“
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
But you'll be killed!"
"I'll be fine. Besides, we've got no choice."
Annabeth glared at me like she was going to punch me. And then she did something that surprised me even more. She kissed me.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
Ginny, listen...I can't be involved with you anymore. We've got to stop seeing each other. We can't be together."
"It's for some stupid noble reason isn't it?"
"It's been like...like something out of someone else's life these last few weeks with you. But I can't...we can't...I've got to do things alone now. Voldemort uses people his enemies are close to. He's already used you as bait once, and that was just because you were my best friend's sister. Think how much danger you'll be in if we keep this up. He'll know, he'll find out. He'll try and get me through you."
"What if I don't care?"
"I care. How do you think I'd feel if this was your funeral...and it was my fault...
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)
”
”
André Aciman (Call Me by Your Name)
“
We've got to face the fact that some people say you fight fire best with fire, but we say you put fire out best with water. We say you don't fight racism with racism. We're gonna fight racism with solidarity.
”
”
Fred Hampton (I Am A Revolutionary: Fred Hampton Speaks (Black Critique))
“
There are so many ways to go wrong. All we've got are metaphors, and they're never exactly right. You can never just Say. The. Thing.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
We all start out so damn sure, thinking we've got the world on a string. If we ever stopped to think about the infinite number of ways we could be undone, we'd never leave our bedrooms.
”
”
Jonathan Tropper (This is Where I Leave You)
“
You never get it right, you people, do you? Either we've got Fudge, pretending everything's lovely while people get murdered right under his nose, or we've got you, chucking the wrong people into jail and trying to pretend you've got 'The Chosen One' working for you!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
A BOOK?! WHAT D'YOU WANNA FLAMING BOOK FOR?...WE'VE GOT A LOVELY TELLY WITH A 12-INCH SCREEN AND NOW YA WANNA BOOK!
”
”
Roald Dahl (Matilda)
“
Even though I don't ask, Plutarch gives me cheerful updates on the phone like "Good news, Katniss! I think we've almost got him convinced you're not a mutt!" Or "Today he was allowed to feed himself pudding!
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Are you crazy?" I said.
"Crazy about you."
"Patch!"
"Don't worry, we've got time."
"How do you know?"
He staggered back a step, with his hand over his heart. "Your lack of faith hurts.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
I may have come close, but I never had what you had. Something always held me back or stood in the way. How you live your life is your business. But remember, our hearts and our bodies are given to us only once. Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain.
”
”
André Aciman (Call Me by Your Name)
“
All right. Are you going to come back? Do you want any soup?"
"No," said Jace.
"Do you think Hodge will want any soup?"
"No one wants any soup."
"I want some soup," Simon said.
"No, you don't," said Jace. "You just want to sleep with Isabelle."
Simon was appalled. "That is not true."
"How flattering," Isabelle murmured into the soup, but she was smirking.
"Oh, yes it is," said Jace. "Go ahead and ask her—then she can turn you down and the rest of us can get on with our lives while you fester in miserable humiliation." He snapped his fingers. "Hurry up, mundie boy, we've got work to do.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
We've got a motto here-you're tougher than you think you are, and you can do more than you think you can.
”
”
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
“
The way to beat Luke," he said. "If I'm right, it's the only way you'll stand a chance."
I took a deep breath. "Okay. I'm listening."
Nico glanced inside my room. His eyebrows furrowed.
"Is that...is that blue birthday cake?"
He sounded hungry, maybe a little wistful. I wondered if the poor kid had ever had a birthday party, or if he'd ever even been invited to one.
:Come inside for cake and ice cream," I said. "It sounds like we've got a lot to talk about.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
Hey, we've all got problems, chum. I'm overly talkative. You look like a field of buttercups in a suit.
”
”
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
“
Seriously,” Shane said, “this kind of is the worst situation we’ve ever been in, right?”
“Speak for yourself,” Michael said. “I got myself killed last year. Twice.”
“Oh yeah. You’re right—last year really sucked for you.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Angel Bob: Doctor? Excuse me, hello, Doctor? Angel Bob here, sir.
The Doctor: Ah, there you are, Angel Bob. How's life? Sorry, bad subject.
Angel Bob: The Angels are wondering what you hope to achieve.
The Doctor: Achieve? We're not achieving anything. We're just hanging, it's nice in here: consoles; comfy chairs; a forest... how's things with you?
Angel Bob: The Angels are feasting, sir. Soon we will be able to absorb enough power to consume this vessel, this world, and all the stars and worlds beyond.
The Doctor: Yeah, but we've got comfy chairs. Did I mention?
Angel Bob: We have no need for comfy chairs.
The Doctor: [amused] I made him say 'comfy chairs'.
”
”
Steven Moffat
“
We've got a bond in common, you and I. We are both alone in the world.
”
”
Daphne du Maurier (Rebecca)
“
We've got a sort of brainwashing going on in our country, Morrie sighed. Do you know how they brainwash people? They repeat something over and over. And that's what we do in this country. Owning things is good. More money is good. More property is good. More commercialism is good. More is good. More is good. We repeat it--and have it repeated to us--over and over until nobody bothers to even think otherwise. The average person is so fogged up by all of this, he has no perspective on what's really important anymore.
Wherever I went in my life, I met people wanting to gobble up something new. Gobble up a new car. Gobble up a new piece of property. Gobble up the latest toy. And then they wanted to tell you about it. 'Guess what I got? Guess what I got?'
You know how I interpreted that? These were people so hungry for love that they were accepting substitutes. They were embracing material things and expecting a sort of hug back. But it never works. You can't substitute material things for love or for gentleness or for tenderness or for a sense of comradeship.
Money is not a substitute for tenderness, and power is not a substitute for tenderness. I can tell you, as I'm sitting here dying, when you most need it, neither money nor power will give you the feeling you're looking for, no matter how much of them you have.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
I don't accept the currently fashionable assertion that any view is automatically as worthy of respect as any equal and opposite view. My view is that the moon is made of rock. If someone says to me 'Well, you haven't been there, have you? You haven't seen it for yourself, so my view that it is made of Norwegian Beaver Cheese is equally valid' - then I can't even be bothered to argue. There is such a thing as the burden of proof, and in the case of god, as in the case of the composition of the moon, this has shifted radically. God used to be the best explanation we'd got, and we've now got vastly better ones. God is no longer an explanation of anything, but has instead become something that would itself need an insurmountable amount of explaining. So I don't think that being convinced that there is no god is as irrational or arrogant a point of view as belief that there is. I don't think the matter calls for even-handedness at all.
”
”
Douglas Adams
“
Um," Grover said. "Percy?"
"Yeah?"
"I thought you'd want to know."
"Yeah?"
"Cerberus? He's saying we've got ten seconds to pray to the god of our choice.After that...well...he's hungry.
”
”
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
“
You are not on your own anymore. It’s you and me now. We are in this together, and we’ve got this.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Tohru: "Call a doctor, or a vet, or something! Mr. Postman! It's terrible! You see?! They're animals!"
Mailman: "Well, uh, yes, they certainly are. Here's your mail."
Tohru: "No, no, we've got to do something!"
(Shigure in dog form grabs the letter.)
Mailman: "I wish my dog was as smart. Good day!
”
”
Natsuki Takaya (Fruits Basket, Vol. 1)
“
The name says it all. That's where Dad (Hades) tries out his new punishment ideas, but he says the traditional ones still work best: the lava flows, the minefields full of exploding surprises, burning at the stake, running naked through cactus patches... You name it, we've got it here - Nico di Angelo
”
”
Rick Riordan (Percy Jackson & the Olympians: The Ultimate Guide)
“
If you think I'm going to let six people risk their lives - !'
'because it's the first time for all of us,' said Ron.
'This is different, pretending to be me -'
'Well, none of us really fancy it, Harry,' said Fred earnestly. 'Imagine if something went wrong and we were stuck as specky, scrawny gits forever.'
Harry did not smile.
'You can't do it if I don't cooperate, you need me to give you some hair.'
'Well, that's the plan scuppered,' said George. 'Obviously there's no chance at all of us getting a bit of your hair unless you cooperate.'
'Yeah, thirteen of us against one bloke who's not allowed to use magic; we've got no chance,' said Fred.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Who wants us?" Bianca demanded. "Because if you think you'll get a ransom, you're wrong. We don't have any family. Nico and I—" Her voice broke a little. "We've got no one but each other.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
You know that we've got a few problems we need to talk through before we get married."
"I'm not getting rid of Pooh."
"See, there you go being antagonistic. Marriage means learning to compromise."
"I didn't say I wouldn't compromise. I promise to take the ribbon out of her topknot before you walk her.
”
”
Susan Elizabeth Phillips (It Had to Be You (Chicago Stars, #1))
“
People are too lazy and too stupid to think for themselves that we've got sitcoms with canned laughter that let's you know when to laugh if you're to stupid to know when the joke is.
”
”
Marilyn Manson
“
Get up guys. We’ve got a visit to pay.”
“What are you talking about?”
“I am not hanging out with Blake Lazar again.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Quick, Derek, it's your chance to shine," Ascanio said.
Derek gave him a withering look.
"Desandra is a mother, Robert is married, Kate's affianced, and I'm an old soul. You're the closest thing to a virgin we've got. Get on with growing some flowing locks.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
We are all flawed, my dear. Every one of us. And believe me, we've all made mistakes. You've just got to take a good hard look at yourself, change what needs to be changed, and move on, pet.
”
”
Lauren Myracle
“
It always amazes me to look at the little, wrinkled brown seeds and think of the rainbows in 'em," said Captain Jim. "When I ponder on them seeds I don't find it nowise hard to believe that we've got souls that'll live in other worlds. You couldn't hardly believe there was life in them tiny things, some no bigger than grains of dust, let alone colour and scent, if you hadn't seen the miracle, could you?
”
”
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
“
Yo, beautiful. Come pop this collar off me.”
Natalya hissed, “Are you mad?”
“What’s she gonna do? Vivisect me? Imprison me? We’ve got a pact to fulfill,remember?”
To Dorada, she cried, “Seriously, sweetheart, shake that mummified ass over here.”
Regin kicked the glass. “Lemme the fuck out—”
La Dorada swung her head around,peering at Regin with her one eye.
“Okay. That’s freaky. Lookit, Gollum, if you spring me, I’ll help you find your Precious.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
I go out of my way to make sure you don’t have any reason to feel jealous, but when you do get possessive, I like it. I want you to fight for me. I want you to care that much. I want you crazy about me. But possessiveness without trust is hell. If you don’t trust me, we’ve got nothing.
”
”
Sylvia Day (Reflected in You (Crossfire, #2))
“
Easy climb, Kurokuma. You do it easily.'
'Not on your life,' Horace said... 'That's what we have Rangers for. They climb up sheer rock walls and crawl along narrow, slippery ledges. I'm a trained warrior, and I'm far to valuable to risk such shenanigans.'
'We're not valuable?' Will said, feigning insult.
Horace looked at him. 'We've got two of you. We can always afford to lose one,' he said firmly.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
I spent a long time playing that game,” she said. “Pretending there were other versions of this world, where other versions of me got to live, and be happy, even if I didn’t, and you know what? It’s lonely as hell. Maybe there are other versions, other lives, but this one’s ours. It’s all we’ve got.
”
”
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
“
All grimy and sweaty, Alexander drew her to him, his palms on her back, and bending to her and tilting his head, whispered into her mouth, "Tatiasha, I know you won't believe this, but if I'm looking at the sheets when I'm making love to you, we've got a bigger problem than what damn color they are.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
consider the implications. We think we know what we want, but we can never really know until we've got it. And sometimes when we have, we discover we never really wanted it in the first place - but then it's too late
”
”
Alexandra Potter (Be Careful What You Wish For)
“
"But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art.
”
”
Aldous Huxley (Brave New World)
“
As they climbed into their saddles, Myron bowed his head and muttered a soft prayer.
“There,” Hadrian told Royce, “we’ve got Maribor on our side. Now you can relax.”
“Actually,” Myron said sheepishly, “I was praying for the horses. But I will pray for you as well,” he added hastily.
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
Quote taken from Chapter 1:
"The police should be in it, not us. We’re out of here.” Bill did an about-face to retrace their route to the door.
Piper whipped out a hand and snagged him by the shirttail. Her tone returned to crisp and decisive. “Slow down, Roadrunner. I’m not ready to leave. We’ve got work to do.”
Incredulous, he stared gape-mouthed at her. “You'd better explain,” he said.
She wiggled her nose. “I’m growing nosier by the second about the circumstances surrounding Anna’s murder.
”
”
Ed Lynskey (The Corpse Wore Gingham (Piper & Bill Robins, #1))
“
You mustn't be so afraid of life - it's all we've got. Don't let it hurt you so much.
”
”
Anna Kavan
“
You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.'
'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?'
'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
”
”
Alan Moore (V for Vendetta)
“
We'll win, of course," he said.
"You don't want that," said the demon.
"Why not, pray?“
“Listen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean."
Aziraphale looked taken aback.
"Well, I should think-" he began.
"Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
That is the way Emerson said it. But here is the way a poet -the late Douglas Mallochsaid
it:
If you can't be a pine on the top of the hill.
Be a scrub in the valley-but be
The best little scrub by the side of the rill;
Be a bush, if you can't be a tree.
If you can't be a bush, be a bit of the grass.
If you can't be a muskie, then just be a bass-
But the liveliest bass in the lake!
We can't all be captains, we've got to be crew.
There's something for all of us here.
There's big work to do and there's lesser to do
And the task we must do is the near.
If you can't be a highway, then just be a trail,
If you can't be the sun, be a star;
It isn't by the size that you win or you fail-
Be the best of whatever you are!
”
”
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
“
I think we've been through a period where too many people have been given to understand that if they have a problem, it's the government's job to cope with it. 'I have a problem, I'll get a grant.' 'I'm homeless, the government must house me.' They're casting their problem on society. And, you know, there is no such thing as society. There are individual men and women, and there are families. And no government can do anything except through people, and people must look to themselves first. It's our duty to look after ourselves and then, also to look after our neighbour. People have got the entitlements too much in mind, without the obligations. There's no such thing as entitlement, unless someone has first met an obligation.
”
”
Margaret Thatcher
“
Excellent,” said Lupin, looking up as Tonks and Harry entered.
“We’ve got about a minute, I think. We should probably get out into the garden so we’re ready. Harry, I’ve left a letter telling your aunt and
uncle not to worry —”
“They won’t,” said Harry.
“That you’re safe —”
“That’ll just depress them.”
“— and you’ll see them next summer.”
“Do I have to?
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
=> When life gives you a hundred reasons to cry, show life that you have a thousand reasons to smile.
=> Never tell your problems to anyone...20% don't care and the other 80% are glad you have them.
=> It's true that we don't know what we've got until we lose
it, but it's also true that we don't know what we've been
missing until it arrives.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
And so now I'd like to say - people can change anything they want to. And that means everything in the world. People are running about following their little tracks - I am one of them. But we've all got to stop just following our own little mouse trail. People can do anything - this is something that I'm beginning to learn. People are out there doing bad things to each other. That's because they've been dehumanised. It's time to take the humanity back into the center of the ring and follow that for a time. Greed, it ain't going anywhere. They should have that in a big billboard across Times Square. Without people you're nothing. That's my spiel.
”
”
Joe Strummer
“
But what the evil people do, that's their responsibility. The burden they have to carry. Sure, when we see 'em starting on causing some hurt, we've got to try and stop 'em, but mostly what the rest of us should be concerning ourselves with is doing right by others. Every time you do a good turn, you shine the light a little further into the dark. And the thing is, even when we're gone, that light's going to keep shining on, pushing the shadows back.
”
”
Charles de Lint (Someplace to Be Flying (Newford, #5))
“
There have been hermaphrodites around forever, Cal. Forever. Plato said that the original human being was a hermaphrodite. Did you know that? The original person was two halves, one male, one female. Then these got separated. That's why everybody's always searching for their other half. Except for us. We've got both halves already.
”
”
Jeffrey Eugenides (Middlesex)
“
fuck
she pulled her dress off
over her head
and I saw the panties
indented somewhat into the
crotch.
it's only human.
now we've got to do it.
I've got to do it
after all that bluff.
it's like a party--
two trapped
idiots.
under the sheets
after I have snapped
off the light
her panties are still
on. she expects an
opening performance.
I can't blame her. but
wonder why she's here with
me? where are the other
guys? how can you be
lucky? having someone the
others have abandoned?
we didn't have to do it
yet we had to do it.
it was something like
establishing new credibility
with the income tax
man. I get the panties
off. I decide not to tongue her. even then
I'm thinking about
after it's over.
we'll sleep together
tonight
trying to fit ourselves
inside the wallpaper.
I try, fail,
notice the hair on her
head
mostly notice the hair
on her
head
and a glimpse of
nostrils
piglike
I try it again.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
There’s nothing here,” Carter said.
“What do you want?” I asked. “We’ve got wax, some toilet papyrus, an ugly statue.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Hello, Officer? Can you help me? My dad got turned into a zombie. You know, we’ve been travelling around getting rid of things that aren’t real, and this time they hit back. I really need someplace to stay – but can you make sure I have some holy water or something wherever it is? And some silver-jacketed bullets? That’d be sweet. Yeah, that’d be totally cool. Thanks. And while you’re at it, can you tell the guys with the straitjackets that I’m really sane? That would help.
”
”
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
“
We've got a problem!" I shouted.
"No, I heard that. I mean, what's the problem now?"
"I have the solution!" Jack interrupted.
"What?" I sat up, all ears.
"Bells!"
"What?" Lend and I asked at the same time.
"Get her a kitty collar with bells on it. That way you can hear her coming and get someplace where you won't be hurt by collapsing immediately into sleep.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Ourchestra:
So you haven't got a drum, just beat your belly.
So I haven't got a horn-I'll play my nose.
So we haven't any cymbals-
We'll just slap our hands together,
And though there may be orchestras
That sound a little better
With their fancy shiny instruments
That cost an awful lot-
Hey, we're making music twice as good
By playing what we've got!
”
”
Shel Silverstein
“
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
”
”
Michael Crichton (Jurassic Park / Congo)
“
Those look like broken ribs," Hunt said wryly.
"Definitely broken ribs, Athalar," Bryce replied, sitting back on her heels. "And a broken arm, from the way he's cradling it."
"Skull fracture's healed," Hunt observed with equal distance, as if they were on one of his favorite Vanir crime show procedurals. Ithan's eyes flashed again.
"I'm sensing hostility and a good dose of male pride," Bryce said.
"Throw in some stubbornness and I'd say we've got a classic case of stupidity," Hunt answered.
"What the fuck is wrong with you two?" Ithan demanded.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
Cassandra watched him go, slumping a little as the distance between them grew. "He was so nice."
"Yeah."
"And look at that butt."
I considered said item. "Definitely superior. But not for Cassandra hands?"
She shook her head sadly. "Another person stands between us now. He'll meet her within the month."
"Is she prettier than you?"
Cassandra started to smile.
"Well?"
"No"
"Ha!"
"Jaz!"
"Honey, we've got to take our victories where we can find them.
”
”
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
“
Hot damn, Wip. We’ve got a stone-cold fox on our hands.”
Willa flipped Ginger the bird without looking away from the full-length mirror. “This touching family sitcom moment brought to you by the letters F and U.
”
”
Tessa Bailey (Protecting What's His (Line of Duty, #1))
“
Look. Shit happened. Shit's going to keep happening. You don't need me to tell your life isn't fair. You're here because you know it isn't. Life doesn't care what we want out of it; it's up to us to fight for what we want with everything we've got. Seth wanted us to win. He wanted us to make it past the fourth match. I think we owe it to him to perform. Let's show the world what we've got. Let's make this our year.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
We’ve all done it. Said: “I am so [overwhelmed, tired, stressed, busy, blocked, outmatched].” And then what do we do about it? Go out and party. Or treat ourselves. Or sleep in. Or wait. It feels better to ignore or pretend. But you know deep down that that isn’t going to truly make it any better. You’ve got to act. And you’ve got to start now.
”
”
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
“
We have to get used to the idea that no one cares as much as us, because guess what, they don’t. Succeed, fail, whatever, no one is going to give you a pat on the back for spending all hours of the day studying, or researching, or giving up everything to write. So we’ve got to just do it for ourselves.
”
”
Lara Avery (The Memory Book)
“
Ron, you're making it snow," said Hermione patiently, grabbing his wrist and redirecting his wand away from the ceiling from which, sure enough, large white flakes had started to fall. Lavender Brown, Harry noticed, glared at Hermione from a neighboring table through very red eyes, and Hermione immediately let go of Ron's arm.
"Oh yeah," said Ron, looking down at his shoulders in vague surprise." Sorry...looks like we've all got horrible dandruff now...."
He brushed some of the fake snow off Hermione's shoulder. Lavender burst into tears. Ron looked immensely guilty and turned his back on her.
"We split up," he told Harry out of the corner of his mouth. "Last night. When she saw me coming out of the dormitory with Hermione. Obviously she couldn't see you, so she thought it had just been the two of us."
"ah," said Harry. "Well - you don't mind it's over, do you?" "No," Ron admitted. "It was pretty bad while she was yelling, but at least I didn't have to finish it."
"Coward," said Hermione, though she looked amused. "Well, it was a bad night for romance all around. Ginny and Dean split up too, Harry."
Harry thought there was a rather knowing look in her eye as she told him that, but she could no possibly know that his insides were suddenly dancing the conga.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
With Cats, some say, one rule is true:
Don’t speak till you are spoken to.
Myself, I do not hold with that —
I say, you should ad-dress a Cat.
But always keep in mind that he
Resents familiarity.
I bow, and taking off my hat,
Ad-dress him in this form: O Cat!
But if he is the Cat next door,
Whom I have often met before
(He comes to see me in my flat)
I greet him with an oopsa Cat!
I think I've heard them call him James —
But we've not got so far as names.
”
”
T.S. Eliot (Old Possum's Book of Practical Cats)
“
Hey, Ivashkov! Open up. " Avery argued. She kept pounding on the door and yelling, and finally, Adrian answered. His hair stuck up at odd angles, and he had dark circles under his eyes. He'd drunk twice as much as Lissa last night.
"What . . . ?" He blinked. "Shouldn't you guys be in class? Oh God. I didn't sleep that much, did I? "
"Let us in, " said Avery, pushing past. "We've got refugees from a fire here. " She flounced onto his couch, making herself at home while he continued staring. Lissa and Christian joined her.
"Avery sprang the fire alarm, " explained Lissa.
"Nice work, " said Adrian, collapsing into a fluffy chair. "But why'd you have to come here? Is this the only place that's not burning down? "
Avery batted her eyelashes at him. "Aren't you happy to see us? " He eyed her speculatively for a moment.
"Always happy to see you.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
Basement?' Hamish cried, then glanced at his brother. 'You hear this fellow? He thinks we can just go on down to the furnace and start tinkering?'
Angus laughed. 'He probably wouldn't care at all if the whole place went boom, he wouldn't.'
At this the guard bristled and stood up even straighter. 'Now see here---'
'No, you see, my good man. Out here, see, we've got snow. So in there, I'd bet, you've got heat. And where there's heat there's gas; and where there's gas there's...'
Angus trailed off while his brother said, 'boom.
”
”
Ally Carter (Heist Society (Heist Society, #1))
“
You got a lot of ladies to get through. You’re still young. First love’s the sweetest, but it doesn’t last.”
“Not ever?” I ask.
Grandad looks at me with a seriousness he reserves for moments when he wants me to really pay attention. “When we fall that first time, we’re not really in love with the girl. We’re in love with being in love. We’ve got no idea what she’s really about—or what she’s capable of. We’re in love with our idea of her and of who we become around her. We’re idiots.
”
”
Holly Black (Black Heart (Curse Workers, #3))
“
But then, Phillip reminded me of something that happened so long ago, I had completely forgotten it. He reminded of when we were ten, and he gave me my first kiss. We were on the swings out behind school, and right after he kissed me, he got up and ran away. Then all of a sudden, he stopped, turned around and yelled back, Will you marry me someday? And I yelled back to him, YES! And so he said that if people ask, I could tell them that we've been secretly engaged for the past twelve years. And so,.. you will probably all think I am very crazy, but I had to say YES again tonight!
”
”
Jillian Dodd (That Boy (That Boy, #1))
“
You think man can destroy the planet? What intoxicating vanity. Earth has survived everything in its time. It will certainly survive us. To the earth...a million years is nothing. This planet lives and breathes on a much vaster scale. We can’t imagine its slow and powerful rhythms, and we haven’t got the humility to try. We’ve been residents here for the blink of an eye. If we’re gone tomorrow, the earth will not miss us.
”
”
Blake Crouch (Pines (Wayward Pines, #1))
“
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.
”
”
Alice Oseman (Loveless)
“
You're thinking that people don't keep up old jealousies for twenty years or so. Perhaps not. Not just primitive, brute jealousy. That means a word and a blow. But the thing that rankles is hurt vanity. That sticks. Humiliation. And we've all got a sore spot we don't like to have touched.
”
”
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
“
And then . . . we’re going to get in my car.”
I waited for him to elaborate on a destination. “And?”
He gently kissed the nape of my neck. “What do you think?”
I couldn’t help a small gasp of delight. “Oh, wow.”
“I know, right? I was racking my brain for the best present ever, and then I realized that nothing was going to rock your world more than you and me in your favorite place in the entire world.”
I swallowed. “I’m kind of embarrassed at how excited I am about that.” Never had I guessed my love of cars would play a role in my sex life. Eddie was right. Something had happened to me.
“It’s okay, Sage. We’ve all got our turn-ons.”
“You kind of ruined the surprise, though.”
“Nah. It’s part of the gift: you getting to think about it for the next three days.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I gave you Jake because you’re headstrong and accident prone, and he’s our medic and I trust him to patch you up. I gave you Jake because you’re the best map reader we’ve got, and he’s damn near blind. And I gave you Jake because you absolutely never believe in yourself—and he finds a way to believe in you every damn day.
”
”
Katherine Center (Happiness for Beginners)
“
if people lived forever - if they never got any older - if they could just go on living in this world, never dying, always healthy - do you think they'd bother to think hard about things the way we're doing now? i mean, we thing about just about everything, more or less - philosophy, psychology, logic. religion. literature. i kinda think, if there were no such thing as death, that complicated thoughts and ideas like that would never come into the world...
...people have to think seriously about what it means for them to be alive here and now because they know they're going to die sometime. right? who would think about what it means to be alive if they were just going to go on living forever? why would they have to bother? or even if they should bother, they'd probably just figure, 'oh, well, i've got plenty of time for that. i'll think about it later.' but we can't wait till later. we've got to think about it right this second...nobody knows whats going to happen. so we need death to make us evolve...death is this huge, bright thing, and the bigger and brighter it is, the more we have to drive ourselves crazy thinking about things.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
Doubt requires more courage than conviction does, and more energy; because conviction is a resting place and doubt is infinite – it is a passionate exercise. You may come out of my play uncertain. You may want to be sure. Look down on that feeling. We’ve got to learn to live with a full measure of uncertainty. There is no last word. That’s the silence under the chatter of our time.
”
”
John Patrick Shanley (Doubt, a Parable)
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
. . . One of the most human things about anxiety is that we try to cure chaos with chaos. Someone who has got themselves into a catastrophic situation rarely retreats from it, we're far more inclined to carry on even faster. We've created lives where we can watch other people crash into the wall but still hope that somehow we're going to pass straight through it. The closer we get, the more confidently we believe that some unlikely solution is miraculously going to save us, while everyone watching us is just waiting for the crash."
. . . So Zara asked, without any sarcasm, "Have you learned any theories about why people behave like that, then?"
"Hundreds," The psychologist smiled.
"Which one do you believe?"
"I believe the one that says that if you do it for long enough, it can become impossible to tell the difference between flying and falling.
”
”
Fredrik Backman (Anxious People)
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
I’m not sure what exactly you think we’ve been through. We were best friends, then we were a couple, then my momma got sick and you needed your dick sucked so you cheated on me. I took care of my sick momma alone. No one to lean on. Then she died and I moved. I got my heart and world shattered and came home. You've been here for me. I didn’t ask you to but you have. I’m thankful for that but it doesn’t make all that other stuff go away. It doesn’t make up for the fact you deserted me when I needed you the most. So excuse me if when my world is once again about to be jerked out from under me that you aren’t the first person I run to. You haven’t earned that yet.
”
”
Abbi Glines (Never Too Far (Rosemary Beach, #2; Too Far, #2))
“
now look, she said, stretched out on the bed, I don’t want anything personal, let’s just do it, I don’t want to get involved, got it? she kicked off her high-heeled shoes… sure, he said, standing there, let’s just pretend that we’ve already done it, there’s nothing less involved than that, is there? what the hell do you mean? she asked. I mean, he said, I’d rather drink anyhow. and he poured himself one. it was a lousy night in Vegas and he walked to the window and looked out at the dumb lights. you a fag? she asked, you a god damned fag? no, he said. you don’t have to get shitty,...
”
”
Charles Bukowski (You Get So Alone At Times That It Just Makes Sense)
“
When you first looked at me
I forgot to breathe
that moment marked my hardened heart
I vowed to never leave
And the touch of your skin
healed something deep within
that left me wanting more of you
the less I got the more it grew
Oh I couldn't help from falling, falling for you
So I'm standing here, oh girl you know
After all that we've been through we couldn't let it go
and as long as I'm alive, in your eyes I'll stare
holding you so close I'll solemnly swear
that I have fallen too far
that I have fallen too far, too far for you.
For you
When I finally found you
I finally found me
that day I won't soon forget
the reason for it all
I'll give you a new name
nothing in life will be the same
the story is now complete
our life and love is all we need
'Cause I couldn't help from falling
falling for you
So I'm standing here oh girl you know
After all we've been through we couldn't let it go
and as long as I'm alive, in your eyes I'll stare
holding you so close I'll solemnly swear
that I have fallen too far, that I have fallen too far
too far for you
My heart is beating
begging for you
this night will be
a dream come true
so fall, fall, fall into my arms
So I'm standing here oh girl you know
After all that we've been through we couldn't let it go
That I have fallen too far
That I have fallen too far
That I have fallen too far
too far for you, yeah
For you...
”
”
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
“
I simply want to tell you that there are some men in this world who were born to do our unpleasant jobs for us. Your father’s one of them.”
“Oh,” said Jem. “Well.”
“Don’t you oh well me, sir,” Miss Maudie replied, recognizing Jem’s fatalistic noises, “you are not old enough to appreciate what I said.”
Jem was staring at his half-eaten cake. “It’s like bein’ a caterpillar in a cocoon, that’s what it is,” he said. “Like somethin’ asleep wrapped up in a warm place. I always thought Maycomb folks were the best folks in the world, least that’s what they seemed like.”
“We’re the safest folks in the world,” said Miss Maudie. “We’re so rarely called on to be Christians, but when we are, we’ve got men like Atticus to go for us.
”
”
Harper Lee (To Kill a Mockingbird)
“
I suspect almost every day that I’m living for nothing, I get depressed and I feel self-destructive and a lot of the time I don’t like myself. What’s more, the proximity of other humans often fills me with overwhelming anxiety, but I also feel that this precarious sentience is all we’ve got and, simplistic as it may seem, it’s a person’s duty to the potentials of his own soul to make the best of it. We’re all stuck on this often miserable earth where life is essentially tragic, but there are glints of beauty and bedrock joy that come shining through from time to precious time to remind anybody who cares to see that there is something higher and larger than ourselves. And I am not talking about your putrefying gods, I am talking about a sense of wonder about life itself and the feeling that there is some redemptive factor you must at least search for until you drop dead of natural causes.
”
”
Lester Bangs (Psychotic Reactions and Carburetor Dung)
“
I like how you call homosexuality an abomination."
"I don't say homosexuality's an abomination, Mr. President, the bible does."
"Yes it does. Leviticus-"
"18:22"
"Chapter in verse. I wanted to ask you a couple questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that can I ask another? My chief of staff, Leo Mcgary,insists on working on the sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself or is it ok to call the police? Here's one that's really important, cause we've got a lot of sports fans in this town. Touching the skin of a dead pig makes one unclean, Leviticus 11:7. If they promise to wear gloves, can the Washington Red Skins still play football? Can Notre Dame? Can West Point? does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads?
”
”
Aaron Sorkin
“
Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going.
"As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?"
"Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!"
"No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival."
"You can't be serious!" Colly said. "Do you really-"
But he got no further. Halt leaned forward, putting a hand up to stop the outburst.
"Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious."
His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his.
"Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.
”
”
John Flanagan (The Kings of Clonmel (Ranger's Apprentice, #8))
“
Oh, I believe you. It’s too ridiculous not to be true. It’s just that each time my world gets stranger, I think: Right. We’re at maximum oddness now. At least I know the full extent of it. First, I find out my brother and I are descended from the pharaohs and have magic powers. All right. No problem. Then I find out my dead father has merged his soul with Osiris and Why not? Then my uncle takes over the House of Life and oversees hundreds of magicians around the world. Then my boyfriend turns out to be a hybrid magician boy/immortal god of funerals. And all the while I’m thinking, Of course! Keep calm and carry on! I’ve adjusted! And then you come along on a random Thursday, la-di-da, and say, Oh, by the way, Egyptian gods are just one small part of the cosmic absurdity. We’ve also got the Greeks to worry about! Hooray!
”
”
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
“
One evening Milarepa returned to his cave after gathering firewood, only to find it filled with demons. They were cooking his food, reading his books, sleeping in his bed. They had taken over the joint. He knew about nonduality of self and other, but he still didn’t quite know how to get these guys out of his cave. Even though he had the sense that they were just a projection of his own mind—all the unwanted parts of himself—he didn’t know how to get rid of them. So first he taught them the dharma. He sat on this seat that was higher than they were and said things to them about how we are all one. He talked about compassion and shunyata and how poison is medicine. Nothing happened. The demons were still there. Then he lost his patience and got angry and ran at them. They just laughed at him. Finally, he gave up and just sat down on the floor, saying, “I’m not going away and it looks like you’re not either, so let’s just live here together.” At that point, all of them left except one. Milarepa said, “Oh, this one is particularly vicious.” (We all know that one. Sometimes we have lots of them like that. Sometimes we feel that’s all we’ve got.) He didn’t know what to do, so he surrendered himself even further. He walked over and put himself right into the mouth of the demon and said, “Just eat me up if you want to.” Then that demon left too.
”
”
Pema Chödrön (Start Where You Are: A Guide to Compassionate Living)
“
I held out the rune for Hearthstone. ‘I know what it feels like to be an empty cup, to have everything taken away from you. But you’re not alone. However much magic you need to use, it’s okay. We’ve got you. We’re your family.’
Hearth’s eyes rimmed with green water. He signed to us, and this time I think he actually meant I love you and not the giantesses are drunk.
He took the rune and set it between the prongs of his new staff. The stone snapped into place the same way my pendant did on its chain. The symbol perthro glowed with a gentle gold light.
My sign, he announced. My family’s sign.
Blitzen sniffled. ‘I like that. A family of four empty cups!’
Sam wiped her eyes. ‘Suddenly I feel thirsty.’
‘Al-Abbas,’ I said, ‘I nominate you for the role of annoying sister.’
‘Shut up, Magnus.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing.
He looked like a living, breathing jewelry tree.
“I’m here. Where’s my chauffeur hat?”
“Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.”
The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.”
“Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.”
Lassiter tossed the cap back. Whistled. Looked casual.
“Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure.
“No fucking way,” V echoed. “When and where did you become a friend of the enemy—”
The angel held up his palms. “It’s not my fault you guys suck—”
Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
He hardly heard what Professor McGonagall was telling them about Animagi (wizards who could transform at will into animals), and wasn’t even watching when she transformed herself in front of their eyes into a tabby cat with spectacle markings around her eyes.
“Really, what has got into you all today?” said Professor McGonagall, turning back into herself with a faint pop, and staring around at them all. “Not that it matters, but that’s the first time my transformation’s not got applause from a class.”
Everybody’s heads turned toward Harry again, but nobody spoke. Then Hermione raised her hand. “Please, Professor, we’ve just had our first Divination class, and we were reading the tea leaves, and —”
“Ah, of course,” said Professor McGonagall, suddenly frowning. “There is no need to say any more, Miss Granger. Tell me, which of you will be dying this year?
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Yes, that's so,' said Sam. 'And we shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on – and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same – like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?'
'I wonder,' said Frodo. 'But I don't know. And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.'
'No, sir, of course not. Beren now, he never thought he was going to get that Silmaril from the Iron Crown in Thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. But that's a long tale, of course, and goes on past the happiness and into grief and beyond it – and the Silmaril went on and came to Eärendil. And why, sir, I never thought of that before! We've got – you've got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we're in the same tale still! It's going on. Don't the great tales never end?'
'No, they never end as tales,' said Frodo. 'But the people in them come, and go when their part's ended. Our part will end later – or sooner.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way.
The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)
”
”
Richard Yates (Revolutionary Road)
“
I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maxim’s grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, “Well, that clears my conscience for three months”? Did she ever think about Manderley? Did she remember sitting at the dining room table, where I sat? Did she too have tea under the chestnut tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold? I wished that I could lay my hands upon her face and take the years away. I wished I could see her young, as she was once, with color in her cheeks and chestnut hair, alert and active as Beatrice by her side, talking as she did about hunting, hounds, and horses. Not sitting there with her eyes closed while the nurse thumped the pillows behind her head. “We’ve got a treat today, you know,” said the nurse, “watercress sandwiches for tea. We love watercress, don’t we?
”
”
Daphne du Maurier (Rebecca)
“
Yes,' he said, 'a list. That way, I figure, we'll have a written record of what we've agreed upon as our goals for our relationship. So if problems arise, we'll be able to consult the lists, see which issue it corresponds to, and work out a solution from there.'
I could still hear my sister talking, but her voice was fading as she led her group around the house. I said, 'But what if that doesn't work?'
Jason blinked at me. Then he said, 'Why wouldn't it?'
'Because,' I said.
He just looked at me. 'Because...'
'Because,' I repeated, as a breeze blew over us,' sometimes things just happen. That aren't expected. Or on the list.'
'Such as?' he asked.
'I don't know,' I said, frustrated. 'That's the point. It would be out of the blue, taking us by surprise. Something we might not be prepared for.'
'But we will be prepared,' he said, confused. 'We'll have the list.'
I rolled my eyes. 'Jason,' I said.
'Macy, I'm sorry.' He stepped back, looking at me. 'I just don't understand what you're trying to say.'
And then it hit me: he didn't. He had no idea. And this thought was so ludicrous, so completely unreal, that I knew it just had to be true. For Jason, there was no unexpected, no surprises. His whole life was outlined carefully, in lists and sublists, just like the ones I'd helped him go through all those weeks ago.
'It's just...' I said and stopped, shaking my head.
'It's just what?' He was waiting, genuinely wanting to know. 'Explain it to me.'
But I couldn't. I'd had to learn it my own way, and so had my mother. Jason would eventually, as well. No one could tell you: you just had to go through it on your own. If you were lucky, you came out on the other side and understood. If you didn't, you kept getting thrust back, retracing those steps, until you finally got it right.
”
”
Sarah Dessen (The Truth About Forever)
“
there is a list of questions
i want to ask but never will
there is a list of questions
i go through in my head
every time i'm alone
and my mind can't stop itself from searching for you
there is a list of questions i want to ask
so if you're listening somewhere
here i am asking them
what do you think happens
to the love that's left behind
when two lovers leave
how blue do you think it gets
before it passes away
does it pass away
or does it still exist somewhere
waiting for us to come back
when we lied to ourselves by
calling this unconditional and left
which one of us hurt more
i shattered into a million little pieces
and those pieces shattered into a million more
crumbled into dust till
there was nothing left of me but the silence
tell me how love
how did the grieving feel for you
how did the mourning hurt
how did you peel your eyes open after every blink
knowing i'd never be there staring back
it must be hard to live with what ifs
there must always be this constant dull aching
in the pit of your stomach
trust me
i feel it too
how in the world did we get here
how did we live through it
and how are we still living
how many months did it take
before you stopped thinking of me
or are you still thinking of me
cause if you are
then maybe i am too
thinking of you
thinking of me
with me
in me
around me
everywhere
you and me and us
do you still touch yourself to the thoughts of me
do you still imagine my naked naked tiny tiny body
pressed into yours
do you still imagine the curve of my spine and
how you wanted to rip it out of me
cause the way it dipped into my
perfectly rounded bottom
drove you crazy
baby
sugar baby
sweet baby
ever since we left
how many times did you pretend
it was my hand stroking you
how many times did you search for me in your fantasies
and end up crying instead of coming
don't you lie to me
i can tell when you're lying
cause there's always that little bit of
arrogance in your response
are you angry with me
are you okay
and would you tell me if you're not
and if we ever see each other again
do you think you'd reach out and hold me
like you said you would
the last time we spoke and
you talked of the next time we would
or do you think we'd just look
shake in our skin as we pine to
absorb as much as we can of each other
cause by this time we've probably got
someone else waiting at home
we were good together weren't we
and is it wrong that i'm asking you these questions
tell me love
that you have been
looking for these answers too
”
”
Rupi Kaur (The Sun and Her Flowers)
“
We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end …'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false–a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.'" Mustapha Mond shut the book and leaned back in his chair. "One of the numerous things in heaven and earth that these philosophers didn't dream about was this" (he waved his hand), "us, the modern world. 'You can only be independent of God while you've got youth and prosperity; independence won't take you safely to the end.' Well, we've now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. 'The religious sentiment will compensate us for all our losses.' But there aren't any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
”
”
Aldous Huxley (Brave New World)
“
The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright--
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done--
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying over head--
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "it WOULD be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him.
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head--
Meaning to say he did not choose
To leave the oyster-bed.
But four young oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes--and ships--and sealing-wax--
Of cabbages--and kings--
And why the sea is boiling hot--
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed--
Now if you're ready Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said
"Do you admire the view?
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said.
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size.
Holding his pocket handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter.
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none--
And that was scarcely odd, because
They'd eaten every one.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))