Wealthy Woman Quotes

It was easy to make the obvious leap that the money was supposed to be my fee for whatever Lillian Holler wanted to expose. Sometimes my clients come with prepayment. I still questioned why she had picked me and how she had found me. But she was a wealthy woman and wealthy women have ways of finding out whatever it is they want to know.

Like any reasonable human, I do not like harming innocent people, but like any reasonable human, I do not consider the wealthy to be innocent people.

The shoes always tell the story,' said the shoe poet. 'Not always,' I countered. 'Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for and older woman. That tell me they probably belong to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.

The old man spoke of nothing but shoes. He spoke of them with such love and emotion that a woman in our group had crowned him “the shoe poet.” The woman disappeared a day later but the nickname survived. “The shoes always tell the story,” said the shoe poet. “Not always,” I countered. “Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for an older woman. That tells me they probably belonged to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.” I paused in the center of the frozen road and watched the stubby old cobbler shuffle ahead of me. The shoe poet was right. Mother had sacrificed for me.

When the founders wrote “We the People,” they really meant “We the White, Wealthy Men.” Despite much lofty rhetoric, all men were not created equal, and women didn’t count at all.

Like alcohol and poverty, a heartbreak has the power to make a man do something he wouldn’t normally do and to make a woman do someone she wouldn’t normally do.

I love you too much to lie to you, Lisey. I love you with all that passes for my heart. I suspect that kind of all-out love becomes a burden to a woman in time, but it's the only kind I have to give. I think we're going to be quite a wealthy couple in terms of money, but I'll almost certainly be an emotional pauper all my life. I've got the money coming, but as for the rest I've got just enough for you, and I won't ever dirty or dilute it with lies. Not with the words I say, not with the ones I hold back.

The Challenge is to pry Bertie loose from Dain and his circle of oafish dengenerates,” Jessica said severely. “It would be far more profitable to pry Dain loose for yourself,” said her grandmother. “He is very wealthy, his lineage is excellent, he is young, strong, and healthy, and you feel a powerful attraction.” “He isn’t husband material.” “What I have described is perfect husband material.” said her grandmother. “I don’t want a husband.” “Jessica, no woman does who can regard men objectively. And you have always been magnificently objective.

My body never belonged to me. You must have felt that too. If someone wanted to beat me, they could beat me. If someone wanted to lock me in the closet, they could. Childhood is such a perverse injustice, I don't know how anyone survives it without going crazy. But I have a chance to turn the tables. I have a chance to run the streets and be a wealthy woman. No one is ever, ever, ever going to treat me with disrespect again.

Listen: I don't have anything against autobiographies, so long as the writer has a penis that's twelve inches long when erect. So long as the writer is a woman who was once a whore and is moderately wealthy in her old age.

At the beginning of time, according to the great Western tradition, the Word of God transformed chaos into Being through the act of speech. It is axiomatic, within that tradition, that man and woman alike are made in the image of that God. We also transform chaos into Being, through speech. We transform the manifold possibilities of the future into the actualities of past and present. To tell the truth is to bring the most habitable reality into Being. Truth builds edifices that can stand a thousand years. Truth feeds and clothes the poor, and makes nations wealthy and safe. Truth reduces the terrible complexity of a man to the simplicity of his word, so that he can become a partner rather than an enemy. Truth makes the past truly past, and makes the best use of the future's possibilities. Truth is the ultimate, inexhaustible natural resource. It's the light in the darkness. See the truth. Tell the truth.

When selecting a one-night stand, a heterosexual woman who is materialistic is a trillion times more likely to choose a sexually unattractive poor man who seems rich over a sexually attractive rich man who seems poor.

The partition window opened. Panic flooded through him and he twisted in his seat to see Kooi’s wife. She had a gun, pointed through the little window and at his head. ‘We can talk about this,’ Leeson said, swallowing. ‘I can make you a very wealthy woman.’ She said, ‘Put your hands over your ears, Peter, and close your eyes.

Reading for me, was like breathing. It was probably akin to masturbation for my brain. Getting off on the fantasy within the pages of a good novel felt necessary to my survival. If I wasn't asleep, knitting, or working, I was reading. This was for several reasons, all of them focused around the infititely superior and enviable lives of fictional heroines to real-life people. Take romans for instance. Fictional women in romance novels never get their period. They never have morning breath. They orgasm seventeen times a day. And they never seem to have jobs with bosses. These clean, well-satisfied, perm-minty-breathed women have fulfilling careers as florists, bakery owners, hair stylists or some other kind of adorable small business where they decorate all day. If they do have a boss, he's a cool guy (or gal) who's invested in the woman's love life. Or, he's a super hot billionaire trying to get in her pants. My boss cares about two things: Am I on time ? Are all my patients alive and well at the end of my shift? And the mend in the romance novels are too good to be true; but I love it, and I love them. Enter stage right the independently wealthy venture capitalist suffering from the ennui of perfection until a plucky interior decorator enters stage left and shakes up his life and his heart with perky catch phrases and a cute nose that wrinkles when she sneezes. I suck at decorating. The walls of my apartment are bare. I am allergic to most store-bought flowers. If I owned a bakery, I'd be broke and weigh seven hundred pounds, because I love cake.

She makes me crazy. She makes me happy. I think she's so beautiful that I want to just sit and look at her for hours. One minute I'm perfectly sane, and the next I'm totally losing it. She couldn’t give a shit less about the fact that I'm rich, and I think the woman is blind because I swear she doesn't even notice that I'm scarred. The way she looks at me sometimes makes me feel like I'm ten feet tall. And she's looking at me. Not the billionaire, not the wealthy executive. Just the man. She can be as stubborn as a damn mule, but I even like that because she's determined. Smart. Kind. And she puts up with my cranky ass, accepts me exactly as I am." Breathless from his tirade, Simon sucked in a trembling, uneven gulp of air. He slumped forward, his anger spent. "So, yeah. If these wild lunatic, possessive feelings for her that I have every fucking minute of every day are love...I'm screwed. I'm can't even imagine having to live my life without her.

Reality is based on your perception of the truth. Think about that statement for a bit, it will blow your mind, and blow the lid of what you perceive to be real and what is an illusion. You are here to live YOUR life, YOUR way and on YOUR terms, not for the people you work for, not the people in the media, and not to live in the little box that society may have placed you in. You are a unique individual, with talents, with drive, with passion, with ambition, with love, with laughter, with a soul that could melt the hardest of hearts, and with a mind as creative as Da Vinci. You chose this life for a reason, and it certainly wasn't to live a reality created by others. Is this the time to stand up, and say I can live my own reality, create what I want for my own life, have the things I want in life without guilt, knowing that you deserve anything you want and are prepared to put the time and effort into getting? What if there was a way to bend your reality, a way to use your mind consciously to get what YOU want in life, become wealthy, feel comfortable in your own skin, meet the perfect man or woman, become more spontaneous, feel free, love, be open, be honest, be heartfelt, be grateful, be the one, love life, live, feel it, breathe it.... Welcome to Mind Alchemy Is this the time to Bend Your Reality?

Wealthy old woman + devious imagination - restraint = Aunt Agatha

They say you're never truly wealthy until you have something money can't buy.

A woman with a newborn baby is too starry-eyed to see a wealthy man's cannon fodder or a cheap source of slave labor.

This is the first time for the girl, a time of revelation. Mysteries unravel at this height, patterns emerge. She stands woman--tall, shoulder to shoulder, with the sun and laughs to think that such a splendid world had ever frightened her. All that she sees, farm and forest, pasture and prairie, city and country, and continent, stretches before her like tomorrows filled with promise . . . She was born to this kingdom. In time it will be hers to explore, to make her own. One climb is over, another just beginning. She is rich in days, wealthy in possibilities. And here in this crowning moment, For the very first time . . . She knows.

This kiss was different from the first one under the olive tree. That one had been unplanned, she was pretty sure. This kiss had intention and hunger branded all over it. It was like one of those kisses you read about in fairy tales—but Alana had never imagined that such a kiss could cause bone-trembling shivers as well as bliss. She’d never considered the downside of the awakening kiss, of how the princess felt when the hero tore through the thorns or scaled the tower and speared heat and sex and life-changing energy into the princess’s world.

The most impoverished peasant can be delighted by the opening of the first spring flower, and the most wealthy aristocrat can curse the day he was born because of some petty offense to his sensibilities. She is a very wise woman. To achieve serenity we have to view life not as it is measured by the world around us but as we ourselves measure it. We must accept that the scales are not at all equal.

A final depressing point about inequality and violence. As we’ve seen, a rat being shocked activates a stress response. But a rat being shocked who can then bite the hell out of another rat has less of a stress response. Likewise with baboons—if you are low ranking, a reliable way to reduce glucocorticoid secretion is to displace aggression onto those even lower in the pecking order. It’s something similar here—despite the conservative nightmare of class warfare, of the poor rising up to slaughter the wealthy, when inequality fuels violence, it is mostly the poor preying on the poor. This point is made with a great metaphor for the consequences of societal inequality.41 The frequency of “air rage”—a passenger majorly, disruptively, dangerously losing it over something on a flight—has been increasing. Turns out there’s a substantial predictor of it: if the plane has a first-class section, there’s almost a fourfold increase in the odds of a coach passenger having air rage. Force coach passengers to walk through first class when boarding, and you more than double the chances further. Nothing like starting a flight by being reminded of where you fit into the class hierarchy. And completing the parallel with violent crime, when air rage is boosted in coach by reminders of inequality, the result is not a crazed coach passenger sprinting into first class to shout Marxist slogans. It’s the guy being awful to the old woman sitting next to him, or to the flight attendant.*

...a much younger woman, one of those round-faced, tiny-featured women who were touted as beauties though they were not in fact particularly beautiful. They were simply the daughters of wealthy families powerful enough to demand that the concept of beauty be expanded to include them.

The shoes always tell the story,” said the shoe poet. “Not always,” I countered. “Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for an older woman. That tells me they probably belonged to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.

His body is living, breathing art, all long lines and corded strength. He seems made for a woman to touch, and I so badly want to.

Developing a wealthy mind-set requires the understanding of the concept that the way you spend, invest, and manage ten naira is the way you will spend, invest, and manage ten million.

[Author's Note:] When my grandmother came to the United States from Puerto Rico in the 1940s, she was a beautiful, glamorous woman from a wealthy family in the capital city, and the young bride of a dashing naval officer. She expected to be received as such. Instead, she found that people here had a very reductionist view of what it meant to be Puerto Rican, of what it meant to be Latinx. Everything about her confused her new neighbors: her skin tone, her hair, her accent, her notions. She wasn't what they expected a boricua to be. My grandmother spent much of her adult life in the States but didn't always feel welcome here. She resented the perpetual gringo misconceptions about her. She never got past that resentment, and the echoes of her indignation still have some peculiar manifestations in my family today. One of the symptoms is me. Always raging against a perceived slight, always fighting against ignorance in mainstream ideas about ethnicity and culture. I'm acutely aware that the people coming to our southern border are not one faceless brown mass but singular individuals, with stories and backgrounds and reasons for coming that are unique. I feel this awareness in my spine, in my DNA. So I hoped to present one of those unique personal stories - a work of fiction - as a way to honor the hundreds of thousands of stories we may never get to hear. And in so doing, I hope to create a pause where the reader may begin to individuate. When we see migrants on the news, we may remember: these people are people.

The fact that I’d become so wealthy so soon before my demise, and the unexplained disappearance of my money, only added gasoline to the firestorm of speculation. To this day, there remains no true account of my sad passing. For most of my life I had been a no-one, a lonely young woman who had never known happiness, and only dreamed of love. In death I became prettier, more important, because the public learned that in the days leading up to my death, I had found both happiness and love. I had just begun to live when my life ended, making what happened all the more tragic

If you had to choose a moment in history to be born, and you did not know ahead of time who you would be—you didn’t know whether you were going to be born into a wealthy family or a poor family, what country you’d be born in, whether you were going to be a man or a woman—if you had to choose blindly what moment you’d want to be born, you’d choose now. —Barack Obama, 2016 CHAPTER 4 PROGRESSOPHOBIA

What woman could resist a handsome, wealthy, powerful, nice man who was also just a tiny bit broken inside? It meant that in spite of him seemingly having everything, there was something he still needed from me.

Sociologist Rachel Sherman, who wrote a book called Uneasy Street about the anxieties of wealthy Manhattanites, had one woman nearly cancel their interview because Sherman used the word “affluent” in an outreach email.

YORK. She-wolf of France, but worse than wolves of France, Whose tongue more poisons than the adder's tooth, How ill-beseeming is it in thy sex To triumph, like an Amazonian trull, Upon their woes whom fortune captivates! But that thy face is, vizard-like, unchanging, Made impudent with use of evil deeds, I would assay, proud queen, to make thee blush. To tell thee whence thou cam'st, of whom deriv'd, Were shame enough to shame thee, wert thou not shameless. Thy father bears the type of King of Naples, Of both the Sicils and Jerusalem, Yet not so wealthy as an English yeoman. Hath that poor monarch taught thee to insult? It needs not, nor it boots thee not, proud queen; Unless the adage must be verified, That beggars mounted run their horse to death. 'T is beauty that doth oft make women proud; But, God he knows, thy share thereof is small. 'T is virtue that doth make them most admir'd; The contrary doth make thee wond'red at. 'T is government that makes them seem divine; The want thereof makes thee abominable. Thou art as opposite to every good As the Antipodes are unto us, Or as the south to the Septentrion. O tiger's heart wrapp'd in a woman's hide! How couldst thou drain the life-blood of the child, To bid the father wipe his eyes withal, And yet be seen to bear a woman's face? Women are soft, mild, pitiful, and flexible; Thou stern, obdurate, flinty, rough, remorseless. Bid'st thou me rage? why, now thou hast thy wish: Wouldst have me weep? why, now thou hast thy will; For raging wind blows up incessant showers, And when the rage allays the rain begins. These tears are my sweet Rutland's obsequies, And every drop cries vengeance for his death, 'Gainst thee, fell Clifford, and thee, false Frenchwoman.

This was distressing development. Charlotte could contend with Jane's low opinion of herself, her unfair prejudice against the Society, her unwillingness to picture herself as respectable or wealthy. But if Jane was in love, well, that was that. Jane would not be coming to London with them or joining the Society. Love trumped everything in a woman's life. More than ambition. Respectability. Common sense. Love, they'd both been taught, conquers all.

Well?” He thought about it now. “I think a woman’s sphere can be taxing, and perhaps for you, as you indicate, boring. I would hate to think of you being bored! I— I am rather afraid I would bore you. I am not a wealthy or an educated man.” “But you are a brave one. You fought, and I suppose you will again.” Catherine stared intently into his eyes. “Captain Schuyler, if you would let me be me, you would never bore me. I truly do want to ride, dance, laugh, and

I won’t let anyone talk to my wife that way, Gray said, his voice with a steely edge. I know that underneath that expensive tux you’re nothing but a mama’s boy sucking off your father’s money and looking for a wealthy woman to keep you doing nothing for the rest of your life. I just want you to understand that beneath my tux is a rough and tumble cowboy who will kick your ever-loving ass to hell and back if you ever talk about my wife in derogatory terms again.

It was not as if he did not know what living in Lagos could do to a woman married to a young and wealthy man, how easy it was to slip into paranoid about 'Lagos girls,' those sophisticated monsters of glamour who swallowed husbands whole, slithering them down their throats.

She isn’t just any woman. She’s different.” “So every man has said since time immemorial.” “Yes, that’s true. I’ve met plenty of women, Mr. Sutton. From a young age, I have had mistresses whose beauty and skills would astound you. Skills they taught to a young man, because I was ever so rich. I also got to know them—courtesans are living, breathing women, you might be surprised to learn. With dreams and ambitions, some longing for a better life, one in which they won’t have to rely on wealthy men’s sons for survival. I became quite good friends with some of the ladies and am still. And then I met Violet.” Mr. Sutton was listening but striving to look uninterested. “Another courtesan?” “She’s neither one thing nor the other. Which is why I say she’s different. She’s not from the upper-class families whose mothers throw their daughters at me with alarming ruthlessness. She’s not a courtesan, selling her body and skills in exchange for diamonds and riches. She’s not a street girl from the gutter, selling her body to survive. She’s not a middle-class daughter, striving to live spotlessly and not shame her parents. Violet faces the world on her own terms, making a living the best she can with the skills she has. And everywhere, everyone has tried to stop her. They’ve used her body to pay their debts. They’ve used her cleverness to bring them clients. They’ve used her skills at understanding people to make them money. Everyone in her entire life has used her in every capacity she has, and yet, she still stands tall and faces the world. They’ve beaten her down at every turn, and still she rises. This is a woman of indomitable spirit. And I want to set her free.

You may think you know the story. Oh, heard that one, have you? Well, we say again: you may think you know the story. By all accounts it's a good one: a penniless, orphaned young woman becomes a governess in a wealthy household, catches the eye of the rich and stern master, and (sigh) falls deeply in love. It's all very passionate and swoonworthy, but before they can be married, a - gasp! - terrible treachery is revealed. Then there's fire and despair, some aimless wandering, starvation, a little bit of gaslighting, but in the end, the romance works out. The girl (Miss Eyre) gets the guy (Mr. Rochester). They live happily ever after. Which means everybody's happy, right? Um ... no. We have a different tale to tell. (Don't we always?) And what we're about to reveal is more than a simple reimagining of one of literature's most beloved novels. This version, dear reader, is true. There really was a girl. (Two girls, actually.) There was, indeed, a terrible treachery and a great fire. But throw out pretty much everything else you know about the story. This isn't going to be like any classic romance you've ever read.

I believe most Afghan men, on an individual level, are far from extremist or fundamentalist. Hope rests with those men, who control what happens to their daughters. Behind every discreetly ambitious young Afghan woman with budding plans to take on the world, there is an interesting father. And in every successful grown woman who has managed to break new ground and do something women usually do not, there is a determined father, who is redefining honor and society by promoting his daughter. There will always be a small group of elite women with wealthy parents who can choose to go abroad or to take high positions in politics. They will certainly inspire others, but in order for significant numbers of women to take advantage of higher education and participate in the economy on a larger scale, it will take powerful men educating many other men

The suggestion had come from Cyrus H. McCormick, one of America’s richest men, who’d donated $800 (about $25,000 today)—nearly half the total cost. McCormick was not only an extraordinarily wealthy individual but powerful in all the ways a man can be. At six feet tall and weighing two hundred pounds, he was a “massive Thor of industry

Theophilus had usurped Elizabeth’s domestic authority and brought another woman into their home. Twenty-three-year-old Sarah Rumsey, one of his most devout parishioners, had moved in, supposedly to help with the household chores. But Sarah was a teacher by trade and came from a wealthy family; Elizabeth knew she was no servant but a spy.

In my criminal work anything that wears skirts is a lady, until the law proves her otherwise. From the frayed and slovenly petticoats of the woman who owns a poultry stand in the market and who has grown wealthy by selling chickens at twelve ounces to the pound, or the silk sweep of Mamie Tracy, whose diamonds have been stolen down on the avenue...

herself changes too. In current DC Comics continuity, Catwoman is a wealthy socialite named Selina Kyle, rather ambiguous in her aims. Sometimes she works with criminals and breaks the law and other times she allies with Batman or the Justice League and enforces it. Her domain is Gotham City’s East End, and she protects its residents through whatever means she sees fit.

If you had to choose a moment in history to be born, and you did not know ahead of time who you would be—you didn’t know whether you were going to be born into a wealthy family or a poor family, what country you’d be born in, whether you were going to be a man or a woman—if you had to choose blindly what moment you’d want to be born, you’d choose now. —Barack Obama, 2016

But Beatrice Blaine! There was a woman! Early pictures taken on her father's estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent—an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy—showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had—her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O'Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.

Moral sense is almost completely ignored by modern society. We have, in fact, suppressed its manifestations. All are imbued with irresponsibility. Those who discern good and evil, who are industrious and provident, remain poor and are looked upon as morons. The woman who has several children, who devotes herself to their education, instead of to her own career, is considered weak-minded. If a man saves a little money for his wife and the education of his children, this money is stolen from him by enterprising financiers. Or taken by the government and distributed to those who have been reduced to want by their own improvidence and the shortsightedness of manufacturers, bankers, and economists. Artists and men of science supply the community with beauty, health, and wealth. They live and die in poverty. Robbers enjoy prosperity in peace. Gangsters are protected by politicians and respected by judges. They are the heroes whom children admire at the cinema and imitate in their games. A rich man has every right. He may discard his aging wife, abandon his old mother to penury, rob those who have entrusted their money to him, without losing the consideration of his friends. ...Ministers have rationalized religion. They have destroyed its mystical basis. But they do not succeed in attracting modern men. In their half-empty churches they vainly preach a weak morality. They are content with the part of policemen, helping in the interest of the wealthy to preserve the framework of present society. Or, like politicians, they flatter the appetites of the crowd.

But this is till the same girl who once lived in the steppes, wild and indomitable. Even when she ceased to play in the falling snow, the snow continued to fall within her soul. She never sough lovers among the wealthy men and the crown princes who prostrated themselves before her; her heart, like her voice, remained faultless. The reputation, temperament and talent of the woman partook of exactly the same crystalline transparency and icy clarity. ("The Glass Of Blood")

Here at Hajj, I was experiencing a taste of the same poison. While the women in my tent weren't nearly as wealthy or polished as the bewitching woman at al-Multaqa, they subscribed to the same view, deciding (based on skin color and ethnicity) that I surely must be a handmaid or at best nanny to a poor Saudi family who couldn't afford the much better Filipina maids, having instead to resort to Pakistani or worse, Bengali help. In fact I did remember one Saudi woman in the tent asking me if I was Bengali.

I use my own interpretation of Virginia Woolf’s phrase “a room of one’s own” to explain historical differences within the continuity of women’s lives.19 Women, throughout history, live within the confines of patriarchy. Bennett describes this as the patriarchal equilibrium. Regardless of how much freedom women have, they always have less than men. Yet the patriarchal equilibrium is a continuum, not a fixed standard. The boundaries of patriarchy wax and wane; the size of a woman’s room—the space where she is able to make her own choices—changes. Some women have bigger rooms, such as wealthy women with husbands and fathers among the highest social classes. Some women have smaller rooms, such as poorer women from families with little political and social influence. Historical circumstances, such as the aftermath of the Black Death in Europe, temporarily expanded women’s rooms by increasing their independence as wage earners, while other historical circumstances, such as Athenian democracy, made women’s rooms smaller.

Early eighteenth-century Italy saw facial powder at the center of the biggest scandal ever to befall a cosmetics manufacturer. A woman named Signora Toffana, who was well known in upper-class social circles, created a face powder that contained lead and arsenic and sold it to the wives of noblemen and the wealthy. The more affectionate the husband was with pecks on his wife’s cheeks, the faster he died from the toxic powder. An estimated 600 husbands died this way, and Toffana was executed as an accomplice in their deaths.

In cultures that practice polygyny, in which men are permitted to have more than one wife, the most desirable men often find several wives. Many women prefer to be the second or third wife of a high-status man rather than the sole wife of a low-status man. This can be explained by the “polygyny threshold hypothesis.” Stated simply, a woman can sometimes gain more resources by securing a third or a half of the bounty of a wealthy man who already has wives than she can by getting all of the resources of a poor man who has no wives.

After nearly three years of dealing with Winder, throughout all of their delicate negotiations and volatile truces, she finally understood: he recognized her as a true patriot, someone who didn’t want to denigrate the South so much as nudge it back to where it belonged, a citizen stuck in a prodigal country. Because she was a woman—a wealthy, socially prominent woman at that—he tempered his suspicions with decency and Southern manners. He respected her dedication to her cause even as it diverged from his own, and the constant monitoring and attempts at entrapment were merely requirements of his job.

It didn't seem like we had to do with less at all. It felt like exactly the opposite. Having this women stay with use made us feel very well off. This is why my mum is a genius. She could've told us a million times that we were lucky to have what we had- three meals a day, clothes to wear, a roof over our heads - and we would never have believed her because we heard these cliches all the time and they didn't make us feel lucky. But allowing someone who had even less than we did to live with us made us feel incredibly fortunate, wealthy even. This woman was so appreciative and grateful, and always made us feel like we were benefactors sent from God to help her through. p130

To spend a lot of money on women that you have not had sex with is also a bad idea for a range of other reasons. First, you risk making a woman feel uncomfortable, either by making her feel like she owes you something or by making her feel like a whore because you expect sex in return. Second, it costs too much, so it is not even possible to do this with every woman you want to have sex with unless you are rich. Third, it is a gamble, not an investment, as you are not guaranteed sex in return. Fourth, it makes you look inadequate if you appear to try to impress a woman with your wealth. Finally, it is unnecessary, as most women are not attracted to wealthy males, but masculine males.

I vowed to myself that day that I would be wealthy when I grew up. It was my birthday-candle wish. I stood in that tiny dining room on stained carpet, in front of the yard-sale table, and I promised myself something better. I will never live like this when I have the ability to prevent it. I was vehement in this: someday I would be rich. I’m not supposed to say that, I know. Social media is filled with hundreds of male CEOs and self-made entrepreneurs who tout the power of wealth and the justification for achieving it. But, if you’re a woman, it’s frowned upon. It’s impolite. It’s not something good girls do. Good girls don’t talk about money, and they certainly don’t claim it as a life goal, regardless of their reasons why.

Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her. With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin. With those very thoughts, Oscar’s grip loosened. His lips retreated. “This isn’t right,” he whispered, catching his breath. Camille stared at him, her hurt and disappointment plain on her face. “You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.” All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own. “I want you here,” she said, the words unable to express the desires stampeding her mind. Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“ Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them. “He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief. “Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?” Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room. He tilted his head and looked sideways at her. “Just until you fall asleep?” She nodded, her throat too tight with nerves to speak.

Concerns about relative position also appear to affect labor force participation by much more than traditional economic factors. The economists David Neumark and Andrew Postlewaite, for example, investigated the labor force status of three thousand pairs of full sisters, one of whom in each pair did not work outside the home. Their aim was to discover what determined whether the other sister in each pair would seek paid employment. None of the usual economic suspects mattered much—not the local unemployment, vacancy, and wage rates, not the other sister’s education and experience. A single variable in their study explained far more of the variance in labor force participation rates than any other: a woman whose sister’s husband earned more than her own husband was 16 to 25 percent more likely than others to seek paid employment.43 As the essayist H. L. Mencken observed, “A wealthy man is one who earns $100 a year more than his wife’s sister’s husband.

You're young, though; you'll make a go of it. Just look at her across the road." It was true, Vivien's life had come up roses in the end, but there were a few marked differences between them. "She had a wealthy uncle who took her in," said Dolly quietly. "She's an heiress, married to a famous writer. And I'm..." She bit her bottom lip, anxious not to start crying again. "I'm..." "Well, you're not entirely alone, are you, silly girl?" Lady Gwendolyn had held out her bag of sweets then and for the first time ever offered one to Dolly. It had taken a moment to realize what the old woman was suggesting, but when she did, Dolly had reached tentatively inside the bag to withdraw a red and green gobstopper. She'd held it in her hand, fingers closed around it, aware that it was melting against her warm palm. Dolly had answered solemnly: "I have you." Lady Gwendolyn had sniffed and looked away. "We have each other, I suppose," she'd said, in a voice made fluty by unexpected emotion.

We are paying for and even submitting to the dictates of an ever-increasing, unceasingly-spawning class of human beings who should never have been born at all.1 —Margaret Sanger, The Pivot of Civilization In 2009, Hillary Clinton came to Houston, Texas, to receive the Margaret Sanger award from Planned Parenthood. Sanger was the founder of Planned Parenthood and the award is its highest prize. In receiving the award, Hillary said of Sanger, “I admire Margaret Sanger enormously, her courage, her tenacity, her vision. I am really in awe of her. There are a lot of lessons we can learn from her life and the cause she launched and fought for and sacrificed so greatly.”2 What was Margaret Sanger’s vision? What was the cause to which she devoted her life? Sanger is known as a champion of birth control, of providing women with the means to avoid unwanted pregnancies. But the real Margaret Sanger was very different from how she’s portrayed in Planned Parenthood brochures. The real Margaret Sanger did not want women in general to limit their pregnancies. She wanted white, wealthy, educated women to have more children, and poor, uneducated, black women to have none. “Unwanted” for Sanger didn’t mean unwanted by the mother—it meant unwanted by Sanger. Sanger’s influence contributed to the infamous Tuskegee experiments in which poor blacks were deliberately injected with syphilis without their knowledge. Today the Tuskegee Project is falsely portrayed as an example of southern backwardness and American bigotry; in fact, it was a progressive scheme carried out with the very eugenic goals that Margaret Sanger herself championed. In 1926, Sanger spoke to a Women’s Chapter of the Ku Klux Klan in New Jersey about her solution for reducing the black birthrate. She also sponsored a Negro Project specifically designed, in her vocabulary, to get rid of “human beings who should never have been born.” In one of her letters Sanger said, “We do not want word to get out that we are trying to exterminate the Negro population.”3 The racists loved it; other KKK speaking invitations followed. Now it may seem odd that a woman with such views would be embraced by Planned Parenthood—even odder that she would be a role model for Hillary Clinton. Why would they celebrate Sanger given her racist philosophy? In

Emma, calm down. I had to know-" I point my finger in his face, almost touching his eyeball. "It's one thing for me to give your permission to look into it. But I'm pretty sure looking into it without my consent is illegal. In fact, I'm pretty sure everything that woman does is illegal. Do you even know what the Mafia is, Galen?" His eyebrows lift in surprise. "She told you who she is? I mean, who she used to be?" I nod. "While you were checking in with Grom. Once in the Mob, always in the Mob, if you ask me. How else would she get all her money? But I guess you wouldn't care about that, since she buys you houses and cars and fake IDs." I snatch my wrist away and turn back toward our hotel. At least, I hope it's our hotel. Galen laughs. "Emma, it's not Rachel's money; it's mine." I whirl on him. "You are a fish. You don't have a job. And I don't think Syrena currency has any of our presidents on it." Now "our" means I'm human again. I wish I could make up my mind. He crosses his arms. "I earn it another way. Walk to the Gulfarium with me, and I'll tell you how." The temptation divides me like a cleaver. I'm one part hissy fit and one part swoon. I have a right to be mad, to press charges, to cut Rachel's hair while she's sleeping. But do I really want to risk the chance that she keeps a gun under her pillow? Do I want to miss the opportunity to scrunch my toes in the sand and listen to Galen's rich voice tell me how a fish came to be wealthy? Nope, I don't. Taking care to ram my shoulder into him, I march past him and hopefully in the right direction. When he catches up to me, his grin threatens the rest of my hissy fit side, so I turn away, fixing my glare on the waves. "I sell stuff to humans," he says. I glance at him. He's looking at me, his expression every bit as expectant as I feel. I hate this little game of ours. Maybe because I'm no good at it. He won't tell me more unless I ask. Curiosity is one of my most incurable flaws-and Galen knows it. Still, I already gave up a perfectly good tantrum for him, so I feel like he owes me. Never mind that he saved my life today. That was so two hours ago. I lift my chin. "Rachel says I'm a millionaire," he says, his little knowing smirk scrubbing my nerves like a Brillo pad. "But for me, it's not about the money. Like you, I have a soft spot for history." Crap, crap, crap. How can he already know me this well? I must be as readable as the alphabet. What's the use? He's going to win, every time.

If there was anything really wrong with Shady Hill, anything that you could put your finger on, it was the fact that the village had no public library – no foxed copies of Pascal, smelling of cabbage; no broken sets of Dostoevski and George Eliot; no Galsworthy, even; no Barrie and no Bennett. This was the chief concern of the Village Council during Marcie’s term. The library partisans were mostly newcomers to the village; the opposition whip was Mrs Selfredge, a member of the Council and a very decorous woman, with blue eyes of astonishing brilliance and inexpressiveness. Mrs Selfredge often spoke of the chosen quietness of their life. ‘We never go out,’ she would say, but in such a way that she seemed to be expressing not some choice but a deep vein of loneliness. She was married to a wealthy man much older than herself, and they had no children; indeed, the most indirect mention of sexual fact brought a deep color to Mrs Selfredge’s face. She took the position that a library belonged in that category of public service that might make Shady Hill attractive to a development. This was not blind prejudice. Carsen Park, the next village, had let a development inside its boundaries, with disastrous results to the people already living there. Their taxes had been doubled, their schools had been ruined. That there was any connection between reading and real estate was disputed by the partisans of the library, until a horrible murder – three murders, in fact – took place in one of the cheese-box houses in the Carsen Park development, and the library project was buried with the victims.

The plot of Love on a Mortal Lease is not unlike those Shakespear would use later, nor unlike those of commonplace Victorian works. The heroine, Rachel Gwynne, has dead parents, as is the case from Oliver Twist (1837) through hundreds of other ensuing tripledeckers. Rachel is a novelist – most of Shakespear’s heroines would be writers – in love with a military man many years her senior. After he refuses to marry her because he fears his mother will dislike Rachel and therefore disinherit him, Rachel becomes his mistress. Once the snobby old mother meets Rachel by happenstance in London, however, they immediately adore each other, and the Colonel may now safely marry Rachel – though she doesn’t love him anymore, and he seems none too fond of her, either. They muddle along in unhappy matrimony until Rachel conveniently discovers (as we’ve known for a while) that the Colonel has had another longtime mistress, a stupid society girl, throughout the course of their marriage, and even during their preceding affair. When the Colonel even more conveniently falls on his head and dies, Rachel is made a wealthy widow in her mid-twenties, free to marry a nice young writer who knows about, but forgives her, her former relationship. A happily wish-fulfilling story, perhaps, for a young woman writer in a bad marriage, and Rachel has some interesting ideas about her profession: speaking of clever girls who scribble, she hopes for the day that “the cleverness and the scribbling . . . fall from her, like a disguise, and she stands revealed in her true form – then she may never write another word, or she may write something immortal.”8

Vivien (spelled the same way as Vivien Leigh, lucky thing) was quite possibly the most beautiful woman she'd ever seen. She had a heart-shaped face, deep brown hair that gleamed in its Victory roll, and full curled lips painted scarlet. Her eyes were wide set and framed by dramatic arched brows just like Rita Hayworth's or Gene Tierney's, but it was more than that which made her beautiful. It wasn't the fine skirts and blouses she wore, it was the way she wore them, easily, casually; it was the strings of pearls strung airily around her neck, the brown Bentley she used to drive before it was handed over like a pair of boots to the Ambulance Service. It was the tragic history Dolly had learned in dribs and drabs- orphaned as a child, raised by an uncle, married to a handsome, wealthy author named Henry Jenkins, who held an important position with the Ministry of Information. "Dorothy? Come and put my sheets to rights and fetch my sleep mask." Ordinarily, Dolly might've been a bit envious to have a woman of that description living at such close quarters, but with Vivien it was different. All her life, Dolly had longed for a friend like her. Someone who really understood her (not like dull old Caitlin or silly frivolous Kitty), someone with whom she could stroll arm in arm down Bond Street, elegant and buoyant, as people turned to look at them, gossiping behind their hands about the dark leggy beauties, their careless charm. And now, finally, she'd found Vivien. From the very first time they'd passed each other walking up the Grove, when their eyes had met and they'd exchanged that smile- secretive, knowing, complicit- it had been clear to both of them that they were two of a kind and destined to be the very best of friends.

Never be guided by arbitrariness in law, which tends to have a good deal of influence on ignorant men who take pride in being clever. Let the tears of the poor find in you more compassion, but not more justice, than the briefs of the wealthy. Try to discover the truth in all the promises and gifts of the rich man, as well as in the poor man’s sobs and entreaties. When there can and should be a place for impartiality, do not bring the entire rigor of the law to bear on the offender, for the reputation of the harsh judge is not better than that of the compassionate one. If you happen to bend the staff of justice, let it be with the weight not of a gift, but of mercy. If you judge the case of one of your enemies, put your injury out of your mind and turn your thoughts to the truth of the question. Do not be blinded by your own passion in another’s trial, for most of the time the mistakes you make cannot be remedied, and if they can, it will be to the detriment of your good name and even your fortune. If a beautiful woman comes to you to plead for justice, turn your eyes from her tears and your ears from her sobs, and consider without haste the substance of what she is asking if you do not want your reason to be drowned in her weeping and your goodness in her sighs. If you must punish a man with deeds, do not abuse him with words, for the pain of punishment is enough for the unfortunate man without the addition of malicious speech. Consider the culprit who falls under your jurisdiction as a fallen man subject to the conditions of our depraved nature, and to the extent that you can, without doing injury to the opposing party, show him compassion and clemency, because although all the attributes of God are equal, in our view mercy is more brilliant and splendid than justice.

Tom often met Winterborne for a quick lunch at one of the cook shops or chop houses between their respective offices. It was on one of these occasions that Winterborne revealed West Ravenel had just become engaged to marry Phoebe, Lady Clare, a young widow with two small sons, Justin and Stephen. “I suspected he would,” Tom said, pleased by the revelation. “I went to Jenner’s Club with him the night before last, and she was all he wanted to talk about.” “I heard about that,” Winterborne commented. “It seems you and Ravenel encountered a bit of trouble.” Tom rolled his eyes. “Lady Clare’s former suitor came to the table with a pistol in hand. It wasn’t nearly as interesting as it sounds. He was soon disarmed and hauled off by a night porter.” He leaned back in his seat as the barmaid set plates of chilled crab salad and celery in front of them. “But before that happened, Ravenel was rambling on about Lady Clare, and how he wasn’t good enough for her because of his disreputable past, and how he was worried about setting a bad example for her children.” Winterborne’s black eyes were keen with interest. “What did you say?” Tom shrugged. “The match is to his advantage, and what else matters? Lady Clare is wealthy, beautiful, and the daughter of a duke. As for her sons … no matter what example you set, children insist on turning out how they will.” Tom took a swallow of ale before continuing. “Scruples always complicate a decision unnecessarily. They’re like those extra body parts none of us need.” Winterborne paused in the act of lifting a forkful of dressed crab to his lips. “What extra body parts?” “Things like the appendix. Male nipples. The external ears.” “I need my ears.” “Only the inner parts. The outer ear structure is superfluous in humans.” Winterborne looked sardonic. “I need them to hold up my hat.” Tom grinned and shrugged, conceding the point. “In any case, Ravenel has managed to win the hand of a fine woman. Good for him.” They lifted their glasses and clinked them in a toast.

He ought to be more clever in his murder attempt. Done properly, he could make a wealthy widow of you, and then you’d both have your happy ending.” Harry knew instantly that he shouldn’t have said it—the comment was the kind of cold-blooded sarcasm he had always resorted to when he felt the need to defend himself. He regretted it even before he saw Merripen out of the periphery of his vision. The Rom was giving him a warning shake of his head and drawing a finger across his throat. Poppy was red faced, her brows drawn in a scowl. “What a dreadful thing to say!” Harry cleared his throat. “I’m sorry,” he said brusquely. “I was joking. It was in poor—” He ducked as something came flying at him. “What the devil—” She had thrown something at him, a cushion. “I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?” “I’ll handle this,” Merripen told Win before she could reply. Standing, he slung a great arm across Harry’s shoulders and walked him to the side of the terrace. Poppy’s furious form could be seen in the distance. She was walking down the drive to the caretaker’s house, her skirts and shoes kicking up tiny dust storms. Merripen spoke in a low, not unsympathetic tone, as if compelled to guide a hapless fellow male away from danger. “Take my advice, gadjo . . . never argue with a woman when she’s in this state. Tell her you were wrong and you’re sorry as hell. And promise never to do it again.” “I’m still not exactly certain what I did,” Harry said. “That doesn’t matter. Apologize anyway.” Merripen paused and added in whisper, “And whenever your wife is angry . . . for God’s sake, don’t try logic.” “I heard that,” Win said from the chaise.

She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.

In a recent talk on Mary, Ruth Fox, a Benedictine sister who is president of the Federation of St. Gertrude, a group of women’s monasteries, reclaims Mary as a strong peasant woman and asks why, in art and statuary, she is almost always presented “as a teenage beauty queen, forever eighteen years old and ... perfectly manicured.” Depictions of Mary as a wealthy Renaissance woman do far outnumber those that make her look like a woman capable of walking the hill country of Judea and giving birth in a barn, and I believe that Fox has asked a provocative question, perhaps a prophetic one. I wonder if, as Christians, both Protestant and Catholic, seek to reclaim the Mary of scripture, we may well require more depictions of her as a robust, and even muscular, woman, in both youth and old age.

I don’t write for the love or writing. I write because I am a writer. I am also a super savvy business woman. I have one purpose. My purpose is to be wealthy. I am a luxury brand.

Weil’s sense of essaying was never limited to writing; it was also about honoring the conversations she had before and after her pen touched the page. She consistently tried to learn from those who had lived the concepts. When she studied oppression, she placed herself amidst Parisian factory workers. When she studied labor, she picked grapes in French vineyards. Through a class analysis, Weil’s actions could be understood as patronizing, being that she came from a wealthy family. But when we also consider that she came from a Jewish family and lived in an anti-Semitic society, and that she was a woman living in a patriarchal society, it is our clear-cut diagnoses and categorizations of her life that become troubled. What we are left with is a philosopher who grappled seriously, rigorously, and intelligently with her responsibilities to others in a context of tremendous brutality. When she is understood that way, Simone Weil becomes our teacher in the present.

Ivy Hardigan is the kid you feel bad for. She's a statistic—like her older brother Milo. But Emersyn? Emersyn Sharpe, she's a star, a debutante, a wealthy woman from a wealthy family and the whole world is her oyster.

In the late summer of 2020, Kila Posey asked the principal of Mary Lin Elementary School, in the wealthy suburbs of Atlanta, whether she could request a specific teacher for her seven-year-old daughter. “No worries,” the principal responded at first. “Just send me the teacher’s name.” But when Posey emailed her request, the principal kept suggesting that a different teacher would be a better fit. Eventually, Posey, who is Black, demanded to know why her daughter couldn’t have her first choice. “Well,” the principal admitted, “that’s not the Black class.” The story sounds depressingly familiar. It evokes the long and brutal history of segregation, conjuring up visions of white parents who are horrified at the prospect of their children having classmates who are Black. But there is a perverse twist: the principal, Sharyn Briscoe, is herself Black. As Posey told the Atlanta Black Star, she was left in “disbelief that I was having this conversation in 2020 with a person that looks just like me—a Black woman. It’s segregating classrooms. You cannot segregate classrooms. You can’t do it.

Bennett describes this as the patriarchal equilibrium. Regardless of how much freedom women have, they always have less than men. Yet the patriarchal equilibrium is a continuum, not a fixed standard. The boundaries of patriarchy wax and wane; the size of a woman’s room—the space where she is able to make her own choices—changes. Some women have bigger rooms, such as wealthy women with husbands and fathers among the highest social classes. Some women have smaller rooms, such as poorer women from families with little political and social influence. Historical circumstances, such as the aftermath of the Black Death in Europe, temporarily expanded women’s rooms by increasing their independence as wage earners, while other historical circumstances, such as Athenian democracy, made women’s rooms smaller.

Now that Gita is gone, to work as a maid for a wealthy woman in the city, her family has a tiny glass sun that hangs from a wire in the middle of their ceiling, a new set of pots for Gita's mother, a pair of spectacles for her father, a brocaded wedding dress for her older sister, and school fees for her little brother. Inside Gita's family hut, it is daytime at night. But for me, it feels like nighttime even in the brightest sun without my friend.

If it had been Morise, even if it hadn’t been Morise. I had to work hard to free myself from my feeling that he was the lord of the city and its shaykh, on whose crown falcons dozed, because everything in Seattle pointed to him and led toward him—each detail and sign. He did not merely dwell in this city; he was its creator, who had woven it from warp and woof. He had re-created it and then shaken the dust off it as if it were a carpet from Tabriz. Everything in the city carried his signature and his fingerprint: the joyful queues on weekends at pot stores, the empty seats in outdoor cafés sprinkled by drops of rain, girls’ colorful wool caps, tech workers’ badges dangling to their laps, the panting of elderly Asians climbing its heights… the spoons of busy restaurants clicking against the teeth of children of wealthy Indians, the helmets of cyclists who pause to look at the tranquility of the Japanese Garden, the sigh of buses as they lower a lift for an elderly white woman in a wheelchair, the roars of laughter of Saudi teens in the swimming pools of the University…all these tell his story. Everything glorifies his name.

If you had lived as a new Christian convert during the rule of the Roman Empire, one of your biggest challenges would have been dealing with the pagan philosophical propaganda that surrounded you. I call it paganosophy. In a Greco-Roman city, most statues depicted partial or total nudity. In the gymnasiums, male athletes worked out naked. In fact, the word gymnasium dates back to the Greek word gymnasion, which literally was a “school for training naked.” Pagan Greeks and Romans insisted there was nothing wrong with showing off a well chiseled body. This is an example of what Paul was speaking of when he wrote, “They worshipped and served the creature more than the Creator” (Rom. 1:25). Roman bathhouses were a popular place for men and women in the city to gather. There were times in history when men and women would occupy the same rooms in the bathhouse. At other times, cities would make decrees prohibiting it. We uploaded a highly viewed YouTube video that we taped in Beit She’an, Israel at the excavated ruins of this Roman city that was destroyed by an earthquake in the ninth century. The city’s ancient public toilets (latrines) had been unearthed. In Roman times there were public latrines in different cities for the benefit of the citizens, since only the wealthy could afford private latrines. The toilet seats, made of stone, were a couple feet long, with one end connected to the wall and the stones resting upon a base with water running beneath for drainage. There was enough space to allow a person to sit between each stone. No archaeological evidence indicated that dividers were used, and as people sat side by side on stones in a public latrine, they discussed business. Deals and contracts were made at the public toilet. Some of the terms we hear today were coined at the Roman toilet. When a person says they have to “do their business,” they’re using a term that originated from men who literally conducted business at the toilet. The signage at the Beit She’an site indicates that men and women shared the same large room, with men on one side of the room and women on the other. Today, we find ourselves returning to trends from the Roman Empire, where men are allowed to use women’s facilities, if they claim to identify as a woman that day. Attacks against women in their own facilities confirm that many of these males are there to take advantage of a ludicrous idea being promoted by the same spirits of the ancient Roman Empire.

To be Black and a woman is to be drafted into targeted identity groups that often conflate classism, sexism, racism, genderism. This begins so early when you’re “the Only”: the only Black child at a predominantly white school, the only Black child in a neighborhood, the only Black child on a sports team, on a street, in a store. You may become a wealthy and highly educated Black woman, but still, when you’re seen, you’re seen as everything that a white supremacist society associates with being a Black woman: poor, uneducated, promiscuous, unattractive, sassy, loud. You walk into every room at a deficit. Unacceptable. Unaccepted.

not wanting to hear one of the million reasons that would be dumb. Which reason would he pick to tell me? That the man is ten years older than me, gorgeous, wealthy, and could have any woman he wants? Or that he’s a dangerous criminal?

Some people will say, ‘Well, poor men also have a hard time.’ And they do. But that is not what this conversation is about. Gender and class are different. Poor men still have the privileges of being men, even if they do not have the privileges of being wealthy. I learned a lot about systems of oppression and how they can be blind to one another by talking to black men. I was once talking about gender and a man said to me, ‘Why does it have to be you as a woman? Why not you as a human being?’ This type of question is a way of silencing a person’s specific experiences. Of course I am a human being, but there are particular things that happen to me in the world because I am a woman. This same man, by the way, would often talk about his experience as a black man. (To which I should probably have responded, ‘Why not your experiences as a man or as a human being? Why a black man?’)

But that is not what this conversation is about. Gender and class are different. Poor men still have the privileges of being men, even if they do not have the privileges of being wealthy. I learned a lot about systems of oppression and how they can be blind to one another by talking to black men. I was once talking about gender and a man said to me, ‘Why does it have to be you as a woman? Why not you as a human being?’ This type of question is a way of silencing a person’s specific experiences. Of course I am a human being, but there are particular things that happen to me in the world because I am a woman.

It follows from these results that wealthy people who are exposed to the suffering of others should exhibit less compassion than their poorer counterparts do, and this has been confirmed in the lab. When we experience compassion, though nobody knows why, our hearts slow down. Piff’s colleagues Michael Kraus and Jennifer Stellar hooked volunteers up to EKG devices and showed them two short videos, a “neutral” video of a woman explaining how to construct a patio wall and a “compassion” video of cancer-stricken children undergoing chemotherapy. Relative to the wealthier subjects, the poor ones not only reported higher levels of compassion for the children, they had a significantly larger slowdown in heart rate between the neutral video and the compassion video than their wealthy peers.

No matter how great you become in life, no matter how wealthy you become, how people worship you, or what you do,” NBA star LeBron James told reporters just the year before, “if you are an African-American man or African-American woman, you will always be that.

AM: My father had arrived in New York all alone, from the middle of Poland, before his seventh birthday… He arrived in New York, his parents were too busy to pick him up at Castle Garden and sent his next eldest brother Abe, going on 10, to find him, get him through immigration and bring him home to Stanton Street and the tenement where in two rooms the eight of them lived and worked, sewing the great long, many-buttoned cloaks that were the fashion then. They sent him to school for about six months, figuring he had enough. He never learned how to spell, he never learned how to figure. Then he went right back into the shop. By the time he was 12 he was employing two other boys to sew sleeves on coats alongside him in some basement workshop. KM: He went on the road when he was about 16 I think… selling clothes at a wholesale level. AM: He ended up being the support of the entire family because he started the business in 1921 or something. The Miltex Coat Company, which turned out to be one of the largest manufacturers in this country. See we lived in Manhattan then, on 110th Street facing the Park. It was beautiful apartment up on the sixth floor. KM: We had a chauffeur driven car. The family was wealthy. AM: It was the twenties and I remember our mother and father going to a show every weekend. And coming back Sunday morning and she would be playing the sheet music of the musicals. JM: It was an arranged marriage. But a woman of her ability to be married off to a man who couldn’t read or write… I think Gussie taught him how to read and to sign his name. AM: She knew she was being wasted, I think. But she respected him a lot. And that made up for a little. Until he really crashed, economically. And then she got angry with him. First the chauffeur was let go, then the summer bungalow was discarded, the last of her jewellery had to be pawned or sold. And then another step down - the move to Brooklyn. Not just in the case of my father but every boy I knew. I used to pal around with half a dozen guys and all their fathers were simply blown out of the water. I could not avoid awareness of my mother’s anger at this waning of his powers. A certain sneering contempt for him that filtered through her voice. RM: So how did the way you saw your father change when he lost his money? AM: Terrible… pity for him. Because so much of his authority sprang from the fact that he was a very successful businessman. And he always knew what he as doing. And suddenly: nothin’. He didn’t know where he was. It was absolutely not his fault, it was the Great Crash of the ‘29, ‘30, ‘31 period. So from that I always, I think, contracted the idea that we’re very deeply immersed in political and economic life of the country, of the world. And that these forces end up in the bedroom and they end up in the father and son and father and daughter arrangements. In Death of a Salesman what I was interested in there was what his world and what his life had left him with. What that had done to him? Y’know a guy can’t make a living, he loses his dignity. He loses his male force. And so you tend to make up for it by telling him he's OK anyway. Or else you turn your back on him and leave. All of which helps create integrated plays, incidentally. Where you begin to look: well, its a personality here but what part is being played by impersonal forces?

He didn’t see a wealthy man’s spoiled daughter, content with flirting and flouncing about in pretty dresses. He saw a young, intelligent woman with hopes, dreams, ambition. He saw the person I wanted myself to be.

His features are precise, a five-o’clock shadow darkening his skin. Thick brown hair falls in waves across his forehead—the kind any woman would want to run her hands through. Broad shoulders and an expensive suit. He looks ruggedly wealthy, as opposed to polished rich, which strikes me as an important distinction.

Cat is magnificent. She hates public confrontations. She’d never defend herself like this, but for me, she’ll go to war. She’s not the woman I thought she was.

You probably think less of me for that.” “What I think, is that I’d like to go up there and claw every woman’s eyes out for even looking at you.

Suddenly, I want nothing but this. Nothing but Theo and the way he looks at me like I’m the only woman he sees. Like watching me come on his hand fulfilled his every fantasy.

Why are all her dresses backless? A back is just as hot as a woman’s front, sometimes better.

No political movement can flourish without popular support, but Fascism is as dependent on the wealthy and powerful as it is on the man or woman in the street—on those who have much to lose and those who have nothing at all.

...the suffrage movement could not be the province of wealthy white women alone, or the achievements they made—ostensibly on behalf of all women—might benefit only themselves.

Most of the very few people who would choose a good heart over riches would eventually use that to either make a lot of money, or attract men or women who are rich.

A wealthy gentleman who imperils his life to rescue a young gentlewoman from a burning building must secretly harbor the desire to make said young woman his wife.

What woman could resist a gentleman who was handsome, wealthy, and compassionate? Arabella

Most people think that money and love aren’t related topics. But allow me explain this to you in a realistic way. When someone criticizes you but doesn’t see your value, this person is trying to bargain your happiness. When someone doesn’t invest in a relationship, but instead complains about her needs and wants, this person is overpricing herself. When a woman invests more in her outer beautify than inner beauty, she is focusing on her brand, and not quality. When the cost of a relationship exceeds the quality of what you get, you are being cheated. And there’s no such thing as cost for quality, because very often the nicest people you find are also the easiest to hang out with, and the kindest. They make you feel like your life is easy despite any challenges along the way, and that you haven’t lost anything but instead gained a lot. When someone adds value to your life, well then, that person proves to be a great investment. And great investments are worth a lifetime. They require little to be maintained but give you plenty in return. You should never let go a good opportunity, in love and wealth. And if you’re smart enough to understand this, you can be in a fantastic relationship and wealthy at the same time. If you can’t, you probably undervalued yourself.

Fear is why Fascism’s emotional reach can extend to all levels of society. No political movement can flourish without popular support, but Fascism is as dependent on the wealthy and powerful as it is on the man or woman in the street—on those who have much to lose and those who have nothing at all.

Because I started investing in wiser relationships, I am now an absurdly wealthy woman—if blessings, fulfillment & joy are measured as wealth.

I’ll escort you to London in a few days, if you like. I had already planned to go there to see Prudence Mercer.” Audrey frowned. “Oh.” Christopher gave her a questioning glance. “I gather your opinion of her has not changed.” “Oh, it has. It’s worsened.” He couldn’t help but feel defensive on Prudence’s behalf. “Why?” “For the past two years, Prudence has earned a reputation as a shameless flirt. Her ambition to marry a wealthy man, preferably a peer, is known to everyone. I hope you have no illusions that she pined for you in your absence.” “I would hardly expect her to don sackcloth while I was gone.” “Good, because she didn’t. In fact, from all appearances you slipped from her mind completely.” Audrey paused before adding bitterly, “However, soon after John passed away and you became the new heir to Riverton, Prudence evinced a great deal of renewed interest in you.” Christopher showed no expression as he puzzled over this unwelcome information. It sounded nothing like the woman who had corresponded with him. Clearly Prudence was the victim of vicious rumors--and in light of her beauty and charm, that was entirely expected. However, he had no desire to start an argument with his sister-in-law. Hoping to distract her from the volatile subject of Prudence Mercer, he said, “I happened to meet one of your friends today, when I chanced upon her during a walk.” “Who?” “Miss Hathaway.” “Beatrix?” Audrey looked at him attentively. “I hope you were polite to her.” “Not especially,” he admitted. “What did you say to her?” He scowled into his teacup. “I insulted her hedgehog,” he muttered. Audrey looked exasperated. “Oh, good God.

Forgive me, Mother.” He bowed. “My argument is with my father.” “Well,” the duke announced himself and paused for dramatic effect in the doorway of the private parlor. “No need to look further. You can have at me now.” “You are having Anna Seaton investigated,” the earl said, “and it could well cost her her safety.” “Then marry her,” the duke shot back. “A husband can protect a wife, particularly if he’s wealthy, titled, smart, and well connected. Your mother has assured me she does not object to the match.” “You don’t deny this? Do you have any idea the damage you do with your dirty tricks, sly maneuvers, and stupid manipulations? That woman is terrified, nigh paralyzed with fear for herself and her younger relation, and you go stomping about in her life as if you are God Almighty come to earth for the purpose of directing everybody else’s personal life.” The duke paced into the room, color rising in his face. “That is mighty brave talk for a man who can’t see fit to take a damned wife after almost ten years of looking. What in God’s name is wrong with you, Westhaven? I know you cater to women, and I know you are carrying on with this Seaton woman. She’s comely, convenient, and of child-bearing age. I should have thought to have her investigated, I tell you, so I might find some way to coerce her to the altar.” “You already tried coercion,” Westhaven shot back, “and it’s only because Gwen Allen is a decent human being her relations haven’t ruined us completely in retaliation for your failed schemes. I am ashamed to be your son and worse than ashamed to be your heir. You embarrass me, and I wish to hell I could disinherit you, because if I don’t find you a damned broodmare, I’ve every expectation you will disinherit me.” “Gayle!” His mother was on her feet, her expression horror-stricken. “Please, for the love of God, apologize. His Grace did not have Mrs. Seaton investigated.” “Esther…” His Grace tried to get words out, but his wife had eyes only for her enraged son. “He most certainly did,” Westhaven bit out. “Up to his old tricks, just as he was with Gwen and with Elise and with God knows how many hapless debutantes and scheming widows. I am sick to death of it, Mother, and this is the last straw.” “Esther,” His Grace tried again. “Hush, Percy,” the duchess said miserably, still staring at her son. “His Grace did not have your Mrs. Seaton investigated.” She paused and dropped Westhaven’s gaze. “I did.” “Esther,” the duke gasped as he dropped like a stone onto a sofa. “For the love of God, help me.