“
Where were we? I've forgotten.
He was deciding whether to cut her throat or love her forever.
Right. Yes. The usual choices.
”
”
Margaret Atwood (The Blind Assassin)
“
We are vampires, Kanin had told me, on one of our last nights together. It makes no difference who we are, where we came from. Princes, Masters and rabids alike, we are monsters, cut off from humanity. They will never trust us. They will never accept us. We hide in their midst and walk among them, but we are forever separate.
Damned. Alone. You don’t understand now, but you will. There will come a time when the road before you splits, and you must decide your path. Will you choose to become a demon with a human face, or will you fight your demon until the end of time, knowing you will forever struggle alone?
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
We’re not given forever. We’re given just a finite amount of time on this earth. It’s up to us to decide how we are going to spend that time, and who we are going to spend it with.
”
”
T.M. Frazier (Soulless (King, #4))
“
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
”
”
André Aciman (Call Me by Your Name)
“
The exercise of deciding where to go next is difficult. Because next most likely means a new forever.
”
”
Georgia Hunter (We Were the Lucky Ones)
“
Alex, I don't want to date you. I don't want you to be my girlfriend. I don't want us to be together for just a little while. I want you forever. I want us to look at each other, and say we love each other, and decide to be together forever. Alex...I want to spend our lives together. If we ever decided we want to have kids, I want it to be me and you.
”
”
Charles Sheehan-Miles (Just Remember to Breathe (Thompson Sisters, #3))
“
Dear Matthew-
There's one more thing I didn't get to tell you that night in my bedroom. Here it is: I love you. I'm in love with you. I have been for a long time. This might seem like a strange thing for me to say given the fact we aren't speaking to each other. But I've decided that it's possible to love someone for entirely selfless reasons, for all of their flaws and weaknesses, and still not succeed in having them love you back. It's sad perhaps, but not tragic, unless you dwell forever in the pursuit of their elusive affections.
”
”
Cammie McGovern (Say What You Will)
“
If I had to choose, I would say the moment between when you decided to kiss me and when we actually kissed, that is where I wish to live forever. Inside my anticipation, dying to receive you.
”
”
Marisa Crane (I Keep My Exoskeletons to Myself)
“
Maybe he decided that his sadness was going to be my companion forever, for as long as he wanted, because sad people are merciless.
”
”
Mariana Enríquez (Things We Lost in the Fire)
“
Hey. Just to make sure I beat everyone to it, I wanted to write in this first. I hope that’s some more proof of how much I’m in love with you. I still can’t believe it. How did three years go by so fast? It feels like yesterday I was sitting on the bus behind you trying to build the courage to say something. It’s crazy to think there was a time before we knew each other. A time before “Sam and Julie.” Or “Julie and Sam”? I’ll let you decide that one. I know you can’t wait to leave this place, but I’m gonna miss it. I get it, though. Your ideas were always too big for a small town, and everyone here knows it. But I’m happy your path somehow made you stop in Ellensburg along the way. So you and I could meet each other. Maybe it was supposed to happen, you know? I feel like my life didn’t start until I met you, Julie. You’re the best thing to happen to this small town. To me. I realize it doesn’t matter where we’re going next, as long as we’re together. I’ll be honest. I used to be scared of leaving home. Now I can’t wait to move on and make new memories with you. Just don’t forget the ones we made here. Especially when you make it big. And whatever happens, promise you won’t forget me, okay? Anyway, I love you, Julie, and always will. Yours forever, Sam
”
”
Dustin Thao (You've Reached Sam)
“
The past gives you no justice. Sentences are passed. But that doesn't mean you get justice. You can stand there forever and rail and say, 'Someone has to pay. I want what was taken from me.' But you're just going to get silence coming back at you. The past doesn't pay. We pay. And we're all free to decide when we've had enough.
”
”
Michael Hainey (After Visiting Friends: A Son's Story)
“
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote:
Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send.
HUCK FINN.
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
We're very dismissive, as a culture, about heartbreak. We talk about it like it's funny, or silly, or cute. As if it can be cured by a pint of Haagen-Dazs and a set of flannel pajamas.
But of course, a breakup is a type of grief, it's the death of not just any relationship - but the most important one in your life,
There's nothing cute about it.
"Dumped" is also a word that falls short of its true meaning. It sounds so quick - like a moment in time. But getting dumped lasts forever. Because a person who loved you decided not to love you anymore.
Does that ever really go away?
”
”
Katherine Center (The Bodyguard)
“
God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn't know what was happening to me, and I suddenly realized it was only the tea that we were smoking; Dean had bought some in New York. It made me think that everything was about to arrive - the moment when you know all and everything is decided forever.
”
”
Jack Kerouac (On the Road)
“
All these young children being sent to prison forever, all this grief and violence. Those judges throwing people away like they're not even human, people shooting each other, hurting each other like they don't care. I don't know, it's a lot of pain. I decided that I was supposed to be here [at the court] to catch some of the stones people cast at each other.'
I chuckled when she said it. During the McMillian hearings, a local minister had held a regional church meeting about the case and had asked me to come speak. There were a few people in the African American community whose support of Walter was muted, not because they thought he was guilty but because he had had an extramarital affair and wasn't active in the church. At the church meeting, I spoke mostly about Walter's case, but I also reminded people that when the woman accused of adultery was brought to Jesus, he told the accusers who wanted to stone her to death, 'Let he who is without sin cast the first stone.' The woman's accusers retreated, and Jesus forgave her and urged her to sin no more. But today, our self-righteousness, our fear, and our anger have caused even the Christians to hurl stones at the people who fall down, even when we know we should forgive or show compassion. I told the congregation that we can't simply watch that happen. I told them we have to be stonecatchers.
When I chuckled at the older woman's invocation of the parable, she laughed, too. 'I heard you in that courtroom today. I've even seen you hear a couple of times before. I know you's a stonecatcher, too.
”
”
Bryan Stevenson (Just Mercy)
“
Bella: "Why am I covered in feathers?"
Bella:"You… bit a pillow? Why?"
Bella: "You listen to me, Edward Cullen. I am not pretending anything for your sake, okay? I didn’t even know there was a reason to make you feel better until you started being all miserable. I’ve never been so happy in all my life – I wasn’t this happy when you decided that you loved me more than you wanted to kill me, or the first morning I woke up and you were there waiting for me… Not when I heard your voice in the ballet studio, or when you said ‘I do’ and I realized that, somehow, I get to keep you forever. Those are the happiest memories I have, and this is better than any of it. So just deal with it."
Edward: "We’re just lucky it was the pillows and not you."
Edward: "You are making me insane, Bella."
Edward: "You are so human, Bella. Ruled by your hormones."
Edward :"So you seduced your all-too-willing husband. That’s not a capital offense.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies.
Take care!
Love,
Francis.
Title: Letter to Abigail
Scene: "Death-bed"
Chapter: The Road To Awe
”
”
Huseyn Raza
“
Eli’s your biological father, but I’m your dad. I’m not asking you to stay here forever. A week. Maybe two. You decide the length, no matter what Eli thinks. I’ll miss you every second you’re away and we’ll talk as often as you want. I want you to discover your biological family, but I’m your dad and you’re my little girl. Always.
”
”
Katie McGarry (Nowhere But Here (Thunder Road, #1))
“
we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement."
"You and George didn't go back on your promises."
She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business."
"But people change," he said quietly.
"Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
She shook her head. 'Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you.'
'You said the other day life was long,' I shot back. 'Which is it?'
' It's both,' she said, shrugging. 'IT all depends on how you choose to live it. It's like forever, always changing.'
'Nothing can be two opposite things at once,' I said. 'It's impossible.'
'No,' she replied, squeezing my hand,' what's impossible is that we actually think it could be anything other than that. Look, when I was in the hosptal, right after the accident, they thought I was going to die. I was really fucked up, big time.'
'Uh-huh,' Monica said, looking at her sister.
'Then,' Kristy continued, nodding at her, 'life was very short, literally. but now that I'm better it seems so long I have to squint to see even the edges of it. It's all in the view, Macy. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You can never know for sure, so you'd better make every second count.'
Monica, lighting another cigarette, nodded. 'Mmm-hmm,' she said.
'What you have to decide,' Kristy said to me, leaning foreward, 'is how you want your life to be. If your forever was ending tomorrow, would this be how you'd want to have spent it? It seemed like it was a choice I had already made. I'd spent the last year and a half with Jason, shaping my life to fit his, doing what I had to in order to make sure I had a plae in his perfect world, where things made sense. But it hadn't worked.
'Listen,' Kristy said,' the truth is, nohing is guaranteed. You know that more than anybody.' She looed at me hard, making sure I knew what she meant. I did. 'So don't be afraid. Be alive.'
But then, I couldn't imagine, after everything that had happened, how you could live and not constantly be worrying about the dangers all around you. Especially when you'd already gotten teh scare of your life.
'It's the same thing,' I told her.
'What is?'
'Being afraid and being alive.'
'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
”
”
Sarah Dessen (The Truth About Forever)
“
I sigh and flop down on my bed. "Okay." He starts pacing the room. "Rewind and tell me what happened from the beginning."
"Okay." I blow out a breath and try to calm down. "So she touched my dick."
"Where?"
"MY DICK! Are you not listening?"
"Settle down, asshole. Where were you when she touched..."
His face contorts to a grimace. "You know... your..."
"My dick? At school."
"HOLY SHIT ! What the hell are they letting happen in schools these days?"
"What?" I yell, frustrated. "No! It's not like she pulled my pants down in the cafeteria while we were all eating lunch and decided to tug me.
”
”
Jay McLean (More Than Forever (More Than, #4))
“
I decided at that moment that we would find a way to be together. The future was terrifying, but we would face it together...our pelts brushing,our tails twined. Our hearts in love,forever. -CrowfeatherXLeafpool.
”
”
Erin Hunter (Warriors: Secrets of the Clans)
“
The exercise of deciding where to go next is difficult. Because next most likely means a new forever. It means thinking about where to settle. Where to start over. During the war, their options were fewer, the stakes higher, their mission singular. It was simple, in a way. Keep your chin down, your guard up. Stay one step ahead. Stay alive for one more day. Don't let the enemy win. To think about a long-term plan feels complicated, and burdensome, like flexing an atrophied muscle.
”
”
Georgia Hunter (We Were the Lucky Ones)
“
There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of one’s own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)
“
One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Jules: Emma? You haven't said anything since we left the church.
Emma: You're in love with me. Still.
Jules: What are you talking about?
Emma: I thought you didn't love me anymore. But that isn't true, is it?
Jules: Why are you saying that? Why now?
Emma: Because of the church. Because of what happened. We burned a church down, Julian, we melted stone.
Jules: What does that have to do with anyhing?
Emma: It has everything to do with. You don't understand. You can't.
Jules: You're right. I don't understand. I don't understand any of it, Emma. I don't understand why you suddenly decided you didn't want me, you wanted Mark, and then you decided you didn't wnat him either and you dropped him like he was nothing, in fron of everyone. What the hell were you thinking ...
Emma: What do you care? What do you care how I feel about Mark?
Jules: Because I needed you to love him. Because if you threw me away and everything we had, it had better be for something that meant more to you, it had better be for something real, but maybe none of this is ever real to you ...
Emma: Not real to me? You don't know what you're talking about, Julian Blackthron! You don't know what I've given up, what my reasons are for anything, you don't know what I'm trying to do ...
Jules: What you're trying to do? How about you did do? How about breaking my heart and breaking Cameron's and breaking Mark's? What, am I missing someone else, some other person whose life you want to wreck forever?
Emma: Your life isn't wrecked. You're still alive. You can have a good life! You kissed that faerie girl...
Jules: She was a leanansidhe! A shape-shifter! I thought se was you!
Emma: Oh. Oh.
Jules: Yes, oh. You really think I'm going to fall in love with someon else? You think I get to do that? I'm not you, I don't geet to fall in love every week with someone different. I wish it wasn't you, Emma, but it is, it'll always be you, so don't tell me life isn't wrecked when you don't know the first thing about it!
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
We don't have a choice in how or when our bad days will blindside us. But what we do choose is how we allow them to leave us once they're gone. You can use those moments as a catalyst to spur you on to greater things or you can let it be the event that breaks you and leaves you shattered and forever lost in darkness. That, my friend, is the curse of free will. You can blame it all on fate and the universe, but in the end you alone decide if you're going to lie down and let hell take you under, or if you're going to stand strong in defiance of it all with your middle finger raised.
~ Caleb
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
Those unearthly eyes were so close, she could see the reflection of her own furious expression in their depths. “I’d rather watch you take a lover than die at my hands.”
She knew how much those words must’ve tortured him. Even now, the air was staining bloodred with anger. “And would you let that man live?” she whispered.
No response. That gave her hope even when hope seemed impossible. “Then we fight, Judd.” She dared to place her hand gently on his chest. He flinched but didn’t move away. “We fight until every avenue is closed and then we dig under the roadblocks. Because I am not walking away from us.” Strong words, but she was shaking. He could destroy her with a few careless comments.
“You’re the strongest, most determined woman I know.” He played his fingers along the strands of her hair. “You’d make mincemeat out of a lesser man. It’s a good thing you belong to me.”
Relief almost collapsed her knees. “Not funny.”
“I’m serious.” Something very male moved over his face. “If you say yes now, I won’t let you go if you decide I’m not what you want later on down the road. You say yes, you say yes forever. Be sure.
”
”
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
“
I've always believed that to some extent you get to decide for yourself what your life will be like. You can either look at the world and say "Oh, isn't it all so tragic, so grim, so awful." Or you can look at the world and decide that it's mostly funny.
If you step back far enough from the details, everything gets funny. You say war is tragic. I say, isn't it crazy the way people will fight over nothing? People fight wars to control crappy little patches of empty desert, for crying out loud. It's like fighting over an empty soda can. It's not so much tragic as it is ridiculous. Asinine! Stupid!
You say, isn't it terrible about global warming? And I say, no, it's funny. We're going to bring on global warming because we ran too many leaky air conditioners? We used too much spray deodorant, so now we'll be doomed to sweat forever? That's not sad. That's irony.
”
”
Katherine Applegate
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
can still marvel at how the dog runs straight toward the pickup trucks breaknecking down the road, because she thinks she loves them, because she’s sure, without a doubt, that the loud roaring things will love her back, her soft small self alive with desire to share her goddamn enthusiasm, until I yank the leash back to save her because I want her to survive forever. Don’t die, I say, and we decide to walk for a bit longer, starlings high and fevered above us, winter coming to lay her cold corpse down upon this little plot of earth. Perhaps we are always hurtling our bodies toward the thing that will obliterate us, begging for love from the speeding passage of time, and so maybe, like the dog obedient at my heels, we can walk together peacefully, at least until the next truck comes.
”
”
Ada Limon (The Carrying: Poems)
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
Obviously, the fate of our own species concerns us disproportionately. But at the risk of sounding anti-human—some of my best friends are humans!—I will say that it is not, in the end, what’s most worth attending to. Right now, in the amazing moment that to us counts as the present, we are deciding, without quite meaning to, which evolutionary pathways will remain open and which will forever be closed. No other creature has ever managed this, and it will, unfortunately, be our most enduring legacy. The Sixth Extinction will continue to determine the course of life long after everything people have written and painted and built has been ground into dust and giant rats have—or have not—inherited the earth.
”
”
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
“
How imperious the homicidal madness must have become if they’re willing to pardon—no, forget!—the theft of a can of meat! True, we have got into the habit of admiring colossal bandits, whose opulence is revered by the entire world, yet whose existence, once we stop to examine it, proves to be one long crime repeated ad infinitum, but those same bandits are heaped with glory, honors, and power, their crimes are hallowed by the law of the land, whereas, as far back in history as the eye can see—and history, as you know is my business—everything conspires to show that a venial theft, especially of inglorious foodstuffs, such as bread crusts, ham, or cheese, unfailingly subjects its perpetrator to irreparable opprobrium, the categoric condemnation of the community, major punishment, automatic dishonor, and inexpiable shame, and this for two reasons, first because the perpetrator of such an offense is usually poor, which in itself connotes basic unworthiness, and secondly because his act implies, as it were, a tacit reproach to the community. A poor man’s theft is seen as a malicious attempt at individual redress . . . Where would we be? Note accordingly that in all countries the penalties for petty theft are extrememly severe, not only as a means of defending society, but also as a stern admonition to the unfortunate to know their place, stick to their caste, and behave themselves, joyfully resigned to go on dying of hunger and misery down through the centuries forever and ever . . . Until today, however, petty thieves enjoyed one advantage in the Republic, they were denied the honor of bearing patriotic arms. But that’s all over now, tomorrow I, a theif, will resume my place in the army . . . Such are the orders . . . It has been decided in high places to forgive and forget what they call my momentary madness, and this, listen carefully, in consideration of what they call the honor of my family. What solicitude! I ask you, comrade, is it my family that is going to serve as a strainer and sorting house for mixed French and German bullets? . . . It’ll just be me wont it? And when I’m dead is the honor of my family going to bring me back to life?
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
I've always fixated on the things I want in my life--paint palettes and sumptuous fabrics and star-flecked skies and dancing on my tiptoes and the smell of jasmine. But I usually imagine myself alone or falling in love with all kinds of different people. These days, I've started to daydream of the permanent relationships I want to have. Friends who stay in my life forever. People who I trust to love me even if I'm wobbling--the way I trust Jonah. And if that's what I want, then I have scorched Earth to till and replant. I have a Japanese maple seedling, and I have seen how beautiful a rooted life can be. But I have miles to go before I decide where to plant us.
”
”
Emery Lord (When We Collided)
“
Dearest Mac,
I love you. I will always love you.
But I can live with you no longer. I've tried to be strong for you, for three years I have tried. I have failed. You tried to remake me in your image, dear Mac, and I tried to be what you wanted, but I no longer can. I am sorry.
I want to write that my heart is breaking, but it is not. It broke some time ago, and I have just now realised that I can leave me heartbreak behind and go on.
The decision to live without you was a painful one and not lightly made. I realise you can legally cause me much harm for taking this step, and I ask you, for the love we once shared, not to. It could be that I will not need to leave forever, but I know that I need time apart, alone, to heal.
You have explained that you sometimes leave me for my own good, so I will have a chance to recover from life with you. Now I am doing the same, leaving so that both of us have a chance to breath, a chance to cool. Living with you is like being with a shooting star, one that burns so brightly that it scorches me. And I am watching the star burn out. In the end, Mac, I fear there will be nothing left of you.
I know you will be angry when you read this, because you can grow so angry! But when you stop being angry, you will realize that my decision is sound. Together, we are destroying each other. Apart, I can remember my love for you. But you are burning me. You have exhausted me, and I have nothing left to give.
Ian has agreed to bring this letter to you, and he will inform me of what steps you decide to take. I trust Ian to help us through. Please do not try to seek me yourself.
I love you, Mac. I will always love you.
Please be well.
Isabella
”
”
Jennifer Ashley (Lady Isabella's Scandalous Marriage (MacKenzies & McBrides, #2))
“
Right now, in the amazing moment that to us counts as the present, we are deciding, without quite meaning to, which evolutionary pathways will remain open and which will forever be closed. No other creature has ever managed this and it will, unfortunately, be our most enduring legacy.
”
”
Elizabeth Kolbert
“
It has been frequently remarked that it seems to have been reserved to the people of this country, by their conduct and example, to decide the important question, whether societies of men are really capable or not of establishing good government from reflection and choice, or whether they are forever destined to depend for their political constitutions on accident and force. If there be any truth in the remark, the crisis at which we are arrived may with propriety be regarded as the era in which that decision is to be made; and a wrong election of the part we shall act may, in this view, deserve to be considered as the general misfortune of mankind.
”
”
Alexander Hamilton (The Federalist Papers)
“
If he scratches my baby . . .” Ben tried to scowl, but it didn’t take. He seemed relieved. And still hadn’t let go of my hand.
I heard a shoe scuff the ground. Shelton and Hi were standing across from Ben and me.
Shelton took a deep breath. “So it’s like that, huh?”
“Guys.” I felt my stomach lurch. “I know this is weird. Ben and I, we—”
Hi’s face was pained. “I don’t even get a chance? No shot to say how I feel?”
My head jerked back. “What?”
“So it’s all decided.” Shelton sullenly kicked a rock, his voice resentful. “What does Ben have that I don’t?”
I stared, openmouthed.
Hi dropped to a knee and pinned me with solemn eyes. “I can’t hide it anymore, Victoria. You need to know the truth. I love you, too. Forever and ever. I want to be your sweet babushka.”
My mind reeled. “Hi, I . . . I didn’t—”
“I’m gonna wring your stupid necks.” Ben’s face was burning.
Hi burst out laughing, rolling away from his kick. I glanced at Shelton, who was trying—and failing—to hold it together.
“I love you, Tory Brennan!” Hi bounced to his feet, ready to bolt at Ben’s slightest twitch. “Let me rub your supple feet!”
I covered my face with both hands. “Oh God.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
forgiving our fathers
by dick lourie
maybe in a dream: he's in your power
you twist his arm but you're not sure it was
he that stole your money you feel calmer
and you decide to let him go free
or he's the one (as in a dream of mine)
I must pull from the water but I never
knew it or wouldn't have done it until
I saw the street-theater play so close up
I was moved to actions I'd never before taken
maybe for leaving us too often or
forever when we were little maybe
for scaring us with unexpected rage
or making us nervous because there seemed
never to be any rage there at all
for marrying or not marrying our mothers
for divorcing or not divorcing our mothers
and shall we forgive them for their excesses
of warmth or coldness shall we forgive them
for pushing or leaning for shutting doors
for speaking only through layers of cloth
or never speaking or never being silent
in our age or in theirs or in their deaths
saying it to them or not saying it -
if we forgive our fathers what is left
”
”
Dick Lourie
“
ONE OF THE terrifying aspects of the twenties is the conviction that the choices we make are irrevocable. If we choose a graduate school or join a firm, get married or don’t marry, move to the suburbs or forego travel abroad, decide against children or against a career, we fear in our marrow that we might have to live with that choice forever.
”
”
Gail Sheehy (Passages: Predictable Crises of Adult Life)
“
I would say the moment between when you decided to kiss me and when we actually kissed, that is where I wish to live forever. Inside my anticipation, dying to receive you.
”
”
Marisa Crane (I Keep My Exoskeletons to Myself)
“
It is life, more than death, that has no limits.
Love becomes greater and nobler and mightier in calamity.
We men are the miserable slaves of prejudice. But when a women decides to sleep with a man, there is no wall she will not scale, no fortress she will not destroy, no moral consideration she will not ignore at its very root. There is no god worth worrying about.
Let time pass and we will see what it brings.
Humanity, like the armies in the field, advances at the speed of the slowest.
Those of us who make the rules have the greatest obligation to abide by them.
I don't believe in God but I am afraid of him.
It's better to arrive in time than to be invited.
Unfaithful but not disloyal.
Love, no matter what else it might be, is a natural talent.
Nobody teaches life anything.
The only regret I will have in dying is if it is not for love.
There is no one with more common sense, no stonecutter more obstinate, no manager more lucid and dangerous, than a poet.
Human beings are not born once and for all on the day their mothers give birth to them but that life obliges them over and over again to give birth to themselves.
One comes into the world with a predetermined allotment of lays and whoever doesn't use them for whatever reason, one's own and someone else's, willingly or unwillingly, looses them forever.
”
”
Gabriel García Márquez
“
Don't you see?" She addressed the entire room. "We either fight here and win, or die trying, because there won't be anything left if we fail. This is the moment. This is the crucial point where the future of yet unborn generations will be decided either by our action or inaction. For centuries to come, people will look back at this time and rejoice at our courage or curse our weakness." She looked directly at Royce now. "For we have the power. Here. Now. In this place. We have the power to alter the course of history and we will be forever damned should we not so much as try!
”
”
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
“
I thought of human beings, as far back as I had read, of our deeds and didoes. According to some scientists, we were born to forever crawl in swamps, but for some not yet explained reason, we decided to stand erect and, despite gravity's pull and push, to remain standing. We, carnivorous beings, decided not to eat our brothers and sisters but to try to respect them. And further, to try to love them.
”
”
Maya Angelou (A Song Flung Up to Heaven)
“
God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn’t know what was happening to me, and I suddenly realized it was only the tea that we were smoking; Dean had bought some in New York. It made me think that everything was about to arrive—the moment when you know all and everything is decided forever.
”
”
Jack Kerouac (On the Road)
“
You will not get over your ex all at once. You’ll get over them through a series of tiny, tender moments that bring you quietly back to yourself. And in some ways they’ll never really leave you. The people who change us in those big, irrevocable ways never do. To get over them we’d have to alter ourselves into people so unrecognizable that we’d lose who we are in the process. And so instead we learn to integrate the influence they had – the books you now read because of topics that they turned you on to. The music you now download because of the lyrics they loved. The ways you now look at the world that would never had occurred to you if they had not opened your eyes up to seeing and doing things differently. We don’t ever lose people we love in their entirety and perhaps we never should – we ourselves become bigger, more encompassing people because of it. You’ll get over your ex the day you realize that you damn well may never get over them. That pieces of them are going to live on inside you forever and that discarding them would mean discarding parts of yourself. But the day that you get to move on is the day you simply decide to do so in spite of it – in spite of the tired, restless ache that begs you not to take a chance. In spite of the fearful, self-conscious mind that tells you nobody will ever love you better. In spite of every careless part of you that wants to keep holding on but knows that it needs to let go. The day when you finally move on is the day you decide move forward – with all of your fear, all your pain and all your subtle hesitations. It’s the day you finally get over yourself.
”
”
Heidi Priebe (This Is Me Letting You Go)
“
Forestalling pleasure is an inventive technique for getting double the juice from half the fruit. Indeed, some events are more pleasurable to imagine than to experience (most of us can recall an instance in which we made love with a desirable partner or ate a wickedly rich dessert, only to find that the act was better contemplated than consummated), and in these cases people may decide to delay the event forever. For instance, volunteers in one study were asked to imagine themselves requesting a date with a person on whom they had a major crush, and those who had had the most elaborate and delicious fantasies about approaching their heartthrob were least likely to do so over the next few months.
”
”
Daniel Todd Gilbert (Stumbling on Happiness)
“
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.”
“Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.”
“Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.”
“If you mean the other tasks we have to do, I’m already aware of that.”
“I’m not talking about that. I’m talking about us.”
“What about us?” I put my hands under the table and wiped my clammy palms on my napkin.
“I think there are a few things we’ve left unsaid, and I think it’s time we said them.”
“I’m not withholding anything from you, if that’s what you mean.”
“You are.”
“No. I’m not.”
“Are you refusing to acknowledge what has happened between us?”
“I’m not refusing anything. Don’t try to put words in my mouth.”
“I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.”
“If I did have feelings for you, you’d be the first one to know.”
“Are you saying that you don’t feel anything for me?”
“That’s not what I’m saying.”
“Then what are you saying?”
“I’m saying…nothing!” I spluttered.
Ren smiled and narrowed his eyes at me.
If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar.
He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.”
Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me.
When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again.
He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier.
When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?”
“Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.”
I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.”
He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?”
He must be joking! But he looked completely serious. Great! There go the nervous butterflies again.
“Stop looking at me like that.”
“Like what?”
“Like you’re hunting me. I’m not an antelope.”
He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.”
“Stop it.”
“Am I making you nervous?”
“You could say that.”
I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over.
“I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Familiar words chanted through his mind, demanding he speak them. He tried to bite his tongue. Now was hardly the time, and she'd likely laugh. Once spoken, the words would bind him to her for the rest of his life, even if she refused him, which was likely. And once she did, he could never touch another... not that he'd want to, since he hadn't almost from the moment he clapped eyes on her. Unless... what if she spoke the Binding?
Whatever she decided, the Mating Call was forever.
Despite that, he could not stop. "Become a part of me, as I become a part of you. And ever after—"
"Oh my God." She gasped. "Ice, I—"
"I promise myself to thee."
Sabelle might not want him to finish this Call, and saying it might doom him, but the taste of her still rolled around on his tongue like ambrosia. Instinct reeled, roared. No way would she stop him from trying to stake his claim and make her his.
"Ice," she implored. "My brother—"
"Is not involved here." He felt his eyes burning into her. "This is between you and me."
"But... I—I don't... He won't approve."
Bram wouldn't. That went without question. And right now, he could give a shit. But he noticed that she hadn't said she didn't want him. "What do you want? Because I know I want you, princess. Any and every way you'll let me have you."
God, her lips were right beneath his, and he needed another taste of her so badly, every cell in his body craved it. Damning caution, he layered his mouth over hers again. She was like sinking into sugar, sweet, light, tempting... addictive. He nibbled at her lips, then prowled deeper, engaging her tongue. Then deeper still, consuming as much of her as he could with a single taste. Again, the urge to claim, to mate, scraped down his instincts, clear, loud, strong. He lifted his mouth, panting over her lips. "Each day we share, I shall be honest, good and true. If this you seek, heed my call. From—"
"Stop!" She grabbed him by the sleeves of his robe. "Ice, think. If you say the rest, it's done. Even if I refuse, as long as I live, you'll be bound to me."
"I want nothing else." He stared deep into her eyes, as a feeling of rightness, inevitability settled into his gut. "From this moment on, there is no other for me but you.
”
”
Shayla Black (Possess Me at Midnight (Doomsday Brethren, #3))
“
God’s great aim has always been, and will forever be, relationship with us. Sometimes, He may deprive us of something in order to draw us to Someone. And when we reciprocate—when we decide that we want Him more than we want His stuff—the most amazing thing happens. We are rewired and our requests are either altered as we grow to know and to prefer what He wants for us, or they are simply answered because, in seeking first the kingdom of God, “all these things” are given to us as well (Matt 6:33).
”
”
Pete Greig (God on Mute: Engaging the Silence of Unanswered Prayer)
“
There's folly in her stride
that's the rumor
justified by lies
I've seen her up close
beneath the sheets
and sometime during the summer
she was mine for a few sweet months in the fall
and parts of December
((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))
I found her looking through a window
the same window I'd been looking through
She smiled and her eyes never faltered
this folly was a crime
((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))
She had an identity I could identify with
something my fingertips could caress in the night
((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.
What constitutes peace is in the mind of the beholder. )))
Have you heard the argument?
This displacement of men and women
and women and men
the minds we all have
the beliefs we all share
Slipping inside of us
thoughts and religions and bodies
all bare
((( “Without darkness, there can be no light,”
he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))
When she left
she kissed with eyes open
I knew this because I'd done the same
Sometimes we saw eye to eye like that
Very briefly,
she considered an apotheosis
a synthesis
a rendering of her folly
into solidarity
((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))
Experiencing the subsequent sunrise
inhaling and drinking
breaking mirrors and regurgitating
just to start again
all in all
I was just another gash in the bark
((( Plato once said:
“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))
Leaving town and throwing shit out the window
drinking boroughs and borrowing spare change
I glimpsed the rear view mirror
stole a glimpse really
I've believed in looking back for a while
it helps to have one last view
a reminder in case one ever decides to rebel
in the event the self regresses
and makes the declaration of devastation
once more
((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
”
”
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
“
It's like Romeo & Juliet,' I say. 'You can't separate them. Otherwise, there would be no Shakespeare.'
Silence.
I decide to be more straightforward. I tell him, 'Nothing frightens me anymore. I am not even afraid to die.'
Bussey's eyes, already wide open, grow even wider. My death is the last thing he needs.
I have the strange feeling that there are two of me. One observes the conversation while the other does the talking. Everything is abnormal, especially this extreme calm that has taken me over. I try to explain to Bussey that if I decide to die, it will be without bitterness. I know I did everything I possibly could, so it will be respectful farewell. I will bow to life like an actor, who, having delivered his lines, bends deeply to his audience & retires. I tell Bussey that this decision has nothing to do with him, that it is entirely mine. I will choose either to live or to die, but I cannot allow myself to live in the in-between. I do not want to go through life like a ghost.
'Do you think you'll find Danny this way?' Bussey asks.
My mind sifts through all available theories on the afterlife. It is as if this metaphysical question has become as real as the air we breathe. Buddhism teaches that life is an eternal cycle without beginning or end. I recall the metaphor: "Our individual lives are like waves produced from the great ocean that is the universe. The emergence of a wave is life, and its abatement is death. This rhythm repeats eternally."
Finally I answer Bussey, 'No, I don't think so.'
Bussey seems relieved, but I'm more panicky, because I had never thought that I could wind up alone. In my mind, whatever the odds, Danny & I were & would be together forever.
”
”
Mariane Pearl (A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl)
“
I really, really, really would be forever indebted to you if you just revealed how you did one trick. Just one, that’s all I’m asking for.” Jay wipes his mouth with a napkin, his lips forming a smirk. “When you say ‘forever indebted,’ just what are we talking about here?” Jessie makes a foreboding sound. “No way, sweetheart. You don’t want to do that. This fucker’s a slave driver when you owe him.” “Okay, well, maybe I won’t be forever in your debt. Perhaps I was getting a little carried away with myself. If you tell me one trick, I’ll owe you one thing in return. You can decide, but it has to be reasonable, like washing your car or something.” Jay leans forward and steeples his fingers in front of him. “Will you wash my car topless?” he asks huskily. My cheeks colour, and Jessie lets out a bark of a laugh. “Oh, now, that is a good idea.” “Okay, let me amend my offer. I will owe you, but it can’t be sexual.” “Topless isn’t sexual,” says Jay. “Topless is natural.” “I second that,” Jessie adds. “How about braless?” Jay goes on. God, these two. Why do I even bother? “Fine. I retract my offer,” I huff, sitting back in my seat and folding my arms.
”
”
L.H. Cosway (Six of Hearts (Hearts, #1))
“
Her kiss is hungry, as if long deprived. As if they didn’t already spend the morning doing just exactly this, making up for the lost time they were apart. Triton’s trident, I could do this all day. Then he catches himself. No, I couldn’t. Not without wanting more. Which is why we need to stop.
Instead, he entwines his hands in her hair, and she teases his lips with her tongue, trying to get him to fully open his mouth to her. He gladly complies. Her fingers sneak their way under his shirt, up his stomach, sending a trail of fire to his chest.
He is about to lose his shirt altogether. Until Antonis’s voice booms from the doorway. “Extract yourself from Prince Galen, Emma,” he says. “You two are not mated. This behavior is inappropriate for any Syrena, let alone a Royal.”
Emma’s eyes go round as sand dollars. He can tell she’s not sure what to think about her grandfather telling her what to do. Or maybe she’s caught off guard that he called her a Royal. Either way, like most people, Emma decides to obey. Galen does, too. They stand up side by side, not daring to be close enough to touch. They behold King Antonis in a polka-dot bathrobe, and though he’s the one who looks silly, they are the ones who look shamed.
Galen feels like a fingerling again. “I apologize, Highness,” he says. It seems like all he does lately is apologize to the Poseidon king. “It was my fault.”
Antonis gives him a reproving look. “I like you, young prince. But you well know the law. Do not disappoint me, Galen. My granddaughter is deserving of a proper mating ceremony.”
Galen can’t meet his eyes. He’s right. I shouldn’t be flirting with temptation like this. With the Archives on their way-or possibly here already-there is a distant but small chance that he and Emma can still live within the confines of the law. That they can still live as mates under the Syrena tradition. And he almost just blew it. What if it had gone too far? Then his mating with Emma would forever be blemished by breaking the law. “It won’t happen again, Highness.” Not until we’re mated, anyway.
“Um. Did you just promise not to kiss me ever again?” Emma whispers.
“Can we talk about this later? The Archives are obviously here, angelfish.”
She’s on the verge of a fit, he can tell. “He’s just looking out for us,” Galen says quickly. “I agree, we need to respect the law-“
At this her fit subsides as if it was never there. She smiles wide at him. He can’t decide if it’s genuine, or if it’s the kind of smile she gives him when he’ll pay for something later. “Okay, Galen.”
“Galen, Emma,” Nalia calls from the dining room, saving him from making a fool of himself. “Everyone is here.”
Emma gives him a look that clearly says, “We’re so not done with this conversation.” Then she turns and walks away. Galen takes a second to regain a little bit of composure-which kissing Emma tends to steal from him. Then there’s the mortification of being interrupted by-Get it together, idiot.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
”
”
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)
“
Loving or not loving should be like coffee or tea; people should be allowed to decide. How else are we to get over all our dead and the women we've lost?" Cunco whispered dejectedly.
"Maybe we shouldn't."
"You think so? Not get over it. but...then? What then? What task do the departed want us to do?"
That was the question that Jean Perdu had been unable to answer for all these years.
Until now. Now he knew.
"To carry them within us—that is our task. We carry them all inside us, all our dead and shattered loves. Only they make us whole. If we begin to forget or cast aside those we've lost, then...then we are no longer present either. "
Jean looked at the Allier River, glittering in the moonlight.
"All the love, all the dead, all the people we've known. They are the rivers that feed our sea of souls. If we refuse to remember them, that sea will dry up too."
He felt an overwhelming inner thirst to seize life with both hands before time sped past even faster. He didn't want to die of thirst, he wanted to be as wide and free as the sea—full and deep. He longed for friends. He wanted to love. He wanted to feel the marks that Manon had left inside him. He still wanted to feel her coursing through him, mingling with him. Manon had changed him forever—why deny it? That was how he had become the man whom Catherine had allowed to approach her.
Jean Perdu suddenly realized that Catherine could never taken Mann's place. She took her own place. No worse, no better, simply different.
He longed to show Catherine the full expanse of his sea!
”
”
Nina George (The Little Paris Bookshop)
“
The truth that writers secretly harbor is that all books are failures. We try to do something that can’t be done. Words. Is that all we rely on? Smudgy ink marks on a page? Pallid wisps and blotches? Text as scaffolding trying to hold up worlds? Actually, no, it’s not all we rely on. What’s worse is our reliance on the reader. A writer is forever locked in an interdependent relationship. It’s like building a bridge from opposite sides of a river—our flimsy words and their frail, overreaching imaginations. The bridge will never meet in the middle. It’s not possible. Sometimes you haven’t even decided on the same river. The Gateway Arch in Saint Louis missed in the middle by a matter of inches the first time around. They tried again and made it. Writers know we never will.
”
”
Julianna Baggott (Harriet Wolf's Seventh Book of Wonders)
“
The Future is an illusion because, at the most fundamental level, Choice is an illusion. I am a believer in the theory, popular among physicists, that every time there is a Choice, the universe splits: both choices come to pass, but in now-separate universes. And so on, and on, with every choice of every particle, every atom, every molecule, every cell, every being, coming into being. In this universe of universes, everything happens, and every combination of things happens. Our universe is a mote of dust in an ever-growing dust-storm of possibilities, but each mote of dust in that storm is generating its own dust-storm of possibilities every instant, the motes of which in turn... But you get the general impression. Indeed to think of ourselves as single selves, and our universe as a single universe, is to be blinded, by the limitations of our senses and our consciousness, to the infinite-faceted truth: that we are infinite in a universe of universes that are each infinitely infinite..."
"An intriguingly intricate view of the world," I said (...)
Pat Sheeran nodded. "And it is astonishing how little practical difference it makes," he said. "All my other lives are as inaccessible to me as if they did not exist at all. No doubt in other universes I am a beggar, a revolutionary thinker, an academic, an accountant; a drinker, a thinker, a writer of books; I lose a freckle, gain a mole, shade off into men nothing like me at all; I have sons, fire guns, live forever, die too young. Whenever any particle in this universe changes state, I am split and travel in both directions, multiplied. But here I am, suffering the illusion of unity in this endlessly bifurcating moment.
Yet sometimes, I wave my arms for the joy of creating a spray of universes."
I said startled at the implications, “Though it may make no practical difference, the implications are nonetheless startling."
"Indeed," said Pat Sheeran. "I had immediately to file all the fiction on my shelves under Non-Fiction. For it is an unavoidable corollary of this theory, that Fiction is impossible. For all novels are true histories of worlds as real as ours, but which we cannot see. All stories are possible, all histories have happened. I, billion-bodied, live a trillion lives every quantum instant. Those trillion lives branch out, a quintillion times a second, as every particle in every atom in each mote of dust on land, in sea, and sky, and space, and star, flickering in and out of being in the void, hesitates and decides its next stage. All tragedies, all triumphs, are mine, are yours."
"It is a curious and difficult thing, to think that all is possible. No, probable. No, certain," I said, attempting to grasp the largeness of the thought."That nothing is improbable."
"It is a comforting thought, some nights, to this version of me, now," said Pat Sheeran, and we roared on.
”
”
Julian Gough (Jude: Level 1)
“
Forget it, we can do it another time.” I turn around to go back into my parents’ room, but Mom catches my hand. She knows I may never feel ready to do this, that I may keep finding excuses to push this off until long after my dad is gone, and then maybe I’ll go to his grave and come out. But the time has to be now so I can feel as comfortable in my home as I am chilling with Collin. “Mark,” Mom says again. His eyes are still on the TV. I take a deep breath. “Dad, I hope you’re cool with this, but I sort of, kind of am dating someone and . . .” I can already see him getting confused, like I’m challenging him to solve an algebraic equation with no pen, paper, or calculator. “And that someone is my friend Collin.” Only then does Dad turn toward us. His face immediately goes from confused to furious. You would think the Yankees not only lost the game but also decided to give up and retire the team forever. He points his cigarette at Mom. “This is all your doing. You have to be the one to tell him he’s wrong.” He’s talking about me like I’m not even in the room. “Mark, we always said we would love our kids no matter what, and—” “Empty fucking promise, Elsie. Make him cut it out or get him out of here.” “If there’s something about homosexuality you don’t understand, you can talk to your son about it in a kind way,” Mom says, maintaining a steady tone that’s both fearless for me and respectful toward Dad. We all know what he’s capable of. “If you want to ignore it or need time, we can give that to you, but Aaron isn’t going anywhere.” Dad places his cigarette in the ashtray and then kicks over the hamper he was resting his feet on. We back up. I don’t often wish this, but I really, really wish Eric were here right now in case this gets as ugly as I think it might. He points his finger at me. “I’ll fucking throw him out myself.
”
”
Adam Silvera (More Happy Than Not)
“
To at least feel like I was doing something, I said, “Deadworld? Is that where you’re from?”
“No, dude. That’s where you’re from. It’s where we are now. This place, it’s a horror show. If the guy next to you decides to knock you out of this world forever, he can do it with just a piece of metal or, hell, even his bare hand. You blobs, you sit there, chillin’ in this room and I can smell the rot of dead animals soaking in the acid of your guts. You suck the life from the innocent creatures of this world just so you can clock another day. You’re machines that run on the terror and pain and mutilation of other lives. You’ll scrape the world clean of every green and living thing until starvation goes one-eight-seven on every one of your sorry asses, your desperation to put off death leadin’ to the ultimate death of everybody and everything. Dude, I can’t believe you ain’t all paralyzed by the pure, naked horror of this place.”
After a long, long pause John said, “Uh, thank you.
”
”
David Wong (John Dies at the End / This Book Is Full Of Spiders / What the Hell Did I Just Read (John Dies at the End, #1-3))
“
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
”
”
Mark Twain
“
It’s very interesting to see her so not afraid of admitting she thinks being Chinese is forever being a second class citizen in a western country, while so not feeling ashamed and feeling it’s okay to write it in a book and educate the Brits on Chinese culture.
I feel I could do that in England but not here in America, where I feel I’m second class citizen not because people don’t understand Chinese culture (there are so many of us), but even after they understood it, they still decided to think we are second class citizen.
”
”
Xiaolu Guo (A Lover's Discourse)
“
I don’t know how I didn’t see it for so many years of Bible reading, but I didn’t. Paul didn’t teach the Gentiles not to follow the law, he didn’t teach people not to have their sons circumcised (in fact he himself had Timothy circumcised in Acts 16:3). And Paul himself kept the law. Otherwise, James would have been telling Paul to lie about what he was doing. So we traded Christmas for Sukkot, the true birth of Messiah during the Feast of Tabernacles, which is a shadow picture of Him coming back to reign for a thousand years. When we keep that feast, we are making a declaration that we believe He was, is, and is coming. We keep Yom Kippur, which is a declaration that we believe that Yeshua is the salvation of the nation of Israel as a whole, that “all Israel shall be saved.” We keep Yom Teruah, the day of Trumpets, which occurs on “the day and hour that no man knows” at the sighting of the first sliver of the new moon during the 7th biblical month of Tishri. We traded Pentecost for Shavuot, the prophetic shadow picture of the spirit being poured out on the assembly, as we see in the book of Acts, just as the law was given at Mt Sinai to the assembly, which according to Stephen was the true birth of the church (Acts 7:38) – not in Jerusalem, but at Sinai. We also traded Easter for Passover, the shadow picture of Messiah coming to die to restore us to right standing with God, in order to obey Him when He said, “from now on, do this in remembrance of Me.” We traded Resurrection Sunday for First Fruits, the feast which served as a shadow of Messiah rising up out of the earth and ascending to be presented as a holy offering to the Father. In Leviticus 23, these are called the Feasts of the LORD, and were to be celebrated by His people Israel forever, not just the Jews, but all those who are in covenant with Him. Just like at Mt Sinai, the descendants of Jacob plus the mixed multitude who came out of Egypt. We learned from I John 3:4 that sin is defined as transgression of the law. I John 1:10 says that if we claim we do not sin we are liars, so sin still exists, and that was written long after the death of the other apostles, including Paul. I read what Peter said about Paul in 2 Peter 3:15-16 – that his writings were hard to understand and easily twisted. And I began to see that Peter was right because the more I understood what everyone besides Paul was saying, the more I realized that the only way I could justify what I had been doing was with Paul’s writings. I couldn’t use Yeshua (Jesus), Moses, John, Peter or any of the others to back up any of the doctrines I was taught – I had to ignore Yeshua almost entirely, or take Him out of context. I decided that Yeshua, and not Paul, died for me, so I had to
”
”
Tyler Dawn Rosenquist (The Bridge: Crossing Over Into the Fullness of Covenant Life)
“
I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier."
"Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not."
"We have no more choice in that than in whether or not to be born."
"Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?"
She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?"
"Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again."
"There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves."
"I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling."
"lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that."
"You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?"
"We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Isn’t it odd,” Maryam said. “Just like that, a completely unknown person is a part of their family forever. Well, of course that’s true of a birth child, too, but … I don’t know, this seems more astonishing.” “To me, both are astonishing,” Dave said. “I remember before Bitsy was born, I used to worry she might not be compatible with the two of us. I told Connie, ‘Look at how long we took deciding whom we’d marry, but this baby’s waltzing in out of nowhere, not so much as a background check or a personality quiz. What if it turns out we don’t have any shared interests?’
”
”
Anne Tyler (Digging to America)
“
maybe even just time travelled; we hadn’t really decided yet.
Personally, I’d rather go with parallel universe, mostly because
it just sounded so much cooler. We had no idea how or when
we could get back, which meant that we might be lost in time
forever. Fran’s parents were missing in some other timeline or
maybe even this one. We hadn’t actually gotten that far though,
to be honest. I had no idea if our actions would affect the future,
but I really didn’t think we were that important. Also, I hadn’t
had any sleep for fifteen hours. And to tie it all up, I think that
we are about to be bombed.
Eek.
”
”
Sophie Wilkinson (The Beginning (Referee Viator Series, #1))
“
three years. My parents were my two best friends. My third best friend was an author who did not know I existed. I was a fairly shy person—not the hand-raising type. And yet, just this once, I decided to speak. I half raised my hand and Patrick, his delight evident, immediately said, “Hazel!” I was, I’m sure he assumed, opening up. Becoming Part Of The Group. I looked over at Augustus Waters, who looked back at me. You could almost see through his eyes they were so blue. “There will come a time,” I said, “when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this”—I gestured encompassingly—“will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.
”
”
John Green (The Fault in Our Stars)
“
Can I trust him again? Even after all he said? If I do and I'm wrong, the cost is too high. My life. "You'll wait for me to agree to go back with you?" I want to be clear on this point. "You won't force me in any way? Or reveal yourself to anyone, no matter what?"
"I'll wait," he promises. "However long you need."
He'll wait. But he'll be lurking about. Nearby. Watching. And I won't always know it.
Funny how things change. In the beginning, I thought I could never stay here. Now I don't want to leave. Mostly because of Will, but also because I've decided to give Mom and Tamra what they want. A chance. It can't be all about me. If I'm strong enough, smart enough, my draki can make it. And of course, Will can help with that. A few kisses. A smile. A brush of his hand and my draki is revived. And I no longer have to hide it from him.
I can last through high school. For Mom, for Tamra. After graduation, I can go with Will when he cuts free from his family. Just two more years. We'll figure out the specifics. The how and where. For the first time since coming here, I feel the stirrings of hope. I won't let Cassian ruin that.
"You're going to wait forever," I vow. "I won't change my mind."
Cassian's mouth curves enigmatically. Like he knows something I don't. He's eighteen, but in that moment I can believe he has several more years than that on me. "Things change all the time. People change. I'll take my chances."
I shake my head. "You'll see. I won't change my mind."
And then he'll go. Because he can't wait forever. No matter what he says. He's got a pride to lead. He's not going to hang around here for two years. No matter how interesting I am to him.
"We'll see."
I glance at the blinking clock on top of the TV. "You better go before my mom gets home."
"Right." He moves to the door. "Bye, Jacinda."
I don't return the farewell. Don't want to pretend we've reached a level where niceties exist between us.
We're not friends. Not even close. And we never will be.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
And suddenly I think: nothing is fine. It’s never fine. It’s always an illusion. Happy smiles, assurances, jokes, laughter—there’s no way to tell if it is real, or a mask. There’s always something terrible hurtling toward you, something that will destroy all that you love and alter your life forever. You may not know it, but it’s coming and there’s nothing you can do. No amount of hammering, or holy water, or screaming will change that.
You can scream no, and stop, and please, you can reach out and try to bend fate to your will with your own two hands, but it has already been decided. In every moment, a thousand accidents wait to happen, already in place and poised to strike, and we don’t even know it
”
”
Andra Brynn (Where I End and You Begin)
“
I wondered how I would come to love a woman, and with both pleasure and terror, I would think that somewhere in the world there was some laughing, singing girl who would one day become my wife. In my mind, I could see her dancing and playing and flirting in preparation for that day of awe and wonder when we would meet and in mutual ecstasy declare, “I shall live with you forever.” How much of my father would I bring to that singing girl’s life? How much of my mother? And how many days would it take before I, Tom Wingo, child of storm, would silence her laughter and song for all time? How long would it take for me to end the dance of that laughing girl who would not know the doubts and imperfections I brought to the task of loving a woman? I loved the image of this girl long before I ever met her and wanted to warn her to beware the day when I would come into her life. Somewhere in America she was waiting out her childhood innocent of her destiny. She did not know that she was on a collision course with a boy so damaged and bewildered he would spend his whole life trying to figure out how love was supposed to feel, how it manifested itself between two people, and how it could be practiced without rage and sorrow and blood. I was thirteen years old when I decided that this wonderful girl deserved much better and I would warn her long before I interfered with her lovely passage and transfiguring dance.
”
”
Pat Conroy (The Prince of Tides)
“
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
Progress? Of course, this is progress; but, whether backward or forward, had better be decided sixty years hence. And, just what has happened to the obscure valley of Marsh Creek, is happening today, on a larger scale, all over the land. It is the same old story of grab and greed. Let us go on the "make" today, and "whack up" tomorrow; cheating each other as villainously as we may, and posterity be d—d. "What's all the w-u-u-rld to a man when his wife is a widdy?" This is the moral: From Maine to Montana; from the Adirondacks to Alaska; from the Yosemite to the Yellowstone, the trout-hog, the deer-wolf, the netter, the skin-hunter, each and all have it their own way; and the law is a farce—only to be enforced where the game has vanished forever.
”
”
George Washington Sears (Woodcraft and Camping)
“
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps.
Breathless,she came to a sudden halt in front of him.
At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool."
"You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way."
"There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war."
"You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together."
She gave a deep sigh. "You mean it?"
"I do."
"Oh,Wyatt.I was so afraid I'd driven you away forever."
He continued studying her. "Does this mean you're suffering another change of heart?"
"My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle."
A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man."
He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure.
Her tears started again,but this time they were tears of joy.
Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man.
Loved.
Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now.
After a moment he caught her hand.
"Where are we going?"
"Your place.It's closer than the ranch, and we've wasted too much time already."
"i can't leave the ambulance..."
"All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?"
At her little laugh he added, "I'm desperate for some time alone with you."
Alone.
She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her.
She was laughing through her tears as she turned the key in the ignition. The key that had saved his life.
"Wyatt McCord,I can't think of anything I'd rather be than alone with you.
”
”
R.C. Ryan (Montana Destiny)
“
Maybe we should do some more homework.”
Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone.
But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her.
Jay growled from deep in his throat. “Okay, homework it is.”
He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch.
And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration.
He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever.
“So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected.
She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans.
But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line…
She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision.
Or made it too soon.
She decided to let Jay have his small talk. For now.
“Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.”
“You mean when she’s not picking on someone?”
“Exactly.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.”
Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.”
“It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it.
“He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.”
Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.”
“Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami.
Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself.
Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .”
“Oh, no.” Ian burst out laughing. “You’re not telling her that story.”
“You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.”
“You said to throw him to the crocs,” Ian reminded.
“What was in the bar that you had to go in?” Azami asked, clearly puzzled.
“Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing.
Azami shook her head. “You two could be crazy. Are you making these stories up?”
“Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—”
“The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.”
“He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.”
“The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Death is an asshole. Regardless of illness or circumstance or gut feelings, you are never ready to accept never seeing someone again, to have nothing left but last conversations and memories. You are never ready to be left with how sick somebody looked, or the way they stood up and hugged you despite how dizzy and feverish they were. You are never ready to exist without a person you loved and still need. Death is a constant, but you are never ready…
But while it’s scary and awful and exhausting and terrible, it’s also comforting to have accepted that death will always be there and will always rip out your heart. It doesn’t get easy, and it will find surprising new ways of debilitating you. But what does get simpler is your awareness of it – the reminder that you have gotten through it before, and you will get through it again, and it will never, ever be as bad as it is in the moment you are battling through. It will never hurt the way it did when you found out, and the ache will never be as painful as when you realize those were your last words to them. It won’t be as painful forever…
So, no, we can’t control death. But we can control how we breathe, how we act, the type of work we do. We can control what we say yes or no to, control who we choose to surround ourselves with, control the way we make the people we love feel. We can decide to be kind, to try our best, and to be honest. Those are the things that outlive us. When we’re faced with the harshness of how quickly someone can be taken away, we also see how we’ll likely be remembered: as human beings who are far more than the successes and failures we tend to define ourselves by. After we’re dead, we just get to be people.
”
”
Anne T. Donahue (Nobody Cares)
“
The Proposal The diamond industry has pulled a fast one over on us. It has convinced us that there is no way to make public a lifetime commitment to another person without a very large, sparkly rock on a very slim band. This is, of course, nonsense. Often wedding books have engagement chapters that read like diamond-buying guides. But the truth is, the way to get engaged is for the two of you to decide that you want to get married. So the next time someone tries to imply that you are not engaged because you don’t have a dramatic enough engagement story or a ring, firmly say, “You know, I like to think of my partner as my rock,” and slowly raise your eyebrow. The modern wedding industry—along with a fair share of romantic comedies—has set a pretty high bar for proposals. We think they need to be elaborate and surprising. But they don’t. A proposal should be: • A decision to get married • Romantic (because you decide to spend the rest of your lives together, not necessarily because of its elaborate nature) • Possibly mutual • Possibly discussed in advance • Possibly instigated by you • Not used to judge the state of your relationship • An event that may be followed by the not-at-all-romantic kind of sobbing, because you realize your life is changing forever It’s exciting to decide to get married. And scary. But the moment of proposal is just that: a moment. It moves you to the next step of the process; it’s not the be-all, end-all. So maybe you have a fancy candlelight dinner followed by parachutists delivering you a pear-shaped, seven-carat diamond. Or maybe you decide to get married one Sunday morning over the newspaper and a cup of coffee. Either way is fine. The point is that you decided to spend your life with someone you love.
”
”
Meg Keene (A Practical Wedding: Creative Ideas for Planning a Beautiful, Affordable, and Meaningful Celebration)
“
Deadworld? Is that where you’re from?” “No, dude. That’s where you’re from. It’s where we are now. This place, it’s a horror show. If the guy next to you decides to knock you out of this world forever, he can do it with just a piece of metal or, hell, even his bare hand. You blobs, you sit there, chillin’ in this room and I can smell the rot of dead animals soaking in the acid of your guts. You suck the life from the innocent creatures of this world just so you can clock another day. You’re machines that run on the terror and pain and mutilation of other lives. You’ll scrape the world clean of every green and living thing until starvation goes one-eight-seven on every one of your sorry asses, your desperation to put off death leadin’ to the ultimate death of everybody and everything. Dude, I can’t believe you ain’t all paralyzed by the pure, naked horror of this place.
”
”
David Wong (John Dies at the End (John Dies at the End #1))
“
I wanted to go home, to Velaris, but I had to stay, to make sure things were set in motion, that you were all right. So I waited as long as I could, then I sent a tug through the bond. Then you came to find me.
'I almost told you then, but... You were so sad. And tired. And for once, you looked at me like... like I was worth something. So I promised myself that the next time I saw you, I'd free you of the bargain. Because I was selfish, and knew that if I let go right then, he'd lock you up and I'd never get to see you again. When I went to leave you... I think transforming you into Fae made the bond lock into place permanently. I'd known it existed, but it hit me then- hit me so strong that I panicked. I knew if I stayed a second longer, I'd damn the consequences and take you with me. And you'd hate me forever.
'I landed at the Night Court, right as Mor was waiting for me, and I was so frantic, so... unhinged, that I told her everything. I hadn't seen her in fifty years, and my first words to her were, "She's my mate." And for three months... for three months I tried to convince myself that you were better off without me. I tried to convince myself that everything I'd done had made you hate me. But I felt you through the bond, through your open mental shields. I felt your pain, and sadness, and loneliness. I felt you struggling to escape the darkness of Amarantha the same way I was. I heard you were going to marry him, and I told myself you were happy. I should you let you be happy, even if it killed me. Even if you were my mate, you'd earned that happiness.
'The day of your wedding, I'd planned to get rip-roaring drunk with Cassian, who had no idea why, but... But then I felt you again, I felt your panic, and despair, and heard you beg someone- anyone- to save you. I lost it. I winnowed to the wedding, and barely remembered who I was supposed to be, the part I was supposed to play. All I could see was you, in your stupid wedding dress- so thin. So, so thin, and pale. And I wanted to kill him for it, but I had to get you out. Had to call in that bargain, just once, to get you away, to see if you were all right.'
Rhys looked at me, eyes desolate. 'It killed me, Feyre, to send you back. To see you waste away, month by month. It killed me to know he was sharing your bed. Not just because you were my mate, but because I...' He glanced down, then up at me again. 'I knew... I knew I was in love with you that moment I picked up the knife to kill Amarantha.'
'When you finally came here... I decided I wouldn't tell you. Any of it. I wouldn't let you out of the bargain, because your hatred was better than facing the two alternatives: that you felt nothing for me, or that you... you might feel something similar, and if I let myself love you, you would be taken from me. The way my family was- the way my friends were. So I didn't tell you. I watched as you faded away. Until that day... that day he locked you up.
'I would have killed him if he'd been there. But I broke some very, very fundamental rules in taking you away. Amren said if I got you to admit that we were mates, it would keep any trouble from our door, but... I couldn't force the bond on you. I couldn't try to seduce you into accepting the bond, either. Even if it gave Tamlin license to wage war on me. You had been through so much already. I didn't want you to think that everything I did was to win you, just to keep my lands safe. But I couldn't... I couldn't stop being around you, and loving you, and wanting you. I still can't stay away.'
He leaned back, loosing a long breath.
”
”
Sarah J. Maas
“
Another delegate in the House had this to say: “Oklahomans are tired of being ruled by federal bureaucrats and judges, none of them elected. They decide everything from what can be taught in the public schools to what can be served to kids for lunch and whether the kids can have a prayer. They decree that welfare recipients are entitled to a color television and cell phone, all paid for by the working families of Oklahoma, some of whom can afford neither. They claim they have the right to regulate every creek, farm pond, mudhole, and wet spot in America, including here in Oklahoma. We have to pay for their crackpot regulations based on crackpot science, or no science at all. We have to pay the salaries of the bureaucrats and put up with the endless delays and mountainous paperwork. It’s high time to put a stop to bureaucrats and judges running our lives. Let’s take back control. Independence today, tomorrow, and forever.
”
”
Stephen Coonts (Liberty's Last Stand (Tommy Carmellini #7))
“
Come on,” I hooked my arm through Aphrodite’s and started to pull her to the Street Cats tent. “You haven’t been good enough to watch.” Before Aphrodite could argue, we were at the Street Cats booth, facing a beaming Sister Mary Angela. “Oh, good, Zoey and Aphrodite. I need the both of you.” The nun made a gracious gesture to the young family standing beside one of the kitten cages. “This is the Cronley family. They have decided to adopt both of the calico kittens. It’s so lovely that the two of them have found their forever homes together—they are unusually close, even for littermates.” “That’s great,” I said. “I’ll start on their paperwork.” “I’ll help you. Two cats—two sets of paperwork,” Aphrodite said. “We came with a note from our veterinarian,” the mom said. “I just knew we’d find our kitten tonight.” “Even though we didn’t expect to find two of them,” her husband added. He squeezed his wife’s shoulder and smiled down at her with obvious affection. “Well, we didn’t expect the twins, either,” his wife said, glancing over at the two girls who were still looking in the kitten cage and giggling at the fluffy calicos that would be joining their family. “That surprise turned out great, which is why I think the two kittens will be perfect as well,” said the dad. Like seeing Lenobia and Travis together—this family made my heart feel good. I had started to move to the makeshift desk with Aphrodite when one of the little girls asked, “Hey mommy, what are those black things?” Something in the child’s voice had me pausing, changing direction, and heading to the kitten cage. When I got there I instantly knew why. Within the cage the two calico kittens were hissing and batting at several large, black spiders. “Oh, yuck!” the mom said. “Looks like your school might have a spider problem.” “I know a good exterminator if you need a recommendation,” the dad said. “We’re gonna need a shit ton more than a good exterminator,” Aphrodite whispered as we stared into the kitten cage. “Yeah, uh, well, we don’t usually have bug issues here,” I babbled as disgust shivered up my back. “Eesh, Daddy! There are lots more of them.” The little blond girl was pointing at the back of the cage. It was so completely covered with spiders that it seemed to be alive with their seething movements. “Oh, my goodness!” Sister Mary Angela looked pale as she stared at the spiders that appeared to be multiplying. “Those things weren’t there moments ago.” “Sister, why don’t you take this nice family into the tent and get their paperwork started,” I said quickly, meeting the nun’s sharp gaze with my own steady one. “And send Damien out here to me. I can use his help to take care of this silly spider problem.” “Yes, yes, of course.” The nun didn’t hesitate. “Get Shaunee, Shaylin, and Stevie Rae,” I told Aphrodite, keeping my voice low. “You’re going to cast a circle in front of all of these
”
”
P.C. Cast (Revealed (House of Night #11))
“
This—this is going to sound really weird, but …” I swallowed, getting my nerve up. I mean, I thought he was in love with me, but was he? I sucked in a sharp breath and gathered my courage. Be brave. “I—I have a mountain to climb in life, and I want you next to me. I want you to walk up it with me—behind me to give me a push or next to me when I need to hold your hand. And when there’s a jungle there, I want you to fight with me. We’ll have machetes, and it will be tough some days when I try to figure out who I am and what I need, but with you next to me, it’ll be okay. I want you to carry me when I’m tired, and I’ll carry you when you’re tired. I want you to rub my fingers when I’ve worked a hard day making pretty things, and I’ll rub your muscles when they get hurt. I want to be the blanket that covers you when you are cold. Or vice versa. I want all of it—all the blood, sweat, and tears—no matter what dream you decide to follow. I’m here. Forever. I love you.
”
”
Ilsa Madden-Mills (Dirty English (English, #1))
“
Neither do I express well nor do I know how to write perfectly charming like writers do yet here I sit every night under the stars hoping one to break away so I could wish for the missing peace of my puzzle of life ..
*
Selfish isn't it wishing something to break so we can join ourselves maybe thats the law of nature. One always has to give up for something to live. Tree dies leaving the seed for a new bud behind. Crazy! The sacrifice for one becomes the breath for the other one without even him realizing what suffering something went through for its precious life
*
It gets cold fast once you decide to swim deep into your thoughts . Every thing from a star to even the buzzing of bees tell you a story about what your existence might be for but the city's lights and sound never let you realize how small yet how fascinating your existence is . We tend to forget the meaning of life even after preaching the same for others ourselves.
.
It feels good and at peace with nobody to bother you anymore . You can think and imagine stuff that might never be but this wonderful brain imagines it . If not forever Atleast for sometime you can feel the feeling you forever lust for. Sure the usual disturbances try to lure my mind away from things but I'm used to it now . The gloominess inside doesn't let them affect inside anymore.
*
The sky gets dark it really does . Maybe like the night sky's supposed to be so are my thoughts with a beating heart to support them and keep the flame of fight lit like the moon lights up the sky even if that means reflecting the harsh rays of sun.
*
The time flies and so do the body shivers for warmth but I feel like staying. Sure the exposed sky gives peace but it comes at a cost so I try to bargain with it every night. She's a good at negotiating though only gives me some hours before she signal that time's over.
*
Hesitantly I move my numb body using the last remaining gas in the dying shell known as body. How much i try it won't let me stay so here I leave heartbroken once again like every other night.
”
”
PANKAJ SARPAL
“
The Mystery of Futile Debate: Why do we engage endlessly in futile political debates? We can argue politics forever, with nary a hint of progress. The likelihood of anyone changing his or her mind as the result of a political argument is negligible, but we debate anyway. Whether on street corners or on "Meet the Press," political discussions go on and on, and are only rarely resolved by polite compromise. It would be astonishing if a presidential candidate were to decide, mid-debate, that the other candidate was right:
CANDIDATE: You know, Senator, I never looked at it that way before, but you're actually completely right! Since it's such an important point, I guess I'll just concede the whole election to you right now -- you are definitely the better candidate. Congratulations!
If a candidate actually did say something like that, he or she would soon face overpowering citizen anger** -- at having violated the unspoken rule that debates are supposed to be futile.
** Not to mention, a free one-way ticket to a psychiatric institution.
”
”
Guillermo Jiménez
“
Behind me, my phone buzzes with a new text.
Nan looks around me suspiciously. “Why are you hiding your cell phone under your pillow?”
Busted. “Because I thought you were Mama,” I answer truthfully.
“And you didn’t want her to know…what?”
I exhale slowly, trying to decide how much to reveal to her. I reach for my phone and drag it out. “You kind of caught me and Ryder texting.”
“You and Ryder? Why is that a secret? Wait--do you mean you two were sexting?”
“Oh my God! No. Eww!” That’s just so…tacky.
She shrugs. “Well, then, what’s the big deal?”
I realize there’s only one way to make her understand what a huge, enormous, monumental deal it is--I have to tell her the truth.
So I do.
When I’m finished, Nan just smiles and says, “It’s about damn time you put that boy out of his misery. He’s only been in love with you since…well, since forever.”
I roll my eyes. “No, you’ve got it backward. We’ve hated each other since forever.”
“Love, hate,” she says with a smile. “Such a fine line between the two, isn’t there?”
And you know what? I realize then that she’s right.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep.
Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers.
He nuzzled her neck. "Am I too heavy?"
"Umm." It was all she could manage.
"You all right?"
"Umm."
"Did anybody ever tell you that you talk too much?"
"Umm."
He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune."
That broke the spell of tears that had been threatening and caused her to laugh.
She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?"
"No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?"
"You fishing for compliments?"
"Of course I am."
"Glutton. Your sense of humor isn't enough?"
"Not nearly enough.How about my looks?"
"They're okay,for a footloose rebel."
"Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?"
"You're not bad."
"Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?"
"If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent."
"Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips.
Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever.
When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss."
"That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?"
"I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest.
"Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude."
She chuckled. "A lot of guys feel intimidated by that."
"They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more."
"Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on."
He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you."
"You mean now? Again? So soon?"
"Oh,yeah."
"Liar.I don't believe it's possible."
"You ought to know by now that I never say anything I can't back up with action."
"Prove it,rebel."
"My pleasure."
There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
”
”
R.C. Ryan (Montana Destiny)
“
Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.'
'That I never would, sir; you know -,' impossible to proceed.
[...]
The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak.
'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.'
'Where do you see the necessity?' he asked, suddenly.
'Where? You, sir, have placed it before me.'
'In what shape?'
'In the shape of Miss Ingram; a noble and beautiful woman, your bride.'
'My bride! What bride? I have no bride!'
'But you will have.'
'Yes; I will! I will!' He set his teeth.
'Then I must go; you have said it yourself.'
'No; you must stay! I swear it, and the oath shall be kept.'
'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!'
'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!'
'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!'
'Where, Jane? to Ireland?'
'Yes - to Ireland. I have spoke my mind, and can go anywhere now.'
'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.'
'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.'
Another effort set me at liberty, and I stood erect before him.
'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.'
'You play a farce, which I merely taught at.'
'I ask you to pass through life at my side - to be my second self, and best earthly companion.'
[...]
'Do you doubt me, Jane?'
'Entirely.'
'You have no faith in me?'
'Not a whit.
”
”
Charlotte Brontë (Jane Eyre)
“
In the chapter entitled “You Can’t Pray a Lie” in Twain’s beloved novel Adventures of Huckleberry Finn, Huck Finn has helped hide Miss Watson’s runaway slave, Jim. But Huck thought he was committing a sin in helping a runaway slave. Huck had learned in Sunday school “that people that acts as I’d been acting … goes to everlasting fire.” So in an act of repentance in order to save his soul, Huck wrote a note to Miss Watson and told her where she could find her runaway slave. Now Huck was ready to pray his “sinner’s prayer” and “get saved.” I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world and the only he’s got now; and then I happened to look around and see the paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up. It was awful thoughts and awful words but they was said. And I let them stay said; and never thought no more about reforming.1 Huck Finn had been shaped by the Christianity he’d found in his Missouri Sunday school—a Christianity focused on heaven in the afterlife while preserving the status quo of the here and now. Huck thought that helping Jim escape from slavery was a sin, because that’s what he had been taught. He knew he couldn’t ask God to forgive him until he was ready to “repent” and betray Jim. Huck didn’t want to go to hell; he wanted to be saved. But Huck loved his friend more, so he was willing to go to hell in order to save his friend from slavery.
”
”
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
“
Afterward, we went to grab a bite of dinner. Just like at lunch, we talked forever. We shut that restaurant down. They actually had to tell us to leave because they were closing. So then we stood in the parking lot talking. It was freezing but neither of us wanted to go home. We stood out there so long that the employees of the restaurant had already cleaned up and left. We were completely alone in the lot.
Then she did the most adorable thing. I don’t know how the conversation had gone this way but flat feet came up. So all of a sudden she chirped, “I have really flat feet. I’m like a rabbit!” And then, without warning, she whipped off one of her cowboy boots and tapped her foot on the ground really fast. Bump-bump-bump-bump. “I’m like Thumper from Bambi!” she exclaimed. I couldn’t believe it. I thought, This girl is crazy and I absolutely love it. I was laughing, she was laughing, and I decided to go in for the kiss. I leaned in and then she suddenly leaned back. Crap. I was so embarrassed.
“I’m sorry. I went in for it, and it wasn’t good.” I hung my head down.
“No, no, no, I panicked! Please, try again!” she said.
“No, I won’t make a fool of myself twice in one night. We’ll try again another day,” I said and I changed the subject. I was talking about something else for a while and then she whispered, “Just kiss me.” I did and it was incredible. Every moment I spent with this girl, I fell more and more in love with her.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Lies flee in the presence of truth. And the Devil turns powerless when our minds turn to our all-powerful God. Here’s where I become quite fascinated. Jesus had access to thousands of scriptures from the Old Testament. He knew them. He could have used any of them. But He chose three specific ones. I’ve decided I want these three to be at the top of my mind. I Want a Promise for My Problem of Feeling Empty Man does not live on bread alone but on every word that comes from the mouth of the LORD. (Deuteronomy 8:3) My soul was hand designed to be richly satisfied in deep places by the Word of God. When I go without the nourishment of truth, I will crave filling my spiritual hunger with temporary physical pleasures, thinking they will somehow treat the loneliness inside. These physical pleasures can’t fill me, but they can numb me. Numb souls are never growing souls. They wake up one day feeling so very distant from God and wondering how in the world they got there. Since Satan’s goal is to separate us from the Lord, this is exactly where he wants us to stay. But the minute we turn to His Word is the minute the gap between us and God is closed. He is always near. His Word is full and fully able to reach those deep places inside us desperate for truth. I Want a Promise for My Problem of Feeling Deprived “Fear the LORD your God, serve him only and take your oaths in his name” (Deuteronomy 6:13). Another version of this verse says, “Worship Him, your True God, and serve Him.” (THE VOICE) When we worship God, we reverence Him above all else. A great question to ask: Is my attention being held by something sacred or something secret? What is holding my attention the most is what I’m truly worshipping. Sacred worship is all about God. Is my attention being held by something sacred or something secret? Secret worship is all about something in this world that seems so attractive on the outside but will devour you on the inside. Pornography, sex outside of marriage, trading your character to claw your way to a position of power, fueling your sense of worth with your child’s successes, and spending outside of your means to constantly dress your life in the next new thing—all things we do to counteract feelings of being left out of and not invited to the good things God has given others—these are just some of the ways lust sneaks in and wreaks havoc. Two words that characterize misplaced worship or lust are secret excess. God says if we will direct our worship to Him, He will give us strength to turn from the mistakes of yesterday and provide portions for our needs of today. Whom have I in heaven but you? And earth has nothing I desire besides you. My flesh and my heart may fail, but God is the strength of my heart and my portion forever. (PSALM 73:25–26) And I Certainly Want a Promise for My Problem of Feeling Rejected Do not put the LORD your God to the test. (Deuteronomy 6:16)
”
”
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
“
Gina flopped back on her cot, arm up over her eyes. “Oh, my God, Molly, what am I going to do? The fact that he came here tonight at all is . . . He’s clearly interested, but that’s probably just because he thinks I’m a total perv.”
“Whoa,” Molly said. “Wait. You lost me there.”
Gina sat up, a mix of earnestness, horror, and amusement on her pretty face. “I didn’t tell you this, but after I first spoke to Lucy’s sister—we were in the shower tent so no one would see us—I let her leave first and then I waited, like, a minute, thinking we shouldn’t be seen leaving the tent together. And before I go, he came in.”
He. “Leslie Pollard?” Molly clarified.
Gina nodded. “I freaked out when I saw him coming, and it’s stupid, I know, but I hid. And I should have just waited until I heard the shower go on, but God, maybe he wouldn’t have pulled the curtain, because he obviously thought he was in there alone . . .”
Molly started to laugh. “Oh my.”
“Yeah,” Gina said. “Oh my. So I decide to run for it, only he’s not in one of the changing booths, he’s over by the bench, you know?”
Molly nodded. The bench in the main part of the room.
“In only his underwear,” Gina finished, with a roll of her eyes. “Oh, my God.”
“Really? Molly asked. Apparently Jones was taking his change of identity very seriously. He hated wearing underwear of any kind, but obviously he thought it wouldn’t be in character for Leslie Pollard to go commando. “Boxers or briefs?”
Gina gave her a look, but she was starting to laugh now, too, thank goodness. “Briefs. Very brief briefs.” She covered her mouth with her hands. “Oh, my God, Molly, he was . . . I think he showers at noon because he knows no one else will be in there, so he can, you know, have an intimate visit with Mr. Hand.”
Oh, dear.
“And now I know, and he knows I know, and he also probably thinks I lurk in the men’s shower,” Gina continued. “And the fact that he actually came to tea tonight, instead of hiding from me, in his tent, forever, means . . . something awful, don’t you think? Did I mention he has, like, an incredible body?”
Molly shook her head. Oh dear. “No.”
“Yes,” Gina said just a little too grimly, considering the topic. “Who would’ve guessed that underneath those awful shirts he’s a total god? And maybe that’s what’s freaking out the most.”
“You mean because . . . you’re attracted to him?” Molly asked.
“No!” Gina said. “God! Because I’m not. I felt nothing. I’m standing there and he’s . . . You know how I said he reminds me of Hugh Grant?”
Molly nodded, too relieved to speak.
“Well, I got the wrong Hugh. This guy is built like Hugh Jackman. And beneath the hats and sunblock and glasses, he’s actually got cheekbones and a jaw line, too. I’m talking total hottie. And, yes, I can definitely appreciate that on one level, but . . .” She glanced over at the desk, at her digital camera. She’d gotten it out of her trunk earlier today.
Which, Molly had learned, meant that she’d spent more time this afternoon looking at her saved pictures.
Which included at least a few of Max.
Molly’s relief over not having to deal with the complications of Gina having a crush on Leslie felt a whole lot less good. She wished someone would just go ahead and steal Gina’s camera already. Maybe that would help her move on.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Everything and Nothing*
There was no one inside him; behind his face
(which even in the bad paintings of the time
resembles no other) and his words (which were
multitudinous, and of a fantastical and agitated
turn) there was no more than a slight chill, a
dream someone had failed to dream. At first he
thought that everyone was like him, but the
surprise and bewilderment of an acquaintance
to whom he began to describe that hollowness
showed him his error, and also let him know,
forever after, that an individual ought not to
differ from its species. He thought at one point
that books might hold some remedy for his
condition, and so he learned the "little Latin
and less Greek" that a contemporary would
later mention. Then he reflected that what he
was looking for might be found in the
performance of an elemental ritual of humanity,
and so he allowed himself to be initiated by
Anne Hathaway one long evening in June.
At twenty-something he went off to London.
Instinctively, he had already trained himself to
the habit of feigning that he was somebody, so
that his "nobodiness" might not be discovered.
In London he found the calling he had been
predestined to; he became an actor, that person
who stands upon a stage and plays at being
another person, for an audience of people who
play at taking him for that person. The work of
a thespian held out a remarkable happiness to
him—the first, perhaps, he had ever known; but
when the last line was delivered and the last
dead man applauded off the stage, the hated
taste of unreality would assail him. He would
cease being Ferrex or Tamerlane and return to
being nobody.
Haunted, hounded, he began imagining
other heroes, other tragic fables. Thus while his
body, in whorehouses and taverns around
London, lived its life as body, the soul that lived
inside it would be Cassar, who ignores the
admonition of the sibyl, and Juliet, who hates
the lark, and Macbeth, who speaks on the moor
with the witches who are also the Fates, the
Three Weird Sisters. No one was as many men
as that man—that man whose repertoire, like
that of the Egyptian Proteus, was all the
appearances of being. From time to time he
would leave a confession in one corner or
another of the work, certain that it would not be
deciphered; Richard says that inside himself, he
plays the part of many, and Iago says, with
curious words, I am not what I am. The
fundamental identity of living, dreaming, and
performing inspired him to famous passages.
For twenty years he inhabited that guided
and directed hallucination, but one morning he
was overwhelmed with the surfeit and horror of
being so many kings that die by the sword and
so many unrequited lovers who come together,
separate, and melodiously expire. That very
day, he decided to sell his theater. Within a
week he had returned to his birthplace, where
he recovered the trees and the river of his
childhood and did not associate them with
those others, fabled with mythological allusion
and Latin words, that his muse had celebrated.
He had to be somebody; he became a retired
businessman who'd made a fortune and had an
interest in loans, lawsuits, and petty usury. It
was in that role that he dictated the arid last
will and testament that we know today, from
which he deliberately banished every trace of
sentiment or literature. Friends from London
would visit his re-treat, and he would once
again play the role of poet for them.
History adds that before or after he died, he
discovered himself standing before God, and
said to Him: I , who have been so many men in
vain, wish to be one, to be myself. God's voice
answered him out of a whirlwind: I, too, am not
I; I dreamed the world as you, Shakespeare,
dreamed your own work, and among the
forms of my dream are you, who like me, are
many, yet no one.
”
”
Jorge Luis Borges
“
You don’t have to decide anything now. If you will allow me to be near you for a time, then we can see.” He rested his head back, and they looked at each other, their faces inches apart. He always was so good at looking at her. And it occurred to her just then that she herself was more Darcy than Erstwhile, sitting there admiring his fine eyes, feeling dangerously close to falling in love against her will.
“Just be near…” she repeated.
He nodded. “And if I don’t make you feel like the most beautiful woman in the world every day of your life, then I don’t deserve to be near you.”
Jane breathed in, taking those words inside her. She thought she might like to keep them for a while. She considered never giving them up.
“Okay, I lied a little bit.” He rubbed his head with even more force. “I need to admit up front that I don’t know how to have a fling. I’m not good at playing around and then saying good-bye. I’m throwing myself at your feet because I’m hoping for a shot at forever. You don’t have to say anything now, no promises required. I just thought you should know.”
He forced himself to lean back again, his face turned slightly away, as if he didn’t care to see her expression just then. It was probably for the best. She was staring straight ahead with wide, panicked eyes, then a grin slowly took over her face. In her mind was running the conversation she was going to have with Molly. “I didn’t think it was possible, but I found a man as crazy intense as I was.”
The plane was moving, that scatty slow motion that seemed to go both forward and backward at once. Jane kept looking back and forth between the window and the man next to her, checking to see if he was really there. Was this a better ending than tallyho?
“So,” he said, “is New York City our final destination?”
“That’s home.”
“Good. There’s bound to be work for an attractive British actor, wouldn’t you think?”
“There are thousands of restaurants, and those waiter jobs have high turnover.”
“Right.”
“Loads of theaters, too. I think you’d be wonderful in a comedy.”
“Because I’m laughable.”
“It doesn’t hurt.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
... sleeping with someone else and deceiving her husband, her poor husband, always so understanding and loving ... But only you know that this husband is unable to keep the loneliness at bay. Because something has been missing that even you don’t know how to pinpoint, because you love him and don’t want to lose him. But a shining knight promising adventure in distant lands is a much stronger lure than your desire for everything to remain as it is, even if at parties people stare at you and whisper among themselves that it would be better to tie a millstone around your neck and toss you overboard than let you be a terrible example. And to make matters worse, your husband quietly puts up with everything. He doesn’t complain or make a scene. He believes it will pass. You also know it will pass, but now it’s stronger than you. That’s the way things go for a month, two months, a year ... and everyone quietly puts up with it. But it’s not about asking permission. You look back and see that you also used to think like these people who have become your accusers. You also used to condemn those you knew were adulterers and imagined that if you lived somewhere else, the punishment would be stoning. Until the day it happens to you. Then you come up with a million excuses for your behavior and say you have the right to be happy, even for a little while, because dragon-slaying knights exist only in fairy tales. The real dragons never die, but you still have the right, just once in your life, to live out an adult fairy tale. Then comes the moment you tried to avoid at all costs, one that you had been putting off for so long: the moment you must decide to stay together or to separate forever. Along with this moment, however, comes the fear of making a mistake, no matter what decision you choose. And you hope someone will make the choice for you, throw you out of the house or bed, because it is impossible to go on like this. After all, we are no longer one person, we have become two or many, each completely different. And since you’ve never been through this before, you don’t know where it will end. The fact is that now you are facing a situation that will make one person suffer, or two, or many. But mostly it will destroy you, whatever your choice.
”
”
Paulo Coelho (Adultery)
“
Among the many people Chris met while doing charity work was Randy Cupp, who invited him and Bubba out to shoot with him come deer season. When Chris passed away, Randy made it clear to me that the offer not only still stood, but that he would love to give Bubba a chance to kill his first buck.
With deer season upon us, the kids and I decided to take him up on the offer. Angel, Bubba, and I went out to his property on a beautiful morning. Setting out for the blind, I felt Chris’s presence, as if he were scouting along with us. We settled into our spots and waited.
A big buck came across in front of us a short time later. It was an easy shot--except that Bubba had neglected to put his ear protection in. He scrambled to get it in, but by the time he was ready, the animal had bounded off. Deer--and opportunities--are like that.
We waited some more.
Another buck came out from the trees not five minutes later. And this one was not only in range, but it was bigger than the first: a thirteen pointer.
Chris must have scared that thing up.
“That’s the one,” said Randy as the animal pranced forward.
Bubba took a shot.
The deer scooted off as the gunshot echoed. My son thought he’d missed, but Randy was sure he’d hit him. At first, we didn’t see a blood trail--a bad sign, since a wounded animal generally leaves an easily spotted trail. But a few steps later, we found the body prone in the woods. Bubba had killed him with a shot to the lungs.
Like father, like son.
While Bubba left to dress the carcass, I went back to the blind with Angel to wait for another. She was excited that she might get a deer just like her brother. But when a buck walked within range, tears came to her eyes.
“I can’t do it,” she said, putting down her gun.
“It’s okay,” I told her.
“I just can’t.”
“Do you want me to?” I asked.
She nodded.
I took aim. Even though I was married to a hard-core hunter, I had never shot a deer before. I lined up the scope, walking him into the crosshairs. A slow breath, and I squeezed the trigger. The shot surprised me--just as Chris said it should.
The deer fell. He was good meat; we eat what we kill, another of Chris’s golden rules.
“You know, Angel, you’re going to be my hunting partner forever,” I told her later. “You’re just so calm and observant. And good luck.”
We plan to do that soon. She’ll be armed with a high-powered camera, rather than a rifle.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Surely you’re not going to destroy another book, are you?” “I’ve decided my obsession with reading has gotten me absolutely nowhere, so . . . I’m tossing all the nonsense out of my life and intend to travel forth with less baggage.” “You love to read.” “And I’ll occasionally indulge that love, but enough is enough.” She held up her copy of Pride and Prejudice. “This, for all intent and purposes, is a fairy tale. I’m done with fairy tales for good, as well as anything by Shakespeare. I loathe his stories, don’t understand most of what he’s written, and I was only reading them because of any future children I hoped to have. But since I’m destined to remain a spinster forever . . . I’m chucking them into the fire.” “What do Shakespeare and any children you might have in the future have in common?” Millie sent him a look that clearly said she found him a little dense. “I wanted to be knowledgeable so that my children wouldn’t suffer any embarrassment because of my ignorance and lack of education.” Everett’s mouth dropped open before he had the presence of mind to snap it shut when she shot him a glare. Bracing himself in case she got it into her head to punch him as she’d done Mr. Victor, Everett stepped closer to her and pried the copy of Pride and Prejudice out of her hand. “Any child would be lucky to call you mother, Millie. You’re smart, well-read, curious about everything, and have a true love for children.” Staring at him for a long moment, Millie tilted her head. “I knew we should have summoned the physician to take a look at you after your last brawl.” “My wits are not addled, Millie. Quite honestly, my mind is clearer right now than it’s been in years.” He brought her hand up to his lips and kissed it, relieved when her eyes widened just a bit. “And I have to tell you something else.” “What?” she asked in a voice that sounded somewhat breathless. “I can’t allow you to burn any Jane Austen book—but especially not Pride and Prejudice.” “That’s what you have to say to me—that I can’t burn a silly book?” “I finished the story, Millie. I read Pride and Prejudice from cover to cover, and . . . I’m your Mr. Darcy and you’re my Lizzy.” “You . . . finished . . . the story?” “Indeed. And if you didn’t hear me the first time, I’m Mr. Darcy.” “I’m fairly certain Mr. Darcy would have had an English accent, but since Lizzy did enjoy reading, I suppose it’s not too much of a stretch to compare me with her, although. . . .” As Millie continued talking, really rapidly at that, Everett simply watched her, taking in every detail of her face. Her green eyes were sparkling and her cheeks were flushed a delicate shade of pink. Brown curls had begun to escape the pins someone had put in her hair, and a spray of flowers that had been tucked into that hair was hanging somewhat forlornly over her ear. Her lips were still moving incredibly fast, but the second his gaze settled on them, he couldn’t seem to look away. They were delightful lips, just the right shade of pink, and . . . Everett leaned forward and claimed those rapidly moving lips with his own. For
”
”
Jen Turano (In Good Company (A Class of Their Own Book #2))
“
You don’t know me! You know Miss Erstwhile, but--”
“Come now, ever since I witnessed your abominable performance in the theatrical, it’s been clear that you can’t act to save your life. All three weeks, that was you.” He smiled. “And I wanted to keep knowing you. Well, I didn’t at first. I wanted you to go away and leave me in peace. I’ve made a career out of avoiding any possibility of a real relationship. And then to find you in that circus…it didn’t make sense. But what ever does?”
“Nothing,” said Jane with conviction. “Nothing makes sense.”
“Could you tell me…am I being too forward to ask?...of course, I just bought a plane ticket on impulse, so worrying about being forward at this point is pointless…This is so insane, I am not a romantic. Ahem. My question is, what do you want?”
“What do I…?” This really was insane. Maybe she should ask that old woman to change seats again.
“I mean it. Besides something real. You already told me that. I like to think I’m real, after all. So, what do you really want?”
She shrugged and said simply, “I want to be happy. I used to want Mr. Darcy, laugh at me if you want, or the idea of him. Someone who made me feel all the time like I felt when I watched those movies.” It was hard for her to admit it, but when she had, it felt like licking the last of the icing from the bowl. That hopeless fantasy was empty now.
“Right. Well, do you think it possible--” He hesitated, his fingers played with the radio and light buttons on the arm of his seat. “Do you think someone like me could be what you want?”
Jane smiled sadly. “I’m feeling all shiny and brand new. In all my life, I’ve never felt like I do now. I’m not sure yet what I want. When I was Miss Erstwhile, you were perfect, but that was back in Austenland. Or are we still in Austenland? Maybe I’ll never leave.”
He nodded. “You don’t have to decide anything now. If you will allow me to be near you for a time, then we can see.” He rested his head back, and they looked at each other, their faces inches apart. He always was so good at looking at her. And it occurred to her just then that she herself was more Darcy than Erstwhile, sitting there admiring his fine eyes, feeling dangerously close to falling in love against her will.
“Just be near…” she repeated.
He nodded. “And if I don’t make you feel like the most beautiful woman in the world every day of your life, then I don’t deserve to be near you.”
Jane breathed in, taking those words inside her. She thought she might like to keep them for a while. She considered never giving them up.
“Okay, I lied a little bit.” He rubbed his head with even more force. “I need to admit up front that I don’t know how to have a fling. I’m not good at playing around and then saying good-bye. I’m throwing myself at your feet because I’m hoping for a shot at forever. You don’t have to say anything now, no promises required. I just thought you should know.”
He forced himself to lean back again, his face turned slightly away, as if he didn’t care to see her expression just then. It was probably for the best. She was staring straight ahead with wide, panicked eyes, then a grin slowly took over her face. In her mind was running the conversation she was going to have with Molly. “I didn’t think it was possible, but I found a man as crazy intense as I was.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing.
The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been.
There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)