairs had long since been taken. Every plane that came and went held at least eighty passengers, yet the gate had seats for only a few dozen.
John Grisham (Skipping Christmas)
And with that the Time Traveller began his story as I have set it forth. He sat back in his chair at first, and spoke like a weary man. Afterwards he got more animated.
H.G. Wells (The Time Machine)
the lonely mind wanders. the happy mind goes. the weary mind travels. the thoughtful mind flows.
Barry DeCarli
Today there is a place called Egypt, but the Egyptian people are not masters there; long since they have been broken by conquest, and merged in language and marriage with their Arab conquerors; their cities know only the authority of Moslems and Englishmen, and the feet of weary pilgrims who travel thousands of miles to find that the Pyramids are merely heaps of stones.
Will Durant (Our Oriental Heritage (Story of Civilization 1))
I lack altogether patience to live. I cannot see the grass grow, but since I cannot I don’t feel at all inclined to. My views are the fleeting observations of a ‘travelling scholar’9 rushing through life in the greatest haste. People say the good Lord fills the stomach before the eyes. I haven’t noticed; my eyes have had enough and I am weary of everything, and yet I hunger.
Søren Kierkegaard (Either/Or: A Fragment of Life)
The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long and long ago. So entirely had it lost the life and resonance of the human voice, that it affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.
Charles Dickens (A Tale of Two Cities)
He had brought me to feel that free love was better than that hallowed by the sanctity of marriage, that those bound in wedlock soon wearied and satiated of one another and then awoke to find themselves forever bound together, to shiver for a life-time over the dead embers of an extinct passion, or to break their vows and bring shame and disgrace upon each other, and upon their children.
Margaret Fountaine (Love among the Butterflies: The Travels and Adventures of a Victorian Lady)
Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the vale profound Is overflowing with the sound. No nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt, Among Arabian sands: A voice so thrilling ne'er was heard In spring-time from the cuckoo-bird Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings? Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: Or is it some more humble lay, Familiar matter of today? Some natural sorrow, loss, or pain, That has been, and may be again! Whate'er the theme, the maiden sang As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending; I listened, motionless and still; And as I mounted up the hill The music in my heart I bore, Long after it was heard no more.
William Wordsworth
There is a legend that has often been told Of the boy who searched for the Windows of Gold. The beautiful windows he saw far away When he looked in the valley at sunrise each day. And he yearned to go down to the valley below But lived on a mountain covered with snow, And he knew it would be a difficult trek, But that was a journey he wanted to make. So he planned by day and he dreamed by night Of how he could reach The Great Shining Light. And one golden morning when dawn broke through And the valley sparkled with diamond of dew. He started to climb down the mountainside With the Windows of Gold as his goal and his guide. He traveled all day and, weary and worn, With bleeding feet and clothes that were torn. He entered the peaceful valley town Just as the Golden Sun went down. But he seemed to have lost his "Guiding Light," The windows were dark that had once been bright. And hungry and tired and lonely and cold He cried, "Won't You Show Me The Windows of Gold?" And a kind hand touched him and said, "Behold! High On The Mountain Are The Windows of Gold." For the sun going down in a great golden ball Had burnished the windows of his cabin so small, And the Kingdom of God with its Great Shining light, Like the Golden Windows that shone so bright. Is not a far distant place, somewhere, It's as close to you as a silent prayer, And your search for God will end and begin When you look for Him and find Him within.
Helen Steiner Rice
I die, and yet not dies in me The ardour of my love for Thee, Nor hath Thy Love, my only goal, Assuaged the fever of my soul. To Thee alone my spirit cries; In Thee my whole ambition lies, And still Thy Wealth is far above The poverty of my small love. I turn to Thee in my request, And seek in Thee my final rest; To Thee my loud lament is brought, Thou dwellest in my secret thought. However long my sickness be, This wearisome infirmity, Never to men will I declare The burden Thou has made me bear. To Thee alone is manifest The heavy labour of my breast, Else never kin nor neighbors know The brimming measure of my woe. A fever burns below my heart And ravages my every part; It hath destroyed my strength and stay, And smouldered all my soul away. Guidest Thou not upon the road The rider wearied by his load, Delivering from the steeps of death The traveller as he wandereth? Didst Thou not light a beacon too For them that found the Guidance true But carried not within their hand The faintest glimmer of its brand? O then to me Thy Favour give That, so attended, I may live, And overwhelm with ease from Thee The rigor of my poverty.
ذو النون المصري (Sufism: An Account of the Mystics of Islam)
To full-blood elves, they might appear too young to be this weathered and weary, but to any perceptive observer, it was clear they came by their caution honestly, and they moved with a grace brought on by years of traveling together.
Marieke Nijkamp (Critical Role: Vox Machina—Kith & Kin)
To grunt and sweat under a weary life, But that the dread of something after death, The undiscover’d country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of?
William Shakespeare (Complete Works of William Shakespeare)
That was the problem with time travel, of course (apart from the impossibility) – one would always be a Cassandra, spreading doom with one’s foreknowledge of events. It was quite wearyingly relentless but the only way that one could go was forward. She
Kate Atkinson (Life After Life)
The curtain behind the counter whipped aside and a woman emerged dressed in flowing purple robes, a silk headscarf, and a lace shawl. She wore heavy makeup, her eyelids smoky blue and her eyes framed by thick black lashes. As she surveyed us, she adjusted a bronze tiara just above her hairline. It was strung with delicate dangling chains that swayed hypnotically across her forehead. "Greetings weary travellers," she said. "I sense that you - " "Nope," Jackaby said and pushed passed up back out of the shop.
William Ritter (Ghostly Echoes (Jackaby, #3))
My views are the fleeting observations of a ‘travelling scholar’9 rushing through life in the greatest haste. People say the good Lord fills the stomach before the eyes. I haven’t noticed; my eyes have had enough and I am weary of everything, and yet I hunger.
Søren Kierkegaard (Either/Or: A Fragment of Life)
as Josephus correctly noted, Melchizedek was also just a man, and as such is an example of the kind of man I want to be. I want to be a friend of souls. I want to stand by the side of the road, as Melchizedek did, waiting for weary travelers, in the places “where the ragged people go.”4 I want to look for those who have been battered and wronged by others, who carry the dreary burden of a wounded and disillusioned heart. I want to nourish and refresh them with bread and wine and send them on their way with a benediction.
David Roper (Out of the Ordinary: God's Hand at Work in Everyday Lives)
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
He had the aloofness of manner you often find in those who have lived much alone in unfrequented places...they seem always to hold something back. They have a life in themselves that they keep apart...this hidden life is the only one that signifies to them. And no and then their eyes betray the weariness with the social round into which hazard or the fear of seeming odd has for a moment forced them. They seem then to long for the monotonous solitude of some place of their predilection where they can be once more alone with the reality they have found.
W. Somerset Maugham (The Gentleman in the Parlour: A Record of a Journey from Rangoon to Haiphong (Armchair traveller series))
plugged in my headphones. In the sermon, King uses the parable of the neighbor who knocks upon his friend’s door at midnight, seeking three loaves to feed a hungry traveler. The man’s need is great, King reminds us, because the loaves of bread he seeks are spiritual loaves. The bread of faith, the bread of hope, the bread of love. The man’s friend refuses him. “Do not bother me; the door is now shut,” his friend says, “and my children are with me in bed, I cannot get up and give you anything.” In his tremendous tenor, his voice rolling with the calm power and depth of the sea, King explains that the man continues to persistently knock; he will not be denied. He urges us to embrace the hope, faith, and love necessary to continue our struggle for justice in midnight’s darkest hour. With faith in his friend’s generosity, and out of a deep need to provide loaves to his visitor, the man knocks. “Midnight is a confusing hour when it is difficult to be faithful.” His voice sonorous, King intones, “The weary traveler by midnight who asks for bread is really seeking the dawn. Our eternal message of hope is that dawn will come.
Brittany K. Barnett (A Knock at Midnight: A Story of Hope, Justice, and Freedom)
Ah Sun-flower! weary of time, Who countest the steps of the Sun: Seeking after that sweet golden clime Where the travellers journey is done. Where the Youth pined away with desire, And the pale Virgin shrouded in snow: Arise from their graves and aspire, Where my Sun-flower wishes to go.
William Blake (Songs of Innocence and of Experience)
All of life’s trials and tribulations are lessons and opportunities that allow you to grow and become a fully aware participant in the dance of life. You know now, looking back, how much can be learned from them. And you can see also how much you have changed. Change is inevitable, and you can never go back the way you came, can never return to the point of origin, though you may still be inspired by it and you may yet find your feet being set on a new path, toward a new destination. There is always more out there, waiting for you, traveller, and you will never be too weary for the treading. Now
Kim Huggens (Complete Guide to Tarot Illuminati)
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
William Gaddis (The Recognitions)
The book was Shelley, and it opened at a passage that he had cherished greatly two years before, and marked as “very good.” “I never was attached to that great sect, Whose doctrine is, that each one should select Out of the crowd a mistress or a friend, And all the rest, though fair and wise, commend To cold oblivion, though it is in the code Of modern morals, and the beaten road Which those poor slaves with weary footsteps tread, Who travel to their home among the dead By the broad highway of the world, and so With one chained friend, perhaps a jealous foe, The dreariest and the longest journey go.
E.M. Forster (The Longest Journey)
When once to a man the human face is the human face divine, and the hand of his neighbour is the hand of a brother, then will he understand what St Paul meant when he said, "I could wish that myself were accursed from Christ for my brethren." But he will no longer understand those who, so far from feeling the love of their neighbour an essential of their being, expect to be set free from its law in the world to come. There, at least, for the glory of God, they may limit its expansive tendencies to the narrow circle of their heaven. On its battlements of safety, they will regard hell from afar, and say to each other, "Hark! Listen to their moans. But do not weep, for they are our neighbours no more." St Paul would be wretched before the throne of God, if he thought there was one man beyond the pale of his mercy, and that as much for God's glory as for the man's sake. And what shall we say of the man Christ Jesus? Who, that loves his brother, would not, upheld by the love of Christ, and with a dim hope that in the far-off time there might be some help for him, arise from the company of the blessed, and walk down into the dismal regions of despair, to sit with the last, the only unredeemed, the Judas of his race, and be himself more blessed in the pains of hell, than in the glories of heaven? Who, in the midst of the golden harps and the white wings, knowing that one of his kind, one miserable brother in the old-world-time when men were taught to love their neighbour as themselves, was howling unheeded far below in the vaults of the creation, who, I say, would not feel that he must arise, that he had no choice, that, awful as it was, he must gird his loins, and go down into the smoke and the darkness and the fire, travelling the weary and fearful road into the far country to find his brother?—who, I mean, that had the mind of Christ, that had the love of the Father?
George MacDonald (Unspoken Sermons, Series I., II., and III.)
How heavy do I journey on the way,   When what I seek, my weary travel's end,   Doth teach that ease and that repose to say,   'Thus far the miles are measured from thy friend!'   The beast that bears me, tired with my woe,   Plods dully on, to bear that weight in me,   As if by some instinct the wretch did know   His rider lov'd not speed, being made from thee:   The bloody spur cannot provoke him on,   That sometimes anger thrusts into his hide,   Which heavily he answers with a groan,   More sharp to me than spurring to his side;     For that same groan doth put this in my mind,     My grief lies onward, and my joy behind.
William Shakespeare (Shakespeare's Sonnets)
the languages of all people, that they might be read and known, not merely by the Scotch and the Irish, but even by the Turks and the Saracens. I wish that the husbandman may sing parts of them at his plough, that the weaver may warble them at his shuttle, that the traveler may with their narratives beguile the weariness of the way.
David Teems (Tyndale: the Man Who Gave God an English Voice)
Although, to restless and ardent minds, morning may be the fitting season for exertion and activity, it is not always at that time that hope is strongest or the spirit most sanguine and buoyant. In trying and doubtful positions, youth, custom, a steady contemplation of the difficulties which surround us, and a familiarity with them, imperceptibly diminish our apprehensions and beget comparative indifference, if not a vague and reckless confidence in some relief, the means or nature of which we care not to foresee. But when we come, fresh, upon such things in the morning, with that dark and silent gap between us and yesterday; with every link in the brittle chain of hope, to rivet afresh; our hot enthusiasm subdued, and cool calm reason substituted in its stead; doubt and misgiving revive. As the traveller sees farthest by day, and becomes aware of rugged mountains and trackless plains which the friendly darkness had shrouded from his sight and mind together, so, the wayfarer in the toilsome path of human life sees, with each returning sun, some new obstacle to surmount, some new height to be attained. Distances stretch out before him which, last night, were scarcely taken into account, and the light which gilds all nature with its cheerful beams, seems but to shine upon the weary obstacles that yet lie strewn between him and the grave.
Charles Dickens (Nicholas Nickleby)
One day when our hearts were young, we went roving with right good will, side by side two comrades to find what lay o'er the hill. Our spirits never wearied then, in those high old times gone by. What friends we made, what perils we faced, together you and I. Now eyes grow dim and paws feel stiff, even vittles don't taste the same. You wake one day, with your whiskers grey, what price then, medals an' fame? Alas, all we have are memories, to take out, dust off, and share. But, oh, my friend, the pride we feel, just to know that we were there! We travelled an' fought an' feasted, we triumphed, we marched and songs were sung, We faced death, saw life and adventure! One day when our hearts were young.
Brian Jacques (The Sable Quean (Redwall, #21))
Womb? Weary? He rests. He has travelled. With? Sinbad the Sailor and Tinbad the Tailor and Jinbad the Jailer and Whinbad the Whaler and Ninbad the Nailer and Finbad the Failer and Binbad the Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad the Hailer and Rinbad the Railer and Dinbad the Kailer and Vinbad the Quailer and Linbad the Yailer and Xinbad the Phthailer.
James Joyce (Ulysses)
Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me ‘I have come,’ said I, ‘from this road’s birth, I have come,’ said I, ‘seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth ‘There are few roads on this earth,’ said he, ‘that will lead you to the best in us, old one.’ ‘But you have seen all the tracks of men,’ said I ‘And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs ‘Old one,’ said she, ‘I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. ‘Dare say I,’ she went on,‘there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, ‘Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ ‘Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ ‘Could we answer you,’ said the sergeant, ‘This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, ‘Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ ‘How so?’ asked I, so lost now on the road, And said he, ‘Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
I should explain that I really did travel, but everything smacks to me of merely telling myself that I travelled, although I didn’t. I carried back and forth, from north to south and east to west, the weariness of having had a past, the disquiet of living a present, and the tedium of having to have a future. And yet I struggle so hard to remain entirely in the present, killing inside me the past and the future.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
It was true that he was weary after having spent the last seven days traveling from Kent to the shadowed edges of the Exmoor Forest. It was also true that the wilds of Somerset and Cornwall were said to breed wraiths and other netherworld creatures, and Dunster was right in the middle of dark and mysterious lands. But being a man of logic, Sir Gart Forbes wasn’t one to believe in ghosts or phantoms or fairies. Still, he wasn’t quite sure what he had seen.
Tanya Anne Crosby (Lairds, Lords & Lovers: 10 Full-Length Novels From the Queens of Medieval Romance)
My greatest wish—other than salvation—was to have a book. A long book with a never-ending story. One I could read again and again, with new eyes and a fresh understanding each time. Alas, there was no scripture in the lifeboat. I was a disconsolate Arjuna in a battered chariot without the benefit of Krishna’s words. The first time I came upon a Bible in the bedside table of a hotel room in Canada, I burst into tears. I sent a contribution to the Gideons the very next day, with a note urging them to spread the range of their activity to all places where worn and weary travellers might lay down their heads, not just to hotel rooms, and that they should leave not only Bibles, but other sacred writings as well. I cannot think of a better way to spread the faith. No thundering from a pulpit, no condemnation from bad churches, no peer pressure, just a book of scripture quietly waiting to say hello, as gentle and powerful as a little girl’s kiss on your cheek.
Yann Martel (Life of Pi)
Turn it beautiful. His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom. Turn it all to beauty. She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her. Got to turn it beautiful. She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard.
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
I never was attached to that great sect, Whose doctrine is, that each one should select Out of the crowd a mistress or a friend, And all the rest, though fair and wise, commend To cold oblivion, though it is in the code Of modern morals, and the beaten road Which those poor slaves with weary footsteps tread, Who travel to their home among the dead By the broad highway of the world, and so With one chained friend, perhaps a jealous foe, The dreariest and the longest journey go. - Epipsychidion
Percy Bysshe Shelley (Percy Bysshe Shelley: An Anthology)
A woman of Samaria approached, and seeming unconscious of His presence, filled her pitcher with water. As she turned to go away, Jesus asked her for a drink. Such a favor no Oriental would withhold. In the East, water was called “the gift of God.” To offer a drink to the thirsty traveler was held to be a duty so sacred that the Arabs of [184] the desert would go out of their way in order to perform it. The hatred between Jews and Samaritans prevented the woman from offering a kindness to Jesus; but the Saviour was seeking to find the key to this heart, and with the tact born of divine love, He asked, not offered, a favor. The offer of a kindness might have been rejected; but trust awakens trust. The King of heaven came to this outcast soul, asking a service at her hands. He who made the ocean, who controls the waters of the great deep, who opened the springs and channels of the earth, rested from His weariness at Jacob’s well, and was dependent upon a stranger’s kindness for even the gift of a drink of water. The
Ellen Gould White (The Desire of Ages (Conflict of the Ages Book 3))
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
Henry David Thoreau (Walden)
All in the wicked darkest eve In blood and shadows alike; We strive to live through mighty pain, By mighty arms unite, Oft mighty hands make plain romance, A traveling heart's plight. Ah, cruel Nine! In such an hour, Beneath such dreadful weather, To beg a tale of life so bleak To stir bound wings of feathers! Yet what can one lone voice avail Against ten tongues together? Imperious Alice tumbles forth Her edict “we will end it”— In wistful tones her people hope “There will be justice in it”— While her men carry on the tale And also help begin it. Shit, this sudden war's begun, In ire giving chase The young woman moving through a land Of wonders dark and base, In friendly tryst with man and beast— The darkness she would face. And ever, as the story changed The wells of knowledge lie, And hearty strove that weary one To put her subjects by, “I am not brave—” “True fear is fine!” The frightened voices cry. Thus grew the tale of Underland: Thus slowly, one by one, Its queer events are fucking wrote— The tale is far from done, And home is where, the girl may ask, As she debates to run. Alice! A terrifying story, And with a skeleton hand Lay it where graveyard's nightmares bury The rebels no longer stand, Like magic's withered throne of corpses Plucked from a far-off land.
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
The words written down are dirty, carefully and selectedly filthy. But there was something far worse here than dirt, a kind of frightening witches’ Sabbath. Here was no spontaneous cry of anger, of insane rage. Perhaps that is what made me sick with weary nausea. Here was no principle good or bad, no direction. These blowzy women, with their little hats and their clippings, hungered for attention. They wanted to be admired. They simpered in happy, almost innocent triumph when they were applauded. Theirs was the demented cruelty of egocentric children, and somehow this made their insensate beastliness much more heart-breaking. These were not mothers, not even women. They were crazy actors playing to a crazy audience.
John Steinbeck (Travels With Charley: In Search of America)
I want to die young, neither loving nor grieving for anyone; to burst like a golden falling star, to shed my petals while still an unfaded flower. I want those wearied by hostility to find bliss twofold at my gravestone. I want to die young. Bury me to the side, away from the irritating and noisy road, there, where the pussy willow inclines to the waves, where the overgrown bushes grow yellow. So that the dreamy poppies may grow, so that the wind may breathe the fragrances of the distant earth over me. I want to die young. I don't look at the path I've travelled, at the madness of wasted years. I can doze untroubled, once I've sung my final hymn. Let the fire not completely fade; let there remain a memory of what aroused the heart's thirst for life. I want to die young.
Мирра Лохвицкая
free copy of Donald Duck that fell through the letter box one autumn day, featuring a lottery with a thousand wristwatches (a thousand iPads in today’s youth economy) to give away. Not to mention the content. Donald Duck as a teacher. The nephews squash an ice cream onto their weary uncle’s forehead. Wasting a whole ice cream without a second thought! At some point, from that same America, packets of green-and-white powder arrived that a housewife could instantly transform into a pan of soup. ‘California’, the concoction was called. ‘California,’ we whispered. California. In the provincial town where I grew up, we lugged the cabbage, lettuce and potatoes we’d grown on our allotment past several new factories on the Marshallweg, a road named after a general who, as I understood it, had paid to set up all
Geert Mak (In America: Travels with John Steinbeck)
A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture. Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood. But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge. And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.
Walter F. Otto (Homeric Gods: The Spiritual Significance of Greek Religion. Tr from German by Moses Hadas. Reprint of the 1954 Ed)
The light dimmed. The sky through the windows turned emerald. It was the first green storm of the season, and as Kestrel heard the wind pummel the house, she knew that Arin was wrong. He had wanted to punish her for months now. Hadn’t she bought him? Didn’t she own him? This was his revenge. That was all. The rain drove nails against the windowpanes. The room grew almost black. Kestrel heard Arin’s voice again in her mind and felt suddenly broken. Even if she didn’t doubt her feelings for Enai, there had been truth in his words. She didn’t notice him return. This storm was loud, the room was dark. She sucked in her breath when she realized he stood next to her. For the first time, it occurred to her to be afraid of him. But he merely struck a match and touched it to the wick of a lamp. He was soaked with rain. His skin glittered with it. When she looked at him, he flinched. “Kestrel.” He sighed. He rubbed a hand through his wet hair. “I shouldn’t have said what I did.” “You meant it.” “Yes, but--” Arin looked weary and confused. “I would have been angry if you did not weep for her.” He held out the hand that rested at his side in the shadows, and for an uncertain moment Kestrel thought he would touch her. But he was only offering something on his uplifted palm. “This was in her cottage,” he said. It was a braid of Kestrel’s hair. She took it carefully; even so, her smallest finger brushed his wet palm. His hand instantly fell. She considered the braid, turning the bright ring in her fingers. She knew that it didn’t choose sides between her truth and Arin’s. It wasn’t proof of Enai’s love. Yet it was a comfort. “I should go,” Arin said, though he didn’t move. Kestrel looked at his face glowing in the lamplight. She became aware that she was close enough to him that her bare foot rested on the damp edge of carpet where Arin stood, seeping rainwater. A shiver traveled up her skin. Kestrel stepped back. “Yes,” she said. “You should.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
To die, to sleep— To sleep, perchance to dream. Ay, there’s the rub, For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause. There’s the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th’ oppressor’s wrong, the proud man’s contumely, The pangs of despised love, the law’s delay, The insolence of office, and the spurns That patient merit of th’ unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveler returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action.
William Shakespeare (Hamlet)
THE SOLITARY REAPER. Behold her, single in the field, Yon solitary highland lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the vale profound Is overflowing with the sound. No nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt Among Arabian sands: A voice so thrilling ne'er was heard In spring-time from a cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings?— Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: Or is it some more humble lay, Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, or may be again? Whate'er the theme, the maiden sang As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending;— I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more.
James Baldwin (Six Centuries of English Poetry from Tennyson to Chaucer: Typical Selections from the Great Poets)
asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, `Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings. I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low---`Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road. I stood speechless with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.
Rabindranath Tagore (Gitanjali)
I asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, `Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings. I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low---`Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road. I stood speechless with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.
Rabindranath Tagore (Gitanjali)
I continued on my way towards Hexham, very slowly, at what I call hymn-speed. I have not mentioned that I sing as I go along. I always do. Seldom loudly, more often in a murmur. I recognise few limits in my repertoire; I can treat myself to anything. I bellow in opera, warble in ballad. My choice on any particular occasion is governed by my speed, and governs my speed; my feet march in tempo. My favourite uphill song is "Volga Boatman," which suits my movements admirably: I find I can grind out a note with every step, and each verse earns a pause, a brief halt. For slow travel, or when I am tired, hymns are best; not the noisy modern tunes, but the old ones, the softer melodies: "Breathe on me, breath of God." "Jesus, Lover of my Soul." "When I survey the Wondrous Cross." "Nearer, my God, to Thee." "Lead, Kindly Light." and best of all, "Abide with me'" old familiar tunes which can never lapse and be forgotten; quiet tunes and comforting words learnt in childhood, and later loved. . . . Last of all are the rousing marching songs, which usually end the day, unless I am very weary, when my choice is invariably "Lead, Kindly Light.
Alfred Wainwright
What franticke fit (quoth he) hath thus distraught Thee, foolish man, so rash a doome to give? What justice ever other judgement taught, But he should die, who merites not to live? None else to death this man despayring drive, But his owne guiltie mind deserving death. Is then unjust to each his due to give? Or let him die, that loatheth living breath? Or let him die at ease, that liveth here uneath? Who travels by the wearie wandring way, To come unto his wished home in haste, And meetes a flood, that doth his passage stay, Is not great grace to helpe him over past, Or free his feet, that in the myre sticke fast? Most envious man, that grieves at neighbours good, And fond, that joyest in the woe thou hast, Why wilt not let him passe, that long hath stood Upon the banke, yet wilt thy selfe not passe the flood? He there does now enjoy eternall rest And happie ease, which thou doest want and crave, And further from it daily wanderest: What if some litle paine the passage have, That makes fraile flesh to feare the bitter wave? Is not short paine well borne, that brings long ease, And layes the soule to sleepe in quiet grave? Sleepe after toyle, port after stormie seas, Ease after warre, death after life does greatly please. [...] Is not his deed, what ever thing is donne, In heaven and earth? did not he all create To die againe? all ends that was begonne. Their times in his eternall booke of fate Are written sure, and have their certaine date. Who then can strive with strong necessitie, That holds the world in his still chaunging state, Or shunne the death ordaynd by destinie? When houre of death is come, let none aske whence, nor why. The lenger life, I wote the greater sin, The greater sin, the greater punishment: All those great battels, which thou boasts to win, Through strife, and bloud-shed, and avengement, Now praysd, hereafter deare thou shalt repent: For life must life, and bloud must bloud repay. Is not enough thy evill life forespent? For he, that once hath missed the right way, The further he doth goe, the further he doth stray. Then do no further goe, no further stray, But here lie downe, and to thy rest betake, Th'ill to prevent, that life ensewen may. For what hath life, that may it loved make, And gives not rather cause it to forsake? Feare, sicknesse, age, losse, labour, sorrow, strife, Paine, hunger, cold, that makes the hart to quake; And ever fickle fortune rageth rife, All which, and thousands mo do make a loathsome life. Thou wretched man, of death hast greatest need, If in true ballance thou wilt weigh thy state: For never knight, that dared warlike deede, More lucklesse disaventures did amate: Witnesse the dongeon deepe, wherein of late Thy life shut up, for death so oft did call; And though good lucke prolonged hath thy date, Yet death then, would the like mishaps forestall, Into the which hereafter thou maiest happen fall. Why then doest thou, O man of sin, desire To draw thy dayes forth to their last degree? Is not the measure of thy sinfull hire High heaped up with huge iniquitie, Against the day of wrath, to burden thee? Is not enough, that to this Ladie milde Thou falsed hast thy faith with perjurie, And sold thy selfe to serve Duessa vilde, With whom in all abuse thou hast thy selfe defilde? Is not he just, that all this doth behold From highest heaven, and beares an equall eye? Shall he thy sins up in his knowledge fold, And guiltie be of thine impietie? Is not his law, Let every sinner die: Die shall all flesh? what then must needs be donne, Is it not better to doe willinglie, Then linger, till the glasse be all out ronne? Death is the end of woes: die soone, O faeries sonne.
Edmund Spenser (The Faerie Queene)
XVIII TO HIS LADY                Beloved beauty who inspires             love from afar, your face concealed             except when your celestial image             stirs my heart in sleep, or in the fields         5  where light and nature’s laughter             shine more lovely;             was it maybe you who blessed             the innocent age called golden,             and do you now, blithe spirit,       10  soar among men? Or does the miser, fate,             who hides you from us save you for the future?                No hope of seeing you alive             remains for me now,             except when, naked and alone,       15  my soul will go down a new street             to an unfamiliar home. Already, at the dawning             of my dark, uncertain day,             I imagined you a fellow traveler             on this parched ground. But no thing on earth       20  compares with you; and if someone             who had a face like yours resembled you             in word and deed, still she would be less lovely.                In spite of all the suffering             that fate assigned to human life,       25  if there was anyone on earth             who truly loved you as my thought portrays you,             this life for him would be a joy.             And I see clearly how your love             would still inspire me to seek praise and virtue,       30  the way I used to in my early years.             Though heaven gave no comfort for our suffering,             still mortal life with you would be             like what in heaven becomes divinity.                In the valleys, where you hear       35  the weary farmer singing             and I sit and mourn             my youth’s illusions leaving me;             and on the hills where I turn back             and lament my lost desires,       40  my life’s lost hope, I think of you             and start to shake. In this sad age             and sickly atmosphere, I try             to keep your noble look in mind;             without the real thing, I enjoy the image.       45     Whether you are the one and only             eternal idea that eternal wisdom             disdains to see arrayed in sensible form,             to know the pains of mournful life             in transitory dress;       50  or if in the supernal spheres another earth             from among unnumbered worlds receives you,             and a near star lovelier than the Sun             warms you and you breathe benigner ether,             from here, where years are both ill-starred and brief,       55  accept this hymn from your unnoticed lover.
Giacomo Leopardi (Canti: Poems / A Bilingual Edition (Italian Edition))
You look a bit fatigued, Sophie.” St. Just studied her with a brooding frown, all hint of teasing gone. His brows knit further as his gaze went to the hearth. “Is that a pair of my favorite socks set out to dry? They’re a bit large for you, aren’t they?” Westhaven emerged from the back hallway, a small box in his hand. “Somebody has decimated my stash of marzipan. If His Grace has given up crème cakes for German chocolate, I’ll be naming my seconds.” Valentine returned from the corridor. “Somebody left my favorite mug in the linen closet. I thought you favored more delicate crockery, Sophie.” In the ensuing moment of silence, Sophie was casting around desperately for plausible reasons why all this evidence of Vim’s presence in the house was yet on hand, when the back door opened and slammed shut. “Sophie, love! I’m back. Come here and let me kiss you senseless, and then, by God, we’re going to talk.” Oh dear. Oh, good heavens. Vim emerged from the darkness looking weary, handsome, and very pleased—until his gaze traveled to each of the three men glowering at him. “Who the hell are you?” Westhaven’s voice was soft, but he did not sound sensible in the least. “And what makes you think you’re going to be kissing my sister?” St. Just added, hands on his hips. “And what on earth could you have to speak with Lady Sophia about?” Valentine asked, crossing his arms.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
I decide that candor is probably best, that I will never see this woman again after this month. “I’m honestly not sure why I’m here, other than I feel like I could use some spiritual direction in my life.” This is the truth. “Why do you feel that way?” Nora asks. I sit for a few seconds, because this is a good question. I’m not terribly sure, other than my soul is weary, my usual recipe of prayer and reflecting on passages from the Bible isn’t inspiring me, and I sense a gaping, run-ragged hole in my soul where mature wisdom should be. Also, I don’t know where my home is, where I might really belong. Years have passed since I last felt poured-into, I tell her, and I have not bothered to seek it out. I have embarked on this year of travel, at age thirty-seven, feeling less confident than I did a decade ago about what I believe to be true, and how that truth intersects with who I am. I am weary from game playing and formulaic answers, and the evangelical-Christian hat that I have worn daily with every outfit since I was fourteen feels too small, headache inducing. I fidget daily in its discomfort, but I don’t know how to exchange it, how it should be resized. Perhaps I can stitch a new hat from scraps I find scattered around the globe, I suggest. Perhaps she could be my milliner, maybe help me find the first scrap, floating somewhere along the sidewalks of old Chiang
Tsh Oxenreider (At Home in the World: Reflections on Belonging While Wandering the Globe)
How to Apologize Ellen Bass Cook a large fish—choose one with many bones, a skeleton you will need skill to expose, maybe the flying silver carp that's invaded the Great Lakes, tumbling the others into oblivion. If you don't live near a lake, you'll have to travel. Walking is best and shows you mean it, but you could take a train and let yourself be soothed by the rocking on the rails. It's permitted to receive solace for whatever you did or didn't do, pitiful, beautiful human. When my mother was in the hospital, my daughter and I had to clear out the home she wouldn't return to. Then she recovered and asked, incredulous, How could you have thrown out all my shoes? So you'll need a boat. You could rent or buy, but, for the sake of repairing the world, build your own. Thin strips of Western red cedar are perfect, but don't cut a tree. There'll be a demolished barn or downed trunk if you venture further. And someone will have a mill. And someone will loan you tools. The perfume of sawdust and the curls that fall from your plane will sweeten the hours. Each night we dream thirty-six billion dreams. In one night we could dream back everything lost. So grill the pale flesh. Unharness yourself from your weary stories. Then carry the oily, succulent fish to the one you hurt. There is much to fear as a creature caught in time, but this is safe. You need no defense. This is just another way to know you are alive. “How to Apologize” originally appeared in The New Yorker (March 15, 2021).
Ellen Bass
gratified her; it was only right that her food should fear her. If ever she should fear it, she would know it was her time to die. A league farther upstream, the Varden were packed against the Jiet River like a herd of red deer against the edge of a cliff. The Varden had arrived at the crossing yesterday, and since then, perhaps a third of the men-who-were-friends and the Urgals-who-were-friends and the horses-she-must-not-eat had forded the river. The army moved so slowly, she sometimes wondered how humans ever had time to do anything other than travel, considering how short their lives were. It would be much more convenient if they could fly, she thought, and wondered why they did not choose to. Flying was so easy, it never ceased to puzzle her why any creature would remain earthbound. Even Eragon retained his attachment to the soft-hard-ground, when she knew he could join her in the sky at any time merely by uttering a few words in the ancient language. But then, she did not always understand the actions of those who tottered about on two legs, whether they had round ears, pointed ears, or horns or were so short she could squash them under her feet. A flicker of movement to the northeast caught her attention, and she angled toward it, curious. She saw a line of five-and-forty weary horses trudging toward the Varden. Most of the horses were rider-less; therefore, it did not occur to her until another half hour had elapsed and she could make out the faces of the men in the saddles that the group might be Roran’s returning from their raid. She wondered what had happened to so
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
But it is just as useless for a man to want first of all to decide the externals and after that the fundamentals as it is for a cosmic body, thinking to form itself, first of all to decide the nature of its surface, to what bodies it should turn its light, to which its dark side, without first letting the harmony of centrifugal and centripetal forces realize [*realisere*] its existence [*Existents*] and letting the rest come of itself. One must learn first to know himself before knowing anything else (γνῶθι σε αυτόν). Not until a man has inwardly understood himself and then sees the course he is to take does his life gain peace and meaning; only then is he free of the irksome, sinister traveling companion―that irony of life which manifests itself in the sphere of knowledge and invites true knowing to begin with a not-knowing (Socrates), just as God created the world from nothing. But in the waters of morality it is especially at home to those who still have not entered the tradewinds of virtue. Here it tumbles a person about in a horrible way, for a time lets him feel happy and content in his resolve to go ahead along the right path, then hurls him into the abyss of despair. Often it lulls a man to sleep with the thought, "After all, things cannot be otherwise," only to awaken him suddenly to a rigorous interrogation. Frequently it seems to let a veil of forgetfulness fall over the past, only to make every single trifle appear in a strong light again. When he struggles along the right path, rejoicing in having overcome temptation's power, there may come at almost the same time, right on the heels of perfect victory, an apparently insignificant external circumstance which pushes him down, like Sisyphus, from the height of the crag. Often when a person has concentrated on something, a minor external circumstance arises which destroys everything. (As in the case of a man who, weary of life, is about to throw himself into the Thames and at the crucial moment is halted by the sting of a mosquito). Frequently a person feels his very best when the illness is the worst, as in tuberculosis. In vain he tries to resist it but he has not sufficient strength, and it is no help to him that he has gone through the same thing many times; the kind of practice acquired in this way does not apply here. Just as no one who has been taught a great deal about swimming is able to keep afloat in a storm, but only the man who is intensely convinced and has experiences that he is actually lighter than water, so a person who lacks this inward point of poise is unable to keep afloat in life's storms.―Only when a man has understood himself in this way is he able to maintain an independent existence and thus avoid surrendering his own I. How often we see (in a period when we extol that Greek historian because he knows how to appropriate an unfamiliar style so delusively like the original author's, instead of censuring him, since the first prize always goes to an author for having his own style―that is, a mode of expression and presentation qualified by his own individuality)―how often we see people who either out of mental-spiritual laziness live on the crumbs that fall from another's table or for more egotistical reasons seek to identify themselves with others, until eventually they believe it all, just like the liar through frequent repetition of his stories.
Søren Kierkegaard
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.
Hermann Hesse (The Glass Bead Game)