We Are All Tourists Quotes

We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and it’s nothing like I’ve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever. He pushes me backward and we’re lying down, making out in front of the children with their red balloons and the old men with their chess sets and the tourists with their laminated maps and I don’t care, I don’t care about any of that. All I want is Étienne. The weight of his body on top of mine is extraordinary. I feel him—all of him—pressed against me, and I inhale his shaving cream, his shampoo, and that extra scent that’s just . . . him. The most delicious smell I could ever imagine. I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I don’t care, I don’t care at all. He feels wonderful. His hands are everywhere, and it doesn’t matter that his mouth is already on top of mine, I want him closer closer closer.

We’re all tourists, sort of. Life is tourism, sort of. As far as I’m concerned, the dinosaurs still hold the lease on this godforsaken rock.

Tourists came around and looked into our tipis. That those were the homes we choose to live in didn`t bother them at all. The untied the door, opened the flap, and barged right in, touching our things, poking through our bedrolls, inspecting everything. It boggles my mind that tourists feel they have the god-given right to intrude everywhere.

We did all the tourist crap, but I just wanted to sit in a cafe and watch people

David Attenborough has said that Bali is the most beautiful place in the world, but he must have been there longer than we were, and seen different bits, because most of what we saw in the couple of days we were there sorting out our travel arrangements was awful. It was just the tourist area, i.e., that part of Bali which has been made almost exactly the same as everywhere else in the world for the sake of people who have come all this way to see Bali.

When we told our guide that we didn't want to go to all the tourist places he took us instead to the places where they take tourists who say that they don't want to go to tourist places. These places are, of course, full of tourists.

We were all staring as we passes him, slowly, like a tourist at a wildlife park watching elephants from the safety of their wagon.

That was all quite long ago. I see it in retrospect, indulgently, from the point I've reached now. But how else could I see it. We can't really travel to the past, no matter how we try. if we do, it's as tourists.

and because what we learn in the dark remains all our lives, a noise like the sea, displacing the day's pale knowledge, you'll come to yourself in a glimmer of rainfall or frost, the burnt smell of autumn, a meeting of parallel lines, and know you were someone else for the longest time, pretending you knew where you were, like a diffident tourist, lost on the one main square, and afraid to enquire.

Naboo: "You've read all the books, but when it comes to the crunch, where are you?" Saboo: "The crunch! How dare you speak to me of the crunch? You know nothing of the crunch. You've never even been to the crunch!" Naboo: "Been there once." Saboo: "Oh, a little day trip 'round the crunch, we can all go there as tourists. 'Ooh, that's a bit of crunch-'" Naboo: "Shut it!

Air travel reminds us who we are. It’s the means by which we recognize ourselves as modern. The process removes us from the world and sets us apart from each other. We wander in the ambient noise, checking one more time for the flight coupon, the boarding pass, the visa. The process convinces us that at any moment we may have to submit to the force that is implied in all this, the unknown authority behind it, behind the categories, the languages we don’t understand. This vast terminal has been erected to examine souls.

We travelled from Oberau with a tourist agent, and he told us all his troubles.  It seems that a tourist agent is an ordinary human man, and has feelings just like we have.  This had never occurred to me before.  I told him so.

People are the same all over the world, I imagine, people who react like that to their countries conspiracies: turning them into tales that are told, like children’s fables, and also into place in the memory or the imagination, a place where we go as tourists, to revive nostalgia or to try to find something we’ve lost.

Could he, by some miracle, keep this going? Could they hide here until the war ends? Until the armies finish marching back and forth above their heads, until all they have to do is push open the door and shift some stones aside and the house has become a ruin beside the sea? Until he can hold her fingers in his palms and lead her out into the sunshine? He would walk anywhere to make it happen, bear anything; in a year or three years or ten, France and Germany would not mean what they meant now; they could leave the house and walk to a tourists’ restaurant and order a simple meal together and eat it in silence, the comfortable kind of silence lovers are supposed to share.

Daddy, Momma! I made a friend. His name is Ike, and he ain’t got no tail because they chopped it off, but Aidan didn’t cop it off. Tourists chopped it off. But then Aiden went and fought the tourist. I hope we don’t get no tourists here. We would have to hide all the dogs.

About your son, she seemed to be saying: Just put your hand here. I'm scared, too. We're all scared. You're not the only one.

Could he, by some miracle, keep this going? Could they hide here until the war ends? Until the armies finish marching back and forth above their heads, until all they have to so is push open the door and shift some stones aside and the house has become a ruin beside the sea? Until he can hold her fingers in his palms and lead her out into the sunshine? He would walk anywhere to make it happen, bear anything; in a year or three years or ten, France and Germany would not mean what they meant now; they could leave the house and walk to a tourists' restaurant and order simple meal together and eat it in silence, the comfortable kind of silence lovers are supposed to share.

We were approaching the Louvre, but he paused to lean on the parapet, and we both stood there contemplating the passing boats, which dazzled us with their spotlights. ‘Look at them,’ I said, because I needed to talk about something, afraid that he might get bored and go home. ‘They only see what the spotlights show them. When they go home home, they’ll say they know Paris. Tomorrow they’ll go and see the Mona Lisa and claim they’ve visited the Louvre. But they don’t know Paris and have never really been to the Louvre. All they did was go on a boat and look at a painting, one painting, instead of looking at a whole city and trying to find out what’s happening in it, visiting the bars, going down the streets that don’t appear in any of the tourist guides, and getting lost in order to find themselves again. It’s the difference between watching a porn movie and making love.

Everyone, even Kai, looks like a tourist in a snorkel mask. And maybe we are all tourists in this underwater world—snorkels are our temporary visas, allowing us to visit this mysterious country for brief slices of time.

I want to see the Parthenon by moonlight.' I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills. "Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas." We crammed into Burns's small car, and went back to our hotel. ("The Chamois")

Frank grabbed a tourist brochure stuck under the napkin dispenser. He began to read it. Piper patted Leo’s arm, like she couldn’t believe he was really here. Nico stood at the edge of the group, eyeing the passing pedestrians as if they might be enemies. Coach Hedge munched on the salt and pepper shakers. Despite the happy reunion, everybody seemed more subdued than usual—like they were picking up on Leo’s mood. Jason had never really considered how important Leo’s sense of humor was to the group. Even when things were super serious, they could always depend on Leo to lighten things up. Now, it felt like the whole team had dropped anchor. “So then Jason harnessed the venti,” Hazel finished. “And here we are.” Leo whistled. “Hot-air horses? Dang, Jason. So basically, you held a bunch of gas together all the way to Malta, and then you let it loose.” Jason frowned. “You know, it doesn’t sound so heroic when you put it that way.” “Yeah, well. I’m an expert on hot air. I’m still wondering, why Malta? I just kind of ended up here on the raft, but was that a random thing, or—” “Maybe because of this.” Frank tapped his brochure. “Says here Malta was where Calypso lived.” A pint of blood drained from Leo’s face. “W-what now?” Frank shrugged. “According to this, her original home was an island called Gozo just north of here. Calypso’s a Greek myth thingie, right?” “Ah, a Greek myth thingie!” Coach Hedge rubbed his hands together. “Maybe we get to fight her! Do we get to fight her? ’Cause I’m ready.” “No,” Leo murmured. “No, we don’t have to fight her, Coach.” Piper frowned. “Leo, what’s wrong? You look—” “Nothing’s wrong!” Leo shot to his feet. “Hey, we should get going. We’ve got work to do!” “But…where did you go?” Hazel asked. “Where did you get those clothes? How—” “Jeez, ladies!” Leo said. “I appreciate the concern, but I don’t need two extra moms!” Piper smiled uncertainly. “Okay, but—” “Ships to fix!” Leo said. “Festus to check! Earth goddesses to punch in the face! What are we waiting for? Leo’s back!” He spread his arms and grinned. He was making a brave attempt, but Jason could see the sadness lingering in his eyes. Something had happened to him…something to do with Calypso.

How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.

The hardest thing to convey is how lovely it all is and how that loveliness seems all you need. The ghosts that haunted you in New York or Pittsburgh will haunt you anywhere you go, because they’re your ghosts and the house they haunt is you. But they become disconcerted, shaken confused for half a minute, and in that moment on a December at four o’clock when you’re walking from the bus stop to the rue Saint-Dominique and the lights are twinkling across the river–only twinkling in the bateaux-mouches, luring the tourists, but still…–you feel as if you’ve escaped your ghosts if only because, being you, they’re transfixed looking at the lights in the trees on the other bank, too, which they haven’t seen before, either. It’s true that you can’t run away from yourself. But we were right: you can run away.

To think about our bodies as horses to be ridden or even temples to be occupied, is to create a duality between our thinking and our body. It is like a tourist who arrives in a wild forest in his or her Recreation Vehicle. We have all see those campers with their televisions, and so on. Are they experiencing the nature around them? They have an insular experience, that is, camping without getting their hands dirty.

Donna to the policewoman: Don't you touch this car! The Doctor watching: She's not changed. Wilfred: Oh. There he is. Shawn Temple. They're engaged. Getting married in the Spring. The Doctor: Another wedding. Wilfred: Yeah. The Doctor: Hold on, she's not going to be called Noble-Temple. It sounds like a tourist spot. Wilfred: No it's Temple-Noble. The Doctor: Right. Is she happy? Is he nice? Wilfred: Yeah, he's sweet enough. He's a bit of a dreamer. Mind you he's on minimum wage. She's earning tuppence so all they can afford is a tiny little flat. And then sometimes I see this look on her face. Like she's so sad. And she can't remember why. The Doctor: She's got him. Wilfred: She's making do. The Doctor: Aren't we all. Wilfred: How 'bout you? Who've you got now? The Doctor: No one. Travelling alone. I thought it would be better. But I did some things, it went wrong. I need— {he starts to cry} Wilfred: Oh my word. I— The Doctor: Mm. Merry Christmas. Wilfred: Yeah. And you. The Doctor: Look at us. Wilfred: Don't you see? You need her, Doctor. I mean, look, wouldn't she make you laugh again? Good ol' Donna. -Doctor Who

The only bright point was when we stopped off at that fish market they got here before we went to the airport.” “Oh,” Jimmy said brightly, “the one where they throw those great big fish around?” “Yeah, that’s the one,” Agent Miller said, wearily. “How was it?” Jimmy asked. “It was a fish market. You’ve been to a fish market, haven’t you, Jimmy? It was exactly like that, only crowded, and with guys yelling and throwing around a big dead fish. Does that sound like fun, Jimmy? How they ever convinced people that that’s a tourist attraction is beyond me. It’s all a big sham. I’m pretty sure they kept throwing the same fish around no matter what anyone ordered.

Sometimes fiction was so powerful that it even had reverberations in the real world. When I went to London with Louise and Paul, we visited Sherlock Holmes' house. Tourists from all over the world were there to see this house. But Sherlock Holmes never existed. Yet people come to see his typewriter, his magnifying glass, his deerstalker, his furniture, his interior, in a reconstruction based on Conan Doyle's novels. People know this, yet they queue up and pay to visit a house that is just a meticulous recreation of a fiction.

The contemporary West is the most individualistic era of all time. Its central values are in ethics, autonomy; in politics, individual rights; in culture, postmodernism; and in religion, ‘spirituality’. Its idol is the self, its icon the ‘selfie’, and its operating systems the free market and the post-ideological, managerial liberal democratic state. In place of national identities we have global cosmopolitanism. In place of communities we have flash-mobs. We are no longer pilgrims but tourists. We no longer know who we are or why.

We can't leave the snow all bloody," I told the underside of his chin,shadowed with stubble. "It will scare the tourists." "The new snow will cover it up." He looked down at me."Shhh." Something in his Shhh tugged at my heart. He kept watchiing me,not examining m ear for medical emergencies but looking into my eyes,for a few more steps. I couldn't read his look.He was kind of blurry,for one thing,and I was kind of dizzy. I thought he looked..concerned. Sympathetic. Determined to rescue me from danger. I wished that was what he felt. But it couldn't have been.I was misreading him.

That was all quite long ago. I see it in retrospect, indulgently, from the point I’ve reached now. But how else could I see it? We can’t really travel to the past, no matter how we try. If we do, it’s as tourists.

We all think we understand each other,' Kin heard Silver say. 'We eat together, we trade, many of us pride ourselves on having alien friends - but all this is only possible, only possible, Kin, because we do not fully comprehend the other. You've studied Earth history. Do you think you could understand the workings of of the mind of a Japanese warrior a thousand years ago? But he is as a twin to you compared with Marco, or with myself. When we use the word "cosmopolitan" we use it too lightly - it's flippant, it means we're galactic tourists who communicate in superficialities. We don't comprehend. Different worlds, Kin. Different anvils of gravity and radiation and evolution.

The tourists had money and we needed it; they only asked in return to be lied to and deceived and told that single most important thing, that they were safe, that their sense of security—national, individual, spiritual—wasn’t a bad joke being played on them by a bored and capricious destiny. To be told that there was no connection between then and now, that they didn't need to wear a black armband or have a bad conscience about their power and their wealth and everybody else’s lack of it; to feel rotten that no-one could or would explain why the wealth of a few seemed so curiously dependent on the misery of the many. We kindly pretended that it was about buying and selling chairs, about them asking questions about price and heritage, and us replying in like manner. But it wasn’t about price and heritage, it wasn’t about that at all. The tourists had insistent, unspoken questions and we just had to answer as best we could, with forged furniture. They were really asking, 'Are we safe?' and we were really replying, 'No, but a barricade of useless goods may help block the view.' And because hubris is not just an ancient Greek word but a human sense so deep-seated we might better regard it as an unerring instinct, they were also wanting to know, 'If it is our fault, then will we suffer?' and we were really replying, 'Yes, and slowly, but a fake chair may make us both feel better about it.

There is no doubt that creative work is itself done under a compulsion often indistinguishable from a purely clinical obsession. In this sense, what we call a creative gift is merely the social license to be obsessed. And what we call “cultural routine” is a similar license: the proletariat demands the obsession of work in order to keep from going crazy. I used to wonder how people could stand the really demonic activity of working behind those hellish ranges in hotel kitchens, the frantic whirl of waiting on a dozen tables at one time, the madness of the travel agent’s office at the height of the tourist season, or the torture of working with a jack-hammer all day on a hot summer street. The answer is so simple that it eludes us: the craziness of these activities is exactly that of the human condition. They are “right” for us because the alternative is natural desperation. The daily madness of these jobs is a repeated vaccination against the madness of the asylum. Look at the joy and eagerness with which workers return from vacation to their compulsive routines. They plunge into their work with equanimity and lightheartedness because it drowns out something more ominous.

According to the Tiqqun collective, we have become the innocuous, pliable inhabitants of global urban societies.7 Even in the absence of any direct compulsion, we choose to do what we are told to do; we allow the management of our bodies, our ideas, our entertainment, and all our imaginary needs to be externally imposed. We buy products that have been recommended to us through the monitoring of our electronic lives, and then we voluntarily leave feedback for others about what we have purchased. We are the compliant subject who submits to all manner of biometric and surveillance intrusion, and who ingests toxic food and water and lives near nuclear reactors without complaint. The absolute abdication of responsibility for living is indicated by the titles of the many bestselling guides that tell us, with a grim fatality, the 1,000 movies to see before we die, the 100 tourist destinations to visit before we die, the 500 books to read before we die.

During the years I lived there, on the anniversary of 9/11, I would stare out of my big picture window at the two bright shafts of light beaming up to the heavens. Toward those we lost. Mothers and daughters, fathers and sons, brothers and sisters, friends, lovers, wealthy and working class, old and young. Americans. Tourists. Those who chose to make this place their home; those born here. Muslim and Jew. Christian and Hindu. Buddhist and Atheist. Every race. Every creed. All of them, human beings.

It's just free speech, that's all we've got. We can say whatever we like, then the government goes and does exactly what it pleases. You call that democracy? It's like we're on a ship, headed someplace terrible, and somebody else is steering and the passengers can't jump off.

We needed every detail of the crimes to get him charged; I had to walk him through them. I was like a tourist visiting Hell. I tried to memorize his words, retain all the details of the crimes, while at the same time warding off visions of the events. It was like watching a movie with my eyes closed.

I love London. I love everything about it. I love its palaces and its museums and its galleries, sure. But also, I love its filth, and damp, and stink. Okay, well, I don’t mean love, exactly. But I don’t mind it. Not any more. Not now I’m used to it. You don’t mind anything once you’re used to it. Not the graffiti you find on your door the week after you painted over it, or the chicken bones and cider cans you have to move before you can sit down for your damp and muddy picnic. Not the everchanging fast food joints – AbraKebabra to Pizza the Action to Really Fried Chicken – and all on a high street that despite its three new names a week never seems to look any different. Its tawdriness can be comforting, its wilfulness inspiring. It’s the London I see every day. I mean, tourists: they see the Dorchester. They see Harrods, and they see men in bearskins and Carnaby Street. They very rarely see the Happy Shopper on the Mile End Road, or a drab Peckham disco. They head for Buckingham Palace, and see waving above it the red, white and blue, while the rest of us order dansak from the Tandoori Palace, and see Simply Red, White Lightning, and Duncan from Blue. But we should be proud of that, too. Or, at least, get used to it.

We pass the apartment we rented five years ago, when I swore off Florence. In summer, wads of tourists clog the city as if it's a Renaissance theme park. Everyone seems to be eating. That year, a garbage strike persisted for over a week and I began to have thoughts of plague when I passed heaps of rot spilling out of bins. I was amazed that long July when waiters and shopkeepers remained as nice as they did, given what they had to put up with. Everywhere I stepped I was in the way. Humanity seemed ugly—the international young in torn T-shirts and backpacks lounging on steps, bewildered bus tourists dropping ice cream napkins in the street and asking, “How much is that in dollars?” Germans in too-short shorts letting their children terrorize restaurants. The English mother and daughter ordering lasagne verdi and Coke, then complaining because the spinach pasta was green. My own reflection in the window, carrying home all my shoe purchases, the sundress not so flattering. Bad wonderland. Henry James in Florence referred to “one's detested fellow-pilgrim.” Yes, indeed, and it's definitely time to leave when one's own reflection is included. Sad that our century has added no glory to Florence—only mobs and lead hanging in the air.

We tourists, I later found out, were invited on purpose. Like all good tourists everywhere, we wore an assortment of badly fitting colourful hats and an unflattering rainbow of shorts. What we didn’t wear was black, especially in the tropical heat. So the first people the spirits saw were us. No doubt that scared them immensely.

On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.

I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally

To become a tourist assumes a certain vulnerability, to wear the wrong shoes and not know the right times for meals. To drive too slow, alert for photographable moments, because you're awestruck that beauty exists in the world and, amazingly enough, we all happened to find it on the same damn day. To be a tourist is to be filled with wonder.

We usually bring her helmet with us, but we left it back in the hotel room this time." I gasp. I also try to decide what kind of flowers I'll bring to her funeral after I strangle the life from her body. I should have stayed in Jersey, like Mom said. Shouldn't have come here with Chloe and her parents. What business do I have in Florida? We live on the Jersey Shore. If you've seen one beach, you've seen them all, right? But noooooooo. I had to come and spend the last of my summer with Chloe, because this would be our last summer together before college, blah-blah-blah. And now she's taking revenge on me for not letting her use my ID to get a tattoo last night. But what did she expect? I'm white and she's black. I'm not even tan-white. I'm Canadian-tourist white. If the guy could mistake her for me, then he shouldn't be giving anyone a tattoo, right? I was just protecting her. Only, she doesn't realize that. I can tell by that look in her eyes-the same look she wore when she replaced my hand sanitizer with personal lubricant-that she's about to take what's left of my pride and kick it like a donkey. "Uh, we didn't get your name. Did you get his name, Emma?" she asks, as if on cue. "I tried, Chloe. But he wouldn't tell me, so I tackled him," I say, rolling my eyes. The guy smirks. This almost-smile hints at how breathtaking a real one would be. The tingling flares up again, and I rub my arms.

To be a human being is to be a tourist in a cold, unfriendly, and ancient country. Like all tourists we hope for a lark... a few laughs, a bit of adventure, a roll in the hay. But it's so easy to get lost. The day ends so quickly, and the roads are so confusing, and there are things out there in the dark with teeth. To survive we might have to show some teeth of our own.

This is one of those California moments, and these two women now have their own dose of surrealism to share with their friends: the mostly naked, mountaintop cello player and his even more naked, duck holding friend. Everyone here grooves on those stories, where the line between locals and tourists blur, and for a moment we're all Californians because we share the same love.

After a stranger asked where I'm from, I told him I'm from Florida, and he said he has been there once and he'd stayed a week. I replied, "Yes, I remember. We all waited for you to come back, and we wondered where you had gone. We cried out for you, but you never answered." Then I offered him a swig of duck soup, because I had a thermos full and we were now practically brothers.

Trip Advisor: Travel the World with Haiku [D] Jerusalem, Israel Jews pray motionless and the Western Wall shakes. It's all relative. Capetown, South Africa And the coloured girls say, 'We're not Africaans, we're English.' In a total Africaans accent. Bulls Bay, Jamaica Weed, rum, guava jelly, Reggae, Marley, Red Stripe beer, O Baby, jerk that chicken. Istanbul, Turkey I asked my driver, 'Why do you believe in Allah?' He answers: 'If not, He hit me!' Cairo, Egypt Cairo International Airport, Porter drops my bags six times. Descendents of the Pharaohs, my ass. Santorini Island, Greece Greeks are like the current, They push you over and then Try to suck you in. Christiania, Denmark One thousand drug dealers, Five hundred thousand tourists. Alway$ Chri$tma$ here.*

Most of these rituals have been gradually brushed aside as pagan superstition or repackaged as tourist attractions (or both). For the most part, all we’re left with as an alternative to our mundane lives are our ‘national holidays’: frantic periods of over-consumption, crammed in the gaps between work, in which we entertain solemn injunctions that consumption isn’t really what matters about life.

Inside the terminal at Keahole, they sat waiting to board, watching husky Hawaiians load luggage onto baggage ramps. Arriving tourists smiled at their dark, muscled bodies, handsome full-featured faces, the ease with which they lifted things of bulk and weight. Departing tourists took snapshots of them. 'That's how they see us', Pono whispered. 'Porters, servants. Hula Dancers, clowns. They never see us as we are, complex, ambiguous, inspired humans.' 'Not all haole see us that way...'Jess argued. Vanya stared at her. 'Yes, all Haole and every foreigner who comes here puts us in one of two categories: The malignant stereotype of vicious, drunken, do-nothing kanaka and their loose-hipped, whoring wahine. Or, the benign stereotype of the childlike, tourist-loving, bare-foot, aloha-spirit natives.

I look into the chocolaterie. It looks warm in there, almost intimate. Candles are burning on the tables; the Advent window is lit with a rose glow. It smells of orange and clove from the pomander hanging above the door; of pine from the tree; of the mulled wine that we are serving alongside our spiced hot chocolate; and of fresh gingerbread straight out of the oven. It draws them in- three or four at a time- regulars and strangers and tourists alike. They stop at the window, catch the scent, and in they come, looking a little dazed, perhaps, at the many scents and colors and all their favorites in their little glass boxes- bitter orange cracknel; mendiants du roi; hot chili squares; peach brandy truffle; white chocolate angel; lavender brittle- all whispering inaudibly- Try me. Taste me. Test me.

But that is the way with killers, I suppose. What is the end of all innocence for you is just another Tuesday morning for them, and they walk off back to their planet of death giving no more thought to the world of the living that we would give to any other tourist destination: a place to be briefly visited and returned from with souvenirs and a haunting sensation that we could have paid less for them.

. I’ve watched about a dozen tourists almost get hit by cars since I’ve been here. I barely made it to the beach alive the other day. I mean, no one knows what they’re doing. They swing their heads back and forth like they’re mounted on a door hinge, but they don’t even know what they’re looking for, not really. Cars just come at you from all sorts of unnecessary directions here, and we’re all probably going to get killed.

And you?' 'Ah. I'm coping.' He said it simply, but it caused something in my heart to crack a little. 'It's not for ever,' I said, as we stopped. 'I know.' 'And we're going to do loads of fun stuff while you're here.' 'What have you got planned?' 'Um, basically it's You Getting Naked. Followed by supper. Followed by more You Getting Naked. Maybe a walk around Central Park, some corny tourist stuff, like the Staten Island ferry and Times Square, and some shopping in the East Village and some really good food with added You Getting Naked.' He grinned. 'Do I get You Getting Naked too?' 'Oh, yes, it's a two-for-one deal.' I leant my head against him. 'Seriously, though, I'd love you to come and see where I work. Maybe meet Nathan and Ashok and all the people I go on about. Mr and Mrs Gopnik will be out of town so you probably won't meet them but you'll at least get an idea of it all in your head.

One of my writing students sent me an article about Kincaid in The New York Times: “I’m not writing for anyone at all,” Ms. Kincaid said. “I’m writing out of desperation. I felt compelled to write to make sense of it to myself—so I don’t end up saying peculiar things like ‘I’m black and I’m proud.’ I write so I don’t end up as a set of slogans and clichés.” That is exactly what writing is supposed to do—take us into the real texture of life—no generalizations. Why did I assign Kincaid’s book to my Taos workshop? I guess I hoped people would make a leap from Antigua to my hometown. Yes, the mountains are gorgeous and we have a rich tricultural society. We don’t have the same problems as Antigua, but I wanted my students to be more than casual tourists buying tee-shirts and dripping with turquoise. I wanted them to look deeper. Understanding engenders care. I wanted them to care about Taos. But something else, too. I wanted them to experience that passion and vision are as important to nonfiction as to fiction, that nonfiction can be as much an act of imagination and exploration and discovery as fiction or poetry—and that exciting language is part of its power.

He [Aldo Leopold] recognized that industrial-age tools were incompatible with truly wild country - that roads eventually brought with them streams of tourists and settlers, hotels and gas stations, summer homes and cabins, and a diminishment of land health. He sort of invented the concept of wilderness as we now understand it in America: a stretch of country without roads, where all human movement must happen on foot or horseback. He understood that to keep a little remnant of our continent wild, we had no choice but to exercise restraint. I think it's one of the best ideas our culture ever had, not to mention our best hope for preserving the full diversity of nonhuman life in a few functioning ecosystems.

Traveling is not only the art of getting lost, but true travelers, in a sense, never return home. If they do return, they never see home the same way they did before leaving. They begin to see the foreignness of home after experiencing being at home in other foreign lands. Traveling, I have learned, is not all about the touristy and the beautiful places as we see them in tourist guides. Traveling can be frightening in many ways, most important of which is the realization of how much sadness, pain, impoverishment, and despair exist next to, behind, under, over, and above the mountains, the blue lakes, the pristine beaches, the highly rated hotels and restaurants, the well-designed museums and historic and cultural sites, the fancy shops that, in many places, most locals can neither access nor afford. There are places so sad that the fanciest building one can see there is the airport! There are other places where the airports are run down and depressing, but once you step out of the airport, you discover that such places are full of life, meaning, and physical and spiritual nourishment. There are countries, namely the developed countries, where everything looks shiny and perfect, yet as soon as you enter, you encounter so much loneliness, depression, hate, racism, and lifelessness. Things are never as they appear at first glance. Traveling leaves us with more questions than answers – it is so bittersweet." [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]

States. It was not easy for Chinese to get into the country. In 1882 Congress had passed a law suspending the entry of Chinese laborers and “all persons of the Chinese race” except officials, teachers, students, tourists, and merchants, at the same time formally prohibiting the naturalization of Chinese. The 1882 Act was the culmination of decades of anti-Chinese propaganda and discrimination. In 1852 California Governor John Bigler described Chinese immigrants as “contract coolies, avaricious, ignorant of moral obligations, incapable of being assimilated and dangerous to the welfare of the state.” In 1854 the California Supreme Court reversed the conviction of a white man for killing a Chinese miner by invoking Section 14 of the California Criminal Act, which specified that “no Black or mulatto person, or Indian shall be allowed to give evidence in favor of, or against a white man.” In support of the decision Chief Justice Hugh Murray declared that “to let Chinese testify in a court of law would admit them to all the equal rights of citizenship. And then we might see them at the polls, in the jury box, upon the bench, and in our legislative halls.” In 1879 the California State constitution prohibited corporations and municipal works from hiring Chinese and authorized cities to remove Chinese from their boundaries.1 My father never told us how he got around the restrictions of the Exclusion Act, and we knew better than to probe because it was generally understood that the distinction between being here legally and illegally was a shadowy one.

And then I see it. Azure Helicopter Tours. I drag Toraf to the landing pad. “What is that?” he asks suspiciously. “Um. It’s a helicopter.” “What does it do? Triton’s trident, it doesn’t fly does it? Emma? Emma wait!” He catches up to me and burps right in my ear. “Stop being a jerkface,” I tell him. “Whatever that is. You don’t care about me at all, do you?” “You came to me, remember? This is me helping you. Now be quiet while I buy tickets.” It’s a private ride, no other passengers to worry about. Plus, we’re not stealing anything. The helicopter can return to land with its pilot as soon as we’re done with our part of the mission. “Why do we need to fly? The water is right there.” He points to it longingly. I almost feel bad for him. Almost. But I don’t have time for pity. “Because I think these helicopters can still cover more distance faster than you can haul me. I’m trying to make up for all the time we spent at security in LAX.” “Humans are so weird,” he mutters again as I walk away. “You do everything backward.” Since this is a sightseeing flight, the pilot, Dan, a thick Hawaiian man with an even thicker accent, takes his time pointing out all the usual tourist stuff, like the fishing industry, the history of the coast, and other things I have no interest in at the moment. The view of the blue water and visible reefs, the chain of islands, and the rich culture would be breathtaking if I weren’t preoccupied with crashing a Syrena get-together. I can imagine spending time with Galen here. Exploring the reefs like no human could, playing with the tropical fish, and making Galen wear a lei. But I need to stay focused if I ever want a chance to do it.

In the nineties…yes, we were ecstatic; there’s no way back to that naïveté. We thought that the choice had been made and that communism had been defeated forever. But it was only the beginning… Twenty years have gone by…“Don’t try to scare us with your socialism,” children tell their parents. From a conversation with a university professor: “At the end of the nineties, my students would laugh when I told them stories about the Soviet Union. They were sure that a new future awaited them. Now it’s a different story…Today’s students have truly seen and felt capitalism: the inequality, the poverty, the shameless wealth. They’ve witnessed the lives of their parents, who never got anything out of the plundering of our country. And they’re oriented toward radicalism. They dream of their own revolution, they wear red T-shirts with pictures of Lenin and Che Guevara.” There’s a new demand for everything Soviet. For the cult of Stalin. Half of the people between the ages of nineteen and thirty consider Stalin an “unrivaled political figure.” A new cult of Stalin, in a country where he murdered at least as many people as Hitler?! Everything Soviet is back in style. “Soviet-style cafés” with Soviet names and Soviet dishes. “Soviet” candy and “Soviet” salami, their taste and smell all too familiar from childhood. And of course, “Soviet” vodka. There are dozens of Soviet-themed TV shows, scores of websites devoted to Soviet nostalgia. You can visit Stalin’s camps—Solovki, Magadan—as a tourist. The advertisements promise that for the full effect, they’ll give you a camp uniform and a pickaxe. They’ll show you the newly restored barracks. Afterward, there will be fishing…

Could he, by some miracle, keep this going? Could they hide here until the war ends? Until the armies finish marching back and forth above their heads, until all they have to do is push open the door and shift some stones aside and the house has become a ruin beside the sea? Until he can hold her fingers in his palms and lead her out into the sunshine? He would walk anywhere to make it happen, bear anything; in a year or three years or ten, France and Germany would not mean what they meant now; they could leave the house and walk to a tourists’ restaurant and order a simple meal together and eat it in silence, the comfortable kind of silence lovers are supposed to share. “Do you know,” Marie-Laure asks in a gentle voice, “why he was here? That man upstairs?” “Because of the radio?” Even as he says it, he wonders. “Maybe,” she says. “Maybe that’s why.” In another minute they’re asleep.

A Safety Travel with Sinclair James International Traveling to somewhere completely foreign to you may be challenging but that is what travelers always look for. It can be a good opportunity to find something new and discover new places, meet new people and try a different culture. However, it can involve a lot of risk as well. You may be surprised to find yourself naked and penniless on the side of the road trying to figure out what you did wrong. These kinds of situations come rarely when you are careful and cautious enough but it is not impossible. Sinclair James International Travel and Tours, your Australian based traveling guide can help you travel safely through the following tips: 1. Pack all Security Items In case of emergencies, you should have all the safety tools and security items with you. Carry a card with your name and number with you and don’t forget to scribble down the numbers of local police station, fire department, list of hospitals and other necessary numbers that you may need. Place them in each compartment and on your pockets. If ever you find yourself being a victim of pick pocketing in Manila, Philippines or being driven around in circles in the streets of Bangkok, Thailand, you will definitely find these numbers very helpful. It is also advisable to put your name and an emergency number in case you are in trouble and may need someone else to call. 2. Protect your Passport Passports nowadays have RFID which can be scanned from a distance. We have heard some complaints from fellow travelers of being victims of scams which involves stealing of information through passports. An RFID blocking case in a wallet may come in handy to prevent hackers from stealing your information. 3. Beware of Taxis When you exit the airport, taxis may all look the same but some of them can be hiding a defective scam to rob tourists during their drive. It is better to ask an official before taking a taxi as many unmarked ones claim that they are legitimate. Also, if the fare isn’t flat rate, be sure you know the possible routes. Some drivers will know better and will take good care of you, but others will take longer routes to increase the fare. If you know your options, you can suggest a different route to avoid paying too much. 4. Be aware of your Rights Laws change from state to state, and certainly from country to country, but ignorance to them will get you nowhere. In fact, in many cases you can get yourself out of trouble by knowing the laws that will affect you. When traveling to other countries, make sure to review the laws and policies that can affect your activities. There are a lot of misconceptions and knowing these could save you a headache. Sinclair James International

There is something sad about traveling, because as you discover the enormous amount of life and living that exist in all these places and hidden corners, you are left with two contradictory feelings: first, traveling strongly confirms the idea that one can only see what one is intellectually, spiritually, and physically prepared to see…Everything we encounter depends on our palate in the same way tasting food is that encounter between the food and the palate. Second, there is something excruciatingly painful about leaving a place as soon as you begin to feel at home. There is a deep sorrow in knowing that all the things, places, lakes, wildflowers, animals, and people that we encounter will continue their lives without us. Even more painful is the realization that there are many more lives and much more beauty that we will never get to experience." [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]

In the wild, a young female is an allomother long before she bears her own offspring. She has fifteen years to practice being a big sister to the calves that are born to the herd. I’d seen calves approach young female elephants to suckle for comfort, even though the juveniles did not have breasts or milk yet. But the young female would put her foot forward, the way her mother and aunties did, and proudly pretend. She could act like a mother without having any of the real responsibility until she was ready. But when there is no family to teach a young female to raise her own calf, things can go horribly awry. When I was working in Pilanesberg, this story repeated itself. There, young bulls that had been translocated began to charge vehicles. They killed a tourist. More than forty white rhino were found dead in the reserve before we realized that these subadult males were the ones who’d attacked them—highly aggressive behavior that was far from normal. What is the common denominator for the odd behavior of the young female elephant that didn’t care about her own calf and the belligerent pack of teenage bulls? Certainly there was a lack of parental guidance. But was that the only issue at play? All those elephants had seen their families killed in front of them, as a result of culling. The grief that I have studied in the wild, where a herd loses an old matriarch, for example, must be contrasted to the grief that comes from observing the violent death of a family member—because the long-term effects are so markedly different. After a natural death, the herd encourages the grieving individual to eventually move on. After a mass killing by humans, there is—by definition—no herd left for support. To date, the animal research community has been reluctant to believe that elephant behavior might be affected by the trauma of watching one’s family being killed. I think this isn’t scientific objection as much as it is political shame—after all, we humans have been the perpetrators of this violence. At the very least, it is crucial when studying the grief of elephants to remember that death is a natural occurrence. Murder is not.

In the first few hours of driving we moved through flattened cow-sprinkled hills and leaf trees and dead elm skeletons, then into the needle trees and the cuttings dynamited in pink and gray granite and the flimsy tourist cabins, and the signs saying GATEWAY TO THE NORTH, at least four towns claim to be that. The future is in the North, that was a political slogan once; when my father heard it he said there was nothing in the North but the past and not much of that either. Wherever he is now, dead or alive and nobody knows which, he’s no longer making epigrams. They have no right to get old. I envy people whose parents died when they were young, that’s easier to remember, they stay unchanged. I was sure mine would anyway, I could leave and return much later and everything would be the same. I thought of them as living in some other time, going about their own concerns closed safe behind a wall as translucent as Jell-O, mammoths frozen in a glacier. All I would have to do was come back when I was ready but I kept putting it off, there would be too many explanations.

THE ONLY THING THAT STANDS BETWEEN AMERICA AND OBLIVION IS A TOTAL immigration moratorium. There’s no possibility of quick fixes. The entire immigration bureaucracy has to be shut down. It’s evident that the government can’t be trusted to use three brain cells in admitting immigrants, so its discretion has to be completely revoked. No matter how clearly laws are written, government bureaucrats connive to confer citizenship on people that a majority of Americans would not want to let in as tourists, much less as our fellow citizens. Instead of trying to do the “Sorcerer’s Apprentice” thing, mopping the floor while the water is still pouring in, we need to stop the inflow, then take time to assimilate the immigrants already here. No other fix will work. Congress could just insist that immigrants pay taxes, learn English, not collect welfare, and have good moral character, except the problem is: It already has. All those laws were swept away by INS officials, judges, and Democratic administrations. Doing it again won’t produce a different result. We trusted the government, and it screwed up.

In the second story of his column, Safire replies to a diplomat who received a government warning about "crimes against tourists (primarily robberies, muggings, and pick-pocketings)." The diplomat writes, Note the State Department's choice of pick-pocketings. Is the doer of such deeds a pickpocket or a pocket-picker? Safire replies, "The sentence should read 'robberies, muggings and pocket-pickings.' One picks pockets; no one pockets picks." Significantly, Safire did not answer the question. If the perpetrator were called a pocket-picker, which is the most common kind of compound in English, then indeed the crime would be pocket-picking. But the name for the perpetrator is not really up for grabs; we all agree that he is called a pickpocket. And if he is called a pickpocket, not a pocket-picker, then what he does can perfectly well be called pick-pocketing, not pocket-picking, thanks to the ever-present English noun-to-verb conversion process, just as a cook cooks, a chair chairs, and a host hosts. The fact that no one pockets picks is a red herring - who said anything about a pick-pocketer?

Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.

Humanism thought that experiences occur inside us, and that we ought to find within ourselves the meaning of all that happens, thereby infusing the universe with meaning. Dataists believe that experiences are valueless if they are not shared, and that we need not – indeed cannot – find meaning within ourselves. We need only record and connect our experience to the great data flow, and the algorithms will discover its meaning and tell us what to do. Twenty years ago Japanese tourists were a universal laughing stock because they always carried cameras and took pictures of everything in sight. Now everyone is doing it. If you go to India and see an elephant, you don’t look at the elephant and ask yourself, ‘What do I feel?’ – you are too busy looking for your smartphone, taking a picture of the elephant, posting it on Facebook and then checking your account every two minutes to see how many Likes you got. Writing a private diary – a common humanist practice in previous generations – sounds to many present-day youngsters utterly pointless. Why write anything if nobody else can read it? The new motto says: ‘If you experience something – record it. If you record something – upload it. If you upload something – share it.

The Prime Minister, who was in close contact with the Queen and Prince Charles, captured the feelings of loss and despair when he spoke to the nation earlier in the day from his Sedgefield constituency. Speaking without notes, his voice breaking with emotion, he described Diana as a ‘wonderful and warm human being.’ ‘She touched the lives of so many others in Britain and throughout the world with joy and with comfort. How difficult things were for her from time to time, I’m sure we can only guess at. But people everywhere, not just here in Britain, kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the People’s Princess and that is how she will stay, how she will remain in all our hearts and memories for ever.’ While his was the first of many tributes which poured in from world figures, it perfectly captured the mood of the nation in a historic week which saw the British people, with sober intensity and angry dignity, place on trial the ancient regime, notably an elitist, exploitative and male-dominated mass media and an unresponsive monarchy. For a week Britain succumbed to flower power, the scent and sight of millions of bouquets a mute and telling testimony to the love people felt towards a woman who was scorned by the Establishment during her lifetime. So it was entirely appropriate when Buckingham Palace announced that her funeral would be ‘a unique service for a unique person’. The posies, the poems, the candles and the cards that were placed at Kensington Palace, Buckingham Palace and elsewhere spoke volumes about the mood of the nation and the state of modern Britain. ‘The royal family never respected you, but the people did,’ said one message, as thousands of people, most of whom had never met her, made their way in quiet homage to Kensington Palace to express their grief, their sorrow, their guilt and their regret. Total strangers hugged and comforted each other, others waited patiently to lay their tributes, some prayed silently. When darkness fell, the gardens were bathed in an ethereal glow from the thousands of candles, becoming a place of dignified pilgrimage that Chaucer would have recognized. All were welcome and all came, a rainbow of coalition of young and old of every colour and nationality, East Enders and West Enders, refugees, the disabled, the lonely, the curious, and inevitably, droves of tourists. She was the one person in the land who could connect with those Britons who had been pushed to the edges of society as well as with those who governed it.

I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.

I thought about the aftermath of the 1862 war, when thirty-eight hastily condemned warriors had been hung in Mankato, in the country's largest-ever mass execution. Their bodies were buried in shallow graves and then dug up for study by local doctors, including Dr. Mayo, who kept the body of Cut Nose for his personal examination. I thought about my father losing his teaching job, about his struggle with depression and drinking. About how angry he was that our history was not taught in schools. Instead, we had to battle sports mascots and stereotypes. Movie actors in brownface. Tourists with cameras. Welfare lines. Alcoholism. 'After stealing everything,' he would rage, 'now they want to blame us for it, too.' Social services broke up Native families, sending children like me to white foster parents. Every week, the newspapers ran stories about Indians who rolled their cars while drunk or the rise of crack cocaine on the reservations or somebody's arrest for gang-related crimes. No wonder so many Native kids were committing suicide. But there was so much more to the story of the run. What people didn't see because they chose never to look. Unlike the stone monument in New Ulm, built to memorialize the settlers' loss with angry pride, the Dakhota had created a living, breathing memorial that found healing in prayer and ceremony. What the two monuments shared, however, was remembering. We were all trying to find a way through grief.

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.

Human actions are based on imagination, belief, and faith, not on objective observation – as military and political experts know well. Even science, which claims its methods and theories are rationally developed, is shaped by emotion and fancy, or by fear. And to control human imagination is to shape mankind's collective destiny. Beyond the question of the physical nature of the UFOs, it is imperative that we study the deeper problem of their impact on our imagination and culture. How the UFO phenomena will affect, in the long run, our views about science, about religion, about the exploration of space, is impossible to measure. But the phenomenon does appear to have a real effect. And a peculiar feature of this mechanism is that it affects equally those who "believe" and those who oppose its reality in a physical sense. For the time being, the observation can be made that it is possible to make large sections of any population believe in the existence of supernatural races, in the possibility of flying machines, in the plurality of inhabited worlds, by exposing them to a few carefully engineered scenes the details of which are adapted to the culture and symbols of a particular time and place. Could the meetings with UFO entities be designed to control our beliefs? Consider their changing character. In the United States, they appear as science fiction monsters. In South America, they are sanguinary and quick to get into a fight. In France, they behave like rational, Cartesian, peace-loving tourists. The Irish Gentry, if we believe its spokesmen, was an aristocratic race organized somewhat like a religious-military order. The airship pilots were strongly individualistic characters with all the features of the American farmer.

From the height we had now reached, the sea no longer appeared, as it did from Balbec, like an undulating range of hills, but on the contrary like the view, from a mountain-peak or from a road winding round its flank, of a blue-green glacier or a glittering plain situated at a lower level. The ripples of eddies and currents seemed to be fixed upon its surface, and to have traced there for ever their concentric circles; the enamelled face of the sea, imperceptibly changing colour, assumed towards the head of the bay, where an estuary opened, the blue whiteness of milk in which little black boats that did not move seemed entangled like flies. I felt that from nowhere could one discover a vaster prospect. But at each turn in the road a fresh expanse was added to it and when we arrived at the Douville toll-house, the spur of the cliff which until then had concealed from us half the bay receded, and all of a sudden I saw upon my left a gulf as profound as that which I had already had in front of me, but one that changed the proportions of the other and doubled its beauty. The air at this lofty point had a keenness and purity that intoxicated me. I adored the Verdurins; that they should have sent a carriage for us seemed to me a touching act of kindness. I should have liked to kiss the Princess. I told her that I had never seen anything so beautiful. She professed that she too loved this spot more than any other. But I could see that to her as to the Verdurins the thing that really mattered was not to gaze at the view like tourists, but to partake of good meals there, to entertain people whom they liked, to write letters, to read books, in short to live in these surroundings, passively allowing the beauty of the scene to soak into them rather than making it the object of their conscious attention.

The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.

Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth. This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size. There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back. This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils. The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations. It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did. "We are a king who knows how to be king," said the king. And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated. "We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar." . . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t." . . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use. Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you." The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.

There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!" I giggle and shiver at the same time and accidentally imagine walking around The Village in Baytowne Wharf with Galen. The Village is exactly that-a sleepy little village of tourist shops in the middle of a golf-course resort. During the daytime anyway. At night though...that's when the dance club wakes up and opens its doors to all the sunburned partiers roaming the cobblestoned walkways with their daiquiris. Galen would look great under the twinling lights, even with a shirt on... Chloe smirks. "Uh-huh. Already thought of that, huh?" "No!" "Uh-huh. Then why are your cheeks as red as hot sauce?" "Nuh-uh!" I laugh. She does, too. "You want me to go ask him to meet us, then?" I nod. "How old do you think he is?" She shrugs. "Not creepy-old. Old enough for me to be jailboat, though. Lucky for him, you just turned eighteen...What the...did you just kick me?" She peers into the water, wswipes her hand over the surface as if clearing away something to see better. "Something just bumped me.” She cups her hands over her eyes and squints, leaving down so close that one good wave could slap her chin. The concentration on her face almost convinces me. Almost. But I grew up with Chloe-we’ve been next-door neighbors since the third grade. I’ve grown used to fake rubber snakes on my front porch, salt in the sugar dish, and Saran wrap spread across the toilet seat-well, actually, Mom fell prey to that one. The point is Chloe loves pranks almost as much as she loves running. And this is definitely a prank. “Yep, I kicked you,” I tell her, rolling my eyes. “But…but you can’t reach me, Emma. My legs are longer than yours, and I can’t reach you…There it is again! You didn’t feel that?” I didn’t feel it, but I did see her leg twitch. I wonder how long she’s been planning this. Since we got here? Since we boarded the plane in Jersey? Sine we turned twelve?

Hypocrisy—in other words, the practice of lying about lying—shields us from seeing ourselves as we are: a collocation of fragments that fit together as a biological unit but not as anything else, not as that ghost which has been called a self, a phantasm whose ecotoplasmic unreality we can never see through. By staying true to the lie of the self, the ego, we can hold onto the illusion that we will be who we are all our lives and not see our selves die a thousand times before our death. While some have dedicated themselves to getting to the bottom of how these parts create the illusion of a whole, this is not how pyramids are built. To get a pyramid off the ground takes a lot of ego—the base material of those stacks of stones that tourists visit while on vacation. Of course, a pyramid is actually a polyhedron, that is, a mathematical conception which pyramids in the physical world resemble . . . at least from a distance. The nearer one gets to a pyramid, the more it reveals itself to be what it is: a roughly pyramidal conglomeration of bricks, a composition of fragments that is not what it seems to be. This is also how it works with humans. The world around us encourages the build up of our egos—those pyramids of self-esteem—as if we needed such encouragement. Although everyone is affected by this pyramid scheme, some participate in it more than others: they are observably more full of themselves and tend to their egos as they would exotic plants in a hothouse. It helps if they can wear down the self-esteem of others, or simply witness this erosion. As the American novelist and essayist Gore Vidal said famously and often: “It is not enough to succeed. Others must fail.” None of this could work without the distance we put between what we are and what we think we are. Then we may appear to exist apart from our constituent elements. Self-esteem would evaporate without a self to esteem. As with pyramids, it is only at a distance that this illusion can be pulled off. Hypocrisy is that distance.

We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.

Almost no one—not even the police officers who deal with it every day, not even most psychiatrists—publicly connects marijuana and crime. We all know alcohol causes violence, but somehow, we have grown to believe that marijuana does not, that centuries of experience were a myth. As a pediatrician wrote in a 2015 piece for the New York Times in which he argued that marijuana was safer for his teenage children than alcohol: “People who are high are not committing violence.” But they are. Almost unnoticed, the studies have piled up. On murderers in Pittsburgh, on psychiatric patients in Italy, on tourists in Spain, on emergency room patients in Michigan. Most weren’t even designed to look for a connection between marijuana and violence, because no one thought one existed. Yet they found it. In many cases, they have even found marijuana’s tendency to cause violence is greater than that of alcohol. A 2018 study of people with psychosis in Switzerland found that almost half of cannabis users became violent over a three-year period; their risk of violence was four times that of psychotic people who didn’t use. (Alcohol didn’t seem to increase violence in this group at all.) The effect is not confined to people with preexisting psychosis. A 2012 study of 12,000 high school students across the United States showed that those who used cannabis were more than three times as likely to become violent as those who didn’t, surpassing the risk of alcohol use. Even worse, studies of children who have died from abuse and neglect consistently show that the adults responsible for their deaths use marijuana far more frequently than alcohol or other drugs—and far, far more than the general population. Marijuana does not necessarily cause all those crimes, but the link is striking and large. We shouldn’t be surprised. The violence that drinking causes is largely predictable. Alcohol intoxicates. It disinhibits users. It escalates conflict. It turns arguments into fights, fights into assaults, assaults into murders. Marijuana is an intoxicant that can disinhibit users, too. And though it sends many people into a relaxed haze, it also frequently causes paranoia and psychosis. Sometimes those are short-term episodes in healthy people. Sometimes they are months-long spirals in people with schizophrenia or bipolar disorder. And paranoia and psychosis cause violence. The psychiatrists who treated Raina Thaiday spoke of the terror she suffered, and they weren’t exaggerating. Imagine voices no one else can hear screaming at you. Imagine fearing your food is poisoned or aliens have put a chip in your brain. When that terror becomes too much, some people with psychosis snap. But when they break, they don’t escalate in predictable ways. They take hammers to their families. They decide their friends are devils and shoot them. They push strangers in front of trains. The homeless man mumbling about God frightens us because we don’t have to be experts on mental illness and violence to know instinctively that untreated psychosis is dangerous. And finding violence and homicides connected to marijuana is all too easy.

Naturally, without intending to, I transitioned from these dreams in which I healed myself to some in which I cared for others: I am flying over the Champs-Élysées Avenue in Paris. Below me, thousands of people are marching, demanding world peace. They carry a cardboard dove a kilometer long with its wings and chest stained with blood. I begin to circle around them to get their attention. The people, astonished, point up at me, seeing me levitate. Then I ask them to join hands and form a chain so that they can fly with me. I gently take one hand and lift. The others, still holding hands, also rise up. I fly through the air, drawing beautiful figures with this human chain. The cardboard dove follows us. Its bloodstains have vanished. I wake up with the feeling of peace and joy that comes from good dreams. Three days later, while walking with my children along the Champs-Élysées Avenue, I saw an elderly gentleman under the trees near the obelisk whose entire body was covered by sparrows. He was sitting completely still on one of the metal benches put there by the city council with his hand outstretched, holding out a piece of cake. There were birds flitting around tearing off crumbs while others waited their turn, lovingly perched on his head, his shoulders, his legs. There were hundreds of birds. I was surprised to see tourists passing by without paying much attention to what I considered a miracle. Unable to contain my curiosity, I approached the old man. As soon as I got within a couple of meters of him, all the sparrows flew away to take refuge in the tree branches. “Excuse me,” I said, “how does this happen?” The gentleman answered me amiably. “I come here every year at this time of the season. The birds know me. They pass on the memory of my person through their generations. I make the cake that I offer. I know what they like and what ingredients to use. The arm and hand must be still and the wrist tilted so that they can clearly see the food. And then, when they come, stop thinking and love them very much. Would you like to try?” I asked my children to sit and wait on a nearby bench. I took the piece of cake, reached my hand out, and stood still. No sparrow dared approach. The kind old man stood beside me and took my hand. Immediately, some of the birds came and landed on my head, shoulders, and arm, while others pecked at the treat. The gentleman let go of me. Immediately the birds fled. He took my hand and asked me to take my son’s hand, and he another hand, so that my children formed a chain. We did. The birds returned and perched fearlessly on our bodies. Every time the old man let go of us, the sparrows fled. I realized that for the birds when their benefactor, full of goodness, took us by the hand, we became part of him. When he let go of us, we went back to being ourselves, frightening humans. I did not want to disrupt the work of this saintly man any longer. I offered him money. He absolutely would not accept. I never saw him again. Thanks to him, I understood certain passages of the Gospels: Jesus blesses children without uttering any prayer, just by putting his hands on them (Matthew 19:13–15). In Mark 16:18, the Messiah commands his apostles, “They shall lay hands on the sick, and they shall recover.” St. John the Apostle says mysteriously in his first epistle, 1.1, “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life.

Imagine life as a long journey in the pursuit of contentment. We are tourists making stops at places which are moments that we love. Every place is satisfying and then we move on to the next place. Image the road is a circle that never ends and everyone’s roadmap is different. It never ends because every place that we found happiness in was the destination. Contentment wasn’t a journey itself because it could only exist in the moment. When the moment wore off then the journey started again. Each person’s distance to contentment is however long it takes for them to find a spot of the road that they love. We are all a form of love, on a journey to love. I hope that you find love. Contentment is wherever love is.

We are all tourists when it comes to understanding the past. We visit what might have been and pretend to know what was.

Lawrence described his awakening in Taos, New Mexico, as an antidote to the “know-it-all state of mind,” that poor substitute for wisdom and wonder: Superficially, the world has become small and known. Poor little globe of earth, the tourists trot round you as easily as they trot round the Bois or round Central Park. There is no mystery left, we've been there, we've seen it, we know all about it. We've done the globe and the globe is done. This is quite true, superficially. On the superficies, horizontally, we've been everywhere and done everything, we know all about it. Yet the more we know, superficially, the less we penetrate, vertically. It's all very well skimming across the surface of the ocean and saying you know all about the sea. . . . As a matter of fact, our great-grandfathers, who never went anywhere, in actuality had more experience of the world than we have, who have seen everything. When they listened to a lecture with lantern-slides, they really held their breath before the unknown, as they sat in the village school-room. We, bowling along in a rickshaw in Ceylon, say to ourselves: “It's very much what you'd expect.” We really know it all. We are mistaken. The know-it-all state of mind is just the result of being outside the mucous-paper wrapping of civilization. Underneath is everything we don't know and are afraid of knowing.

How can I be ? Proud of my struggle, but having nothing to show. Guns , petrol, tires , gas, everything blows Now I am standing on top of Museum building burned into ashes. It Is smoke in the mirrors. Look at our Repercussions. Our legacy, our reputation. Canvas and portraits of arrogance Lies, deception, fractions results of politicians Insurrection results of a failed mission Blood used to paint our image Poor quality in this fotos, because nothing changed. You might think it is the 80’s, because you can see tribalism and racism. A perfect black and white picture. Sound of freedom turned into sound of violence, Ambulance, Police siren , people crying and dying Hunger and poverty used as tourists attraction They say look more poorer, so we can get more donation. I am getting global media coverage, Because I am queuing and walking long distance for food, Not because we are getting killed , abused and treated unfairly. They look at me and say Africa is starving Took my pics , post them on social media. Now they are laughing. Being born with a price tag, that says you not worth it, because your black. Government looted everything from the poor Now the poor are looting the government. It is like a stolen movie. Those who started it all and who are behind it, are not getting their credit and spotlight . If we change looting to colonization , then they would be heroes. Not sure whether to say goodbye or good night Because when you're in Phoenix , this might be your last night. 

Karly- Look- at this old photo from- Nevaeh town, and her mother from the past. The uniformed man motioned lazily, not paying attention. Olivia accelerated, edging around him, and heading for the gate. He shouted something at us, All the same, and all, held his ground, waving frantically to keep the next car from following our bad example. The man at the gate wore a matching uniform. As we approached him, the throngs of tourists passed, crowding the sidewalks, staring curiously at the pushy, flashy Porsche. The guard stepped into the middle of the street before us. Olivia angled the car carefully before she came to a full stop. The sun beat against my window that I was now looking out, and she was in shadow. She swiftly reached behind the seat and grabbed something from her bag. The guard came around the car with an irritated expression and tapped on her window angrily. She rolled the window down halfway, and I watched him do a double-take when he saw the face behind the dark glass. ‘I'm sorry, only tour buses allowed in the city today, miss,’ he said in English, with a heavy accent. He was apologetic to both of us, now, as if he wished he had better news for the strikingly beautiful woman such as us. ‘It's a private tour,’ Olivia said, flashing an alluring cute flirty smile. Then and there, she reached her hand out of the window, into the sunlight. I froze some until, at that moment, I realized she was wearing an elbow-length, tan glove. She took his hand, still raised from tapping her window, and pulled it into the car some. She put something into his palm and folded his fingers around it, saying there you go. His face was dazed as he retrieved his hand and stared at the thick roll of money he now held. The outside bill was a thousand-dollar bill. ‘Is this a joke?’ He mumbled. Olivia's smile was blinding. ‘Only if you think it's funny.’ He looked at her, his eyes staring wide. I glanced nervously at the clock on the dash. If Marcel stuck to his plan, we had only five minutes left.

He belongs here as much as anyone born and bred to its streets, because anyone who wants to be of New York can be! He is no tourist, exploiting and gawking and giving nothing but money back. He lives here now. That makes all the difference in the world.

The warmth of home, what I missed most when I was away, was in things that guidebooks didn’t explain to tourists, the deeper nuances that make our culture different from any other place on earth. Most of all that meant food. Hawai‘i food, or what we call local food, tells a story of where we come from. It is embedded in every part of our language, our songs, our jokes.

At the beginning of my workshops I get the participants to do exercises – literally physical exercises to wake everyone up. I ask them to do all the photo manoeuvres we should never do, such as the ‘tourist squat’ – feet apart, knees bent – and ‘the lunge’, a very anatomically correct camera-holding lurch. I also get them to exercise their right finger – up and down, up and down. It breaks the ice and encourages people to be less self-conscious and do silly things in a public place.

I was met by an apologetic box office lady in the dim foyer. "I'm afraid you are the only one who has bought a ticket for this evening, so the concert has been cancelled," she said. "People are not interested in traditional music any longer. They would rather go to a bar or the shops." She sighed. The streets outside the concert hall were teeming with tourists, forty-five million of them, but no-one stopped, no-one was interested in hearing twenty old men play centuries-old Naxi music. Why do we travel? I have no answer, but I do know that I will never regret having travelled all that way, halfway around the world, only for a concert to be cancelled.

I packed our bags and headed to the Hudson Valley to escape the tourists and browse all of the delightful little bookstores nestled in quaint towns, and we returned just as the city emptied again, and life spun on.

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Hell Week is something entirely different. It’s medieval and it comes at you fast, detonating in just the third week of training. When the throbbing ache in our muscles and joints was ratcheted up high and we lived day and night with an edgy, hyperventilating feeling of our breath getting out front of our physical rhythm, of our lungs inflating and deflating like canvas bags squeezed tight in a demon’s fists, for 130 hours straight. That’s a test that goes way beyond the physical and reveals your heart and character. More than anything, it reveals your mindset, which is exactly what it’s designed to do. All of this happened at the Naval Special Warfare Command Center on prissy-ass Coronado Island, a Southern California tourist trap that tucks into slender Point Loma and shelters the San Diego Marina from the open Pacific Ocean.

It seemed as if doggystyle was her favorite position because she couldn't see who was behind her. She kept playing Snoop Dogg's song, “What's My Name?”. It seemed as if she was referring to my signature being forged and still being on the club and she knew perfectly. As if she was referring to all the dogs eager to breed in the video running after something after someone had let them out. As Snoop Dogg is magically transforming into a Doberman dog in the music video, just like the kind of dogs the Nazis had. I just realize Martina’s dog, Chicha was all black and her cat Anouki was all black too, just like the night Sky, just like the dark, empty, cold Space. The total darkness the canvas, on which our planet is just a pinhead. This rock. This sizzling rock. Spinning. Turning. Leaning. Following the Sun. Lost in the infinite nothingness. Ain’t like a balloon which has nothing inside. All the nothing is outside, all the cold and dark and wide and empty and vile. All the dark forces all the nights, all the known universe and beyond, is located here, inside. Iron comes from Outer Space, it is not a local material on this planet. Each one of us has iron inside a “kickstart-molecule” located in our hearts. Without iron, there would be no life. Are we locals on this planet? To what degree? Since when? I noticed three members of the Camorra in our street and the street parallel to it, casually passing by. I even nodded to one or two of them, since we already knew each other from the club where I hadn't been since Adam and I had our disagreement. Later that night, while I was waiting for Martina in vain, I noticed two to three of the Camorra's soldiers living a few houses down our street. From the rooftop, and our bedroom that was higher than theirs, I could see into their living room. I couldn't help but wonder whether this was a mere coincidence, or if Adam and Martina had found our new home together, hanging out in Nico’s store, and so we moved on the Mountain of Jews, on purpose, perhaps, knowing that the Camorra’s men were living almost right in front of us. No accidents. When I told Martina about the Camorra’s guys living across the street, Martina couldn’t have cared less. It was almost as if she never considered her life being in danger in Barcelona, Europe, but only mine. I had felt before like Adam had used my skin to make money, while I was the one walking around the streets, spotting tourists usually having fun, not thinking about how I was working hard to make their “unreachable” happiness come true. This time, however, I felt both stuck in our home, feeling helpless to make Martina happy and the outside world offered her much better chances to have fun and find a rich guy or any other smoker club manager with her beauty.

Naskar is made by Naskar alone, not an industry or benefactor - or more importantly, by family wealth. I had a roof over my head, food on the table, and clothes on my back - that was more than enough. I started writing with literally zero dollar in my pocket. Let me tell you how it began, because for some reason, I completely forgot a crucial event of my life when I wrote my memoir Love, God & Neurons. I once met an American tourist at a local train in Calcutta. The first thing he asked me was, had I lived in the States? I said, no. Then how come you have an American accent - he asked. Watching movies - I said. We got chatting and he told me about a book he had recently published, a memoir. I believe, this was the cosmic event that planted the thought of writing my own books in my head - I had already started my self-education in Neurology and Psychology, and I was all determined to publish research papers on my ideas, but not books. Meeting the person somehow subconsciously shifted my focus from research papers to books. So the journey began. And for the first few years, I made no real money from my books. Occasionally some of my books would climb the bestsellers list on amazon, like my very first book did, and that would keep the bills paid for several months. Then the invitations for talks started coming, but they too were not paid in the beginning. The organizers made all the travel arrangements, and I gave the talks for free. It's ironic and super confusing really - I remember flying business class, but I didn't have enough money to even afford a one way flight ticket, because I had already used up my royalties on other expenses. Today I can pick and choose which speaking invitations to accept, but back then I didn't have that luxury - I was grateful for any speaking gig and interview request I received, paid or not. One time, I gave an interview to this moderately popular journalist for her personal youtube channel, only to find out, she never released the video publicly - she posted an interview with a dog owner instead - whose dog videos had gained quite a following on social media. You could say, this was the first time I realized first hand, what white privilege was. Anyway, the point is this. Did I doubt myself? Often. Did I consider quitting? Occasionally. But did I actually quit? Never. And because I didn't quit, the world received a vast never-before seen multicultural humanitarian legacy, that you know me for today. There is no such thing as overnight success. If you have a dream, you gotta work at it day in, day out - night after night - spoiling sleep, ruining rest, forgetting fun. Persist, persist, and persist, that's the only secret - there is no other. Remember this - the size of your pocket does not determine your destiny, the size of your dedication does.

NASA engineers and technicians at the Cape were pushing themselves so hard in the final weeks people had to be ordered home to rest. It was a grueling time and yet the sort of interlude of adrenal exhilaration that men remember all their lives. It was an interlude of the dedication of body and soul to a cause such as men usually experience only during war. Well … this was war, even though no one had spelled it out in just that way. Without knowing it, they were caught up in the primordial spirit of single combat. Just days from now one of the lads would be up on top of the rocket for real. Everyone felt he had the life of the astronaut, whichever was chosen (only a few knew), in his hands. The MA–1 explosion here at the Cape nine months ago had been a chilling experience, even for veterans of flight test. The seven astronauts had been assembled for the event, partly to give them confidence in the new system. And their gullets had been stuck up toward the sky like everybody else’s, when the whole assembly blew to bits over their heads. In a few days one of those very lads would be lying on top of a rocket (albeit a Redstone, not an Atlas) when the candle was lit. Just about everybody here in NASA had seen the boys close up. NASA was like a family that way. Ever since the end of the Second World War the phrase “government bureaucracy” had invariably provoked sniggers. But a bureaucracy was nothing more than a machine for communal work, after all, and in those grueling and gorgeous weeks of the spring of 1961 the men and women of NASA’s Space Task Group for Project Mercury knew that bureaucracy, when coupled with a spiritual motivation, in this case true patriotism and profound concern for the life of the single-combat warrior himself—bureaucracy, poor gross hideously ridiculed twentieth-century bureaucracy, could take on the aura, even the ecstasy, of communion. The passion that now animated NASA spread out even into the surrounding community of Cocoa Beach. The grisliest down-home alligator-poaching crackers manning the gasoline pumps on Route A1A would say to the tourists, as the No-Knock flowed, “Well, that Atlas vehicle’s given us more fits than a June bug on a porch bulb, but we got real confidence in that Redstone, and I think we’re gonna make it.” Everyone who felt the spirit of NASA at that time wanted to be part of it. It took on a religious dimension that engineers, no less than pilots, would resist putting into words. But all felt it.

This was what Jeff had been doing all this time: transcribing the contents of the Phoenix disk, word by word. Because he knew, in spite of his madness, that he couldn’t stay on Mars forever, and he wanted to leave something behind. A library, so that others could enjoy the same stories that had helped him through a dark and troubled time. The library is still here. In fact, we’ve improved it quite a bit. I had the bed and dresser removed, and replaced them with armchairs and reading lamps. The mural has been preserved within glass frames, and the books have been rebound inside plastic covers. The Phoenix disk is gone, but its contents have been downloaded into a couple of comps; the disk itself is in the base museum. And we’ve added a lot of books to the shelves; every time a cycleship arrives from Earth, it brings a few more volumes for our collection. It’s become one of the favorite places in Arsia for people to relax. There’s almost always someone there, sitting in a chair with a novel or story in his or her lap. The sign on the door reads Imperial Martian Library: an inside joke that newcomers and tourists don’t get. And, yes, I’ve spent a lot of time there myself. It’s never too late to catch up on the classics.

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Since I left the United States in 1998, I've cast absentee ballots. Americans overseas vote from the last state they lived in, which for me was New York. Then we got the house on Emerald Isle and I changed my location to North Carolina, where I'm more inclined to feel hopeless. In 1996, in line at the grocery store in lower Manhattan, I'd look at the people in front of me, thinking, Bill Clinton voter, Bill Clinton voter, convicted felon, Bill Clinton voter, foreign tourist, felon, felon, Bill Clinton voter, felon. At the Emerald Isle supermarket that I stomp off to after the fight with my father, it's Trump, Trump, Trump, Trump, and then the cashier, who also voted for him. Of course, these are just my assumptions. The guy in the T-shirt that pictures a semiautomatic rifle above the message COME AND TAKE IT, the one in fatigues buying two twelve-packs of beer and a tub of rice pudding, didn't necessarily vote Republican. He could have just stayed home on Election Day and force-fed the women he holds captive in the crawl space beneath his living room. The morning after our argument, I come downstairs to find my father in the kitchen. 'Are you still talking to me?' he asks. I look at him as if he were single-handedly responsible for the election of Donald Trump, as if he had knowingly cast the tiebreaking vote and all of what is to come is entirely his fault. Then I say, 'Yes. Of course I'm still talking to you.' He turns and plods into the living room. 'Horse's ass.

Precisely. Aren't we all just tourists of a type, inhabiting our bodies for what little time we have on this planet?

both hands against the door. “Feet wider apart. That’s right. Like in the American movies.” Satisfied, Qazi patted the man down. “What, no gun? A GRU man without a gun …” Qazi carefully felt the man’s crotch and the arms above the wrists. “First humor and now this! The GRU will become a laughingstock. But of course there is a microphone.” Qazi lifted all the pens from the Russian’s shirt pocket and examined them, one by one. “It had better be here, Chekhov, or you will have to part with your buttons and your shoes.” It was in the third pen. “Now turn around and sit against the door.” The Russian’s face was covered with perspiration, his fleshy lips twisted in a sneer. “The shoes.” Qazi examined them carefully and tossed them back. “Now the coat.” This he scrutinized minutely. From the uppermost of the large three buttons on the front of the coat a very fine wire was just visible buried amid the thread that held the button on. Qazi sawed the button free with a small pocketknife, then dropped the pen and button down a commode. He tossed the coat back to Chekhov. “And the belt.” After a quick glance, Qazi handed it back. “Hurry, we have much to say to each other.” He unscrewed the silencer and replaced the pistol in his ankle holster. He opened the door as the Russian scrambled awkwardly to his feet. An hour later the two men were seated in the Sistine Chapel against the back wall, facing the altar and Michelangelo’s masterpiece The Last Judgment behind it. On the right the high windows admitted a subdued light. Qazi kept his eyes on the tourists examining the paintings on the ceiling and walls. “Is it in Rome, as General Simonov promised?” “Yes. But you must tell us why you want it.” “Is it genuine, or is it a masterpiece from an Aquarium print shop?” The Aquarium was the nickname for GRU headquarters in Moscow. The Russian’s lips curled, revealing yellow, impacted teeth. This was his smile. “We obtained it from Warrant Officer Walker.” “Ah, those Americans! One wonders just how long they knew about Walker’s activities.” The Russian raised his shoulders and lowered them. “Why do you want the document?” “El Hakim has not authorized me to reveal his reasons. Not that we don’t trust you. We value the goodwill of the Soviet Union most highly. And we intend to continue to cultivate that goodwill. But to reveal what you do not need to know is to take the risk that the Americans will learn of our plans through their activities against you.” “If you are implying they have penetrated—” “Chekhov, I am not implying anything. I am merely weighing risks. And I am being very forthright with you. No subterfuge. No evasion. Just the plain truth. Surely a professional like you can appreciate that?” “This document is very valuable.

Rishikesh is one of the most wanted places for adventure lovers. Rishikesh is also well-known among Hindus for its pilgrimage. The free of charge graceful river and also Substring Mountains make this place beautiful for travelers. It is really one of the best locations for people wanting onward to get tons of adventure, and fun. It's also a precious knowledge for nature lovers. The major fair activity in Rishikesh is White Water Rafting. It has grown to a well-liked and daring spot for white water rafting enthusiast as the place offers an impressive experience of average to very tough and rough rapids in the region of River Ganges. Uttarakhand adventure is well known rafting company in Rishikesh. Many adventurous tourists both from India and overseas stay this place to experience the real challenge of white water rafting. All services for white water rafting Rishikesh is available here, and there are preparation guides for rafting from whom a tourist can take help in this sport. River rafting in Rishikesh is one of the majority popular sport activities because of free flowing rivers from Himalayas. Rafting, camping, trekking, and Rock Climbing, Bungee jumping is some of the sports education that a traveler can consider. We are best rafting company in Rishikesh. Important and Helpful Information and Rafting Safety Tips for All Rafting Users • Important Equipments Shell Be take for River Rafting and Camping • Sunglasses and water glasses with retaining cord, Battery Torch • Swimming costume and quick drying shorts for river • Odomos, Antiseptic Cream and Sunscreen Lotion, First Aid Box • Only Use River Sandals & old Sneakers , no flip flops • River Rafting Guide & Splash life jackets. • Other required safety accessories • Waterproof disposable camera with Extra Battery (Full Battery Charge). • Mobile Phone with Extra Mobile Batteries (Electricity may be off) • We provide River Rafting Gears & Assistance • Helmets & river rafting gears • Trekking Shoes

I have never before gathered eggs from under a hen. Fernando has never before seen a hen. We bend low into the shed where perch a dozen or so fat lady birds. There's no shrieking or fluttering at all. I approach one and ask if she has an egg or two. Nothing. I ask in Italian. Still nothing. I ask Fernando to pick her up but he's already outside the shed smoking and pacing, telling me he really doesn't like eggs at all and he especially doesn't like frittata. Both bold-faced lies. I start to move the hen and she plumps down from her perch quite voluntarily, uncovering the place where two lovely brown eggs sit. I take them, one at a time, bend down and nestle them in my sack. I want two more. I peruse the room. I choose the hen who sits next to the docile one. I pick her up and she pecks me so hard on my wrist that I drop her. I see there is nothing in her nest and apologise for my insensitivity, thinking her nastiness must have been caused by embarrassment. I move on to another hen and this time find a single, paler brown-shelled beauty, still warm and stuck all over with bits of straw. I take it and leave with an unfamiliar thrill. This is my first full day in Tuscany and I've robbed a henhouse before lunch. Back home in the kitchen I beat the eggs, the yolks of which are orange as pumpkin, with a few grindings of sea salt, a few more of pepper, adding a tablespoon or so of white wine and a handful of Parmigliano. I dig for my flat broad frying pan, twirl it to coat its floor with a few drops of my tourist oil, and let it warm over a quiet flame. I drop in the rinsed and dried blossoms whole, flatten them a bit so they stay put, and leave them for a minute or so while I tear a few basil leaves, give the eggs another stroke or two. I throw a few fennel seeds into the pan to scent the oil, where the blossoms are now beginning to take colour on their bottom sides. Time to liven up the flame and add the egg batter. I perform the lift-and-tilt motions necessary to cook the frittata without disturbing the blossoms, which are now ensnared in the creamy embrace of the eggs. Next, I run the lush little cake under a hot grill to form a gold blistery skin on top before sliding it onto a plate, strewing it with torn basil. The heat of the eggs warms the herbs so they give up a double-strength perfume. Now I drop a thread of find old balsamico over it. And finally, let it rest.

While Dixieland men may have struggled with a language inferiority complex, the opposite is true of Southern women. We’ve always known our accent is an asset, a special trait that makes us stand out from our Northern peers in all the best ways. For one thing, men can’t resist it. Our slow, musical speech drips with charm, and with the implied delights of a long, slow afternoon sipping home-brewed tea on the back porch. In educated circles, Southern speech is considered aristocratic, and for good reason: it is far closer linguistically to the Queen’s English than any other American accent. Scottish, Irish, and rural English formed the basis of our language years ago, and the accent has held strong ever since. In the poor hill country there haven’t been many other linguistic influences, and in Charleston you’d be hard pressed to tell a British tourist from a native. In the Delta of Mississippi and Louisiana, the mixture of French, West Indian, and Southern formed two dialects--Cajun and Creole--that in some places are far more like French than English.

Benvenuta a la Via dell’Amore,” he says, poking a bright pink lock with Ashlee + Jake written on it in white paint. “What are all the locks for?” “Do you know the history of la Via dell’Amore?” I know a little, but I’d rather hear it from him, so I shake my head and he continues. “When this path between Riomaggiore and Manarola was not here, many people did not marry outside of their own village. But with the, ah, connection to the next village, love was exciting again. Lovers walked along the seaside here to meet with one another.” I take in the view as we stroll the crowded path. High cliffs stretch up to our right, with sections of loose rock held down by wire mesh, padlocks hooked onto every wire within reaching distance. To our left, the Ligurian Sea--clear and bright, blue and green--glimmers in the afternoon sun. Fishing boats and passenger ferries race along the coast. The temptation to take pictures of every detail around me is strong, but that would require letting go of Bruno’s hand, and I’m not sure I want to just yet. I’m curious to see how long he’ll hold it. “The locks are for the tourists, a symbol of love for all to see, for the eternity. Until they are cut down.” I gape at him. “Cut down?” He laughs. “Si. This path would be nothing but locks if they were not taken away.

I stop in my tracks to look up, completely disrupting the flow of tourist traffic. It’s directly in front of me, in all its ancient glory. Probably one of the most immense structures I’ve ever seen. Skyscrapers don’t count--nothing modern counts. Nothing made in the last five hundred years counts against this monster, because this was built, like, two thousand years ago and it’s still here. With the grace of a zombie, I make my way closer to inspect it. The giant stone pillars are even taller than I expected. From a distance, the whole building looked like it was carved out of a giant rock, but now that I’m only ten feet away, I see innumerable faded red bricks. I had no idea we’ve been building things the same way for thousands of years. I’m so uncultured. I know nothing about everything. This trip is going to change that.

After the Accident Before we run out of pages, I want to tell you a little of what happened to my family after the accident. My mother moved to a small house in Western Shore. Her first concern was finding a way to support herself and Ricky. Being an ex-dancer, motorcycle rider, and treasure-hunter was not likely to open any doors, so she decided to go back to school. She enrolled in a business course in Bridgewater and began her first studies since she was 12 years old. Soon she earned a diploma in typing, shorthand, and accounting, and was hired to work in a medical clinic. Ricky had been on the island from age nine to 14, mostly in the company of adults--family members and visiting tourists--but hardly ever with anyone his own age. Life on the mainland, with the give and take and bumps and bruises of high-school life was a challenge. But he survived. In time he became a carpenter, and is alive and well and living in Ottawa. My mother made a new life for herself. She remained fiercely independent, but between a job she loved and her neighbors, she formed friendships that were deep and lasting. Of course, she missed Dad and Bobby terribly. My mother and dad had been a perfect match, and my mother and brother had always shared a special bond. Bobby’s death was especially hard on her. My mother felt responsible. One day, before the accident, Bobby had taken all he could of Oak Island. After a heated argument with Dad, Bobby packed up and left. My mother had gone after him and convinced him to return--his dad needed him. She rarely spoke of it, but that weighed heavily on her for the rest of her years. My mother never left the east coast. She was 90 years old when she died. For the last 38 years of her life, she lived in a small house on a hill, in the community of Western Shore, where, from her living room window, she could look out and see Oak Island.

Mardi Gras in Cuba was one of the most uninhibited festivals I have ever witnessed. Although I do not condone the criminal elements that existed behind the festive atmosphere, I dove into the sweeping pleasures without guilt. At my age, life was to be lived, and live it I did! Most of the people surrounding me, on the packed streets of Havana, came from the United States. It also seemed that half of the Miami Police Force was there for these unrestrained festivities. Perhaps the excesses I witnessed are to be criticized, but it was all fun and well beyond my imagination. Everything was new and extremely exciting at the time. The many beautiful girls, who were said to have been exploited, certainly were as caught up in the euphoria as we were and enjoyed the moment every bit as much as we did. The decorated cars and beautiful floats with girls and guys waving, were followed by people dancing to the loud Latin beat. The jubilant parade wound its way along the coastal route to the Avenida Maceo, having started from the wide boulevard Calle G or Avenida de los Presidentes. Crowds of tourists and other revelers laughed and cheered. Smaller, but every bit as intense, were celebrations on other main streets such as Calle Neptuno. Everyone had a great time, and thanks to our officers, even our available time ashore was extended by an hour. I don’t think that it was abused by anyone, but the next day we were all tired and nursing hangovers.

Most of the cadets accepted an invitation to attend a reception at the Venezuelan Naval Academy in La Guaira. Don Silke and I had other ideas and figured on getting a cab to the capital city of Caracas. The ride would take about a half hour, if the car did not overheat going over the mountain pass on the newly constructed highway. The capital city had an elevation of 7,083 feet and we were at sea level. As we stepped off the gangway, I noticed two stunningly beautiful girls standing on the concrete dock looking at the ship. Neither of us could figure out why the girls were there. Perhaps they were tourists, but I would find out. Approaching them, I asked if we could help, but soon discovered that they didn’t speak English and we didn’t speak what seemed to be French. It could have led to an impasse but my knowledge of German saved the day. It turned out that both girls were from France and one of them came from the Alsace Province and spoke German. They were both quite bubbly and we soon found out that they were dancers with the Folies Bergère, on tour to South America. From what I understood, they would be performing in Caracas that night and could get us free tickets. It all sounded great except that we had to be back aboard by 10:00 p.m., since the ship would be leaving first thing in the morning. Rats! You win some and you lose some, but at least we were with them for now. Don and I offered to take them aboard for lunch. It all seemed exciting for them to board a ship with so many single men. Ooh là là. The girls attracted a lot of attention and the ship’s photographer couldn’t stop taking pictures. The rest of our classmates couldn’t believe what they saw and of course thought that we were luckier than we really were. For us, the illusion had to be enough and fortunately the lunch served that day was reasonably good.

Experimentation also proved serendipitous for Greg Koch and Steve Wagner, when they were putting together the Stone Brewing Co. in Escondido, California, north of San Diego. It was destined to become one of the most successful brewing startups of the 1990s. In The Craft of Stone Brewing Co. Koch and Wagner confess that the home-brewed ale that became Arrogant Bastard Ale and propelled Stone to fame in the craft brewing world, started with a mistake. Greg Koch recalls that Wagner exclaimed “Aw, hell!” as he brewed an ale on his brand spanking new home-brewing system. “I miscalculated and added the ingredients in the wrong percentages,” he told Koch. “And not just a little. There’s a lot of extra malt and hops in there.” Koch recalls suggesting they dump it, but Wagner decided to let it ferment and see what it tasted like. Greg Koch and Steve Wagner, founders of Stone Brewery. Photograph © Stone Brewing Co. They both loved the resulting hops bomb, but they didn’t know what to do with it. Koch was sure that nobody was “going to be able to handle it. I mean, we both loved it, but it was unlike anything else that was out there. We weren’t sure what we were going to do with it, but we knew we had to do something with it somewhere down the road.”20 Koch said the beer literally introduced itself as Arrogant Bastard Ale. It seemed ironic to me that a beer from southern California, the world of laid back surfers, should produce an ale with a name that many would identify with New York City. But such are the ironies of the craft brewing revolution. Arrogant Bastard was relegated to the closet for the first year of Stone Brewing Co.’s existence. The founders figured their more commercial brew would be Stone Pale Ale, but its first-year sales figures were not strong, and the company’s board of directors decided to release Arrogant Bastard. “They thought it would help us have more of a billboard effect; with more Stone bottles next to each other on a retail shelf, they become that much more visible, and it sends a message that we’re a respected, established brewery with a diverse range of beers,” Wagner writes. Once they decided to release the Arrogant Bastard, they decided to go all out. The copy on the back label of Arrogant Bastard has become famous in the beer world: Arrogant Bastard Ale Ar-ro-gance (ar’ogans) n. The act or quality of being arrogant; haughty; Undue assumption; overbearing conceit. This is an aggressive ale. You probably won’t like it. It is quite doubtful that you have the taste or sophistication to be able to appreciate an ale of this quality and depth. We would suggest that you stick to safer and more familiar territory—maybe something with a multi-million dollar ad campaign aimed at convincing you it’s made in a little brewery, or one that implies that their tasteless fizzy yellow beverage will give you more sex appeal. The label continues along these lines for a couple of hundred words. Some call it a brilliant piece of reverse psychology. But Koch insists he was just listening to the beer that had emerged from a mistake in Wagner’s kitchen. In addition to innovative beers and marketing, Koch and Wagner have also made their San Diego brewery a tourist destination, with the Stone Brewing Bistro & Gardens, with plans to add a hotel to the Stone empire.

Good Things Happen to Big-Thinking People A tourist walked down a pier and watched a fisherman pull in a large fish, measure it, and throw it back. He caught a second fish, smaller this time, he measured it, and put it in his basket. Oddly, all fish over 10 inches, he discarded. The smaller ones, he kept. Someone asked him, “why?” The fisherman said, “Because my frying pan only measures 10 inches.” Is that foolish? Of course it is, but it’s no more so than when we throw away the biggest ideas and most beautiful dreams that come into your mind simply because your experience is too limited. Start growing now. Start thinking. Big things happen to big-thinking people. You can become the team you want to be. It’s possible. Every man must make his contribution.

I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.

Some people travel for the culture, or the place’s history, or the sheer experience. Our aim is total dissolution. We travel from Egypt to Estonia, big clunky blocks of metal hanging from our necks, naïve and stuttering and asking all the right questions at all the right times—“Is this the Great Wall I’ve been hearing so much about?”—flashing a few photos and no one looks twice, except maybe to point and laugh but we are just harmless Americans come for a tour of life on the other side.

Several days later Murray asked me about a tourist attraction known as the most photographed barn in America. We drove twenty-two miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the signs started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were forty cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides--pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced at once by others. "We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. This literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said. 13 He did not speak for a while. We listened to the incessant clicking of shutter release buttons, the rustling crank of levers that advanced the film. "What was the barn like before it was photographed?" he said. "What did it look like, how was it different from other barns, how was it similar to other barns? We can't answer these questions because we've read the. signs, seen the people snapping the pictures. We can't get outside the aura. We're part of the aura. We're here, we're now." He seemed immensely pleased by this.

New Approach Needed Should you revisit us, Stay a little longer, And get to know the place. Experience hunger, Madness, disease and war. You heard about them, true, The last time you came here; It's different having them. And what about a go At love, marriage, children? All good, bur bringing some Risk of remorse and pain And fear of an odd sort: A sort one should, again, Feel, not just hear about, To be qualified as A human-race expert. On local life, we trust The resident witness, Not the royal tourist. People have suffered worse And more durable wrongs Than you did on that cross (I know - you won't get me Up on one of those things), Without sure prospect of Ascending good as new On the third day, without 'I die, but man shall live' As a nice cheering thought. So, next time, come off it, And get some service in, Jack, long before you start Laying down the old law: If you still want to then. Tell your dad that from me.

We were taking a DC-10 all the way across the country, from the east coast to the west. Together we flew into the Red Centre, the interior of the continent and the location of Ayers Rock--one of Australia’s most recognizable icons. “Have a look at it,” Steve said when we arrived. “It’s the heart of Australia.” I could see why. A huge red mountain rose up out of the flat, sandy landscape. The rock appeared out of place in the great expanse of the desert. The Aborigines knew it as Uluru, and they preferred that tourists did not clamber over their sacred site. We respectfully filmed only the areas we were allowed to access with the local Aborigines’ blessing. As we approached the rock, Steve saw a lizard nearby. He turned to the camera to talk about it. I was concentrating on Steve, Steve was concentrating on the lizard, and John was filming. Bindi was with us, and she could barely take two steps on her own at this point, so I knew I could afford to watch Steve. But after John called out, “Got it,” and we turned back to Bindi, we were amazed at what we saw. Bindi was leaning against the base of Ayer’s Rock. She had placed both her palms against the smooth stone, gently put her cheek up to the rock, and stood there, mesmerized. “She’s listening,” Steve whispered. It was an eerie moment. The whole crew stopped and stared. Then Bindi suddenly seemed to come out of her trance. She plopped down and started stuffing the red sand of Uluru into her mouth like it was delicious.

We were taking a DC-10 all the way across the country, from the east coast to the west. Together we flew into the Red Centre, the interior of the continent and the location of Ayers Rock--one of Australia’s most recognizable icons. “Have a look at it,” Steve said when we arrived. “It’s the heart of Australia.” I could see why. A huge red mountain rose up out of the flat, sandy landscape. The rock appeared out of place in the great expanse of the desert. The Aborigines knew it as Uluru, and they preferred that tourists did not clamber over their sacred site. We respectfully filmed only the areas we were allowed to access with the local Aborigines’ blessing. As we approached the rock, Steve saw a lizard nearby. He turned to the camera to talk about it. I was concentrating on Steve, Steve was concentrating on the lizard, and John was filming. Bindi was with us, and she could barely take two steps on her own at this point, so I knew I could afford to watch Steve. But after John called out, “Got it,” and we turned back to Bindi, we were amazed at what we saw. Bindi was leaning against the base of Ayer’s Rock. She had placed both her palms against the smooth stone, gently put her cheek up to the rock, and stood there, mesmerized. “She’s listening,” Steve whispered. It was an eerie moment. The whole crew stopped and stared. Then Bindi suddenly seemed to come out of her trance. She plopped down and started stuffing the red sand of Uluru into her mouth like it was delicious. We also filmed a thorny devil busily licking up ants from the sandy soil. The one-of-a-kind lizard is covered with big, lumpy, bumpy scales and spikes. “When it rains,” Steve told the camera, “the water droplets run along its body and end up channeling over its face, so that if there is any rain at all, the thorny devil can get a drink without having to look for water!” It’s a pity she won’t remember any of it, I thought, watching Bindi crouch down to examine the thorny devil’s tongue as it madly ate ants. But we had the photos and the footage. What a lucky little girl, I thought. We’ll have all these special experiences recorded for her to take out and enjoy anytime she wants to remember.

Dateline is a major prime-time news show in America, reaching millions of viewers on the NBC network. So it should have been very good news when the show’s producers informed us that they wanted to do a segment on Steve, and they wanted to film it in Queensland. “We want to experience him firsthand in the bush,” the producer told me cheerfully ove the phone. Do you really, mate? I wanted to say. I had been with Steve in the bush. It was the most fantastic experience, but I wasn’t sure he understood how remote the bush really was. I simply responded with all the right words about how excited we were to have Dateline come film. The producers wanted two totally different environments in which to film. We chose the deserts of Queensland with the most venomous snake on earth, and the Cape York mangroves--crocodile territory. Great! responded Dateline. Perfect! Only…the host was a woman, who had to look presentable, so she needed a generator for her blow-dryer. And a Winnebago, because it wasn’t really fair to ask her to throw a swag on the ground among the scorpions and spiders. This film shoot would mean a bit of additional expense. We weren’t just grabbing Sui and the Ute and setting out. But the exposure we would get on Dateline would be good for wildlife conservation, our zoo, and tourism. I telephoned a representative of the Queensland Tourism and Travel Commission in Los Angeles. “I wonder if you could help us out,” I asked. “This Dateline segment will showcase Queensland to people in America.” Could Queensland Tourism possibly subsidize the cost of a generator and a Winnebago? Silence at the end of the line. “What you are showing off of Queensland,” a voice carefully explained, “is not how we want tourists to see our fair country.” The most venomous snake on earth? Giant crocodiles? No, thanks. “But people are fascinated by dangerous animals,” I began to argue. I was wasting my time. There was no convincing him. We scraped up the money ourselves, and off we went with the Dateline crew into the bush.

We all think we understand each other,' Kin heard Silver say. 'We eat together, we trade, many of us pride ourselves on having alien friends - but all this is only possible, only possible, Kin, because we do not fully comprehend the other. You've studied Earth history. Do you think you could understand the workings of of the mind of a Japanese warrior a thousand years ago? But he is as a twin to you compare with Marco, or with myself. When we use the word "cosmopolitan" we use it too lightly - it's flippant, it means we're galactic tourists who communicate in superficialities. We don't comprehend. Different worlds, Kin. Different anvils of gravity and radiation and evolution.

The public space of the museum is not my favorite, loud and full of tourists and school groups and hungry hordes. Their curiosity is endearing---they're acolytes for the natural world. And the marble gleams with architectural detail and precious objects all around. But on these, my gray days, entering the building carries the weight of death: all the specimens, thousands of carcasses of every species, stuffed or otherwise retrieved from oblivion so we can know them, yet all dead. The birds I draw and paint, all dead. On these days, my only defense is to imagine every pinned butterfly taking wing, every stuffed marsupial waking up, every preserved plant specimen blooming and carpeting the marble floor like a time-lapse forest, and every bird coming to life, flying up to the dome and away. On the days when the fog comes and hooks into my gut like a sharp-toothed parasite, these visions can save me. The steadier, more consistent salvation, of course, is the work. I can lose myself for hours drawing, for instance, the common loon, with its inky head, white banding at the neck, and an intricacy of pin dots and fractured rectangles cascading across the wings. With the right precision, I can bring the deadness of a bird skin to a striking facsimile of life.

So, there we were, early one spring evening a few years later, at the fag end of the century, so to speak, looking for all the world like a couple of old queens: sad and a bit baggy but still game. Even if you weren’t, we were two men together: me dressed up for a Friday night at the Admiral, you my still closeted friend. The tourists cutting through to Shaftesbury Avenue would have had to look harder now to see we were identical: not scene clones, not just brothers, in fact, but twins. Identical. Except not. Nothing like.

Our tourists returning from abroad dwell on the poverty and misery of the great masses in Europe, Asia, Africa. They speak with pride of the abundance which we in America share. They talk of efficiency, sanitation, home comforts, high wages, the freedom to move about and to speak one's mind, and so on. They speak of the privileges as if they were American "inventions." (As if there had never been a Greece, a Rome, an Egypt, a China, an India, a Persia.) They never speak of the price we pay for these comforts, for all this progress and abundance. (As if we were free of crime, disease, suicide, infanticide, prostitution, alcoholism, addiction to drugs, military training, aramament races and the obsession with lethal weapons.)

Eeeeeeeeeeeeeeeeee,” Lisa shrilled as she was interrupted by a loud crashing sound coming from the hall way, followed by a sound like water gushing. We both jumped into each other’s arms again and screamed. “EEEEEEEEEEEEEEEEEEK!” “It’s ok,” I said to Lisa. “It’s probably just a roof beam falling in letting the rain come in. There’s nothing to be worried about. We need to find somewhere safe to hide.” “Safe? Where is safe? Safe from the storm or safe from the ghosts.” “There are no ghosts here. Ghosts DON’T exist!” I didn’t know who I was trying to convince, Lisa or myself. “This is a haunted house. Why wouldn’t ghosts exist?” she challenged. “Because, because….I don’t know, they just don’t that’s all. It’s just a tourist attraction.” “Well what about the boy on the swing out there?” Lisa was determined to scare us both. “We don’t know that there’s a boy on the swing out there. Our eyes aren’t seeing right in the storm,” but before I could continue reassuring Lisa, I heard a high pitched melodic sound coming from somewhere in the house, echoing

Zen means the truth that is revealed through simple living. In the acquisitive society, we tend to have too many personal possessions, responsibilities, engagements, and entertainments. The big secret is that our quality of life has deteriorated because we are crushed by the weight of all these. There is so much to do and so little time to do it! Our situation is not unlike going on a tour where the tourist guide has scheduled too many sites to visit. Instead of increasing our enjoyment of the tour, the cramming actually diminishes it.

We loved the wide-open west. Our explorations of the numinous Canadian landscape fed the songs, and our souls. We caught the west in the last of its wild state. Many of the songs I wrote in the seventies reflect our travels through the great expanse of the Canadian prairies, across the Rocky Mountains, to the moisture-rich West Coast. Space was everywhere, and there is space in the songs. Everything wasn’t a tourist trap yet, clear-cutting was not so evident, and agribusiness hadn’t completely killed off the family farm. In the first couple of years that Kitty, Aroo, and I travelled westward from Ontario, we were practically the only road campers out there. Seldom did we run across anyone else travelling the way we were. The prairies were full of abandoned old farmhouses—no families to be seen—harbingers of the reversion to feudal agricultural economics. All around the land still looked wild. Our journeys offered at least the illusion of freedom, as well as a deep sense of the land as Divine creation. Soon, though, we were seeing the spaces fill up with scabrous industrial sites, hotels, housing developments, shopping opportunities. We’d watch like gawkers at a train wreck as the land was eaten up before our eyes by inevitable human expansion and greed. There were ever more rules about where you could park your camper. It was the tail end of an epoch when the land was open and it, and we, could breathe freely. That will never come again.

I’m back from the show. The house was a legion of TV Babies, maybe tourists from Arizona. I don’t know. Probably right-wingers, too, the victims of an epidemic mental illness that a British study has proven to be the result of having an inordinately large amygdala, a part of the primitive brain that causes them to be fearful way past the point of delusion, which explains why their philosophy, their syntax and their manner of thought don’t seem to be reality based. That’s why, when you hear a Republican speak, it’s like listening to somebody recount a particularly boring dream. In the sixties, during the war between the generations, I always figured that all we had to do was wait until the old, paranoid, myth-bound, sexually twisted Hobbesian geezers died out. But I was wrong. They just keep coming back, these moldering, bloodless vampires, no matter how many times you hammer in the stake. It’s got to be the amygdala thing. Period, end of story.

In deep stillness, in a somber solemn light, these beings stand, these fins of sandstone hollowed out by time, the juniper trees so shaggy, tough and beautiful, the dead or dying pinyon pines, the little shrubs of rabbitbrush and blackbrush, the dried-up stalks of asters and sunflowers gone to seed, the black-rooted silver-blue sage. How difficult to imagine this place without a human presence; how necessary. I am almost prepared to believe that this sweet virginal primitive land will be grateful for my departure and the absence of the tourists, will breathe metaphorically a collective sigh of relief—like a whisper of wind—when we are all and finally gone and the place and its creations can return to their ancient procedures unobserved and undisturbed by the busy, anxious, brooding consciousness of man.

This would be good country,” a tourist says to me, “if only you had some water.” He’s from Cleveland, Ohio. “If we had water here,” I reply, “this country would not be what it is. It would be like Ohio, wet and humid and hydrological, and all covered with cabbage farms and golf courses. Instead of this lovely barren desert we would have only another blooming garden state, like New Jersey. You see what I mean?” “If you had more water more people could live here.” “Yes sire. And where then would people go when they wanted to see something besides people?” “I see what you mean. Still, I wouldn’t want to live here. So dry and desolate. Nice for pictures but my God I’m glad I don’t have to live here.” I’m glad too, sir. We’re in perfect agreement. You wouldn’t want to live here, I wouldn’t want to live in Cleveland. We’re both satisfied with the arrangement as it is. Why change it?” “Agreed” We shake hands and the tourist from Ohio goes away pleased, as I am pleased, each of us thinking he has taught the other something new.

The problem isn’t the tourists. It’s the criminal element,” said Serge. “That, and untended mental health problems. We have all these insane armed hobos coming from the Midwest, usually Ohio.

You’re not expecting us to jump to that?” I asked, worried. “I’m not expecting anything. We’re doing it.” With that, Erica sprang over the railing onto the whale skeleton. She sailed through the air and landed perfectly atop the skull with an agility and finesse I knew I didn’t have in the slightest. I looked around for another way out. The only other exit was blocked by the government agent, who was digging himself out of the dinosaur toys. He had a livid glare in his eye and a plesiosaur jammed in his ear. The SPYDER agents appeared to have lost us, but the government agent was threatening enough. I jumped over the railing. To my surprise, I landed deftly atop the whale skull. Only, the perfect balance thing was completely beyond me. I pitched forward and nearly took a header into the piranha display below. Erica caught me at the last instant and steadied me, but my weight had thrown her off balance too. She now pitched forward herself and had no choice but to leap from the skull and catch onto the lip of the model humpback whale. The cables supporting it strained under the sudden jolt. One snapped free from the ceiling and the whale shifted wildly. Erica swung from the whale’s lip, launched herself into a backflip, and stuck the landing in the middle of the hall. The tourists gathered there all applauded, impressed. As though they figured the Smithsonian had started hiring circus performers to spice things up. Erica looked to me expectantly. So did all the tourists. Now I had potential death and performance anxiety to deal with. Knowing I couldn’t possibly do what Erica had just done, I carefully shimmied down the metal framework that supported the whale skeleton—and still biffed the dismount. I fell backward and landed on my butt atop a large sea turtle. The tourists groaned, like I had let them down.

LOOKING FOR THE KINGDOM The north shore of Kauai is one of the most beautiful places on earth, and the pastures above the cliffs overlooking Anini Beach are some of the last open lands in that paradise. From those verdant meadows you can look out on the whales and dolphins playing in the Pacific, watch the breakers roll in and crash over the reef below. It is an enchanting place that casts an Eden-like spell on even the most cynical tourist. A friend of ours has been advocating for the protection of those gorgeous meadows; he took us there last winter to see a view that may soon be available only to the very rich. The pastures have already been marked out for small five-acre “ranchettes,” each plot going for several million; add to that the home required by the development and the bill will run more than $20 million. “The young rich have discovered Kauai,” our friend told us. “Zuckerberg has a home here; so do the guys from Apple and Google. This is the place to be.” We stood there watching the gulls and frigate birds soaring on the warm updrafts, drinking in the beauty only money can apparently buy. It had been raining; a rainbow appeared over the lush cliffs to our right. The untouched beauty of the place feels like it has been held in time since the islands were formed; unblemished beauty. Forgetting what the promise means, my heart began to ache again for life as it was meant to be, and I started to scramble internally trying to figure out how we could grab our own little slice of Eden. “They are looking for the kingdom,” Stasi said. “They are trying to buy the kingdom.” And with that, the spell was broken. Suddenly the emptiness of it all became clear—not the longing for heaven on earth, but the grasping to buy it, to arrange for our piece of it apart from the palingenesia. Now, most of the human race doesn’t have the kind of money that allows them to purchase paradise—we sure don’t—but that doesn’t stop our ravenous hunger or desperate searching

The tourists have gone home. Most of them. A few still rumble in and ramble around in their sand-pitted dust-choked iron dinosaurs but the great majority, answering a mystical summons, have returned to the smoky jungles and swamps of what we call, in wistful hope, American civilization. I can see them now in all their millions jamming the freeways, glutting the streets, horns bellowing like wounded steers, hunting for a place to park. They have left me alone here in the wilderness, at the center of things, where all that is most significant takes place.

The North Korean government, for all the terrible things it undeniably and inexcusably does, also builds housing, schools, and hospitals for its citizens. If you had concrete proof that your tourist money was being spent on the construction of an orphanage, would this be the deciding factor that would persuade you to travel there? Are there no aspects of every country one might object to—including your own? Once we begin to impose travel boycotts on ethical grounds, we quickly run out of places we can go.

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About your son, she seemed to be saying: Just put your hand here. I’m scarred, too. We’re all scarred. You are not the only one.

He sensed the return of her restlessness. “What is it?” “Let’s do something, Gregori. Something that has nothing to do with the hunt. Something different. Something touristy.” “The streets are flooded tonight,” he pointed out. She shrugged. “I know. I was just looking at some pamphlets earlier, on all the tourist attractions here,” Savannah said nonchalantly. Gregori looked up alertly at the carefully calculated disinterest in her voice. “Did any of them seem appealing to you?” She shrugged again very casually. “Most of the more interesting ones are the day trips. Like the bayous. There’s one you can go on with someone who grew up in the bayou.” She shrugged again. “I like learning local history. I wouldn’t mind a tour of the bayou with someone who grew up there.” “You have the brochure handy?” he asked. “It isn’t important,” Savannah said with a little sigh. Tossing the packet of pamphlets onto the table, she picked up her hairbrush. Gregori took it out of her hand. “If you want a proper tour of the bayou, Savannah, then we will go.” “I like to do the tourist thing,” Savannah admitted with a slight smile. “It’s kind of fun to ask questions and learn new things.” “I bet you are very good at it,” he answered her, slowly running the brush through the blue-black length of her hair. It crackled with a life of its own, refusing to be tamed. He gathered it into his hands just to feel how soft and silky it was. Over her shoulder, his pale gaze rested on the brochure she had put to one side. If Savannah wanted a tour, he would move heaven and earth to get her one. “We do not always go chasing after vampires and the mortal assassins plaguing our people,” he began diplomatically. “I know. They turn up everywhere we go,” she agreed. He tugged at a tangle in her glossy hair. “When you first proposed to come to New Orleans, we had hoped the society members would follow us and leave Aidan and his people in peace. Is that not what you wanted?” “Not particularly,” she admitted with a flash of her blue eyes. “I was only trying to get you to come here. You know, classic honeymoon. Sweet young wife teaches wizened old grouch how to have fun. That sort of thing.” “Wizened old grouch?” he echoed in astonishment. “The old part I can accept, even the grouch. But I am definitely not wizened.” In punishment he tugged her hair. “Ow!” She swung around and glared indignantly at him. “Wizened sort of seemed to fit. You know, wizard, wizened.

For all the energy directed toward the stratagem of big city living, New Yorkers are never too distracted to respond to, and more often, proactively assist visitors. Tourists tracing the routes of subway maps with their fingers, squinting at street signs or staring at a slip of paper with confusion are typical recipients of our generosity. We know our city can be as challenging as it is fascinating, and we want visitors to have a good experience.

Emily had been the only one home when we first had sex. I remember hearing her shouting from the deck. Cilla? Cilla? But I was down on the beach—Guy’s fingers pulling at my underwear, struggling with a condom. I barely had to do anything at all. Cilla, where are you? My sister’s voice, carried by the wind. “I haven’t been feeling very well,” I blurt out. “What’s wrong, flu? Those tourist sites are cesspools.” His concern is real, but his tenderness only makes me sadder because it isn’t the kind that’s between two lovers. Our relationship changed sometime after Dad got sick, or maybe right before. I was so busy with medications and doctor appointments and physical therapy and grocery shopping and cooking that I missed when it happened. A gradual shift, like the changing of a tide.

with tuk-tuks and rickshaws. While some of the districts were modern and clean, others were colourful and ramshackle. Kiosks selling cigarettes, phonecards, sweets and general supplies lined the streets and traders piled fruit and vegetables on sheets to sell. The highway to the south took us through the main commercial district, Galle Road, which was clean and modern. We headed out down the coast and soon the offices, apartments and shops melted away and were replaced by lush forest on one side and blue white-tipped ocean on the other. An hour away from the city we found a quiet little village on a bay of golden sand. We’d read about some beach houses there which were available for rent and we asked the driver to stop so Mum and Dad could have a look. We were all tired and looking forward to relaxing and having a meal. The place was ideal. Like many of the tourist areas in Sri Lanka, the accommodation was right on the beach, where land was more valuable. There was a house big enough for us all and nearby restaurants and bars, but in a family-friendly location. We booked in for a night. Our parents never initially paid for more than one night’s accommodation when we went somewhere new in case there was a nightclub or building site next door that the guides had failed to mention.

We soon arrive at the sandy trail that leads to the caretaker’s cabin, and the red wolf intern directs people to the parking area. People file out of their cars silently and gather around Kim. She waits till everyone is there and then explains that she is going to walk about a quarter of a mile down the trail to Sandy Ridge, where she’ll howl at the wolves inside. She tells us that sometimes it takes a few howls to get them interested, but we should hold tight and hope that they’ll howl back. Last week, she says, people heard one of the pups howl back. She sets off down the dark path with her flashlight aimed at the ground so as not to spook the wolves. We stand in a pool of weak, wobbly light cast from people’s flashlights and head lamps. The forest darkness encircles us. A few minutes later, we hear Kim’s call pierce the night air. The buzz and drone of insects create a background of uneven noise that I strain to filter out. I hear Kim howl again, and everyone around me seems to be holding their breath and trying not to move. We listen and wait for an answer. Nothing. Kim tries again. No response. I wonder what the people in the crowd are thinking. Is this all just a sham? Just another tourist attraction? Kim makes a fourth howl, and then it starts. A lone howl rises, forlorn and low. It meanders through a few octaves and claws higher and higher. It trails into a thin high-pitched note, and then a second and a third howl pick up at lower pitches. People in the crowd gasp, some lean forward straining to hear. Within thirty seconds, a parade of howls sings loudly from the dark woods. It is hard to believe the wolves are a few hundred yards away. They sound much closer, perhaps less than a hundred feet. Kim walks back to the crowd, flashlight downturned on the ground. Howls waft from somewhere behind her, persistent but not aggressive. The wolves sing. They sing to each other as much as they sing to us. One pitch stands out from the others, higher, thinner, and much lighter. It must be the pup. I imagine him standing next to his parents, watching them throw their heads back and open their jaws wide, letting loose with a call that says, “Here we are! Where are you? Here we are!” And the pup joins in, calling, “I’m here too! I’m here too!” I don’t know exactly what these wolves are saying, of course, but it is difficult to imagine the howling being anything other than a communication to locate other packs or individuals, a way to call out to the night and exclaim: I am here, and I know how to take care of myself so well that I’m going to let you know that I’m here! And my mate is here, and my kids are here. We are all here together in this place that is ours.

But not all arriving tourists evoke such positive responses. The sight of a van loaded with T-shirted mission-trippers elicits the opposite reaction. The short-term missionaries on board are unwitting saboteurs of the fragile micromerchant economy. Instead of bolstering local enterprise through their purchases, these tourists-on-a-mission eviscerate local businesses by flooding the market with suitcases full of free clothes, shoes, and other saleable goods. Their naive kindness undercuts the very system locals depend on for their livelihood—as Patrick Woodyard confirmed before he launched his Nisolo brand.

Punkin sniffed. “Tourists,” she said. “I don’t know why we gotta make all this for them. Fake flowers are good enough.

Though we sing with the tongues of men and of angels, if we are not truly worshipping the living God, we are noisy gongs and clanging cymbals. Though we organize the liturgy most beautifully, if it does not enable us to worship the living God, we are mere ballet-dancers. Though we repave the floor and reface the stonework, though we balance our budgets and attract all the tourists, if we are not worshipping God, we are nothing.

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We ate three tiny, geometrically engineered appetizers, including a perfect cube of kabocha squash-flavored fish cake and an octopus "salad" consisting of one tiny piece of octopus brushed with a plum dressing. Then the waitress uncovered and lit the burner in the center of the table and set a shallow cast-iron pan on top. She poured a thin layer of sauce from a pitcher. Sukiyaki is all about the sauce, a mixture of soy sauce, mirin, sake, and sugar. It's frankly sweet. Usually I'm a tiresome person who complains about overly sweet food, but where soy sauce is involved, I make an exception, because soy sauce and sugar were born to hang. The waitress set down a platter of thin-sliced Wagyu beef, so marbled that it was nearly white. She asked if we wanted egg. This time I was prepared: only for me, thanks. Then she cooked us each a slice of beef. It was tender enough to cut with your tongue against the roof of your mouth. While we sighed over the meat, she began adding other ingredients to the pan: napa cabbage, tofu, wheat gluten (fu), fresh shiitake mushrooms, shirataki noodles, chrysanthemum leaves (shungiku), and, of course, negi. Suggested tourist slogan: Tokyo: We put negi in it. Then we were left to cook the rest of the meat and vegetables ourselves. I think we nailed it. (Actually, it's impossible to do it wrong.) Like chanko nabe and all Japanese hot pots, sukiyaki gets better as the meal goes on, because the sauce becomes more concentrated and soaks up more flavor from the ingredients cooking in it.

If anyone in our family wanted to step outside onto the Truman Balcony—the lovely arcing terrace that overlooked the South Lawn, and the only semiprivate outdoor space we had at the White House—we needed to first alert the Secret Service so that they could shut down the section of E Street that was in view of the balcony, clearing out the flocks of tourists who gathered outside the gates there at all hours of the day and night.

Life is a tour, we are all tourists

Money is a country all its own,’ he said. ‘My parents were ship-owners; the family business was an international enterprise, despite the fact that we had lived until now on the small island where both of them were born, an island you would certainly not have heard of, despite its prolixity to some well-known tourist destinations.’ Proximity, I said. I think you mean proximity. ‘I do beg your pardon,’ he said. ‘I mean, of course, proximity.’ But like all wealthy people, he continued

And now you are invaded by tourists,’ I said, calm again after my bicycle-induced wobble. ‘Yes,’ he laughed. ‘Them too. The worst of the invasions. The hippies then the ravers then the celebrities and the hippies one more time. From everywhere. Not just Britain. Germany, France, Holland, Italy, Portugal, Sweden, and even today you have the Americans and everyone else too…Brazilians, Argentinians…No, it is a happy invasion really. We are all the same species, right?’ His smile was wide and genuine. ‘Ibiza is where you come to remember that. All places, all ages, all people. It’s good. Apart from the golf courses. We do not like golf courses here. There is one but no more. One is enough.

This town exists for the dead, not the living. When the younger generations leave, they only come back for funerals—their family’s or eventually their own. Alba is a huge mausoleum, literally funded by tourists who flock here to see the dead things we refuse to let go. We’re all just part of the exhibit. If you’re expecting change or acceptance, don’t. Survival here depends on our ability not to change, to preserve the past. Change and progress are the two things that will kill this town.

Girls must learn to make do with the limited spaces that they're offered. In my servant adolescence, that space was the mall. Easily accessed, inviting no probing questions from our parents, always warm and safe. I can't begin to count the hours spent wandering the convoluted corridors of ever expanding shopping centers in Mississauga. I suppose we were lucky that given Mississauga size and growth rate, we had choices. […] despite the mall's inherent homogeneity, we entertained ourselves by looking at things we couldn't afford, imagining the cool people we'd be if only we had the right clothes and shoes. We found ways to make our own spaces, and stairwells, corners, and service corridors. My best friend Erica and I didn't go to the same school, so the mall was the place where we could actually gather instead of talking on the phone. But as we got older, the mall didn't reflect our changing identities. We needed to find the space and styles and people that would let us start to define ourselves as more Jewish girls from the suburbs. […] If the mall was our default space – easy to access, parents happy to leave us there for a few hours – then downtown, as we called neighboring Toronto, was our aspiration. We could take a commuter train and in about 30 minutes we'd be at the foot of Yonge Street, one of Toronto’s central shopping and tourist districts. While we might venture into the enormous Eaton center mall, our targets were the vintage shops, used record stores, poster shops, and head shops of Yonge and Queen streets. […] Of course all of this feels like a cliche now. We weren't unique. Suburban girls all over seek out ways to push back against the pressures of conformity. Like with young people we were trying to figure ourselves out and “different” space has helped us create fresh moments for self-expression. Girls’ presence on city streets, a place where they have been deemed out of place, can and should be considered part of girls’ repertoire of resistance to varying modes of control within an adult-dominated, patriarchal society.

The deep stillness, after that roar of steamers, trains, and tourists, held something that thrilled, for as we lay round the fire there was no sound but the faint sighing of the pines and the soft lapping of the waves along the shore and against the sides of the boat in the lagoon. The ghostly outline of her white sails was just visible through the trees, idly rocking to and fro in her calm anchorage, her sheets flapping gently against the mast. Beyond lay the dim blue shapes of other islands floating in the night, and from all the great spaces about us came the murmur of the sea and the soft breathing of great woods. The odours of the wilderness—smells of wind and earth, of trees and water, clean, vigorous, and mighty—were the true odours of a virgin world unspoilt by men, more penetrating and more subtly intoxicating than any other perfume in the whole world. Oh!—and dangerously strong, too, no doubt, for some natures!