Ways To Make Sunshine Quotes

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Some old-fashioned things like fresh air and sunshine are hard to beat. In our mad rush for progress and modern improvements let's be sure we take along with us all the old-fashioned things worth while.
Laura Ingalls Wilder (A Family Collection: Life on the Farm and in the Country, Making a Home; the Ways of the World, a Woman's Role)
It is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.
Bram Stoker (Dracula)
Kindness is universal. Sometimes being kind allows others to see the goodness in humanity through you. Always be kinder than necessary.
Germany Kent
Beautiful sunshine, cloudless skies, no one to play with, nothing to do. Living like this, the way I’m living at the moment, is harder in the summer when there is so much daylight, so little cover of darkness, when everyone is out and about, being flagrantly, aggressively happy. It’s exhausting, and it makes you feel bad if you’re not joining in.
Paula Hawkins (The Girl on the Train)
I'll never look at you in any way but complete admiration.” He stroked her hair soothingly. “You will never be a millstone about my neck. Rather you're the sunshine that brightens my day.” He swallowed. “Don't you see? You brought me into the daylight. You've embraced parts of me that I was never able to let see light. Don't make me retreat again into the night. (Winter Makepeace)
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
I think, maybe, I fell in love with your patterns and inconsistencies, like the way you squeak in your sleep. And the way your heart beats. I want to be your heartbeat just to be that much closer to you, living there inside your chest, making a home under your flesh. And waking up to sunshine is nice, I guess, but waking to your smile is like having sunshine in my bed every morning, warmth radiating from your side of the mattress. And I would love to make you a regular thing; pillow talk in evenings, coffee and muffins in the morning, making everyday as stunning as this one. take me in small doses; I'll take you all at once.
Charlotte Scott
Look alive sunshine, the future is bulletproof, the aftermath is secondary; it's time to do it now and do it loud; Killjoys, make some noise!
Gerard Way (True Lives of the Fabulous Killjoys #6)
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Keep it always with you that laughter who knock at your door and say, 'May I come in?' is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, 'I am here.' ... Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall - all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.
Bram Stoker (Dracula)
There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.
Joanne Harris (Peaches for Monsieur le Curé (Chocolat, #3))
Ivy shook her head with a look of disgust. "So you got caught. Big freaking deal. They knew who Rachel was, and you don't see her whining over it." Actually, I had thrown my tantrum on the way home, which might have accounted for the odd noise Francis's car was making when I left it in the mall parking lot in the shade of a tree. Jenks darted to hover three inches before Ivy's nose. His wings were red in anger. "You have a gardener trap you in a glass ball and see if it doesn't give you a new outlook on life, Little Miss Merry Sunshine." My bad mood slipped away as I watched a four-inch pixy confront a vamp.
Kim Harrison (Dead Witch Walking (The Hollows, #1))
She stood at the edge of a glassy river lined with impossibly tall trees, fanning out their wide emerald leaves among the puffy white clouds. Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.” To her right, a golden path led into a sprawling city, where the elaborate domed buildings seemed to be built from brick-size jewels—each structure a different color. Snowcapped mountains surrounded the lush valley, and the crisp, cool air smelled like cinnamon and chocolate and sunshine.
Shannon Messenger (Keeper of the Lost Cities)
My friend Jenni calls them Sunshine Stealers. Men who have been at it a little too long, who are tired of the ride but can't get off. They're looking for some new form of energy, of approval. It's linked with sex, but it's not the same. What they want to take from you is way worse than your thong in the back of their Lexus. It's ideas, curiosity, an excitement about getting up in the morning and making things.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Gilbert had finally made up his mind that he was going to be a doctor. "It's a splendid profession," he said enthusiastically. "A fellow has to fight something all through life. . .didn't somebody once define man as a fighting animal?. . .and I want to fight disease and pain and ignorance. . .which are all members one of another. I want to do my share of honest, real work in the world, Anne. . . add a little to the sum of human knowledge that all the good men have been accumulating since it began. The folks who lived before me have done so much for me that I want to show my gratitude by doing something for the folks who will live after me. It seems to me that is the only way a fellow can get square with his obligations to the race." "I'd like to add some beauty to life," said Anne dreamily. "I don't exactly want to make people know more. . .though I know that is the noblest ambition. . .but I'd love to make them have a pleasanter time because of me. . .to have some little joy or happy thought that would never have existed if I hadn't been born." "I think you're fulfilling that ambition every day," said Gilbert admiringly. And he was right. Anne was one of the children of light by birthright. After she had passed through a life with a smile or a word thrown across it like a gleam of sunshine the owner of that life saw it, for the time being at least, as hopeful and lovely and of good report.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
Interbeing: If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper. Without a cloud, there will be no rain; without rain, the trees cannot grow; and without trees, we cannot make paper. The cloud is essential for the paper to exist. If the cloud is not here, the sheet of paper cannot be here either. So we can say that the cloud and the paper inter-are. “Interbeing” is a word that is not in the dictionary yet, but if we combine the prefix “inter-” with the verb “to be,” we have a new verb, inter-be. Without a cloud and the sheet of paper inter-are. If we look into this sheet of paper even more deeply, we can see the sunshine in it. If the sunshine is not there, the forest cannot grow. In fact, nothing can grow. Even we cannot grow without sunshine. And so, we know that the sunshine is also in this sheet of paper. The paper and the sunshine inter-are. And if we continue to look, we can see the logger who cut the tree and brought it to the mill to be transformed into paper. And we see the wheat. We know the logger cannot exist without his daily bread, and therefore the wheat that became his bread is also in this sheet of paper. And the logger’s father and mother are in it too. When we look in this way, we see that without all of these things, this sheet of paper cannot exist. Looking even more deeply, we can see we are in it too. This is not difficult to see, because when we look at a sheet of paper, the sheet of paper is part of our perception. Your mind is in here and mine is also. So we can say that everything is in here with this sheet of paper. You cannot point out one thing that is not here-time, space, the earth, the rain, the minerals in the soil, the sunshine, the cloud, the river, the heat. Everything co-exists with this sheet of paper. That is why I think the word inter-be should be in the dictionary. “To be” is to inter-be. You cannot just be by yourself alone. You have to inter-be with every other thing. This sheet of paper is, because everything else is. Suppose we try to return one of the elements to its source. Suppose we return the sunshine to the sun. Do you think that this sheet of paper will be possible? No, without sunshine nothing can be. And if we return the logger to his mother, then we have no sheet of paper either. The fact is that this sheet of paper is made up only of “non-paper elements.” And if we return these non-paper elements to their sources, then there can be no paper at all. Without “non-paper elements,” like mind, logger, sunshine and so on, there will be no paper. As thin as this sheet of paper is, it contains everything in the universe in it.
Thich Nhat Hanh
The same way the world needs sunshine and rain so too we need smiles and tears. Because the same way the rain makes things grow our tears are what make us grow
David Seller
The world needs more love and Twitter just figured out a way to send 'hearts all over the world'.
Germany Kent
The word 'humility' comes from the Latin word 'humus' which means fertile ground. Humility is the situation of the earth. The earth is always there, always taken for granted, never remembered, always trodden on by everyone, somewhere we cast and pour out all the refuse, all we don't need. It's there, silent and accepting everything and in a miraculous way making out of all the refuse new richness in spite of corruption, transforming corruption itself into a power of life and a new possibility of creativeness, open to the sunshine, open to the rain, ready to receive any seed we sow and capable of bringing thirtyfold, sixtyfold, a hundredfold, out of every seed.
Anthony Bloom (Beginning to Pray)
I do not see how we can help thinking about God when He is so good to us all the time. Let me tell you how it seems to me that we come to know about our heavenly Father. It is from the power of love which is in our own hearts. Love is at the soul of everything. Whatever has not the power of loving must have a very dreary life indeed. We like to think that the sunshine and the winds and the trees are able to love in some way of their own, for it would make us know that they were happy if we knew that they could love. And so God who is the greatest and happiest of all beings is the most loving too. All the love that is in our hearts comes from him, as all the light which is in the flowers comes from the sun. And the more we love, the more near we are to God and His Love.
Phillips Brooks
Laura looked unconvinced, but Sunshine had a point to make. “If you never get sadness, how do you know what happy is like?” she asked. “And by the way, everybody dies.” “I think she has you in checkmate there,” Freddy murmured. Laura conceded defeat with a reluctant smile.
Ruth Hogan (The Keeper of Lost Things)
You talk of beauty, love, laughter and life like a precious memory. As if the sunshine of love and laughter shall never flow into your life again. You make it sound like your present and future shall promise you nothing but safety and comfort in a sort of dead, dull way. What killed the spirit of madness, the spark of adventure and the sense of delicious fun ? Your aliveness ? Is this what it is to get old ?
Srividya Srinivasan
I wondered, Why would you run with someone else? Why would you choose to share this intense, solitary activity, mile after mile, in sunshine and rain, alone with your thoughts, every step making you leaner, firmer, every mile taking you farther from the lazy, lethargic world? Like writing and eating, I couldn’t stand to share my running. It was such a personal thing: a therapeutic punishment, a way to push, push, push myself.
Emma Woolf (An Apple a Day: A Memoir of Love and Recovery from Anorexia)
In my family, I was adopted. In this process, I was given a new name and a new way of living my life, having something I've never had before. That's the kind of identity God wants to give you; He wants to make you brand new. He wants to introduce you to the life only He can bring.
Sunshine Rodgers (God The Father Jesus The Big Brother Holy Spirit The Best Friend)
Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. ... ... The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product. (P. 128)
John Berger (Ways of Seeing)
I just want you to know, I love the way you look at me. Make's me feel like everything's gonna be okay.
Luke Taylor (The Quiet Kill)
Ah, my dear friend, cheer up... After all, we have peace! And because there is peace, the occupiers can't behave so abominably anymore. All right, we're not free. But we are used to that, Mr. Kujawski. After all we were both born into slavery, and we will die in it. Oh yes, at first they'll exploit us ruthlessly. Fourteen hours of slave labor a day. A bowl of watery soup. Whippings, beatings... But that will pass with time. Because there is peace, they won't have a chance to get any new slaves. They'll have to take good care of those have already. Cheer up, dear Mr. Kujawski... [...] Arbeit macht frei, work makes man free, and it makes him especially so in the sunshine of European peace. We will lack only one thing. Only one! The right of dissent. The right to say out loud that we want a free and independent Poland, that we want to brush our teeth and go on holiday in our own way, conceive children and work our own way, think in our own way, live and die. This is the one thing you will find missing in the sunshine of European peace, which you, my friend, hold to be the highest good.
Andrzej Szczypiorski (The Beautiful Mrs. Seidenman)
Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.
Bram Stoker (Dracula)
A sunset is God's way of saying He loves you. A good grade on a test is God's way of saying He loves you. Throughout any given day, God makes it so that you are comforted, secure and loved.
Sunshine Rodgers (God The Father Jesus The Big Brother Holy Spirit The Best Friend)
I decided a long time ago that I didn’t want to go into comedy to make money. I just want to perform on that stage. If I do make money, then... great! But if I don’t, that’s okay. I’m satisfied living out this calling any way I can.
Sunshine Rodgers (Andrew's First Act)
It was in part her growing faith that made even the stuff of the earth seem lovelier. Prayer makes us more alive. It makes life richer, color more vivid, sounds clear, light brighter, joy deeper, sorrow sweeter. It is not compartmentalized into a spiritual square, stacked away in a closet to be pulled out in a quiet time, but it is messy, in a beautiful way, spilling out over life like sunshine. And Elizabeth that was wholly alive, embracing the world with true joy.
Claire Dwyer (This Present Paradise: A Spiritual Journey with St. Elizabeth of the Trinity)
Sometimes all you need is a little bit of Sunshine. I have learnt that Life is not about the walk that we have taken but the company, the experiences we have gathered. I have learnt that in each and every unknown path of our journey we get to know more of our own selves. I have learnt that Forgiveness comes from Love and knowledge that everyone has a story that we cannot fathom. I have learnt that Darkness only comes to lead us to Light while moulding our grey shades in the best silhouette of our soul. I have learnt that all it takes is a little word of encouragement or a pat on a shoulder to let a person know how valued that person truly is. I have learnt that most special moments and bonds can come with a time frame and as long as we have them we need to live that to its fullness and then just let that be. I have learnt that making connections isn't difficult but the easiest way to connect to one's own self. I have learnt that silence has so much more clutched up than words could ever open. I have learnt that sunsets are as beautiful as sunrises, nights are as dreamy as morns. I have learnt that sometimes Life takes a complete different turn to what we plan or expect but when seen from a distance that turn actually looks just the one meant to take us to our destination, where our souls embrace every walk taken so far to know, to accept all that we are. I have learnt that in a world where we could be anything, I chose to be Love. I have learnt that sometimes Love is not what we wait for or what we expect others to shower us with but what we embody and shower others with for Love is the Dream of a Dreamer, the Melody of a Music, the Sunshine of a Sun. And sometimes all you need is a little bit of Sunshine.
Debatrayee Banerjee
You deserve to be happy. Anyone who can touch a life the way you have touched mine - Anyone who can give warmth, sunshine and joy on the gloomiest of winter days - Anyone who calm and soothe you by saying " hey" - Anyone who can make you laugh and giggle - deserves happiness in large, heavenly doses!!
Your Biggest Fan
It's a beautifully beautiful day. A moment to reflect on the beautiful truth that a heart is like a garden. With Roses of Happiness, there would be thorns of pain, with Sunflowers of Joy, there would be weeds of dismay, with colours of Sunshine there would be covers of cloud, after all that's what makes a beautiful garden, a garden that thrives and breathes in all seasons with every hue of Life, every emotion that makes our heart alive in tears and smiles, feeling all the numbness of Life yet warming up to the possibility of a new day as the fallen leaves make way for the new ones, as the bee hums along a bud to see a blossoming rose no matter the thorns, no matter the waves of Life. It is a beautifully beautiful day, and I am happy to be alive. Alive to the possibility of a new day, a tomorrow where a whole new garden of new experiences awaits. To the Hope of Spring. Love & Light, always - Debatrayee
Debatrayee Banerjee
His lips burned as they touched her own. She gave a little gasp under his mouth before being completely smothered by his fire. He wanted her, she understood in amazement. And it was not the fact that she was capable of attracting a man which surprised her—for she well knew her own value—but that it was this particular man, who had already filled her with a tempestuous rage, was now capable of making her feel quite another way. Of unlocking her with his lips, making her feel like a quivering flame within a frail woman's body, smoldering with a burning desire she had not even known she was capable of possessing.
Fenna Edgewood
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
Her heart is racing, blood pulsing fast beneath my finger, and she’s taking these tiny sharp breaths. It turns me on in a way I don’t even understand. Normally, the skittish, inexperienced types send me running. But the thought of teaching her anything makes my jeans feel too tight. I want her on her back in my bed, legs spread wide, eyes big and blue, lips parted, mouth babbling that nervous nonsense until I make her forget what she’s saying, forget how to talk altogether. I want to forget myself in her, too, steal some of her sunshine, and give this pristine, perfect girl a taste of what it’s like to get a little dirty.
Cora Carmack (All Broke Down (Rusk University, #2))
Hello, sunshine,” said Jim’s voice. “I’m kind of busy.” I turned the file on its side and examined the doodle. Still nothing. “No shit,” he said. “Yeah. No gigs for me.” “That’s not why I’m calling.” I frowned at the phone and turned the file upside down. “I’m all ears.” “Someone wants to meet you,” he said. “Tell him to get in line,” I mumbled. The doodle almost looked like something. “I’m not joking.” “You never joke because you’re too damn busy proving that you’re a badass. Come on, black leather cloak? In mid-spring Atlanta? Besides I don’t have time to meet anybody.” Jim’s voice dropped low and he spoke each word very distinctly. “Think very carefully. Do you really want me to tell the man no?” Something about the way he said “the man” stopped me. I sat still and thought very hard about what kind of “man” would inspire Jim to use that voice. “What did I do to warrant the Beast Lord’s attention?” I asked dryly. “You’re sitting in the diviner’s office, aren’t you?” Touché. The Beast Lord was the Pack King, the lord of the shapechangers, and he ruled his brethren with an iron fist. Few ever saw him and the mention of his title was enough to make the loudest shapechanger shut up. In other words, he was precisely the kind of fellow my father and Greg had warned me to avoid. I ground my teeth, thinking of a way to weasel out of it.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
We all have scars.” Nathaniel looked him straight in the eyes. “Only some of us wear ours on the inside. They don’t change who we are, only who we might’ve been. They change the way we see the world around us. People like you and me, we know bad things happen. We know what real pain is, and we know that sometimes there really is a monster under the bed. We don’t have the luxury the rest of the world does. We can’t pretend those things aren’t real, that life is all sunshine and rainbows. We know different, we’ve seen too much to believe otherwise. Wear your scars as a badge of honor. They show the world you were strong enough to survive. Don’t let them make you feel like you need to hide.
Lynley Wayne (Scars (Scars #1))
Beautiful sunshine, cloudless skies, no one to play with, nothing to do. Living like this, the way I'm living at the moment, is harder in the summer when there is so much daylight, so little cover of darkness, when everyone is out and about, being flagrantly, aggressively happy. It's exhausting, and it makes you feel bad if you're not joining in.
Paula Hawkins (The Girl on the Train)
Beautiful sunshine, cloudless skies, no one to play with, nothing to do. Living like this, the way I'm living at the moment, is harder in the summer when there is so much daylight, so little cover of dark- ness, when everyone is out and about, being flagrantly, aggressively happy. It's exhausting, and it makes you feel bad if you're not joining in.
Paula Hawkins (The Girl on the Train)
He grinned through the window as I made my way to his car. His blue eyes glistened in the early light, making them look as pale as ice. Cole Benson and I had been friends since we were babies. Mum had pictures of Cole holding my hand as I’d learned to walk. He was two years older than me, but he certainly didn’t act like it. My mum, Sarah, and his mum, Jenna, had met in high school and had been friends ever since. “Good morning, sunshine,” he greeted with a wide grin. Unlike
Natasha Preston (Silence (Silence, #1))
This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
Jeanine Cummins (American Dirt)
The number of persons in Venice who evidently never have enough to eat is painfully large; but it would be more painful if we did not equally perceive that the rich Venetian temperament may bloom upon a dog’s allowance. Nature has been kind to it, and sunshine and leisure and conversation and beautiful views form the greater part of its sustenance. It takes a great deal to make a successful American, but to make a happy Venetian takes only a handful of quick sensibility. The Italian people have at once the good and the evil fortune to be conscious of few wants; so that if the civilisation of a society is measured by the number of its needs, as seems to be the common opinion to-day, it is to be feared that the children of the lagoon would make but a poor figure in a set of comparative tables. Not their misery, doubtless, but the way they elude their misery, is what pleases the sentimental tourist, who is gratified by the sight of a beautiful race that lives by the aid of its imagination.
Henry James (Italian Hours)
Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
Nice, hey?’ Her voice was just a wisp of sound. He lifted his head slightly so his smile bathed her in sunshine. ‘Nice like the crown jewels in the Tower of London are nice.’ ‘Or Almond Joys are nice.’ He laughed. ‘Christ, I can’t stay mad at you. You’re fucking irresistible. What the hell are we going to do?’ ‘I don’t know about we, but moi is going to love you to pieces. You’re way better even than an Almond Joy.’ ‘And I can make this way better, baby.’ Unwinding her legs from his waist, he stood up, grasped her thighs lightly and set the swing in motion.
C.C. Gibbs (All He Desires (All or Nothing, #3))
But that was still okay because this place, our little cloud forest, even though we missed our papi, it was the most beautiful place you’ve ever seen. We didn’t really know that then, because it was the only place we’d ever seen, except in pictures in books and magazines, but now that I’ve seen other places, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as big as a bed, and they would sway in the wind. And when it rained you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend’s house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language
Jeanine Cummins (American Dirt)
And light forces its way ever so faintly into my spirit again--a little ray of sunshine that makes me so blessedly warm; and gradually more sun comes, a rare, silken, balmy light that caresses me with soothing loveliness. And the sun grows stronger and stronger, burns sharply in my temples, seethes fiercely and glowingly in my emaciated brain. And at last, a maddening pyre of rays flames up before my eyes; a heaven and earth in conflagration men and beasts of fire, mountains of fire, devils of fire, an abyss, a wilderness, a hurricane, a universe in brazen ignition, a smoking, smouldering day of doom!And I saw and heard no more...
Knut Hamsun
Sometimes I don’t know how any of us go on. Sometimes I fear there’s no way our species will survive our own self-destructive choices. Sometimes I feel so gut punched by the backward deal of the universe—that if you’re really lucky, you get people in your life to love, and then, over time, they will all either leave you or die—that I am angry at life. Actually, not sometimes. Always. I always feel that way. I don’t always actively think about it, but it’s in there. At the same time, I am always looking for some gratitude, warmth, or hope. I often have to really search for it, but when I see something that makes me feel joy—even just a tiny odd hardly anything—you’re damn right I applaud it. Way to go, adorable cat on a leash! Thank you, server who brought my hot pizza! Kudos, writers of a TV show that made me laugh! Hallelujah, sunshine after a week of storms! Yay for a good hair day, yippee for hot coffee, huzzah for an outfit that puts bounce in my step. If I can scrape up some evidence of a thing made beautifully or a gesture made kindly, then I can believe, for a few seconds, that this world is careful and kind. And if I can believe that, I can believe it is safe to let the people I love walk around out there. It’s my own attempt at foresparkling, seeking out hints of good, even planting them myself, so I can believe there’s more good to come. It might all be superstition, just mental magic, but why not try?
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
All at once I remember Ylajali. To think that I could have forgotten her the entire evening through! And light forces its way ever so faintly into my spirit again--a little ray of sunshine that makes me so blessedly warm; and gradually more sun comes, a rare, silken, balmy light that caresses me with soothing loveliness. And the sun grows stronger and stronger, burns sharply in my temples, seethes fiercely and glowingly in my emaciated brain. And at last, a maddening pyre of rays flames up before my eyes; a heaven and earth in conflagration men and beasts of fire, mountains of fire, devils of fire, an abyss, a wilderness, a hurricane, a universe in brazen ignition, a smoking, smouldering day of doom! And I saw and heard no more....
Knut Hamsun
Praise is like sunlight to the warm human spirit; we cannot flower and grow without it. And yet, while most of us are only too ready to apply to others the cold wind of criticism, we are somehow reluctant to give our fellow the warm sunshine of praise. It’s a sad reality that most people would rather criticize others than praise them. It’s sad because praise is what lifts the human spirit and criticism is what brings it down. Why would we make this awful choice? Some believe that by talking badly of other people it will make them in turn feel better about themselves, but this is definitely not the solution. Want to feel better about yourself? Then learn to treat others the way you want to be treated. If you see the good in someone then tell them.
Joy Jefferson (Carnegie: Carnegie, 70 Greatest Life Lessons)
Honor He Wrote Sonnet 22 You don't know love, till you've known heartbreak, You won't know sight, till you've known blindness. You don't know courage, till you've felt helpless, You won't know light, till you've been in darkness. Darkest clouds herald the brightest sunshine, Direst circumstances make the bravest of character. Heavier the rainfall, more breathtaking the rainbow, Steeper the hill to climb, sweeter the summit vista. Once your back is against the wall, only way is through, You won't know integrity, till you are left in pieces. Lose all identity, only then you'll know to be human, You won't know wholeness, till you've felt nothingness. More ominous the night, more spectacular the daybreak. Till we're wiped out for a purpose, there’s no upliftment.
Abhijit Naskar (Honor He Wrote: 100 Sonnets For Humans Not Vegetables)
Is it because we relive past years not in their continuous sequence, day by day, but by fixing our memory on the coolness or sunshine of one particular morning or evening spent in the shade of some isolated setting, enclosed, static, arrested, lost, remote from everything else, and because the changes gradually effected not only in the world outside but in our dreams and in our developing personality, changes that have carried us along through life from one phase to a wholly different one without our noticing, are therefore nullified, that, if we relive another memory taken from a different year, the gaps, the immense stretches of oblivion between the two, make us feel something like a huge gulf of difference in altitude or the incompatibility of two utterly dissimilar qualities of breathed atmosphere and surrounding coloration
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
Flower Beds by Maisie Aletha Smikle Flower beds in a row Like tic toc toe Spread the mulch Pluck the weeds and mow Water the flower beds And flowers will bud Colorful blooms All season long Welcome the sunshine From heaven’s furnace Anchored far up in the sky Gentle rays beam from up above A round ball of fire way up in the sky Always suspended in the anchored sky Shines its radiant beams from way up high Warming the sprouting flower beds Sunlight Moonlight Starlight Warm gentle and bright Make the flower beds bright Glowing softly in the night Thanks for the moon Thanks for the stars Thanks for the sun Thanks for the soft radiant beams of light That make the flower beds beautiful and bright In colorful shades of red Yellow orange black pink Purple green and white In the blooming flower bed Sat a rabbit called Skip Watching the horizon as the circle of fire slowly dip Diving slowly into the ocean deep
Maisie Aletha Smikle
It is important here not to confuse publicity with the pleasure or benefits to be enjoyed from the things it advertises. Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. ....... The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product.
John Berger (Ways of Seeing)
is a city of delightful ease, of freedom and sunshine, of torrid heat. There it does not matter what you do, nor when, nor how you do it. There is none to hinder you, none to watch. Each takes his ease, and is content that his neighbour should do the like. Doubtless people are lazy in Seville, but good heavens! why should one be so terribly strenuous? Go into the Plaza Nueva, and you will see it filled with men of all ages, of all classes, 'taking the sun'; they promenade slowly, untroubled by any mental activity, or sit on benches between the palm-trees, smoking cigarettes; perhaps the more energetic read the bull-fighting news in the paper. They are not ambitious, and they do not greatly care to make their fortunes; so long as they have enough to eat and drink--food is very cheap--and cigarettes to smoke, they are quite happy. The Corporation provides seats, and the sun shines down for nothing--so let them sit in it and warm themselves. I daresay it is as good a way of getting through life as most others.
W. Somerset Maugham
May God give us faith to fully trust His Word though everything else witness the other way. C. H. P. When is the time to trust?Is it when all is calm, When waves the victor’s palm, And life is one glad psalm Of joy and praise?Nay! but the time to trust Is when the waves beat high, When storm clouds fill the sky, And prayer is one long cry, O help and save! When is the time to trust?Is it when friends are true?Is it when comforts woo, And in all we say and doWe meet but praise?Nay! but the time to trust Is when we stand alone, And summer birds have flown, And every prop is gone, All else but God. What is the time to trust?Is it some future day, When you have tried your way, And learned to trust and pray By bitter woe?Nay! but the time to trust Is in this moment’s need, Poor, broken, bruised reed!Poor, troubled soul, make speed To trust thy God. What is the time to trust?Is it when hopes beat high, When sunshine gilds the sky, And joy and ecstasy Fill all the heart?Nay! but the time to trust Is when our joy is fled, When sorrow bows the head, And all is cold and dead, All else but God. SELECTED
Lettie B. Cowman (Streams in the Desert)
I have a friend whose elderly mother lives with her and is driving her crazy. Her mother was once a talented artist, an intellectual with myriad interests. Now, my friend says, “she gets up in the morning and makes a cup of coffee and she’s so slow, doing it. I mean, I just watch her sometimes to see how she can possibly be so slow. Then she sits at the kitchen table and talks about what might be for lunch. I just can’t stand it! All she talks about is her cup of coffee in the morning and the weather and what her next meal will be. I really wonder…..is there any meaning to the end of life?” I suppose one way to answer that question is to think about how a baby’s meaning in life is a ray of sunshine, the color red, the nearness of his mother’s flesh. For a teenager, it is music, fitting in, hormone management. In midlife, meaning comes from focusing on our families, our jobs, our involvement with the world outside our kitchens. Which is to say that the meaning of life is ever-changing, even as we are. Who’s to say that the richest time of life might not be when a cup of morning coffee fills the world? If you found a holy man hidden away on a mountain who found fulfillment in such seemingly simple things, would you not admire him?
Elizabeth Berg (I'll Be Seeing You: A Memoir)
You are personally responsible for so much of the sunshine that brightens up your life. Optimists and gentle souls continually benefit from their very own versions of daylight saving time. They get extra hours of happiness and sunshine every day. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life The secret joys of living are not found by rushing from point A to point B, but by slowing down and inventing some imaginary letters along the way. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life “There is nothing more important than family.” Those words should be etched in stone on the sidewalks that lead to every home. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life I may be uncertain about exactly where I’m headed, but I am very clear regarding this: I’m glad I’ve got a ticket to go on this magnificent journey. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life When your heart is filled with gratitude for what you do have, your head isn’t nearly so worried about what you don’t. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life Don’t let cynical people transfer their cynicism off on you. In spite of its problems, it is still a pretty amazing world, and there are lots of truly wonderful people spinning around on this planet. – Douglas Pagels, from Required Reading for All Teenagers All the good things you can do – having the right attitude, having a strong belief in your abilities, making good choices and responsible decisions – all those good things will pay huge dividends. You’ll see. Your prayers will be heard. Your karma will kick in. The sacrifices you made will be repaid. And the good work will have all been worth it. – Douglas Pagels, from Required Reading for All Teenagers The more you’re bothered by something that’s wrong, the more you’re empowered to make things right. – Douglas Pagels, from Everyone Should Have a Book Like This to Get Through the Gray Days May you be blessed with all these things: A little more joy, a little less stress, a lot more understanding of your wonderfulness. Abundance in your life, blessings in your days, dreams that come true, and hopes that stay. A rainbow on the horizon, an angel by your side, and everything that could ever bring a smile to your life. – Douglas Pagels, from May You Be Blessed with All These Things Each day brings with it the miracle of a new beginning. Many of the moments ahead will be marvelously disguised as ordinary days, but each one of us has the chance to make something extraordinary out of them. – Douglas Pagels, from May You Be Blessed with All These Things Keep planting the seeds of your dreams, because if you keep believing in them, they will keep trying their best to blossom for you. – Douglas Pagels, from May You Be Blessed with All These Things I hope your dreams take you... to the corners of your smiles, to the highest of your hopes, to the windows of your opportunities, and to the most special places your heart has ever known. – Douglas Pagels, from May You Be Blessed with All These Things Love is what holds everything together. It’s the ribbon around the gift of life. – Douglas Pagels, from May You Be Blessed with All These Things There are times in life when just being brave is all you need to be. – Douglas Pagels, from May You Be Blessed with All These Things When it comes to anything – whether it involves people or places or jobs or hoped-for plans – you never know what the answer will be if you don’t ask. And you never know what the result will be if you don’t try. – Douglas Pagels, from Make Every Day a Positive One Don’t just have minutes in the day; have moments in time. – Douglas Pagels, from Chasing Away the Clouds A life well lived is simply a compilation of days well spent. – Douglas Pagels, from Chasing Away the Clouds
Douglas Pagels
In a crystalline corner of your heart, keep a Smile for the days gone by. To every soul, who is wondering how is Life passing by, and somehow feel suffocated in a long lost world of words and thoughts, Remember every flower blooms at its own time. Whatever it is that you wish to accomplish, remember that it takes Time and an immense amount of energy and will power to make that happen. Most people don't even find it conducive to dream, let alone following it. Some settle down with what Life throws at them, while some opt for the lesser options that suit their needs. But the ones, who burn with their dreams, who hold on to that invisible yet palpable string of Faith, eventually always finds what they seek, because the truth is what you're seeking is already yours. Until then, don't mind about the Time, because Time has a way of Smiling back in a garland of moments and memories. And if you're ever faced with a question on losing Time and not settling down (in love or career or anything of Life) like the majority of folk around, remind yourself what you seek, embrace your Soul and walk on to rise in your chosen path. You haven't lost Time, you have just not found your Season yet. Until then, water the root of your Soul with the Sunshine of Kindness & Grace. Love & Light, always - Debatrayee
Debatrayee Banerjee
Summer days and junior year, you are my sunshine that brightens up my full moon; we are going to soar together, we will not need to wish upon a star because our dreams will, at last, become true. There may be dark clouds overhead, and times of rain. This may be there showering upon us, but love still grows, we will not care, we will be there looking at that view that goes on for miles. Sometimes we will have to cope with the rainfall that wants to keep us apart. Sometimes I think that I am going to lose my way to you. While the gray storms end up taking our joyful colors away once more. Upon the clear, we stand together at last… arm in arm, and hand and hand, we are laced, and we embrace one another. The colors of red, blue, and pink are the sky once more. Plus, all along you were there, this time we share. The colors begin setting the mood and light ones more. All the vivid gold sights with the feelings of being united and that will be us as a pair. The many stars shine bright because we are going to be there all night, holding on to what we had that night. I used to bite my lips, thinking about that gold band, and the sparkly rock on top. You can make me feel like royalty; yes, I will be your queen ruler. Maybe someday all this will not be a fantasy and the dreams will come true when we look at a different view, just me and you.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
She Is Remarkable Salute to the woman who knows who she is And why she is who she is A powerful being Once thrown into the deep end of the ocean But swam her way back to shore She never stops moving forward Nothing can ever pull her backwards Such a brave warrior Shout out to the superwoman Determined to change the status quo Because she feels the need to do so Just like an eagle She soars higher and higher As the wind blows stronger She does not let anything deter her From reaching another level in life Thumbs up to an amazing woman A great force to be reckoned with That committed Mother on the street Who trades from sunrise to sunset Trying to make ends meet Oh, she has a heart so big Being mindful that come snow or sunshine She has mouths to feed I revere this gifted woman Who uses her creativity To make an impact in society Despite the uniqueness of her talent She remains a trendsetter It could be the potter in whose hands clay becomes magic The miner who touches gold, before it even gets sold to the markets Or the strategist who sits in high-level meetings, making sure organisations do not collapse A special mention to the special woman Who chooses not to give up She understands that others look up to her The smart lady out there, with a clear vision She makes things happen for her family, community, and the world at large She deserves a badge of honour Because she is remarkable!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Just like rain, let it all flow incessantly until the sky clears out. Sometimes a part of me asks how is it that the ones who love the most, dearly, tenderly giving their all, find their hollow end meeting with scars that they never deserved. How is it that sometimes Life turns cold for those who sprinkle the most amount of sunshine, the hand that wipes other's pain how is that parched with betrayals and misunderstandings. But I guess it is about life lessons, how a soul grows through it all, as if the soul walks across the pyre of fire to know and eventually become its own mettle. Through it all the heart becomes more open and the mind more understanding, a unique strength of peace walks inside the very fire that rages the soul. Patience flows in through perseverance and the ashes mould in the teardrop of resilience to wear the smile of kindness. I have realised that when the worst happens to us, the soul is confronted with two choices, either to become bitter with repeating the question why or to become better with understanding the way how to walk ahead. Eventually it boils down to two simple emotions, love and hate, astonishingly born out of the same part of our mind and heart. It is a selection of either vengeance or forgiveness, not an easy choice to make especially when we are at our most vulnerable self. Whatever we choose becomes our reality, as if we get soaked in it, and somehow Time runs by. And when years pass by and we look back and see the path, and reflect on our choice we understand the meaning of both the choices, to some they take the shape of peace and to some they take the shape of agony, but looking closely we can see that the agony is the pathway leading to peace, forgiveness is the destination, sooner or later we all reach that space to find it in us to forgive, some in years while some in lifetimes. And perhaps, that is why we all undergo all that happens to us, chained in our Karma. So even when Life seems unfair, give it your all. Love with all your soul and no matter what comes by, don't stop walking along this shore of Time, because no matter how long it takes, you will find your Home. And when Life puts up a question as to why some who broke your soul find pleasure so easy, remind yourself the difference between pleasure and peace and don't forget to acknowledge the fact that perhaps you have paid your Karmic debt in full while theirs might just be beginning. So break if you must, but remind yourself about the gift of Life and Love every passing moment that breathes like a dream in an illusion of Time. Let your Faith walk hand in hand with you as you tread softly towards your destination, because no matter the years or the lifetimes, someday the sky shall be clear for the rainbow of your soul to smile in the Justice of Him, who knows all, sees all, feels all and does all.
Debatrayee Banerjee
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
A.E. Via
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
A Dream Of Sunshine - Excerpt I'm weary of this weather and I hanker for the ways Which people read of in the psalms and preachers paraphrase-- The grassy fields, the leafy woods, the banks where I can lie And listen to the music of the brook that flutters by, Or, by the pond out yonder, hear the redwing blackbird's call Where he makes believe he has a nest, but hasn't one at all; And by my side should be a friend--a trusty, genial friend, With plenteous store of tales galore and natural leaf to lend; Oh, how I pine and hanker for the gracious boon of spring-- For _then_ I'm going a-fishing with John Lyle King! How like to pigmies will appear creation, as we float Upon the bosom of the tide in a three-by-thirteen boat-- Forgotten all vexations and all vanities shall be, As we cast our cares to windward and our anchor to the lee; Anon the minnow-bucket will emit batrachian sobs, And the devil's darning-needles shall come wooing of our bobs; The sun shall kiss our noses and the breezes toss our hair (This latter metaphoric--we've no fimbriae to spare!); And I--transported by the bliss--shan't do a plaguey thing But cut the bait and string the fish for John Lyle King! Or, if I angle, it will be for bullheads and the like, While he shall fish for gamey bass, for pickerel, and for pike; I really do not care a rap for all the fish that swim-- But it's worth the wealth of Indies just to be along with him In grassy fields, in leafy woods, beside the water-brooks, And hear him tell of things he's seen or read of in his books-- To hear the sweet philosophy that trickles in and out The while he is discoursing of the things we talk about; A fountain-head refreshing--a clear, perennial spring Is the genial conversation of John Lyle King!
Eugene Field
When my best friend came to say goodbye the day before I went into exile—we embraced thinking we would never see each other again because I would never be allowed to return to Romania and she would never be able to leave the country—we couldn't bear to let go of each other. She walked out of the door three times and returned each time. Only after the third time did she leave me, walking straight down the street. I could see her pale jacket getting smaller and smaller and, in a strange way, brighter and brighter the more distant it became. I don't know if it was the winter sunshine of that February day, or the tears making my eyes glisten, or perhaps her jacket was made of some shiny fabric, but one thing I know for sure: as I watched her walk away her back glittered like a silver spoon. In this way, intuitively, I was able to put our parting into words. And that is also the best description of that moment. But what does a silver spoon have to do with a jacket? Nothing at all. Nor does it have anything to do with parting. Yet as a poetic image the spoon and the jacket need one another. That is why I am mistrustful of language. I know from my own experience that to be accurate, language must always usurp something that doesn't belong to it. I keep asking myself what makes verbal images such thieves, why the most apt comparison appropriates qualities that don't belong to it. To get closer to reality we need to catch the imagination unawares. Only when one perception plunders another, when an object snatches material that belongs to another and starts to exploit it—only when things that in reality are mutually exclusive become plausible in a sentence can the sentence hold its own against reality. I am happy when I succeed in doing that.
Herta Müller
Morning, September 6 "In the midst of a crooked and perverse nation, among whom ye shine as lights in the world." Philippians 2:15 We use lights to make manifest. A Christian man should so shine in his life, that a person could not live with him a week without knowing the gospel. His conversation should be such that all who are about him should clearly perceive whose he is, and whom he serves; and should see the image of Jesus reflected in his daily actions. Lights are intended for guidance. We are to help those around us who are in the dark. We are to hold forth to them the Word of life. We are to point sinners to the Saviour, and the weary to a divine resting-place. Men sometimes read their Bibles, and fail to understand them; we should be ready, like Philip, to instruct the inquirer in the meaning of God's Word, the way of salvation, and the life of godliness. Lights are also used for warning. On our rocks and shoals a light-house is sure to be erected. Christian men should know that there are many false lights shown everywhere in the world, and therefore the right light is needed. The wreckers of Satan are always abroad, tempting the ungodly to sin under the name of pleasure; they hoist the wrong light, be it ours to put up the true light upon every dangerous rock, to point out every sin, and tell what it leads to, that so we may be clear of the blood of all men, shining as lights in the world. Lights also have a very cheering influence, and so have Christians. A Christian ought to be a comforter, with kind words on his lips, and sympathy in his heart; he should carry sunshine wherever he goes, and diffuse happiness around him. Gracious Spirit dwell with me; I myself would gracious be, And with words that help and heal Would thy life in mine reveal, And with actions bold and meek Would for Christ my Saviour speak.
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
My hands, which for some reason keep ending up on his waist lately, curl into fists. Beta Sinta grabs one and holds on. “Let go,” I demand. “No.” My eyebrows snap together. “Why not?” “Because your gut reaction is always to punch, and I don’t like being tickled.” Tickled? Tickled! Indignation swamps me. I’ll show him a tickle. Before I can move, he drops the reins and captures my other hand, easily maneuvering both my hands into one of his. He picks the reins back up with the other. As usual, he gains the upper hand with disgustingly little effort, and I end up with both arms around him, my face buried in his back. Beta Sinta’s crisp, masculine scent of citrus and sunshine fills my nose. Hard muscle ripples under my cheek. I’m frighteningly aware of all the places his broad, powerful body touches mine, and I shiver despite the heat. “Let. Me. Go,” I grind out. “I. Said. No.” I open my mouth, teeth bared. “If you bite me, I swear to the Gods I’ll dumpyou off this horse and make you walk.” I close my mouth. The town is still miles away. “I won’t bite.” “Or punch.” I grit my teeth. “You’re asking a lot.” “Am I?” he drawls, tightening his grip on my wrists until I hiss. “Ow! Fine. Or punch.” His fingers loosen. “Is that your binding word?” My eyes widen. Beta Sinta says he needs me for information, but he already knows more about the ways of magic than is good for me. “Fine. It’s my binding word.” It’s like pulling my own teeth, but I’m desperate to stop hugging him. He’s too hot and…and…something. “Ever,” he stipulates. Something between a laugh and a snort explodes from me. “Don’t push your luck.” “A day, then. Starting now.” “Fine. A day,” I agree, fuming. He lets go of my wrists. I sit up so fast I almost tumble off the back of the horse. Beta Sinta’s chuckle is almost as irritating as the jolt of magic that seals the deal.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
How Could You Not - for Jane Kenyon It is a day after many days of storms. Having been washed and washed, the air glitters; small heaped cumuli blow across the sky; a shower visible against the firs douses the crocuses. We knew it would happen one day this week. Now, when I learn you have died, I go to the open door and look across at New Hampshire and see that there, too, the sun is bright and clouds are making their shadowy ways along the horizon; and I think: How could it not have been today? In another room, Keri Te Kanawa is singing the Laudate Dominum of Mozart, very faintly, as if in the past, to those who once sat in the steel seat of the old mowing machine, cheerful descendent of the scythe of the grim reaper, and drew the cutter bars little reciprocating triangles through the grass to make the stalks lie down in sunshine. Could you have walked in the dark early this morning and found yourself grown completely tired of the successes and failures of medicine, of your year of pain and despair remitted briefly now and then by hope that had that leaden taste? Did you glimpse in first light the world as you loved it and see that, now, it was not wrong to die and that, on dying, you would leave your beloved in a day like paradise? Near sunrise did you loosen your hold a little? How could you not already have felt blessed for good, having these last days spoken your whole heart to him, who spoke his whole heart to you, so that in the silence he would not feel a single word was missing? How could you not have slipped into a spell, in full daylight, as he lay next to you, with his arms around you, as they have been, it must have seemed, all your life? How could your cheek not press a moment to his cheek, which presses itself to yours from now on? How could you not rise and go, with all that light at the window, those arms around you, and the sound, coming or going, hard to say, of a single-engine plane in the distance that no one else hears?
Galway Kinnell
I heard a thunk that sounded like Lend’s head against the door. “This is stupid. Let my dad take care of it. He’s been contacting everyone he knows who is still with IPCA, and—” I walked over and put my own head against the door, pretending there wasn’t anything between us. “And it doesn’t matter. IPCA isn’t the same. There are new people in charge, and they aren’t messing around. I can help her. Raquel would do the same for me. She has done the same for me.” “I don’t see what good it’s going to do for you to waltz back in there and—” “Can I tango back in there, instead? So much sexier than the waltz.” “Evie, I’m serious! You just broke out of IPCA! You’re going to get tased and tagged again.” “I really doubt it. Faerie backup, remember?” I went to the window and looked down into the yard, where Reth stood in the midst of the dead brown grass, looking like a god of spring and sunshine who had seriously lost his way. He was staring straight up at me, although how he knew I’d look straight down that instant I had no idea. Creeper. I shivered a little, still not breaking eye contact with Reth. I was in over my head, I knew that, and I knew I’d owe him even more after this. I had no doubt I’d pay in a way I really didn’t want to, and soon. The door shook as Lend kicked it. “Pretty much the only idea I like less than you walking back into IPCA is you walking back into IPCA with only Jack and Reth for protection.” “They owe me.” “True,” Jack said, standing up and swaying slightly as he shook his head to clear it. “Plus, I’m pretty sure Reth’s threat to remove my hands if I don’t help Evie is still under effect. And I’m always up for making hell at IPCA. It’s a favorite pastime of mine.” Lend kicked the door again, harder. “Along with abandoning people in the Faerie Paths?” “One time! I do that one time and no one’s going to let me live it down? Just off the top of my head I can name five worse things I’ve done in the last year.” I put my hand on his shoulder. “Probably not the best way to get back in our good graces.
Kiersten White (Endlessly (Paranormalcy, #3))
The lack of attention to Moses’s sons here and elsewhere in the Torah—essentially nothing is said about them—needs to be explained. And the explanation is probably this: They did not amount to much. This raises the interesting issue of the difficulty many children of great people face in leading successful and satisfying lives. In a book about Moses, ‘Overcoming Life’s Disappointments’, Rabbi Harold Kushner writes about this: Sometimes the father casts so large a shadow that he makes it hard for his children to find the sunshine they need to grow and flourish. Sometimes, the father’s achievements are so intimidating that the child just gives up any hope of equaling him. But mostly, I suspect, it takes so much of a man’s [the father’s] time and energy to be a great man—great in some ways but not in all—that he has too little time left to be a father. As the South African leader Nelson Mandela’s daughter was quoted as saying to him, ‘You are the father of all our people but you never had time to be a father to me.’ Kushner relates a remarkable story he read in a magazine geared toward clergy, a fictional account of a pastor in a mid-sized church who had a dream one night in which a voice said to him, ‘There are fifty teenagers in your church, and you have the ability to lead forty-nine of them to God and lose out on only one.’ Energized by the dream, the minister throws all his energy into youth work, organizing special classes and trips for the church’s teens. He eventually develops a national reputation in his denomination for his work with young people. ‘And then one night he discovers his sixteen-year-old son has been arrested for dealing drugs. The boy turned bitterly against the church and its teachings, resenting his father for having had time for every sixteen-year-old in town except him, and the father never noticed. His son was the fiftieth teenager, the one who got away.’ Of course, this was not necessarily true of Moses’s children, but the silence of the Torah concerning his children (which is not the case with the children of Abraham, Isaac, Jacob, and Aaron) serves as an important reminder to parents who have achieved success to be sure to make time for their children. They need to try to ensure their children feel they occupy a special place in their parents’ hearts and no matter how pressing the parent’s responsibilities he or she will always find time for them.
Dennis Prager (The Rational Bible: Exodus)
It’s not the motorcycle maintenance, not the faucet. It’s all of technology they can’t take. And then all sorts of things started tumbling into place and I knew that was it. Sylvia’s irritation at a friend who thought computer programming was ‘creative.’ All their drawings and paintings and photographs without a technological thing in them. Of course she’s not going to get mad at that faucet, I thought. You always suppress momentary anger at something you deeply and permanently hate. Of course John signs off every time the subject of cycle repair comes up, even when it is obvious he is suffering for it. That’s technology. And sure, of course, obviously. It’s so simple when you see it. To get away from technology out into the country in the fresh air and sunshine is why they are on the motorcycle in the first place. For me to bring it back to them just at the point and place where they think they have finally escaped it just frosts both of them, tremendously. That’s why the conversation always breaks and freezes when the subject comes up. Other things fit in too. They talk once in a while in as few pained words as possible about ‘it’ or ‘it all’ as in the sentence, ‘There is just no escape from it.’ And if I asked, ‘From what?’ the answer might be ‘The whole thing,’ or ‘The whole organized bit,’ or even ‘The system.’ Sylvia once said defensively, ‘Well, you know how to cope with it,’ which puffed me up so much at the time I was embarrassed to ask what ‘it’ was and so remained somewhat puzzled. I thought it was something more mysterious than technology. But now I see that the ‘it’ was mainly, if not entirely, technology. But, that doesn’t sound right either. The ‘it’ is a kind of force that gives rise to technology, something undefined, but inhuman, mechanical, lifeless, a blind monster, a death force. Something hideous they are running from but know they can never escape. I’m putting it way too heavily here but in a less emphatic and less defined way this is what it is. Somewhere there are people who understand it and run it but those are technologists, and they speak an inhuman language when describing what they do. It’s all parts and relationships of unheard-of things that never make any sense no matter how often you hear about them. And their things, their monster keeps eating up land and polluting their air and lakes, and there is no way to strike back at it, and hardly any way to escape it.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry into Values)
I am in no rush. Let Life happen to me just as Life has planned. Because at the end of the day, when the sun sets there is always a horizon somewhere waiting to call forth another sun, in a paradox of Time. Because at the end of each chapter, the story walks towards its culmination. But just like it is not in the setting or rising of the sun but in the sunshine that one basks, just like it is not the finishing line but the voyage through the storyline where one finds the true understanding of the book, Life is about exploring the voyage all the while knowing full well that each chapter shall find its beginning middle and end just how it's meant to be. It is about the truth that Life is but a dream in Time's illusion and the only sharp truth is to love and be loved, and through that assemble moments in Time that smile beyond Time, to make a garden of experiences through lessons and understandings that Life puts at our journey only to walk us closer to our destination. It is not about the destination rather about the journey, and perhaps about who we share the journey with at each crossroad. And no matter how Time walks by, until and unless we cross all the alleys along the way, until and unless we climb up the peak bit by bit, we cannot reach that destination where we belong. But if we tread along the mountain peak or a winding alley soaking in all the freshness of the air enjoying the crispness of our walk, the journey becomes even more enriching not just to our soul but to all of our senses and our very heart. While if we try to run along the way, we might actually topple down a bad turn, taking in a scar that might demand another cup of our soul's portion to heal. Such is Life. A journey that takes smiles and tears, a voyage that bathes in hope and hopelessness, but in all of it, it never stays stagnant, always tiptoeing to exactly where we are meant to be, at any point of our journey. So when something seems to go stagnant or few things make no sense, I tell myself to pause and pat my soul acknowledging each and every decision or detour of mine as part and parcel of Life's plan. I close my eyes and breathe in the freshness of air that flows in every part of my soul to know, to feel alive to all that this journey has shared with me, while believing in the grace and magnanimity of Time who takes Time but eventually shows and leads us to where we belong. And I hear my heart smiling, Let Life happen to me just as Life has planned. I am in no rush.
Debatrayee Banerjee
cotton wool, decided that it was not good to eat, ran all round the table, sat up and put his fur in order, scratched himself, and jumped on the small boy’s shoulder. “Don’t be frightened, Teddy,” said his father. “That’s his way of making friends.” “Ouch! He’s tickling under my chin,” said Teddy. Rikki-tikki looked down between the boy’s collar and neck, snuffed at his ear, and climbed down to the floor, where he sat rubbing his nose. “Good gracious,” said Teddy’s mother, “and that’s a wild creature! I suppose he’s so tame because we’ve been kind to him.” “All mongooses are like that,” said her husband. “If Teddy doesn’t pick him up by the tail, or try to put him in a cage, he’ll run in and out of the house all day long. Let’s give him something to eat.” They gave him a little piece of raw meat. Rikki-tikki liked it immensely, and when it was finished he went out into the veranda and sat in the sunshine and fluffed up his fur to make it dry to the roots. Then he felt better. “There are more things to find out about in this house,” he said to himself, “than all my family could find out in all their lives. I shall certainly stay and find out.” He spent all that day roaming over the house. He nearly drowned himself in the bathtubs, put his nose into the ink on a writing table, and burned it on the end of the big man’s cigar, for he climbed up in the big man’s lap to see how writing was done. At nightfall he ran into Teddy’s nursery to watch how kerosene lamps were lighted, and when Teddy went to bed Rikki-tikki climbed up too. But he was a restless companion, because he had to get up and attend to every noise all through the night, and find out what made it. Teddy’s mother and father came in, the last thing, to look at their boy, and Rikki-tikki was awake on the pillow. “I don’t like that,” said Teddy’s mother. “He may bite the child.” “He’ll do no such thing,” said the father. “Teddy’s safer with that little beast than if he had a bloodhound to watch him. If a snake came into the nursery now–” But Teddy’s mother wouldn’t think of anything so awful. · · · Early in the morning Rikki-tikki came to early breakfast in the veranda riding on Teddy’s shoulder, and they gave him banana and some boiled egg. He sat on all their laps one after the other, because every well-brought-up mongoose always hopes to be a house mongoose some day and have rooms to run about in; and Rikki-tikki’s mother (she used to live in the general’s house at Segowlee) had carefully told Rikki what to do if ever he came across white men.
Rudyard Kipling (Rikki-Tikki-Tavi)
Here is a summary based on the speculations of the well-known scholar of religion, Mircea Eliade:2 Once upon a time, when the economic level of human beings could only be described in terms of mere subsistence, people were highly aware of their natural environment. Among the many things that intrigued them was the splendor of the sky. They realized the sky with its brilliant light, which illuminated every part of the world, was different from anything else they encountered. They were aware of the many items that populated the universe such as trees, mountains, and rivers, as well as people and their implements. But those were all different from the sky. When the people saw a rock, they simply saw a rock; when they beheld the sky, they saw something so vast and so beyond anything that they could touch or understand that they were simultaneously fascinated and intimidated by it. In many ways they feared the sky, but they also saw the sky as friendly to them, at least most of the time. The sky brought sunshine, it brought rain, and it was their constant companion, whether they were hunting or fishing or collecting edible vegetation. The sky was always present. Sometimes the sky would be angry, and it might send thunder and lightning and possibly even downpours so harsh they resulted in harmful floods. But after the sky had worked off its temper, the rain and the cool its tantrum had produced contributed to making further life possible and bearable. The sky, people said, is great. We cannot conceive of anything greater than the sky; and, what’s more, if we pray to it, it often fulfills our desires. It knows and understands us. Because it is so great, nothing is beyond its capability. Understanding these amazing qualities of the sky, it seemed that it was more than just an object: it was a great being, who was not just a thing up there, but who in some ways resembled a human person, except that its powers exceeded anything we humans are capable of. The people began to think of the sky as the home of a super person and considered him to be “god.” They thought they could call him by his name and approach him if they were careful. Having come to think of him as a supreme god now, they recognized that he was still the Great Shining One, who is beyond our understanding, and they continued to be in total awe of him. Thus, according to Eliade, the sky had become one of the important manifestations of what is sacred in the world. He called such disclosures “hierophanies,” which means literally, “manifestations of the Holy.” The little narration above is based on his exposition of the sacredness of the sky, which he says “symbolizes transcendence, power and changelessness simply by being there. It exists because it is high, infinite, immovable, powerful.”3
Winfried Corduan (In the Beginning God: A Fresh Look at the Case for Original Monotheism)
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
George Eliot (Middlemarch)
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
Besides, I know you loved my Lucy . . ." Here he turned away and covered his face with his hands. I could hear the tears in his voice. Mr. Morris, with instinctive delicacy, just laid a hand for a moment on his shoulder, and then walked quietly out of the room. I suppose there is something in a woman's nature that makes a man free to break down before her and express his feelings on the tender or emotional side without feeling it derogatory to his manhood. For when Lord Godalming found himself alone with me he sat down on the sofa and gave way utterly and openly. I sat down beside him and took his hand. I hope he didn't think it forward of me, and that if her ever thinks of it afterwards he never will have such a thought. There I wrong him. I know he never will. He is too true a gentleman.I said to him, for I could see that his heart was breaking, "I loved dear Lucy, and I know what she was to you, and what you were to her. She and I were like sisters, and now she is gone, will you not let me be like a sister to you in your trouble? I know what sorrows you have had, though I cannot measure the depth of them. If sympathy and pity can help in your affliction, won't you let me be of some little service, for Lucy's sake?" In an instant the poor dear fellow was overwhelmed with grief. It seemed to me that all that he had of late been suffering in silence found a vent at once. He grew quite hysterical,and raising his open hands, beat his palms together in a perfect agony of grief. He stood up and then sat down again, and the tears rained down his cheeks. I felt an infinite pity for him, and opened my arms unthinkingly. With a sob he laid his head on my shoulder and cried like a wearied child, whilst he shook with emotion. We women have something of the mother in us that makes us rise above smaller matters when the mother spirit is invoked. I felt this big sorrowing man's head resting on me, as though it were that of a baby that some day may lie on my bosom, and I stroked his hair as though he were my own child. I never thought at the time how strange it all was. After a little bit his sobs ceased, and he raised himself with an apology, though he made no disguise of his emotion. He told me that for days and nights past, weary days and sleepless nights, he had been unable to speak with any one, as a man must speak in his time of sorrow. There was no woman whose sympathy could be given to him, or with whom, owing to the terrible circumstance with which his sorrow was surrounded, he could speak freely. "I know now how I suffered," he said, as he dried his eyes, "but I do not know even yet, and none other can ever know, how much your sweet sympathy has been to me today. I shall know better in time, and believe me that, though I am not ungrateful now, my gratitude will grow with my understanding. You will let me be like a brother, will you not, for all our lives, for dear Lucy's sake?" "For dear Lucy's sake," I said as we clasped hands."Ay, and for your own sake," he added, "for if a man's esteem and gratitude are ever worth the winning, you have won mine today. If ever the future should bring to you a time when you need a man's help,believe me, you will not call in vain. God grant that no such time may ever come to you to break the sunshine of your life, but if it should ever come, promise me that you will let me know." He was so earnest, and his sorrow was so fresh, that I felt it would comfort him, so I said, "I promise.
Bram Stoker (Dracula)
My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.
Héctor Abad Faciolince
I know it's been so long Since we saw each other last I'm sure we'll find some way To make the time pass Hey moon It's just you and me tonight Everyone else is asleep Hey moon If i was to fall I won't fall so deep Though I doubt I'm gonna You can wake me up if you wanna And your pale round face Makes me feel at home in any place I would happen to be At a quarter past three The moon chased the sun out of the sky "Goodbye sun! The night's begun" The moon chased the sun out of the sky "Goodbye sunshine! The night is mine" Hey moon It's just you and me tonight Everyone else is asleep Hey moon If I was to fall I won't fall so deep Though I doubt I'm gonna You can wake me up if you wanna I would hate for you to hang there all alone The whole night through Hey moon My old friend Hey moon The night is coming to an end Hey moon Come back soon
John Maus
Hooray for whitehood! Could do without the sunburn, mind. It’s hard to get the balance right. I only have to gaze at a blank sheet of A4 to start sizzling, but if I avoid sunshine completely I wind up looking ashen and sickly. Little wonder there’s a multi-million-dollar industry creating creams and lotions for us to smear all over our superior white skin in a desperate bid to protect it from the sky, and another multi-million-dollar industry devoted to turning our superior white skin brown so it looks better. Despite these drawbacks – and its propensity for showing up pimples and ageing quickly and going wrinkly – there’s no doubt that white skin is the best, in the same way green Smarties are the best. Simple logic.
Charlie Brooker (I Can Make You Hate)
God makes it all come right in the end, that's what Johnnie told Dock Barker just before we parted company. I was raised a Christian-I admit I fell away a bit along my journey-and I believe that: we're stuck with what we have, but that's all right; in God's eyes, none of us are really much more than flies on strings and all that matters is how much sunshine you can spread along the way.
Stephen King
Interbeing If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper. Without a cloud, there will be no rain; without rain, the trees cannot grow; and without trees, we cannot make paper. The cloud is essential for the paper to exist. If the cloud is not here, the sheet of paper cannot be here either. So we can say that the cloud and the paper inter-are. “Interbeing” is a word that is not in the dictionary yet, but if we combine the prefix “inter-” with the verb “to be,” we ha vea new verb, inter-be. Without a cloud and the sheet of paper inter-are. If we look into this sheet of paper even more deeply, we can see the sunshine in it. If the sunshine is not there, the forest cannot grow. In fact, nothing can grow. Even we cannot grow without sunshine. And so, we know that the sunshine is also in this sheet of paper. The paper and the sunshine inter-are. And if we continue to look, we can see the logger who cut the tree and brought it to the mill to be transformed into paper. And wesee the wheat. We now the logger cannot exist without his daily bread, and therefore the wheat that became his bread is also in this sheet of paper. And the logger’s father and mother are in it too. When we look in this way, we see that without all of these things, this sheet of paper cannot exist. Looking even more deeply, we can see we are in it too. This is not difficult to see, because when we look at a sheet of paper, the sheet of paper is part of our perception. Your mind is in here and mine is also. So we can say that everything is in here with this sheet of paper. You cannot point out one thing that is not here-time, space, the earth, the rain, the minerals in the soil, the sunshine, the cloud, the river, the heat. Everything co-exists with this sheet of paper. That is why I think the word inter-be should be in the dictionary. “To be” is to inter-be. You cannot just be by yourself alone. You have to inter-be with every other thing. This sheet of paper is, because everything else is. Suppose we try to return one of the elements to its source. Suppose we return the sunshine to the sun. Do you think that this sheet of paper will be possible? No, without sunshine nothing can be. And if we return the logger to his mother, then we have no sheet of paper either. The fact is that this sheet of paper is made up only of “non-paper elements.” And if we return these non-paper elements to their sources, then there can be no paper at all. Without “non-paper elements,” like mind, logger, sunshine and so on, there will be no paper. As thin as this sheet of paper is, it contains everything in the universe in it.
Thich Nhat Hanh
INTERBEING If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper. Without a cloud, there will be no rain; without rain, the trees cannot grow; and without trees, we cannot make paper. The cloud is essential for the paper to exist. If the cloud is not here, the sheet of paper cannot be here either. So we can say that the cloud and the paper “inter-are.” “Interbeing” is a word that is not in the dictionary yet, but if we combine the prefix “inter-” with the verb “to be,” we have a new verb, “inter-be.” If we look into this sheet of paper even more deeply, we can see the sunshine in it. If the sunshine is not there, the forest cannot grow. In fact, nothing can grow. Even we cannot grow without sunshine. And so, we know that the sunshine is also in this sheet of paper. The paper and the sunshine inter-are. And if we continue to look, we can see the logger who cut the tree and brought it to the mill to be transformed into paper. And we see the wheat. We know that the logger cannot exist without his daily bread, and therefore the wheat that became his bread is also in this sheet of paper. And the logger’s father and mother are in it too. When we look in this way, we see that without all of these things, this sheet of paper cannot exist. Looking even more deeply, we can see we are in it too. This is not difficult to see, because when we look at a sheet of paper, the sheet of paper is part of our perception. Your mind is in here and mine is also. So we can say that everything is in here in this sheet of paper. You cannot point out one thing that is not here—time, space, the earth, the rain, the minerals in the soil, the sunshine, the cloud, the river, the heat. Everything coexists with this sheet of paper. That is why I think the word inter-be should be in the dictionary. To be is to inter-be. You cannot just be by yourself alone. You have to inter-be with every other thing. This sheet of paper is, because everything else is. Suppose we try to return one of the elements to its source. Suppose we return the sunshine to the sun. Do you think that this sheet of paper would be possible? No, without sunshine nothing can be. And if we return the logger to his mother, then we have no sheet of paper either. The fact is that this sheet of paper is made up only of “non-paper elements.” And if we return these non-paper elements to their sources, then there can be no paper at all. Without non-paper elements, like mind, logger, sunshine, and so on, there will be no paper. As thin as this sheet of paper is, it contains everything in the universe in it.
Thich Nhat Hanh (The Pocket Thich Nhat Hanh (Shambhala Pocket Classics))
Most of the shadows of this life,” observed Ralph Waldo Emerson, “are caused by our standing in our own sunshine.
Barbara Winter (Making a Living Without a Job, revised edition: Winning Ways for Creating Work That You Love)
She and Becky had been on their hands and knees scrubbing the kitchen floor when he'd come in with an ear-to-ear grin, his skin glowing and his hair damp, unruly, and deliciously tousled. With him around, getting any work done had been impossible. He'd been munching an apple, prowling the kitchen like a restless cat, and driving Juliet insane with his playful feints to her face, to the wall, to the leg of a chair. "Would you stop?" she'd finally cried, looking up at him and laughing as she'd swatted him away. "Can't," he'd said and, winking at Becky, leaned down and kissed Juliet fully on the lips. He'd tasted of sweet apples and sunshine, and she'd felt a rush of desire for him that had made her wish Becky was anywhere but in their kitchen. "What's got you in such a good mood?" she'd managed after he finally broke the kiss and straightened up, leaving her breathless and flushed, her hand to her suddenly pounding heart. "Oh, nothing."  Another playful feint to her shoulder. "Nothing at all, dearest!" "The way you're acting, one might think you were going to the fight tonight." His eyebrows had risen, and then he'd laughed, loudly. "Well, maybe I am," he'd said, cheerfully; then, saluting her with his apple, he'd swung back out the door. Juliet had watched him as he crossed the lawn and headed toward the manor house, his stride cocky and giving him the appearance of owning the world. When she'd turned back to Becky, the other girl was simply sitting back on her heels and shaking her head in amusement. "Men!  They just never grow up, do they?" "Do you know, Becky ... I hope that one never does. He can make me laugh when all I want to do is cry. He can make me see the good in a situation when all I see is the bad. He knows when life should be taken seriously — and when it shouldn't. He's delightful and funny and clever — and not afraid to make a total cake of himself."  She had smiled and given a little sigh. "No, I never want him to grow up ... not if it means seeing him change into something other than what he currently is." Becky
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.
Terri Irwin (Steve & Me)
Carter watched Avery weave her way through the crowds like a ninja—ready to battle at a moment’s notice, but invisible to the general crowd. The reception was in full swing, and he’d never felt so damn tired in his life. He’d been running around nonstop, taking care of endless tasks that popped up. Everything ached, from his head to his feet, and through it all, the woman never lost her cool or her charm. The idea she did this every weekend the entire spring and summer was more than impressive. And this was just “live time,” as she’d termed it. All the months of prep work led up to this one day. All her efforts and sweat and time were for the purpose of making one couple happy as they embarked on a life together
Jennifer Probst (Love on Beach Avenue (The Sunshine Sisters, #1))
MAKE YOUR ENVIRONMENT MAKE YOU SUCCESSFUL 1. Be environment-conscious. Just as body diet makes the body, mind diet makes the mind. 2. Make your environment work for you, not against you. Don’t let suppressive forces—the negative, you-can’t-do-it people—make you think defeat. 3. Don’t let small-thinking people hold you back. Jealous people want to see you stumble. Don’t give them that satisfaction. 4. Get your advice from successful people. Your future is important. Never risk it with freelance advisors who are living failures. 5. Get plenty of psychological sunshine. Circulate in new groups. Discover new and stimulating things to do. 6. Throw thought poison out of your environment. Avoid gossip. Talk about people, but stay on the positive side. 7. Go first class in everything you do. You can’t afford to go any other way.
David J. Schwartz (The Magic of Thinking Big)
Most people enjoyed their summer break. The sunshine, the beach, the cold drinks on a hot day, and, most importantly, not being at school. But not Hannah, she didn’t find them interesting at all. Of course, most people didn’t enjoy school as much as she did. There was something about the buzz of getting things right, the way things were organized, and the idea you had to do something a certain way that just pleased her. It was everything else in the world that scared her. Unpredictability was a nightmare. Hannah slumped on the chair, counting in her head how many days she had to wait for the chaos to be restored. Ninety-three, that’s how many. She considered making a countdown calendar, that would
Jamie Campbell (A Hairy Tail (A Hairy Tail, #1))
Interviewer: In church on Sunday we sang a two hundred year old hymn with some contemporary words and the words go God you spin the whirling planets, fill the Seas and spread the plain, mould the mountains fashion blossoms call for the sunshine wind and rain. Now the scientist wouldn’t put it that way. The scientist would have said that there is a an explanation for why the planets were, for why the rain falls, for why the seas rise, for why the mountains form, but knowledge isn’t enough for us, it’s not enough to know why these things happen , we need the poetry, don’t we? Are we hardwired to seeks that kind of meaning in life that only poetry religion and writing can give us? Atwood: Probably so. Because we are a symbol making creature. We seem to need create and exist within structures of symbolism. We seem to have always done that as human beings, we usually date humanness from the point at which we discover some form of art. Art is always symbolic. … Interviewer: This God is a God of radical unpredictability and terrifying moral ambivalence. The God of the Old Testament. …. Interviewer: I heard what you said that human nature hasn’t changed in thousands of years. Atwood: Yes. Interviewer: How do we know? Atwood: Oh…because we’ve read the myths. And the myths show pretty clearly what we want, what we fear, what we would like to have, what we very much would not like to have. Heaven and hell. We always wanted to fly, in the myths Gods fly. We don’t. And now everything that we do, every piece of technology we make is an extension of a fear or desire. And those human fears and desires really have not changed and they are reflected in the myths that have been with us for a long time. Interviewer: Are they true? Atwood: What is true? True means more than one thing. True means prove it, it has to be proven and in a very materialistic society that’s all it means. Another type of truth is it true about human nature? Is it true about who we are? Is it true about how we behave? People have a divided opinion about why myths continue and why they are important, and what they are… some people say they are maps of prehistory, some people say they are maps of the human mind and psyche, and some people say they are language-dependent. Interviewer: What do you mean by that? Atwood: It’s one of the characteristics of human beings that they have very elaborate languages. And these languages all have grammars and the grammars all contain past tenses and future tenses. Now dogs have languages too but we don’t think any dog has ever said to any other dog, where do dogs come from, what is the origin of dogs, and what about before that , what about before where any dogs. But because we have the kinds of languages we do, we go back in time as far as we can get, in our imagination, we want a beginning of the story and we go as far ahead in the future as we can. We want an end to the story. And it’s just not gonna be us getting born and us dying we want to place ourselves within a larger story. Here’s where we came form, here’s where we are going. And when you die this is what happens and some of those stories are happier than other but there’s always more, there’s always an and then. And then what happened… and then and then and then. Once we had that language we had to postulate either a God entity or an unknown.
Margaret Atwood
I've learned there are many different ways to live and labels, such as 'good', 'bad', 'right', or 'wrong', have no value when it comes to describing the choices people make.
Isabella Muir (Waiting for Sunshine: A child's world is turned upside down... (A World War Two Sussex Crime novella Book 3))
Your laugh is like a ray of sunshine,” Andie cooed to her. “I’ll find a way to make sure you laugh forever.” “That’d be terrible!” Kara shook her head, though she snickered just a little more at the notion. “Being happy forever?” Andie released her arm around Kara to lay her head on her forehead and toss her head back like a fainting Victorian maiden. “Oh, what a cruel fate!
Simon Archer (Super Hero Academy (Super Hero Academy, #1))
Morning, September 6 [771]Go To Evening Reading "In the midst of a crooked and perverse nation, among whom ye shine as lights in the world." Philippians 2:15 We use lights to make manifest. A Christian man should so shine in his life, that a person could not live with him a week without knowing the gospel. His conversation should be such that all who are about him should clearly perceive whose he is, and whom he serves; and should see the image of Jesus reflected in his daily actions. Lights are intended for guidance. We are to help those around us who are in the dark. We are to hold forth to them the Word of life. We are to point sinners to the Saviour, and the weary to a divine resting-place. Men sometimes read their Bibles, and fail to understand them; we should be ready, like Philip, to instruct the inquirer in the meaning of God's Word, the way of salvation, and the life of godliness. Lights are also used for warning. On our rocks and shoals a light-house is sure to be erected. Christian men should know that there are many false lights shown everywhere in the world, and therefore the right light is needed. The wreckers of Satan are always abroad, tempting the ungodly to sin under the name of pleasure; they hoist the wrong light, be it ours to put up the true light upon every dangerous rock, to point out every sin, and tell what it leads to, that so we may be clear of the blood of all men, shining as lights in the world. Lights also have a very cheering influence, and so have Christians. A Christian ought to be a comforter, with kind words on his lips, and sympathy in his heart; he should carry sunshine wherever he goes, and diffuse happiness around him. Gracious Spirit dwell with me; I myself would gracious be, And with words that help and heal Would thy life in mine reveal, And with actions bold and meek Would for Christ my Saviour speak.
Charles Haddon Spurgeon (Morning and Evening)
Although each of these spheres should govern its own affairs, sometimes on a wide scale they do not: family structure collapses, schools fail to teach effectively, businesses act unethically, labor organizations become corrupt. When this happens, the temptation is for another sphere, almost inevitably the government, to step in to fix the problem rather than to work to revitalize the failing sphere(s). Unfortunately, the government is ill-equipped to solve these problems--its tools and competence lie in its areas of responsibility, not in those of other spheres. As a result, its attempts to step in and regulate the workings of another sphere are likely to be clumsy at best and often will make the problems worse. It is not alarmist to say, more ominously, that whenever a government overstep its sphere in this way, it usurps power that properly belongs to another institution. This petty tyranny is, of course, the first sign of Leviathan rising.
Glenn S. Sunshine (Slaying Leviathan: Limited Government and Resistance in the Christian Tradition)
But most of all I love Tillamook’s Marionberry Pie ice cream. The rich vanilla ice cream is mixed with fresh Oregon marionberries and big chunks of piecrust. I always eat it slow so it can last and last.
Renée Watson (Ways to Make Sunshine (A Ryan Hart Story Book 1))
Ryan, we’ll all still be together. This is just a house. We are the ones who make it home. Home is wherever we go.
Renée Watson (Ways to Make Sunshine (A Ryan Hart Story Book 1))
Maybe she is remembering all the road trips to Seaside Beach, or riding around and around the parking lot at the zoo because no matter what time we go, there is never a place to park.
Renée Watson (Ways to Make Sunshine (A Ryan Hart Story Book 1))
Here's the thing about ice cream. No matter how sweet it is, no matter if it's given to you even when you aren't supposed to have it, no matter if you're told you can come back for seconds—it doesn't take away the sadness.
Renée Watson (Ways to Make Sunshine (Ryan Hart, #1))
Ticking away the moments that make up a dull day, You fritter and waste the hours in an off hand way. Kicking around on a piece of ground in your hometown, Waiting for someone or something to show you the way. Tired of lying in the sunshine, Staying home to watch the rain, You are young and life is long, and there is time to kill today. And then one day you find, ten years have gone behind you No one told you when to run, You missed the starting gun.
Roger Waters