Water Tranquility Quotes

Joy, sorrow, tears, lamentation, laughter -- to all these music gives voice, but in such a way that we are transported from the world of unrest to a world of peace, and see reality in a new way, as if we were sitting by a mountain lake and contemplating hills and woods and clouds in the tranquil and fathomless water.

Her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.

What about Josh?” I think there’s more to that question than she’s letting on but she’s testing the waters. Salvation, I write. She looks at the word and nods. And for a minute she looks as sad as I feel. “That fits, I think.

The offing was barred by a black bank of clouds, and the tranquil water-way leading to the uttermost ends of the earth flowed somber under an overcast sky--seemed to lead into the heart of an immense darkness.

I decline the coffee. I don't drink it, because no matter how much sugar I put into it, it still tastes like ass-water to me. Maybe it's because my taste buds are so desensitized to sweet that anything not comprised of at least ninety percent sugar tastes wrong

Endless ocean, blue water, dreamy sky, tranquil beach, love in the air, mind fly high.

…the Lake of Shining Waters was blue — blue — blue; not the changeful blue of spring, nor the pale azure of summer, but a clear, steadfast, serene blue, as if the water were past all modes and tenses of emotion and had settled down to a tranquillity unbroken by fickle dreams.

And I feel like the Queen of Water. I feel like water that transforms from a flowing river to a tranquil lake to a powerful waterfall to a freshwater spring to a meandering creek to a salty sea to raindrops gentle on your face to hard, stinging hail to frost on a mountaintop, and back to a river again.

I was ripped out of the water and thrown and smashed into a thousand pieces that I can't put back together. I don't know where they go. And there are so many missing that the ones that are left don't fit together anymore. I think I'll stay in pieces. I can shift them, rearrange, depending on the day, depending on what I need to be.

What's the worth of sadness in front of happiness? Like a leaf that's blown away by the wind. What's the worth of despair in front of hope? Like a dirty stone that's thrown in a clean pond. What's the worth of chaos in front of peace? Like a flying kite that's string has been cut down. What's the worth of disunion in front of the union? Like a fish that's breathing but not in water.

…Then another porpoise broke the water and rolled toward us. A third and fourth porpoise neared. The visitation was something so rare and perfect that we knew by instinct not to speak—and then as quickly as they had come, the porpoises moved away from us…Each of us would remember that all during our lives. It was the purest moment of freedom and headlong exhilaration that I had ever felt. A wordless covenant was set, and I would go back in my imagination, and return to where happiness seemed so easy to touch.

Water’s water and that’s why it’s beautiful.

Also at times, on the surface of streams, Water?bubbles form And grow and burst And have no meaning at all Except that they’re water?bubbles Growing and bursting.

Water was calmness and tranquility, but it was the rage of a storm as well.

He looked at the world from above. Where I saw threatening waves, he saw tranquil water.

Let the water flow beneath the bridge; let men be men, that is to say, weak, vain, inconstant, unjust, false, and presumptuous; let the world be the world still; you cannot prevent it. Let every one follow his own inclination and habits; you cannot recast them, and the best course is, to let them be as they are and bear with them. Do not think it strange when you witness unreasonableness and injustice; rest in peace in the bosom of God; He sees it all more clearly than you do, and yet permits it. Be content to do quietly and gently what it becomes you to do, and let everything else be to you as though it were not.

What special affinities appeared to him to exist between the moon and woman? Her antiquity in preceding and surviving successive tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising, and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant implacable resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.

The river is such a tranquil place, a place to sit and think of romance and the beauty of nature, to enjoy the elegance of swans and the chance of a glimpse of a kingfisher.

“The water that flows through the canals is both beautiful and deadly. Its tranquil surface belies the toxins beneath-- unpleasant to touch, deadly to imbibe.” -THE BOOK OF THE ETERNAL ROSE

If I die very young, hear this: I was never anything but a kid playing. I was a heathen like the sun and the water, I had the universal religion only people don’t have. I was happy because I didn’t ask for anything at all, Or tried to find anything, And I didn’t find any more explanation Than the word explanation having no meaning at all.

You're like water. Your beauty is soft and quiet.

It is amazing, is it not, Darcy, how a violent storm can rise up out of calm, idle waters so unexpectedly? I am always surprised, but never caught off guard. We can be travelling through what we think are tranquil waters, believing everything is going exactly as planned, heading in the exact direction we want, when in the blink of an eye, everything around us is jostled, tossed around, and completely shaken up. When it has passed, we are not at all where we thought we would be when we first set out.

Each of us is like the waves and also like the water. Sometimes we’re excited, noisy, and agitated like the waves. Sometimes we’re tranquil like still water. When water is calm, it reflects the blue sky, the clouds, and the trees. Sometimes, whether we’re at home, work, or school, we become tired, agitated, or unhappy and we need to transform into calm water. We already have calmness in us; we just need to know how to make it manifest.

And now, dear Lord, I acknowledge afresh that You are the God of all peace, my Jehovah-Shalom. My job is to receive. you give me Your peace. My job is to take it. You lead me to Your still waters. My role is to follow. You extend Your hand. My role is to take hold. My I enjoy Your presence and the tranquility of the still waters where You pour out your promise of peace. Amen.

Edges I am a child throwing rocks into the stream. Challenging the rushing water. Raising my fist and daring fate to do it worst. I am a dancer in the waves of the ocean. Swaying in time with the tide. Pirouetting, the current my only friend. I am the sun, rising across the canyon Ascending, and shinning down. Giving the illusion of perception and motion. I am thoughts like a rolling river. Water cascading over the rocks of my soul. Shaping, forming, conforming. I am the peace of the rain forest. Basking in solitude Tranquil, serene, transfixing angles. Reflecting from within. Dripping and dropping. Shaking it off. I am the dust of the galaxy. Yearning to know itself. I am the wind. Wandering. Searching. A storm brewing from within.

What if one were to dissolve into the wilderness like salt into water. He wants to go home. For the first time, Edwin begins to worry about his sanity.

Transformations All night he ran, his body air, But that was in another year. Lately the answered shape of his laughter, The shape of his smallest word, is fire. He who is a fierce young crier Of poems will be as tranquil as water, Keeping, in sunset glow, the pure Image of limitless desire; Then enter earth and come to be, Inch by inch, geography.

Valencia. City by the sea, birthplace of her favorite painter, Sorolla. Hotel guests speak of Valencia’s tranquil beauty, fragrant orange trees, and rolling blue waters. What does a large body of water sound and smell like? Ana wonders. Landlocked, fenced by circumstance, she has never seen the sea. She sees Spain only through images on postcards that guests collect in their rooms. If she transfers to the hotel business office, perhaps one day she too will walk along the beach in Valencia.

Emotions are like water, turning opaque when disturbed, yet transparent when still. As mindfulness calms our emotions, we can peer into their depths and see our overshadowing spiritual values reflected on the surface.

Listen up, pal, the moon is way up in the sky. Aren’t you scared? The helplessness that comes from nature. That moonlight, think about it, that moonlight, paler than a corpse’s face, so silent and far away, that moonlight witnessed the cries of the first monsters to walk the earth, surveyed the peaceful waters after the deluges and the floods, illuminated centuries of nights and went out at dawns throughout centuries . . . Think about it, my friend, that moonlight will be the same tranquil ghost when the last traces of your great-grandsons’ grandsons no longer exist. Prostrate yourself before it. You’ve shown up for an instant and it is forever. Don’t you suffer, pal? I . . . I myself can’t stand it. It hits me right here, in the center of my heart, having to die one day and, thousands of centuries later, undistinguished in humus, eyeless for all eternity, I, I!, for all eternity . . . and the indifferent, triumphant moon, its pale hands outstretched over new men, new things, different beings. And I Dead! Think about it, my friend. It’s shining over the cemetery right now. The cemetery, where all lie sleeping who once were and never more shall be. There, where the slightest whisper makes the living shudder in terror and where the tranquility of the stars muffles our cries and brings terror to our eyes. There, where there are neither tears nor thoughts to express the profound misery of coming to an end.

The Rat spent many tranquil afternoons settled in his rattan chair. When he began to drift off, he could feel time pass through his body like gently flowing water. As he sat, hours, days, weeks went by. Occasionally, ripples of emotion would lap against his heart as if to remind him of something. When that happened, he closed his eyes, clamped his heart shut, and waited for the emotions to recede. It was only a brief sensation, like the shadows that signal the coming of night. Once the ripple had passed, the quiet calm returned as if nothing untoward had ever taken place.

It's one of those tranquil days when the river reflects the brisk blue of the December sky and the pale winter sun, and the wind ripples the face of the water like brushstrokes on a painting. You look at it all and you hope maybe there'll come a day when no trouble seems very important anymore and this is all you see when your mind goes still.

meant to go down to the water and sit in the dock chair, let the blissful tranquility of the lake

Mungo took off his trainers and waded thigh-deep into the frigid loch. The cold made a castrato out of him; it made him want to sing. Except for the gentle lapping and the occasional swarm of midges, the loch was tranquil. Under the clear sky, the surface was shiny as a looking glass. Mungo wriggled his toes and could see them clearly beneath the water. Before him lay more emptiness than he had ever known.

On a relatively unfrequented, stony beach there is a great rock which juts out over the sea. After a climb, an ascent from one jagged foothold to another, a natural shelf is reached where one person can stretch at length, and stare down into the tide rising and falling below, or beyond to the bay, where sails catch light, then shadow, then light, as they tack far out near the horizon. The sun has burned these rocks, and the great continuous ebb and flow of the tide has crumbled the boulders, battered them, worn them down to the smooth sun-scalded stones on the beach which rattle and shift underfoot as one walks over them. A serene sense of the slow inevitability of the gradual changes in the earth’s crust comes over me; a consuming love, not of a god, but of the clean unbroken sense that the rocks, which are nameless, the waves which are nameless, the ragged grass, which is nameless, are all defined momentarily through the consciousness of the being who observes them. With the sun burning into rock and flesh, and the wind ruffling grass and hair, there is an awareness that the blind immense unconscious impersonal and neutral forces will endure, and that the fragile, miraculously knit organism which interprets them, endows them with meaning, will move about for a little, then falter, fail, and decompose at last into the anonomous [sic] soil, voiceless, faceless, without identity. From this experience I emerged whole and clean, bitten to the bone by sun, washed pure by the icy sharpness of salt water, dried and bleached to the smooth tranquillity that comes from dwelling among primal things. From this experience also, a faith arises to carry back to a human world of small lusts and deceitful pettiness. A faith, naïve and child like perhaps, born as it is from the infinite simplicity of nature. It is a feeling that no matter what the ideas or conduct of others, there is a unique rightness and beauty to life which can be shared in openness, in wind and sunlight, with a fellow human being who believes in the same basic principles.

Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!” He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?” The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky. “REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?” “Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—” “Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!” “Hey, Sunshine,” Leo said. “I’m right here, you know.” She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!” “Well, since you asked so nicely …” Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up. She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.” “Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!” She snarled and kept walking along the edge of the water.

I was ripped out of the water and thrown and smashed into a thousand pieces that I can’t put back together. I don’t know where they go. And there are so many missing that the ones that are left don’t fit together anymore.

Be like the flowing river, Silent in the night. Be not afraid of the dark. If there are stars in the sky, reflect them back. If there are clouds in the sky, Remember ,clouds, like the river, are water. So, gladly reflect them too, In your own tranquil depths

The greatest inspiration, the most sublime ideas of living that have come down to humanity come from a higher realm, a happier realm, a place of pure dreams, a heaven of blessed notions. Ideas and infinite possibilities dwell there in absolute tranquility. Before these ideas came to us they were pure, they were silent, and their life-giving possibilities were splendid. But when they come to our earthly realm they acquire weight and words. They become less. The sweetest notions, ideas of universal love and justice, love for one another, or intuitions of joyful creation, these are all perfect in their heavenly existences. Any artist will tell you that ideas are happier in the heaven of their conception than on the earth of their realization. We should return to pure contemplation, to sweet meditation, to the peace of silent loving, the serenity of deep faith, to the stillness of deep waters. We should sit still in our deep selves and dream good new things for humanity. We should try and make those dreams real. We should keep trying to raise higher the conditions and possibilities of this world. Then maybe one day, after much striving, we might well begin to create a world justice and a new light on this earth that could inspire a ten-second silence of wonder – even in heaven.

Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.

Homer's Hymn to Castor and Pollux Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. Ye wild-eyed Muses, sing the Twins of Jove, Whom the fair-ankled Leda, mixed in love With mighty Saturn's Heaven-obscuring Child, On Taygetus, that lofty mountain wild, Brought forth in joy: mild Pollux, void of blame, And steed-subduing Castor, heirs of fame. These are the Powers who earth-born mortals save And ships, whose flight is swift along the wave. When wintry tempests o'er the savage sea Are raging, and the sailors tremblingly Call on the Twins of Jove with prayer and vow, Gathered in fear upon the lofty prow, And sacrifice with snow-white lambs,—the wind And the huge billow bursting close behind, Even then beneath the weltering waters bear The staggering ship—they suddenly appear, On yellow wings rushing athwart the sky, And lull the blasts in mute tranquillity, And strew the waves on the white Ocean's bed, Fair omen of the voyage; from toil and dread The sailors rest, rejoicing in the sight, And plough the quiet sea in safe delight.

I wanted peace and quiet, tranquillity, but was too much aboil inside. Somewhere beneath the load of the emotion-freezing ice which my life had conditioned my brain to produce, a spot of black anger glowed and threw off a hot red light of such intensity that had Lord Kelvin known of its existence, he would have had to revise his measurements. A remote explosion had occurred somewhere, perhaps back at Emerson's or that night in Bledsoe's office, and it had caused the ice cap to melt and shift the slightest bit. But that bit, that fraction, was irrevocable. Coming to New York had perhaps been an unconscious attempt to keep the old freezing unit going, but it hadn't worked; hot water had gotten into its coils. Only a drop, perhaps, but that drop was the first wave of the deluge. One moment I believed, I was dedicated, willing to lie on the blazing coals, do anything to attain a position on the campus -- then snap! It was done with, finished, through. Now there was only the problem of forgetting it. If only all the contradictory voices shouting inside my head would calm down and sing a song in unison, whatever it was I wouldn't care as long as they sang without dissonance; yes, and avoided the uncertain extremes of the scale. But there was no relief. I was wild with resentment but too much under "self-control," that frozen virtue, that freezing vice. And the more resentful I became, the more my old urge to make speeches returned. While walking along the streets words would spill from my lips in a mumble over which I had little control. I became afraid of what I might do. All things were indeed awash in my mind. I longed for home.

One in whom goodness is dominant moves through the world as a swan does through water, never drenched or dragged down, but rather buoyant, tranquil, treating all experience equally. That person generates virtue as a spider spins its threads. Such a person knows true happiness.

the old men running after evil, their white leggings holding in motion like smoke above the ground. They passed in the night, full of tranquillity, certitude. There was no sound of breathing or sign of effort about them. They ran as water runs. There was a burning at his eyes.

But peaceful was the night Wherein the Prince of Light His reign of peace upon the earth began: The winds with wonder whist, Smoothly the waters kist, Whispering new joys to the mild Ocean, Who now hath quite forgot to rave, While birds of calm sit brooding on the charmed wave.

So we would say in yoga that the subtle precedes the gross, or spirit precedes matter. But yoga says we must deal with the outer or most manifest first, i.e. legs, arms, spine, eyes, tongue, touch, in order to develop the sensitivity to move inward. This is why asana opens the whole spectrum of yoga’s possibilities. There can be no realization of existential, divine bliss without the support of the soul’s incarnate vehicle, the food-and-water-fed body, from bone to brain. If we can become aware of its limitations and compulsions, we can transcend them. We all possess some awareness of ethical behavior, but in order to pursue yama and niyama at deeper levels, we must cultivate the mind. We need contentment, tranquility, dispassion, and unselfishness, qualities that have to be earned. It is asana that teaches us the physiology of these virtues.

Few things in nature can compare to the long, mournful wail of a loon echoing across water and through the forest. It’s an evocative sound that will stick with you for the rest of your life and make you nostalgic for things that never even happened to you. Eerie, yet beautiful, the sound will conjure up images of solitude near mountain lakes and ponds, shrouded in fog during the early morning or late dusk, surrounded by the silhouettes of pine trees. It’s a sound that relaxes and submerges you into the tranquility of nature. I don’t think there is another sound in the world that reminds me of the wilderness more so than the wail of a loon.

...and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles

The Chinese are well acquainted with this way of seeing things; they often use the image of water to illustrate it. To see down to the bottom of a lake, the water must be calm and still. The calmer the water, the farther down one can see. The exact same thing is true for the mind—the more tranquil and detached one is, the greater the depths one can plumb.

An inhale caught in her throat at the sight awaiting her—the tops of autumn-brushed trees like a quilt of fall colors, giving way to sand and grass and water-edged rock. And then, the sea—turbulent and yet somehow tranquil, waves of cobalt and azure, frothy white at the edges. “If I lived in this house, I’d clean out this attic and turn it into a bedroom so I could wake up to this view every day

But more and more often I caught myself feeling comfortable in the warmth of the sun, with my readings, with the reflections in the water. Life became ordinary, even beautiful, tranquil. It seemed that I really was forgetting; a quiet reigned within me. But then, unexpectedly, for no apparent reason, unaccompanied by any thoughts that might have summoned it, a fiery stab would pierce through me, like a hidden, torturous pain, like a cramp.

The old man’s muscular arms rippled as he dug the oars into the tranquil waters of the Muskoka River. Presently he and his passengers were skimming along at a rapid rate. Behind the craft trailed a long copper wire which gleamed in the sunlight. “I’m trollin’ for my dinner tonight,” Salty explained. “There’s somethin’ yankin’ on my line right now, I do believe!” He rested the oars and pulled in the line. Finally a four-pound speckled bass flopped into the boat.

In people like us, the craving is as strong as the craving for food or water, the yearning for touch or light or love. I was looking for something--a diversion, an occupation, an unwavering force--that would elevate me, that would lift me out of the melancholy dissection of my own interior geography that otherwise would have consumed me pitilessly, as it had my father. I wanted to fly above myself-- if only for a few hours--and look down in tranquility upon my life.

The tranquillity of the water heightened the superb effects of this glacial world. Majestic tabular bergs whose crevices exhaled a vaporous azure; lofty spires, radiant turrets and splendid castles; honeycombed masses illumined by pale green light within whose fairy labyrinths the water washed and gurgled. Seals and penguins on magic gondolas were the silent denizens of this dreamy Venice. In the soft glamour of the midsummer midnight sun, we were possessed by a rapturous wonder—the rare thrill of unreality.

In the desert I had found a freedom unattainable in civiliza­tion; a life unhampered by possessions, since everything that was not a necessity was an encumbrance. I had found, too, a comradeship inherent in the circumstances, and the belief that tranquillity was to be found there. I had learnt the satisfaction which comes from hardship and the pleasure which springs from abstinence: the contentment of a full belly; the rich­ness of meat; the taste of clean water; the ecstasy of surrender when the craving for sleep becomes a torment; the warmth of a fire in the chill of dawn.

Amir took flight. Headlong into the seaborne sky, the roof of the great inverted world. In meeting him the water was not cold or concussive but warm and tranquil, its temperature the temperature of a body, the temperature of blood. With ease and without pain, he flew past the surface, past the depths, past the places where light and life surrendered and the domain of stillness began. And then lower, farther, past the crust of a million interlocking bodies who’d braved this passage before him and come to rest at the bottom, sick with the secrets of their own unallowed mourning. Past the smallest flour-white bones, past the world at the feet of the world. To the lowest deep, then a lower deep still. Until finally to a dry womb of a place in which were kept safe and unchanging everyone he had ever known, and everyone each of those had ever known, outward forever to encompass the whole of the living and the lived. And each of these the boy met, in their old lives and their new lives waiting, and from each drew confession and each he felt into as though there were no barrier between them, no silo of self to keep a soul waiting. What beautiful rebellion, to feel into another, to feel anything at all. —

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

The sight of the centuries-old stone walls never failed to captivate me, evoking a sense of history and grandeur. Stepping inside, I was greeted by the timeless beauty of the castle's architecture. The walls whispered stories of the past, while the ornate furnishings and artwork adorned each room with elegance. It was a place where time seemed to stand still, allowing me to escape the hustle and bustle of daily life and immerse myself in the tranquil atmosphere. I wandered through the halls, taking in the breathtaking views of the Ligurian coastline that stretched out before me. The waters sparkled under the sun's warm embrace, inviting me to lose myself in its vastness.

The typical load was 25 rounds. But Ted Lavender, who was scared, carried 34 rounds when he was shot and killed outside Than Khe, and he went down under an exceptional burden, more than 20 pounds of ammunition, plus the flak jacket and helmet and rations and water and toilet paper and tranquilizers and all the rest, plus the unweighed fear. He was dead weight. There was no twitching or flopping. Kiowa, who saw it happen, said it was like watching a rock fall, or a big sandbag or something - just boom, then down - not like the movies where the dead guy rolls around and does fancy spins and goes ass over teakettle - not like that, Kiowa said, the poor bastard just flat-fuck fell. Boom. Down.

A stone thrown into a pond sets in motion concentric waves that spread out on the surface of the water, and their reverberation has an effect on the water lilies and reeds, the paper boat, and the buoys of the fishermen at various distances. All these objects are just there for themselves, enjoying their tranquility, when they are wakened to life, as it were, and are compelled to react and to enter into contact with one another. Other invisible vibrations spread into the depths, in all directions, as the stone falls and brushes the algae, scaring the fish and continually causing new molecular movements. When it then touches the bottom, it stirs up the mud and bumps into things that have rested there forgotten, some of which are dislodged, others buried once again in the sand.

I live in tranquility and trembling…there is not a guarantee in the world. Oh, your needs are guaranteed, your needs are absolutely guaranteed by the most stringent of warranties, in the plainest, truest words: knock; seek; ask. But you must read the fine print. “Not as the world giveth, give I unto you.” That’s the catch. If you can catch it, it will catch you up, aloft, up to any gap at all, and you’ll come back, for you will come back transformed in a way you might not have bargained for-dribbling and crazed. The waters of separation, however lightly sprinkled, leave indelible stains. Did you think, before you were caught, that you needed, say, life? Do you think you will keep your life, or anything else you love? But no. Your needs are all met. But not as the world giveth. You see the needs of your own spirit met whenever you have asked, and you have learned that the outrageous guarantee holds. You see the creatures die, and you know you will die. And one day it occurs to you that you must not need life. Obviously. And then you’re gone. You have finally understood that you’re dealing with a maniac. I think that the dying pray at the last not “please,” but “thank you,” as a guest thanks his host at the door. Falling from airplanes the people are crying thank you, thank you. Divinity is not playful. The universe was not made in jest but in solemn incomprehensible earnest. By a power that is unfathomably secret, and holy, and fleet. There is nothing to be done about it, but ignore it, or see. And then you walk fearlessly, eating what you must, growing wherever you can, like the monk on the road who knows precisely how vulnerable he is.

Have you every thrown one stone after another into a tranquil surface of water? The waves spread out in all directions. They collide with each other and all things that get in their way. In the same manner, this is the affect that thoughts have on our state of presence. The baseline (being present) is calm. ‘But, one thought after the other results in turbulence. What happens to a calm lake when you throw one stone after the other into it? The waves from each stone collide into each other without flowing their nature course. Similarly, the mind throws countless thoughts and feelings into our state of conscious living. ‘This is because we unconsciously attempt to focus on the majority of these passing thoughts. Hence, the torment of thought waves flood over the serenity of aware presence. Practice letting each thought flow without attaching anything to it. No labels, no judgement, and no anxiety.

What special affinities appeared to him to exist between the moon and woman? Her antiquity in preceding and surviving successive tellurian generations: her nocturnal predominance: her satellite dependence: her luminary reflection: her constancy under all her phases, rising, and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inamrmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribih’ty of her isolated dominant implacable resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.

What special affinities appeared to him to exist between the moon and woman ? Her antiquity in preceding and surviving successive tellurian generations : her nocturnal predominance : her satellitic dependence : her luminary reflection : her constancy under all the phases, rising, and setting by her appointed times, waxing and waning : the forced invariability of her aspect : her indeterminate response to inaffirmative interrogation : her potency over effluent and refluent waters : her power to enamour, to mortify, to invest with beauty, to rener insane, to incite to and aid delinquency : the tranquil inscrutability of her visage : the terribility of her isolated dominant implacable resplendent propinquity ; her omens of tempest and of calm : the stimulation of her light, her motion and her presence : the admonition of her craters, her arid seas, her silence : her splendour, when visible : her attraction, when invisible.

Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.

At all times and in all places, in season and out of season, time is now and England, place is now and England; past and present inter-penetrate. The best days an angler spends upon his river – the river which is Heraclitus’ river, which is never the same as the angler is never the same, yet is the same always – are those he recollects in tranquillity, as wintry weather lashes the land without, and he, snug and warm, ties new patterns of dry-fly, and remembers the leaf-dapple upon clear water and the play of light and the eternal dance of ranunculus in the chalk-stream. A cricket match between two riotously inexpert village Second XIs is no less an instance of timeless, of time caught in ritual within an emerald Arcadia, than is a Test at Lord’s, and we who love the greatest of games know that we do indeed catch a fleeting glimpse of a spectral twelfth man on every pitch, for in each re-enactment of the mystery there is the cumulation of all that has gone before and shall come after. Et ego in Arcadia.

This popular ideology contends that the religious experience is tranquil and neatly ordered, tender and delicate; it is an enchanted stream for embittered souls and still waters for troubled spirits. The person “who comes in from the field, weary” (Gen. 25:29), from the battlefield and campaigns of life, from the secular domain which is filled with doubts and fears, contradictions and refutations, clings to religion as does a baby to its mother and finds in her lap “a shelter for his head, the nest of his forsaken prayers” and there is comforted for his disappointments and tribulations. This Rousseauian ideology left its stamp on the entire Romantic movement from the beginning of its growth until its final (tragic!) manifestations in the consciousness of contemporary man. Therefore, the representatives of religious communities are inclined to portray religion, in a wealth of colors that dazzle the eye, as a poetic Arcadia, a realm of simplicity, wholeness, and tranquillity. This ideology is intrinsically false and deceptive. That religious consciousness in man’s experience, which is most profound and most elevated, which penetrates to the very depths and ascends to the very heights, is not that simple and comfortable. On the contrary, it is exceptionally complex, rigorous, and tortuous. Where you find its complexity, there you find its greatness. The consciousness of homo religiosis flings bitter accusations against itself and immediately is filled with regret, judges its desires and yearnings with excessive severity, and at the same time steeps itself in them, casts derogatory aspersions on its own attributes, flails away at them, but also subjugates itself to them. It is in a condition of spiritual crisis, of psychic ascent and descent, of contradiction arising from affirmation and negation, self-abnegation and self-appreciation. Religion is not, at the outset, a refuge of grace and mercy for the despondent and desperate, an enchanted stream for crushed spirits, but a raging clamorous torrent of man’s consciousness with all its crises, pangs, and torments.

Life is a hospital, in which every patient is possessed by the desire to change his bed. This one would prefer to suffer in front of the stove, and that one believes he would get well if he were placed by the window. It seems to me that I should always be happier elsewhere than where I happen to be, and this question of moving is one that I am continually talking over with my soul. "Tell me, my soul, poor chilled soul, what do you say to living in Lisbon? It must be very warm there, and you would bask merrily, like a lizard. It is by the sea; they say that it is built of marble, and that the people have such a horror of vegetation that they uproot all the trees. There is a landscape that would suit you -- made out of light and minerals, with water to reflect them." My soul does not answer. "Since you love tranquillity, and the sight of moving things, will you come and live in Holland, that heavenly land? Perhaps you could be happy in that country, for you have often admired pictures of Dutch life. What do you say to Rotterdam, you who love forests of masts, and ships anchored at the doors of houses?" My soul remains silent. Perhaps Batavia seems more attractive to you? There we would find the intellect of Europe married to the beauty of the tropics. Not a word. Can my soul be dead? "Have you sunk into so deep a stupor that only your own torment gives you pleasure? If that be so, let us flee to those lands constituted in the likeness of Death. I know just the place for us, poor soul! We will leave for Torneo. Or let us go even farther, to the last limits of the Baltic; and if possible, still farther from life. Let us go to the Pole. There the sun obliquely grazes the earth, and the slow alternations of light and obscurity make variety impossible, and increase that monotony which is almost death. There we shall be able to take baths of darkness, and for our diversion, from time to time the Aurora Borealis shall scatter its rosy sheaves before us, like reflections of the fireworks of Hell!" At last my soul bursts into speech, and wisely cries to me: "Anywhere, anywhere, as long as it be out of this world!

Garnet was very happy. She was so happy, for no especial reason, that she felt as if she must move carefully so she wouldn’t jar or shake the feeling of happiness. She descended from the roof cautiously, and walked with even steps down through the vegetable garden and across the pasture to the slough. A green light, tranquil and diffused, glowed among the willow saplings. The water was clear and motionless. Garnet leaned against a tree. She was so quiet that a great blue heron, fancying itself alone, flew down between the branches and paused at the water’s edge. She watched the handsome creature, with his blue crest and slender long legs, wading and darting his bill into the water. She was so near that she could see the jewel color of his little eye. He stood for a contemplative moment on one foot, still as a bird of carven stone; and in that moment it seemed to Garnet that he had become her companion; a creature who understood and shared her mood of happiness. For a second or two they stood like that in perfect stillness: and then the heron spread his heavy wings and flew away.

I was not allowed to rest. How could I rest? I formed the habit of taking promenades quite late—at sunset. For some reason I felt compelled to find the stream of water, the cypress tree, and the lily plant. I had become accustomed to these promenades in the same way that I had become addicted to opium; it was as though some force compelled me to them. All the time along the way I thought only about her, recalling my initial glimpse of her. I wanted to find the place where I had seen her on the Thirteenth day of Farvardin. If I could find that place, and if I could sit under that cypress tree, I was sure some tranquility would appear in my life. But, alas, there was nothing there but refuse, hot sand, the ribcage of a horse, and a dog sniffing the top of the trash. Had I really met her? Never. I only saw her stealthily through a hole, through an ill-fated hole in the closet of my room. I was like a hungry dog that sniffs and searches the garbage. When people appear with more trash, he runs away and, out of fear, hides himself. Later he returns to seek his favorite pieces in the new trash. I was in a similar situation, only for me the hole had been blocked up. To me she was a fresh and tender bouquet of flowers thrown on top of a trash pile.

In every affair consider what precedes and what follows, and then undertake it. Otherwise you will begin with spirit, indeed, careless of the consequences, and when these are developed, you will shamefully desist. “I would conquer at the Olympic Games.” But consider what precedes and what follows, and then, if it be for your advantage, engage in the affair. You must conform to rules, submit to a diet, refrain from dainties; exercise your body, whether you choose it or not, at a stated hour, in heat and cold; you must drink no cold water, and sometimes no wine—in a word, you must give yourself up to your trainer as to a physician. Then, in the combat, you may be thrown into a ditch, dislocate your arm, turn your ankle, swallow an abundance of dust, receive stripes [for negligence], and, after all, lose the victory. When you have reckoned up all this, if your inclination still holds, set about the combat. Otherwise, take notice, you will behave like children who sometimes play wrestlers, sometimes gladiators, sometimes blow a trumpet, and sometimes act a tragedy, when they happen to have seen and admired these shows. Thus you too will be at one time a wrestler, and another a gladiator; now a philosopher, now an orator; but nothing in earnest. Like an ape you mimic all you see, and one thing after another is sure to please you, but is out of favor as soon as it becomes familiar. For you have never entered upon anything considerately; nor after having surveyed and tested the whole matter, but carelessly, and with a halfway zeal. Thus some, when they have seen a philosopher and heard a man speaking like Euphrates[3]—though, indeed, who can speak like him?—have a mind to be philosophers, too. Consider first, man, what the matter is, and what your own nature is able to bear. If you would be a wrestler, consider your shoulders, your back, your thighs; for different persons are made for different things. Do you think that you can act as you do and be a philosopher, that you can eat, drink, be angry, be discontented, as you are now? You must watch, you must labor, you must get the better of certain appetites, must quit your acquaintances, be despised by your servant, be laughed at by those you meet; come off worse than others in everything—in offices, in honors, before tribunals. When you have fully considered all these things, approach, if you please—that is, if, by parting with them, you have a mind to purchase serenity, freedom, and tranquillity. If not, do not come hither; do not, like children, be now a philosopher, then a publican, then an orator, and then one of Caesar’s officers. These things are not consistent. You must be one man, either good or bad. You must cultivate either your own reason or else externals; apply yourself either to things within or without you—that is, be either a philosopher or one of the mob.

You love the sea, don’t you, Captain?”“Yes, I love it! The sea is everything. It covers seven-tenths of the globe. Its breath is pure and healthy. It is an immense desert where a man is never alone, for he can feel life quivering all about him. The sea is only a receptacle for all the prodigious, supernatural things that exist inside it; it is only movement and love; it is the living infinite, as one of your poets has said. And in fact, Professor, it contains the three kingdoms of nature—mineral, vegetable and animal. This last is well represented by the four groups of zoophytes, by the three classes of articulata, by the five classes of mollusks, by three classes of vertebrates, mammals and reptiles, and those innumerable legions of fish, that infinite order of animals which includes more than thirteen thousand species, only one-tenth of which live in fresh water. The sea is a vast reservoir of nature. The world, so to speak, began with the sea, and who knows but that it will also end in the sea! There lies supreme tranquillity. The sea does not belong to tyrants. On its surface, they can still exercise their iniquitous rights, fighting, destroying one another and indulging in their other earthly horrors. But thirty feet below its surface their power ceases, their influence dies out and their domination disappears! Ah, Monsieur, one must live—live within the ocean! Only there can one be independent! Only there do I have no master! There I am free!

Outlawing drugs in order to solve drug problems is much like outlawing sex in order to win the war against AIDS. We recognize that people will continue to have sex for nonreproductive reasons despite the laws and mores. Therefore, we try to make sexual practices as safe as possible in order to minimize the spread of the AIDS viruses. In a similar way, we continually try to make our drinking water, foods, and even our pharmaceutical medicines safer. The ubiquity of chemical intoxicants in our lives is undeniable evidence of the continuing universal need for safer medicines with such applications. While use may not always be for an approved medical purpose, or prudent, or even legal, it is fulfilling the relentless drive we all have to change the way we feel, to alter our behavior and consciousness, and, yes, to intoxicate ourselves. We must recognize that intoxicants are medicines, treatments for the human condition. Then we must make them as safe and risk free and as healthy as possible. Dream with me for a moment. What would be wrong if we had perfectly safe intoxicants? I mean drugs that delivered the same effects as our most popular ones but never caused dependency, disease, dysfunction, or death. Imagine an alcohol-type substance that never caused addiction, liver disease, hangovers, impaired driving, or workplace problems. Would you care to inhale a perfumed mist that is as enjoyable as marijuana or tobacco but as harmless as clean air? How would you like a pain-killer as effective as morphine but safer than aspirin, a mood enhancer that dissolves on your tongue and is more appealing than cocaine and less harmful than caffeine, a tranquilizer less addicting than Valium and more relaxing than a martini, or a safe sleeping pill that allows you to choose to dream or not? Perhaps you would like to munch on a user friendly hallucinogen that is as brief and benign as a good movie? This is not science fiction. As described in the following pages, there are such intoxicants available right now that are far safer than the ones we currently use. If smokers can switch from tobacco cigarettes to nicotine gum, why can’t crack users chew a cocaine gum that has already been tested on animals and found to be relatively safe? Even safer substances may be just around the corner. But we must begin by recognizing that there is a legitimate place in our society for intoxication. Then we must join together in building new, perfectly safe intoxicants for a world that will be ready to discard the old ones like the junk they really are. This book is your guide to that future. It is a field guide to that silent spring of intoxicants and all the animals and peoples who have sipped its waters. We can no more stop the flow than we can prevent ourselves from drinking. But, by cleaning up the waters we can leave the morass that has been the endless war on drugs and step onto the shores of a healthy tomorrow. Use this book to find the way.

Wilcox welcomed our interest; we had bottles brought up from every bin, and it was during those tranquil evenings with Sebastian that I first made a serious acquaintance with wine and sowed the seed of a rich harvest which was to be my stay in many barren years. We would sit, he and I, in the Painted Parlour with three bottles open on the table and three glasses before each of us; Sebastian had found a book on wine-tasting, and we followed its instructions in detail. We warmed the glass slightly at a candle, filled it a third high, swirled the wine round, nursed it in our hands, held it to the light, breathed it, sipped it, filled our mouths with it, and rolled it over the tongue, ringing it on the palate like a coin on a counter, tilted our heads back and let it trickle down the throat. Then we talked of it and nibbled Bath Oliver biscuits, and passed on to another wine; then back to the first then on to another, until all three were in circulation and the order of the glasses got confused, and we fell out over which was which, and passed the glasses to and fro between us until there were six glasses, some of them with mixed wines in them which we had filled from the wrong bottle, till we were obliged to start again with three clean glasses each, and the bottles were empty and our praise of them wilder and more exotic. '...It is a little, shy wine like a gazelle.' 'Like a leprechaun.' 'Dappled, in a tapestry meadow.' 'Like a flute by still water.' '...And this is a wise old wine.' 'A prophet in a cave.' '...And this is a necklace of pearls on a white neck.' 'Like a swan.' 'Like the last unicorn.' And we would leave the golden candlelight of the dining-room for the starlight outside and sit on the edge of the fountain, cooling our hands in the water and listening drunkenly to its splash and gurgle over the rocks. 'Ought we to be drunk every night?' Sebastian asked one morning. 'Yes, I think so.' 'I think so too'.

I made no difficulty in communicating to him what had interested me most in this affair. It seemed as though he had a right to know: hadn’t he spent thirty hours on board the Patna — had he not taken the succession, so to speak, had he not done “his possible”? He listened to me, looking more priest-like than ever, and with what — probably on account of his downcast eyes — had the appearance of devout concentration. Once or twice he elevated his eyebrows (but without raising his eyelids), as one would say “The devil!” Once he calmly exclaimed, “Ah, bah!” under his breath, and when I had finished he pursed his lips in a deliberate way and emitted a sort of sorrowful whistle. ‘In any one else it might have been an evidence of boredom, a sign of indifference; but he, in his occult way, managed to make his immobility appear profoundly responsive, and as full of valuable thoughts as an egg is of meat. What he said at last was nothing more than a “Very interesting,” pronounced politely, and not much above a whisper. Before I got over my disappointment he added, but as if speaking to himself, “That’s it. That is it.” His chin seemed to sink lower on his breast, his body to weigh heavier on his seat. I was about to ask him what he meant, when a sort of preparatory tremor passed over his whole person, as a faint ripple may be seen upon stagnant water even before the wind is felt. “And so that poor young man ran away along with the others,” he said, with grave tranquillity. ‘I don’t know what made me smile: it is the only genuine smile of mine I can remember in connection with Jim’s affair. But somehow this simple statement of the matter sounded funny in French... “S’est enfui avec les autres,” had said the lieutenant. And suddenly I began to admire the discrimination of the man. He had made out the point at once: he did get hold of the only thing I cared about. I felt as though I were taking professional opinion on the case. His imperturbable and mature calmness was that of an expert in possession of the facts, and to whom one’s perplexities are mere child’s-play. “Ah! The young, the young,” he said indulgently. “And after all, one does not die of it.” “Die of what?” I asked swiftly. “Of being afraid.” He elucidated his meaning and sipped his drink.

Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.

When people start the journey towards wholeness, the pilgrimage to the promised land, there is a moment when their deepest being is touched. They have a fundamental experience, as if the stone of their egoism has been struck by Moses' staff and water starts to spring from it, or as if the stone which was over the tomb has been lifted and the deep self is able to emerge. It is an experience - and perhaps only a very faint one - of rebirth, of liberation, of forgiveness, of wonder. It is a time of betrothal with the universe, with the light, with others and with God. It is an experience of life in which we realize that we are fundamentally one with the universe and with God, while at the same time entirely ourselves in the most alive, light-filled and profound sense. It is the discovery that we are a spring of eternal life. This experience at the start of our pilgrimage is like a foretaste of the end, like the kiss which is the foretaste of marriage. This is the call. It guides our steps in revealing our final destiny. There is nothing more deeply personal than this moment of wonder. But it happens very often in a given context. It may be a meeting with a poor person, whose call awakens a response in us; we discover that there is a living spring hidden deep within us. It may be during a visit to a community when we meet people who become models for us; in watching them and listening to them, we discover what we want to be - they reflect our own deepest self and we are mysteriously attracted to them. Or again, the call may be more secret, hidden in the depths of our heart, awakened perhaps by the Gospel or some other writing. It is hidden in our secret part; it makes us feel that we have glimpsed the promised land, found ourselves 'at home', found 'our place'. The experience is often such as to take someone into a community or change the orientation of their life. The experience can be like an explosion of life, a luminous moment, flooded with peace, tranquility and light. Or it can be more humble - a touch of peace, a feeling of well-being, of being in 'one's place' and with people for whom one was made. The experience gives a new hope; it is possible to keep walking because we have glimpsed something beyond the material world and beyond human limitations. We have glimpsed the possibility of happiness. We have glimpsed 'heaven'. The experience has opened our deepest being. Later, once we are in community and on our journey, clouds can obscure the sun and that deepest self can seem to be shut away again. But, nevertheless, the first experience stays hidden in the heart's memory. We know from then on that our deepest life is light and love, and that we must go on walking through the desert and the night of faith because we have had, at one moment, the revelation of our vocation.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

The Monk in the Kitchen I ORDER is a lovely thing; On disarray it lays its wing, Teaching simplicity to sing. It has a meek and lowly grace, Quiet as a nun's face. Lo—I will have thee in this place! Tranquil well of deep delight, All things that shine through thee appear As stones through water, sweetly clear. Thou clarity, That with angelic charity Revealest beauty where thou art, Spread thyself like a clean pool. Then all the things that in thee are, Shall seem more spiritual and fair, Reflection from serener air— Sunken shapes of many a star In the high heavens set afar. II Ye stolid, homely, visible things, Above you all brood glorious wings Of your deep entities, set high, Like slow moons in a hidden sky. But you, their likenesses, are spent Upon another element. Truly ye are but seemings— The shadowy cast-oft gleamings Of bright solidities. Ye seem Soft as water, vague as dream; Image, cast in a shifting stream. III What are ye? I know not. Brazen pan and iron pot, Yellow brick and gray flag-stone That my feet have trod upon— Ye seem to me Vessels of bright mystery. For ye do bear a shape, and so Though ye were made by man, I know An inner Spirit also made, And ye his breathings have obeyed. IV Shape, the strong and awful Spirit, Laid his ancient hand on you. He waste chaos doth inherit; He can alter and subdue. Verily, he doth lift up Matter, like a sacred cup. Into deep substance he reached, and lo Where ye were not, ye were; and so Out of useless nothing, ye Groaned and laughed and came to be. And I use you, as I can, Wonderful uses, made for man, Iron pot and brazen pan. V What are ye? I know not; Nor what I really do When I move and govern you. There is no small work unto God. He required of us greatness; Of his least creature A high angelic nature, Stature superb and bright completeness. He sets to us no humble duty. Each act that he would have us do Is haloed round with strangest beauty; Terrific deeds and cosmic tasks Of his plainest child he asks. When I polish the brazen pan I hear a creature laugh afar In the gardens of a star, And from his burning presence run Flaming wheels of many a sun. Whoever makes a thing more bright, He is an angel of all light. When I cleanse this earthen floor My spirit leaps to see Bright garments trailing over it, A cleanness made by me. Purger of all men's thoughts and ways, With labor do I sound Thy praise, My work is done for Thee. Whoever makes a thing more bright, He is an angel of all light. Therefore let me spread abroad The beautiful cleanness of my God. VI One time in the cool of dawn Angels came and worked with me. The air was soft with many a wing. They laughed amid my solitude And cast bright looks on everything. Sweetly of me did they ask That they might do my common task And all were beautiful—but one With garments whiter than the sun Had such a face Of deep, remembered grace; That when I saw I cried—"Thou art The great Blood-Brother of my heart. Where have I seen thee?"—And he said, "When we are dancing round God's throne, How often thou art there. Beauties from thy hands have flown Like white doves wheeling in mid air. Nay—thy soul remembers not? Work on, and cleanse thy iron pot.

Chamomile- Potent Medicine Pretty Flowers!  This flower has many uses including digestive aid, ulcer healing/prevention, boosts immune system, tranquilizer, soothes menstrual cramps and to promote the onset of menstruation.               Use an infusion for its many healing benefits.  Take 2 to 3 teaspoons of flowers per cup of boiling water.  Steep 10 to 20 minutes and drink up to 3 cups a day.  Ask your doctor before using medicinal amounts of chamomile.

Around them, late afternoon sun glistened off waves that slapped against the sides of the deck. Seabirds dipped in and out of the deep blue water. It would have been a perfect, tranquil scene except for the pounding of hammers and the whir of a saw.

The grace of Easter is a great silence, an immense tranquility and a clean taste in your soul. It is the taste of heaven, but not the heaven of some wild exaltation. The Easter vision is not riot and drunkenness of spirit, but a discovery of order above all order—a discovery of God and of all things in Him. This is a wine without intoxication, a joy that has no poison in it. It is life without death. Tasting it for a moment, we are briefly able to see and love all things according to their truth, to possess them in their substance hidden in God, beyond all sense. For desire clings to the vesture and accident of things, but charity possesses them in the simple depths of God. If Mass could only be, every morning, what it is on Easter morning! If the prayers could always be so clear, if the Risen Christ would always shine in my heart and all around me and before me in His Easter simplicity! For His simplicity is our feast. This is the unleavened bread which is manna and the bread of heaven, this Easter cleanness, this freedom, this sincerity. Give us always this bread of heaven. Slake us always with this water that we might not thirst forever! This is the life that pours down into us from the Risen Christ, this is the breath of his Spirit, and this is the love that quickens His Mystical Body.

Being positive will inject in you a sense of peace and tranquility amidst the troubled waters.

When the world gets too loud and seems to move too fast, I slow down my inner world and look deep into the natural caverns of myself and swim in the cooling waters which lay waiting for me to wade deeply in. I sip of honeyed dew drops with my heart beat slowing down, my pulse calming and becoming tranquil. I no longer am a part of the massive world of eternal speed and endless flirtations with chance and hazardous circumstance. I have become a quiet observer to the natural order of reality and life's boundless possibilities. This lets me know that I have reached a point of understanding more than mortality but also immortality. I can feel the drops of warm rain bouncing off my skin and the birds squawking in the background seeking to fly in the endless sky between the multicolored droplets of eternity. ~ WordPaintings © 2015 Levon Poe

When the world gets too loud and seems to move too fast, I slow down my inner world and look deep into the natural caverns of myself and swim in the cooling waters which lay waiting for me to wade deeply in. I sip of honeyed dew drops with my heart beat slowing down, my pulse calming and becoming tranquil. I no longer am a part of the massive world of eternal speed and endless flirtations with chance and hazardous circumstance. I have become a quiet observer to the natural order of reality and life's boundless possibilities. This lets me know that I have reached a point of understanding more than mortality but also immortality. I can feel the drops of warm rain bouncing off my skin and the birds squawking in the background seeking to fly in the endless sky between the multicolored droplets of eternity. ~ WordPaintings

The stretch of beach we departed from is now just a thin white strip beyond the tranquil waters that surround us. A carpet of shimmering blue stretches endlessly around us, marred only by the occasional whitecap.

it was like how I imagined water meeting the bank would be, eroding away at the strong surface and creating its impression in the soil, taking piece by piece away with each toss of the current. I was the embankment, and Hailey was the flowing water. Peaceful, graceful, tranquil

The scent of the stuff was familiar, evocative. Yet how? And when? It smelled of a damp meadow, the edge of a pool, a stream lapsing through green weeds. I could almost hear the rustle of Cousin Geillis’s dress, feel her peering over my shoulder as I started to replace the poultice. Comfrey, that was it; called knitbone, bruisewort, consound. The roots boiled in water or wine and the decoction drunk heals inward hurts, bruises, wounds and ulcers of the lung. The roots being outwardly applied cure fresh wounds or cuts immediately. (‘In or out, that’s sovereign.’) The recipe – Home Remedy or Receipt? – unreeled in my mind as if I had made it a hundred times. For the ointment, digest the root or leaves in hot paraffin wax, strain and allow to cool … And from somewhere faint and far back, a sentence that ran like a tranquil psalm: Comfrey joyeth in watery ditches, in fat and fruitfull meadowes; they grow all in my garden.

frigid waters of a diving hole blown through the sea ice. Until I saw this, I’d never considered evolution in quite such terrifying terms. He speaks of the hideous ways to die in this deceptively tranquil aquatic world, if you were small enough. He tells of worms with mandibles designed to rend flesh. He describes becoming ensnared in the tendrils of predatory blobs, and how you would exhaust yourself as you struggled to escape, until the creature drew you in and began breaking you down into compliant, digestible bits. It’s a horrible and violent place to be, to live, to grow, your existence defined as something else’s food. It is, the biologist observes, a world that developed eons earlier than human beings.

Megan Emerson sat on a concrete bench that snaked into a long semicircle, one of several that resembled the bleachers for half of a theater-in-the-round, with palm trees and water features at the center where a stage might have been. Bright, colorful shops of every kind flowed around and beyond these concentric semicircles of concrete like a meandering river, and Megan decided she had rarely been in a mall as tranquil and adorable as the Bella Terra Shopping Center in Huntington Beach, California.

Most Italians consume alcohol every day, but it’s not what we call drinking. For Americans and northern Europeans alcoholic beverages are mind-altering drugs, used as tranquilizers, sleeping potions, inhibition-looseners (“Candy is dandy but liquor is quicker”—Ogden Nash), or roads to inebriation. That is to say, to getting tipsy, high, drunk, plastered, smashed, sloshed, sozzled, soused, crocked, wrecked, juiced, stinko, tight, pie-eyed, crosseyed, shit-faced, blitzed, fried, wasted, gassed, polluted, pissed, tanked up, ripped, loaded, pickled, bombed, blasted, blooey, blotto, blind drunk, roaring drunk, dead drunk, falling down drunk, drunk as a lord, stewed to the gills, or feeling no pain—and that’s just my own personal vocabulary. Italians reach that state so infrequently that their language provides only a few tame options—ubriaco (drunk), brillo (tipsy), alticcio (high), sbronzo (drunk)—with at most perso (lost) or fradicio (rotten) tacked on for a touch of color. They don’t even have a proper word for a hangover, though if pressed they’ll come up with the stately postumi della sbornia, aftereffects of overindulgence. For Italians, wine and beer are foods. If they provide a little buzz that’s just a pleasant side benefit, improving the sparkle of the conversation. When I first traveled in Italy, parents regularly fed wine-laced water to their kids (“acquavino”), vaccinating them against later dipsomania. And at lunchtime in the cafeteria of my Nuovo Regina Margherita Hospital the docs would jostle to sit at the chaplain’s table, because he’d always bring a bottle of good country wine. Even the harder stuff fits into a culinary protocol: a seven p.m. Campari is meant to whet the appetite, and the cognac or amaro at the end of a large meal to aid digestion. Which is why, in proportion, Italy has one-tenth as many problem drinkers as America.

Yehohshua knelt in the shallow water and began a quiet, earnest prayer. Yehuway listened to His son’s words. “Father, I am here beginning the walk to eternal life. Father, I have diligently maintained Your ways and laws in my heart. I have pursued You through the long nights and have nourished Your words in the light. Here I am, waiting for You to speak to me.” As the sun lowered behind the mountain, the shadows lengthened over Yehohshua and Yehohanan. An ethereal energy overtook Yehohshua’ body. The thickening lavender and yellow and red clouds above them suddenly spread open, revealing a patch of blue beyond the clouds’ dome. From the vacant reach Yehohshua stared at the rapid descent of the Ruach Ha Kodesh that took the shape of a dove. The fluttering white image fully covered Yehohshua. Within its opulent cove, bolts of lightning struck the ground. The intense, brief, flashes arced about Yehohshua, silhouetting his body. “You are My beloved son,” Yehuway’s voice transferred out from the multitude of lightning strikes, “with whom I am well pleased.” Yehohanan sank to his knees when he heard the words. The water flowed up to his chin. He lowered his eyes to the depths of the river, catching the sight of a few fish swimming by. Yehohshua’s garment appeared as the wings of an angel beneath the water. Yehohanan also prayed thanks to Yehuway. His long locks of hair unraveled and flowed out from behind him in a tranquil surrender to the events. From the experience, an invisible umbilical cord of purpose united the two men.

water under the bridge,' although fluid, is not necessarily a solution. Turbulent currents within can damage all shorelines it contacts as it meanders downsteam to be dissipated in an endless sea of tranquility.

The Railway Man Johnny was a railway man. He took his orders from Captain Savage. When Captain Savage became too gruff, Johnny said, To hell with you, and started his own railway. Johnny started his railway by the lake. The water was clean and there were birds above and fish below. He moved his railway then to the mountains where everything could be seen, only in minute proportions. The desert is where Johnny went next and there he became parched. But there was beauty to be had. He loved the desert but knew he had to let it go. When he moved his railway to the forest, there were trees, and he had to work to gain ground. When he made it free of the forest, he found himself at a plain. There were grasses and antelope and a prairie breeze which cooled the face and stiffened the resolve. But Johnny could find no reason to chart his railway across such a place. And then Johnny returned to the lake. And there he sat for a day or two. And Johnny gave up his railway and became a fisher and a watcher of birds. And he said, To hell with Captain Savage. And he lived out his days in peace and tranquility and never bothered the world again.

Blackfeet! No tribal name appears oftener in the history of the Northwestern plains; no other is so indelibly written into the meager records of the early fur-trade of the upper Missouri river, and none ever inspired more dread in white plainsmen. Hell-gate was not so named because the water there was fiercely wild, or the mountain trail difficult, but because the way led from tranquility to trouble, to the lands of the hostile Blackfeet.

When you die, your sphincter muscles relax to the point where you empty your bowels. While alive, you instinctively maintain enough anal tension to hold it all in. Redneck leisure is the same way— it releases tension, but it's careful not to release too much. Most people would lose all stability in their lives if they ever jumped off the carousel. When there's no way to get off the merry-go-round, you'd better learn to enjoy being dizzy. If they learned to mellow out, they'd never go to work again, and then they'd starve to death. Self-esteem would probably cost them their jobs. If the waters were too tranquil, they'd see the bottom too clearly. Getting rid of all their problems would mean getting rid of their job, and where would that leave them? Enlightened, if penniless. Sure, drug and alcohol abuse create more problems than they solve. But that's precisely why people abuse them.

The tranquil waters flow silently into the ocean, but yet its never full. The raging blaze is quenched by the soothing waters and brought to naught, as though it never began. Peace ends a battle and Good triumphs over all. To overcome seek peace and pursue good.

Once, in grade school, our class was taken on an overnight excursion to a campground. The air was warm: we had a campfire and ate hot dogs; and as darkness fell, we were herded down to the lake. There were perhaps thirty children, so I suppose there were at least four or five adults. We trooped through the woods with flashlights. There must have been yelling and singing, the grown-ups chattering. A noisy expedition. At the shore of the lake we were presented, as if on a stage, with a doubled moon -- one floating in the clear dark sky, one in the clear dark calm of the water. Were there exclamations, shouts of amazement, loud giggle praise for this sight? There might have been, but for me there was only silence. An unprecedented silence, tranquil and immense. Silence, and the moon on the lake -- a sight so pure I nearly staggered under its impact. I knew, without the words to say it, that the lack in my life of what this moon and lake represented was the other side of the coin of happiness. Not unhappiness, but shame, which was possibly the same thing, and which then rose up in me in nauseating waves.

In her imagination she was somewhere dry and sunbaked, with a drink in her hand and the smell of cut flowers close by, filling her with happiness and tranquility. The dream faded as a blade of saw grass sliced her forearm just aft of her glove, bringing her back to the reality that she was wading through a god-awful-smelling canal full of snakes, leeches, and vermin. She’d spent almost an hour up to her neck in the slimy ditch, pushing a large clump of water hyacinth along with her to break up the outline of a human head. Her body felt like it would never dry out once she climbed out of this dank water, and even if it did, she was convinced she’d never be able to wash the smell of rotten vegetation off her skin

Taking a moment to be thankful for the things that easily could be, but are not. If we live in a place where there are no bloodthirsty lions walking around on the roads, let's be thankful. If there's no inbound asteroid or other imminent extinction event befallen on us, let's be thankful. If we are mostly free of disease or disorder in ourselves and those around us, let's be thankful. If there's no starvation in our own house or the house of neighbour, let's be thankful. If there's no lifethreatening pollution in our parts of the atmosphere, or water, let's be thankful. If we're not isolated, imprisoned, without any real prospects of a good future, let's be thankful. If we do not live near an active volcano, or within an area prone to earthquakes, super storms or other destabilizing natural phenomenae, let's be thankful. If it's not raining diamonds or acid [as is reality on some cosmic bodies], and if every part of our mighty Earth is habitable and healthy, let's be thankful. And if we collected some parts of tranquility for ourselves, or others, in this otherwise brief life, let's be thankful. It can be difficult to see, without concious effort to remind ourselves, that things are probably pretty good, also. Though, it is no excuse for laziness and inaction with regards to our duties in lending a hand according to the size of our hand, and perhaps with some regard for our own dignity, and to foresight.