Watch Who You Vent To Quotes

I saw the Tracker—but that’s wrong, really. I saw right to where the tracking thing was. I saw those winnowing tentacles come out again, and the front figure pause, and then—it’s the only word that actually describes it—ooze on again on its via dolorosa. And at that the hind figure seemed to summon all its strength. It seemed to open out a fringe of arms or tentacles, a sort of corona of black rays spread out. It gaped with a full expansion, and even I could feel that there was a perfectly horrible attraction, or vacuum drag, being exerted. That was horrible enough, with the face of the super-suffering man now almost under me resonating my own terror. But the worst thing was that, as the tentacles unwrapped and winnowed out toward their prey, I saw they weren’t really tentacles at all. They were spreading cracks, veins, fissures, rents of darkness expanding from a void, a gap of pure blackness. There’s only one way to say it—one was seeing right through the solid world into a gap, an ultimate maelstrom. And from it was spreading out a—I can only call it so—a negative sunrise of black radiation that would deluge and obliterate everything. Of course it was still only a fissure, a vent, but one realized—This is a hole, a widening hole, that has been pierced in the dike that defends the common-sense, sensuous world. Through this vortex-hole that is rapidly opening, over this lip and brink, everything could slip, fall in, find no purchase, be swallowed up. It was like watching a crumbling cliff with survivors clinging to it being undercut and toppling into a black tide that had swallowed up its base. This negative force could drag the solidest things from their base, melt them, engulf the whole hard, visible world. And we were right on that brink. What was after us, for I knew now I was in its field, was not a thing of any passions or desires. Those are limited things, satiable things—in a way, balanced things, and so familiar, safe even, almost friendly in comparison with this. You know the grim saying, “You can give a sop to Cerberus, but not to his Master.” No, this was—that’s the technical term, I found, coined by those who have been up against this and come back alive—this was absolute Deprivation, really insatiable need, need that nothing can satisfy, absolute refusal to give, to yield. It is the second strongest thing in the universe, and, indeed, outside that. It could swallow the whole universe, and the universe would go for nothing, because in that gap the whole universe could fill not a bit of it. It would remain as empty, as gaping, as insatiable as ever, for it is the bottomless pit made by unstanchable Lack.

Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.

It’s not the most uncommon thing in the world. I keep a journal, you know.” Kate looked up. “You do? I never knew that.” “For years and years.” He moved another stack of muffin tins to the sink. She watched as he cleaned one, scraping crust from its edges. “Why? If you don’t mind my asking,” she said. He paused in his scrubbing. “I mean, are you going to do anything with them? Do you love writing?” He looked over his shoulder at her. “It’s not a matter of loving writing. It’s something I need to do. It helps me vent and figure things out. I don’t have to think about anyone else’s feelings or judgments. It’s the one place I really get to have my say.” “Why not just call a friend?” He gave her a wry smile that suggested she’d missed the point in some important way. “ ‘The unexamined life’ and all that, m’dear.” They sat in silence while he drained the sink. “Besides. Who wants to hear all that? Really.

Bundled in her old clothes, she pushed open the door of the cottage and stepped out into a wet, chill day. The wind slapped her face. Her disgust and hatred for all she had been rose like a tide in her. The meadow vista before her ended in the river, cold, gray, and relentless. She had been caught in it once and nearly drowned. She let the thought form in her mind. It would be quick. Cold and unpleasant but quick. She spoke aloud the words that had rattled through her dreams all night. “Time to end this life.” She lifted her face. The wind was pushing heavy clouds across a distant blue sky. You would kill yourself? Over that? Because Rapskal told you what you already knew? Sintara’s touch on her mind was coldly amused. The dragon’s consideration was distant and impartial. I recall that my ancestors witnessed humans doing this, deliberately choosing to terminate a life span that is already so brief as to be insignificant. Like gnats flying into flames. They flung themselves into rivers, or hanged themselves from bridges. So. The river? Is that how you will do this? Sintara had not touched minds with her for weeks. For her to return now and to be so coldly curious fired anger in Alise. She scanned the sky. There. A tiny wink of sapphire against the distant clouds. She spoke aloud, giving vent to her outrage, as in a single heartbeat despair became defiance. “End this life, I said. Not end MY life.” She watched the dragon tip her wings and slide down the sky toward the hills. Change took root in her, grew. “Kill myself? In despair over all the days I’ve wasted, all the ways I’ve deceived myself? What would that do except prove that in the end I still could not escape my own foolishness? No. I’m not ending my life, dragon. I’m taking it. I’m making it mine.” For a long moment she felt nothing from Sintara. Probably the dragon had spotted some prey and lost all interest in the gnat-lifed woman who could not even kill a rabbit for her. Then, without warning, the dragon’s thoughts boomed through her mind again. The shape of your thoughts has changed. I think you are finally becoming yourself. As she stared, the dragon suddenly clapped her wings tight to her body and dived on her prey. The immediate absence of the dragon’s touch on her mind was like a gust of wind boxing her ears. She was left stunned and alone.

Bundled in her old clothes, she pushed open the door of the cottage and stepped out into a wet, chill day. The wind slapped her face. Her disgust and hatred for all she had been rose like a tide in her. The meadow vista before her ended in the river, cold, gray, and relentless. She had been caught in it once and nearly drowned. She let the thought form in her mind. It would be quick. Cold and unpleasant but quick. She spoke aloud the words that had rattled through her dreams all night. “Time to end this life.” She lifted her face. The wind was pushing heavy clouds across a distant blue sky. You would kill yourself? Over that? Because Rapskal told you what you already knew? Sintara’s touch on her mind was coldly amused. The dragon’s consideration was distant and impartial. I recall that my ancestors witnessed humans doing this, deliberately choosing to terminate a life span that is already so brief as to be insignificant. Like gnats flying into flames. They flung themselves into rivers, or hanged themselves from bridges. So. The river? Is that how you will do this? Sintara had not touched minds with her for weeks. For her to return now and to be so coldly curious fired anger in Alise. She scanned the sky. There. A tiny wink of sapphire against the distant clouds. She spoke aloud, giving vent to her outrage, as in a single heartbeat despair became defiance. “End this life, I said. Not end MY life.” She watched the dragon tip her wings and slide down the sky toward the hills. Change took root in her, grew. “Kill myself? In despair over all the days I’ve wasted, all the ways I’ve deceived myself? What would that do except prove that in the end I still could not escape my own foolishness? No. I’m not ending my life, dragon. I’m taking it. I’m making it mine.” For a long moment she felt nothing from Sintara. Probably the dragon had spotted some prey and lost all interest in the gnat-lifed woman who could not even kill a rabbit for her. Then, without warning, the dragon’s thoughts boomed through her mind again. The shake is your thoughts has changed. I tbh m you are finally becoming yourself. As she stared, the dragon suddenly clapped her wings tight to her body and dived on her prey. The immediate absence of the dragon’s touch on her mind was like a gust of wind boxing her ears. She was left stunned and alone.

Every man worthy of the name,” Orsini repeated, almost with despair, with a last outburst of rage and scorn; and he was silent for a long time, as if to emphasize the enormity of such a claim. It proclaimed, also, he then went on, after taking a deep breath, that "the time for pride is finished, and that we must turn with far more humility and understanding toward the other animal species, “different, but not inferior” "Different, but not inferior,” Orsini re- peated again, with a kind of exasperated relish. And it went on like that; “Man on this planet has reached the point where really he needs all the friendship he can find, and in his loneliness he has need of all the elephants, all the dogs and all the birds . . Orsini gave vent to a strange laugh, a sort of triumphant sneer, entirely devoid of gaiety. “It is time to show that we are capable of preserving this gigantic, clumsy, natural splendor which still lives in our midst . . . that there is still room among us for such a freedom” He fell silent, but they could feel his voice lurking in the blackness, ready to hurl itself on the first prey that offered. There you had a man, he resumed, who for months had been«going about the bush, who penetrated to the remotest villages and who, having learned several dialects while he fraternized with the natives, was devoting himself to an obstinate and dangerous work, undermining the good name of the white man. Western civilization was obviously being represented to the Africans as an immense bankruptcy from which they must at all costs try to escape. They were not far from being begged to go back to cannibalism as a lesser evil than modem science with its weapons of destmction, or from being encouraged to worship their stone idols, with which indeed, as if by chance, people like Morel were stuffing the museums of the world. No, mademoiselle, I don't capture elephants. I content myself with living among them. I like them. I like looking at them, listening to them, watching them on the horizon. To tell you the truth, I’d give anything to become an elephant myself. I’ll convince you that I’ve nothing against the Germans in particular: they’re just men to me, and that’s enough. . . . Give me a rum.

Do not forgive and do not forget. But don not hide yourself away as I have, nor vent your anger as your father does... do no harm to those who do not seek to harm you. But be watchful. When the time comes you will know what to do.