Water Protest Quotes

We've searched our database for all the quotes and captions related to Water Protest. Here they are! All 100 of them:

I won't have sex with you," she blurts out. He words slam into my libido like a bucket of water on a flame full of testosterone. I think my dick just twitched in protest.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
With every step I took away from her, the movement at my heart and between my legs grew more defined: I felt like a ventriloquist, locking his protesting dolls in to a trunk.
Sarah Waters (Tipping the Velvet)
once upon a time all the rivers combined to protest against the action of the sea in making their waters salt. "When we come to you," sad they to the sea, "we are sweet and drinkable; but when once we have mingled with you, our waters become as briny and unpalatable as your own." The sea replied shortly, "Keep away from me, and you'll remain sweet.
Aesop (Aesop's Fables)
Imagine a single drop of water: that’s the protest. Now put that drop of water into a bucket: that’s the protest movement. Now drop that bucket into Lake Michigan: that’s Reality. But old Cronkite knows the danger of television is that people begin seeing the entire world through that single drop of water. How that one drop refracts the light becomes the whole picture. For
Nathan Hill (The Nix)
What's the problem Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump. "I just don't want to eat an animal that's standing here inviting me to," said Arthur, "it's heartless." "Better than eating an animal that doesn't want to be eaten," said Zaphod. "That's not the point," Arthur protested. Then he thought about it for a moment. "Alright," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..." The Universe raged about him in its death throes. "I think I'll just have a green salad," he muttered. "May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months." "A green salad," said Arthur emphatically. "A green salad?" said the animal, rolling his eyes disapprovingly at Arthur. "Are you going to tell me," said Arthur, "that I shouldn't have green salad?" "Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am." It managed a very slight bow. "Glass of water please," said Arthur.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
In recent years, a green burial movement has protested formaldehyde, which oxidizes to formic acid, the toxic in fire ants and bee stingers, as yet one more poison to leach into water tables: careless people, polluting even from the tomb.
Alan Weisman (The World Without Us)
EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
Eugene O'Neill (Long Day’s Journey into Night)
The American Dream betrayed even those who achieved it, lonely in their overtime careers and their McMansions, narcotized to the ongoing ruination of nature and culture but aching because of it, endlessly consuming and accumulating to quell the insistent voice: “I wasn’t put here on Earth to sell a product.” “I wasn’t put here on Earth to increase market share.” “I wasn’t put here on Earth to make numbers grow.” We protest not only at our exclusion from the American Dream; we protest at its bleakness. If it cannot include everyone on Earth, every ecosystem and bioregion, every people and culture in its richness; if the wealth of one must be the debt of another; if it entails sweatshops and underclasses and fracking and all the rest of the ugliness our system has created, then we want none of it. No one deserves to live in a world built upon the degradation of human beings, forests, waters, and the rest of our living planet. Speaking to our brethren on Wall Street: No one deserves to spend their lives playing with numbers while the world burns.
Charles Eisenstein
We are not Protestants any more—just ‘‘non-Catholics’’! Of what and of whom do we protest? Were we half as hot as we think we are, and a tenth as powerful as we say we are, our Christians would be baptized in blood, as well as in water and in fire.
Leonard Ravenhill (Why Revival Tarries)
I'm never letting you do my laundry. Again." "I didn't know the red towel was in there," Prophet protested. "You did it on purpose to get out of doing laundry." "Maybe. But it worked." "Fucking impossible.
S.E. Jakes (Daylight Again (Hell or High Water, #3))
Meaning they’ll reach the wild safely,” he said. “They’ll find water, food, shade, whatever they need until they find a safe place to live.” “Why can’t you place a blessing like that on us?” I asked. “It only works on wild animals.” “So it would only affect Percy,” Annabeth reasoned. “Hey!” I protested.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.
Upton Sinclair (The Jungle)
When you know you are of worth, you don’t have to raise your voice, you don’t have to become rude, you don’t have to become vulgar; you just are. And you are like the sky is, as the air is, the same way water is wet. It doesn’t have to protest.
Maya Angelou
She tried to offer Ella help but was shooed back into her seat between Magnus and Irini. She watched incredulously at the amount of food these males piled onto their plates. She hadn’t touched her own plate yet, her eyes jumping from Lucien to Ryder, to Aidan, to Magnus, as they scoffed large amounts of beef down. Irini giggled beside her before elbowing her to get her to stop staring and start eating. Ella laughed, obviously having noticed and understood the reason behind Caia’s wide eyes. “Don’t mind them, honey. They’re just animals. You’ll get used to them.” Ryder choked in amusement as he took swig of water, and Aidan and Magnus joined his laughter. Lucien merely shrugged. “What?” This set them off again. “Dude, we’ve frightened Caia with our non-existent manners,” Aidan explained smiling at her. “No, no-” she tried to protest. Lucien frowned. “We’re just eating.” “Caia’s not used to eating at the watering hole.
Samantha Young (Moon Spell (The Tale of Lunarmorte, #1))
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
Rina Kent (Deviant King (Royal Elite, #1))
The first time Akash took Supriya to view the pool, I rose up in strident protest, and he was astonished by the way she turned her face away, her eyes filled with terror. “I am petrified of water!” she whispered, as he tried to cajole her to at least put her feet in.
Deepti Menon (Chronicles of Urban Nomads)
Love as a protest within my body. Or perhaps it’s just that I am unused to touch, am out of practice. Bodies do not lie. This all acts as proof that he has touched me here, here, here.
Sophie Mackintosh (The Water Cure)
Antifa know the effect that smashed windows, breached businesses, and fires have on crowd mentality. Each act serves as blood in the water. It can turn protesters into rioters. That’s why antifa teach this in their literature that is disseminated widely online and in real life.
Andy Ngo (Unmasked: Inside Antifa's Radical Plan to Destroy Democracy)
Come on,” he said quietly, bending to her and lifting her whole into his arms. He carried her inside. After setting her down next to the sink, he crushed five trays of ice into it and filled it with cold water. Tatiana thought he was going to tell her to put her face into it, and was about to meekly impotently protest—when Alexander submerged his own head into the ice.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Modern evangelicals like to compare holy things to soft drinks, designer clothes, [and other products in] our modern consumerist culture. The problem with this is not ... the comparison to a created thing. The problem is that it is ... bad poetry. The Bible compares God to very mundane things, but does so with poetic wonder. God "shall come down like rain upon the mown grass; as showers that water the earth.
Douglas Wilson (Angels in the Architecture: A Protestant Vision for Middle Earth)
Tell him not to smoke in your apartment. Tell him to get out. At first he protests. But slowly, slowly, he leaves, pulling up the collar on his expensive beige raincoat, like an old and haggard Robert Culp. Slam the door like Bette Davis. Love drains from you, takes with it much of your blood sugar and water weight. You are like a house slowly losing its electricity, the fans slowing, the lights dimming and flickering; the clocks stop and go and stop.
Lorrie Moore (Self-Help)
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The wind comes across the plains not howling but singing. It's the difference between this wind and its big-city cousins: the full-throated wind of the plains has leeway to seek out the hidden registers of its voice. Where immigrant farmers planted windbreaks a hundred and fifty years ago. it keens in protest; where the young corn shoots up, it whispers as it passes, crossing field after field in its own time, following eastward trends but in no hurry to find open water. You can't usually see it in paintings, but it's an important part of the scenery.
John Darnielle (Universal Harvester)
He meditated resentfully on the physical texture of life. Had it always been like this? Had food always tasted like this? He looked round the canteen. A low-ceilinged, crowded room, its walls grimy from the contact of innumerable bodies; battered metal tables and chairs, placed so close together that you sat with elbows touching; bent spoons, dented trays, coarse white mugs; all surfaces greasy, grime in every crack; and a sourish, composite smell of bad gin and bad coffee and metallic stew and dirty clothes. Always in your stomach and in your skin there was a sort of protest, a feeling that you had been cheated of something that you had a right to. It was true that he had no memories of anything greatly different. In any time that he could accurately remember, there had never been quite enough to eat, one had never had socks or underclothes that were not full of holes, furniture had always been battered and rickety, rooms underheated, tube trains crowded, houses falling to pieces, bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes insufficient -- nothing cheap and plentiful except synthetic gin. And though, of course, it grew worse as one's body aged, was it not a sign that this was not the natural order of things, if one's heart sickened at the discomfort and dirt and scarcity, the interminable winters, the stickiness of one's socks, the lifts that never worked, the cold water, the gritty soap, the cigarettes that came to pieces, the food with its strange evil tastes? Why should one feel it to be intolerable unless one had some kind of ancestral memory that things had once been different?
George Orwell (1984)
I took one sip and literally spit it out. It was the grossest thing I’d ever tasted. I remember once getting a Diet Coke at a Subway without realizing that the fountain machine didn’t have enough Diet Coke syrup. That’s exactly what this fancy place’s “sparkling” water tasted like. “Something’s wrong with that water,” I protested. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
With a century and change between the 1880 convention and now, I’ll admit I rolled my eyes at the ideological hairsplitting, wondering how a group of people who more or less agreed with one another about most issues could summon forth such stark animosity. Thankfully, we Americans have evolved, our hearts made larger, our minds more open, welcoming the negligible differences among our fellows with compassion and respect. As a Democrat who voted for Al Gore in the 2000 presidential election, an election suspiciously tipped to tragic Republican victory because of a handful of contested ballots in the state of Florida, I, for one, would never dream of complaining about the votes siphoned in that state by my fellow liberal Ralph Nader, who convinced citizens whose hopes for the country differ little from my own to vote for him, even though had those votes gone to Gore, perhaps those citizens might have spent their free time in the years to come more pleasurably pursuing leisure activities, such as researching the sacrifice of Family Garfield, instead of attending rallies and protests against wars they find objectionable, not to mention the money saved on aspirin alone considering they’ll have to pop a couple every time they read the newspaper, wondering if the tap water with which they wash down the pills is safe enough to drink considering the corporate polluter lobbyists now employed at the EPA.
Sarah Vowell (Assassination Vacation)
When they started to drain a swamp where birds and fish had lived, for a new housing development down the road from his apartment, Steven watched the protests and the preparations with interest. The bird people were furious, the developers unmovable, and Steven was filled with relief that the fight wasn't his. Nothing here was his... He thought there should have been something sad about how little he was tied up with the place, but instead it felt like freedom. He was free because it wasn't his water here, and they weren't his fish.
Maile Meloy (Both Ways Is the Only Way I Want It)
You were going to let me drown!" he protested, pushing us off again "Yes, in knee deep water. It would take some skill, but I believe in you
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
Each and every protest is a wave that moves us beyond the stagnant waters of servitude and oppression toward the shores of self-respect.” Her
LaShonda Katrice Barnett (Jam on the Vine: A Novel)
To you Who are the Foam on the sea And not the sea-- What of the jagged rocks, And the waves themselves, And the force of the mounting waters? You are But foam on the sea, You rich ones-- Not the sea.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves. This was the wisdom of the Book of Mamaw. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them. Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox. "Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?" "Er, your shoulder?" said Arthur in a horrified whisper. "But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer." Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively. "Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again. "Or a casserole of me perhaps?" it added. "You mean this animal actually wants us to eat it?" whispered Trillian to Ford. "Me?" said Ford, with a glazed look in his eyes. "I don't mean anything." "That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard." "What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump. "I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless." "Better than eating an animal that doesn't want to be eaten," said Zaphod. "That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..." The Universe raged about him in its death throes. "I think I'll just have a green salad," he muttered. "May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months." "A green salad," said Arthur emphatically. "A green salad?" said the animal, rolling his eyes disapprovingly at Arthur. "Are you going to tell me," said Arthur, "that I shouldn't have green salad?" "Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am." It managed a very slight bow. "Glass of water please," said Arthur. "Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years." The animal staggered to its feet. It gave a mellow gurgle. "A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself." He turned and gave a friendly wink to Arthur. "Don't worry, sir," he said, "I'll be very humane." It waddled unhurriedly off to the kitchen. A matter of minutes later the waiter arrived with four huge steaming steaks.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
It was cold and dark. The ocean tossed its waves with loud crashes upon the beach and the cliffside on the west side of the city, the roaring of the water a protest against the tyranny and oppression that weighted down the very air in this place.
Victoria Lynn (Once I Knew (The Chronicles of Elira #1))
May I offer some refreshment?" Miss Pink asked, mincingly. "A cup of tea?" Lady Lydiard shook her head. "A glass of water?" Lady Lydiard declined the last hospitable proposal with an exclamation of disgust. "Have you got any beer?" she inquired. "I beg your Ladyship's pardon," said Miss Pink, doubting the evidence of her own ears. "Did you say - beer?" Lady Lydiard gesticulated vehemently with her fan. "Yes, to be sure! Beer! beer!" Miss Pink rose, with a countenance expressive of genteel disgust, and rang the bell. "I think you have beer downstairs, Susan?" she said, when the maid appeared at the door. "Yes, Miss." "A glass of beer for Lady Lydiard," said Miss Pink, under protest. "Bring it in a jug," shouted her Ladyship, as the maid left the room.
Wilkie Collins (My Lady's Money)
If protesting, do no harm to yourself or others. Peaceful protest is more effective when creating real change. Peaceful protest wins over the hearts and minds of the majority. That majority continues to grow. It is like sunlight and water for your garden.
Leland Lewis (Random Molecular Mirroring)
Bacon would not be a choice if the pig had any say in the matter. A lamb, given the gift of speech, would most probably say "no" if you asked if you could eat her leg. Fish would no doubt choose to stay in the water, if they could and I feel pretty sure turkeys must object once their Christmas fête (or should that be fate?) is made clear to them. Chickens are surely protesting from having their eggs systematically stolen and freedoms restricted, and both cows and their calves would be up in arms, if they had any, with the theft of their milk and violent separation. Given the chance, bees will attack and defend ferociously, even sacrificing themselves in the process, in order to protect their precious honey; a sure sign they do not part with it voluntarily.
Mango Wodzak (Destination Eden - Eden Fruitarianism Explained)
I must confess that Phemius behaved very well when, a couple of years later, I presented him with a manuscript of more than twelve thousand lines—not written on sheepskin but on scrolls of Egyptian papyrus which Aethon won in his glorious sack of Canopus. After all, Phemius is a professional bard and I am a mere interloper and a woman; and we had several serious tiffs while I was composing it. However, I let him have his way sometimes when he protested that this verse or that was faulty. But not always. He hated me to borrow passages from the Iliad for what he considered improper contexts, and he grew furious to find that Homer’s lines about the water being heated to wash Patroclus’s dead body were now used to describe the warm bath prepared for Odysseus, and that I had put part of Hector’s farewell speech to Andromache into Telemachus’s mouth, when he forbids his mother to meddle in men’s affairs. Phemius called me heartless to treat any passage so tragic as the first, or so moving as the second, with such disrespect.
Robert Graves (Homer's Daughter)
She had been here for the protests three years earlier; yes, she had held up her banner and shouted and signed her petitions. “It was like being part of a wave of water,” she says. “A wave of spray from the ocean feels powerful, but it is only there for a moment, the sun dries the puddles and the water is gone. Then you feel maybe it never happened. That is how it was with us. The only wave that changes anything is a tsunami. You have to tear down the houses and destroy the land if you want to be sure no one will forget you.
Naomi Alderman (The Power)
The best description of this book is found within the title. The full title of this book is: "This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me and Dora J. Arod, who sometimes shares my pen, paper, thoughts, mind, body, and soul, because Dora J. Arod is my pseudonym, as he/it incorporates both my first and middle name, and is also a palindrome that can be read forwards or backwards no matter if you are an upright man in the eyes of God or you are upside down in a tank of water wearing purple goggles and grape jelly discussing how best to spread your time between your work, your wife, and the toasted bread being eaten by the man you are talking to who goes by the name of Dendrite McDowell, who is only wearing a towel on his head and has an hourglass obscuring his “time machine”--or the thing that he says can keep him young forever by producing young versions of himself the way I avert disaster in that I ramble and bumble like a bee until I pollinate my way through flowery situations that might otherwise have ended up being more than less than, but not equal to two short parallel lines stacked on top of each other that mathematicians use to balance equations like a tightrope walker running on a wire stretched between two white stretched limos parked on a long cloud that looks like Salt Lake City minus the sodium and Mormons, but with a dash of pepper and Protestants, who may or may not be spiritual descendents of Mr. Maynot, who didn’t come over to America in the Mayflower, but only because he was “Too lazy to get off the sofa,” and therefore impacted this continent centuries before the first television was ever thrown out of a speeding vehicle at a man who looked exactly like my great-grandfather, who happens to look exactly like the clone science has yet to allow me to create
Jarod Kintz (This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me...)
Life happens, pure and simple. No matter how we try to manage it, it has a force beyond logic or coherence. When we swim in the ocean, we allow the water to move our body. We don’t protest, “How dare this wave be so high? It should be low.” We accept that we have no dominion over the ocean.
Shefali Tsabary (The Conscious Parent)
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
You never miss the water till the well runs dry. Those who ought to know, tell me that you never really appreciate Moscow until you get back again to the land of the bread lines, unemployment, Jim Crow cars and crooked politicians, brutal bankers and overbearing police, three per cent beer and the Scottsboro case.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
David Nicholls (Us)
Sanders was unequivocal. A Donald Trump presidency was too dangerous a concept for third-party politics or protest votes. Earlier in the day, he’d sent a message through the media that he didn’t want his supporters interrupting the convention—which they did anyway, booing whenever Clinton’s name was mentioned—or walking out of it altogether.
Jared Yates Sexton (The People Are Going to Rise Like the Waters Upon Your Shore: A Story of American Rage)
As for the Cherokees, they faced a set of laws passed by Georgia: their lands were taken, their government abolished, all meetings prohibited. Cherokees advising others not to migrate were to be imprisoned. Cherokees could not testify in court against any white. Cherokees could not dig for the gold recently discovered on their land. A delegation of them, protesting to the federal government, received this reply from Jackson’s new Secretary of War, Eaton: “If you will go to the setting sun there you will be happy; there you can remain in peace and quietness; so long as the waters run and the oaks grow that country shall be guaranteed to you and no white man shall be permitted to settle near you.
Howard Zinn (A People's History of the United States: 1492 to Present)
You should probably go to the doctor for that.” He rolls his eyes, stealing a bottle of water from the refrigerator and uncapping it. “Doctors are overrated.” “Yeah, funeral directors too.” He pauses with the bottle halfway to his mouth, bewilderment filtering through his eyes. “I don't understand half of what you say.” “Well, at least you understand the other half of it. There's hope for you yet. I mean, at least a fifty-fifty chance, right?” His eyes brighten. “There she is. 'Bout time you woke up. Good morning, Kennedy.” I mutter something that may or may not come out sounding like, “Fuck off,” and stomp into the living room to await what is guaranteed to be an outstanding day. I can feel the awesomeness ahead. Graham follows me, flipping a light switch and burning my eyes. “Did you just tell Blake to fuck off?” “I can't remember. It was so long ago.” I close my eyes and flop onto my back on the couch, hoping when I open my eyes it will be tomorrow. He frowns. “You never say fuck.” “Fuck. Fuck fuck fuck fuck fuck. Fuckity fuck fuck.” “Maybe you should go back to bed.” “Maybe you should fu—” A hand claps over my mouth, and I look up, finding twinkling eyes on me. “You're cute when you're upset.” I lick his hand and he yelps as he yanks it back. “Really, Kennedy?” I smirk, finally feeling halfway decent. “Really. Carry me to the truck, servant.” The quiet grows, which makes me think he ignored me and left the room, but then I am being tossed over a shoulder. I begin to protest— loudly. “Graham! Put me down. This is no way to treat your roommate.” A hand smacks my rear and I jerk at the sting that comes. “Licking hands is no way to treat your roommate either. You wanted to be carried to the truck. I'm carrying you. Blake,” he calls. “Let's go.” Zart, Lindy (2014-11-20). Roomies (pp. 159-160). . Kindle Edition.
Lindy Zart (Roomies)
Stir fry!” Rhys proclaimed. “Really?” Finn leaned over his shoulder and peered down at the ingredients in the pan. Rhys moved to the side a little so Finn could reach in and grab something out of it. He sniffed it, then popped it into his mouth. “Well, it’s not terrible.” “Stop my beating heart!” Rhys put his hand over his heart and feigned astonishment. “Has my food passed the test of the hardest food critic in the land?” “No. I just said it wasn’t terrible.” Finn shook his head at Rhys’s dramatics and went to the fridge to get a bottle of water. “And I’m certain that Elora is a much harsher food critic than I’ll ever be.” “That’s probably true, but she’s never let me cook for her,” Rhys admitted, shaking the wok to stir up the vegetables more. “You really shouldn’t let him cook for you,” Finn advised, looking at me for the first time. “He gave me food poisoning once.” “You cannot get food poisoning from an orange!” Rhys protested and looked back at him. “It’s just not possible! And even if you can, I handed you the orange. I didn’t even have a chance to contaminate it!” “I don’t know.” Finn shrugged. A smile was creeping up, and I could tell he was amused by how much Rhys was getting worked up. “You didn’t even eat the part I touched! You peeled it and threw the skin away!” Rhys sounded exasperated. He wasn’t paying attention to the wok as he struggled to convince us of his innocence, and a flame licked up from the food. “Food’s on fire,” Finn nodded to the stove. “Dammit!
Amanda Hocking (Switched (Trylle, #1))
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
They're installing a boiler system," Pandora said, flipping through a book. "It's a set of two large copper cylinders filled with water pipes that are heated by gas burners. One never has to wait for the hot water- it comes at once through expansion pipes attached to the top of the boiler." "Pandora," Kathleen asked suspiciously, "how do you know all that?" "The master plumber explained it to me." "Dear," Helen said gently, "it's not seemly for you to converse with a man when you haven't been introduced. Especially a laborer in our home." "But Helen, he's old. He looks like Father Christmas." "Age has nothing to do with it," Kathleen said crisply. "Pandora, you promised to abide by the rules." "I do," Pandora protested, looking chagrined. "I follow all the rules that I can remember." "How is it that you remember the details of a plumbing system but not basic etiquette?" "Because plumbing is more interesting.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Encouraging campaign crowds to join in lauding economic gains for minorities is quite a strange approach for a racist. For a quick refresher: racists order the National Guard to block entry to universities. They segregate federal facilities, and they order the police to fire water cannons at peaceful protesters seeking basic human rights. Please note, when you actively work to enrich and empower blacks, like Donald Trump has done for the last three and a half years, you are at odds with racists.
Horace Cooper (How Trump Is Making Black America Great Again: The Untold Story of Black Advancement in the Era of Trump)
Syria, the March 2011 arrest and torture of fifteen schoolboys who had sprayed anti-government graffiti on city walls set off major protests against the Alawite Shiite–dominated regime of President Bashar al-Assad in many of the country’s predominantly Sunni communities. After tear gas, water cannons, beatings, and mass arrests failed to quell the demonstrations, Assad’s security forces went on to launch full-scale military operations across several cities, complete with live fire, tanks, and house-to-house searches.
Barack Obama (A Promised Land)
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.” “Why is that, exactly?” Tom asked, disgruntled. “A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.” Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.” “Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.” Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed. West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels. “Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew. “Dad needed my help,” Justin said self-importantly, bringing an umbrella to him. “We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.” “I didn’t think you were superstitious,” Tom protested. “You believe in science.” West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.” Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.” “What’s fertility?” Justin asked. In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?” “As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.” West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested. The child looked mildly concerned. “Don’t you know, Dad?
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Third, resistance is a tradition of building blocks; a continuum of action that may not have dislodged injustice in its own time, but whose revolutionary founders left behind the framework and tools for a subsequent generation to take up, and ultimately carry out its vision. We can stand back and admire certain laws and protections now—child labor laws, voter enfranchisement for all, an eight-hour work day, clean water, for example—and appreciate the irreversible process of resistance that not only guaranteed their formation, but fought off the innumerable attacks that once kept them from rising.
Jeff Biggers (Resistance: Reclaiming an American Tradition)
In my own city of Los Angeles, everyone will gladly pay a hundred dollars a month for cable television, yet would roar in protest if forced to pay that much for life’s elixir piped directly into their homes. When Governor Schwarzenegger declared a state of drought emergency, I studied my water bill closely for the first time in my life. For two months of clean drinking water, snared from faraway sources, and delivered to my house by one of the world’s most expensive and elaborate engineering schemes, I was charged $20.67. I spend more on postage stamps. If only everyone could indulge such ignorant bliss…
Laurence C. Smith (The World in 2050: Four Forces Shaping Civilization's Northern Future)
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his life. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Christine Feehan (Samurai Game (GhostWalkers, #10))
We drove across the Red Square past Lenin's Mausoleum and the towers and domes of the Kremlin--and stopped a block away at the Grand Hotel. Our rooms were ready for us--clean and comfortable, with hot and cold water, homelike settees and deep roomy chairs. Courteous attendants were there, baths and elevator, a book shop and two restaurants. Everything that a hotel for white folks at home would have--except that, quite truthfully, there was no toilet paper. And no Jim Crow. Of course, we knew that one of the basic principles of the Soviet Union is the end of all racial distinctions. That's the main reason we had come to Moscow.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Dr Bone was over sixty when she was arrested in Hungary in 1949. A notable linguist, she had been invited to Hungary to translate English scientific books into Hungarian. She herself had joined the Communist Party in 1919. She was accused of being a British agent, but refused to make a false confession or in any way to collaborate with her interrogators. This elderly lady spent seven years in prison before she was finally released in November 1956. For three of those years she was denied access to books or writing materials. The cell in which she was first confined was bitterly cold and had no window. Worse was to come. For five months she was kept in a cellar in total darkness. The walls ran with water or were covered with fungus; the floor was deep in excrement. There was no ventilation. Dr Bone invented various techniques for keeping herself sane. She recited and translated poetry, and herself composed verses. She completed a mental inventory of her vocabulary in the six languages in which she was fluent, and went for imaginary walks through the streets of the many cities which she knew well. Throughout these and other ordeals, Dr Bone treated her captors with contempt, and never ceased to protest her innocence. She is not only a shining example of courage which few could match, but also illustrates the point that a well-stocked, disciplined mind can prevent its own disruption.
Anthony Storr (Solitude: A Return to the Self)
wind whirled the fallen leaves and discarded trash littering the entrance to the old water park. As a young man approached the looming gate, an eerie chill snaked down his spine. “This place is creepy as hell,” he muttered, shining his flashlight on the weathered sign. “You sure you want to do this?” The young woman who had coerced him into coming out here ripped the lid from the plastic bucket she was holding. “Dr. Cooper needs to take notice that the students of Ashmore College are not going to stand for this new research facility of his. You heard how smug he sounded at the protest tonight. He thinks he can get away with anything just because his mother is president of the college. Someone has
Caroline Fardig (Bitter Past (Ellie Matthews Novels Book 1))
He gestured at me. “Do you like the blanket?” I nodded. “It’s warm.” “I made it. Well, actually, I didn’t skin the animal, but I did kill it….after the others pinned it down. It’s werewolf skin.” My heart faltered; I gripped at a wad of black fur. “I slayed the beast for you, Catherine. I used your sword. It was your grandmother’s idea actually, a wedding present. You mentioned how chilly you get.” “You didn’t slay a werewolf,” I breathed before repeating the words louder. “You did not slay a werewolf, Thaddeus.” “Oh, but I did. I took a band of huntsman with me and we tracked one down. A smaller one, mind you, not far from the front gate…” “You did not!” I contended more strongly. Why would one wolf have separated from the pack? Why outside our walls? “Yes, Catherine, I did,” he insisted. I shook my head disbelieving. “You’re not capable—” “I am so.” I wanted to cry. I wanted to protest, but to do so meant giving away my knowledge of the truth. Without knowing what else to do or say I changed the subject. “The fire’s gone out.” Thaddeus turned his head to check. “You’re right. I’ll see to it.” He fed the barrel stove until a healthy blaze was roaring. Finding me no longer a decent conversationalist, Thaddeus left with a promise to return soon with food and water. Unobserved, I gathered up the fur hide of a lost soul and curled into a ball, hugging it close to my chest. I cried silent tears and mourned for this unknown werewolf for days.
Richelle E. Goodrich (The Tarishe Curse)
61 lynchings occurred in 1920 alone. In 1921, 62, some of the victims, soldiers returning from the Great War who after fighting and winning significant victories - just as they had fought in the Revolutionary and Civil wars and the wars again the Indians - thought that America would repay them for the generosity of putting their lives on the line, for aiding in salvaging their hides from the Kaiser who had been tagged "enemy" this time. Instead, a Protestant country ignorant even of Western mysteries executes soldiers after a manner of punishments dealt to witches in the "Middle Ages." Europe and the Catholic Church are horrified but not surprised at this "tough guy" across the waters whose horrendous murders in Salem led Europe to reform its "witch laws.
Ishmael Reed (Mumbo Jumbo)
Black Americans challenged segregation by repeatedly seeking admission to whites-only pools and by filing lawsuits against their cities. Eventually, these social and legal protests desegregated municipal pools throughout the North, but desegregation rarely led to meaningful interracial swimming. When black Americans gained equal access to municipal pools, white swimmers generally abandoned them for private pools. Desegregation was a primary cause of the proliferation of private swimming pools that occurred after the mid-1950s. By the 1970s and 1980s, tens of millions of mostly white middle-class Americans swam in their backyards or at suburban club pools, while mostly African and Latino Americans swam at inner-city municipal pools. America’s history of socially segregated swimming pools
Jeff Wiltse (Contested Waters: A Social History of Swimming Pools in America)
The last man crossed the deck: the clinking ship’s company was dismissed, and Jack said to the signal-midshipman, ‘To Dryad: Captain repair aboard at once.’ He then turned to Rowan and said, ‘You may part company as soon as I hear from Captain Babbington whether the transports are in Cephalonia or not; then you will not lose a moment of this beautiful leading breeze. Here he is. Captain Babbington, good day to you. Are the transports in Cephalonia? Is all well?’ ‘Yes, sir.’ ‘Mr Rowan, report to the Commander-in-Chief, with my duty, that the transports are in Cephalonia, and that all is well. You need not mention the fact that you saw one of the squadron crammed with women from head to stern; you need not report this open and I may say shameless violation of the Articles of War, for that disagreeable task falls to your superiors; nor need you make any observations about floating brothels or the relaxation of discipline in the warmer eastern waters, for these observations will naturally occur to the Commander-in-Chief without your help. Now pray go aboard our prize and proceed to Malta without the loss of a minute: not all of us can spare the time to dally with the sex.’ ‘Oh sir,’ cried Babbington, as Rowan darted over the side, ‘I really must be allowed to protest – to deny – ’ ‘You will not deny that they are women, surely? I can tell the difference between Adam and Eve as quick as the next man, even if you cannot; just as I can tell the difference between an active zealous officer and a lubber that lies in port indulging his whims. It is of no use trying to impose upon me.’ ‘No, sir. But these are all respectable women.’ ‘Then why are they leering over the side like that, and making gestures?’ ‘It is only their way, sir. They are all Lesbians – ’ ‘And no doubt they are all parsons’ daughters, your cousins in the third degree, like that wench in Ceylon.’ ‘– and Lesbians always join their hands like that, to show respect.’ ‘You are becoming an authority on the motions of Greek women, it appears.’ ‘Oh sir,’ cried Babbington, his voice growing shriller still. ‘I know you do not like women aboard – ’ ‘I believe I have had occasion to mention it to you some fifty or sixty times in the last ten years.’ ‘But if you will allow me to explain – ’ ‘It would be interesting to hear how the presence of thirty-seven, no, thirty-eight young women in one of His Majesty’s sloops can be explained; but since I like some decency to be preserved on my quarterdeck, perhaps the explanation had better take place in the cabin.’ And in the cabin he said, ‘Upon my word, William, this is coming it pretty high. Thirty-eight wenches at a time is coming it pretty high.
Patrick O'Brian (The Ionian Mission (Aubrey/Maturin, #8))
The most extraordinary story of appendectomy survival that I know of occurred aboard the U.S. submarine Seadragon in Japanese-controlled waters in the South China Sea during World War II when a sailor named Dean Rector from Kansas developed an acute and obvious case of appendicitis. With no qualified medical personnel on board, the commander ordered the ship’s pharmacist’s assistant, one Wheeler Bryson Lipes (of no known relation to the present author), to perform the surgery. Lipes protested that he had no medical training, did not know what an appendix looked like or where it was to be found, and had no surgical equipment to work with. The commander instructed him to do what he could anyway as the senior medical person aboard. Lipes’s bedside manner was not perhaps the most reassuring. His pep talk to Rector was this: “Look, Dean, I never did anything like this before, but you don’t have much chance
Bill Bryson (The Body: A Guide for Occupants)
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, 'God will take care of me.' A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, 'God will take care of me.' A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: 'You promised that you’d help me so long as I was faithful.' God replied, 'I sent you a car, a boat, and a helicopter. Your death is your own fault.' God helps those who help themselves.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
So you're saying," I clarified, "that you can punt only middling-well for a sober person." "Do I need to make this thing do backflips?" Watson asked, and dug the pole into the muck. Our boat tilted crazily to the right. I made a high-pitched sound, then clapped a hand over my mouth. "You squealed. Did you just squeal?" "If you have to ask," I said, with some dignity, "then no, I did not." He dug in the pole again, and we spun in a neat circle. I bit my lip when he laughed at me. :Jamie, I swear to God I will pull this boat over -" He lifted the pole again, threateningly. I lunged forward, and Watson leaned backward, and then began windmilling his free arm to keep his balance. I considered pushing him in, but the water smelled a bit like bad fish, and anyway, I liked his shirt too much to ruin it. "You were going to let me drown," he protested, pushing us off again. "Yes. In knee-deep water. It would take some skill, but I believe in you.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
Doggerel by a Senior Citizen (for Robert Lederer) Our earth in 1969 Is not the planet I call mine, The world, I mean, that gives me strength To hold off chaos at arm’s length. My Eden landscapes and their climes Are constructs from Edwardian times, When bath-rooms took up lots of space, And, before eating, one said Grace. The automobile, the aeroplane, Are useful gadgets, but profane: The enginry of which I dream Is moved by water or by steam. Reason requires that I approve The light-bulb which I cannot love: To me more reverence-commanding A fish-tail burner on the landing. My family ghosts I fought and routed, Their values, though, I never doubted: I thought the Protestant Work-Ethic Both practical and sympathetic. When couples played or sang duets, It was immoral to have debts: I shall continue till I die To pay in cash for what I buy. The Book of Common Prayer we knew Was that of 1662: Though with-it sermons may be well, Liturgical reforms are hell. Sex was of course —it always is— The most enticing of mysteries, But news-stands did not then supply Manichean pornography. Then Speech was mannerly, an Art, Like learning not to belch or fart: I cannot settle which is worse, The Anti-Novel or Free Verse. Nor are those Ph.D’s my kith, Who dig the symbol and the myth: I count myself a man of letters Who writes, or hopes to, for his betters. Dare any call Permissiveness An educational success? Saner those class-rooms which I sat in, Compelled to study Greek and Latin. Though I suspect the term is crap, There is a Generation Gap, Who is to blame? Those, old or young, Who will not learn their Mother-Tongue. But Love, at least, is not a state Either en vogue or out-of-date, And I’ve true friends, I will allow, To talk and eat with here and now. Me alienated? Bosh! It’s just As a sworn citizen who must Skirmish with it that I feel Most at home with what is Real.
W.H. Auden
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Europe’s war against debtor countries was turning into class war, which always ends up being waged on the political battlefield. One financial analyst noted that the money raised for putting up islands and public buildings, ports and the water system for sale “will barely put a dint in Greece’s now-unpayable public debt.” Creditors simply hoped to take as much as they could, in the absence of public protests to stop the selloffs. That is why bankers resort to anti-democratic methods in opposing any political power independent of creditor interests. The aim is to centralize financial policy in the hands of “technocrats” drawn from the banking sector – not only Lucas Papademos in Greece, but also Mario Monti in Italy almost simultaneously (as described in the next chapter). The fear is that democratically elected officials will act “irresponsibly,” that is, in the interests of the economy at large rather than catering to the demands of banks and bondholders. The
Michael Hudson (Killing the Host: How Financial Parasites and Debt Bondage Destroy the Global Economy)
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves. This was the wisdom of the Book of Mamaw.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Setting down her own basket, Annabelle held a pin between her thumb and forefinger, and closed her eyes. Whenever the opportunity presented itself, she always made the same wish…to marry a peer. Strangely, however, a new thought entered her head, just as she cast the pin into the well. I wish I could fall in love. Surprised by the wilful, wayward notion, Annabelle wondered how it was that she could have wasted a wish on something that was obviously so ill-advised. Opening her eyes, Annabelle saw that the other wallflowers were staring into the well with great solemnity. “I made the wrong wish,” she said fretfully. “Can I have another?” “No,” Lillian said in a matter-of-fact tone. “Once you’ve thrown in your pin, it’s done.” “But I didn’t mean to make that particular wish,” Annabelle protested. “Something just popped into my head, and it wasn’t at all what I had planned.” “Don’t argue, Annabelle,” Evie advised. “You d-don’t want to annoy the well spirit.” “The what?” Evie smiled at her perplexed expression. “The resident spirit of the well. He’s the one to whom y-you make a petition. But if you annoy him, he may decide to demand a terrible price for granting your wish. Or he may drag you into the well with him, to live there forever as his c-consort.” Annabelle stared into the brown water. She cupped her hands around the sides of her mouth to help direct her voice. “You don’t have to grant my rotten wish,” she told the unseen spirit loudly. “I take it back!” “Don’t taunt him, Annabelle,” Daisy exclaimed. “And for heaven’s sake, step back from the edge of that well!” “Are you superstitious?” Annabelle asked with a grin. Daisy glowered at her. “There’s a reason for superstitions, you know. At some> point in time, something bad happened to someone who was standing right next to a well, just as you are.” Closing her eyes, she concentrated intently, then tossed her own pin into the water. “There. I’ve made a wish for your benefit—so there’s no need for you to complain about having wasted one.” “But how do you know what I wanted?” “The wish I made is for your own good,” Daisy informed her. Annabelle groaned theatrically. “I hate things that are for my own good.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back. “Get out of here, man!” “Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare. “Stay where you are, madam! I am not finished with you.” “You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!” “I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!” More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!” Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse. When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation. “Are you hurt, Christopher?” she asked sweetly. “Aye! My pride has been mightily bruised!” “Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.” “ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.” “You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.” “That’s an impossibility, madam, for that thing is surely made of cold, hard steel.” “You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.” “I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically. Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye. “Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?” He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve. -Christopher, Erienne, and Aggie
Kathleen E. Woodiwiss (A Rose in Winter)
Chicken Roast Puff your plume in anger and fight, cock, delight the owner of knife smear sting with pollen and flap your wings As I said: Twist the arms and keep them bent roll the rug and come down the terrace after disturbed sleep Shoeboots-rifle-whirring bullets-shrieks The aged undertrial in the next cell weeps and wants to go home Liberate me let me go let me go home On its egg in the throne the gallinule doses asphyxiate in dark fight back, cock, die and fight, shout with the dumb Glass splinters on tongue-breast muscles quiver Fishes open their gills and enfog water A piece of finger wrapped in pink paper With eyes covered someone wails in the jailhouse I can't make out if man or woman Keep this eyelash on lefthand palm- and blow off with your breath Fan out snake-hood in mist Cobra's abdomen shivers in the hiss of female urination Deport to crematorium stuffing blood-oozing nose in cottonwool Shoes brickbats and torn pantaloons enlitter the streets I smear my feet with the wave picked up from a stormy sea That is the alphabet I drew on for letters. (Translation of Bengali original 'Murgir Roast')
মলয় রায়চৌধুরী ( Malay Roychoudhury )
Most people, who choose or are coerced into only identifying with “positive” feelings, usually wind up in an emotionally lifeless middle ground – bland, deadened, and dissociated in an unemotional “no-man’s-land.” Moreover, when a person tries to hold onto a preferred feeling for longer than its actual tenure, she often appears as unnatural and phony as ersatz grass or plastic flowers. If instead, she learns to surrender willingly to the normal human experience that good feelings always ebb and flow, she will eventually be graced with a growing ability to renew herself in the vital waters of emotional flexibility. The repression of the so-called negative polarities of emotion causes much unnecessary pain, as well as the loss of many essential aspects of the feeling nature. In fact, much of the plethora of loneliness, alienation, and addictive distraction that plagues modern industrial societies is a result of people being taught and forced to reject, pathologize or punish so many of their own and others’ normal feeling states. Nowhere, not in the deepest recesses of the self, or in the presence of his closest friends, is the average person allowed to have and explore any number of normal emotional states. Anger, depression, envy, sadness, fear, distrust, etc., are all as normal a part of life as bread and flowers and streets. Yet, they have become ubiquitously avoided and shameful human experiences. How tragic this is, for all of these emotions have enormously important and healthy functions in a wholly integrated psyche. One dimension where this is most true is in the arena of healthy self-protection. For without access to our uncomfortable or painful feelings, we are deprived of the most fundamental part of our ability to notice when something is unfair, abusive, or neglectful in our environments. Those who cannot feel their sadness often do not know when they are being unfairly excluded, and those who cannot feel their normal angry or fearful responses to abuse, are often in danger of putting up with it without protest. Perhaps never before has humankind been so alienated from so many of its normal feeling states, as it is in the twenty-first century. Never before have so many human beings been so emotionally deadened and impoverished. The disease of emotional emaciation is epidemic. Its effects on health are often euphemistically labeled as stress, and like the emotions, stress is often treated like some unwanted waste that must be removed.
Pete Walker (Complex PTSD: From Surviving to Thriving)
And while the most desperate hours of the men within the Perimeter were passing, a second battle had been raging in their rear, back in the continental United States. When American soldiers went into action, it had become customary to provide them with a free issue of candy, cigarettes—and beer. In the places American troops fought, there were rarely any handy taverns or supermarkets. Reported to the home front, the “beer issue” rapidly became a national controversy. Temperance, church, and various civic groups bombarded the Pentagon and Congress with howls of protest against the corruption of American youth. One legislator, himself a man who took a brew now and then, tried a flanking attack against the complainers, saying on the floor of the House, “Water in Korea is more deadly than bullets!” But no one either polled the troops for their opinion or said openly that a man who was old enough to kill and be killed was also old enough to have a beer if he wanted it. Unable to shake the habit of acquiescence, the Army leaders bowed to the storm of public wrath. On 12 September the day the 3rd Battalion, 7th Cavalry, lost half its strength securing Hill 314, Far East Command cut off its beer ration. The troops could still buy beer, but only when and if the PX caught up with them.
T.R. Fehrenbach (This Kind of War: The Classic Military History of the Korean War)
A soldier’s hand grasped for me, but Amar pulled me away. Arrows zoomed past, but each time one came near, he would whirl me out of the way. Amar never shouted. He didn’t even speak. He moved fluidly, dodging javelins, always a few steps behind me, a living shield. His hood never budged and revealed nothing more than the bottom half of his face. The doors began to open, creaking like broken bones. Blinding light spilled into the room. I squinted against the brightness, but my feet never stopped. Hot, dry air filled my lungs and left them aching. The second I slowed, I felt a cool hand on my wrist-- “My mount is this way,” said Amar, pulling me away from the road. I was too out of breath to protest as his hands circled my waist and lifted me onto the richly outfitted saddle of a water buffalo. The moment I found my grip, Amar leapt onto the animal’s back and, with a sharp whistle, sent dust flying around us. The water buffalo charged through the jungle. Sounds bled one into the other--crashing iron to thundering hooves, gurgling fountains to colliding branches. At first, I sat still, not wanting to disturb a thing in case this was a death-dream, some final taunt of escape. But then I saw the jungle arcing above me. My nose filled with the musk of damp, alive things. The numb evanesced. I was free.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
His warm tickling fingers stroked against her like the idle sway of river reeds... cunning fingertips that quickly discovered where she most wanted them. He toyed with her, parting her, slowly investigating the cambered softness and the sensitive places within. Blindly she reached down to grip his stronger wrist, feeling the intricate movements of bone and tendon. He slid two fingers inside her, his thumb gliding over her sex in tender circles. The water sloshed in the tub as she began to push up rhythmically, urging herself into his hand. A third finger worked inside, and she tightened and gasped out a protest- it was too much, she couldn't- but he whispered that she could, she must, and he stretched her carefully and took her groans into his mouth. Splayed and floating, Win felt herself loosening, opening to the sensuality of the fingers reaching inside her. She felt greedy and wild, undulating to capture more of the obliterating pleasure. She actually clawed him a little, her hands scrabbling against his hard, bare skin, and he growled as if it pleased him. An abbreviated cry left her lips at the first shock of release. She tried to stifle it, but another was torn from her, and another, and the bathwater rippled as she shuddered, the climax lengthened by the delicately emphatic thrusting that continued until she was limp and panting.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
Jens Christian Grøndahl (An Altered Light)
Come on, little one.” Mikhail’s voice wrapped her in a black-velvet caress. He reached into the glass shower, turned off the water, shackled her wrist, and pulled her from the safety of the large stall. When she shivered, he enveloped her slender body in a towel. Raven wrung out her long hair, a blush stealing over her entire body. Mikhail was so comfortable, unconcerned with his nudity. There was something untamed and magnificent about his raw strength, the casual way he accepted it. He rubbed her body with a large bath towel, buffing her skin until she was warm and rosy. The towel brushed her sensitive nipples, lingered along her rounded bottom, delved in the crease of her hip. Despite her resolve, her body came alive under his ministrations. Mikhail cupped her face, bent to brush his mouth against hers, featherlight, enticing. “Come back to bed,” he whispered against her soft lips, his tongue tasting the satin finish as he led her back to the bedchamber. “Mikhail,” she protested softly, breathlessly. He tugged on her wrist, unbalanced her so that her body came up against him. Her body melted into his, soft breasts pushing against heavy muscle, the evidence of his desire pressing against her stomach. His thighs were two strong columns welded with hers. “I could love you all night, Raven,” he murmured enticingly against her throat. His hands moved over her body, leaving fire in their wake. “I want to love you all night.
Christine Feehan (Dark Prince (Dark, #1))
A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
But, after one quick trace of his tongue between her lips, he abruptly pulled away and stepped back from her. She was leaning into him so hard he had to put his hands on her shoulders to steady her. Catherine’s eyes flew open. Releasing her shoulders, he pointed past her to the books he’d set on the desk. She opened her mouth to protest, but closed it again. As she followed Jim, she caught a glimpse of his profile when he picked up the books and slate. There was a smug grin on his face. He was toying with her, teaching her a lesson—that two could play at heating things up and abruptly cooling them down. Indignation and amusement competed in her as she took her seat beside him and he handed her the paper he’d written. She hadn’t set him any homework. He’d done it on his own, printed a brief description of their picnic in short sentences or single words. It was almost like a poem without rhyme. “Fish swim water. Sky. Trees. Leaves. Eat food. Drink.” She smiled at him. “Very good.” He touched his lips, puckering them in a kiss, and tapped the signing book. “Kiss,” she said and looked up the sign for it. “Fingers touching thumbs as both hands come together,” the text said. Her cheeks flushed as she read, “trembling slightly to indicate the degree of passion.” Catherine made the movement as she repeated the word aloud. “Kiss.” Jim copied the movement, shaping his lips like hers. He pointed to the slate and offered her the chalk so she could spell the word. He studied each letter as she wrote it, before printing them himself: K-i-s-s. Catherine’s cheeks flamed even hotter from seeing it written in glaring white against the black slate. Kiss. Kiss. Somehow there seemed to be no denying or hiding it now that it was written down. She glanced at Jim’s lips and her nipples tightened at the memory of his mouth sucking them.
Bonnie Dee (A Hearing Heart)
At first glance, a militant conception of revolution seems more impractical than a nonviolent conception, but this is because it is realistic. People need to understand that capitalism, the state, white supremacy, imperialism, and patriarchy all constitute a war against the people of this planet. And revolution is an intensification of that war. We cannot liberate ourselves and create the worlds we want to live in if we think of fundamental social change as shining a light in the darkness, winning hearts and minds, speaking truth to power, bearing witness, capturing people’s attention, or any other passive parade. Millions of people die every year on this planet for no better reason than a lack of clean drinking water. Because the governments and corporations that have usurped control of the commons have not found a way to profit from those people’s lives, they let them die. Millions of people die every year because a few corporations and their allied governments do not want to allow the production of generic AIDS drugs and other medicine. Do you think the institutions and the elite individuals who hold the power of life or death over millions give a fuck about our protests? They have declared war on us, and we need to take it back to them. Not because we are angry (though we should be), not to get revenge, and not because we are acting impulsively, but because we have weighed the possibility of freedom against the certainty of shame from living under whatever form of domination we are faced with in our particular corner of the globe; because we realize that some people are already fighting, often alone, for their liberation, and that they have a right to and we should support them; and because we understand that the overlapping prisons that entomb our world have by now been so cleverly constructed that the only way to free ourselves is to fight and destroy these prisons and defeat the jailers by whatever means necessary.
Peter Gelderloos (How Nonviolence Protects the State)
Save thee, Timon. Tim. Now, thieves? All [Banditti]. Soldiers, not thieves. Tim. Both too, and women's sons. All [Banditti]. We are not thieves, but men that much do want. Tim. Your greatest want is, you want much of meat. Why should you want? Behold, the earth hath roots; Within this mile break forth a hundred springs; The oaks bear mast, the briers scarlet hips; The bounteous housewife, nature, on each bush Lays her full mess before you. Want! why want? 1. Ban. We cannot live on grass, on berries, water, As beasts and birds and fishes. Tim. Nor on the beasts themselves, the birds, and fishes; You must eat men. Yet thanks I must you con That you are thieves profess'd, that you work not In holier shapes: for there is boundless theft In limited professions. Rascal thieves, Here's gold. Go, suck the subtle blood o' the grape, Till the high fever seethe your blood to froth, And so 'scape hanging: trust not the physician; His antidotes are poison, and he slays Moe than you rob: take wealth and lives together; Do villany, do, since you protest to do't, Like workmen. I'll example you with thievery. The sun's a thief, and with his great attraction Robs the vast sea: the moon's an arrant thief, And her pale fire she snatches from the sun: The sea's a thief, whose liquid surge resolves The moon into salt tears: the earth's a thief, That feeds and breeds by a composture stolen From general excrement: each thing's a thief: The laws, your curb and whip, in their rough power Have uncheque'd theft. Love not yourselves: away, Rob one another. There's more gold. Cut throats: All that you meet are thieves: to Athens go, Break open shops; nothing can you steal, But thieves do lose it: steal no less for this I give you; and gold confound you howsoe'er! Amen. 3. Ban. Has almost charmed me from my profession, by persuading me to it. 1. Ban. 'Tis in the malice of mankind that he thus advises us; not to have us thrive in our mystery. 2 Ban. I'll believe him as an enemy, and give over my trade. 1 Ban. Let us first see peace in Athens: there is no time so miserable but a man may be true. Exeunt Thieves [the Banditti]
William Shakespeare (Timon of Athens)
Here you go,” Ryder says, startling me. He holds out a sweating bottle of water, and I take it gratefully, pressing it against my neck. “Thanks.” I glance away, hoping he’ll take the hint and leave me in peace. His presence makes me self-conscious now, but it wasn’t always like this. As I look out at Magnolia Landing’s grounds, I can’t help but remember hot summer days when Ryder and I ran through sprinklers and ate Popsicles out on the lawn, when we rode our bikes up and down the long drive, when we built a tree fort in the largest of the oaks behind the house. I wouldn’t say we’d been friends when we were kids--not exactly. We had been more like siblings. We played; we fought. Mostly, we didn’t think too much about our relationship--we didn’t try to define it. And then adolescence hit. Just like that, everything was awkward and uncomfortable between us. By the time middle school began, I was all too aware that he wasn’t my brother, or even my cousin. “Mind if I sit?” Ryder asks. I shrug. “It’s your house.” I keep my gaze trained straight ahead, refusing to look in his direction as he lowers himself into the chair beside me. After a minute or two of silence but for the creaking rockers, he sighs loudly. “Can we call a truce now?” “You’re the one who started it,” I snap. “Last night, I mean.” “Look, I’ve been thinking about what you said. You know, about eighth grade--” “Do we have to talk about this?” “Because we didn’t really hang out in middle school, except for family stuff,” he continues, ignoring my protest. “Until the end of eighth grade, maybe. Right around graduation.” My entire body goes rigid, my face flushing hotly with the memory. It had all started during Christmas break that year. We’d gone to the beach with the Marsdens. I can’t really explain it, but there’d been a new awareness between us that week--exchanged glances and lingering looks, an electrical current connecting us in some way. The two of us sort of tiptoed around each other, afraid to get too close, but also afraid to lose that hint of…something. And then Ryder asked me to go with him to the graduation dance. There was no way we were telling our parents.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Pilgrimage is premised on the idea that the sacred is not entirely immaterial, but that there is a geography of spiritual power. Pilgrimage walks a delicate line between the spiritual and the material in its emphasis on the story and its setting though the search is for spirituality, it is pursued in terms of the most material details of where the Buddha was born or where Christ died, where the relics are or the holy water flows. Or perhaps it reconciles the spiritual and the material, for to go on pilgrimage is to make the body and its actions express the desires and beliefs of the soul. Pilgrimage unites belief with action, thinking with doing, and it makes sense that this harmony is achieved when the sacred has material presence and location. Protestants, as well as the occasional Buddhist and Jew, have objected to pilgrimages as a kind of icon worship and asserted that the spiritual should be sought within as something wholly immaterial, rather than out in the world. There is a symbiosis between journey and arrival in Christian pilgrimage, as there is in mountaineering. To travel without arriving would be as incomplete as to arrive without having traveled. To walk there is to earn it, through laboriousness and through the transformation that comes during a journey. Pilgrimages make it possible to move physically, through the exertions of one's body, step by step, toward those intangible spiritual goals that are otherwise so hard to grasp. We are eternally perplexed by how to move toward forgiveness or healing or truth, but we know how to walk from here to there, however arduous the jour ney. Too, we tend to imagine life as a journey, and going on an actual expedition takes hold of that image and makes it concrete, acts it out with the body and the imagination in a world whose geography has become spiritualized. The walker toiling along a road toward some distant place is one of the most compelling and universal images of what it means to be human, depicting the individual as small and solitary in a large world, reliant on the strength of body and will. In pilgrim age, the journey is radiant with hope that arrival at the tangible destination will bring spiritual benefits with it. The pilgrim has achieved a story of his or her ow and in this way too becomes part of the religion made up of stories of travel and transformation.
Rebecca Solnit (Wanderlust: A History of Walking)
A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.
Khaled Hosseini (Sea Prayer)
lived in the house. There were aunts, uncles, cousins, grandparents, and friends. A grill was set up on the patio, and delicious smells wafted from platters of burgers on picnic tables in the yard. It was the perfect sort of day for Munchy to get her fill of people blood. Who would have thought that giving a person one tiny bite could result in such a delightful snack? Munchy was aware that most people thought she was a pest. They tried to swat her whenever she got near, but Munchy was fast and an expert at dodging humans’ flailing fingers. I don’t want to hurt anyone, Munchy thought. But a mosquito bite just takes a second, and then I fly off to find the next person. Satisfied at last, Munchy buzzed back to the garden where she lived with her best friends Wiggly Worm, Rattles Snake, and Snarky Snail. “I’m full!” she announced. “I don’t think I’ll eat for a week!” “There’s some kind of celebration going on over there,” remarked Wiggly, who was playing in the dirt. “I know!” smiled Munchy. “The family has so many guests over—so many guests with delicious blood.” Snarky made a face. “I think it’s the Fourth of July or something—but, Munchy, do you really have to do that to people? Mosquito bites make them awfully uncomfortable.” “Only for a second,” Munchy replied. “It’s just an itty-bitty sting.” “No, it isn’t,” protested Snarky, who ventured into the backyard more than any of his friends. “Mosquito bites are itchy and uncomfortable for a long time—sometimes several days. I’ve seen those two little kids scratching and complaining about bites you’ve given them.” “I think that’s true,” agreed Rattles, who also went into the yard more often, now that the humans knew he was a friendly rattlesnake. “Oh, no,” murmured Munchy. Mosquito bites hadn’t seemed like a big deal before—but they did now. She didn’t want to be responsible for making people feel itchy all the time! With a sigh, Munchy said, “I guess I’ve got to quit. From now on, I’ll stick to sugar-water shakes at the Garden Town soda fountain—but it isn’t going to be easy!” With some help from her friends, Munchy was able to stop biting people once and for all. And, when the other mosquitoes that lived in the garden heard about her new lifestyle, they decided to give it a shot, as well. In no time, the backyard was practically a mosquito-safe zone! The kids and their friends could now play in the yard for hours with no worries about being bitten. They had no more itchy skin and no more discomfort. Munchy felt like she had done a wonderful thing. And no one ever tried to swat her away again! Just for Fun Activity Make itty-bitty bugs using circles of Fun Foam for bodies, tissue paper cut-outs for wings, googly eyes (you can find them at craft stores), and shortened pipe cleaners for long, skinny noses and legs. Have fun!
Arnie Lightning (Wiggly the Worm)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?" Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend." Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..." Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?" Jesse shook her head. Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons." "Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water. Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort. "I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her. Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman. Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind." Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk. "I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual. Still, she told herself, there is a perfectly good explanation for everything he has done. Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question. "How is it among the whites?How does a man gain a wife?" Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully. "He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms. "But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota." When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?" "A man who belives in the Bible and teaches his people about God from the Bible." "What if there is no minister and a man and a woman wish to be married?" Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
When Vanity caught Stack staring toward them, she smiled. “I really think you guys should let us use the locker room. I’m perspiring. Cherry’s perspiring.” Cherry went still, then looked down at herself and blushed. Sweat dampened the front of her tank top, especially between and beneath her big boobs. Denver scowled, giving Stack a shove. Which in turn knocked him into Armie. None of them spoke. Cannon took up the torch. “It’s only set up for men.” “We don’t need the urinals,” Vanity said. “Just the showers.” Yvette plucked at her top. “I really could—” Cannon put his hand over her mouth. “We don’t have a door on the locker room, and sure, we’d all know not to step in, but there are other people here, other guys, and—” Vanity said, “So put someone there to keep watch for us.” Stack opened his mouth, but at first nothing came out. He cleared his throat. “Sounds carry down there.” He gestured. “There not being a door and all.” Grinning, Armie said, “Meaning whoever keeps guard—” “Watch,” Vanity corrected. “—will hear every little detail. Like clothes dropping. And water running. Even slick, soapy hands—” This time, Stack shoved him without Denver’s help. “I’ll do it,” Cannon offered, and he sounded like he’d just thrown himself on the sacrificial altar. “Fuck that.” Denver took a step forward. “I don’t want you listening to Cherry shower.” Cherry’s face got hotter. “Denver!” Folding his arms, Cannon stared at him. “You think I’d let you listen to Yvette?” “Cannon!” Yvette joined the brigade of embarrassed women. Only Vanity remained unflustered. “Let Armie do it.” Mutually appalled, Stack, Denver and Cannon all stared at her. Going along, Armie nodded and rubbed his hands together. “Yeah, let me do it.” “Hell, no.” “In his dreams.” “Not in this lifetime.” Armie laughed. “You guys know I won’t be thinking anything you wouldn’t be thinking.” “Maybe,” Denver said. “But we wouldn’t go blabbing it everywhere.” Crossing his heart dramatically, Armie swore, “It’ll be between me and my pillow.” Denver took a step toward him, but Vanity put herself in his way. “We’re showering. For the future, you might want to think about creating a space for women.” “Tried,” Cannon argued. “We’re out of room here. I wanted to expand, but the guy who owns the lot next to us doesn’t want to sell.” “Hmm...” Vanity got a thoughtful look on her face. “Well then, I suggest you find a desk to put down there and then, perhaps, we could plan this around when Harper is here doing the scheduling. She could be our lookout.” “I could call her—” Cannon tried to offer. But Stack noticed that Vanity already had both her arms wrapped around one of Armie’s. And damn him, Armie just let her, smiling in a way that just might lose him a few teeth. Leese looked at each of the men and started snickering. “They’re pathetic, right?” Armie said. “They’re something,” Leese agreed. “Not sure what.” “You two losers are just jealous,” Cannon accused. “Yeah,” Armie said, patting at Vanity’s arm. “So jealous.” Denver growled when Cherry cozied up to the other side of Armie, and even Yvette smiled as she followed along, all of them heading to the locker room. The men stared until the group was out of sight. “I’m going to have to punch him,” Denver said. “At least once.” “Get in line,” Cannon told him. Then he pointed at Leese. “Not a word out of you!” Trying to bite back his grin, Leese got started mopping. Damn, Stack wondered, did Vanity enjoy making him nuts? And unlike Cannon and Denver, he couldn’t protest as much as he wanted because, though he’d thrown out some signals, he and Vanity weren’t official. Fuck.
Lori Foster (Tough Love (Ultimate, #3))
Ferguson, Missouri. When riots broke out over the August shooting death of Michael Brown, armed members of the Oath Keepers took to the city’s rooftops, appearing out of the smoke and shattered glass of ransacked buildings. Their supposed duty was to secure the local businesses from looting. In the first days of the protests, demonstrators had broken out windows of storefronts, set arson fires, and torched a beauty supply store. ABC News reported that a number of business owners embraced the Oath Keepers’ armed presence. Group members boarded up storefronts and kept buckets of water and fire extinguishers handy in case nearby arson attacks escalated. This was the vigilante group’s moment in the media sun. Still, rumors flew. Some protestors thought the armed men in camouflaged fatigues were members of the Ku Klux Klan. The St. Louis County police ordered the Oath Keepers to leave the rooftops of Ferguson, threatening them with arrest for acting as a security force without a license. This only added fuel to the right-wing group’s conspiracy that the government is not protecting its people. The volunteer security force packed up and left Ferguson, leaving people wondering exactly who these heavily armed mystery men were.
Anonymous
I don’t want you to die,” she whispered. “I don’t.” Without warning he seized her wrist with his left hand. She gasped as he opened his eyes and stared into hers. “I am glad you no longer want me dead,” he murmured hoarsely. “If you did, I would be easy to kill.” She tried to pull free. “Let me go,” she insisted. “Will you wipe my head again, if I do? I’m hot.” “You’re feverish.” He was looking at her in such a strange way—for an instant, she had the oddest notion that he might kiss her. “And you care for me?” “If you die there will be no one to take me back to the white settlements,” she said. Her words were harsh, but her tone revealed the joy that bubbled up inside her and made her giddy. He smiled and glanced around the longhouse. “Siipu found us?” He caressed her hand with his thumb, making slow, gentle circular motions against her skin. Sweet sensations rippled up her arm and made her pulse quicken. “Siipu? No,” she protested. “It was your brother, Losowahkun, who saved us. He—” “No.” He frowned. “Do not use that name. Siipu. Not my brother, Becca.” “Losowahkun,” she repeated in bewilderment. “He said he was your brother—he wears a deerskin mask.” She was no longer trying to free her hand. She wanted to leave it in his grasp. She fought an impossible urge to throw her arms around his neck and hug him against her. “There can’t be two such—” “Another like her,” he finished. “You are right. But I have no brother. Her name is not Losowahkun—the Burned One. She is Siipu, Creek Water, and she is my beloved sister.
Judith E. French (This Fierce Loving)
Ignoring her protests, he swept her up in his arms and carried her toward the hut. “Put me down!” Elizabeth cried. “I said put me down!” Her mouth tasted of ashes, and the sudden knowledge that she was afraid turned her fear into white-hot anger. “Release me at once, you . . . you red savage!” Balling her right hand into a fist, she struck him as hard as she could on the side of the face. Cain gasped, and Elizabeth felt his muscles tense. “Tshingue,” he muttered between clenched teeth. She raised her fist to strike him again. “Do not,” he warned softly. His stride quickened. They were past the hut and moving swiftly toward the beach. “Where are you taking me?” she demanded as the sound of the ocean grew louder. “Cain!” Her voice took on a shrill edge. “Cain!” “You want down,” he said. “You get down.” “Cain, no!” Water splashed around his ankles. “Cain!” “If you have fever, cool.” Without warning, Elizabeth was in the air. Before she could catch her breath, she plunged into the icy water of the Atlantic. “Ohhh!” Coughing and sputtering, she struggled to get her feet under her. An incoming wave tripped her, and before she could recover her balance, an iron hand closed around hers and dragged her back to the beach. She sank down on the warm ground, spitting out sand and salt water. “Damn you,” she choked. “You tried to drown me.” Cain’s answering chuckle was almost more than she could bear. “You’re inhuman!” “This one does not know this word inhuman,″ he said solemnly. “Stop it! Stop taunting me. I hate you!” she cried. He dropped to the sand beside her. “I do not think you hate me.” ″I do! I—” Fiercely, Cain pulled her into his arms and silenced her words with his mouth against hers. Elizabeth tried to pull away, but he was too strong. Her struggles went unheeded as Cain seared her lips with a fiery, all-consuming kiss. Then, as suddenly as he had begun his assault, he released her. “Look into your heart, Englishwoman,” he said huskily. “Wipe the salt from your eyes and truly look. Tell me then if it is hate you feel for Shaakhan Kihittuun.” Before she could reply, he was gone, walking back toward the hut.
Judith E. French (Lovestorm)
Gabriel ignored Enoch’s protest. “Trust in Elohim. Rahab is coming upon this city.” Rahab was the name of the sea dragon of chaos, the creature of destruction that swam the waters of the Abyss. People invoked her name when they wanted to express foreboding disaster of total annihilation. “Bring your family and loved ones to the mountains of Aratta in the north. In the volcanic lands of Sahand you will find your distant ancestor, Adam. He will teach you what you need to learn to fulfill Elohim’s calling upon your life.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
THE ROAR of the death blast on the Avenue of the Americas cannot be heard in faraway Johannesburg. With eight weeks to go to the opening game in Soccer City, Sepp Blatter and his South African capos have enough problems. Outraged by price gouging, fans are staying home. In the townships citizens protest every day; ‘Service riots’ send messages to politicians that public money should be spent on homes, water, sewage plants and jobs, not stadiums that will become white elephants. Why should they listen? They have the police beat back the protestors. The World Cup is good news for Danny Jordaan, leader of the bid and now chief executive for the tournament. Quietly, his brother Andrew has been given a well-paid job as Hospitality liaison with MATCH Event Services at the Port Elizabeth stadium. A stakeholder in the MATCH company is Sepp Blatter’s nephew Philippe Blatter. The majority owners are Mexican brothers Jaime and Enrique Byrom, based in Manchester, England, Zurich, Switzerland and with some of their bank accounts in Spain and the Isle of Man. The Brothers are not happy. Sepp Blatter awarded them the lucrative 2010 hospitality contract aimed at wealthy football patrons, mostly from abroad. If that wasn’t enough, Blatter also gave them the contract to manage and distribute the three million tickets. The brothers are charging top rates for hotels and internal flights and expected to make huge profits. Instead, they are on their way to losing $50 million. They plan to recoup these losses in Brazil in four years time.
Andrew Jennings (Omertà: Sepp Blatter's FIFA Organised Crime Family)
By the time Johan stumbled out of the city gates, the fire had already started. All his energy was gone, like water rung from a wet rag. Was he the only one who saw Simon’s atrocity? The crusaders, the monks, the priests...none protested. And to emphasize that thought, a chorus emerged from below, near the fire. The monks sung Ta Deum.
D.W. Koons (Divine Vengeance)
When the security guard walked past the infirmary, he noticed the open door. Gun drawn, he charged into the room and pulled the nurse away despite her protestations. After she complained about the incident, the warden released several photographs of Allander’s victims for her perusal. She sat down after the second one, requested a glass of water after the fifth, and turned in her resignation after the seventh. Through the bars on his window, Allander watched her leave the prison, shaking her head, her steps slow and unsure.
Gregg Andrew Hurwitz (The Tower)