Wearing Eyeglasses Quotes

I always think about what it means to wear eyeglasses. When you get used to glasses you don't know how far you could really see. I think about all the people before eyeglasses were invented. It must have been weird because everyone was seeing in different ways according to how bad their eyes were. Now, eyeglasses standardize everyone's vision to 20-20. That's an example of everyone becoming more alike. Everyone could be seeing at different levels if it weren't for glasses.

I sat in my brown-belted gi at the painted metal table outside of Einstein’s and Peet’s with Mr. Ho, my Kenpo Karate instructor in his black-belted gi, and my bronze, canine psychologist, wearing his/her Lacoste eyeglasses.

The first time we meet another person an insidious little voice in our heads says, "I might wear eyeglasses or be chunky around the hips or a girl, but at least I'm not Gay or Black or a Jew." Meaning: I may be me- but at least I have the good sense not to be YOU.

The gorgeous cacophony of humanity in wheelchairs, some wearing special eyeglasses, others in hearing aids, signing and gesturing, the winks and chortles and grunts of pleasure, the grimaces and shaking of heads and excited howling of those without 'normal' ability. It’s impossible to describe. But it all boils down to the same thing. Love.

The three things in life he’d wanted to avoid had all come to pass: “to wear eyeglasses, to lose my hair, and to become a refugee.

During the Cold War of the 1950s, American spies were issued eyeglasses with thick, clunky frames. If captured, they were trained to casually chew the curved earpieces, where fatal doses of cyanide were cast inside the plastic. It's these same horn-rimmed suicide glasses, the wrangler says, that inspired the look of Buddy Holly and Elvis Costello. All those young hipsters wearing death on their nose.

As the first baseman posed these well-crafted queries, Collins went looking for a policeman to arrest Cobb for “striking him while he was wearing eyeglasses,” then considered an especially heinous offense.

They were both somewhat short-sighted, and when it was the custom to wear a single eyeglass and string they wore a single eyeglass and string; when it was the custom to wear a double glass they wore a double glass; when it was the custom to wear spectacles they wore spectacles straightway, all without reference to the particular variety of defect in their own vision. When Wordsworth was enthroned they carried pocket copies; and when Shelley was belittled they allowed him to grow dusty on their shelves.

I look up. Carmel is wearing those eyeglasses that become sunglasses when you go outside. Except she’s inside and the glasses don’t seem to have realized.

would be funny if Mr. Piccolo resembled a piccolo, but he doesn’t. Actually, he’s quite round. More like a bass fiddle. He has a big pouch of a belly that stretches the oversized turtleneck sweaters he always wears. He has a round face, too. He’s mostly bald and his scalp shines like a bowling ball. He wears square eyeglasses, which are always sliding down

When you try to break a bad habit or form a positive one, you’re naturally going to feel awkward or uncomfortable at first because you have to actively make decisions about your behavior. Your brain has already been programmed to function in a certain way, so it will resist the change and, as a result, make the new behavior feel wrong and even frightening. The best thing to do in order to successfully reprogram your behavior is to embrace that awkward feeling of wrongness. It will take a while for your new routine to feel right or natural, so just accept that and keep chugging along. It’s a bit like starting to wear eyeglasses for the first time. You start out feeling uncomfortable and overly conscious of that foreign object sitting atop your nose, but you get used to that feeling with continued wear, such that sooner or later you don’t even notice it when your eyeglasses are on. Eventually, the behavior you want will be wired into your basal ganglia and you can go back to autopilot as an improved version of yourself. Before that happens, though, habit formation will start with feelings of unease rather than feelings of excitement and comfort.

Aggie taught Jane to make Moroccan lamb meatballs and said bad things about people who used died ginger and that sangria was really a lower class sort of drink, and it was just like old times. Well, almost like old times, except that now Jane was the one that Aggie contacted, not Duncan. Jane was the one she texted when she had surplus tomatoes or homemade jam. Jane was the one Aggie asked for help when her washing machine went berserk and shimmied its way half out of her laundry room, although in that case all Jane did was dispatch Duncan. Jane was the one Aggie asked for advice on her bathroom tiles and then rejected the color Jane chose. "She does that", Duncan said. "She asks you your opinion when she already has her mind made up. Drives me crazy. Jane was the one Aggie called when Gary began having dizzy spells and blurred vision, and Aggie thought he might be having a stroke. Although it turned out that he was just wearing the wrong eyeglasses having accidentally picked up someone else's at the office.

5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.

People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers. One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible. Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.

The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.

Before you go to sleep I want you to read my book. I want you to read what I’ve written about you.” “Not now, Caleb,” said Grandfather. I took a deep breath. “I’ll read it to you, Grandfather,” I said. I opened my book. I began to read to him. “‘I love that Grandfather has come to our farm. His farm. I love having a grandfather who will teach me about a time I never knew. Someone who can tell me that he had a sweet dog, Rags, and that once he fell out of a tree in the west meadow. Someone who will teach me about Papa. “‘I know a secret about Grandfather.” I looked up at Grandfather. He stared at me. “‘I know that Grandfather doesn’t wear eyeglasses. I know why he doesn’t read my journal, Anna’s journals. I know why he never wrote a letter to Papa when he went away.’” I stopped. I felt tears at the corners of my eyes. “You don’t know how to read, Grandfather, do you?” I said very softly, almost whispering. “So you didn’t know how to write a letter to Papa.” Grandfather didn’t say anything. I moved closer to the bed and showed him my book. “You can learn,” I said. “You can.” “That’s enough, Caleb,” he said. Grandfather moved to the window. He stared out into the dark. “I’m too old,” he said more softly. I went over and took Grandfather’s hand. “Grandfather,” I said, looking up at him. “I am going to teach you.

was glad to see that after the whole eyeglass fiasco, Norma Ray had gone back to the way she’d been before—not wearing them. That meant she only drove five miles per hour, but it also meant that she wouldn’t try to be someone she wasn’t—a woman who went on dates with boring and potentially lethal men, or wore sequins.

It's Mr. Reese, the school principal. He wears the same outfit he wears every day. A beige suit, light blue shirt, red tie and hair that looks like it just went through a vacuum cleaner. He appears especially harried today, as his eyeglasses sit on his nose like they want to escape his face.

Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

And this,' Astrid says, gesturing at a wiry gentleman wearing eyeglasses and a houndstooth suit in need of pressing, standing a little distance away from the rest of the group, looking slightly uncomfortable, 'is Dexter Palmer, and he's a—what?' 'I,' says Dexter Palmer. 'Um.' 'He's a novelist,' Astrid brays, and Harold looks at Dexter, at his right arm rubbing his threadbare left elbow. Harold sees the oaken trunk in the corner of Dexter's filthy downtown loft with an enormous padlock on it, sees the tens of thousands of pages of handwritten manuscript that fill it. He sees the stub of the tallow candle on Dexter's rickety wooden desk, purchased for a dollar-fifty at a rummage sale. He sees the short leg of the desk propped up with a seven-hundred page study of phrenology, printed during the age of miracles. He sees Dexter's eyes going bad by candlelight, a whole diopter lost with each late night. 'Zounds, I am working on my masterpiece,' Dexter Palmer yells hoarsely, disturbing the neighbors. He slings a cup half-full of tepid chamomile tea at the wall, where it shatters. 'Dexter's writing a novel,' Astrid says brightly. After a few minutes of introductory cross-talk, the group of five splits into separate conversations: Harold talks with his sister and Charmaine, while Marlon ends up with Dexter. To Harold, Marlon looks cornered—Harold can't hear what Dexter's saying, but whatever he's talking about, he's clearly going on about it at length and in fine detail. Maybe Marlon is getting to hear all about the novel. Every once in a while Marlon will look at Harold and theatrically roll his eyes and sigh, but Dexter, who's frantically gesticulating, wrapped up in whatever he's chattering about, doesn't notice.

Mrs. Fritz is wearing her favorite purple, floral dress today. Her deep-set eyes are offset, as usual, by her purple eyeglasses and her almost-explosive frizzy hair. “Those are good examples. Do you all want to hear what my favorite urban legend is?” We nod. “It’s the one about the grandchildren who actually call to say thanks when you send them birthday presents.” We stare at her.

In one story, he describes a man who is blind in one eye, myopic in the other, too poor to buy eyeglasses, who wears only the frames, with no lenses. When asked why he replies: “It’s better than nothing.” As

Kenton County began shuttling inmates from 104 directly to the LLC to avoid the perilous bus trip. The day before I met Webb-Edgington, eleven people from the jail arrived. LLC staff fed them, then got busy finding them beds in sober-living houses. They fitted a couple for eyeglasses. One man was wearing only shorts; outside, the temperature was 21 degrees. LLC staff dug him up a pair of pants. Kenton County jailer Terry Carl hired a social worker to sign inmates up for Medicaid. They often asked her for dental care, too. Ravaged teeth were as public a sign of street addiction as visible tattoos. Improved smiles, on the other hand, helped their confidence; then they dressed better and they got their hair cut, too. Some of them got tattoos removed by Jo Martin, who in the winter of 2019, three years after being turned away, moved her lasers into an office at the LLC. Jason Merrick imagined now what he called “recovery-ready communities”—towns geared to helping addicts recover. “This is what rehabilitation looks like,” Merrick told me. “It’s a full continuum of care, not just punishment.

Conjunctivitis: Types, Symptoms, Prevention & Treatment Conjunctivitis, eye flu or pink eye, is an inflammation of the conjunctiva. The conjunctiva is a transparent membrane covering the eyelid and a part of the eye. Usually, eye flu is caused in the monsoon season by viruses, bacteria, allergies, or other irritants. According to Dr Sunny Narula, MBBS, MD, Consultant- Paediatrician and Neonatologist, eye flu is very common in children during the monsoon. Moreover, in the past few weeks, there has also been a spike in the eye flu cases. Hence, you must take necessary precautions to prevent this from spreading. If you notice any symptoms, visit the best pediatricians in Chandigarh for consultation at the earliest. What are the Symptoms of Eye Flu? The most common symptom of eye flu is redness or inflammation of the eye. Other symptoms include: Itching or burning sensation in the eye. Watering of the eyes. Sensitivity to light. Discharge from eyes. Sticking of eyelids together. What are the Types of Conjunctivitis? The best child specialist doctor in Mohali tells us that there are 3 main types of conjunctivitis: 1.Viral Conjunctivitis This type is caused by a viral infection including cold or flu. It is highly contagious and lasts up to 2 weeks. 2.Bacterial Conjunctivitis This type is caused by a bacterial infection. Bacterial conjunctivitis can also cause yellowish-green discharge from the eye. 3.Allergic Conjunctivitis This type is caused by allergens including pollen or pet dander. It can occur any time of the year and is usually less contagious. How to Prevent Conjunctivitis? Conjunctivitis can be prevented by taking the following measures: Wash your hands frequently, especially before touching your eyes. Avoid sharing pillows, towels, or other personal items. Avoid touching your eyes with your hands. Practice good hygiene, especially during cold or flu season. Use protective eyewear when swimming or doing any activity with the potential risk of eye exposure. How to Treat Conjunctivitis? If you suspect eye flu, the best paediatrician in Mohali recommends the following at-home care tips: 1.Practice Good Hand Hygiene: The hands of your children can be a potential carrier of viruses or bacteria. Inculcate good hand hygiene habits in them. Wash their hands frequently. Avoid sharing towels, eye drops, or any other item that can spread infection. 2.Warm or Cold Compress: Apply a clean, warm compress or ice packs to closed eyes as it helps in soothing eyes and reducing swelling. You can use a soft, lint-free cloth soaked in warm water and place it gently over the closed eyelids for a few minutes. Repeat as needed throughout the day. 3.Clean Eyeglasses: If your child wears glasses, make sure to clean them with mild soap and water to remove any potential contamination. 4.Artificial Tears: Over-the-counter lubricating eye drops called artificial teas in general can keep eyes moist and prevent irritation. Discuss this with your pediatrician and do not self-medicate. 5.Avoid Eye Touching or Rubbing: Children can be easily frustrated with the constant eye irritation. They might find comfort in rubbing their eyes. This, however, can further irritate the conjunctiva and spread the infection to the other eye or other people around. Hence, make sure that your child does not touch the infected eye at all.

PACKING CHECKLIST Light, khaki, or neutral-color clothes are universally worn on safari and were first used in Africa as camouflage by the South African Boers, and then by the British Army that fought them during the South African War. Light colors also help to deflect the harsh sun and are less likely than dark colors to attract mosquitoes. Don’t wear camouflage gear. Do wear layers of clothing that you can strip off as the sun gets hotter and put back on as the sun goes down. Smartphone or tablet to check emails, send texts, and store photos (also handy as an alarm clock and flashlight), plus an adapter. If electricity will be limited, you may wish to bring a portable charger. Three cotton T-shirts Two long-sleeve cotton shirts preferably with collars Two pairs of shorts or two skirts in summer Two pairs of long pants (three pairs in winter)—trousers that zip off at the knees are worth considering Optional: sweatshirt and sweatpants, which can double as sleepwear One smart-casual dinner outfit Underwear and socks Walking shoes or sneakers Sandals/flip-flops Bathing suit and sarong to use as a cover-up Warm padded jacket and sweater/fleece in winter Windbreaker or rain poncho Camera equipment, extra batteries or charger, and memory cards; a photographer’s vest and cargo pants are great for storage Eyeglasses and/or contact lenses, plus extras Binoculars Small flashlight Personal toiletries Malaria tablets and prescription medication Sunscreen and lip balm with SPF 30 or higher Basic medication like antihistamine cream, eye drops, headache tablets, indigestion remedies, etc. Insect repellent that is at least 20% DEET and is sweat-resistant Tissues and/or premoistened wipes/hand sanitizer Warm hat, scarf, and gloves in winter Sun hat and sunglasses (Polaroid and UV-protected ones) Documents and money (cash, credit cards, etc.). A notebook/journal and pens Travel and field guide books A couple of large white plastic garbage bags Ziplock bags to keep documents dry and protect electronics from dust

Well, that's up to the last of the godfathers," said The Wounded Bad Man. "Mind you learn him hoss-sense, Bob. Don't let him grow up to wear eyeglasses before he's twenty-one years old, an' make him say 'sir' when he speaks to you. Teach him hoss-sense and respect, Bob. Them's the two great requirements to a man's education

Do you wear eyeglasses? If you’ve ever bought a pair of eyeglasses you know how expensive it can be, just to see. Being able to see is a basic human right—necessary for our survival! Human beings should be entitled to a pair of eyeglasses. It’s ridiculous that there should be people walking around half-blind because they can’t afford the pumped-up prices of a pair of glasses, for Pete’s sake.” -Shenita Etwaroo

After I put on my coat, I turn and whisper to Camille: “Just a minute.” In the living room, I leave a wide space between myself and the recliner where Cookie’s sitting, knowing that distance from her is the only thing that has kept me both physically and emotionally safe. Wearing a blue flannel shirt, black stretch pants, and a scowl, she slowly meets my eyes. The TV’s reflection flashes off the lenses of her huge, shaded eyeglasses. “Good-bye,” I tell her. It comes out cold and flat. When she responds with silence, I nod. This is all I’ll get. Cherie opens the front door, and Camille and I exit with her. When the three of us get to the train station, we all break down in tears. It’s a cry of anger for our mother’s failure to take responsibility, for the unfairness of having had no say in choosing who brought us into this world . . . and for our relief knowing that soon she’ll be gone, for good.

Ron Goldman, “decedent 94-05135,” had been found to the north. He’d fallen or been pushed backward and was slumped against the stump of a palm tree. He was wearing blue jeans and a light cotton sweater. Lying near his right foot was a white envelope containing a pair of eyeglasses. Goldman had injuries to the neck, back, head, hands, thighs. He’d apparently put up a fierce struggle.