We've Been Through So Much Quotes

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Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
For a hundred years or more, every textbook of psychology and psychotherapy has advised that some method of talking about distressing feelings can resolve them. However, as we’ve seen, the experience of trauma itself gets in the way of being able to do that. No matter how much insight and understanding we develop, the rational brain is basically impotent to talk the emotional brain out of its own reality. I am continually impressed by how difficult it is for people who have gone through the unspeakable to convey the essence of their experience. It is so much easier for them to talk about what has been done to them—to tell a story of victimization and revenge—than to notice, feel, and put into words the reality of their internal experience. Our scans had revealed how their dread persisted and could be triggered by multiple aspects of daily experience. They had not integrated their experience into the ongoing stream of their life. They continued to be “there” and did not know how to be “here”—fully alive in the present.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
You’re what I want. You’re everything to me. The good, the bad, and every moment in between. Everything we’ve been through has made us who we are, and I wouldn’t change a minute of it because I love you so much right now it hurts.
Meredith Wild (On My Knees (Bridge, #1))
Dear Camryn, I know you're scared. I'd be lying if I said I wasn't a little scared, too, but I have to believe that this time around everything will be fine. And it will be. We've been through so much together. More than most people in such a short time. But no matter what, the one thing that has never changed is that we're still together. Death couldn't take me away from you. Weakness couldn't make me look at you in a bad light. Drugs and all the shit that comes with them couldn't take you away from me. I think it's more safe to say that we're indestructable. Maybe all of this has been a test. Yeah, I think about that a lot and I've convinced myself of it. A lot of people take Fate for granted. Some have everything they've ever wanted right at their fingertips, but they abuse it. Others walk right past their only opportunity because they never open their eyes long enough to see that it's there. But you and I, even before we met, took all the risks, made our own decisions without listening to everybody around us telling us, in so many ways, that what we're doing is wrong. Hell no, we did it our way, no matter how reckless, or crazy or unconventional. It's like the more we pushed and the more we fought, the harder the obstacles. Because we had to prove we were the real deal. And I know we've done just that. Camryn, I want you to read this letter to yourself once a week. It doesn't matter what day or what time, just read it. Every time you open it, I want you to see that another week has passed and you're still pregnant. That I'm still in good health. That we're still together. I want you to think about the three of us, you, me and our son or daughter, traveling Europe and Soth America. Because we're going to do it. I promise you that. You're everything to me, and I want you to stay strong and not let your fear of the past taint the path to our future. Everything will work out this time, Camryn, everything will, I swear to you. Just trust me. Until next week... Love, Andrew
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
I didn’t set out to look for God, but He didn’t trick me either. He’s not like that. So much about God is not like I thought. He’s way cooler than anyone said. And I did need Him, just not in the way others tried to package Him. This One, who’s capable of bringing us out the other side of whatever we’ve been through, is gentle, never hurried, and always present, even when He’s silent. 
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
The past may or may not be a foreign country. It may morph or lie still, but its capital is always Regret, and what flushes through it is the grand canal of unfledged desires that feed into an archipelago of tiny might-have-beens that never really happened but aren't unreal for not happening and might still happen though we fear they never will. And I thought of Ole Brit holding back so much, as we all do when we look back to see that the roads we've left behind or not taken have all but vanished. Regret is how we hope to back into our real lives once we find the will, the blind drive and courage, to trade in the life we're given for the life that bears our name and ours only. Regret is how we look forward to things we've long lost yet never really had. Regret is hope without conviction, I said. We're torn between regret, which is the price to pay for things not done, and remorse, which is the cost for having done them. Between one and the other, time plays all its cozy little tricks.
André Aciman (Enigma Variations)
there is a list of questions i want to ask but never will there is a list of questions i go through in my head every time i'm alone and my mind can't stop itself from searching for you there is a list of questions i want to ask so if you're listening somewhere here i am asking them what do you think happens to the love that's left behind when two lovers leave how blue do you think it gets before it passes away does it pass away or does it still exist somewhere waiting for us to come back when we lied to ourselves by calling this unconditional and left which one of us hurt more i shattered into a million little pieces and those pieces shattered into a million more crumbled into dust till there was nothing left of me but the silence tell me how love how did the grieving feel for you how did the mourning hurt how did you peel your eyes open after every blink knowing i'd never be there staring back it must be hard to live with what ifs there must always be this constant dull aching in the pit of your stomach trust me i feel it too how in the world did we get here how did we live through it and how are we still living how many months did it take before you stopped thinking of me or are you still thinking of me cause if you are then maybe i am too thinking of you thinking of me with me in me around me everywhere you and me and us do you still touch yourself to the thoughts of me do you still imagine my naked naked tiny tiny body pressed into yours do you still imagine the curve of my spine and how you wanted to rip it out of me cause the way it dipped into my perfectly rounded bottom drove you crazy baby sugar baby sweet baby ever since we left how many times did you pretend it was my hand stroking you how many times did you search for me in your fantasies and end up crying instead of coming don't you lie to me i can tell when you're lying cause there's always that little bit of arrogance in your response are you angry with me are you okay and would you tell me if you're not and if we ever see each other again do you think you'd reach out and hold me like you said you would the last time we spoke and you talked of the next time we would or do you think we'd just look shake in our skin as we pine to absorb as much as we can of each other cause by this time we've probably got someone else waiting at home we were good together weren't we and is it wrong that i'm asking you these questions tell me love that you have been looking for these answers too
Rupi Kaur (The sun and her flowers)
It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles." “We’re doing all right.” “We’re sitting in this huge moldy room. It’s like we’re flung back.” “We have heat, we have light.” “These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?” “‘Boil your water,’ I’d tell them.” “Sure. What about ‘Wash behind your ears.’ That’s about as good.” “I still think we’re doing fairly well. There was no warning. We have food, we have radios.” “What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.” “There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.” “They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.
Don DeLillo (White Noise)
Life is a great big beautiful three-ring circus. There are those on the floor making their lives among the heads of lions and hoops of fire, and those in the stands, complacent and wowed, their mouths stuffed with popcorn. I know less now than ever about life, but I do know its size. Life is enormous. Much grander than what we’ve taken for ourselves, so far. When the show is over and the tent is packed, the elephants, lions and dancing poodles are caged and mounted on trucks to caravan to the next town. The clown’s makeup has worn, and his bright, red smile has been washed down a sink. All that is left is another performance, another tent and set of lights. We rest in the knowledge: the show must go on. Somewhere, behind our stage curtain, a still, small voice asks why we haven’t yet taken up juggling. My seminars were like this. Only, instead of flipping shiny, black bowling balls or roaring chainsaws through the air, I juggled concepts. The world is intrinsically tied together. All things march through time at different intervals but move ahead in one fashion or another. Though we may never understand it, we are all part of something much larger than ourselves—something anchoring us to the spot we have mentally chosen. We sniff out the rules, through spiritual quests and the sciences. And with every new discovery, we grow more confused. Our inability to connect what seems illogical to unite and to defy logic in our understanding keeps us from enlightenment. The artists and insane tiptoe around such insights, but lack the compassion to hand-feed these concepts to a blind world. The interconnectedness of all things is not simply a pet phrase. It is a big “T” truth that the wise spend their lives attempting to grasp.
Christopher Hawke (Unnatural Truth)
Then let me say this. I love you, buttercup. So damn much. After all we've been through, please don't ask me to leave you. I'd be devastated without you. I love you for what's in here and here. You're the one I didn't know I needed, but that I hoped for just the same. You showed me it was okay to love again. How can that be wrong?
Jessica Ingro (Bound in Blue (Love Square, #3))
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
You want me to say that you're stunning? That I wish I could take a photo, so that I can look at you all day? That the material is soft and touchable--and as skimpy as it is, it still covers way too much?" His eyes are black and furious and mesmerizing. I couldn't look away if I tried. "Yeah, I could have said all that. No doubt, that's what Taran's going to be thinking. But I didn't, because I have too much respect for you. Even after everything we've been through." --Mat (Page 84)
Pintip Dunn (Dating Makes Perfect)
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
friendship nostalgia i miss the days when my friends knew every mundane detail about my life and i knew every ordinary detail about theirs adulthood has starved me of that consistency​ ​that us those walks around the block those long conversations when we were too lost in the moment to care what time it was when we won-and celebrated when we failed and celebrated even harder when we were just kids now we have our very important jobs that fill up our very busy schedules we have to compare calendars just to plan coffee dates that one of us will eventually cancel because adulthood is being too exhausted to leave our apartments most days i miss belonging to a group of people bigger than myself it was that belonging that made life easier to live how come no one warned us about how we'd graduate and grow apart after everything we'd been through how come no one said one of life's biggest challenges would be trying to stay connected to the people that make us feel alive no one talks about the hole a friend can leave inside you when they go off to make their dreams come true in college we used to stay up till 4 in the morning dreaming of what we'd do the moment we started earning real paychecks now we finally have the money to cross everything off our bucket lists but those lists are collecting dust in some lost corridor of our minds sometimes when i get lonely ​i​ still search for them i'd give anything to go back and do the foolish things we used to do i feel the most present in your presence when we're laughing so hard the past slides off our shoulders and worries of the future slip away the truth is​ ​i couldn't survive without my friends they know exactly what i need before i even know that i need the way we hold each other is just different so forget grabbing coffee i don't want to have another dinner where we sit across from each other at a table reminiscing about old times when we have so much time left to make new memories with how about you go pack your bags and i'll pack mine you take a week off work i'll grab my keys and let's go for ride we've got years of catching up to do
Rupi Kaur
We’ve made a beautiful mess of things lately, haven’t we?” He flashed that sexycrooked smile at me, which made my heart flutter.I nodded, agreeing with him.“But it’s our crazy story,” he stated. “It’s been ours, only ours. There’s been a lot of romance, sometimes way too much drama…” He raised his eyebrows and smirked. “Verymemorable comedy, a few pulse-racing action scenes...”He shrugged and sighed.“We’ve also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too.“I think we’ve covered it all, everything except for being captured by aliens!”I couldn’t help but chuckle.“But through it all you’ve loved me, unconditionally, and I know how fortunate I amto have your love.“I don’t want to live without you, not for one more minute, not for one more second.I want to spend the rest of my days living my story with you… only you.”He walked to the edge and jumped off the table, landing in front of me.“It is here that I fell in love with you,” Ryan whispered, taking my hands in his.He dropped down on one knee.“And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.“Taryn Lynn Mitchell, will you marry me?” His glistening eyes, so blue, so full of emotion, gazed up at me… waiting patiently for my reply.Only one word rang through my heart.“Yes!” I nodded emphatically. My salted tears dripped across my lips. I said yes over and over again.
Tina Reber (Love Unscripted (Love, #1))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
We’ve never been a close family, so I’ve never been able to see him as much more than an absent provider who’s going through the motions for the sake of his family.” “It’s not easy,” Jende said, shaking his head as he turned onto Elm Street, where the dentist’s office was located. “Who is it not easy for?” “For you, for your father, for every child, every parent, for everybody. It’s just not easy, this life here in this world.
Imbolo Mbue (Behold the Dreamers)
I have just reread The Age of Innocence. Poor Countess Olenska, so much more alive than everyone in New York. She was better than Newland Archer, to whom she couldn’t give herself because she was married. It didn’t matter to society that she had been wronged by her husband. They felt her life was over. Thanks to the modern age of divorce, my life is not. I am coming to see that as a blessing and not something to be ashamed of. I am starting to think that my life is a good thing to have. I do not believe that there were more happy marriages before divorce became socially acceptable, that people tried harder, got through their rough times, and were better off. I believe that more people suffered. Divorce is in the machine now, like love and birth and death. Its possibility informs us, even when it goes untouched. And if we fail at marriage, we are lucky we don’t have to fail with the force of our whole life. I would like there to be an eighth sacrament: the sacrament of divorce. Like Communion, it is a slim white wafer on the tongue. Like confession, it is forgiveness. Forgiveness is important not so much because we’ve done wrong as because we feel we need to be forgiven. Family, friends, God, whoever loves us forgives us, takes us in again. They are thrilled by our life, our possibilities, our second chances. They weep with gladness that we did not have to die.
Ann Patchett (This Is the Story of a Happy Marriage)
The reason we personify things like cars and computers is that just as monkeys live in an arboreal world and moles live in an underground world and water striders live in a surface tension-dominated flatland, we live in a social world. We swim through a sea of people -- a social version of Middle World. We are evolved to second-guess the behavior of others by becoming brilliant, intuitive psychologists. Treating people as machines may be scientifically and philosophically accurate, but it's a cumbersome waste of time if you want to guess what this person is going to do next. The economically useful way to model a person is to treat him as a purposeful, goal-seeking agent with pleasures and pains, desires and intentions, guilt, blame-worthiness. Personification and the imputing of intentional purpose is such a brilliantly successful way to model humans, it's hardly surprising the same modeling software often seizes control when we're trying to think about entities for which it's not appropriate, like Basil Fawlty with his car or like millions of deluded people with the universe as a whole. If the universe is queerer than we can suppose, is it just because we've been naturally selected to suppose only what we needed to suppose in order to survive in the Pleistocene of Africa? Or are our brains so versatile and expandable that we can train ourselves to break out of the box of our evolution? Or, finally, are there some things in the universe so queer that no philosophy of beings, however godlike, could dream them? Thank you very much.
Richard Dawkins
The entire flaw in the Bible is the notion that God is perfect. It represents a failure of imagination on the part of the early scholars. It’s responsible for every impossible theological question as to good and evil with which we’ve been wrestling through the centuries. God is good, however, wondrously good. Yes, God is love. But no creative force is perfect. That’s clear.” “And the Devil? Is there any new intelligence about him?” He regarded me for a moment with just a touch of impatience. “You are such a cynical being,” he whispered. “No, I’m not,” I said. “I honestly want to know. I have a particular interest in the Devil, obviously. I speak of him much more often than I speak of God. I can’t figure out really why mortals love him so much, I mean, why they love the idea of him. But they do.” “Because they don’t believe in him,” David said. “Because a perfectly evil Devil makes even less sense than a perfect God. Imagine, the Devil never learning anything during all this time, never changing his mind about being the Devil. It’s an insult to our intellect, such an idea.” “So what’s your truth behind the lie?” “He’s not purely unredeemable. He’s merely part of God’s plan. He’s a spirit allowed to tempt and try humans. He disapproves of humans, of the entire experiment. See, that was the nature of the Devil’s Fall, as I see it. The Devil didn’t think the idea would work. But the key, Lestat, is understanding that God is matter! God is physical, God is the Lord of Cell Division, and the Devil abhors the excess of letting all this cell division run wild.
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
This is often the primary difference between him and so many of those of us who follow him. When we encounter the many ills of the world, we find ourselves growing more and more callous toward people, more and more judgmental, less and less hopeful. Rather than seeing the hurting humanity we encounter every day as an opportunity to be the very loving presence of Jesus, we see them as reason to withdraw from it all. Faith becomes about retreating from the world when it should be about moving toward it. As we walk deeper into organized religion, we run the risk of eventually becoming fully blind to the tangible suffering around us, less concerned about mending wounds or changing systems, and more preoccupied with saving or condemning souls. In this way, the spiritual eyes through which we see the world change everything. If our default lens is sin, we tend to look ahead to the afterlife, but if we focus on suffering, we’ll lean toward presently transforming the planet in real time—and we’ll create community accordingly. The former seeks to help people escape the encroaching moral decay by getting them into heaven; the latter takes seriously the prayer Jesus teaches his disciples, that they would make the kingdom come—that through lives resembling Christ and work that perpetuates his work, we would actually bring heaven down. Practically speaking, sin management seems easier because essentially all that is required of us is to preach, to call out people’s errors and invite them to repentance, and to feel we’ve been faithful. But seeing suffering requires us to step into the broken, jagged chaos of people’s lives to be agents of healing and change. It’s far more time consuming and much more difficult to do as a faith community. It is a lot easier to train preachers to lead people in a Sinner’s Prayer than it is to equip them to address the systematic injustices around them.
John Pavlovitz (A Bigger Table: Building Messy, Authentic, and Hopeful Spiritual Community)
Sheepwalking I define “sheepwalking” as the outcome of hiring people who have been raised to be obedient and giving them a brain-dead job and enough fear to keep them in line. You’ve probably encountered someone who is sheepwalking. The TSA “screener” who forces a mom to drink from a bottle of breast milk because any other action is not in the manual. A “customer service” rep who will happily reread a company policy six or seven times but never stop to actually consider what the policy means. A marketing executive who buys millions of dollars’ worth of TV time even though she knows it’s not working—she does it because her boss told her to. It’s ironic but not surprising that in our age of increased reliance on new ideas, rapid change, and innovation, sheepwalking is actually on the rise. That’s because we can no longer rely on machines to do the brain-dead stuff. We’ve mechanized what we could mechanize. What’s left is to cost-reduce the manual labor that must be done by a human. So we write manuals and race to the bottom in our search for the cheapest possible labor. And it’s not surprising that when we go to hire that labor, we search for people who have already been trained to be sheepish. Training a student to be sheepish is a lot easier than the alternative. Teaching to the test, ensuring compliant behavior, and using fear as a motivator are the easiest and fastest ways to get a kid through school. So why does it surprise us that we graduate so many sheep? And graduate school? Since the stakes are higher (opportunity cost, tuition, and the job market), students fall back on what they’ve been taught. To be sheep. Well-educated, of course, but compliant nonetheless. And many organizations go out of their way to hire people that color inside the lines, that demonstrate consistency and compliance. And then they give these people jobs where they are managed via fear. Which leads to sheepwalking. (“I might get fired!”) The fault doesn’t lie with the employee, at least not at first. And of course, the pain is often shouldered by both the employee and the customer. Is it less efficient to pursue the alternative? What happens when you build an organization like W. L. Gore and Associates (makers of Gore-Tex) or the Acumen Fund? At first, it seems crazy. There’s too much overhead, there are too many cats to herd, there is too little predictability, and there is way too much noise. Then, over and over, we see something happen. When you hire amazing people and give them freedom, they do amazing stuff. And the sheepwalkers and their bosses just watch and shake their heads, certain that this is just an exception, and that it is way too risky for their industry or their customer base. I was at a Google conference last month, and I spent some time in a room filled with (pretty newly minted) Google sales reps. I talked to a few of them for a while about the state of the industry. And it broke my heart to discover that they were sheepwalking. Just like the receptionist at a company I visited a week later. She acknowledged that the front office is very slow, and that she just sits there, reading romance novels and waiting. And she’s been doing it for two years. Just like the MBA student I met yesterday who is taking a job at a major packaged-goods company…because they offered her a great salary and promised her a well-known brand. She’s going to stay “for just ten years, then have a baby and leave and start my own gig.…” She’ll get really good at running coupons in the Sunday paper, but not particularly good at solving new problems. What a waste. Step one is to give the problem a name. Done. Step two is for anyone who sees themselves in this mirror to realize that you can always stop. You can always claim the career you deserve merely by refusing to walk down the same path as everyone else just because everyone else is already doing it.
Seth Godin (Whatcha Gonna Do with That Duck?: And Other Provocations, 2006-2012)
We’ve been through so much together I’ve seen you grow into someone you thought you’d never be I’ve seen you endure challenges most will never see Mocked by your peers for being from a different culture Feeling deserted, you searched for ways to adapt and become accepted You resorted to fitting in instead of making a stand for your true self You’ve made countless mistakes in pursuit of acceptance To me, it was undeniable you were meant to be a misfit You dove into finding your talents and utilizing them Unapologetically, you began making your mark during your middle school years Discovering your skills as a runner made a way for you to flee from the norm Racing hard and your pace in this life Hurdle after hurdle, you never stopped jumping and running towards the finish line You lost focus numerous times running someone else’s race, matching their suicidal pace, but over time you opened your eyes and ran your race in your lane You used failures as your stepping stone to climb up to where you are now and where you’re going I love you, I love you even when you hate you Thank you for staying true to you, never justifying your flaws and running away from your consequences You’ve taught me so much. I’m proud of you I love you so much. Thank you for being a friend, an example, a brother Thank you for being the man you are now. I love you, man in the mirror
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
Rach-Uh, my mom says they'll help me blend in better. She says the color would just draw attention to me." Emma snorts. "Oh, she's definitely right. Blue eyes make you look so much more average. In fact, I almost didn't notice you standing there." "That hurts my feelings, Emma." He grins. She giggles. He says, "I'd consider forgiving you-if you come with me to the beach." She sighs. "I can't go with you, Galen." He runs a hand through his hair. "Honestly, Emma, I don't know how much more rejection I can take," he blurts out. In fact, he doesn't remember ever being rejected, except by Emma. Of course, that could be due to the fact that he's a Royal. Or maybe it's because he doesn't spend a lot of time with his kind anyway, let alone the females. Actually, he doesn't spend a lot of time with anyone except Rachel. And Rachel would give him her beating heart if he asked for it. "I'm sorry. It's not about you this time. Well, actually, it kind of is. My mom...well, she thinks we're dating." Her cheeks-and those lips-deepen to red. "Dating?" What is dating again? He tries to remember what Rachel told him...She said it's easy to remember because it's almost the same as...what is the rhyme for it? And then he remembers. "It's easy to remember, because dating rhymes with mating, and they're almost the same," she'd said. He blinks at Emma. "You're mom thinks we're ma-Uh, dating?" She nods biting her lip. For reasons he can't explain, this pleases him. He leans against the passenger door of her car. "Oh. Well. What does it matter if she thinks that?" "I told her we weren't dating, though. Just this morning. Going to the beach with you makes me look like a liar." He scratches the back of his neck. "I don't understand. If you told her we weren't dating, then why does she think we are?" She relaxes against his driver-side door. "Well, this is all actually your fault, not mine." "I'm obviously not asking the right questions-" "The way you acted toward me when I hit my head, Galen. Some people saw that. And they told my mom. She thinks I've been hiding you from her, keeping you a secret. Because she thinks we've been...we've been..." "Dating?" he offers. He can't understand why she'd have a difficult time discussing dating, if it means what he thinks it does-spending time with one human more than others to see if he or she would be a good mate. The Syrena do the same, only they call it sifting-and sifting doesn't take nearly as long as dating. A Syrena can sift out a mate within a few days. He'd laughed when Rachel said some humans date for years. So indecisive. Then an echo of Toraf's voice whispers to him, calling him a hypocrite. You're twenty years old. Why haven't you sifted for a mate? But that doesn't make him indecisive. He just hasn't had time to sift and keep his responsibility watching the humans. If it weren't for that, he'd already be settled down. How can Toraf think Emma's the reason he hasn't sifted yet? Up until three weeks ago, he didn't even know she existed.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
That was close," I said at last. My heart was still hammering so hard, it felt as if it might burst. We'd snuck into someone else's house and nearly been caught. We'd committed a crime! The adrenaline coursed through my veins. But we'd escaped! We'd pulled it off! I suddenly felt wonderfully light. Darcy looked at me. "Yes." He grinned. The twinkle in his eyes made him look much younger than usual. "We did a pretty good job. Maybe we should turn professional." "Professional housebreakers?" I asked, and now I found myself grinning, too. "Sounds cool." "I reckon we've got what it takes. How about we try a bank robbery next?" "Or a roast dinner?" Darcy glanced at the clock on the dashboard. "Oh, crap!" he exclaimed. Then he started the engine.
Mechthild Gläser (Emma, der Faun und das vergessene Buch)
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps. Breathless,she came to a sudden halt in front of him. At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool." "You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way." "There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war." "You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together." She gave a deep sigh. "You mean it?" "I do." "Oh,Wyatt.I was so afraid I'd driven you away forever." He continued studying her. "Does this mean you're suffering another change of heart?" "My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle." A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man." He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure. Her tears started again,but this time they were tears of joy. Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man. Loved. Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now. After a moment he caught her hand. "Where are we going?" "Your place.It's closer than the ranch, and we've wasted too much time already." "i can't leave the ambulance..." "All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?" At her little laugh he added, "I'm desperate for some time alone with you." Alone. She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her. She was laughing through her tears as she turned the key in the ignition. The key that had saved his life. "Wyatt McCord,I can't think of anything I'd rather be than alone with you.
R.C. Ryan (Montana Destiny)
MANO: There's no question in my mind that we've always felt, in the heart of our Western, Christian culture, that Jesus was very much female. That is why the representations of Jesus with long hair have always been predominant in art. The Virgin Mary was later presented as a harmless sort of woman to whom we can address our need for a maternal outlet in prayer, as a safer way of dealing with the fact that Jesus was as much a woman as a man, particularly when he died. DOOR: You said that if men don't overcome their wanting of women, society will crack. MANO: We are coming to a point where the genders are clumsily engaging in civil war with each other. There's a lot of unpleasantness in the land. Men feel terribly threatened. Women have been crucified for many years, so they understand it and have their axes to grind as well. The truth of the matter is, Jesus on the cross is the female being exploited in every which way. I mentioned intercourse being, at its best, an act of penetration, but there are many other ways in which women have been sacrificed, whether from childbirth or being sold as wives or whatever, through history. So when the male S&M devotee binds a woman to a cross, he has to realize, if he's a Christian-- DOOR: Uh, just how many Christian S&M devotees are there? MANO: Even if he's not a Christian, he ought to realize that he is essentially binding Jesus again, because Jesus contains in him the female--very, very strongly--but almost mystically hidden, I think, because the truth is too painful to deal with. I don't know. I've never heard anyone else say what I'm saying now.
D. Keith Mano
Keeping a new church outwardly focused from the beginning is much easier than trying to refocus an inwardly concerned church. In order to plant a successful church, you have to know that you know that you are undeniably called by God. The call to start a new church plant is not the same as the call to serve in an existing church or work in a ministry-related organization. You may be the greatest preacher this side of Billy Graham but still not be called to start a church. If you think you may have allowed an improper reason, voice or emotion to lead you to the idea of starting a new church, back away now. Spend some more time with God. You don’t want to move forward on a hunch or because you feel “pretty sure” that you should be planting a church. You have to be completely certain. “You’re afraid? So what. Everybody’s afraid. Fear is the common ground of humanity. The question you must wrestle to the ground is, ‘Will I allow my fear to bind me to mediocrity?’” When you think of a people group that you might be called to reach, does your heart break for them? If so, you may want to consider whether God is specifically calling you to reach that group for His kingdom. Is your calling clear? Has your calling been confirmed by others? Are you humbled by the call? Have you acted on your call? Do you know for certain that God has called you to start a new church? Nail it down. When exactly were you called? What were the circumstances surrounding your call? How did it match up with the sources of proper calling? Do you recognize the four specific calls in your calling? How? How does your call measure up to biblical characteristics? What is the emerging vision that God is giving you with this call? As your dependence on God grows, so will your church. One of the most common mistakes that enthusiastic and well-meaning church starters make is to move to a new location and start trying to reach people without thinking through even a short-term strategy. Don’t begin until you count the cost. why would you even consider starting a church (the only institution Jesus left behind and the only one that will last forever) without first developing a God-infused, specific, winning strategy? There are two types of pain: the pain of front-end discipline and the pain of back-end regret. With the question of strategy development, you get to choose which pain you’d rather live with. Basically, a purpose, mission and vision statement provides guiding principles that describe what God has called you to do (mission), how you will do it (purpose) and what it will look like when you get it done (vision). Keep your statement simple. Be as precise as possible. Core values are the filter through which you fulfill your strategy. These are important, because your entire strategy will be created and implemented in such a way as to bring your core values to life. Your strategic aim will serve as the beacon that guides the rest of your strategy. It is the initial purpose for which you are writing your strategy. He will not send more people to you than you are ready to receive. So what can you do? The same thing Dr. Graham does. Prepare in a way that enables God to open the floodgates into your church. If you are truly ready, He will send people your way. If you do the work we’ve described in this chapter, you’ll be able to build your new church on a strong base of God-breathed preparation. You’ll know where you are, where you’re going and how you are going to get there. You’ll be standing in the rain with a huge bucket, ready to take in the deluge. However, if you don’t think through your strategy, write it down and then implement it, you’ll be like the man who stands in the rainstorm with a Dixie cup. You’ll be completely unprepared to capture what God is pouring out. The choice is yours!
Nelson Searcy (Launch: Starting a New Church from Scratch)
God’s goodness comes to us amidst the battle and dust of our own suffering, our own long defeat. God always arrives with healing. But he is humble and meek, a king who comes in through the back door of our hearts not to conquer and raze our imperfections away but to hold and heal us by the intimacy of his touch, his presence here with us in the inmost rooms of our suffering. The power of God is radically gentle, never rough with our needs or careless with our yearning. God is fixed upon the restoration of our whole selves and souls, not just the bits that everyone else can see. Yet the very tenderness of his power is something we sometimes treat as his weakness or cruelty because we crave a more visible result. The healing kind of power is not the sort we’ve been taught to respect by existence in a fallen world where power just means brute force. We want the swift and the visible: illness zapped away, money in our hands, brilliant doctors, prosperous lives, and conversion stories by the thousands. We crave visibility and approbation and health and big crowds that make us feel important enough to forget the frail selves we used to be. When we pray for God to come in power to save us, we often picture a scenario in which God invades our lives as the ultimate mighty man to banish our frailty and make us something entirely other than we are, capable of the will and force whose lack we so deeply feel. But God cradles and cherishes our frailty, and that is where the true power of his love is known. I always think it intriguing that in the Gospels Jesus seems far less interested in the faith and hope at work in broken people than merely the healing of their bodies. For I think God knows there is no real healing until our hearts are healed of their fear, our minds cleansed of doubt. Broken bodies, shattered hopes, suffering minds, terrible pasts - they leave us deathly ill with the twisted belief that love can never be great enough to encompass the whole of the story. We feel that we must subtract or conceal part of ourselves if we are ever to win the love of other people or God himself. We are diminished in our own eyes by our suffering, taught to despair of our dreams, to give up our hope that God will come with goodness in his hands. So God creeps in, gentle, and we know his touch because we are not discarded or dismissed, but healed. He comes to unravel our self-doubt, to untangle the evil we have believed, to call us back from the dark lands of our insecurity. He calls us by name and wakes us from sleep so that we rise to ask what this kind and precious King commands, and so often his command is simply to open our hands so that they may be filled with his goodness. For when God arrives as the healer, we learn anew that the anguished hopes we carry are held within God’s hand like the hazelnut of Mother Julian’s vision. The story he weaves for us may look radically different from what we thought we desired, but when it arrives, we will recognize it as the intimate gift of a love whose will for us is always so much greater than our own.
Sarah Clarkson (This Beautiful Truth: How God's Goodness Breaks into Our Darkness)
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
At the Pace of What Is Real Stop talking, stop thinking, and there is nothing you will not understand. —SENG-TS'AN Like most people I know, I struggle with taking too much on, with doing too many things, with moving too fast, with overcommitting, with overplanning. I've learned that I must move, quite simply, at the pace of what is real. While this pace may vary, life always seems vacant and diminished when I accelerate beyond my capacity to feel what is before me. It seems we run our lives like trains, speeding along a track laid down by others, going so fast that what we pass blurs on by. Then we say we've been there, done that. The truth is that blurring by something is not the same as experiencing it. So, no matter how many wonderful opportunities come my way, no matter the importance placed on these things by others who have my best interests at heart, I must somehow find a way to slow down the train that is me until what I pass by is again seeable, touchable, feelable. Otherwise, I will pass by everything—can put it all on my résumé—but will have experienced and lived through nothing.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Some think Grom felt the pull toward Nalia," Toraf says softly. "Maybe it's a family trait." "Well, there's where you're wrong, Toraf. I'm not supposed to feel the pull toward Emma. She belongs to Grom. He's firstborn, third generation Triton. And she's clearly of Poseidon." Galen runs his hand through his hair. "I think that if Grom were her mate, he would have found Emma somehow instead of you." "That's what you get for thinking. I didn't find Emma. Dr. Milligan did." "Okay, answer me this," Toraf says, shaking a finger at Galen. "You're twenty years old. Why haven't you sifted for a mate?" Galen blinks. He's never thought of it, actually. Not even when Toraf asked for Rayna. Shouldn't that have reminded him of his own single status? He shakes his head. He's letting Toraf's gossip get to him. He shrugs. "I've just been busy. It's not like I don't want to, if that's what you're saying." "With who?" "What?" "Name someone, Galen. The first female that comes to mind." He tries to block out her name, her face. But he doesn't stop it in time. Emma. He cringes. It's just that we've been talking about her so much, she's naturally the freshest on my mind, he tells himself. "There isn't anyone yet. But I'm sure there would be if I spent more time at home." "Right. And why is that you're always away? Maybe you're searching for something and don't even know it." "I'm away because I'm watching the humans, as is my responsibility, you might remember. You also might remember they're the real reason our kingdoms are divided. If they never set that mine, none of this would have happened. And we both know it will happen again." "Come on, Galen. If you can't tell me, who can you tell?" "I don't know what you're talking about. And I don't think you do either." "I understand if you don't want to talk about it. I wouldn't want to talk about it either. Finding my special mate and then turning her over to my own brother. Knowing that she's mating with him on the islands, holding him close-" Galen lands a clean hook to Toraf's nose and blood spurts on his bare chest. Toraf falls back and holds his nostrils shut. Then he laughs. "I guess I know who taught Rayna how to hit." Galen massages his temples. "Sorry. I don't know where that came from. I told you I was frustrated." Toraf laughs. "You're so blind, minnow. I just hope you open your eye before it's too late." Galen scoffs. "Stop vomiting superstition at me. I told you. I'm just frustrated. There's nothing more to it than that." Toraf cocks his head to the side, snorts some blood back into is nasal cavity. "So the humans followed you around, made you feel uncomfortable?" "That's what I just said, isn't it?" Toraf nods thoughtfully. Then he says, "Imagine how Emma must feel then." "What?" "Think about it. The humans followed you around a building and it made you uncomfortable. You followed Emma across the big land. Then Rachel makes sure you have every class with her. Then when she tries to get away, you chase her. Seems to me you're scaring her off." "Kind of like what you're doing to Rayna." "Huh. Didn't think of that." "Idiot," Galen mutters. But there is some truth to Toraf's observation. Maybe Emma feels smothered. And she's obviouisly still mourning Chloe. Maybe he has to take it slow with Emma. if he can earn her trust, maybe she'll open up to him about her gift, about her past. But the question is, how much time does she need? Grom's reluctance to mate will be overruled by his obligation to produce an heir. And that heir needs tom come from Emma.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first. He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes. ‘Oh god, Doug, please just close them. I’m so tired.’ Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room. ‘Ready to say hello to Mum, mate?’ Doug asked. ‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy. Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark. ‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’ Sarah sat up, her eyes wide. ‘Hi, Mum,’ said Lockie again. ‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’ Doug could see her chest heaving. ‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
Nicole Trope (The Boy Under the Table)
THE STORY OF CHRIST is where we all started from, though we’ve come so far since then that there are times when you’d hardly know it to listen to us and when we hardly know it ourselves. The story of Christ is what once, somehow and somewhere, we came to Christ through. Maybe it happened little by little—a face coming slowly into focus that we’d been looking at for a long time without really seeing it, a voice gradually making itself heard among many other voices and in such a way that we couldn’t help listening after a while, couldn’t help trying somehow, in some unsatisfactory way, to answer. Or maybe there was more drama to it than that—a sudden catch of the breath at the sound of his name on somebody’s lips at a moment we weren’t expecting it, a sudden welling up of tears out of a place where we didn’t think any tears were. Each of us has a tale to tell if we would only tell it. But however it happened, it comes to seem a long time ago and a long way away, and so many things have happened since—so many books read, so many sermons heard or preached, so much life lived—that to be reminded at this stage of the game of the story of Jesus, where we all started, is like being suddenly called by your childhood name when you have all but forgotten your childhood name and maybe your childhood too.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
We walk around inside that house like everything is okay, but it’s not, Quinn. We’ve been broken for years and I have no idea how to fix us. I find solutions. It’s what I do. It’s what I’m good at. But I have no idea how to solve me and you. Every day I come home, hoping things will be better. But you can’t even stand to be in the same room with me. You hate it when I touch you. You hate it when I talk to you. I pretend not to notice the things you don’t want me to notice because I don’t want you to hurt more than you already do.” He releases a rush of air. “I am not blaming you for what I did. It’s my fault. I did that. I fucked up. But I didn’t fuck up because I was attracted to her. I fucked up because I miss you. Every day, I miss you. When I’m at work, I miss you. When I’m home, I miss you. When you’re next to me in bed, I miss you. When I’m inside you, I miss you.” Graham presses his mouth to mine. I can taste his tears. Or maybe they’re my tears. He pulls back and presses his forehead to mine. “I miss you, Quinn. So much. You’re right here, but you aren’t. I don’t know where you went or when you left, but I have no idea how to bring you back. I am so alone. We live together. We eat together. We sleep together. But I have never felt more alone in my entire life.” Graham releases me and falls back against his seat. He rests his elbow against the window, covering his face as he tries to compose himself. He’s more broken than I’ve ever seen him in all the years I’ve known him. And I’m the one slowly tearing him down. I’m making him unrecognizable. I’ve strung him along by allowing him to believe there’s hope that I’ll eventually change. That I’ll miraculously turn back into the woman he fell in love with. But I can’t change. We are who our circumstances turn us into. “Graham.” I wipe at my face with my shirt. He’s quiet, but he eventually looks at me with his sad, heartbroken eyes. “I haven’t gone anywhere. I’ve been here this whole time. But you can’t see me because you’re still searching for someone I used to be. I’m sorry I’m no longer who I was back then. Maybe I’ll get better. Maybe I won’t. But a good husband loves his wife through the good and the bad times. A good husband stands at his wife’s side through sickness and health, Graham. A good husband- a husband who truly loves his wife - wouldn’t cheat on her and then blame his infidelity on the fact that he’s lonely.” Graham’s expression doesn’t change. He’s as still as a statue. The only thing that moves is his jaw as he works it back and forth. And then his eyes narrow and he tilts his head. “You don’t think I love you, Quinn?” “I know you used to. But I don’t think you love the person I’ve become.” Graham sits up straight. He leans forward, looking me hard in the eye. His words are clipped as he speaks. “I have loved you every single second of every day since the moment I laid eyes on you. I love you more now than I did the day I married you. I love you, Quinn. I fucking love you!” He opens his car door, gets out and then slams it shut with all his strength. The whole car shakes. He walks toward the house, but before he makes it to the front door, he spins around and points at me angrily. “I love you, Quinn!” He’s shouting the words. He’s angry. So angry. He walks toward his car and kicks at the front bumper with his bare foot. He kicks and he kicks and he kicks and then pauses to scream it at me again. “I love you!” He slams his fist against the top of his car, over and over, until he finally collapses against the hood, his head buried in his arms. He remains in this position for an entire minute, the only thing moving is the subtle shaking of his shoulders. I don’t move. I don’t even think I breathe. Graham finally pushes off the hood and uses his shirt to wipe at his eyes. He looks at me, completely defeated. “I love you,” he says quietly, shaking his head. “I always have. No matter how much you wish I didn’t.
Colleen Hoover (All Your Perfects)
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
Cups and Rings and Drawings. I stopped by a famed park, Picked a blank sheet And drew a cup. For me, it represented me holding myself up in a storm, It represented the start of life, Something to pour out every lesson learnt Out of every misfortune we’ve ever been. The cup — the container to hold chocolate drink Water. Wine and strawberries. I drew a ring, A marriage between blessing and joy The bloom of flowers in spring The sprouting of leaves in midsummer And the smell of fresh grasses at night. I drew Monalisa I painted art I became Michaelangelo Da Vinci I became the Renaissance I healed through art “Don’t you know that you are gods?” So the first day, I cleared the storms out of my life. The second day, I dried all my tears The third day, I reinvented myself. The fourth day, I finally remembered what it felt like to be happy Like two children drawing arts on a canvass. Delilah & Annabelle Arts curled out of girls trying to reinvent the world Or the colours of the rainbow. The fifth day, I opened the windows wide To let the lights shine in. “When I’m down on my knees you’re how I pray.” The sixth day I created my favourite masterpiece — Baroque. The seventh day, I admired myself in the mirror. I missed me I missed the time I had so much optimism I miss you And I miss writing so innocently.
J.Y. Frimpong
looked at you, gave you bread, and said, “Child of  God, the body of  Christ, broken for you.” Child of  God. Child of  God. We’re all children of  God. And we’ve been given the authority, even the duty, to declare that to each other. And so I find myself on US 36, where another asshole is embodying so much that I despise, and in my mind, I bless them. I look in their eyes, hold up the bread, and say, “Child of God…” Jeff, like so many of us, is changed by the word of grace that he hears in church. He is formed by the Word of  God.*2 He is given a place where he is told by others that he is a child of  God. He is given a place where he can look other people in the eye, other annoying, inconsistent, arrogant people in the eye, hand them bread, and say, “Child of  God, the body of  Christ, given for you,” and then he, in his own arrogant inconsistencies, has a frame of grace through which to see even the people he can’t stand. I argue that this wouldn’t just happen alone. This is why we have Christian community. So that we can stand together under the cross and point to the gospel. A gospel that Bonhoeffer said is “frankly hard for the pious to understand. Because this grace confronts us with the truth saying: You are a sinner, a great, desperate sinner, now come as the sinner you are to a God who loves you.” God wants you, you in your imperfect, broken, shimmering glory.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
The most curious part of the thing was, that the trees and the other things round them never changed their places at all: however fast they went, they never seemed to pass anything. “I wonder if all the things move along with us?” thought poor puzzled Alice. And the Queen seemed to guess her thoughts, for she cried, “Faster! Don’t try to talk!” Not that Alice had any idea of doing that. She felt as if she would never be able to talk again, she was getting so much out of breath: and still the Queen cried “Faster! Faster!” and dragged her along. “Are we nearly there?” Alice managed to pant out at last. “Nearly there!” the Queen repeated. “Why, we passed it ten minutes ago! Faster!” And they ran on for a time in silence, with the wind whistling in Alice’s ears, and almost blowing her hair off her head, she fancied. “Now! Now!” cried the Queen. “Faster! Faster!” And they went so fast that at last they seemed to skim through the air, hardly touching the ground with their feet, till suddenly, just as Alice was getting quite exhausted, they stopped, and she found herself sitting on the ground, breathless and giddy. The Queen propped her up against a tree, and said kindly, “You may rest a little now.” Alice looked round her in great surprise. “Why, I do believe we’ve been under this tree the whole time! Everything’s just as it was!” “Of course it is,” said the Queen, “what would you have it?” “Well, in our country,” said Alice, still panting a little, “you’d generally get to somewhere else—if you ran very fast for a long time, as we’ve been doing.” “A slow sort of country!” said the Queen. “Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!” “I’d rather not try, please!” said Alice.
Lewis Carroll (Through the Looking-Glass)
And then we spoke of the weather, which had been awfully hot. After that, unable to think of anything more to say, we fell into a silence that was troubled and unwelcome. Trying to end it, I said finally, “Well, we’ve had a time,” speaking of the weather. And Mat said, “Yes, we’ve had a time,” speaking of the war. We spoke in very general terms, then, of the war and other trials of life in this world. Mat said, “Everything that will shake has got to be shook.” “That’s Scripture,” I said, and he nodded. Thinking to try to comfort him, I said, “Well, along with all else, there’s goodness and beauty too. I guess that’s the mercy of the world.” Mat said, “The mercy of the world is you don’t know what’s going to happen.” And then after a pause, speaking on in the same dry, level voice as before, he told me why he had been up walking about so late. He had had a dream. In the dream he had seen Virgil as he had been when he was about five years old: a pretty little boy who hadn’t yet thought of anything he would rather do than follow Mat around at work. He looked as real, as much himself, as if the dream were not a dream. But in the dream Mat knew everything that was to come. He told me this in a voice as steady and even as if it were only another day’s news, and then he said, “All I could do was hug him and cry.” And then I could no longer sit in that tall chair. I had to come down. I came down and went over and sat beside Mat. If he had cried, I would have. We both could have, but we didn’t. We sat together for a long time and said not a word. After a while, though the grief did not go away from us, it grew quiet. What had seemed a storm wailing through the entire darkness seemed to come in at last and lie down. Mat got up then and went to the door. “Well. Thanks,” he said, not looking at me even then, and went away.
Wendell Berry (Jayber Crow)
He fakes a smile and then turns to unlock the door. I follow him inside; he stops me at the kitchen island. “I found it right here.” He points to the countertop. “You found what right where?” I ask, feeling my face scrunch up in bewilderment. “The crossword puzzle from today.” He pulls it out of his pocket. “I found it here when I was making breakfast this morning.” “Wait, you didn’t get it in the mail?” “I’m sorry; I thought I mentioned that.” “No,” I say, holding back from whacking him in the head. “I think I would’ve remembered if someone had broken into your apartment. “I’m sorry,” he repeats, and then lets out a stress-filled sigh. “So, someone broke in here last night while you were asleep?” “I’m not sure. I was thinking that, too, but then . . . what if I just didn’t see it last night when I got home?” “Are you sure you didn’t set your mail down here, maybe even for a second, and then leave this piece behind?” “What difference does it makes?” “It makes a huge difference.” My voice gets louder. “The difference between someone breaking in or not.” I peer around the kitchen and living room, trying to see if anything looks off. “I don’t know.” He reaches for a box of cereal. “I mean, I’m pretty sure I would’ve noticed getting another puzzle in the mail, especially since we’ve been talking so much about this stuff.” “Who has a key to your apartment?” “No one that I know of.” “None of your friends? Did you leave a spare under the doormat, maybe?” “No, and no.” “Then what?” I ask, completely frustrated. “Look,” he says, running his fingers through his shaggy brown hair. “I don’t have all the answers. That’s why it’s a puzzle.” “This isn’t funny,” I tell him. “Someone’s sending you threatening notes, writing twisted messages on your door, and possibly breaking into your apartment. Worrying isn’t an option. It’s an order.” “So what do you order me to do?” “Call the police.” “And tell them what? That someone’s sending me crossword puzzles? That I got an angry message on my door, but I didn’t even feel the need to save it? They’ll give me a Breathalyzer test and ask me what I’ve been drinking.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
The wars break out and die down, but then there’s a flareup elsewhere. Houses cracked open like eggs, their contents torched or stolen or stomped vindictively underfoot; refugees strafed from airplanes. In a million cellars the bewildered royal family faces the firing squad; the gems sewn into their corsets will not save them. Herod’s troops patrol a thousand streets; just next door, Napoleon makes off with the silverware. In the wake of the invasion, any invasion, the ditches fill up with raped women. To be fair, raped men as well. Raped children, raped dogs and cats. Things can get out of control. But not here; not in this gentle, tedious backwater; not in Port Ticonderoga, despite a druggie or two in the parks, despite the occasional break-in, despite the occasional body found floating around in the eddies. We hunker down here, drinking our bedtime drinks, nibbling our bedtime snacks, peering at the world as if through a secret window, and when we’ve had enough of it we turn it off. So much for the twentieth century, we say, as we make our way upstairs. But there’s a far-off roaring, like a tidal wave racing inshore. Here comes the twentyfirst century, sweeping overhead like a spaceship filled with ruthless lizard-eyed aliens or a metal pterodactyl. Sooner or later it will sniff us out, it will tear the roofs off our flimsy little burrows with its iron claws, and then we will be just as naked and shivering and starving and diseased and hopeless as the rest. Excuse this digression. At my age you indulge in these apocalyptic visions. You say, The end of the world is at hand. You lie to yourself – I’m glad I won’t be around to see it – when in fact you’d like nothing better, as long as you can watch it through the little secret window, as long as you won’t be involved. But why bother about the end of the world? It’s the end of the world every day, for someone. Time rises and rises, and when it reaches the level of your eyes you drown. What happened next? For a moment I’ve lost the thread, it’s hard for me to remember, but then I do. It was the war, of course. We weren’t prepared for it, but at the same time we knew we’d been there before. It was the same chill, the chill that rolled in like a fog, the chill into which I was born.
Margaret Atwood (The Blind Assassin)
He and Powell would be celebrating their twentieth wedding anniversary a few days later, and he admitted that at times he had not been as appreciative of her as she deserved. “I’m very lucky, because you just don’t know what you’re getting into when you get married,” he said. “You have an intuitive feeling about things. I couldn’t have done better, because not only is Laurene smart and beautiful, she’s turned out to be a really good person.” For a moment he teared up. He talked about his other girlfriends, particularly Tina Redse, but said he ended up in the right place. He also reflected on how selfish and demanding he could be. “Laurene had to deal with that, and also with me being sick,” he said. “I know that living with me is not a bowl of cherries.” Among his selfish traits was that he tended not to remember anniversaries or birthdays. But in this case, he decided to plan a surprise. They had gotten married at the Ahwahnee Hotel in Yosemite, and he decided to take Powell back there on their anniversary. But when Jobs called, the place was fully booked. So he had the hotel approach the people who had reserved the suite where he and Powell had stayed and ask if they would relinquish it. “I offered to pay for another weekend,” Jobs recalled, “and the man was very nice and said, ‘Twenty years, please take it, it’s yours.’” He found the photographs of the wedding, taken by a friend, and had large prints made on thick paper boards and placed in an elegant box. Scrolling through his iPhone, he found the note that he had composed to be included in the box and read it aloud: "We didn’t know much about each other twenty years ago. We were guided by our intuition; you swept me off my feet. It was snowing when we got married at the Ahwahnee. Years passed, kids came, good times, hard times, but never bad times. Our love and respect has endured and grown. We’ve been through so much together and here we are right back where we started 20 years ago—older, wiser—with wrinkles on our faces and hearts. We now know many of life’s joys, sufferings, secrets and wonders and we’re still here together. My feet have never returned to the ground."  By the end of the recitation he was crying uncontrollably. When he composed himself, he noted that he had also made a set of the pictures for each of his kids. “I thought they might like to see that I was young once.
Walter Isaacson (Steve Jobs)
No matter what level of instruction Marlboro Man gave me, no matter how many pointers, a horse trot for me meant a repeated and violet Slap! Slap! Slap! on the seat of my saddle. My feet were fine--they’d stay securely in the stirrups. But I just couldn’t figure out how to use the muscles in my legs correctly, and I hadn’t yet learned how to post. It was so unpleasant, the whole riding-a-horse business: my bottom would slap, my torso would stiffen, and I’d be sore for days--not to mention that I looked like a complete freak while riding--kind of like a tree trunk with red, stringy hair. Short of taking the rectal temperatures of cows, I’d never felt more out of place doing anything in my life. All of this rushed to the surface when I saw Marlboro Man walking toward me with two of his horses, one of which was clearly meant for me. Where’s my Jeep? I thought. Where’s my torch? I don’t want a horse. My bottom can’t take it. Where’s my Jeep? I’d never wanted to drive a Jeep so much. “Hey,” I said, walking toward him and smiling, trying to appear not only calm but also totally unconcerned about the reality that faced me. “Uh…I thought we were going burning.” I clearly sounded out the g. It was a loud, clanging cymbal. “Oh, we are,” he said, smiling. “But we’ve got to get to some areas the Jeep can’t reach.” My stomach lurched. For more than a couple of seconds, I actually considered feigning illness so I wouldn’t have to go. What can I say? I wondered. That I feel like I’m going to throw up? Or should I just clutch my stomach, groan, then run behind the barn and make dramatic retching sounds? That could be highly effective. Marlboro Man will feel sorry for me and say, “It’s okay…you just go on up to my house and rest. I’ll be back later.” But I don’t think I can go through with it; vomiting is so embarrassing! And besides, if Marlboro Man thinks I vomited, I might not get a kiss today… “Oh, okay,” I said, smiling again and trying to prevent my face from betraying the utter dread that plagued me. I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
Dear Dex, We’ve been meaning to write you this letter for months, and I’m sorry it took us so long. We could never quite figure out the right words to say to you, because words are simply not enough to express to you just how grateful we are to you. Not many people are lucky enough to experience the kind of friendship that you and Teddy had. You were only little kids when you met, but the bond you formed was something special. From then on, it was you and Teddy against the world. The greatest kind of friends are the ones who bring out the best in one another, and that’s what you and Teddy did every day. You made each other stronger, wiser and braver, and you learned from each other. Most importantly, you stood by each other, right until the very end. We are eternally grateful to you for being there by his side in his final moments. For holding his hand and letting him know that he wasn’t alone and that, even in death, someone he loved was there with him. We take comfort in knowing that he didn’t leave this world alone. There’s no doubt in our minds that you did everything you could to try and save him, Dex. We know that there’s nothing you could have done differently, and we can only hope that you know it too. Not everyone can be saved – sometimes God has a greater purpose for the ones we love, and we must fight through the pain and learn to accept that they are somewhere far better than here. We know that you miss him, and we miss him too… every single day. But with each day that passes, it becomes a little bit easier. Some days are harder than others, but our frowns no longer outweigh our smiles. We no longer cry when we see his pictures around the house, and memories of him no longer bring pain to our hearts, but instead put a smile on our faces as we remember who he was. We all must honor his memory by focusing on what we gained by having him in our lives, rather than on what we lost when he passed. It’s what he would have wanted for all of us. Teddy loved life. He reveled in the simple things, and he saw a positive light in even the worst situations. He would never want his death to bring you sadness or to rob you of the joys of life. He would want you to remember the good times and focus on the memories of him that make you smile – because he is someone who could make anyone smile! You have such a big heart, Dex, and because of that you’ve always felt things a little bit stronger and more deeply than everyone else. Don’t let your grief weigh you down. Don’t carry the burden of your loss with you forever. Our scars become a part of us, but you cannot let them define you. We will carry him with us in our hearts forever, and moving on does not mean that we’re forgetting him or leaving him behind. It means choosing to live. Thank you for being a part of our son’s life. Of our lives. You brought so much joy and laughter to his time here on this earth, and we will forever cherish those moments. Take solace in your memories of him, do not let them bring you pain. Teddy loved you so much, and he always will. So will we.
Ellie Grace (Break Away)
Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.
Meghan Quinn (The Lineup)
Thomas took a torch from the wall, lit it in the fire, then led them to the antechamber of the church. He lifted the corner of a bright red tapestry that depicted Christ rising from the cross, to show a door behind it. The old door hadn’t been opened in quite some time and it took both Phantom and Christian to shoulder it back into working order. Lutian was “kind” enough to hold the tapestry out for them and verbally encourage them. “He could hurt himself,” Adara said when Phantom commented on the fool’s lack of use. “Better him than me,” Phantom muttered as they finally managed to get the door open. Christian rubbed his sore shoulder as he stepped back from the opening. “Might I make a comment, Thomas? In the event of the monastery being attacked, this would prove a most useless escape route if it takes the monks an hour to open it.” “Aye,” Phantom concurred. In a feigned ancient voice that sounded much like an old monk, he added, “Wait, good and decent attackers, don’t burn us out yet. We’ve still got a little more pushing to do. We’ll be through with it shortly. Here, pull up a seat and give us a few so that we might escape you. God will bless you for it.” Adara squelched her laughter, while Lutian and Christian gave full rein to theirs. Thomas looked less than pleased. “You really are a heathen, aren’t you?” Phantom shrugged as if it concerned him not at all. “To the farthest depths of my damned and rotted soul.” -Adara, Phantom, Christian, & Thomas
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
It took loneliness to make the first couple of love letters come out of me, to realize something so much bigger than what I thought was just my own loneliness: we’ve never really been alone. Maybe lonely, but never alone.
Hannah Brencher (If You Find This Letter: My Journey to Find Purpose Through Hundreds of Letters to Strangers)
A life that has been wasted leaves a body intact and pristine– but a life that has been properly used leaves scars. Scars tell stories. They are what’s left by mistakes we’ve made. They’re what remind us of the places we’ve been and the people we’ve known. Scars also tell us that we can handle what comes at us. When we look at a scar we got a long time ago, we remember the experience and see that we’re ok. Scars are the writing on the wall that says “You can endure.” When I was young, my mother tried to teach me to cook, but I didn’t like the idea of getting my hands dirty, so I never learned. My hands stayed soft. There was nothing there to tell me what I’ve been through– because I hadn’t been through much. Then I started playing capoeira and rock climbing a bit. My hands started to ache, leaving me with a kind of memory of what I had done. Over time, my hands became more resilient. I started to be able to handle pain and lost the fear of my hands being dirty. Though it’s small, it’s a change that mirrors a larger one in my head. Now I’m not so afraid of being dirty; I’m not as afraid of making mistakes and being imperfect, particularly in front of other people. I’m better for the damage I’ve gotten. Look– you’re going to get hurt. And sometimes, you’ll see it coming. But you should do it anyway. In fact, you need to. You need scars. You need stories. You need to have lived.
Julien Smith
What could have possessed her to sleep with Matthew Swift?” “I doubt there was much sleeping involved,” Annabelle replied, her eyes twinkling. Lillian gave her a slitted glare. “If you have the bad taste to be amused by this, Annabelle—” “Daisy was never interested in Lord Llandrindon,” Evie volunteered hastily, trying to prevent a quarrel. “She was only using him to provoke Mr. Swift.” “How do you know?” the other two asked at the same time. “Well, I-I…” Evie made a helpless gesture with her hands. “Last week I m-more or less inadvertently suggested that she try to make him jealous. And it worked.” Lillian’s throat worked violently before she could manage to speak. “Of all the asinine, sheep-headed, moronic—” “Why, Evie?” Annabelle asked in a considerably kinder tone. “Daisy and I overheard Mr. Swift t-talking to Lord Llandrindon. He was trying to convince Llandrindon to court her, and it became obvious that Mr. Swift wanted her for himself.” “I’ll bet he planned it,” Lillian snapped. “He must have known somehow that you would overhear. It was a devious and sinister plot, and you fell for it!” “I don’t think so,” Evie replied. Staring at Lillian’s crimson face, she asked apprehensively, “Are you going to shout at me?” Lillian shook her head and dropped her face in her hands. “I’d shriek like a banshee,” she said through the screen of her fingers, “if I thought it would do any good. But since I’m fairly certain Daisy has been intimate with that reptile, there is probably nothing anyone can do to save her now.” “She may not want to be saved,” Evie pointed out. “That’s because she’s gone stark raving mad,” came Lillian’s muffled growl. Annabelle nodded. “Obviously. Daisy has slept with a handsome, young, wealthy, intelligent man who is apparently in love with her. What in God’s name can she be thinking?” She smiled compassionately as she heard Lillian’s profane reply, and settled a gentle hand between her friend’s shoulders. “Dearest,” she murmured, “as you know, there was a time when it didn’t matter to me whether I married a man I loved or not…it seemed enough just to get my family out of the desperate situation we were in. But when I thought about what it would be like to share a bed with my husband…to spend the rest of my life with him…I knew Simon was the only choice.” She paused, and sudden tears glittered her eyes. Beautiful, self-possessed Annabelle, who hardly ever cried. “When I’m ill,” she continued in a husky voice, “when I’m afraid, when I need something, I know he will move heaven and earth to make everything all right. I trust him with every fiber of my being. And when I see the child we created, the two of us mingled forever in her…my God, how grateful I am that I married Simon. We’ve all been able to choose our own husbands, Lillian. You have to allow Daisy the same freedom.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
We’ve been through so much,” he whispers. “You were my first, and I was yours.” His voice is strained, controlled, like he’s having trouble keeping it together. “But we’re adults now, Coralie. Back then I loved you like a kid. Now I plan on loving you like a man. Do you know what that means? Do you think you can handle that kind of fucking?
Callie Hart (Calico)
Stablehands ran to the bridles and led the horses to a picket as Nessaren and I walked into the tent. Inside was a kind of controlled pandemonium. Scribes and runners were everywhere that low tables and cushions weren’t. Atop the tables lay maps and piles of papers, plus a number of bags of coinage. In a corner was stacked a small but deadly arsenal of very fine swords. Seated in the midst of the chaos was Shevraeth, dressed in the green and gold of Remalna, with a commander’s plumed and coroneted helm on the table beside him. He appeared to be listening to five people, all of whom were talking at once. One by one they received from him quick orders, and they vanished in different directions. Then he saw us, and his face relaxed slightly. Until that moment, I hadn’t realized he was tense. Meanwhile the rest of his people had taken note of our arrival, and all were silent as he rose and came around the table to stand before us. “Twenty wagons, Lady Meliara?” he said, one brow lifting. I shrugged, fighting against acute embarrassment. “We’ve a wager going.” His neatly gloved hand indicated the others in the tent. “How many, do you think, would have been too many for you to take on single-handed?” “My thinking was this,” I said, trying to sound casual, though by then my face felt as red as a glowing Fire Stick. “Two of them could trounce me as easy as twenty wagons’ worth. The idea was to talk them out of trying. Luckily Nessaren and the rest of the wing arrived when they did, or I suspect I soon would have been part of the road.” Shevraeth’s mouth was perfectly controlled, but his eyes gleamed with repressed laughter as he said, “That won’t do, my lady. I am very much afraid if you’re going to continue to attempt heroic measures you will have to make suitably heroic statements afterward--” “If there is an afterward,” I muttered, and someone in the avidly watching group choked on a laugh. “--such as are written in the finest of our histories.” “Huh,” I said. “I guess I’ll just have to memorize a few proper heroic bombasts, rhymed in three places, for next time. And I’ll also remember to take a scribe to get it all down right.” He laughed--they all did. They laughed much harder than the weak joke warranted, and I realized that events had not been so easy here. I unclasped his cloak and handed it over. “I’m sorry about the hem,” I said, feeling suddenly shy. “Got a bit muddy.” He slung the cloak over one arm and gestured to a waiting cushion. “Something hot to drink?” A young cadet came forward with a tray and steaming coffee. I busied myself choosing a cup, sitting down, and striving to reestablish within myself a semblance of normalcy. While I sipped at my coffee, one by one the staff finished their chores and vanished through the tent flaps, until at last Shevraeth and I were alone.
Sherwood Smith (Court Duel (Crown & Court, #2))
Forgive me, but," he begins, and I know this can be going nowhere good, "what about the men who watch our channel? Do we really want to look so biased? We can't alienate half our viewership." I see Katherine open her mouth to respond, but then I must enter some kind of alternate reality in which I think I'm the best one to take these questions, as I open my big mouth and beat her to the punch. "Who's to say they'll be alienated, though? Men watch plenty of TV shows and movies led by women. Or if they don't, they certainly should. We've been put through five million Fast and the Furious and James Bond movies, for goodness' sake. And if they're opposed to watching and learning from women, because they think we're boring or don't get our perspectives, well, I reckon they're part of the problem." I fold my arms over my chest defiantly, then lose my remaining nerve and avert my eyes from those of the CEO. When I look at the other women instead, they're all staring at me with some measure of shock, some looking amused and impressed on top of that. Katherine is the first one to shake herself out of it and narrows her gaze on Geoffrey Block, CEO, once more. "It may also be of interest to you that if this series doesn't happen at Friends of Flavor, I plan on hosting it on my personal site, the Kat's Muse. I have advertisers who have long expressed interest in helping me launch my own videos, but I've been reluctant to take any of FoF's thunder. I would feel obligated to make it clear, though, that I was only hosting the series because this channel had rejected the proposal." My jaw drops along with Katherine's figurative mic. She kept that little contingency plan from us yesterday, but damn. Of course she had a secret weapon in her back pocket. Lily pipes up, "And if you all didn't know, men do not make up half of Friends of Flavor viewers. More like thirty percent. Meaning women are seventy percent. Maybe worth looking at who's really getting alienated." Well okay, Lily. For someone who spends so much of the time off in her own mental universe, she sure knows how to pop back down to earth and spit facts when needed.
Kaitlyn Hill (Love from Scratch)
We’ve been through so much, and I know he’s my end game.
Katherine Jay (When Nothing Else Matters (Heartstrings, #1))
Fugazi’s particularly dogmatic slant emphasized pragmatism, modesty, and fair play—not the first concepts to come to mind when discussing the indisputably punk rock Sex Pistols, for example. Far from complicating their lives, Fugazi’s conditions actually simplified things. If no club in a particular city could agree to Fugazi’s terms, the band would simply skip that town. Occasionally the band would pull up to a club and learn that their conditions had not been met. And they’d start packing the van back up. Sometimes the promoter would relent, sometimes not. If not, he or she would get a good, long look at the band van’s taillights. “The power of ‘No,’ man, that’s the biggest bat we’ve ever wielded,” says Picciotto. “If it makes you uncomfortable, just fuckin’ say no. It’s made life so much easier for us, man. I think bands are fragile, particularly our band—we’re super fragile, we’re control freaks—if things upset us, we can’t deliver…. That’s what it’s about—all this shit, just setting it up so we can go out and play without cares, man. It eliminates everything. It just slashes through all that crap.
Michael Azerrad (Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991)
We didn't know much about each other twenty years ago. We were guided by our intuition; you swept me off my feet. It was snowing when we got married at the Ahwahnee. Years passed, kids came, good times, hard times, but never bad times. Our love and respect have endured and grown. We've been through so much together and here we are right back where we started 20 years ago—older, wiser—with wrinkles on our faces and hearts. We now know many of life's joys, sufferings, secrets and wonders and we're still here together. My feet have never returned to the ground.
Steve Jobs
Eye Hate U" U have just accessed the Hate Experience Do U wish 2 change your entry? Very well, please enjoy your experience I never thought that U would be the one After all the things that we've been through U gave your body 2 another in the name of fun I hope U had some baby, if not, boo hoo It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U I never thought that I could feel this way 2 fall in love was a table reserved 4 fools Say U're sorry if U wanna but it's all in vain I'm out the door sweet baby, that's right, we're through It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U This court is now in session Would the defendant please rise? State your name 4 the court Never mind (Billy Jack Bitch) U're being charged with one 2 many counts of heartbreaking In the 1st degree I don't give a damn about the others My main concern is U and me Your honor, may I call 2 the stand my one and only witness? A girl that know damn well she didn't have no damn business I know what U did, how U did it and uh.. who U did it with So U might as well plead guilty cuz U sure can't plead the 5th Now raise your right hand Do U swear 2 tell the whole truth Not the half truth like U used 2 so help U God? Nod your head one time if U hear me If U don't, I'll have 2 use the rod Anything 2 make U see that uh.. U're gonna miss me Yeah, U're gonna miss me Uh, uh, uh, oh! If it please the court I'd like 2 have the defendant place her hands behind her back So I can tie her up tight and get into the act The act of showing her how good it used 2 be I want it 2 be so good she falls back in love with me Close your eyes I'm gonna cover your ass with this sheet And I want U 2 pump your hips like U used 2 And, baby, U better stay on the beat Did U do 2 your other man the same things that U did 2 me? Right now I hate U so much I wanna make love until U see That it's killin' me, baby, 2 be without U Cuz all I ever wanted 2 do was 2 be with U ... ow! I hate U (I hate U) Because I love U (Because I love U) But I can't love U (I can't love U) Because I hate U (I hate U) Prince, The Gold Experience (1995)
Prince Rogers Nelson
Clara took a sip of coffee. “Having lots of people pray about something doesn’t force God to listen or act. God knows everything. Prayer is not informing Him because He already knows what we need and why we’re crying out.” “So why pray at all?” Cecilia said. Clara held up a hand. “Now you asked me to answer you and I’m trying to do that.” Cecilia smiled and sat back, also raising a hand as if the floor was Clara’s. “God does hear what we pray. You don’t need a megaphone or a million people to get His attention. But the point of prayer is not to get what we want. Prayer changes the person who prays. You take the parent who prays that a child will get on the straight and narrow. You know I’ve been there with Clyde. We’ve all been heartsick about something or other regarding our kids. But what I’ve found is this. Whenever I was worried about Clyde, God was doing something in me. He wanted to turn my heart around as much if not more so than my son’s. God helped me trust Him in greater ways than I ever thought possible because of that boy and what he dragged me through.” “And he dragged you through a lot,” Tressa said. “Mmm-hmmm,” Eula agreed.
Chris Fabry (War Room: Prayer Is a Powerful Weapon)
I want to suggest that we study an intervention that I call media fasting. As I said, we’re not designed as an organism to take in the suffering of the whole world. We can only do that when we’ve undertaken Bodhicitta and a number of practice tools that help us take on that much suffering. In my own work with child abuse, I realized I needed, as an antidote to the suffering that I was taking in, to decrease the number of hours I was working in child abuse and increase my hours of meditation practice. I have tried media fasting with some students, and it’s been very helpful. We either nourish or assault the brain with what we take in through our senses. When we take in that much suffering and human cruelty, just as when we teach our youngest men to kill, to break the primary precept of all religion, we’re doing a great wrong to the entire human organism. I don’t watch television at the monastery, but when I stay at hotels, I do. My husband says, “Turn it off!” but it helps me understand what everybody else is taking in. All the violence that pours into our minds and hearts through television is really a terrible diet, especially for children. And then teaching our youngest people, our twenty- and thirty-year-olds who are going to inherit the world, to kill intentionally . . . Once you can intentionally kill another human being, then, of course, you can lie and steal and torture people and destroy property. It’s downhill from there. So I think that the antidote of media fasting could be a very powerful treatment for our mental health, collectively and individually.
Jon Kabat-Zinn (The Mind's Own Physician: A Scientific Dialogue with the Dalai Lama on the Healing Power of Meditation)
The experts extrapolated the likely growth during this period, and the expected consequences. They then confidently proclaimed that if population growth wasn’t halted, by 1980, New York City would require so many horses to stay viable that every inch of it would be knee-deep in manure. Knee-deep! In horse manure! As someone interested in technology and future trends, I love this story, even if it turns out to be apocryphal, because it does a brilliant job of highlighting the dangers of extrapolating the future, since we aren’t capable of foreseeing game-changing technologies that often appear. Even now. Even at our level of sophistication and expectation of change. But while we can’t know what miracles the future will hold, we’ve now seen too much evidence of exponential progress not to know that Jim Kirk would no longer be relatable to us. Because it seems impossible to me that we will remain as we are. Remain even the least bit recognizable. This assumes, of course, that we avoid self-destruction, a fate that seems more likely every day as WMDs proliferate and fanaticism grows. But post-apocalyptic science fiction has never been my thing, and if we do reach a Star Trek level of technology, we will have avoided self-destruction, by definition. And I prefer to be optimistic, in any case, despite the growing case for pessimism. So if we do ever advance to the point at which we can travel through hyperspace, beam ourselves down to planets, or wage war in great starships, we can be sure we won’t be human anymore
Douglas E. Richards (Oracle)
Prayer. What do I consider greatness to look like in prayer? What do I think I need to do every day in terms of prayer to become a saint? Don’t ask the question, “Do I pray enough?” The answer is no—no one prays enough; it’s not possible. But am I praying as much as I should be praying? Scripture. There is no way I am able to let God form me if I don’t read his word. I have to let him form me, and he forms me through the Scriptures. Service. Do I reach out of myself? Do I look to volunteer, whether it is in the parish, the local community, or with the poor? Confession. Do I have as my goal getting to Confession once every two months? If that’s not on your list, I’d start there. And if you haven’t been to Confession in years, just come back. Just come back! Mass. Obviously, we need to go to Sunday Mass. But ask yourself this: is it possible for me to achieve greatness when I am feeding on the Eucharist only once a week? Once we’ve really come to understand, objectively speaking, that the Eucharist is the greatest source of strength that we could ever encounter in our lives, why wouldn’t we want to come more often? Some of us can’t go to Mass more than once a week because of work. But maybe we can try to get there once during the week, in addition to Sunday. Many people who start coming during the week end up coming every day as they gradually realize, “I just can’t thrive without the Eucharist. I’m not strong enough. I used to think I was, but now I’ve come to realize otherwise.” Sin. What are the one or two really significant obstacles in my life right now that are keeping me from reaching the goal of sainthood? How am I going to overcome those? Am I just going to say to myself, “Well, that’s just the way I am”? Or am I going to let the Lord change me? Fasting. Do I ever fast? Jesus doesn’t say, “If you fast . . .”; he says, “When you fast . . .” What is my plan for fasting? Some of us can’t fast from food because of health reasons, but we can fast from something else, like the news or the time we spend looking at our computers or cell phones. Alms. Do I give alms? Do I look at the resources that I have as a means by which I can share with the poor? Pope Francis is constantly reminding us of our obligation to do what we can to help the poor. He wants us not just to care for them so that they simply receive our mercy but, instead, to lift them up and set them on their feet and get them on their way. That’s what he’s encouraging us to do.
John Riccardo (Heaven Starts Now: Becoming a Saint Day by Day)
AMANDA: Do you realize that we're living in sin? ELYOT: Not according to the Catholics; Catholics don't recognize divorce. We're married as much as ever we were. AMANDA: Yes, dear, but we're not Catholics. ELYOT: Never mind, it's nice to think they'd sort of back us up. We were married in the eyes of heaven, and we still are. AMANDA: We may be alright in the eyes of Heaven, but we look like being in the hell of a mess socially. ELYOT: Who cares? AMANDA: Are we going to marry again, after Victor and Sibyl divorce us? ELYOT: I suppose so. What do you think? AMANDA: I feel rather scared of marriage really. ELYOT: It is a frowsy business. AMANDA: I believe it was just the fact of our being married, and clamped together publicly, that wrecked us before. ELYOT: That, and not knowing bow to manage each other. AMANDA: Do you think we know how to manage each other now? ELYOT: This week's been very successful. We've hardly used Solomon Isaacs at all. AMANDA: Solomon Isaacs is so long, let's shorten it to Sollocks. ELYOT: All right. AMANDA: Darling, you do look awfully sweet in your little dressing-gown. ELYOT: Yes, it's pretty ravishing, isn't it? AMANDA: Do you mind if I come round and kiss you? [...] AMANDA: We're tormenting one another. Sit down, sweet, I'm scared. ELYOT [Slowly]: Very well. [He sits down thoughtfully.] AMANDA: We should have said Sollocks ages ago. ELYOT: We're in love all right. [...] AMANDA: [Victor] had a positive mania for looking after me, and protecting me. ELYOT: That would have died down in time, dear. AMANDA: You mustn't be rude; there's no necessity to be rude. ELYOT: I wasn't in the least rude; I merely made a perfectly rational statement. AMANDA: Your voice was decidedly bitter. ELYOT: Victor bad glorious legs, hadn't he? And fascinating ears. AMANDA: Don't be silly. ELYOT: He probably looked radiant in the morning, all flushed and tumbled on the pillow. AMANDA: I never saw him on the pillow. ELYOT: I'm surprised to hear it. AMANDA [angrily]: Elyot! ELYOT: There's no need to be cross. AMANDA: What did you mean by that? ELYOT: I'm sick of listening to you yap, yap, yap, yap, yap, yapping about Victor. AMANDA: Now listen Elyot, once and for all --, ELYOT: Oh my dear, Sollocks! Sollocks! -- two minutes -- Sollocks. AMANDA: But -- ELYOT [firmly]: Sollocks! [They sit in dead silence, looking at each other. AMANDA makes a sign that she wants a cigarette. ELYOT gets up, hands her the box, and lights one for her and himself. AMANDA rises and walks over to the window, and stands there, looking out for a moment. Presently ELYOT joins her. She slips her arm through his, and they kiss lightly. They draw the curtains and then come down and sit side by side on the sofa. ELYOT looks at his watch. AMANDA raises her eyebrows at him and he nods, then they both sigh, audibly] That was a near thing. AMANDA: It was my fault. I'm terribly sorry, darling. ELYOT: I was very irritating, I know I was. I'm sure Victor was awfully nice, and you're perfectly right to be sweet about him. AMANDA: That's downright handsome of you. Sweetheart! [She kisses him.] ELYOT [leaning back with her on the sofa]: I think I love you more than ever before. Isn't it ridiculous? Put your feet up. [She puts her legs across his, and they snuggle back together in the corner of the sofa, his head resting on her shoulder.]
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
antibiotics—but absolutely no methods for increasing resistance, so that antibiotics won’t be necessary. Fantastic operations—but when it comes to teaching people the way of going through life without having to be chopped up, absolutely nothing. And it’s the same all along the line. Alpha Plus for patching you up when you’ve started to fall apart; but Delta Minus for keeping you healthy. Apart from sewerage systems and synthetic vitamins, you don’t seem to do anything at all about prevention. And yet you’ve got a proverb: prevention is better than cure.” “But cure,” said Will, “is so much more dramatic than prevention. And for the doctors it’s also a lot more profitable.” “Maybe for your doctors,” said the little nurse. “Not for ours. Ours get paid for keeping people well.” “How is it to be done?” “We’ve been asking that question for a hundred years, and we’ve found a lot of answers. Chemical answers, psychological answers, answers in terms of what you eat, how you make love, what you see and hear, how you feel about being who you are in this kind of world.” “And which are the best answers?” “None of them is best without the others.
Aldous Huxley (Island)
all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.” “Even my Peloton?” I ask. “Great piece of equipment,” he says. “The fact that I check my email after work hours?” “Just makes it easier to share Bigfoot erotica without having to walk across the room,” he says. “Sometimes I wear very impractical shoes,” I add. “Nothing impractical about looking hot,” he says. “And what about my bloodlust?” His eyes go heavy as he smiles. “That,” he says, “might be my favorite thing. Be my shark, Stephens.” “Already was,” I say. “Always have been.” “I love you,” he says again. “I love you too.” I don’t have to force it past a knot or through the vise of a tight throat. It’s simply the truth, and it breathes out of me, a wisp of smoke, a sigh, another floating blossom on a current carrying billions of them. “I know,” he says. “I can read you like a book.” EPILOGUE SIX MONTHS LATER THERE ARE BALLOONS in the window, a chalkboard sign out front.
Emily Henry (Book Lovers)
Andrew will be here to take care of you,” he finishes. “I’ll be back tomorrow night, baby. I know you’ll be mad, but we’ll get past this. We’ve been through so much together.
Kennedy Ryan (Long Shot (Hoops, #1))
Joy surged through him. Holt threw himself forward and took Aberanth in a fierce embrace. “Oh, I say!” Aberanth tried to wriggle free, but Holt was too strong for him, so the dragon settled with a growling groan. “Better get used to it. You don’t need to be so guarded around us. We’ve been through too much for that.” “Hmph,” Aberanth said, plainly uncomfortable but no longer wriggling. He raised one of his bark-skin wings to pat Holt on the back. “There, there.” From anyone else, it would have been patronizing, but for Aberanth, it was akin to a declaration of love. Holt squeezed harder. “Holt,” Aberanth squeaked. “Yeh?” “You’re crushing me.
Michael R. Miller (Defiant (Songs of Chaos, #3))
I feel good. And victorious. And the feeling lasts. A few weeks after my first poker win, I’m approached by a magazine to write an article. I look back through my old emails. I’ve played with this opponent before: she’s asked me to write in the past, multiple times. It was always a little too small a sum for the effort required, so I’d never actually written anything. Every time I mentioned money, she walked away. Part of me just wants to accept this assignment: it’s interesting, I’ve done a lot of work on the background already, and the money isn’t all that bad. I’ve been offered worse. It would actually be a nice and needed boost at this precise moment. But on some level, part of me must remember: you can’t play scared. You can’t be afraid of how you look. You can’t be afraid someone will walk away because of what you do or don’t do. You have to play smart. And so I decide to check back: I’m not really doing much freelance work these days, I respond. I’m working on my next book. Not a refusal, but something that leaves the action open. Turn the decision momentum so that the power of position is on my side. Do nothing without first gauging my opponent’s reaction. Reveal nothing about the strength of my hand until I have to. A day later, I receive another email: What if we paid you more than we’ve offered in the past? This is an opening, and old me would have jumped at it. New me decides I don’t actually have to jump at anything; the smarter strategy might lie in another direction. I’m not sure that would be enough, I counter, since I really need to be paid more than I am at my home magazine to make it worth my while given the constraints on my time. In effect, I’m calling the bet, but I don’t raise. I simply stay in the hand to see what will happen. Three dollars a word, comes the next email. Done. I’ve won the hand and extracted more value than I ever thought I could from it.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
I know we haven’t been together for that long, but we’ve been through so much that it feels like forever.” His lips were so close to mine now, electricity buzzing between us. “I don’t know if I can properly get across how much you mean to me, but we don’t know how much time we have left together, so I’m going to try. Because before you, my life was empty and void. I went through the motions, but I wasn’t fully there. Then you burst into my life with fire and passion and lit it up in ways I never thought possible. With you, I feel more alive than ever. I’ve told you a million times, but I’ll say it once more—I love you, Nicole. I don’t want you to ever doubt that. So tonight—if you’re ready—I want us to be together completely. I want to show you how deep my love for you goes.
Michelle Madow (The Hands of Time (Elementals #5))
It’s homecoming week at school and I’ve been nominated to the Homecoming Court and voted “Leading Leader” of my senior class. Soon after my release from the mental hospital, I sit on the edge of a convertible in a pretty blue suit, waving to crowds of people lining the sidewalks for the homecoming parade. My mother and grandmother drive me through the crowd and I can feel their hope. We’ve been through so much and here I am, being admired. It feels like victory to them. But I know the truth. You have to be known to be loved, and none of these waving people knows me. They only know my representative. This is not a victory parade for me, but for her. She is the one waving. I am the one holding my breath again, underneath. She is the star; I am the mental patient.
Glennon Doyle (Love Warrior)
So far, aging often feels like an exercise in gaslighting. You might feel great. You might look great. And yet everyone and everything is telling you it’s terrible. It’s all terrible. Eventually every day becomes an endless decision to choose reality over consensus. I am feeling this, so it must be true versus everyone says this is true, so I will feel it too. The disconnect is so extreme at times, I find the result is I’ve come to distrust literally every story we’ve ever been told to expect as women, even when some of them have turned out to be true. To choose to enjoy things simply because they are enjoyable, even if no one quite believes you. To understand things are hard, even when you are constantly being told they are not as hard. This is true loneliness, I sometimes want to say. Because so much of enjoyment, and so much of bearing the hardest things, relies on the ability to do so with others. Misery loves company, but so does joy. And not the company of one other person. So many women in my life are told daily by their partner that they are beautiful, and yet move through the world feeling ugly. We need the company of a narrative.
Glynnis MacNicol (I'm Mostly Here to Enjoy Myself: One Woman's Pursuit of Pleasure in Paris)
We've been working for barely two weeks, Nesta. Physically, you might be seeing changes, but what's happening in your mind, your heart, will take far longer than that. Fuck, it took Feyre months-' 'I don't want to hear about Feyre and her special journey. I don't want to hear about Rhy's journey, or Morrigan's, or anyone's.' 'Why?' The words, the rage, built again. She refused to speak, instead focusing on tamping down that power inside her until it didn't so much as murmur. 'Why?' he pushed. 'Because I don't,' she snapped. 'Put those bat wings away.' Cassian obeyed, but stepped closer, towering over her. 'Then I'll tell you about my special journey, Nes.' His tone was icy in a way she'd never heard. 'No.' 'I slaughtered every person who hurt my mother.' She blinked up at him, the weight in her vanishing at the vicious words. Cassian's face held only ancient rage. 'When I was old and strong enough, I went back to the village where I was born, where I'd been ripped from her arms, and I learned that she was dead. And there was no one I could fight to change that. They refused to tell me where they'd buried her. One of the females hinted that they'd dumped her off the cliff.' Horror and something like pain went through her. His eyes flared with cold light. 'So I destroyed them. Anyone who wasn't responsible- children and some females and the elderly- I let them leave. But anyone who had played a role in her suffering... I made them suffer in return. Rhys and Azriel helped me. Found the piece of shit who'd sired me. I let my brother tear him apart before I finished him.' The words hung between them. He said with soft fury, 'It took me ten years before I was able to face it. What I'd done to those people, and what I'd lost. Ten years.' He was trembling, but not with fear. 'So if you want to take ten years to face whatever is eating you alive from the inside out, go ahead. You want to take twenty years, go ahead.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
After she takes off, I’m still thinking about what she said as I head to the darkroom. Hearing about someone else’s dating drama makes me so grateful for my relationship with Jake. My phone dings, and I open it. Love you, cupcake. That’s all he says, but it puts a huge smile on my face. As much as we’ve been through, as hard as it’s been to get to this point, I’m grateful for the challenges we’ve faced because we’re stronger than ever. Love you too. Always. I add the lick emoji and giggle. It’s fun to tease him. He responds with the devil emoji. Food for thought, babe! I’ll never get over being in love with this man. It’s like we were written in the stars.
Lex Martin (Second Down Darling (Varsity Dads #4))
We’ve been through so much together in such a short time. I think of cutesy couples beaming at each other and saying things like, When it’s right, you just know. For us, it’s more like, When it’s so deliciously fucked up, you just know.
Lilith Vincent (Fear Me, Love Me)
Brother, you give me no credit. You think I took emergency leave to come up here and save your life without knowing anything? I called that bar—that sweet little bar you like so much? Where they haven’t seen you in a long time? I talked to Jack a while, got Walt Booth’s number and talked to him, too. Here’s what happened—Shelby went to Maui for a warm, sunny vacation before heading to San Francisco to get an apartment for school that’s not starting for months. She got out of town. Since we had this talk once already, I can guess why. You pushed her away. You wouldn’t tell her how you feel because you think it’s a mistake for her. And you’re still scared every woman you meet is going to do you dirty. You’re still making decisions for other people without getting their opinion. Now she thinks you don’t care about her and so she took you up on the challenge and she left. Got as far away as she could. And now you’re in the shitter!” Luke glared at Aiden for a moment before he said, “I’m going to fucking kill you.” Aiden sat back in the chair and grinned. He took a slug of his beer. “Oh yeah? And why is that?” “You called the general? About me?” “Yup. And the bartender. But I got the call from Sean who got the call from Mom and you should just be glad Paddy and Colin aren’t stateside or they’d be in it. Now, why don’t you just answer the fucking phone and tell people you’re busy and can’t talk? What the hell are you doing?” “Save my life?” Luke asked. “Emergency leave? Save my life? What the hell are you talking about?” Aiden sat forward and grew serious. “Look, we’ve been here before. We were all young, true, and the circumstances were entirely different, but try to imagine what it’s like to see your big brother—the guy you most admire in the world—hit the skids and just about sink out of sight. Scared the shit out of everyone. That’s not going to happen again. No one is going to let it happen again.” Luke took a breath. “Look, it’s not a big deal. Shelby was just following through with her plans. She wants to travel, go to school. I’m adjusting. Gimme a week. It’ll be fine.” Aiden stared at him for a second. “Aw, bullshit,” he said. Before
Robyn Carr (Temptation Ridge)
After the things we’ve been through, how can we not fear losing those we care about? How can we not distance ourselves so not to risk caring too much for someone? Especially when we could lose that someone like we lost our families. -Caspian
Blaire Hammond (The Enchantress (Wicked, #1))
Maynard, what have you been doing with yourself?" Odegar Taumber asked as the slow moving librarian shuffled from the stairwell to the main floor. Casselle caught sight of Temos and Raabel and motioned for Jaksen to deposit the books on a nearby and conveniently clean table. He did so and the squadmates reunited, just out of earshot of the Captain. "I see you two found him," Raabel said. "We've been back for some time. I guess he's as slow as he looks?" "Casselle found him," Jaksen replied. "And he's both slow and rude. I'm sure he's important enough, but seems like he was in no real danger to begin with." "I took a look out of the windows while we were searching for him," Temos said. "It doesn't look like it's calmed down much out there. I'd hate to think of trying to move him through an angry crowd. He doesn't look nimble enough to sneak by, either." "If we weren't in this damned armor, I'd just carry him," Raabel said. Coming from someone else, it might have been considered a boast, but Raabel usually didn't say things he wasn't sure he was capable of doing. Casselle pictured the old man wailing in protest, thrown over Raabel's shoulder and being forced to bounce along like a sack of potatoes. Raabel was right about the armor, though: it was clumsy and ill-fitting. It was obvious that it had not been altered for them, and none more obvious than on Casselle. Her broad shoulders were a boon, but even bound, her breasts had proved problematic to find a properly sized chestplate from a stockpile that had been made exclusively for men. They had settled on a piece that was just slightly too large, having previously been worn by a heavyset Templar from a time before. In thinking of it, she pondered Maynard's earlier words. "He called me a boy," she said. "A fat young boy." Her squadmates took a step back, shocked. "And you did not correct him?" Raabel asked. "Or worse?" Jaksen asked. "To be fair," Temos said after a moment, "he is very old. It is entirely possible he has lost his will to live.
R. Wade Hodges (Beyond the Burning Sea (Fate's Crucible, #1))
She laughs. “You’re so much like your father. Sometimes I wonder if you got any of my DNA at all.” I’ve never really seen any similarities between my dad and me. Except our love of business—our drive to succeed. We’ve always been evenly matched in that respect. Otherwise, my father’s as straight-laced as they come. A dedicated, loyal family man through and through. Pretty much the opposite of me in every way. “I am?” She’s still chuckling. “One day I’ll tell you how your dad and I really ended up together at Columbia. And I’ll include all the dirty little details he never wanted you to know.” If that story involves sex in any way, I don’t want to hear it. Ever. As far as I’m concerned, my parents have had sex two times in their entire lives. Once for Alexandra and once for me. That’s it. On some level I realize I’m deluding myself, but this is one topic where I prefer to live in denial.
Emma Chase (Tangled (Tangled, #1))
Senior executives love the strategy layer. And why not? Strategy is fun! It's fun to make declarations like, "We're one global company now! We've grown for one hundred years through acquisition, we run under the tyranny of the P&L, we've been fully organized by regions, but we're one global company now!"1 But the operating layer? Not so much. The
Martha Heller (Be the Business: CIOs in the New Era of IT)
breathed the name Dylan, I would have remembered. He doesn’t want sex. Our sex life was sporadic, but good. He traveled so much that it’s hard to say how often we did it. But when he was home, it would happen. Over those last six months, did I see a difference? Not that I can say. My lip quivers, and I bite it to make it stop, looking up at Nick, who’s watching me. “I was wondering about something,” Nick says. “What?” “Is the pill you took to help with this? Is it for anxiety?” My cheeks get hot. “You saw that?” “Not much gets past me,” he says, then stops short, both of us realizing that nothing could be further from the truth. Dylan had hidden an entire life from him. “I took it to deal with the car ride. I have trouble since . . .” “You don’t need to say any more.” Nick rakes his fingers through his hair. “Why don’t we put our bags in our rooms, then grab a drink? I think we could both use a mai tai.” “Agreed,” I say, following him to the elevator bank, relieved we’ve stopped talking about my self-medication. It makes me feel like more of a victim that I have to take pills so I can handle what my life has become. Nick steps out on the fourth floor of the ocean tower, and I keep going up to nine. As I’m sliding my key card in the slot for 955, my cell phone rings and Beth’s face appears on the screen. I could ignore it, but we haven’t spoken live since I left her house, and I know she’ll keep calling until I answer. She’s always been that way—relentless. It’s
Liz Fenton (The Good Widow)
JazzyGirl: LOL. Since you and Alex kept in contact, I assume he knows your partner. Evilnbored: Alex is my partner. He didn't have to wait as long for her response this time. In fact, he could almost imagine her screaming through the computer. JazzyGirl: OMG, OMG, OMG. I had no idea. Were the two of you together in high school? Evilnbored: No, not at all. We've only been partners since our senior year in college. Back in high school ... I never admitted to myself I liked guys as well as I did girls, although I had some inkling. And Alex ... I'll let him tell you his story. JazzyGirl: I can't believe you guys never told me. I feel left out. Her words sounded so much like the old Jasmine he really did laugh out loud. 33 Coming Full Circle by Liz Andrews Evilnbored: Sorry? JazzyGirl: Unacceptable. I need to be completely caught up on all the news that's fit to print. And all the other stuff too. Evilnbored: Um, okay, what do you want to know exactly? JazzyGirl: Hehehe, oh, you don't know it, but you gave me the keys to the castle. Evilnbored: Should I be scared? JazzyGirl: I'm not the evil one, LOL. Evilnbored: Oh boy. Ask away before I regret offering to tell you anything. JazzyGirl: You can't see me right now, but I'm rubbing my hands gleefully
Liz Andrews (Coming Full Circle (Friends and Lovers #2))
Books provide a safe space to encounter new and unfamiliar situations, to practice living in unfamiliar environments, to test-drive encounters with new people and new experiences. Through our reading, we learn how to process triumph and fear and loss and sadness, to deal with annoying siblings or friend drama or something much, much worse. And when we get to that point in our real life when it’s happening to us, it’s not so unfamiliar. We’ve been there before, in a book. This ability to “preview” real-life experiences through books is one of the big perks readers enjoy.
Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
We've been through so much, and I can see our road paved with more bumps, our fight filled with more battles - but ones we're finally equipped to face. The elevator doors slide open, and we walk ahead. Read to face one more together.
Becca Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
I do remember one thing for certain: Ben, leaning in toward me. So close our foreheads touch. Closer than we've been in a long time. It was different. It was more. More than chivalry. More than playing soccer as kids. More than just friends. The certainty of this is a laser, slicing through the thick fog of too much tequila. I replay the scene. This time I remember how close his lips were to mine. And the hiccups. The first one occurred at exactly that moment, his forehead resting against mine. Any other girl in any other town in any other state on any other sidewalk with any other guy—that's a sure bet, right? I mean, forehead to forehead? You just close your eyes and lean in. Not me. Nope, one inch from the lips of a guy who's had a few beers on a night when Coral Sands, Iowa, is the center of the universe? Kate Weston comes through with the hiccups. Just the way I roll.
Aaron Hartzler (What We Saw)
Let’s go, I’ll walk you down and get you cleaned up.” “You will?” He slanted me a look before picking up his trekking poles and backpack, slipping the straps on, then maneuvering the two sticks through crisscrossing cords on his back, leaving his arms free. Finally aiming his body back up the trail toward me, he held out his hand. I hesitated but set my forearm into his open palm, and I watched as some emotion I didn’t initially recognize slid over his face. “I meant your backpack, angel. I’ll take it for you. The trail’s not wide enough for both of us to go down at the same time,” he said, his voice sounding oddly hoarse. Maybe if I hadn’t been in so much pain, and been so damn cranky, I would’ve been embarrassed. But I wasn’t, so I nodded, shrugged, and gingerly tried to take my backpack off. Luckily, I just started to shimmy a strap off when I felt the weight leave my shoulders as he tugged it away. “Are you sure?” “Positive” was all he replied with. “Come on. We’ve got half an hour to get back to the trailhead.” My whole body slumped. “Half an hour?” I’d thought I had… ten minutes max. My landlord pressed his lips together and nodded. Was he trying not to laugh? I wasn’t sure because he turned around and started heading down the path ahead of me. But I was pretty sure I saw his shoulders shaking a little. “Let me know when you want water” was one of the only two things he said on the way down. The other being, “Are you humming what I think you’re humming?” And me replying with “Yes.” “Big Girls Don’t Cry.” I had no shame. I tripped twice, and he turned around both times, but I gave him a tight smile and acted like nothing had happened. Like he predicted, thirty minutes later, when I was basically wheezing and he was acting like this was a stroll down a paved path, I spotted the parking lot and almost cried. We’d made it. I’d made it. And my hands hurt even worse from how dry the cuts were, and my elbows felt the same way, and I was sure my knees would too, but their joints were so bad, they didn’t have room to wonder about any other pain. But just as I started heading toward my car, Rhodes slipped his fingers around my biceps and steered me toward his work truck. He didn’t say another word as he unlocked it and dropped the tailgate, shooting me a look over his shoulder as he patted it briefly before heading around to the passenger door. I went straight for the tailgate and eyed it, trying to figure out how to sit on it without using my hands to boost myself up. That was how he found me: staring at it and trying to decide if I went face-first and shimmied up on my stomach, I could wiggle around and sit up on my butt eventually. “I’m trying to figure out how to—okay.” He scooped me up, one arm under the backs of my knees, the other around my lower back, and planted me on the truck. In a sitting position. Like it was no big deal. I smiled at him. “Thanks.” I would’ve figured it out, but it was the thought that counted.
Mariana Zapata (All Rhodes Lead Here)
MICHAEL PILLER As soon as I started, I said, “I need to see every script, every abandoned story, and every submitted piece of material that’s sitting around, because I have to have something to shoot next week.” Somebody gave me a script called “The Bonding,” by a guy named Ron Moore who was about to go into the Marines, and it was a very interesting story about a kid whose mother goes down on an away mission and gets killed. The kid is obviously torn apart by the death of his mother, and seeing how much he’s suffering, aliens provide him with a mother substitute. The writing was rough and amateurish in some ways, but I thought it had real potential to tell an interesting story. I went to Gene and pitched him the story, and he said it didn’t work. I asked him why, and he said, “Because in the twenty-fourth century, death is accepted as a part of life, so this child would not be mourning the death of his mother. He would be perfectly accepting of the fact that she had lived a good life, and he would move on with his life.” I went back to the writing staff and told them what Gene had said, and they sort of smirked and said, “Ah-ha, you see? Now you know what we’ve been going through.” I said, “Wait a minute, let’s think about it. Is there any way we can satisfy Gene’s twenty-fourth-century rules and at the same time not lose the story that we have to shoot on Tuesday?” I finally said, “Look, what if this kid has in fact been taught all of his life not to mourn the death of his loved ones, because that’s what society expects of him? He’s taught that death is a part of life, so he loses his mother and doesn’t have any reaction at all. That’s what Gene is telling us has to happen. Well, that is freaky, that is weird, and that’s going to feel far more interesting on film than if he’s crying for two acts. What if the aliens who feel guilty about killing his mother provide him with a mother substitute and the kid bonds with this mother substitute, and it’s Troi who goes to Picard and says, “We have a problem? The kid is not going to give up this mother substitute until he really accepts and mourns the death of his real mother, and we’re going to have to penetrate centuries of civilization to get to the emotional core of this kid in order to wake up his emotional life.” So the show becomes a quest for emotional release and the privilege of mourning. Well, Gene loved the idea. It respected his universe and at the same time turned a fairly predictable story on its ear, and it became a far better story and episode than it would have if Gene had simply signed off on the original pitch. SANDRA
Edward Gross (The Fifty-Year Mission: The Next 25 Years)
Aeryn was confused. "On three," he said. "One, two, three." He let the scalpel slip from his fingers. As it fell, Aeryn did all she could to move her leg. She tried to tense the muscle, tried to pull away. When she felt the sting of the blade striking her skin, she knew she had failed. "At least now he’ll know that’s not me. No one would let themselves get stabbed," she thought. He sat across from Aeryn and shined a light in her eyes. He looked closely, then leaned back and removed the blade from her skin. He took out a suture kit and tied two small stitches. "I’m pleased to inform you that the transfer is complete," he said. "What?" Aeryn thought. "When will she be gone?" NIA asked. The doctor leaned back in his chair and ran his hands through his hair. As he did, Aeryn caught a glimpse of a flashing light behind his ear. She hadn’t known that he was augmented. "In time.  As your network continues to become stronger than hers, the mind will reject the old personality.  It took almost a year for the original Dr. Barnes to shut up. But luckily we now have a code that we can update you with to silence her." Aeryn felt panicked.  She wanted to claw her way out of her head, but she had no means to do so.  "I almost feel bad for her," NIA said.  "But she knew that she was handing over control of her body. She just didn’t realize it’d be permanent.  Maybe she didn’t care.  She gave me more and more control before she gave it completely. While she exercised, while she thought she was sleeping, while she was writing or relaxing. She was always retreating inside of herself. It was like she didn’t even want this body." "How is Aeryn 2.0 coming along?" "Copulation was easy at first.  With Aeryn’s loose instructions of ‘burn some calories’ I was able to take her body and use it for attempted reproduction.  So far, it has been a failure. The neglect of the body has made finding partners more difficult." Aeryn shuddered at the realization that the dreams weren’t dreams, they were repressed memories. "Well, you’d better start taking care of that body. It’s the only one you’ve got until you get it to reproduce.  I believe that it’ll be easier to appropriate a child’s mind, seeing as how their personalities are not fully formed yet." Aeryn felt sick at the idea.  As if stealing people’s bodies wasn’t enough, these artificial intelligences were going for immortality by passing themselves along to their host’s offspring. "I’m glad we’ve had another success," Dr. Barnes said. "And with such a quick turn around." "As I said, she was willing." Aeryn watched in disbelief as the two finished up.  She wondered how much time she had left and tried to imagine any situation that didn’t end in her death.  She couldn’t think of a way out.  She wanted to flinch as NIA shook the doctor’s hand, but couldn’t.  She loathed him for convincing her to get the technology, she hated NIA for tricking her, but mostly, she hated herself.  For as much as she didn’t want to admit it, her Assistant had a point. She had handed her life over to technology long before she received the implant. Now, she had lost herself to it.     *
Samuel Peralta (The Future Chronicles: Special Edition)
The combined biomass of all domesticated animals is now some twenty-five times that of all remaining wild terrestrial mammals. Some of our favored plants have become among the most widely propagated on the planet. Wheat, rice, coffee, and cannabis, to name a few, have gone worldwide by giving us what we want. You have to wonder who has been using whom, because in terms of evolutionary success, these plants have done well by us 7—others, not so much. Through our reworking of landscapes, especially for agriculture, we have destroyed and altered habitats and, often without realizing it, created new ones. We’ve
David Grinspoon (Earth in Human Hands: Shaping Our Planet's Future)
I’d heard a few stories from his friends already, and they were buzzing around in my head. Curly said that when Jep was trying to use his phone, he said, “Jessica,” one of the few things he said that made any sense. Another story, that would have been funny in almost any other context, was that at one point Jep looked up and said, in a clear voice, “I have to get money from Willie.” Another friend told me that back at the lodge, while they were waiting for the ambulance, Jep kept wanting to walk outside and head for the woods. I shuddered in fear at that story--the deer camp was in the middle of 55,000 acres of woods. If Jep had been alone and wandered off into the woods by himself, he might’ve been lost forever. When that thought came, I put my hand lightly on his arm. He was quiet, for the moment, still strapped securely to the gurney. We might’ve lost you, I thought. We’ve been through so much together. I can’t lose you now.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Going to the office wasn't as pleasant lately, Sam thought, as he made his way through the back entry to the detectives' division. There weren't so many people there that day, and it seemed like a lot of them were avoiding the place, just staying away as much as they could. He could understand that. After almost ten years as a Denver cop, Sam was sick of seeing what humanity was really capable of. He had grown up reading cop stories, always seeing how the cops would save the day, watching them rescue the innocent and punish the guilty every week on TV, until he finally knew that he had to be one himself. After a short stint in the Army that never even got him out of the country, he'd come home and applied for the academy. He'd been accepted, and that was the start of an illustrious career. Now, it was all he could do to drag himself out of bed in the mornings, make himself come in and see what new horrors he'd have to deal with. The past four months he'd been on loan to the DEA, and they'd made some big drug busts, shut down some of the most evil purveyors of sin and death that ever lived, but they were like the mythical hydra—as soon as you cut off one of its heads, three more grew back to take its place. Sam wanted to stop cutting off heads and find the creature's heart, but there was almost no evidence as to where that heart might be. They knew there was something big behind the drug operations in the city, but it was so well organized and so carefully designed that no one seemed to have any idea where or how to find it. His cell rang as he sat down at his desk, and he saw his partner's number. Dan Jacobs was already out on his station, watching one of the dealers they'd identified the day before. “Yo,” Sam answered. “Sam, it's Dan. I been thinkin', and it seems to me that we might be lookin' in the wrong direction, y'know?” Sam blinked a couple of times. “Danny, I've been awake for about fifteen minutes, and haven't even opened my Starbuck's yet. What the heck are you talkin' about?” “I'm sayin', maybe we're goin' about this all the wrong way, tryin' to find dealers and trail 'em, follow the tracks up the ladder. There's something about this whole setup that smacks of serious organization, something big enough to hide in plain sight, know what I mean? If it's that well laid out, we can follow minions all day long, we're never gonna find the top guy, because they don’t ever see the top guys.” Sam nodded. “Yeah, you're probably right,” he said, “but unless you got a crystal ball lead on where else to go, I don’t know what good it's doin' us. Where else we gonna find any leads at all? Got a clue, there?” “Maybe,” Dan said. “We've been tailing a lot of these clowns the past few weeks, right? Have you noticed one thing they all do the same?” Sam thought about it, but nothing jumped out at him. He looked at it from a couple of different angles, then shook his head. Into the phone, he said, “Nope. So, what is it?” “Facebook. No matter what else they're doin', these bastards never miss checking in on Facebook every day, several times a day. They go on, look at what people are sayin' on their pages, sometimes they answer and sometimes they don't, and then they go back to their drug dealin' ways.” Sam rubbed his temple. “Dan, everyone does that. Everyone on freakin' earth is on Facebook, and always checkin' it out. That's just part
David Archer (The Grave Man (Sam Prichard #1))
Not yet, Baird,” the one beside him cautioned. He was as tall as his friend and just as muscular but he had short, spiky blond hair that complimented his pale blue eyes. “Can’t wait much longer.” Long, strong fingers curled into a fist as though the amber-eyed male could grasp the slender figure in his hand and hold her through sheer force of will. “Been dreaming about her every night, Sylvan. I ache for her.” “What does she look like?” There was genuine curiosity in the question. Though Baird had never seen her outside his dreams, Sylvan had no doubt he could describe his chosen female to the last detail. “So fuckin’ beautiful it hurts to look at her. Yellow hair like yours but longer—more golden. And her eyes…” Baird shook his head. “Like jewels. A pale grey that’s almost silver.” “You find these human women appealing then?” “Only her—she’s the only one I can see.” The amber eyes stared hungrily across the road. “I need her soon. Need to be with her. In her.” “You’re sure she’s the one?” Sylvan stared doubtfully at the woman silhouetted in the window. She was humming softly to herself but despite the distance and the pane of glass between them he could hear her perfectly and knew Baird could too. As attuned as his half brother was to this human female, he could probably hear her heartbeat even from across the street. “I know she’s the one.” There wasn’t a shred of doubt in the deep, rumbling voice. “Didn’t I tell you we’ve been dream-sharing? And her scent…” He inhaled deeply and his dark gold eyes were suddenly half-lidded with desire. “It’s her all right and she’s ripe for bonding. I want her.” “I know you do, but Baird…” The other male shifted from foot to foot uneasily. “You haven’t been back that long—only three days and it’s a miracle you escaped alive. Don’t you think it might be a good idea to wait a while? To take some time to recover?” “Waited long enough,” was the rumbling reply. “Six months in that hell hole and the only thing keeping me alive and sane were the dreams I had of her. I won’t wait any longer—she’s mine, whether she knows it yet or not.” “You’ll scare her,” his half-brother objected. “Human women are frightened enough of us as it is.” “I won’t hurt her. Just need to take her—bond her.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
It was worse than she’d expected. “None?” she asked. “No fresh boot prints anywhere around the perimeter of the house,” Sheriff Coughlin confirmed. “It was windy last night. Maybe the drifting snow filled in the prints?” Even before she finished speaking, the sheriff was shaking his head. “With the warm temperatures we’ve been having, the snow is either frozen or wet and heavy. If someone had walked through that yard last night, there would’ve been prints.” Daisy hid her wince at his words, even though they hit as hard as an elbow to the gut, and struggled to keep her voice firm. “There was someone walking around the outside of that house last night, Sheriff. I don’t know why there aren’t any boot prints, but I definitely saw someone.” He was giving her that look again, but it was worse, because she saw a thread of pity mixed in with the condescension. “Have you given more thought to starting therapy again?” The question surprised her. “Not really. What does that have to do…?” As comprehension dawned, a surge of rage shoved out her bewilderment. “I didn’t imagine that I saw someone last night. There really was a person there, looking in the side window.” All her protest did was increase the pity in his expression. “It must get lonely here by yourself.” “I’m not making things up to get attention!” Her voice had gotten shrill, so she took a deep breath. “I even said there was no need for you to get involved. I only suggested one of the on-duty deputies drive past to scare away the kid.” “Ms. Little.” His tone made it clear that impatience had drowned out any feelings of sympathy. “Physical evidence doesn’t lie. No one was in that yard last night.” “I know what I saw.” The sheriff took a step closer. Daisy hated how she had to crane her neck back to look at him. It made her feel so small and vulnerable. “Do you really?” he asked. “Eyewitness accounts are notoriously unreliable. Even people without your issues misinterpret what they see all the time. The brain is a tricky thing.” Daisy set her jaw as she stared back at the sheriff, fighting the urge to step back, to retreat from the man looming over her. There had been someone there, footprints or no footprints. She couldn’t start doubting what she’d witnessed the night before. If she did, then that meant she’d gone from mildly, can’t-leave-the-house crazy, to the kind of crazy that involved hallucinations, medications, and institutionalization. There had to be some other explanation, because she wasn’t going to accept that. Not when her life was getting so much better. She could tell by looking at his expression that she wasn’t going to convince Coughlin of anything. “Thank you for checking on it, Sheriff. I promise not to bother you again.” Although he kept his face impassive, his eyes narrowed slightly. “If you…see anything else, Ms. Little, please call me.” That wasn’t going to happen, especially when he put that meaningful pause in front of “see” that just screamed “delusional.” Trying to mask her true feelings, she plastered on a smile and turned her body toward the door in a not-so-subtle hint for him to leave. “Of course.” Apparently, she needed some lessons in deception, since the sheriff frowned, unconvinced. Daisy met his eyes with as much calmness as she could muster, dropping the fake smile because she could feel it shifting into manic territory. She’d lost enough credibility with the sheriff as it was. The silence stretched until Daisy wanted to run away and hide in a closet, but she managed to continue holding his gaze. The memory of Chris telling her about the sheriff using his “going to confession” stare-down on suspects helped her to stay quiet. Finally, Coughlin turned toward the door. Daisy barely managed to keep her sigh of relief silent. “Ms. Little,” he said with a short nod, which she returned. “Sheriff.” Only when he was through the doorway with the door locked behind him did Daisy’s knees start to shake.
Katie Ruggle (In Safe Hands (Search and Rescue, #4))
But in the secondary America we’ve been through, of back roads, and Chinaman’s ditches, and Appaloosa horses, and sweeping mountain ranges, and meditative thoughts, and kids with pinecones and bumblebees and open sky above us mile after mile after mile, all through that, what was real, what was around us dominated. And so there wasn’t much feeling of loneliness.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium, and be lost. The world will not have it. It is not your business to determine how good it is, nor how valuable, nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. Since that uniqueness needs a vehicle of expression, and since the vehicle we've been given is our body, we do what we can to keep the channel open. When you stuff or starve it, your body shuts down. It can not reveal its purpose or creativity or wisdom to you. Its uncomfortable to walk around in a body that is uncomfortable. Its hard to let innate brilliance or power express itself when you are schlepping around twenty or fifty extra pounds. Not Impossible, just more difficult. And since there is already so much inherent difficulty in being alive, why not make life easier on yourself?
Geneen Roth (This Messy Magnificent Life: A Field Guide)
For Miranda could see them now--Nathan and Ellena--alone in the barn at midnight, while Hayes House slept. The way they held each other, clung to each other, in the soft glow of lantern light, as though they were the only two people in the world. Accomplices…and sweethearts. Slowly, reluctantly, they drew apart. Nathan, handing Ellena his pocket watch…Ellena, giving Nathan a watch chain braided from her beautiful red hair… “Someday,” Nathan whispered, wiping tears from Ellena’s cheeks. “Someday when this terrible war is over, we won’t have to hide like this. We won’t have to hide our feelings for each other…we’ll finally be together.” “But I’m afraid, Nathan. I’m so afraid! Something bad is going to happen--I can feel it!” “Hush now. Nothing’s going to happen, my love. We’ve been careful; we’ll be safe.” “Promise you’ll come back to me…” “Yes. Always. I promise.” Very gently Ellena touched the braid in his hand. “And promise me you’ll keep this close to your heart.” “I swear it. And someday, I’ll wear my watch and your chain together. Together, Ellena. Just like you and me…” Miranda began to come back to herself. She could feel the watch chain pressing into her skin--she wanted to hold it close, she wanted to fling it away. “A fair exchange,” Travis Fontaine had said that tragic, deadly night. “My mercy…for your betrayal.” Through a slow, lingering haze, Miranda stared down at the braid. This beautiful red hair over a hundred years old, yet she could still feel the love, the devotion, the tears in every strand… Ellena’s tears…Nathan’s tears…the tears of Travis Fontaine. Because he’s the one, isn’t he, Ellena? When Nathan was caught, Travis Fontaine--the other man who loved you so much--saw that watch chain and recognized that watch chain… Because he recognized your hair. Miranda was quivering. Shaking with fear, with grief, with regret. Shaking with over a century of emotions, the emotions of three people trapped in a pitiless fate. Oh, Ellena Rose…he knew your hair. Nathan didn’t betray you. Even though he was captured, even when he was tortured, he never betrayed you. Miranda’s eyelids finally opened. She was sitting at the kitchen table; the hands on the clock had scarcely moved. And instead of the questions that had haunted her, there was only a deep, sad wisdom. For she knew the rights and the wrongs… The truths and the lies… The betrayed and the betrayer.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
3 Reasons Why You Should Visit Galapagos Islands Are you have been planning to spend their vacation in most of the beautiful place in the world. Then the Galapagos Islands is one of the most beautiful places in the world. The famous archipelago in the Pacific Ocean is a demand and desired destination for travelers all around the world. The Galapagos isn’t probably the easiest and cheapest accessible place in the world but still attracts huge numbers of visitors, although there is a limit on how many people can arrive in the Galapagos. These are not budget-friendly travel destination Islands, but there are some ways how to arrange your week in paradise from cruising the living onboard and archipelago to making the day trip from one of the islands. You have most already heard or read all superlatives Galapagos Island can offer many visitors. But if you hesitate if the time and money will be worth it, we’ve put a list of three reasons why we should visit the Galapagos Islands. After reading these reasons, we believe that there won’t be any hesitation. The Galapagos Legend should be on every traveler. Pristine beaches You come to Galapagos Island to see fantastic wildlife but firstly mention the beaches. The stretches of fine white sand are on every island, and although you won’t have that much time to relax and lay down here just because of that there is so much to do, so we are looking at you sea lions only walking on those beaches from one to another end is a great unforgettable experience. Never expect deck chairs, bars, or umbrellas beaches on the Galapagos have nothing familiar with those touristy and crowded places form travel catalogs. Wildlife When we think and talk about the Galapagos Islands, we have a suspicion that the wildlife would be something marvelous and unique. What we never know was that these superlatives would get a new dimension on the Galapagos. All the wildlife animal species from iguanas, birds, tortoises, sea lions crabs to fish are incredible, and nothing can make you on their natural behavior that is dissimilar from the animal's behavior we know from our countries. The Galapagos animals never feel fear human at all, so you can get close to them and take images of a lifetime. Island hikes There are many designed ways on islands of Galapagos that will help you to walk through a unique landscape and will also help you to understand the evaluation process better, evaluation of not only the islands but also of the flora and fauna which live here in unbelievable symbiosis. The hikes are short, so visitors are allowed to walk on the island on their own so that you want a certified guide to show you around. Hikes were one of the best activities we did on the Galapagos as it combined the exploration of almost barren volcanic islands and watching wildlife. Galapagos Legend help you plan the trip you have dreamed about. You can choose onshore activities that cater to your interests, from a wildlife safari to a side trip to the fabulous annual Carnival in Rio, Brazil. As you stay on shore before and after your trip, you have the option of staying at a delightful boutique-style hotel or in a 5-star hotel setting.
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What a noble thing life is, anyway! Here I am, well on the way to fifty, after twenty-five years of hard work, looking forward to the potential poor-house as confidently as I did in youth. We might have saved a little more than we have saved; but the little more wouldn't avail if I were turned out of my place now; and we should have lived sordidly to no purpose. Some one always has you by the throat, unless you have some one else in your grip. I wonder if that's the attitude the Almighty intended His respectable creatures to take toward one another! I wonder if He meant our civilization, the battle we fight in, the game we trick in! I wonder if He considers it final, and if the kingdom of heaven on earth, which we pray for—" "Have you seen Lindau to-day?" Mrs. March asked. "You inferred it from the quality of my piety?" March laughed, and then suddenly sobered. "Yes, I saw him. It's going rather hard with him, I'm afraid. The amputation doesn't heal very well; the shock was very great, and he's old. It'll take time. There's so much pain that they have to keep him under opiates, and I don't think he fully knew me. At any rate, I didn't get my piety from him to-day." "It's horrible! Horrible!" said Mrs. March. "I can't get over it! After losing his hand in the war, to lose his whole arm now in this way! It does seem too cruel! Of course he oughtn't to have been there; we can say that. But you oughtn't to have been there, either, Basil." "Well, I wasn't exactly advising the police to go and club the railroad presidents." "Neither was poor Conrad Dryfoos." "I don't deny it. All that was distinctly the chance of life and death. That belonged to God; and no doubt it was law, though it seems chance. But what I object to is this economic chance-world in which we live, and which we men seem to have created. It ought to be law as inflexible in human affairs as the order of day and night in the physical world that if a man will work he shall both rest and eat, and shall not be harassed with any question as to how his repose and his provision shall come. Nothing less ideal than this satisfies the reason. But in our state of things no one is secure of this. No one is sure of finding work; no one is sure of not losing it. I may have my work taken away from me at any moment by the caprice, the mood, the indigestion of a man who has not the qualification for knowing whether I do it well, or ill. At my time of life—at every time of life—a man ought to feel that if he will keep on doing his duty he shall not suffer in himself or in those who are dear to him, except through natural causes. But no man can feel this as things are now; and so we go on, pushing and pulling, climbing and crawling, thrusting aside and trampling underfoot; lying, cheating, stealing; and then we get to the end, covered with blood and dirt and sin and shame, and look back over the way we've come to a palace of our own, or the poor-house, which is about the only possession we can claim in common with our brother-men, I don't think the retrospect can be pleasing.
William Dean Howells (A Hazard of New Fortunes (Modern Library Classics))