“
Try to imagine a life without timekeeping. You probably can’t. You know the month, the year, the day of the week. There is a clock on your wall or the dashboard of your car. You have a schedule, a calendar, a time for dinner or a movie. Yet all around you, timekeeping is ignored. Birds are not late. A dog does not check its watch. Deer do not fret over passing birthdays. an alone measures time. Man alone chimes the hour. And, because of this, man alone suffers a paralyzing fear that no other creature endures. A fear of time running out.
”
”
Mitch Albom (The Time Keeper)
“
Grief can destroy you --or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. OR you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn't allow yourself to consider the sacredness of it. But when it's over and you're alone, you begin to see that it wasn't just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can't get off your knees for a long time, you're driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
When you meet someone so different from yourself, in a good way, you don't even have to kiss to have fireworks go off. It's like fireworks in your heart all the time. I always wondered, do opposites really attract? Now I know for sure they do. I'd grown up going to the library as often as most people go to the grocery store. Jackson didn't need to read about exciting people or places. He went out and found them, or created excitement himself if there wasn't any to be found. The things I like are pretty simple. Burning CDs around themes, like Songs to Get You Groove On and Tunes to Fix a Broken Heart; watching movies; baking cookies; and swimming. It's like I was a salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic.
”
”
Lisa Schroeder (I Heart You, You Haunt Me)
“
If your heart takes more pleasure in reading novels, or watching TV, or going to the movies, or talking to friends, rather than just sitting alone with God and embracing Him, sharing His cares and His burdens, weeping and rejoicing with Him, then how are you going to handle forever and ever in His presence...? You'd be bored to tears in heaven, if you're not ecstatic about God now!
”
”
Keith Green
“
For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity.
And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval.
But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks.
What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
”
”
Salman Rushdie (The Ground Beneath Her Feet)
“
I don't watch scary movies. I mean it. Not ever. They make me scared. Scared of being alone in the house. Scared of being alone upstairs at night. Scared of walking home from work in the dark.
”
”
Laura Buzo (Good Oil)
“
Well, of course I’ve tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I’ve tried it. Of course I have.
”
”
Yasmin Belkhyr
“
Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. “And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
i don't like to talk. every time i go somewhere with a friend they always expect me to talk to them. i like to sit quietly. when i watch a movie or read a poem i don't like to discuss it with anyone. i like to watch movies and then maybe sleep. no talking. occasionally i watch the same movie over and over again until i fall asleep. i prefer watching movies alone. i prefer reading alone. i prefer eating alone. i prefer walking alone. i prefer listening to music alone. i prefer singing alone. i prefer swimming alone. i prefer to eat small children alone. i like it when sean reads me poetry but i just like to listen quietly and not comment afterwards. sometimes i feel this makes him uncomfortable.
”
”
Ellen Kennedy (Yesterday I Was Talking to Myself...)
“
I was used to being alone. Even when I was surrounded by people, a part of me isolated itself until I felt like I was watching a movie of my life instead of living it.
”
”
Ana Huang (Twisted Lies (Twisted, #4))
“
Thank you? Was that like a thanks, but no thanks? Thanks, but I’m watching a movie, leave me alone?
”
”
Cora Carmack (Losing It (Losing It, #1))
“
When I’m with friends now, as an adult, I don’t want to have polite adult tea and talk about our jobs. I don’t want to sit in dress pants while we talk about a New Yorker article. Not really. I want to lie on the couch, cozy in blankets, watching movies, feeling safe enough to pass out and stay the night if we want to. I want to turn English muffins into foundations for pizza bagels at ten p.m., even though they’re not as good as bagels and we know it. I want to tell each other things we can’t talk about online, or we can’t tell our coworkers, and to cry and still be lovable, even if we’re in pain sometimes. To break in front of each other, and pick up the pieces together, before making some dumb joke and telling each other we love each other and knowing we’re safe to be all of it.
”
”
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
“
...for those who value stability, who fear transience, uncertainty, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers' seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celbrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or movie theatre, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveller, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
”
”
Salman Rushdie (The Ground Beneath Her Feet)
“
It's like we're all going up a flight of stairs together and at a certain point I say 'this is as far as I go'. And on that step, higher up, they're all happy and I watch them from below. Had he always been like that? It wasn't shyness or reserve or adolescence, as other people thought. He wasn't going to get over it. He could dance when he was alone, he could get emotional in his room with a book, but when the party started he disconnected, the others turned into a movie that he could watch but not participate in. So he acted like he was invisible, which wasn't hard when everyone was drunk. And he withdrew into his room, where he felt the purest kind of relief.
”
”
Mariana Enríquez (Nuestra parte de noche)
“
There is a tremendous difference between alone and lonely. You could be lonely in a group of people. I like being alone. I like eating by myself. I go home at night and just watch a movie or hang out with my dog. I have to exert myself and really say, oh God, I’ve got to see my friends because I’m too content with myself.
”
”
Drew Barrymore
“
No sport, watching horror movie with friends in bright room.
Try that alone at night without light with mirror above screen!
”
”
Toba Beta (My Ancestor Was an Ancient Astronaut)
“
You think all your memories are yours alone, but often they are given by others: versions of events repeated by family, scenes stolen from a movie watched half-sleeping, dreams willed into existence.
”
”
Coco Khan (It's Not About the Burqa)
“
People think it's strange when you're alone in doing something that's usually done by two people. Watching a movie or eating, for instance, Like there's a rule that such things should be done by two or more people.
”
”
Eunjin Jang (No One Writes Back)
“
He’d lived so much of his life for sexual love, which was a filthy thing, really, all that saliva and semen and anal smears, filthy! Much better to live alone and watch TV in bed or talk to Pierre-Georges as he was in his bed and watching the same movie. Both of them spotlessly clean.
”
”
Edmund White (Our Young Man)
“
Follow your doctor’s orders. For me that means antidepressants and behavioral therapy. Exercise thirty minutes a day, six days a week. Get sunlight, or if you can’t, use light therapy. Do not overuse your light therapy lamp even though you want to. Treat yourself like you would your favorite pet. Plenty of fresh water, lots of rest, snuggles as needed, allow yourself naps. Avoid negativity. That means the news, people, movies. It will all be there when you’re healthy again. The world will get on without your seeing it. Forgive yourself. For being broken. For being you. For thinking those are things that you need forgiveness for. Those terrible things you tell yourself? Can you imagine if the person you love most were telling themselves those things? You’d think they were crazy. And wrong. They think the same about you. Those negative things you are thinking are not rational. Remember that depression lies and that your brain is not always trustworthy. Give yourself permission to recover. I’m lucky that I can work odd hours and take mental health days but I still feel shitty for taking them. Realize that sometimes these slow days are necessary and healthy and utterly responsible. Watch Doctor Who. Love on an animal. Go adopt a rescue, or if you can’t, go to the shelter and just snuggle a kitten. Then realize that that same little kitten that you’re cradling isn’t going to accomplish shit but is still wonderful and lovely and so important. You are that kitten. Get up. Go brush your teeth. Go take a hot shower. If you do nothing else today just change into a new pair of pajamas. It helps. Remember that you are not alone. There are crisis lines filled with people who want to help. There are people who love you more than you know. There are people who can’t wait to meet you because you will teach them how unalone they are. You are so worthy of happiness and it will come.
”
”
Jenny Lawson (Broken (in the best possible way))
“
The Scream
Death changes the meaning of words
Life is not what it use to mean
the carefree seamless summer of my childhood
is stitched into seasons years decades appointments
filling the void with more blackness
like oil roiling from the ocean floor
love is bottom-lined to to the slit of pleasure
God to the slit of the confessional
work to clock-punching
family to obligation
friends to activity partners
going through the motions
watching myself in a movie
in a dream
at a wake...
we are all amnesiacs lost we
suffer from anosognosia and adderall
and chronic fatigue and hypochondria
he hobbles trembling forsaken alone
pressing his ears like a vise
in the Krakatoan twilight
I scream
”
”
Beryl Dov
“
The greatest miracle in the world is that you are, that I am. To be is the greatest miracle—and meditation opens the doors of this great miracle. But only a man who loves himself can meditate; otherwise you are always escaping from yourself, avoiding yourself. Who wants to look at an ugly face, and who wants to penetrate into an ugly being? Who wants to go deep into one’s own mud, into one’s own darkness? Who wants to enter into the hell that you think you are? You want to keep this whole thing covered up with beautiful flowers and you want always to escape from yourself. Hence people are continuously seeking company. They can’t be with themselves; they want to be with others. People are seeking any type of company; if they can avoid the company of themselves, anything will do. They will sit in a movie house for three hours watching something utterly stupid. They will read a detective novel for hours, wasting their time. They will read the same newspaper again and again just to keep themselves engaged. They will play cards and chess just to kill time—as if they have too much time! We don’t have too much time. We don’t have time enough to grow, to be, to rejoice.
”
”
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
“
Because I don’t like the idea of you facing them alone. Because I’m not dating you because you’re convenient. Because I don’t want to simply have sex with you or hang out with you.” He stroked the line of Paul’s beard. “I want to be with. You. I want to watch gooey movies with you, and laugh and play and figure out new ways to enjoy sex, but I want to help you through the rough parts of life too.
”
”
Heidi Cullinan (Winter Wonderland (Minnesota Christmas, #3))
“
Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
Grief can destroy you or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time,so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn't allow yourself to consider the sacredness of it. But when it's over and you're alone, you begin to see it wasn't just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can't get off your knees for a long time, you're driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz
“
Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
It Rained for Two Days Straight
Yesterday, Ryan told me his grandfather was admitted to the hospital. It was raining the way it rains in the movies, like whoever does the dishes left the faucet running, heavy drops polishing everything in the city dark. We ran from one drooling awning to the next, quicker, then slower, quicker, slower. If one had watched from the sky, our bodies would have looked like two small needles being pulsed forward by some invisible machine, stitching the streets together. Today, Patric was left by a girl he did not love but did not not love. He told me it was impossible to imagine himself both alone and whole. It was still raining--the sky's silly metaphor for sadness, untimely, startling, the way it makes the whole world more honest. Death is like this, too. Heartache, also. The sudden absence of what was there but now not. I touched Patrick's shoulder, attempting to pass my human to his. I sent Ryan a poem. I cannot do more than this art of bearing witness, to be both the bucket and the mirror, to say, yes, you are here but I am here also, to say you won't be here forever, or to say nothing and just walk beside each other in the rain.
”
”
Sierra DeMulder (Today Means Amen)
“
Getting back to Audrey, though, I should really feel complimented that she won’t ever touch me because she likes me more than anyone else. It makes perfect sense, really, doesn’t it?
If she ever gets down or depressed, i can make out the figure of her through the front window of the shack. She comes in and we drink cheap beer or wine and watch a movie or all three. Something old and long like Ben-Hur that stretches into the night. She’ll be next to me on the couch in her flannel shirt and jeans that have been cut into shorts,and eventually, when she’s asleep, I’ll bring a blanket out and cover her up.
I kiss her cheek.
I stroke her hair.
I think of how she lives alone, just like me, and how she never had any real family, and how she only has sex with people. She never lets any love get in the way. I think she had a family once, but it was one of those beat-the-crap-out-of-each-other situations. There’s no shortage of them around here. I think she loved them and all she ever did was hurt her.
That’s why she refuses to love.
Anybody.
I guess she feels better off that way, and who can blame her?
When she sleeps on my couch, I think about all that. Everytime. I cover her up, then go to the bed and dream.
With my eyes open.
”
”
Markus Zusak (I Am the Messenger)
“
Despair is perhaps today our most dangerous enemy, and the most difficult to combat. Money is power, and it is overwhelmingly in the hands of our potential destroyers, who are supported by the governments so many of us have helped to elect. I have a voice somewhere inside me that says, all too frequently, "Give up, shut up; really retire; do all the things you want to do, read your books, listen to your music, watch your movies, it's already a lost war, leave it all alone." But then those books, that music, those films, tell me the exact opposite: "You must fight, you must speak. If you stop, what happens to your self-respect?
”
”
Robin Wood (Hollywood from Vietnam to Reagan)
“
My seventeen-year-old son, Chase, and his friends are in the family room watching a movie. I’ve been trying to leave them alone, but it’s hard for me. I understand that most teenagers think their moms are uncool, but I am certain I’m the exception. I stand at the door and peek inside. The boys are draped all over the couch. The girls have arranged themselves in tiny, tidy roly-poly piles on the floor. My young daughters are perched at the feet of the older girls, quietly worshipping. My son looks over at me and half smiles. “Hi, Mom.” I need an excuse to be there, so I ask, “Anybody hungry?” What comes next seems to unfold in slow motion. Every single boy keeps his eyes on the TV and says, “YES!” The girls are silent at first. Then each girl diverts her eyes from the television screen and scans the faces of the other girls. Each looks to a friend’s face to discover if she herself is hungry. Some kind of telepathy is happening among them. They are polling. They are researching. They are gathering consensus, permission, or denial. Somehow the collective silently appoints a French-braided, freckle-nosed spokesgirl. She looks away from the faces of her friends and over at me. She smiles politely and says, “We’re fine, thank you.” The boys looked inside themselves. The girls looked outside themselves. We forgot how to know when we learned how to please. This is why we live hungry.
”
”
Glennon Doyle (Untamed)
“
Besides, I'm okay alone. I don't always want to answer a question about why I'm coughing if I'm coughing. I like falling into Return to a Place Lit by a Glass of Milk without being asked what am I reading. I appreciate not being interrupted in the middle of thinking about nothing. Nobody shoos my dogs off the sofa or objects to the three of them with sardine breath farting under the covers in bed at night. I like moving furniture around without anyone wishing I wouldn't or not noticing that I have. I like cooking or not, making the bed or not, weeding or not. Watching movies until three am and no one the wiser. Watching movies on a spring day and no one the wiser. To say nothing of the naps.
”
”
Abigail Thomas (A Three Dog Life)
“
Your gran says you’re not eating enough,’ she says, and we keep moving. ‘She also says you’ve turned into a zombie who hides in her room, sleeps all day and spends her nights at the beach with her mother, who has always turned into a zombie.’
Rose throws cans of tuna in the trolley while I’m trying to get a look at myself in the cake tins to see if I do actually look like the undead. The news isn’t entirely good.
‘She has no idea what a zombie actually is,’ Rose says. ‘So I wouldn’t worry.’
‘Cal introduced her to zombies. Shaun of the Dead is her top movie of all time.’
‘Jesus,’ Rose says. ‘We didn’t even get to watch TV when we were growing up. Now she’s watching Simon Pegg films and telling me my niece needs to have sex. But don’t worry,’ she says, looking at my horrified face. ‘I set her straight about that. I told her to leave you alone.’
‘Good.’
‘I told her zombies don’t have sex
”
”
Cath Crowley (Words in Deep Blue)
“
Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.”
“How long?” someone yelled.
Sam shook his head. “I don’t know.”
“Why can’t you get him to leave?”
“Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?"
Silence.
“Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.”
“That’s your job,” Zil said.
“Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.”
“Sam…,” Astrid said, just loud enough for him to hear. A warning.
Too late. He was going to say what needed saying.
“And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies?
“Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.”
As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.”
But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.”
The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public.
“I’m doing the best I can,” Sam said.
“I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.”
Silence.
“I’m doing the best I can.”
No one said a word.
Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely.
“I’m sorry,” he said.
“I’m sorry.
”
”
Michael Grant (Hunger (Gone, #2))
“
When she finally reached it, she bent forward and looked through the peephole.
Jay was grinning back at her from outside.
Her heart leaped for a completely different reason.
She set aside her crutches and quickly unbolted the door to open it.
"What took you so long?"
Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here."
"Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her.
She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow."
"I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly.
"What is it?" she asked breathlessly.
He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there.
And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of.
"Whose is it?" she asked admiringly. It was way better than her crappy little Honda.
Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance."
"Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time.
"I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?"
Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child."
"I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him.
He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness.
At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her.
It was the safest she'd felt in days...maybe weeks...
And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Sometimes we posit a scenario in which we were both young when we met, and we imagine that we would have had kids, if only because I would have wanted them. And we would have raised them with all our best efforts and unflagging commitment. But we also would have become different people, made different choices, and had a different relationship with each other; more distant and harried, more responsible, more grown-up. Instead, we have this life, and we are these people. We get to go to bed every night together, alone, and wake up together, alone. Our shared passions thrill and satisfy us, and our abundant freedoms—to daydream; to cook exactly the food we want when we want it; to drink wine and watch a movie without worrying about who’s not yet asleep upstairs; to pick up and go anywhere we want, anytime; to do our work uninterrupted; to shape our own days to our own liking; and to stay connected to each other without feeling fractured—are not things we’d choose to give up for anyone, ever.
”
”
Kate Christensen (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
“
With the nausea gone, evenings with Marlboro Man slowly began resembling the way they’d been before. We watched movies on the couch together--his head on one end, my head on the other, our legs in a tangled mess of coziness. He’d play with my toes. I’d rub his calves, which were rock hard and tough from day after day on horseback. After the purgatory of the previous weeks, things were officially delicious again.
Marlboro Man was delicious again. After a love-drenched honeymoon in Australia, we’d returned home to a bitter reality that had put a screeching halt to what should have been the most romantic days of our lives together. Since my nausea had been so bad that the mere smell of skin made me sick, it had been difficult for me to lie in bed with him some nights--let alone entertain any other thoughts. It had been a cold, frigid autumn in more ways than one. If Marlboro Man hadn’t been so happy about his child developing in my body, I imagined he might have taken me back for a refund. I was so glad that this time had finally passed.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
It was also a lot easier for online teachers to hold their students’ attention, because here in the OASIS, the classrooms were like holodecks. Teachers could take their students on a virtual field trip every day, without ever leaving the school grounds. During our World History lesson that morning, Mr. Avenovich loaded up a stand-alone simulation so that our class could witness the discovery of King Tut’s tomb by archaeologists in Egypt in AD 1922. (The day before, we’d visited the same spot in 1334 BC and had seen Tutankhamun’s empire in all its glory.) In my next class, Biology, we traveled through a human heart and watched it pumping from the inside, just like in that old movie Fantastic Voyage. In Art class we toured the Louvre while all of our avatars wore silly berets. In my Astronomy class we visited each of Jupiter’s moons. We stood on the volcanic surface of Io while our teacher explained how the moon had originally formed. As our teacher spoke to us, Jupiter loomed behind her, filling half the sky, its Great Red Spot churning slowly just over her left shoulder. Then she snapped her fingers and we were standing on Europa, discussing the possibility of extraterrestrial life beneath the moon’s icy crust.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
expression that I took to be surprised agreement. Because Birdie seemed to expect me to elucidate, I fumbled out what I thought she might want to say herself: “Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
Loss is the hardest thing,” I said. “But it’s also the teacher that’s the most difficult to ignore.” Her fanning hand went still. She regarded me with an expression that I took to be surprised agreement. Because Birdie seemed to expect me to elucidate, I fumbled out what I thought she might want to say herself: “Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry.
He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water?
And why did the water have to feel so, so good?
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The powerful influence of filmed examples in changing the behavior of children can be used as therapy for various problems. Some striking evidence is available in the research of psychologist Robert O’Connor on socially withdrawn preschool children. We have all seen children of this sort, terribly shy, standing alone at the fringes of the games and groupings of their peers. O’Connor worried that a long-term pattern of isolation was forming, even at an early age, that would create persistent difficulties in social comfort and adjustment through adulthood. In an attempt to reverse the pattern, O’Connor made a film containing eleven different scenes in a nursery-school setting. Each scene began by showing a different solitary child watching some ongoing social activity and then actively joining the activity, to everyone’s enjoyment. O’Connor selected a group of the most severely withdrawn children from four preschools and showed them his film. The impact was impressive. The isolates immediately began to interact with their peers at a level equal to that of the normal children in the schools. Even more astonishing was what O’Connor found when he returned to observe six weeks later. While the withdrawn children who had not seen O’Connor’s film remained as isolated as ever, those who had viewed it were now leading their schools in amount of social activity. It seems that this twenty-three-minute movie, viewed just once, was enough to reverse a potential pattern of lifelong maladaptive behavior. Such is the potency of the principle of social proof.50 When
”
”
Robert B. Cialdini (Influence: The Psychology of Persuasion (Collins Business Essentials))
“
You remember that documentary they showed us in sixth grade? The one about Hurricane Katrina?”
“Yeah.” I shrug, remembering how we’d all piled into the media center to watch it on the big, pull-down screen. I don’t recall much about the movie itself, but I’m pretty sure Brad Pitt had narrated it. “What about it?”
"I had nightmares for weeks. I have no idea why it affected me the way it did.”
“Seriously?”
He nods. “Ever since, well…let’s just say I don’t do well in storms. Especially hurricanes.”
I just stare at him in stunned silence.
“You’re going to have fun with this, aren’t you?”
“No, I…of course not. Jeez.” How big of a bitch does he think I am? “I’m not going to tell a soul. I promise. Okay? What happens in the storm shelter stays in the storm shelter,” I quip, trying to lighten the mood.
His whole body seems to relax then, as if I’ve taken a weight off him.
“Did you seriously think I was going to rag on you for this? I mean, we’ve been friends forever.”
He quirks one brow. “Friends?”
“Well, okay, not friends, exactly. But you know what I mean. Our moms used to put us in a crib together. Back when we were babies.”
He winces. “I know.”
“When we were little, things were fine. But then…well, middle school. It was just…I don’t know…awkward. And then in eighth grade, I thought maybe…” I shake my head, obviously unable to form a complete sentence. “Never mind.”
“You thought what? C’mon, don’t stop now. You’re doing a good job distracting me.”
“Yeah?”
“Yeah. Call it a public service. Or…pretend I’m just one of the pets.”
“Poor babies,” I say, glancing over at the cats. Kirk and Spock are curled up together in the back of the crate, keeping the bromance alive. Sulu is sitting alone in the corner, just staring at us. “He’s a she, you know.”
“Who?”
“Sulu. Considering she’s a calico, you’d think Daddy would have figured it out.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
One question.” I managed to gather the two words as his struggling breath entangled in my hair.
“This isn’t fair. There is so much I want to know.” He laced his fingers into mine as he dipped his head down to my ear. “I want to know how you like your coffee, and what your favorite song is. I want to know what annoys you, and the worst thing you’ve ever done. I want to know your greatest fear, and whether or not you talk in your sleep. If you prefer chocolate over vanilla, and if you cried watching The Notebook … if you’ve ever seen The Notebook, or like movies at all. What gives you the greatest high, and what can take all the pain away …” Ollie drew in a deep breath, and at the same time, my heart skipped in my chest. “But what I need to know is … are you willing to open yourself up to me so I can find out?”
“Is that your question?” I stammered, lost in all his words.
“Yes.” He exhaled. “That’s my final question.”
Turning to face him, his eyes filled with hope and wonder, but his absent smile expected the inescapable truth. We both knew there wasn’t anything inside me to open up, an empty shell. So, what exactly did I have to lose?
And, so, it was there, in the middle of the romance section of the maze-like library at Dolor University outside of Guildford in the United Kingdom where I decided I was willing to show him I was nothing more than a hollow soul. “I will only disappoint you.”
“I doubt it.”
“And I’m difficult,” I warned.
“Good.” Ollie grinned. “I wasn’t expecting anything less, Mia. I’m only asking you to knock down a wall. Not even a wall—fuck, carve me out a door. I only want to know you.” He grabbed my hand, and a calmness washed over me.
I didn’t have the tools to destroy a wall, let alone carve out a door. The barriers had endured ten years. Tough and sturdy and placed for a reason. Each one had a purpose, and even though I’d forgotten why they stood there in the first place, I was scared what would happen if I started carving out holes. The walls became my friends—they were safe. But I nodded, anyway, because the small glimmer of hope in his eyes spread like an infection.
“And to clarify, no, I’ve never seen The Notebook, and I don’t plan on it, either.”
Ollie threw his head back and a raspy laugh echoed in our maze.
A laugh I had quickly grown to adore.
”
”
Nicole Fiorina, Stay With Me
“
EXERCISE 10: DEVELOPING A GRAND VISION You may want to do this exercise alone, out in a natural setting somewhere. 1. See Your Interests, Values, and Abilities. The next step is to discover how your interests and your deep values connect into and form your mission. It can be accomplished by seeing a grand, whole, meaningful image of what purpose you could dedicate your life to. This will be formed from your interests, values, and present goals. Begin to play with the images that you see, which represent some kind of direction that you want to take. As you get a sense of what your mission can be, see various snapshots of yourself doing what you love to do, snapshots of your abilities. 2. Focus on Heroes and Heroines. Take a look at what your favorite heroes or heroines do. See yourself doing things that give you the same feeling you get when you think of them. See snapshots of the person you want to become. Any images you don’t like can fade away. 3. Direct a Movie of Yourself. See yourself the way you want to be—doing the things you love to do. Whatever you choose to put on the screen, you’re the Spielberg, you’re the director. See the images that you feel passionate about. You can play with the images in front of you. Pretend that you’re in the middle of an inner, three-dimensional movie theater. It’s a place where you can see and hear and feel with great fidelity. Notice how much you can see, letting the wisdom from within guide the visual display that you see in front of you. Visualize it, feel it, enjoy it. The images are often up close and in full, rich color. See yourself living out a scenario that gives you tingles in your spine. You can zoom in on that glorious, fun-filled, exciting future that you see. It allows you to do what you love to do and accomplish what you believe in. 4. Recall Your Deep Values. List your deep values as you watch your mission scenario. Notice how your values and your images can fit together with a remarkable consistency. 5. Ask for Help from Your Inner Wisdom. Ask for your inner wisdom, the higher powers, or God to guide your grand vision. This vision is going to be more of a discovery than a creation. Let it come to you. Ask and it will come. Take the time to see and hear those aspects of life that unify into a whole that you feel a powerful passion for. See some more images. See some time going by. See various bright, radiant, up-close, colorful images of what it is that you could create in your life. They can begin going in a certain direction, coalescing and representing many of your current goals, some of the things that you want. See them develop into a kind of grand visionary collection of images that represents your purpose and your mission. 6. Do What It Takes. Take whatever time you need—five minutes, an hour, a whole afternoon. This is your life, your future that you are creating. When you finish, write it down. Your images are so attractive, you have some glimpses of what your mission is. Now you can develop it more fully. Ask the visionary in you to give you the gift of this grand vision. Now that you can see your grand vision of what you want to contribute to, you can make that vision into a cause to work for—a specific direction to channel your efforts to.
”
”
NLP Comprehensive (NLP: The New Technology of Achievement)
“
Once Mom and Ossie and I spent an afternoon alone together in her hospital room. We were watching the small TV above her head politely, as if the TV were a foreign dignitary giving an unintelligible lecture, and waiting for any news from Dr. Gautman. As if on cue, that lame movie from the sixties started playing, Ladies In Waiting. A quintet of actresses haunt the punch bowl--they are supposed to be spinster sisters or spinster best friends, or maybe just ugly and needy acquaintances--anyhow, these pink chameleons, voiceless in their party chignons, they stand around the back of a ballroom having flashbacks for most of the movie, regretting older events in their minds, ladling cups of glowing punch from a big bowl, and only after the dying violin note of the final song do they at last step away from the wall. "Oh, but we DID want to dance!" the actresses cry at the end of the scene, their faces changing almost totally. All these angry multiplying women.
Hopes were like these ladies, Mom told us. Hopes were wallflowers. Hopes hugged the perimeter of a dance floor in your brain, tugging at their party lace, all perfume and hems and doomed expectation. They fanned their dance cards, these guests that pressed against the walls of your heart. Our mom had become agitated as the movie credits rolled: There had never been a chance for them! What STUPID women. That day we watched TV with her until the hospital began to empty, until the lights went white as a screech and the room grew so quiet...
”
”
Karen Russell
“
The house was quieter than usual, the sounds muffled and soft. It made her throat ache: The darkness, the kitchen, the single light. It felt like she was watching a movie of her life from an earlier era. Before Mom left, before all the trouble. Guilt twinged in Madi’s stomach. Before I took off and left Dad to deal with Sarah alone.
”
”
Danika Stone
“
Dear 18-Year-Old Self,
Slow down -- everything is going to be fine. You aren't going to fail at anything you care about or anything important. Be less afraid. Less afraid to talk to people. Less afraid to assert yourlsef. Less afraid that time alone is a bad thing. It's okay that you cry a few times a week. Living away from home is hard, and that part won't get easier. You will cry less. Walk away from the things that take more than they give. Give to the things that nourish you or make you happy. Give more of yourself to less things.
At 21, you are going to realize that you don't need to count the moments where you are happy. You will be happy almost all the time. Movies about injustices are going to make you cry. Don't stop watching them. They are going to give you purpose. Don't freak out that you change your life goal with every movies. As long as you plan to do good, you are staying true to yourself. Stop comparing yourself to those around you. Their struggles do not invalidate your own. Their successes do not diminish yours. You will never have all the answers. You will always have some. Taking your life a day at a time is not a failure -- you are not a failure.
”
”
Emily Trunko (Dear My Blank: Secret Letters Never Sent)
“
This means you must limit the time you spend alone—especially in the early phases of the struggle against pornography. Be honest with your accountability partner about the typical times when you are alone and find yourself tempted. Make plans to spend those times with others. You can study together, take a walk, play sports, read the Bible and pray, or watch a movie. You can even have an accountability partner scheduled to call you during those times (with the requirement that you must pick up the phone) to check in on you. If you’re married, you may need to commit to going to bed at the same time as your spouse, even if you don’t feel tired. Cut back as much as possible on the times when you are alone and tempted to indulge in pornography.
”
”
Heath Lambert (Finally Free: Fighting for Purity with the Power of Grace)
“
You think all your memories are yours alone, but often they are given by others: versions of events repeated by family, scenes stolen from a movie watched half-sleeping, dreams willed into existence. I want to say that everything that follows here are my memories but I’m not sure. I’m not sure whose they are, or if they indeed ever belonged to anyone. In the end I’m not sure it matters. Sometimes all we know of families are the myths we are told and the fragile heaviness we carry inside, the sound of snapping in the ear.
”
”
Coco Khan (It's Not About the Burqa)
“
Bailey sat on the edge of the couch and fed Maddy grapes. The very swollen mommy-to-be initially complained about being fed like a pet. Eventually, she gave in and enjoyed the attention. Not to be outdone, Sawyer turned a fan towards Maddy and was painting her nails. I watched them baby her and wondered about when I would be that big and uncomfortable.
“I’m in no hurry to have a baby,” Tawny said, maybe for the tenth time since arriving. “Not in any hurry at all.”
Farah grinned from where she was cutting carrots into little perfect sticks for dipping. “Coop is obsessed with getting me pregnant. First, his little brother is about to have a baby then his best friend. I swear whenever we’re alone, he’s inside me,” she said then her smile grew. “It’s awesome.”
“Huh,” Tawny muttered. “Judd is in me all the time too and not because he’s trying to plant his flag or lay his seed or whatever.”
“Jealous?” Farah asked and Tawny fake glared at her.
“Sometimes, my sister irritates me too,” I said and they both laughed.
“I’m going to brush the baby’s hair,” Bailey announced to no one in particular. “When she’s old enough, I’m going to put those little barrettes in her hair and make her wear headbands and turn her into a doll. Then when she cries, I’m giving her back to Maddy.”
“Yeah for me,” Maddy whispered with her eyes closed.
“Are you suffering?” Bailey asked. “Like should I do more for you to ease away the horror of how huge you’ve become?”
Opening her eyes a crack, Maddy muttered, “Stop charming me.”
Bailey grinned. “Seriously, you look pretty miserable today.”
“I’ve been having those Braxton Hicks contractions since yesterday.”
“Is that bad?” Sawyer asked, looking up from her meticulous work on Maddy’s toes. “Is it like hemorrhoids?”
When we laughed, Sawyer beamed, even though she likely had no idea what was funny.
“They’re like practice contractions,” Maddy explained. “They don’t hurt much, but they’re uncomfortable.”
Bailey frowned. “How do you know all this stuff?”
“I read a book.”
“Yeah, I did that once. Not a fan.”
“You guys don’t have to hang out here,” Maddy said. “The guys are out having fun and you’re pampering me. You could go to the movies if you want.”
“No,” Bailey said quickly. “I need to be super nice because I had a dream that being nice will lead to a handsome awesome guy who is the fucker. I want that guy. He belongs to me and I’m sick of waiting, so shut up and let me be nice to you.”
“Sure,” Maddy said, sighing. “This is nice, but I’m going to have to pee soon.”
“Do you need me to carry you?” Bailey asked.
“Maybe. Ask me in a few minutes.
”
”
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
“
If we believe Scripture, we can reverently seek to enjoy happiness and laughter with God himself. I often remind myself that God is always with me. He wants us to know we can be happy both in him and with him—not only after we die, but as we live today. When I’m alone, whether I’m meditating or reading or looking at photos or watching a movie, any happiness or laughter I experience is a laugh I share with God because, in fact, I am not alone!
”
”
Randy Alcorn (Happiness)
“
What are you doing here?”
“My dad called and--what the hell is that?”
He pointed to the cleaver.
I angled my chin. “I was in the middle of cutting my peanut butter and jelly sandwich.”
“With a meat cleaver?”
“It’s quick and makes a perfectly straight cut.”
He grinned. “Yeah, right. You’ve obviously watched too many movies. Who’d you think I was? Freddy Krueger?”
“What are you doing here?” I repeated, not in the mood for his sarcasm or teasing. Plus I was feeling a little silly holding my weapon of choice.
“Like I said, my dad called. The ferry shut down before they could get back. I decided to check to make sure that you were okay.”
“Why wouldn’t I be okay?”
“The storms here can get pretty intense, and if you’ve never been through one”--he dropped his gaze back to the cleaver--“I just thought you might get freaked if you were all alone.
”
”
Rachel Hawthorne (Snowed In)
“
A dozen thoughts hit me all at once. The biggest was a one-word command: RUN! I had watched the horror movies, the ones where the mentally malnourished airhead goes into the house alone, sneaking around like, well, like me, and then ends up with an ax between the eyes. From the safety of my seat in the cineplex, I had scoffed at their idiocy and now, here I was, in Bat Lady’s lair, and someone else was here, in the basement. Why
”
”
Harlan Coben (Shelter (Micky Bolitar, #1))
“
We have all seen children of this sort, terribly shy, standing alone at the fringes of the games and groupings of their peers. O’Connor worried that a long-term pattern of isolation was forming, even at an early age, that would create persistent difficulties in social comfort and adjustment through adulthood. In an attempt to reverse the pattern, O’Connor made a film containing eleven different scenes in a nursery-school setting. Each scene began by showing a different solitary child watching some ongoing social activity and then actively joining the activity, to everyone’s enjoyment. O’Connor selected a group of the most severely withdrawn children from four preschools and showed them his film. The impact was impressive. The isolates immediately began to interact with their peers at a level equal to that of the normal children in the schools. Even more astonishing was what O’Connor found when he returned to observe six weeks later. While the withdrawn children who had not seen O’Connor’s film remained as isolated as ever, those who had viewed it were now leading their schools in amount of social activity. It seems that this twenty-three-minute movie, viewed just once, was enough to reverse a potential pattern of lifelong maladaptive behavior.
”
”
Robert B. Cialdini (Influence: The Psychology of Persuasion (Collins Business Essentials))
“
Giving her a second, I stood up and walked into my room, threw a pair of sweatpants over my shorts, and shrugged into a sweatshirt. God, how was she shivering? I was already sweating with this on. But if I couldn’t comfort her in the way I wanted to, I was going to do it in the only other way I knew how. I’d just be there for her. When I walked back through the living room, her sobs had quieted, but she was still in a ball. Heading into the kitchen, I grabbed two bottled waters, a spoon, and the pint of Ben and Jerry’s she always made sure I had in the freezer. I put everything on the coffee table, grabbed the remote, and searched the DVR until I found Bridesmaids. I didn’t give a shit about the two hundred dollars or breakfasts I would owe her for this. Sitting down next to her this time, I picked up the water and ice cream, balanced them on my legs, and turned the volume up. When the movie started, she brought her red face up and glanced at the TV with a furrowed brow before looking over at me. Her eyebrows shot straight up when she saw me. “What are you wearing?” Her voice was hoarse from crying and I handed her the bottle of water. “Well, you came over in sweats. I figured I missed the memo or something and had to get in on the party.” She looked at the TV and back to me, and a small smile cracked when she took the ice cream and spoon from me. I’d pushed her enough today. I hated knowing what I knew and vowed to one day find out who this guy was. Hopefully now that she knew she could talk to me, she’d open up more when she was ready. But anything more today would be too much. So I settled into the couch and pretended to watch the movie instead of her every move. After a while, she handed me back the half-empty container and leaned against my shoulder. My arm automatically went around her and I pulled her close to my side. “Thank you, Kash,” she whispered a couple minutes later. “Anything for you, Rach. I’m here whenever you need to talk.” Pressing my lips to her forehead, I kept them there as I said, “And I will always protect you.” We were still sitting there watching the movie when Mason came back from his run. He nodded at us, and when he came back out of his room after a shower, he was dressed in sweats as well. He grabbed the melting ice cream and tried to squeeze himself onto the couch on the other side of Rachel. She laughed and curled closer into my side. “You guys are the best.” “You think we’re going to let you veg on the couch alone?” Mason said, scoffing. “Sweetheart, you obviously don’t know us that well. I mean, it’s gonna be a hundred degrees today. How else would I spend the day than in sweats?” Rachel kicked at his leg and he squeezed her knee. After a few minutes of watching the movie, Mason caught my gaze over Rachel’s head. He quickly looked down at her and raised an eyebrow, the question clear in his eyes. I nodded once and the color drained from his face. He swallowed hard and grabbed one of Rachel’s hands. She laughed lightly at something from the movie and his eyes came back to mine. They were determined, and he looked like he was struggling at relaxing his now-murderous expression. I knew exactly how he felt. He didn’t have to say anything to me. We’d worked together long enough to know that we’d both just agreed to find the bastard. And make him pay.
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
What are you doing here?”
“My dad called and--what the hell is that?”
He pointed to the cleaver.
I angled my chin. “I was in the middle of cutting my peanut butter and jelly sandwich.”
“With a meat cleaver?”
“It’s quick and makes a perfectly straight cut.”
He grinned. “Yeah, right. You’ve obviously watched too many movies. Who’d you think I was? Freddy Krueger?”
“What are you doing here?” I repeated, not in the mood for his sarcasm or teasing. Plus I was feeling a little silly holding my weapon of choice.
“Like I said, my dad called. The ferry shut down before they could get back. I decided to check to make sure that you were okay.”
“Why wouldn’t I be okay?”
“The storms here can get pretty intense, and if you’ve never been through one”--he dropped his gaze back to the cleaver--“I just thought you might get freaked if you were all alone.”
It was nice of him to worry about me but totally unnecessary.
I sighed. “I’m fine, thanks. You can go back home now.”
“You’re kidding, right? Did you not look out there?”
“It’s snowing.”
“It’s a blizzard. I’m not going back out.”
“You’re not staying here.”
He raised an eyebrow. “This is an inn.”
“Not yet. We’re not officially open for business.”
“Tough. It’s easy to get disoriented out there. Last year a guy froze to death three feet from his front porch.”
“Call a taxi.”
The other eyebrow shot up. “Is this any way to thank me for showing concern?”
“You know, I think you probably came over here because you were afraid to be alone.”
“I really did want to make sure you were okay.”
“You could have called.”
“It’s not the same.”
I didn’t want to admit to him that a little part of me was glad not to be alone anymore. Because the wind was loud and now that it was right, it was scary.
“Oh, all right.” Besides, if the ferry wasn’t running, the taxi probably wasn’t either. “Come on. I’ll split my sandwich with you.”
“I make a mean grilled cheese sandwich, and I’m really in the mood for something warm.
”
”
Rachel Hawthorne (Snowed In)
“
In Shiva, knowledge is perfect, will is perfect, ability is perfect, feeling is perfect. In Shiva there is no time but only eternity. In Shiva too, there is no space as we know it, but only omnipresence. There is total freedom, svatantrya. There is no sequence of events, no steps, nothing outside of Shiva Himself. There is no cause and effect. Everything is known at once in its totality. In Shiva, past and future do not exist separately from the present. In Shiva, other places do not exist separately from this place. In Shiva there is no ‘there and then’, only ‘here and now’. The early Shaivite masters measured time with thought. They held that the smallest unit of time is the ‘moment’, which is the time it takes to have one thought. A meditator soon discovers that past and future are products of his mind alone. He sees that meditation is a struggle to become present. When the mind moves towards future possibilities or broods over past events there occurs a subtle but real diminution of energy. But when the mind stays present, energy is enhanced and uplifted. In every activity in life our enjoyment and our efficiency are increased the more present we are. Whether the activity is watching a movie, playing a sport or making love—the more present we are, the more vivid, full and enjoyable it is. Being present clearly has something to do with our interest in whatever we are doing, and that can affect our emotional engagement with it. Although the Self is ultimately the source of all love and interest, it takes a while to truly focus on it because we are beguiled by false possibilities and superficial goals.
”
”
Shankarananda (Consciousness Is Everything: The Yoga of Kashmir Shaivism)
“
Indecipherable images agitated his sleep. He is alone in a dark place. Then he hears voices, singing and laughing. Singing that same old song from the movies they used to watch at the boarding school when the lights were out and everybody was supposed to be a sleep.
”
”
Willow Rose (One, Two ... He Is Coming for You (Rebekka Franck #1))
“
Dear friends, let us love one another, for love comes from God. Everyone who loves has been born of God and knows God. —1 John 4:7 (NIV) I’ve always been something of a loner. In middle school, I preferred a good fantasy novel to time on the playground, and in college, I often chose to do homework or watch a movie rather than spend time with friends. Even at church, I chose to sit in pews toward the back, where I could pray alone. Sometimes my desire to be on my own was so strong that I would snap at people just to get them to leave me alone. I’d like to say all that changed when I met Emily; that her warmth and beauty opened my heart so wide I couldn’t hold it in any longer. But it didn’t; at least not at first. It took weeks of hanging out together before I worked up the courage to ask her out, and even when we started dating, I still found myself drawing away. After a night where I raised my voice at Emily for simply asking if we could have dinner together, I knew I had to change. Not only was I endangering the most important relationship in my life, but I wasn’t living by Christ’s precept to love and care for one another. I didn’t become a new person overnight. It took months of work and prayer to stop pushing Emily away. Ultimately, I had to accept that I wanted to watch her laugh as much as anything on earth—and I would change, in any way necessary, to protect and keep her in my life with God’s help. My relationship with Emily—and my family and friends—is ongoing…. Thank You, Lord, for always leaving Your heart open for me, thereby teaching me to open my heart to others. —Sam Adriance Digging Deeper: 2 Cor 5:17; Gal 2:20
”
”
Guideposts (Daily Guideposts 2014)
“
I watch romantic movies. I read romance novels. I fantasize about the perfect date with the perfect guy. I plan perfect dates for everyone else… and then sit at home alone.
”
”
Louisa Masters (Mr. Romance (Franklin U, #3))
“
Dr. Emily and her vet tech Kate show up to my house at seven p.m. and we decide to do the euthanasia outside on my back patio. I don’t want Petunia’s soul getting stuck in the house. I want it to float up and out into the sky. Dr. Emily walks me through exactly how it will go. First Petunia will get a medication that will make her sleep. Once she’s asleep she won’t feel anything. Then she will receive medication to slowly and peacefully stop her heart. The whole thing should take around twenty minutes.
“Do you want a few minutes alone with her before we start?” Dr. Emily’s voice is soft. She places her hand on my back. Both she and Kate have known Petunia for years, and like everyone who knows Petunia, they love her. Petunia will die surrounded by love.
I pick my beloved dog up into my arms and walk with her from room to room of our house, recounting all the things we did together in those sacred spaces.
In the kitchen, I say “This is where you watched me bake banana bread and licked spilled flour dustings from the floor.”
In the dining room: “This is where we ate dinner. Remember how beautiful it looked the first night I lit all the candles?”
In the living room: “This is where we watched movies.”
And in my office, my favorite room, the room where my new career and life have flourished, I say “This is where we pulled tarot cards every morning. This is where you helped me sew lampshades. This is where you kept me company while I edited all the photographs.
”
”
Anna Marie Tendler (Men Have Called Her Crazy: A Memoir)
“
out between us, when we’d given it a try one tentative time, after I, too, learned what it was like for a marriage to implode. Lydia had been empathetic and understanding, and knew how to make great popcorn and buy ice cream and pour shots of tequila, and for sure she had a god-tier movie collection. It could’ve been a rom-com from the eighties: geeky late bloomer grows up and finally gets his chance with the dream girl who was out of his league when they met, because she was nine years his senior. By the time we took our short-lived tumble, the age gap didn’t seem nearly as prominent, but the dynamic still wasn’t quite right, and maybe never could be. There was no shaking free of the worry over what Lydia saw when she looked at me. She would always remember the bruises, the confessions. She would always remember how back then my dad kept insisting he was only trying to knock the fag out of me, and I’d thank him someday. She would always remember why I got into schlocky videos in the first place: I thought if he came through and saw I was watching something with lots of boobs, he’d leave me alone. Only it didn’t work that way. The world is full of carnivores intent on devouring their young, and if one rationale gets invalidated, they find another.
”
”
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
“
Dedication To my father, Charles Franklin Corley, the greatest campfire storyteller of his generation and one of the smartest men I have ever known. As a young boy, I loved staying up past my bedtime and curling up next to my dad on the couch to watch old war movies. I think he would have liked this novel; it has lots of explosions and soldiers doing brave things.
”
”
David Lee Corley (We Stand Alone (The Airmen, #1))
“
All this navel-gazing is virtually unreadable now—at least it is to me. I wrote things as they were, and I stayed stuck. It’s frustrating to read them for that reason. I want to yell, “Get out of there! Quit that job! Leave that guy! Get a new apartment! Speak up!” It’s a bit like watching a horror movie and wishing you could tell the girl not to go into the abandoned house alone at night, but of course she does it anyway.
”
”
Meredith Maran (Why We Write About Ourselves: Twenty Memoirists on Why They Expose Themselves (and Others) in the Name of Literature)
“
A movie screening of Before Midnight? A Richard Linklater classic for sure, but watching a movie with a group doesn’t mean you connect with anyone; the only people talking are on-screen. That one goes in the bottom-right corner—high likelihood she’d enjoy it, low likelihood of interaction.
Eventually, we discovered a book club discussing Ta-Nehisi Coates, the award-winning journalist who writes about culture, politics, and social issues. Ding-ding-ding. Alicia was a huge fan of his work. And book clubs are all about interaction.
”
”
Logan Ury (How to Not Die Alone: The Surprising Science That Will Help You Find Love)
“
Naskar is made by Naskar alone, not an industry or benefactor - or more importantly, by family wealth. I had a roof over my head, food on the table, and clothes on my back - that was more than enough.
I started writing with literally zero dollar in my pocket. Let me tell you how it began, because for some reason, I completely forgot a crucial event of my life when I wrote my memoir Love, God & Neurons.
I once met an American tourist at a local train in Calcutta. The first thing he asked me was, had I lived in the States? I said, no. Then how come you have an American accent - he asked. Watching movies - I said. We got chatting and he told me about a book he had recently published, a memoir. I believe, this was the cosmic event that planted the thought of writing my own books in my head - I had already started my self-education in Neurology and Psychology, and I was all determined to publish research papers on my ideas, but not books. Meeting the person somehow subconsciously shifted my focus from research papers to books.
So the journey began. And for the first few years, I made no real money from my books. Occasionally some of my books would climb the bestsellers list on amazon, like my very first book did, and that would keep the bills paid for several months. Then the invitations for talks started coming, but they too were not paid in the beginning. The organizers made all the travel arrangements, and I gave the talks for free. It's ironic and super confusing really - I remember flying business class, but I didn't have enough money to even afford a one way flight ticket, because I had already used up my royalties on other expenses.
Today I can pick and choose which speaking invitations to accept, but back then I didn't have that luxury - I was grateful for any speaking gig and interview request I received, paid or not. One time, I gave an interview to this moderately popular journalist for her personal youtube channel, only to find out, she never released the video publicly - she posted an interview with a dog owner instead - whose dog videos had gained quite a following on social media. You could say, this was the first time I realized first hand, what white privilege was.
Anyway, the point is this.
Did I doubt myself? Often. Did I consider quitting? Occasionally. But did I actually quit? Never. And because I didn't quit, the world received a vast never-before seen multicultural humanitarian legacy, that you know me for today.
There is no such thing as overnight success. If you have a dream, you gotta work at it day in, day out - night after night - spoiling sleep, ruining rest, forgetting fun. Persist, persist, and persist, that's the only secret - there is no other. Remember this - the size of your pocket does not determine your destiny, the size of your dedication does.
”
”
Abhijit Naskar (Bulletproof Backbone: Injustice Not Allowed on My Watch)
“
So, with no prospects and no skills (again, I majored in The History and Literature of Russia and Britain), I got ahead of the millennial curve and moved back to my parents’ house and into my childhood bedroom. Which, if you haven’t done it, is one of the most humiliating experiences an adult can go through. At first you think, No big deal. It’s like I’m back in high school, except no curfew and I can drink in front of my parents! Then you have one drink in front of your parents in your childhood kitchen and you’re like, I’m the saddest boy on Earth. There’s something about moving back home after college that eliminates all the respect you accumulated by going away to college. All the bragging your parents did about you going to a good school disappears overnight. You live in their house, yet they dare not speak your name in public, for fear that a friend of theirs with a working child will ask, “And what is Colin doing now?” So you slink around and try to eat alone at odd hours and then go to a movie at 11:45 P.M. on a Tuesday with your one other loser friend who moved back home. Then you go to a diner at 2 A.M. and see your high school girlfriend and she’s already married with three kids and you don’t understand how that’s even physically possible. (Or why she’s at a diner at 2 A.M. with three kids at home.) So you ask the diner to make your plate of eggs “to go” to escape the whole scene and now you’re eating cold eggs in the basement of your house at 3 A.M., watching Howard Stern tell a porn star to kiss Gary the Retard, because that’s easily the most thrilling moment of your day. And pretty soon you’re thinking, Why the fuck did I major in the History and Literature of Russia and Britain? After a few weeks of extreme depression, I talked to a couple friends from college who were equally miserable and unemployed, and we all decided: Let’s move to Manhattan or Brooklyn or wherever we can get an apartment and just force ourselves to get jobs and become actual adults. And my parents were like, “No…don’t…” And then closed the door behind me and locked it.
”
”
Colin Jost (A Very Punchable Face)
“
In the movie of my life in America the one my mother liked to watch , a young woman sits alone in her bedroom and call her mother each night on a computer. I'm coming for you, Mom, she says over the machine. Here's something to keep you busy in the meantime. Here's something to remember me by.
”
”
Bruna Dantas Lobato (Blue Light Hours)
“
Jack."
"Last name?"
"Let's leave it at Jack," he said.
"Unfortunately, the online form insists on a last name before it will allow me to move to the next page." I held up the tablet to show him the screen. "How about Jack Spratt? Jack Frost? Jack Sparrow? Jack Horner? Do you have a beanstalk? Do you kill giants? Have you built a house? Are you nimble?"
"How about something not fantasy-based?" With a soft chuckle, he moved closer to study the screen.
"Jack Dawson? Jack Skellington?" I tried to ignore the heat of his body, the warm breath across my cheek. "Jack-Jack Parr? Jack Torrance? Jack Pearson? Jack Reacher? Jack Ryan?"
His laughter, deep and rich, filled the room. "You know your Jacks."
"I like movies. I'll watch anything so long as I'm not watching it alone. Sharing snarky comments is all part of the fun."
"I think doing anything with you would be fun." His smile made me smile. I couldn't stop it. Were we flirting? Was that a flirting smile? Was I flirting with a thief?
”
”
Sara Desai (To Have and to Heist)
“
But I was stuck for a long time by myself at Abraham Lincoln's portrait, standing in the middle of the huge hall as people moved all around me with mostly children. I felt as if time had stopped as I watched Lincoln, facing him, while watching the woman’s back as she was looking out the window. I felt wronged, so much like Truman from the movie, standing there in the middle of the museum alone. I was wondering what would Abraham Lincoln do if he realized he was the slave in his own cotton fields, being robbed by evil thieves, nazis.
I had taken numerous photos of Martina from behind, as well as silhouettes of her shadow. I remember standing there, watching as she stood in front of the window; it was almost as if she was admiring the view of the mountains from our new home, as I did take such pictures of her, with a very similar composition to that of the female depicted in the iconic Lincoln portrait looking outwards from the window. I hadn't realized how many photographs I snapped of Martina with her back turned towards me while we travelled to picturesque places. Fernanda and I walked side-by-side in utter silence, admiring painting after painting of Dali's, without exchanging a single word. Meanwhile, Luis and Martina had got lost somewhere in the museum. When I finally found her, she was taking pictures outside of the Rainy Cadillac. We both felt something was amiss without having to say it, as Fernanda knew things I didn't and vice versa. We couldn't bring ourselves to discuss it though, not because we lacked any legal authority between me and Martina, but because neither Fernanda or myself had much parental authority over the young lady. It felt like when our marriages and divorces had dissolved, it was almost as if our parenting didn't matter anymore. It was as if I were unwittingly part of a secret screenplay, like Jim Carrey's character in The Truman Show, living in a fabricated reality made solely for him. I was beginning to feel a strange nauseous feeling, as if someone was trying to force something surreal down my throat, as if I were living something not of this world, making me want to vomit onto the painted canvas of the personalised image crafted just for me. I couldn't help but wonder if Fernanda felt the same way, if she was aware of the magnitude of what was happening, or if, just like me, she was completely oblivious, occasionally getting flashes of truth or reality for a moment or two. I took some amazing photographs of her in Port Lligat in Dali's yard in the port, and in Cap Creus, but I'd rather not even try to describe them—they were almost like Dali's paintings which make all sense now. As if all the pieces are coming together. She was walking by the water and I was walking a bit further up on the same beach on pebbles, parallel to each other as we walked away from Dali's house in the port. I looked towards her and there were two boats flipped over on the two sides of my view.
I told her: “Run, Bunny! Run!
”
”
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
“
Try to imagine a life without timekeeping. You probably can't. You know the month, the year, the day of the week. There is a clock on your wall or the dashboard of your car. You have a schedule, a calendar, a time for dinner or a movie. Yet all around you, timekeeping is ignored. Birds are not late. A dog does not check its watch. Deer do not fret over passing birthdays. Man alone measures time. Man alone chimes the hour. And, because of this, man alone suffers a paralyzing fear that not other creature endures. A fear of time running out
”
”
Mitch Albom
“
need sleep? I need to do whatever it takes to restore physically. 2. Have I been reading my Bible? Even if it is putting an app on my phone with a voice I can listen to while still in bed in the mornings or at night, I need to hear from the God who walks through these valleys with me. 3. Do I feel alone? I need to call someone who is a spiritually engaging friend, one who loves God, loves me, and whom I can completely trust. I will meet that person for coffee or lunch to share my heart and to ask for prayer. 4. Am I watching my health? Exercise is a stress reducer and helps happy hormones to develop. I have developed the habit of walking and hiking. 5. How can I get help? Is there someone who can help me clean my home? Do I have a friend I can ask to keep my kids, so I can have a little time away? 6. What do I need to invest in the joy factor of my life? Am I creating spaces of beauty for my own soul—candles, music, fresh flowers, and other such life-giving things? Perhaps it’s as simple as going to a movie with my husband or friend, or buying a new scarf.
”
”
Sarah Mae (Desperate: Hope for the Mom Who Needs to Breathe)
“
Your wish, my command.’
Marcel sprawled on the couch while I started the movie, fast-forwarding through the opening credits.
When I perched on the edge of the sofa in front of him, he wrapped his arms around my waist and pulled me against his chest. It wasn't exactly as comfortable as a sofa cushion would be, what with his chest being hard and cold-and perfect-as an ice sculpture, but it was preferable. He pulled the old afghan off the back of the couch and draped it over me, so I wouldn't freeze beside his body.
‘You know, I've never had much patience with Romeo,’ he commented as the movie started.
‘What's wrong with Romeo?’ I asked, a little offended. Romeo was one of my favorite fictional characters. Until I'd met Marcel, I'd had a thing for him.
‘Well, first, he's in love with this Rosaline-don't you think it makes him seem a little fickle? And then, a few minutes after their wedding, he kills Juliet's cousin. That's not very brilliant. Mistake after mistake. Could he have destroyed his happiness any more thoroughly?’
I sighed. ‘Do you want me to watch this alone?’
‘No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’
‘Probably,’ I admitted, ‘if I'm paying attention.’
‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting.
The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead.
‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair.
”
”
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
“
They showed a movie, and my neighbor got headphones. Sometimes, I watched the figures moving across the little screen, but I couldn't even tell if the movie was supposed to be a romance or a horror film.
After an eternity, the plane began to descend toward New York City. Olivia remained in her trance. I dithered, reaching out to touch her, only to pull my hand back again. This happened a dozen times before the plane touched down with a jarring impact.
‘Olivia,’ I finally said. ‘Olivia, we have to go.’
I touched her arm.
Her eyes came open very slowly. She shook her head from side to side for a moment.
‘Anything new?’ I asked in a faint voice, conscious of the man listening on the other side of me.
‘Not exactly,’ she breathed in a voice I could barely catch. ‘He's getting closer. He's deciding how he's going to ask.’
We had to run for our connection, but that was good-better than having to wait. As soon as the plane was in the air, Olivia closed her eyes and slid back into the same stupor as before. I waited as patiently as I could. When it was dark again, I opened the window to stare out into the flat black that was no better than the window shade.
I was grateful that I'd had so many months' practice with controlling my thoughts. Instead of dwelling on the terrifying possibilities that, no matter what Olivia said I did not intend to survive, I concentrated on lesser problems. Like, what I was going to say to Mr. Anderson if I got back:' That was a thorny enough problem to occupy several hours, and Marcel?
He had promised to wait for me, but did that promise still apply? Would I end up home alone in Pittsburgh, with no one at all? I didn't want to survive, no matter what happened.
It felt like seconds later when Olivia shook my shoulder-I hadn't realized I'd fallen asleep.
‘Bell,’ she hissed, her voice a little too loud in the darkened cabin full of sleeping humans.
I wasn't disoriented-I hadn't been out long enough for that.
‘What's wrong?
”
”
Marcel Ray Duriez
“
My Seclusion
Just like, I remember the- Fireflies at night, they all carry their- own light in flight. They fly higher and higher until they are out of sight. They are never in fear of the darkness because they carry their light. They constantly have hope, and it shines brightly. The firefly flies by, unlike me there are never shy. I am lying outside on the grounds a few feet from my home, yet I am still feeling all alone, listening to all the sounds of the night as they moan. I look at the full moon, knowing that I will be back in hell soon, seeing all the faces at lunch at noon. Wondering what is going to happen on my vacation in the upcoming summer in the months like in June. I lie on the cold hard ground outside looking up with the stars in the sky, remembering all the days flashing that have gone by, seeing all the faces that never even say hi, remembering the terror from the wandering eyes.
(Right now)
My head is pounding just like the thunder and lightning, the evil faces streaks crossed my face, with every bolt of lightning. This takes me back to when I was a little girl; I hope that the pink suspended feathers sweep them away in the white webs.
So, I can have a sunny day on all these rainy days that seem to never end, I just do not have much to say. I am not safe anywhere… the voices haunt me as they do. However, I just have an overwhelming urge to cry, all night and watch movies by myself. Like, I have done, these last two years of my high school life. Is anything going to change? Why must I live like this? Why do I keep living? Why can I not just pass on? I look out my window, and sometimes it takes me back to when I was young.
Some days I look out the window and the skies are scarlet, and that reminds me that I should be out doing things with people of my age. The summer has come and gone, and the school days have started with no one to see me, or even ask if I was alive. No one cares!
Is the plan going to work? I have no idea at this point, yet I keep trying!
”
”
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
“
I left you two more pieces. You can’t be full.”
I glanced over at him. “You mean you didn’t stop eating because you were full?”
He shook his head. “No, I was being considerate. I’m never full.”
I leaned back on the sofa. “Eat all you want. I’m done.”
He didn’t lean forward to grab another slice like I had expected him to. Instead his attention stayed on me.
“Why did you invite me here tonight, Ash?”
My face flushed. Why had I asked him to come? Answering that question wasn’t easy. Since he’d walked in the door, I’d been acting ridiculous. I never seemed to be at a loss for things to say to Sawyer. Beau rattled me. Now he was being bored to death by the preacher’s daughter when he could be spending his evening with his sexy, hot girlfriend, doing all those things I knew nothing about. I was depriving him of an exciting night. The idea that he’d come tonight to entertain me for his cousin’s sake made me feel awful. He’d been doing this as a charity, and I couldn’t even make it interesting for him. Well, at least I’d fed him.
“I’m sorry. I guess I just didn’t want to be alone, but I’m okay. You can go. I know this is dull compared to your normal activities.” I managed a weak smile.
His frown deepened as he leaned forward and rested his elbows on his knees, but he didn’t take his eyes off me.
“Being with you isn’t dull. You just seem uncomfortable. If you want me to leave, I will. I have a feeling you’re rethinking the having me over thing.”
I sighed and let out a small laugh.
“No. I want you to stay. I’ve just never had any guy over here but Sawyer, and even then my parents were here. I’m nervous. It’s not that I don’t want you here.”
“Why do I make you nervous?” he asked, watching me.
“I don’t know,” I answered truthfully.
“Hmm, you’re wrong, by the way,” he replied, grinning.
“What?”
“You’ve had other guys here. I use to come here often. Your room still looks the same.”
I smiled. He was right. I just needed to remember this was the same boy who used to lie on my bed with me and watch movies.
He closed the space between us and relaxed as he stretched his arm along the back of the sofa. “I don’t bite, Ash. It’s just me. Promise. Come here and see.”
I studied the crook of his arm; the idea of snuggling up against him was extremely tempting. But I didn’t think he had that in mind. So instead I leaned back on the couch, careful not to touch him.
His hand didn’t come around me and pull me closer. It remained on the back of the couch, and I hated that I was disappointed.
“Relax and watch the movie,” he said in a soft voice I’d never heard him use before. It made me feel warm and safe.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
When I’d clambered up there as an adult, alone, I’d been struck by how claustrophobic the view looked, with new buildings filling the neighborhoods around us, where there had once been open air. Cranes loomed ominously over the surrounding blocks like invaders from an alien movie, mantis-like shadows with red eyes blinking against the night, the American flags attached to them flapping darkly in the wind, signaling that they came in peace when really they were here to destroy.
”
”
Alyssa Cole (When No One Is Watching)
“
If you hadn’t been there, I’m not entirely sure I would’ve been able to stop myself from hurting the guy worse. That’s why I need to get to the lake house and be alone.”
She sniffed.
There was so much in that one little derisive sound that he had to look her way. “What?”
Her expression went deadpan. “You realize that is a completely ridiculous plan, right?”
He frowned.
“Come on, Finn.” She pursed those red-glossed lips like she could barely tolerate his foolishness. “That is such a man plan.”
“A man plan.”
“Yes. You don’t know how to be among the living anymore so you’re going to…go live alone in a cave. Right. Good thinking. That will pop your how-to-be-human skills right back into place.”
He made a frustrated sound and pulled into the lot of the hotel to park so he could face her, make her understand. “You saw what happened today. I’m not fit to be around other people right now. I beat a guy down for taking a picture. And I was…aggressive with you last night.”
“Aggressive?” Her mouth flattened, and she put a finger to her chest. “I kissed you. I was the aggressor. You were just…complicit in the aggressiveness. And you’re lucky I haven’t gone two years’ celibate, because had I been in your shoes, I would’ve convinced you to go up to my room and used you eight ways to Sunday and back again by now. You’d be limping.”
His libido gave a hard kick and knocked the logical thoughts out of his head for a moment. “I—”
“You need to be around people.”
That snapped his attention back to where it needed to be—mostly. “No.”
“You promised your boss you’d be around friends. You made me promise your boss that I’d make sure you did that. You made me lie to the FBI. That’s got to be a federal offense or something.”
“Made is a strong word.”
“Finn.”
He groaned. “What would you have me do? You want to babysit me, Livvy? Come stay at my lake house and make sure I don’t turn into a deviant?”
She stared at him, her gaze way too sharp, and then tipped her chin up in challenge. “Is that an invitation? Because you know you shouldn’t test me. I could babysit the hell out of you, Finn Dorsey. I know who you used to be. You don’t get to become a bad guy. I will make you do slumber-party things like play charades or watch crappy nineties movies or incessant reruns of Friends. You won’t be able to fight your old goofy side. It will emerge like a freaking butterfly and smother scary Finn.”
He blinked and stared, and then he couldn’t help it—he laughed. “A freaking butterfly?”
She smiled triumphantly. “A goofy freaking butterfly.”
He let out a long breath, some of the tension from the morning draining out of him. “You’re weird.”
“So are you.
”
”
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
“
he pressed a bit more firmly, but he didn’t hold them long. When he pulled back he said, “I have excellent manners.” “You seem to,” she agreed. “I must be drunk. I’m kissing a stranger in a bar.” “I think we’ve gotten to be pretty good friends,” he said. “We know each other’s darkest, most embarrassing secrets.” “We don’t know each other well enough to be kissing in a bar.” “Listen,” he said. “Did I mention I’m staying here tonight? I probably shouldn’t be driving. I’m going to check in and then come back here. We could have a drink or seltzer together, or I could take you upstairs, if you want to. We could watch a movie or something. Talk. Have drinks and not worry about anything. Whatever you like. Be less alone.” “That would be completely nuts,” she said. “You do this sort of thing a lot?” He shook his head. “Not in years. When I was younger, I was game for a lot of stupid things, but then eventually you grow up a little. Something like this didn’t occur to me when I came over here, bought you a drink. What do you think?” “I think you’re lying,” she said.
”
”
Robyn Carr (Temptation Ridge (Virgin River #6))
“
But I don’t tell her that I thought she was dying. I don’t tell her how much my legs shook, how my voice quivered when I said, “Mumma, mumma, mumma.” I don’t tell her how little and alone I felt. I don’t tell her how I’ll always bring her cigarettes, how I’ll watch that movie for sure.
”
”
Morgan Talty (Night of the Living Rez)