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Build Your Word Hoard Practice: The Vocabulary of a Personal Experience Choose a subject from personal experience (a place, a person, or an adventure, perhaps). Take five to ten minutes (or more, if you like) to collect, without stopping, every word that comes to you about this subject. Then, as before, select some words and make sentences (or lines of poetry or dialogue, if you prefer) with them. While your goal should be to just play with the words and see what happens, you may find yourself moving into freewriting about your subject. If you find yourself stuck when you want to write about a subject, whether it be a personal experience or not, it can help to start by collecting the vocabulary of that subject. Sometimes just playing with those words can lead you to things you want to say. Build Your Word Hoard Practice: The Vocabulary of a Character Choose a character of your own invention, or use one from a book you love, and bring him firmly to mind. Then imagine that this character is speaking, and collect the words you hear him use. Just focus on words first, as you did in the above practices. Then, once you have collected a long list of this character’s words, choose some of them to make sentences (or partial sentences, if you like) that this character would speak. Build Your Word Hoard Practice: A Vocabulary That Fits Your Readers Have you ever noticed that you often speak differently to different people? Hey, man, wazzup? you might say to your buddy, while Good morning, Mr. Jones would probably be the way you’d address your boss. The same thing can happen when we write: We can choose to select words appropriate to our readers. You may want to experiment with this by picking a subject you know something about and imagining an audience. Now, just as in the previous exercises, unpack from your word hoard the words you need to use to write about your subject to this particular audience. After doing this for a while, pick a different audience and collect words again. For instance, you could pick your eight-year-old nephew the first time, and a professor or supervisor the second. What do you notice about the words you unpack? If you like, you might also want to select words from each list and write some sentences, first to one audience, then to the other. This will give you some good practice in what it feels like to write for different audiences.
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Barbara Baig (Spellbinding Sentences: A Writer's Guide to Achieving Excellence and Captivating Readers)