Wax Statue Quotes

There’s nothing here,” Carter said. “What do you want?” I asked. “We’ve got wax, some toilet papyrus, an ugly statue.

I stretch my arms out — Let the truth be told These days, friends are modern day Pinocchios Long nose, friend or foe They're more fake than the wax statues standing still in Madame Tussaud.

High on a stag the Goddess held her seat, And there were little hounds about her feet; Below her feet there was a sickle moon, Waxing it seemed, but would be waning soon. Her statue bore a mantle of bright green, Her hand a bow with arrows cased and keen; Her eyes were lowered, gazing as she rode Down to where Pluto has his dark abode.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

His wax-white skin was cool to the touch when she brushed his neck to find the knot of cloth. She'd never been this close to a vampire,never realized what it would be like to be so near to someone who didn't breathe, who could be as still as any statue. His chest neither rose not fell. Her hands shook.

This is about as far as I can go without some sarcasm creeping in. But before it does, I must say, with utmost sincerity, that your cookies are good enough to bring some of these wax statues back to life. Thanks for that. I once made corn muffins for a fourth-grade project on Williamsburg and they came out like baseballs. So I'm not sure how to reciprocate... but, believe me, I shall.

For the first time in her life, Alba wanted to be beautiful. She regretted that the splendid women in her family had not bequeathed their attributes to her, that the only one who had, Rosa the Beautiful, had given her only the algae tones in her hair, which seemed more like a hairdresser's mistake then anything else. Miguel understood the source of her anxiety. He led her by the hand to the huge Venetian mirror that adorned one wall of their secret room, shook the dust from the cracked glass, and lit all the candles they had and arranged them around her. She stared at herself in the thousand pieces of the mirror. In the candlelight her skin was the unreal color of wax statues. Miguel began to caress her and she saw her face transformed in the kaleidoscope of the mirror, and she finally believed that she was the most beautiful woman in the universe because she was able to see herself with Miguel's eyes.

Goldman Sachs preaching about diversity so it can be at the front of the line for the next government bailout. It’s AstraZeneca waxing eloquent about climate change so it can secure multibillion-dollar government contracts for vaccine production. It’s State Street building feminist statues to detract attention from wage discrimination lawsuits from female employees, all the while marketing its exchange-traded fund with the ticker “SHE.” It’s Chamath Palihapitiya founding a social impact investment fund and criticizing Silicon Valley, even though he and his wealth are products of Silicon Valley, all to cover up for his prior tenure as an executive at Facebook who dreamed out loud about a private corporate military. Those companies and people use their market power to prop up woke causes as a way to accumulate greater political capital—only to later come back and cash in that political capital for more dollars.

Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that

Not a single object seems to possess a practical use. The antechamber itself seems useless, a sort of vestibule to a barn, It is exactly the same sort of sensation I get when I enter the Comedie-Francaise or the Palaise- Royal Theatre; ; it is a world of bric-a-brac, of trap doors, of arms and busts and waxed floors, of candelabras and men in armor, of statues without eyes and love letters lying in glass cases. Something is going on, but it makes no sense; it's like finishing the half-empty bottle of Calvados because there's no room in the valise.

There was the mouth that had chewed many an apricot pie come summer, and said many a quiet thing or two about life and the lay of the land. And there were the eyes, not blind like statues' eyes, but filled with molten green-gold. And there the dark hair blowing now north now south or any direction in the little breeze there was. And there the hands with all the town on them, dirt from roads and bark-slivers from trees, the fingers that smelled of hemp and vine and green apple, old coins or pickle-green frogs. There were the ears with the sunlight shining through them like bright warm peach wax and here, invisible, his spearmint-breath upon the air.

She heard him close the door. “I was going to impress you with my romantic eloquence, of course. I’d thought to wax philosophical about the beauty of your brow.” Lucy blinked. “My brow?” “Mmm. Have I told you that your brow intimidates me?” She felt his warmth at her back as he moved behind her, but he didn’t touch her. “It’s so smooth and white and broad, and ends with your straight, knowing eyebrows, like a statue of Athena pronouncing judgment. If the warrior goddess had a brow like yours, it is no wonder the ancients worshiped and feared her.” “Blather,” she murmured. “Blather, indeed. Blather is all I am, after all.” She frowned and turned to contradict him, but he moved with her so that she couldn’t quite catch sight of his face. “I am the duke of nonsense,” he whispered in her ear. “The king of farce, the emperor of emptiness.” Did he really see himself so? “But—” “Blathering is what I do best,” he said, still unseen. “I’d like to blather about your golden eyes and ruby lips.” “Simon—” “The perfect curve of your cheek,” he murmured close. She gasped as his breath stirred the hair at her neck. He was distracting her with lovemaking. And it was working. “What a lot of talk.” “I do talk too much. It’s a weakness you’ll have to bear in your husband.” His voice was next to her ear. “But I’d have to spend quite a bit of time outlining the shape of your mouth, its softness and the warmth within. -Simon to Lucy on their wedding night.

One day, for example, Eric explained the origins of the English word sincere. He told the boys that it was made up of two words, “sine,” meaning without, and “cere,” meaning wax. He explained that in the past when a sculptor made a statue, he would sign the bottom of it and add the phrase “Sine cere.” In doing so, he was guaranteeing that the work he did on the sculpture had no mistakes that had been covered over with wax to disguise them. Eric told the boys that living the Christian life meant that they did not cover up their character weaknesses and mistakes but instead lived sincere lives.

We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

The face was bulbous and pink and hairless, utterly unremarkable, a Sunday school teacher’s face, and that was the most unsettling part of it. Although he was probably my dad’s age or older, the slack, anonymous complexion and dead eyes made it impossible to exactly pinpoint his age. He could have been a wax statue, a young actor made up to look old, or an amateurishly embalmed corpse.

Ode to Bees Multitude of bees! in and out of the crimson, the blue, the yellow, of the softest softness in the world; you tumble headlong into a corolla to conduct your business, and emerge wearing a golden suit and quantities of yellow boots. The waist, perfect, the abdomen striped with dark bars, the tiny, ever-busy head, the wings, newly made of water; you enter every sweet-scented window, open silken doors, penetrate the bridal chamber of the most fragrant love, discover a drop of diamond dew, and from every house you visit you remove honey, mysterious, rich and heavy honey, thick aroma, liquid, guttering light, until you return to your communal palace and on its gothic parapets deposit the product of flower and flight, the seraphic and secret nuptial sun! Multitude of bees! Sacred elevation of unity, seething schoolhouse. Buzzing, noisy workers process the nectar, swiftly exchanging drops of ambrosia; it is summer siesta in the green solitudes of Osorno. High above, the sun casts its spears into the snow, volcanoes glisten, land stretches endless as the sea, space is blue, but something trembles, it is the fiery, heart of summer, the honeyed heart multiplied, the buzzing bee, the crackling honeycomb of flight and gold! Bees, purest laborers, ogival workers fine, flashing proletariat, perfect, daring militia that in combat attack with suicidal sting; buzz, buzz above the earth's endowments, family of gold, multitude of the wind, shake the fire from the flowers, thirst from the stamens, the sharp, aromatic thread that stitches together the days, and propagate honey, passing over humid continents, the most distant islands of the western sky. Yes: let the wax erect green statues, let honey spill in infinite tongues, let the ocean be a beehive, the earth tower and tunic of flowers, and the world a waterfall, a comet's tail, a never-ending wealth of honeycombs! Pablo Neruda, Odes to Common Things. (Bulfinch; Illustrated edition, May 1, 1994)

I love the church. I like the waxed candles that remind me people think of people. I love the bouquet of flowers on the altar that a group of grandmas grow in their gardens and pridefully donate every week. I admire the wooden statues of craftsmanship, of a mother staring at you with the kind of pure, loving look I forgot to ask from mine. I like the skinny man nailed to the cross reminding me that people are capable of sacrificial love. I like to stare at the art on the stained-glass windows, of angels, of lambs, and of fruit. I love running my hands over mosaics and tracing the lips of saints. I love the hymns and joy of the choir, who sing regardless if you’re too scared. I love watching the collective sway of bodies subconsciously comforted by their environment after finally saying “Peace be with you.” And most of all, I love being surrounded by people trying. They wear Christ around their neck and squeeze a rosary for dear life, admitting their weaknesses and sins. Tell me, where do you find that? There is an honesty in the church, spilling from kneeling persons, that gives me the hope humans can take care of each other and our planet can be a good one. Where else can I be exposed to the practice of morality on such an emotional level? I love everything about the church—the shiny pews, the smoky incense, the Bible and its purpose – because when all is considered, it makes sense. It is a template of discipline and thoughtfulness. Why call religious people idiots when they’re the few paying attention to their own lives? And there are other ways to be moral of course, but not many ways to practice. I’ve learned that to believe in God doesn’t subtract any life from you. It is additional. It is the world and God. If someone wears a jacket over their shirt, they aren’t naked. They’re double-layered.

Ivy had begun to creep in at the feet of the statues, curling around their legs like green chains. Several of the statues had their arms outstretched at their sides; others had their hands folded neatly in front of them or clasped at their chest in prayer. Even in her wariness, Willa marveled over the skill and precision. But as she approached, she realized that what she had thought to be marble or white stone was actually wax.

And on Monday, when we drive away, my pussy will just stay preserved like a wax statue from Madame Tussauds?

He was glad of the smell of floor wax and fresh linen. But the room was full of dreadful religious artifacts. On the marble dresser stood a statue of the Virgin with the naked red heart on her breast, lurid, and disgusting to look at. A crucifix lay beside it, with a twisting, writhing body of Christ in natural colors even to the dark blood flowing from the nails in his hands. He looked at the bearded Jesus, the finger pointing to the crown of thorns around his heart. Maybe they were all crazy. Maybe he would go crazy himself if he didn't get out of this house.