Warwick Quotes

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Fabian had succeeded. She caught his eye and the two of them shared a look; it was the kind of look children wear when they know they've gotten away with something. At the same moment, Warwick and Florence also shared a look. Theirs was the kind of look adults wear when they know that somehow they have been well and truly hoodwinked, but are clueless as to the how and why, and know only that there's absolutely nothing they can do about it.
Michelle Harrison (The 13 Treasures (Thirteen Treasures, #1))
Warwick Castle, Oxford University, the Cotswold, and the countryside of England are my favorite places to visit when I’m in England. Whenever I visit, I feel as if I’ve come home. These places inspired my settings for my fantasy series, Bitter Frost Series, Wordwick Games, and The Alchemists Academy. I didn’t know the great author of the Lord of the Rings Trilogy was also inspired by Warwick, Oxford, and Cotswold. Imaginative minds must dream alike.
Kailin Gow
WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
With respect to the acceptance of dissociative disorders, as with most issues in life, it is counterproductive to spend time trying to convince people of things they don't want to know.
Warwick Middleton
I, too, know what it’s like to be alone.” His eyes lift, the blue so pure and unguarded I feel as though I am seeing him for the first time. “Maybe we can be alone together.
Alexandria Warwick (The North Wind (The Four Winds, #1))
The capacity for dissociation enables the young child to exercise their innate life-sustaining need for attachment in spite of the fact that principal attachment figures are also principal abusers.
Warwick Middleton
I want to play you…” He pressed his forehead to mine, closing his eyes. “I want to play your body like an instrument.
J.M. Warwick (A Season of Eden)
To be skeptical of the resultant text of the New Testament books is to allow all of classical antiquity to slip into obscurity, for no documents of the ancient period are as well attested bibliographically as the New Testament.
John Warwick Montgomery (History and Christianity)
Man will never understand woman and vice versa. We are oil and water. An equal level can never be maintained, as one will always excel where the other doesn't, and that breeds resentment.
Dionne Warwick
Then a far more grotesque and insulting marriage was arranged between the twenty-year-old John Woodville and Katherine Neville, Warwick’s aunt and the dowager duchess of Norfolk. Katherine was not only a four-time widow but also about sixty-five years old.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
Messages continued to arrive from the Earl of Warwick, urging Londoners to hold firm for King Harry. Marguerite d'Anjou and her son were expected to land at any time, while from St Albans, Edward sent word that Harry of Lancaster was to be considered a prisoner of state. At that, John Stockton, the Mayor of London, contracted a diplomatic virus and took to his bed.
Sharon Kay Penman (The Sunne in Splendour)
In reality there is no kind of evidence or argument by which one can show that Shakespeare, or any other writer, is "good". Nor is there any way of definitely proving that--for instance--Warwick Beeping is "bad". Ultimately there is no test of literary merit except survival, which is itself an index to majority opinion.
George Orwell (In Front of Your Nose: 1945-1950 (The Collected Essays, Journalism & Letters, Vol. 4))
As their forces broke, the Yorkist cavalrymen raced to the horse park behind their own lines and mounted their steeds to give chase. As they thundered past, the King and Warwick, flushed with victory, yelled, ‘Spare the commons! Kill the lords!’ Their words went unheeded.
Alison Weir (The Wars of the Roses)
bank next Friday afternoon, when I’ll be bringing along
Jeffrey Archer (Next in Line (William Warwick, #5))
You’ll remember Mark Twain’s comment about his father,” said Beth as they stepped off the bus. “‘When I was a boy of fourteen, my father was so ignorant I could hardly stand to have the old man around. But when I got to be twenty-one, I was astonished at how much he’d learned in seven years.
Jeffrey Archer (Nothing Ventured (William Warwick, #1))
While Edward was accustomed to fighting on foot, Warwick was said by one chronicler to prefer to run with his men into battle before mounting on horseback, “and if he found victory inclined to his side, he charged boldly among them; if otherwise he took care of himself in time and provided for his escape.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
A fool will lose tomorrow reaching back for yesterday
Dionne Warwick
A police uniform, he was warned by the commander on his first day on parade, could change a person’s personality, and not always for the better.
Jeffrey Archer (Nothing Ventured (William Warwick #1))
One bed for two people who cannot stand the sight of each other. The gods must hate me.
Alexandria Warwick (The North Wind (The Four Winds, #1))
he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
no one did fuck all. Bunny had mandem on the ropes like that. Of course he was always strapped and everyone knows he won’t pet to buss his gun so what could them Warwick man really do?
Gabriel Krauze (Who They Was)
You’ll find a lot of things blow up around Warwick,” I replied. “Like my ovaries,” Birdie muttered under her breath loud enough I could hear her. I shot her a look. “What?” She shrugged. “Like you weren’t thinking the same thing.
Stacey Marie Brown (Wild Lands (Savage Lands, #2))
Accept nothing, Believe no one, Challenge everything. It’s the only law I live by.
Jeffrey Archer (Nothing Ventured (William Warwick #1))
Dramatic is for the unimaginative.
Alexandria Warwick (The North Wind (The Four Winds, #1))
Everyone who has an interest in the History of Winchester, the Civil War In Hampshire and the 17th Century needs to read this - Desecration: Winchester 1642 by Charles Cordell
Warwick Louth
The king may have the emotional capacity of a twig, but I can’t deny the grace of his movements.
Alexandria Warwick (The North Wind (The Four Winds, #1))
Accept nothing, believe no one, and challenge everything
Jeffrey Archer (Nothing Ventured (William Warwick, #1))
SELFHOOD AND DISSOCIATION The patient with DID or dissociative disorder not otherwise specified (DDNOS) has used their capacity to psychologically remove themselves from repetitive and inescapable traumas in order to survive that which could easily lead to suicide or psychosis, and in order to eke some growth in what is an unsafe, frequently contradictory and emotionally barren environment. For a child dependent on a caregiver who also abuses her, the only way to maintain the attachment is to block information about the abuse from the mental mechanisms that control attachment and attachment behaviour.10 Thus, childhood abuse is more likely to be forgotten or otherwise made inaccessible if the abuse is perpetuated by a parent or other trusted caregiver. In the dissociative individual, ‘there is no uniting self which can remember to forget’. Rather than use repression to avoid traumatizing memories, he/she resorts to alterations in the self ‘as a central and coherent organization of experience. . . DID involves not just an alteration in content but, crucially, a change in the very structure of consciousness and the self’ (p. 187).29 There may be multiple representations of the self and of others. Middleton, Warwick. "Owning the past, claiming the present: perspectives on the treatment of dissociative patients." Australasian Psychiatry 13.1 (2005): 40-49.
Warwick Middleton
One of the biggest difficulties in our contemporary society is that we try to locate the evil in somebody else and then we try to get rid of him. The police are pigs or the students are worthless, and so on and so on. The Marxists are the devils or the Republicans are the devils or you name it. We try to isolate the evil and then get rid of it. But the teaching of the Bible is that we are thoroughly entrenched in this ourselves, so we can't toss rocks at someone else; we have to see the extent to which the moral ambiguities fall directly on us. We need forgiveness; and only when we receive it do we have our lives cleaned up so that we can start seeing situations accurately.
John Warwick Montgomery (Situation Ethics)
Faulkner didn’t put those
Jeffrey Archer (Hidden in Plain Sight (William Warwick #2))
Divorce never. Murder several times.
Jeffrey Archer (Hidden in Plain Sight (William Warwick #2))
Having the Church interested in your business was like a Viking asking after your wife and daughters. Someone was going to end up shafted.
Howard of Warwick (The Heretics of De'Ath (The Chronicles of Brother Hermitage, #1))
If anyone is sleeping on the floor, it’s you. You’re young. I’m many millennia old. I have back pain.
Alexandria Warwick (The North Wind (The Four Winds, #1))
All that evening I sat by my fire at the Warwick Arms, steeped in a dream of the olden time, while the rain beat upon the windows, and the wind roared about the eaves and corners.
Mark Twain (A Connecticut Yankee in King Arthur's Court (Dover Thrift Editions: Classic Novels))
I don’t want to return to Edgewood.” I haven’t wanted that in weeks. His throat bobs, and he lifts his hand, cupping the scarred side of my face gently. “Then what do you want?” Why do the simplest questions have the most trying answers? I have given the North Wind every part of myself save my heart, and now I give him one more thing. “You,” I whisper hoarsely. “I want you.
Alexandria Warwick (The North Wind (The Four Winds, #1))
The writer Warwick Cairns calculated that if you wanted your child to be kidnapped and held overnight by a stranger, you’d have to leave the child outside and unattended for 750,000 years.
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
The writer Warwick Cairns calculated that if you wanted your child to be kidnapped and held overnight by a stranger, you’d have to leave the child outside and unattended for 750,000 years.211
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
Well, lords, we have not got that which we have: 'Tis not enough our foes are this time fled, Being opposites of such repairing nature. York: I know our safety is to follow them; For, as I hear, the king is fled to London, To call a present court of parliament. Let us pursue him ere the writs go forth. What says Lord Warwick? shall we after them? Warwick: After them! nay, before them, if we can. Now, by my faith, lords, 'twas a glorious day: Saint Alban's battle won by famous York Shall be eternized in all age to come. Sound drums and trumpets, and to London all: And more such days as these to us befall!
William Shakespeare (King Henry VI, Part 2)
Twilight was creeping over forest, hill, and stream, and seemed to drop refreshment and repose upon all weariness of soul and body, more grateful to Sylvia, than the welcome seat and leafy cup of water Warwick brought her from the spring.
Louisa May Alcott (Complete Works of Louisa May Alcott)
You,” he says, catching my chin before I can look away, “are the most important person in my life. There is nothing I would not do for you. I would conquer cities in your name. I would lay waste to the world and place its greatest treasures at your feet. I would cross realms and topple empires and alter time, all for the promise of an eternity spent by your side.
Alexandria Warwick (The North Wind (The Four Winds, #1))
answered, “No, no; I do not recollect any thing of what you tell me; but you were talking a little while ago of Hamlet and towers; now, if you want towers that would do honour to Hamlet, go to Warwick Castle, and if we reach it, as we hope, this night, you can walk from the inn while supper is preparing, and you will find, on the terrace or platform before the gates, towers frowning and majestic enough. If the moon is up, you will see them to perfection, and, as you are so fond of ghosts, you can hardly fail to make an assignation with one there.
Ann Radcliffe (Complete Works of Ann Radcliffe)
Keep a line of retreat,’ Warwick ordered. To his disgust, his voice trembled and he cleared his throat loudly before going on with his orders. ‘They are traitors all. We go in, kill as many as we can in the surprise, then pull back into …’ He looked around, seeing a small wooden signpost. He leaned closer to read it and for an instant raised his eyes to heaven. ‘Back into Shiteburn Lane.’ It helped to explain what he had sunk ankle-deep into, at least. He spent a moment longing for wooden overshoes to raise him up above the slop, though he could hardly have fought in those. His boots would just have to be burned afterwards.
Conn Iggulden (Stormbird (Wars of the Roses, #1))
When he was Vice-Chancellor at Warwick University, the biologist Sir Brian Follett remarked: 'I don't like scientists on my committees. You don't know where they'll stand on any issue. Give them some more data, and they change their minds!' He understood the joke: most politicians wouldn't even realise it was a joke.
Terry Pratchett (Darwin's Watch (The Science of Discworld, #3))
It smells of cedar.
Alexandria Warwick (The North Wind (The Four Winds, #1))
Night was in the sky, night in her winter austerity - keen, clear, a-glitter with stars as though her robe were spangled with cosmic frost.
Warwick Deeping (Uther and Igraine)
She lay still awhile, and let her thoughts dance like the motes in the shimmer of sunlight that stole in between the branches.
Warwick Deeping (Uther and Igraine)
Her grace, her infinite tenderness, the purity of her, were all set about his soul like angels round a dreamer's bed.
Warwick Deeping (Uther and Igraine)
His nose was needle-like, drawing attention like a screaming baby at a funeral. A baby with a massive nose.
Howard of Warwick (The Heretics of De'Ath (The Chronicles of Brother Hermitage, #1))
If I’m to suffer through a meal with the Frost King, then I need to be sufficiently drunk.
Alexandria Warwick (The North Wind (The Four Winds, #1))
Please don’t stab me for this.” That is the last I see of his eyes, for the Frost King closes the distance, fitting his mouth seamlessly to mine.
Alexandria Warwick (The North Wind (The Four Winds, #1))
To be allowed to pursue a career of his own choosing, and not just be expected to follow in his father’s footsteps.
Jeffrey Archer (Nothing Ventured (William Warwick #1))
Thank you for the dear past.
Christopher Warwick (The Life and Death of Ella Grand Duchess of Russia: A Romanov Tragedy)
From that day on they lived together as equals, united by their great love for each other.
Warwick Deeping (Uther and Igraine / Love Among the Ruins / The Slanderers)
My acquaintance smiled—not a modern smile, but one that must have gone out of general use many, many centuries ago—and muttered apparently to himself: "Wit ye well, I saw it done ."  Then, after a pause, added: "I did it myself." By the time I had recovered from the electric surprise of this remark, he was gone. All that evening I sat by my fire at the Warwick Arms, steeped in a dream of the olden time,
Mark Twain (A Connecticut Yankee in King Arthur's Court)
more,’ said the security officer. ‘I’d need to check the log,’ he added as they walked in a different direction to all the other passengers. Once they were in his office, it took Mr King only a few moments before he pronounced, ‘Paris, St Petersburg, Manchester, Helsinki, Luton and Barcelona.’ William studied the list for some time before concluding, ‘My bet would be Paris, because he could have taken a domestic flight from there to Nice.’ ‘Barcelona could also be an outside possibility,’ suggested Ross. ‘Agreed. You check with Air France, while I talk to Iberia.’ ‘Were you both on duty last night?’ was William’s first question
Jeffrey Archer (Over My Dead Body (Detective William Warwick, #4))
I stared at the spot where [the ghost of] Warwick's nephew had warned me never to tell anyone what I could do, and then I slid my hand into Jacob's and pulled him close. He slipped his other arm around me and held me. I kissed him, and tried to clear my mind of everything but him and me. I looked deep into his eyes, and tried to determine if I was ready to let him in on the one thing I'd been carrying with me since my first round of psychic testing. He started back at me like a man who'd fallen for me, hard. And that part inside, the one that usually tells me to run, or to shut up, or to play along and myself invisible and hopefully whatever I'm dealing with will just go away? That part of me said, /Yes. Tell him./ "I've got more talent than everyone on their payroll put together," I said. Jacob squeezed me tighter. His eyes never moved from mine. "I'm so far beyond level five it's not even funny
Jordan Castillo Price (Camp Hell (PsyCop, #5))
My grandparents were Italian immigrants. My father’s father, Joseph Massimino, was from Linguaglossa, near Mount Etna in Sicily, and he came over in 1902 to New York City and ended up buying a farm upstate in a town called Warwick, which is where my father, Mario Massimino, grew up. When my dad left the farm he moved back to the city, to the Bronx, where he met my mom, Vincenza Gianferrara. Her family was from Palermo, also in Sicily, and they lived in Carroll Gardens, an
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
She climbed out, and stood like a water nymph, her body agleam and asparkle with its dew, her skin like rare silk, smooth as a star's glance. Down fell her hair like smoke. She stretched her arms to the moon, and laughed, aglow with the warmth gotten of her swim.
Warwick Deeping (Uther and Igraine)
One enjoyment was certain--that of suitableness of companions; a suitableness which comprehended health and temper to bear inconveniences--cheerfulness to enhance every pleasure--and affection and intelligence, which might supply it among themselves if there were disappointments abroad. It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay; Oxford, Blenheim, Warwick, Kenilworth, Birmingham, etc. are sufficiently known. A small part of Derbyshire is all the present concern.
Jane Austen (Emma, Mansfield Park, Sense and Sensibility, Pride and Prejudice, Northanger Abbey & Persuasion)
Jess Pepper's review of the Avalon Strings: 'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan. To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power. Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist. The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within. But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water. And with its fading went also the music of the fabled isle. Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled. But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings. Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection. And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes. Could any other collection of musicians achieve the heights of this illustrious few? I think not. I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.
Bailey Bristol (The Devil's Dime (The Samaritan Files #1))
It's been very interesting over the years just how many of those psychiatrists that were openly incredulous and dismissive have become stalwart admitants to the [trauma and dissociation] unit. In fact I can remember one psychiatrist... this is going back more than a decade and a half... it says something about the ambivalence about this area... who rang me saying he doesn't believe that DID exists but nevertheless he's got a patient with it that he'd like to refer. That's called Psychiatrist Multiple Reality Disorder. - 15 years as the director of a trauma and dissociation unit: Perspectives on Trauma-informed Care
Warwick Middleton
They sit beside each other on one of the sofas, Warwick leaning forward with his elbows on his knees, Joanne resting back with her arms behind her head. Never known as advocates of establishmentarianism, they have been applauded, ridiculed, and misunderstood by the media, and, in particular, criticized for their avarice. They have agreed to do this interview without "cabbage" (payment), but generally charge ten to twenty thousand dollars for the privilege. Even so, why should they be castigated for exploiting a medium that has exploited them? They see the situation simply enough: quid pro quo, and hold the mustard.
Antonella Gambotto-Burke
Mahmud, desperate to defend his capital, sought aid from the most formidable of his neighbours: three flotillas of Russian warships were invited to sail down the Bosphorus to moorings off the Golden Horn. They were followed by a Russian expeditionary force which established advanced headquarters on the Asiatic shore of the Bosphorus at Hünkar İskelesi, a bay some twelve miles up the straits from Constantinople and generally transliterated as Unkiar Skelessi. By early April nearly 30,000 Russians were deployed in defence of Mahmud’s capital, with a camp at Buyukdere on the European shore as well as at Unkiar Skelessi.
Alan Warwick Palmer (The Decline and Fall of the Ottoman Empire)
Talvolta lo Scultore che fa del mondo la sua arte miscela diversi materiali nel dar forma a una nobile statua, lasciando che sia l'umanità a criticarla. E quando il tempo ne attenua sia la bellezza che i difetti, lui la sposta in un laboratorio più interno per darle una forma più permanente scolpita nel marmo. Adam Warwick era come quella statua, con tutte le sue imperfezioni e le sue leghe di metallo. Ma dietro ogni difetto l'occhio esperto del Maestro vide quelle linee sublimi in grado di fungere da modello di perfezione, e quando il suo progetto passò al vaglio ogni dovuto processo - il calco di creta, il fuoco delle fornaci, la prova del tempo - Egli rimosse ogni traccia di polvere superflua e lo giudicò pronto per il marmo.
Louisa May Alcott (Moods)
This is the man who hopes to be King of England. He has to marry a princess. He’s not going to marry some beggarly widow from the camp of his enemy, who stood out on the road to plead with him to restore her dowry. If he marries an Englishwoman at all, she will be one of the great ladies of the Lancaster court, probably Warwick’s daughter Isabel. He’s not going to marry a girl whose own father fought against him. He’s more likely to marry a great princess of Europe, an infanta from Spain, or a princesse from France. He has to marry to set himself more safely on the throne, to make alliances. He’s not going to marry a pretty face for love. Lord Warwick would never allow it. And he is not such a fool as to go against his own interests.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
There were multitudes of dependents fed at the great houses, and everywhere, according to means, a wide-open hospitality was maintained. Froude gives a notion of the style of living in earlier times by citing the details of a feast given when George Neville, brother of Warwick the king-maker, was made archbishop of York. There were present, including servants, thirty-five hundred persons. These are a few of the things used at the banquet: three hundred quarters of wheat, three hundred tuns of ale, one hundred and four tuns of wine, eighty oxen, three thousand geese, two thousand pigs, — four thousand conies, four thousand heronshaws, four thousand venison pasties cold and five hundred hot, four thousand cold tarts, four thousand cold custards, eight seals, four porpoises, and so on.
William Shakespeare (Complete Works of William Shakespeare)
This day is call’d the feast of Crispian:40 He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam’d, And rouse him at the name of Crispian. He that shall live this day, and see old age,44 Will yearly on the vigil feast his neighbours, And say, ‘To-morrow is Saint Crispian:’ Then will he strip his sleeve and show his scars, And say, ‘These wounds I had on Crispin’s day.’ Old men forget: yet all shall be forgot,49 But he’ll remember with advantages What feats he did that day. Then shall our names, Familiar in his mouth as household words,52 Harry the king, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester, Be in their flowing cups freshly remember’d. This story shall the good man teach his son;56 And Crispin Crispian shall ne’er go by, From this day to the ending of the world, But we in it shall be remembered; We few, we happy few, we band of brothers;60
William Shakespeare (The Complete Works of William Shakespeare)
I haven't re-read Kafka for forty years. I had a second read-through when first teaching English at the University of Warwick in the 1970s, but since then have not been tempted to return. The reason for this, I suspect, is that he is a young person's writer, not in the sense that only the young can appreciate him, but because on first exposure he is so comprehensively and unexpectedly formative that you may never feel the need to read him again. He becomes part of you, and your mind and spirit and view of the human condition are inhabited by his stories, his views, and especially his characters: by poor persecuted Josef K., by Gregor Samsa trapped in his rotting shell, by the hunger artist, yearning to find something, anything, that is actually good to eat, by poor K., who can't get into the castle to visit the Authorities. Kafkaesque: a world incomprehensible, alienating and threatening, absurd. We visit it with incomprehension and at our peril, lost at all points, disorientated, inoculated against faith, searchers for meaning in a book - and universe that either has none, or in which it lurks inaccessibly. Once you have read Kafka, you know this.
Rick Gekoski (Lost, Stolen or Shredded: Stories of Missing Works of Art and Literature)
Evangeline had lain here, in this bed. Paced this floor. She'd been younger than Ruby when she came to this house, trying to find her way in the world, and she left it pregnant and scared, with no one to help her. Ruby thought of all the women who came into Warwick Hospital and St. Mary's Dispensary, seeking treatment. Heavy with child, or writhing in pain from venereal diseases, or carrying newborns and toddlers. All the burdens of being poor and female, as Dr. Garrett put it. No one to catch you if you fell. Looking down at the worn pine floor, Ruby was struck by a realization; she'd been in this room before, when she was barely more than a whispered thought. "Will you excuse me?" Mr. Whitstone said. "I'll just be a minute." She nodded. It was late in the afternoon. She wanted to get back to her lodgings before dark. Though she wasn't looking forward to the long voyage back to Tasmania, she was eager to share what she'd learned during her year abroad. This moment in Evangeline's room, she knew, had nothing to do with the rest of her life and everything to do with it. She would leave this house changed, but no one would ever know she'd been here.
Christina Baker Kline (The Exiles)
It was during this period of work that Varda began to conceive a more theoretical approach to her art. She says, “[My work] deals with this question, ‘What is cinema?’ through how I found specific cinematic ways of telling what I was telling. I could have told you the same things that are in the film by just talking to you for six hours. But instead I found shapes” (Warwick). To give a name to her very particular and personal search for a cinematic language, Varda coined the term cinécriture. As she explains to Jean Decock: “When you write a musical score, someone else can play it, it’s a sign. When an architect draws up a detailed floor plan, anyone can build his house. But for me, there’s no way I could write a scenario that someone else could shoot, since the scenario doesn’t represent the writing of the film.” Later she would clarify, “The cutting, the movement, the points-of-view, the rhythm of filming and editing have been felt and considered in the way a writer chooses the depth of meaning of sentences, the type of words, number of adverbs, paragraphs, asides, chapters which advance the story or break its flow, etc. In writing its called style. In the cinema, style is cinécriture.” (Varda par Agnès [1994], 14).
T. Jefferson Kline (Agnes Varda: Interviews)
When we penetrate the smokescreen of controversies regarding false accusations, ‘recovered memories’, ‘recanters’, references to ‘satanic ritual abuse’ and the incorporation of elements of cultural myths into some accounts, we are left with the reality that in the vast majority of cases it is not the over-reporting or exaggeration of trauma that is the principal problem. Rather it is society’s unwillingness to know, the perpetrators’ strongly motivated efforts to hide their criminal acts, and the relative ease they are often afforded by societal institutions and practices in doing so. - The Australian Royal Commission into Institutional Responses to Child Sexual Abuse (Viewpoint)
Warwick Middleton
If a leaden bullet is composed of electric charges, may not a human spirit be composed of something equally intangible—or tangible? I found myself as Carlyle put it, "standing on the bosom of nothing." That was in 1920, when I was just turned sixty-nine. In the following year, on the 19th of December, 1 9 2 1, my wife died. The dear girl had a happy death. She never knew she was dying and she had no pain. She just fell asleep. The last time I saw her she was sleeping quietly, and she looked like a pretty child. There was a slight flush on her cheeks and one little white hand lay out on the green counterpane: "like an April daisy on the grass." That was at midnight, and she died at six the next morning. I had gone to bed, for I was exhausted with watching. For the last week or more she would not let me out of her room by night or day. When I got up on the morning of her death I found to my surprise that I did not believe she was dead. My materialism notwithstanding, I felt that my wife was alive. My daughters, who held the same materialistic views, shared my feeling. We could not believe that she was not. Perhaps it was because we had been so devoted to her, because she had so filled our lives. I began to ask myself if perhaps the spiritualists were right. I did what Lady Warwick did when the Socialist idea came to her. I read all the best spiritualist books I could get hold of. I read and thought steadily for a couple of years and then I wrote some articles in the Sunday Chronicle protesting against the harsh criticism and cheap ridicule to which spiritualists were subjected. Still, I was not convinced. I was only puzzled. The books had affected me as W. T. Stead's talk had affected me. I told myself that all those gifted and honourable men and women could not be dupes or knaves. And—if they were right?
Robert Blatchford (My Eighty Years)
Chicago, Illinois 1896 Opening Night Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago. She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down. Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint. Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.” “No time.” A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry. She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call. But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame. Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching. The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face. Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands. A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.
Debra Holland (Singing Montana Sky (Montana Sky, #7))
The brave are the ones who don’t want to go to battle, but go anyway, in the middle of their fear.
Howard of Warwick (The 1066 To Hastings (The Chronicles of Brother Hermitage #17))
Clare Lyonette of the University of Warwick in the UK says that when she and her colleagues did a study on the division of labor between parents of young children, they discovered that while the women were frustrated at doing the bulk of the housework, they were mollified by their belief in what Lyonette calls “the myth of male incompetence”—that men were lousy at it, anyway.
Jancee Dunn (How Not to Hate Your Husband After Kids)
Well if they’ve stopped time, at least I may get an unexpected extension on my current term.
Richard Warwick (Collider (Fracture, #1))
Tulip’s nose pressed up against a
Jeffrey Archer (Hidden in Plain Sight (William Warwick #2))
Iain Pirie, Associate Professor in Politics and International Studies at Warwick University, argues that it’s not just the way women are represented in the media that’s helping to fuel this rise (a well-documented problem), but capitalism itself, which has corrupted our relationship with our own bodies and the food that sustains them. Pirie argues that the cycle of bingeing and purging that characterizes bulimia nervosa is similar to the accelerated and chaotic consumption that underpins modern culture and is vital for economic growth.18 The conflicting expectations placed on our bodies by advertisers – bombarding us with messages that food is a reward and a compensation (Have a break, have a KitKat), while at the same time telling us that not eating puts us higher on the moral and social hierarchy – are actually deadly.† Eating so much it hurts and then throwing it up in a fit of utter self-loathing is the perfect metaphor for consumerism.
Catrina Davies (Homesick: Why I Live in a Shed)
Colour shifted upon the bosom of the sea. Blue, green, and grey it would sweep into the west, netted gold with the sun, banded with foam, or spread with purple beneath the drifting shadow of a cloud.
Warwick Deeping (Uther and Igraine)
[Margaret's] relationship with Diana couldn't have been warmer... When Diana had a new jacuzzi installed, 'Margot' was among the first to be invited to look and admire. Suitably impressed, Princess Margaret jettisoned her old bath to have one too.
Christopher Warwick (Princess Margaret: A Life of Contrasts)
chair and bowed as the door opened and Christina quickly departed. ‘They will be here for a few more minutes,’ she said to the waiting security guard. ‘I’ll
Jeffrey Archer (Next in Line (William Warwick, #5))
...historical and literary scholarship continues to follow Aristotle’s eminently just dictum that the benefit of doubt is to be given to the document. This means that one must listen to the claims of the document under analysis, and not assume fraud or error unless the author disqualifies himself by contradictions or known factual inaccuracies. (John Warwick Montgomery, Where Is History Going? (Grand Rapids, MI: Zondervan, 1969), 46.)
John Warwick Montgomery (Where Is History Going)
Before you embark on a journey of revenge, dig two graves.’ Confucius (circa 481 BC)
Jeffrey Archer (Traitors Gate (Detective William Warwick, #6))
Ila didn't want to be cowed anymore, or weak. She had been born into the life of a mouse and wished she had been granted life as a serpent so that she may shed this old skin.
Alexandria Warwick (Night (North, #2))
Apaay thought of the Face Stealers eyes the moment she'd screamed his name, seconds away from tumbling to her death. Months spent in his company had solidified her knowledge of the colours and emotions he harboured. Gray for aloofness, distance. Blue-green for when he was feeling playful. She did not know what Violet meant.
Alexandria Warwick (Night (North, #2))
We're bloody Vikings,’ Erik insisted. 'We don't ask people things. What sort of saga would that make? Great Erik, Fregurd and Sigmund did travel across the sea to the ravaged land of England, where they stopped to ask directions?
Howard of Warwick (The Domesday Book, (No, Not That One) (A Tale of 1066-ish Book 1))
mine in Cornwall that hadn’t
Jeffrey Archer (Hidden in Plain Sight (William Warwick #2))
You don't know a thing about me." His laughter was surprisingly acidic. "I know you." He turned toward her, the air stirring with the scent of wood smoke that was at times so familiar to her it felt almost like a memory. "You're not afraid of dying. You're afraid of living.
Alexandria Warwick (Night (North, #2))
cloister floor. One of the others suggested that
Howard of Warwick (A Murder for Brother Hermitage (The Chronicles of Brother Hermitage #12))
might well be returning again in the near future.
Jeffrey Archer (Next in Line (William Warwick, #5))
The black moth night had come into the sky with his golden-spotted wings all spread.
Warwick Deeping (Uther and Igraine)
I think my whole soul was made for beauty, my whole desire born for fair and lovely things. You will smile at me for a dreamer, but often my thoughts seem to fly through forests - marvellous green glooms all drowned in moonlight. I love to hear the wind, to watch the great oaks battling, to see the sea one laugh of gold. Every sunset harrows me into a moan of woe. I can sing to the stars at night - songs such as the woods weave from the voice of a gentle wind, dew-ladened, green, and lovely. Sometimes I feel faint for sheer love of this fair earth.
Warwick Deeping (Uther and Igraine)
She leant back in her seat, closed her eyes and had fallen asleep within minutes. William wished he could do that, but his mind refused to rest even at night. He stared out at the empty grey sea, and thought about Beth. God, he’d been lucky, and it wouldn’t be long now before they were a family of three. Even more reason to hope that the promotion Jackie had hinted at wasn’t too far away. He thought about becoming a father. If it was a boy he could open the batting for England, while his daughter could be the first woman director of the National Gallery
Jeffrey Archer (Hidden in Plain Sight (William Warwick #2))
After William and Beth had exchanged vows, the vicar declared, ‘I now pronounce you husband and wife. You may kiss the bride.’ A standing ovation accompanied Mr and Mrs Warwick as they proceeded back down the aisle
Jeffrey Archer (Hidden in Plain Sight (William Warwick #2))
Warwick Davis was another of the very few Potter actors I recognized at the start because I was a fan of the film Willow (now the name of my 4-year-old, squirrel - obsessed, bottomless stomached Labrador.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
uninterrupted.
Howard of Warwick (The Tapestry of Death)
For the lovers and the dreamers
Alexandria Warwick (The North Wind (The Four Winds, #1))
To explore the Tarot court cards more fully, read Mary K. Greer and Tom Little, Understanding the Tarot Court (Llewellyn, 2004), and Kate Warwick-Smith, The Tarot Court Cards (Destiny, 2003).
Philip Carr-Gomm (The Book of English Magic)
Cry havoc and let slip the dogs of war.
Janice Frost (Murder Among Friends (Warwick & Bell #1))
Do or die," I muttered to Warwick. "Seems to be our motto.
Stacey Marie Brown (Blood Lands (Savage Lands, #5))
The notion of women having agency over their own lives was evidently distasteful to him.
Janice Frost (Murder Among Friends (Warwick & Bell #1))
I’m fascinated by connections and coincidences. There are forces at work in the world that operate beyond our level of understanding.
Janice Frost (Murder Among Friends (Warwick & Bell #1))
Depends what you mean by strict. I set boundaries. There was discipline. I hope I taught them to be good people.” “My parents let my brother and I do pretty much whatever we wanted. Most kids would envy that, but it’s a form of neglect, don’t you think, not caring what your children are up to?” Jane
Janice Frost (Murder Among Friends (Warwick & Bell #1))
she’d become so inured to the sight that she feared she’d become desensitised.
Janice Frost (Murder Among Friends (Warwick & Bell #1))
The man completely betrayed me, cut me so deep it was hard to breathe, and I still thought I could feel him like some fucking ghost. Like the myth he was. Warwick Farkas, The Wolf, the legend. The ultimate betraying asshole.
Stacey Marie Brown (Wild Lands (Savage Lands, #2))
Right," Warwick growled, getting into Killian's face. "I haven't had time to thank you for drugging and almost killing my mate.
Stacey Marie Brown (Bad Lands (Savage Lands, #4))
Dale is kind of negative, like he can suck all the good energy out of you. Do you know what I mean?
Janice Frost (Murder Among Friends (Warwick & Bell #1))
The word seem so tiny. Four letters couldn't contain what I felt for Warwick. What we had together. Time and space couldn't even hold us. Only to each other were we bound. We bled in bed. We loved in battle. We defied nature and eluded death. Love was insignificant compared to what I felt - what I would sacrifice for him.
Stacey Marie Brown (Blood Lands (Savage Lands, #5))
Kovacs," Warwick growled against the back of my neck, the real man standing over me, ready to scoop me up at any moment if he needed to. At that moment, when the whole world felt against us, death snatching my friends and family from me like retribution, he had my back. Literally and figuratively. The sensation dug in so deep, realizing something like that went even beyond mates. A trust so absolute... love felt like a foolish word to utter. We went beyond words.
Stacey Marie Brown (Shadow Lands (Savage Lands, #6))
I stood there, the distant noise of war coming to an end. Blood and bone scarring the earth. The dead bodies of innocent people forced into this all because of ego. What was that saying? When the rich went to war, it was the poor who died. Fuck that. We had enough. Though we might have won, it didn't feel like a victory. We lost too many. "Kovacs," Warwick spoke out loud, our link burned up for now. He took my hand, pulling me away from Markos. We started to walk away, exactly like my vision, dead bodies lying all around us, fire burning, our boots soaked with blood. Hand in hand through the valley of death. The Grey and The Wolf.
Stacey Marie Brown (Shadow Lands (Savage Lands, #6))
Five hundred years after the Romans left the place to fall into wrack and ruin, if the phoenix wasn’t actually rising from the ashes, at least it was twitching and coughing a bit.
Howard of Warwick (The Heretics of De'Ath (The Chronicles of Brother Hermitage, #1))
The old man’s head was propped, rather precariously, on top of the body of an even older man. It was tiny, thin and stooped and had little more substance than the branches of the willow.
Howard of Warwick (The Magna Carta (Or Is It?))
Warwick took on a sheen of impermanence. I could go anywhere, be anyone. I didn’t want to be like my mom, to give my life over to men. I couldn’t conceive of a life that revolved around or even involved men.
Danielle Henderson (The Ugly Cry: How I Became a Person (Despite My Grandmother's Horrible Advice))
The Anemoi, they are called—the Four Winds—who bring seasons to the land. The rumors grew hearts and drew breath and came alive in those darkening years. He calls himself Boreas, the North Wind: he who calls down the snows, the cold. But to all who live in the Gray, he is known as the Frost King.
Alexandria Warwick (The North Wind (The Four Winds, #1))
It’s—” She lowered her fork. “—interesting.” He straightened. Interesting. That was good, yes? “Mm.” She coughed and took a dainty sip of water. “Very.” Then she smiled. Boreas’ chest swelled in satisfaction. He had done it. He had baked a cake for his wife, and she had liked it. He must try this masterpiece. Snatching his fork, he sunk the tines into the dessert, brought a piece to his mouth, and gagged. It tasted like literal horse shit.
Alexandria Warwick (The North Wind (The Four Winds, #1))
The emptiness of that monument in front of me was another reason the locals thought Greville wrote Shakespeare. Inside the First Folio, Ben Jonson had called Shakespeare “a monument without a tombe,” and here was just such a monument. Jonson had also described Shakespeare as the “Sweet Swan of Avon.” Greville’s heraldic beast was the swan—he’d even worn a swan-topped helmet into the tilts—and Warwick Castle, where Greville had been living when the First Folio was published, was perched directly over the Avon River.
Lee Durkee (Stalking Shakespeare: A Memoir of Madness, Murder, and My Search for the Poet Beneath the Paint)
The queen lets it be known that anyone who listens to such slander need never come again to court; she tells her friends that no one should even speak to the Earl of Salisbury or to his spiteful son, the Earl of Warwick.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
For what it’s worth, g-checking is an apt description for the hard, no-nonsense scowl Tadeusz Kościuszko’s portrait possesses. It might even fall a little flat given the intensity of his stare, something of a cross between the weary, impatient genius of an aged Beethoven and the intense mugshots of both young Josef Stalin and Assata Shakur. “That face doesn’t tolerate bitch ass Johnnys. We’re calling him Tad for brevity’s sake.” Kennedy lowers the picture carefully.
Zofia Warwick (The Haunted Life of Matilda Harley: A Documentary (But Actually, A Novel): Part 2)
Do we need to discuss this on camera?” she demands. Wynn, already hot under the collar for reasons completely related to wearing a motorcycle jacket in the endless heat of the American southwest, sounds uncomfortable. “Maybe?” he offers.
Zofia Warwick (The Haunted Life of Matilda Harley: A Documentary (Part One): But Actually, A Novel)
It’s like an emulsion of artistry and healing, like a, a spiritual acupuncture,” she declares. “The use of negative space really brings his screaming face energy into the visual realm,” Roland says hoarsely with a swallow.
Zofia Warwick (The Haunted Life of Matilda Harley: A Documentary (But Actually, A Novel): Part 2)
That car is the color of a faded quinceañera ribbon in a small highland town in Mexico. Which makes it sound far more romantic a color than it actually is,” Roland intones damningly with a nod. The car remains unassuming, vaguely like a rotten chicken egg in the background, if rotted chicken eggs came with ‘Wash me!’ written faintly across the rear window and Vancouver Canuck vanity plates.
Zofia Warwick (The Haunted Life of Matilda Harley: A Documentary (Part One): But Actually, A Novel)
you speak patios almost like a native. How quickly you adapt to the blood on your hands" -commander warwick
Kamilah Cole (So Let Them Burn (Divine Traitors, #1))
She kills animals for no reason at all. She’s probably like them creatures what kill their mates after they've done it.’ 'Spaniards?’ 'That's them.
Howard of Warwick (The Garderobe of Death)
And when these failed, there was still boundless store of wonders open to her in old romances which were then to be found in every English house of the better class. The Legend of King Arthur, Florice and Blancheflour, Sir Ysumbras, Sir Guy of Warwick, Palamon and Arcite, and the Romaunt of the Rose, were with her text-books and canonical authorities. And lucky it was, perhaps, for her that Sidney's Arcadia was still in petto, or Mr. Frank (who had already seen the first book or two in manuscript, and extolled it above all books past, present, or to come) would have surely brought a copy down for Rose, and thereby have turned her poor little flighty brains upside down forever. And with her head full of these, it was no wonder if she had likened herself of late more than once to some of those peerless princesses of old, for whose fair hand paladins and kaisers thundered against each other in tilted field; and perhaps she would not have been sorry (provided, of course, no one was killed) if duels, and passages of arms in honor of her, as her father reasonably dreaded, had actually taken place. For
Charles Kingsley (Westward Ho!, or, the voyages and adventures of Sir Amyas Leigh, Knight, of Burrough, in the county of Devon, in the reign of her most glorious majesty Queen Elizabeth)
he sometimes wondered why leadership and stupidity seemed to be such frequent companions. And why people leaped to follow those who were plainly wrong. People who instructed them to do the impossible and then berated them for doing exactly what they’d been told, when they knew it was never going to work in the first place.
Howard of Warwick (The Case of The Clerical Cadaver (The Chronicles of Brother Hermitage #7))
Als Edward, der Earl of Warwick, tief schlafend in seinem dunklen Schlafzimmer lag, nahm er unterbewusst das Geräusch schwätzender Frauen wahr. Aber sein Unterbewusstsein versicherte ihm gleichzeitig, dass so etwas völlig unwahrscheinlich wäre.
Cheryl Bolen (Die falsche Gräfin (Beherzte Bräute #1))
Hermitage,’ Wat sounded impressed. ‘You’re getting irritated, just like normal people. Well done.
Howard of Warwick (A Murder for Mistress Cwen (The Chronicles of Brother Hermitage #10))
Warwick breathed out slowly. He could her the noise of the descending duke and he turned back to the Plantagenet armies of York - of Edward and Richard and George. He felt the pain of it once more. To be the victor, he had to destroy three boys he had raised up to be men. He knew how they would stand together, just as he stood with his brothers. He was forty-two years old and he had fought for over sixteen of them. He had sinned and he had lost friends and his father. He had witnessed bravery at the moment of death, had known bitter exile and murder and great victory, all of it marking him where it could not rub off or be washed away. He had no sons of his own. He began to chuckle in the breeze, though it was far closer to sobbing than laughter
Conn Iggulden (Ravenspur: Rise of the Tudors (The Wars of the Roses, #4))
I pray for her soul with genuine feeling. She was a terribly unlucky girl. Her father Warwick adored her and thought he would make her a duchess, and then thought he could make her husband a king. But instead of a handsome York king, her husband was a sulky younger son who turned his coat not once but twice. After she lost her first baby in the wild seas in the witches’ wind off Calais she had two more children, Margaret and Edward. Now they will have to manage without her. Margaret is a bright clever girl, but Edward is slow in understanding, perhaps even simple. God help both of them with George as their only parent. I send a letter expressing my sorrow, and the court wears mourning for her—the daughter of a great earl, and the wife of a royal duke.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
Yet, unlike the causal specificity that obtains for microevolutionary processes, origin-of-life researchers have yet to specify the chemical pathways that supposedly originated life. For instance, Francis Collins, former head of the Human Genome Project, admits that “no serious scientist would currently claim that a naturalistic explanation for the origin of life is at hand.”5 Self-organizational theorist Stuart Kauffman is bolder yet: “Anyone who tells you that he or she knows how life started on the earth some 3.45 billion years ago is a fool or a knave. Nobody knows.
William A. Dembski (Tough-Minded Christianity: Honoring the Legacy of John Warwick Montgomery)
Science must not degenerate into applied materialistic philosophy. But this is exactly what it does at the hands of today's alchemists, namely, the materialistic evolutionists who hold their views not because of empirical evidence but because of a prior metaphysical commitment to materialism.
William A. Dembski (Tough-Minded Christianity: Honoring the Legacy of John Warwick Montgomery)
I've had the same version from patients in a slightly different take, which is the patient looking at me with fixed eyes saying "I'm not multiple but I think some of the others are", or alternatively, fixedly, "we're not multiple". So whatever it is about multiple realities it affects us all. - 15 years as the director of a trauma and dissociation unit: Perspectives on Trauma-informed Care
Warwick Middleton
It’s like hypnotism,’ I told Warwick, after the two had been dispatched off to drink more coffee. But Warwick wasn’t buying. ‘Hypnotism doesn’t work like that,’ she said. ‘And that’s the way it’s not like hypnotism,’ I said.
Ben Aaronovitch (The Home Crowd Advantage (Rivers of London, #1.5))
Which Country Has the Best Readers? One of the most comprehensive international reading studies was conducted by Warwick Elley for the International Association for the Evaluation of Educational Achievement (IEA) in 1990 and 1991. Involving thirty-two countries, it assessed 210,000 nine- and fourteen-year-olds.22 Of all those children, which ones read best? For nine-year-olds, the four top nations were: Finland (569), the United States (547), Sweden (539), and France (531). But the U.S. position dropped to a tie for eighth when fourteen-year-olds were evaluated. This demonstrates that American children begin reading at a level that is among the best in the world, but since reading is an accrued skill and U.S. children appear to do less of it as they grow older, their scores decline when compared with countries where children read more as they mature.
Jim Trelease (The Read-Aloud Handbook)
That man will go far, for he believes every word he says.
Charles Warwick (Robespierre and the French Revolution)
He opened the veins of the social body to cure the disease; but he allowed life to flow out, pure or impure, with indifference, without casting himself between the victims and the executioners.
Charles Warwick (Robespierre and the French Revolution)
Later he worked with E.P. Thompson at the Centre for the Study of Social History at the University of Warwick to learn the art and craft of ‘people’s remembrancing’ which has taken printed results in Albion’s Fatal Tree, The London Hanged, The Many-Headed Hydra, Magna Carta Manifesto, and Stop, Thief!
Anonymous
For fourteen years Wiliam Walker alias Brown alias Shields alias Swallow alias Waldon alias Todd alias Watson had been a major irritant to British authorities on both sides of the world. To the London police he was an accomplished thief. To the colonial government in Van Diemen's Land, he was a clever and determined escaper; he had stolen one of its vessels and caused much embarrassment by making it back to England not once but twice, one of only a handful of runaways to do so. To these skills of theft and evasion must be added outstanding seamanship, a glib tongue, extraordinary resourcefulness and a capacity for leadership. Among his more admirable attributes his loyalty to his family should also not be forgotten. To the convicts of Macquarie Harbour and Port Arthur he was a living legend, tangible proof that escape from the island prison was possible. By any standards, he was a remarkable man...
Warwick Hirst (The Man Who Stole the Cyprus: A True Story of Escape)
On Monday mornings in nice weather, Diana would ask, “Where did you go this weekend, Mrs. Robertson?” She knew we made frequent trips outside London. Other English friends would tell us about their favorite spots, but Diana was not forthcoming with travel suggestions. At the time, I assumed that she might not have seen as much of England and Scotland as we did during that year. Diana enjoyed our enthusiasm for her country--its natural beauty, its stately homes and castles, its history. She must have smiled inside when I would tell her of my pleasure in the architecture, paintings, and furniture I saw in England’s famous mansions. She’d grown up in one! And she would always ask, “How did Patrick enjoy…Warwick Castle or Canterbury Cathedral or Dartmoor?” Patrick was a very good-natured sightseer. In return, I would ask, “And how was your weekend?”, leaving it up to her to say as little or as much as she chose. I would not have asked specifically, “What did you do last weekend?” She would answer politely and briefly, “Fine,” or “Lovely,” maybe mentioning that she’d been out in the country. Of course, I didn’t know “the country” meant a huge estate that had been in the family for centuries. Diana was unfailingly polite but sparing of any details. She considered her personal life just that, personal. She was careful never to give us a clue about her background. If she did not volunteer information, something in her manner told me I should not intrude. She may not have even been aware of this perception I had. I viewed her understated manner as appealing and discreet, not as off-putting or unfriendly. Clearly, Diana did not want us to know who she was. We may possibly have been the only people Diana ever knew who had no idea who she was. We welcomed her into our home and trusted her with our child for what she was. This may have been one reason she stayed in touch with us over the years.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Booth Watson doesn’t appear in court as often as he used to, but as but he still dines at the Savoy every day. He’s
Jeffrey Archer (Over My Dead Body (Detective William Warwick, #4))
of danger?
Jeffrey Archer (Next in Line (William Warwick, #5))
If the man ever found a generous thought in his head he would have it taken out and executed
Howard of Warwick (Hermitage, Wat and Some Murder or Other (The Chronicles of Brother Hermitage Book 4))
George V and his consort, Queen Mary, were born in London, there remained a strong Germanic influence at court. Of his seven predecessors on the British throne two were German by birth and upbringing and the remaining five had at least one parent who was German. Since the First World War the influence has, of course, been much less marked; but the German connection is not entirely a matter of past history. In 1915 ten of King George V’s first cousins were members of German royal dynasties. Seventy years later the Prince of Wales has sixteen first cousins born into the old princely families of Germany.
Alan Warwick Palmer (Crowned Cousins: The Anglo-German Royal Connection)
You can’t just decide not to worry. That’s not how it works.
Howard of Warwick (The Case of The Curious Corpse (The Chronicles of Brother Hermitage #8))
Are you dippy, and all that sort of thing? Bats in the belfry—what? My word!” Marlowe stepped nearer to him and spoke in a lower voice. “Suppose, Mr. Warwick,
Talmage Powell (The Crime Fiction MEGAPACK®: 20 Classic Crimes)
move
Jeffrey Archer (Next in Line (William Warwick, #5))
Through the speakers I have carried onto the back patio, Dionne Warwick insists I make it easy on myself and I am taking her advice.
Reginald Shephard
sorry is a scapegoat so you don’t have to take accountability for your actions.
Alexandria Warwick (The West Wind (The Four Winds, #2))
Opie stood up and, in a flash, both disappeared. Warwick stared after them, his brows crunching together. “Was he wearing a studded collar? And the imp had a butt plug on its head?
Stacey Marie Brown (Wild Lands (Savage Lands, #2))
scuffled with life in his shirt-sleeves.
Warwick Deeping (Old Pybus by Warwick Deeping: A Story of Art, Ambition, and Relationships)
So they jogged on for many years; and whereas, before the year 1644, that worthy gentleman, George Fenwick Esq., did, on the behalf of several persons of quality, begin a plantation about the mouth of the river, which was called Say-brook, in remembrance of those right honourable persons, the Lord Say and the Lord Brook, who laid a claim to the land thereabouts, by virtue of a patent granted by the Earl of Warwick; the inhabitants of Connecticut that year purchased of Mr. Fenwick this tract of land.
Cotton Mather (COTTON MATHER: Magnalia Christi Americana (1702), Volume 1 (of 2))
I think I’ve been broken for a long time. I’ve lived with this hole in my chest for so long I got used to it.
Alexandra Warwick
He nurtured great bitterness, and his only spark of generosity was to nurture it so well that it could be shared with everyone around him.
Howard of Warwick (The Heretics of De'Ath (The Chronicles of Brother Hermitage, #1))
Men can love a tree, a cottage, a stream ; Flavian loved Avalon as being the temple of the unutterable memories of the past.
Warwick Deeping (Love Among the Ruins)
Dr. Warwick’s office had been a cluttered disaster, a clear indication the man had been mid-process on packing for an extended leave. I don’t know what this man’s excuse was, as it looked like he’d been half moved-in for the better part of a century.
Honor Raconteur (Rise of the Catalyst (Ancient Magicks Artifact #1))
Warwick grabbed the gun with his free hand, flipping it and pointing it at Scorpion, ready to pull the trigger. “No!” I bellowed, shoving myself in front of Scorpion, the barrel of the gun hitting the middle of my chest.
Stacey Marie Brown (Bad Lands (Savage Lands, #4))
while
Jeffrey Archer (Hidden in Plain Sight (William Warwick #2))
Silver Star recommendation; vs. Koch Tompkins, Gwen Tompkins, Warwick: Fifty South to Fifty South; friendship with SH; HUAC testimony on; and Johnsons; politics of; on SH biography Tompkins, Warwick, Jr.
Lee Mandel (Sterling Hayden's Wars (Hollywood Legends))
Nobody—and this includes me—complains when the twins show up wearing matching tiny green Speedos.
Kelly Fox (Warwick (Rebel Sky Ranch #4))
shake my head, telling the God’s honest truth. “Even if I couldn’t stand directly in her sun, the indirect light was enough for me.
Kelly Fox (Warwick (Rebel Sky Ranch #4))
Grief. Deep and wide in such a small body.
Kelly Fox (Warwick (Rebel Sky Ranch #4))
It isn't an apple, it's half an apple- the discreet thing they are seeing only resembles an apple because they are not aware of the other half being gone. In some other reality we might consider halves-of-apples as discreet units and what we call in this reality a full apple to be merely “two half-apples.” This is a profoundly important statement on reality; it isn't even real.
Tarl Warwick (Occult Memetics: Reality Manipulation)
They came in mid-July in the early morning, cold and grey like the dawn. More than a thousand strong. Russian paramilitary units surround the small village of Jastrzębna in the far north-east of Poland. “Summer isn’t usually this cold,” Jakub Lewandowski remarks to the Russian at his side, as though apologising to a disgruntled tourist arriving at a beachside resort for the weather not being as it should.
Warwick Wood (Your Move: The Girl in the Park)
For the time it takes to register, the dust of old walls fills his lungs. Pages of books float across the room like kites dancing in the wind. Janusz finds himself pinned beneath the remains of a splintered bookcase and its weighty tomes. Now, mixed with the screaming sky, come the screams of faculty and fellow students. Janusz experiences a fear he never knew was possible. The fear of a life missed.
Warwick Wood (Your Move: The Girl in the Park)
No, I mean, she got robbed.” He says, falling into his propensity to rant, and thus begins his thesis of How Tiana from A Disney Movie Got Robbed, “That prince Naveen is just worthless, P. Here is this inspired go-getter of a girl who was trying so hard to achieve on her own. She was no nonsense, no drama. Just a fucking hero. She gets. Naveen.
Zofia Warwick (The Haunted Life of Matilda Harley: A Documentary (But Actually, a Novel) Part Tres Bien)
He is come with Cindy. Somehow, he has convinced her he is a straight so he can punch on your head and make overpasses at me.” Roshan shivers and sticks out his tongue in feigned disgust. Wynn picks up his donut and looks it over before stealing another bite. “It’s punch down, babe. He’s saying he’s going to punch down on me. Implying that his corporeal existence is above mine. Which would be funny if it didn’t feel true.” Wynn sinks his teeth into the donut, sighing heavily, and Roshan tries to smile encouragingly from his thrift store a seaboard away.
Zofia Warwick (The Haunted Life of Matilda Harley: A Documentary (Part One): But Actually, A Novel)
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Marilyn Manson (The Fight Song Sheet Music)
He gives no best who gives most; but he gives most who gives best. ~Arthur Warwick
Jack Canfield (Chicken Soup for the Soul: Living Catholic Faith: 101 Stories to Offer Hope, Deepen Faith, and Spread Love)
Tolkien had sent him a poem called “Kortirion Among the Trees”. Kortirion represented Warwick in the early stages of Tolkien’s mythology, and was the chief town, complete with tower, in a region of elms (Warwickshire) on the Lonely Island (England).
Colin Duriez (J.R.R. Tolkien)
I've never realized talent in writing, only the need for tenacity and evolution.
Warwick Gleeson
Prose translates within the mind to cinema, each word combining like thousands of stills to create motion.
Warwick Gleeson
He worried about most things most of the time, but every now and again something special would come along that demanded a little bit more effort.
Howard of Warwick (The Heretics of De'Ath (The Chronicles of Brother Hermitage, #1))
any mermaid that ventured into the filth of the Thames was most likely to be floating on the surface not doing anything much anymore.
Howard of Warwick (The Bayeux Embroidery (The Chronicles of Brother Hermitage #13))
For it is the silent men, far more than the loud mouthy men on Warwick Boulevard, who make this possible. It is the silent men at 711, the silent men at the YMCA, the silent men next to us in cars, the silent men lying next to us in our bedrooms, the silent men we call our best friends, our boyfriends, and our fathers. It is the silent men, not the loud ones- who permit foulmouthed men to chew me up and spit me out as I walk down the street. It is the silent men who could have stopped this, but who didn’t care to, because they were busy. It is the silent men who said 'Yes' to violence, and who, in their complicit silence, insisted that my world would be impenetrably loud.
Alice Minium
Dr. Doolittle-Diona Warwick
Marita Fowler (Fat Assassins)
...a good soldier should ride into Paradise bearing the soul of the woman he loved.
Warwick Deeping (Uther and Igraine)
Hermitage couldn’t stop a wishful thought crossing his mind about living in a library for thirty years.
Howard of Warwick (The Hermes Parchment (The Chronicles of Brother Hermitage #15))
The Worldwatch Institute’s 2011 State of Consumption report also found that wealth won’t help you on your way to having a satisfying life and new research shows that there’s even a cut-off point for the amount of income we need to be content. A combined study from the Universities of Warwick and Minnesota found that there was a basic threshold beyond which any extra money added nothing to levels of well-being. The figure is around 197,000 DKK a year (£22,000 or $36,000), after which we apparently get wealthier but less contented.
Helen Russell (The Year of Living Danishly: Uncovering the Secrets of the World's Happiest Country)
At Ilinskoye, Serge left the room in which his young sister-in-law had died completely untouched, locking a door that would never again be opened by anyone but himself.
Christopher Warwick (The Life and Death of Ella Grand Duchess of Russia: A Romanov Tragedy)
Now that I am calmer I see the absolute impossibility of going on leading a life which was killing her & driving me nearly mad. For to keep up your spirits & a laughing face while ruin is staring you in the eyes & misery is tearing your heart to pieces is a struggle which is fruitless . . . My last years have been a living hell to me.
Christopher Warwick (The Life and Death of Ella Grand Duchess of Russia: A Romanov Tragedy)
I remember in August, when I was driving home after visiting my parents, I pulled off Interstate 95 at an exit in Warwick, Rhode Island, to finish a call to Rubin about the perilous state of the financial system. I don't remember the conversation itself—it's lost in the fog of war—but whenever I drive past that Warwick exit, I get a wave of the same crushing fear and nausea I felt that summer.
Timothy F. Geithner (Stress Test: Reflections on Financial Crises)
At the beginning of the scene, when called upon to offer his opinion on one side or another of the legal argument, the Earl of Warwick holds back. He may know something about dogs and hawks, he genially declares, but in such highly technical matters—“these nice sharp quillets of the law” (2.4.17)—he professes to be no wiser than a jackdaw, a proverbially stupid bird. But by the scene’s end, in the wake of the formation of the parties, his restraint has vanished: he has plucked the white rose and is eager for blood. “This brawl today,” he prophesies, Grown to this faction in the Temple Garden, Shall send between the red rose and the white A thousand souls to death and deadly night. (2.4.124–28) The obscure legal difference has not fundamentally changed, no new occasion for dispute has arisen, and there does not seem to be an underlying cause such as greed or jealousy. But the party rage seems to have a life of its own. Suddenly everyone seems to be boiling over with potentially murderous aggression. It is as if, in the absence of the dominant figure of the king, the purely conventional and meaningless emblems precipitate a rush of both group solidarity and group loathing. This loathing is an important part of what leads to a social breakdown and, eventually, to tyranny. It makes the voice, even the very thought, of the opponent almost unendurable. You are either with me or against me—and if you are not with me, I hate you and want to destroy you and all of your adherents. Each party naturally seeks power, but seeking power becomes itself the expression of rage: I crave the power to crush you. Rage generates insults, and insults generate outrageous actions, and outrageous actions, in turn, heighten the intensity of the rage. It all begins to spiral out of control.
Stephen Greenblatt (Tyrant: Shakespeare on Politics)
As usual she found William carefully guarding the fire in the keep. He was even holding his palms towards it to prevent it leaping from the grate.
Howard of Warwick (The Garderobe of Death)
Then we will look forward
Jeffrey Archer (An Eye for an Eye (William Warwick #7))
The problem is not the problem; the problem is your attitude about the problem
Warwick Schiller (The Principles of Training: Understanding The Relationship Between You and Your Horse, and Why Effective Training Works.)
You once asked if anyone could love someone like you,” I whisper. “Me—I could have, had you given me the opportunity. But you are a bird so enchanted by its own song that it remains deaf to the calls of others. That is why you are alone, why you will continue to be alone for the rest of your long, miserable existence.
Alexandria Warwick (The West Wind (The Four Winds, #2))
You showed me there is always room for improvement. Since my appointment, I’ve learned that faith does not have to be rigid. It can change. It can be reinterpreted. If we do not remain the same, why should our beliefs?” The idea doesn’t sit comfortably with me.
Alexandria Warwick (The West Wind (The Four Winds, #2))
We resented the introduction of the Jews into the social set of the Prince of Wales,’ wrote Lady Warwick. It wasn’t because they were dislikeable, she explained, ‘but because they had brains and understood finance’25 – cardinal sins in an elite that preferred to spend, not make, money, and which equated business with vulgarity.
Martin Williams (The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain)
—Tu —dice, y me sujeta la barbilla antes de que yo pueda apartar la mirada— eres la persona más importante de mi vida. No hay nada que no pueda hacer por ti. Soy capaz de conquistar ciudades en tu nombre, arrasaría el mundo y pondría sus mayores tesoros a tus pies. Atravesaría reinos y derrumbaría imperios, alteraría el tiempo, todo por la promesa de pasar la eternidad a tu lado.
Alexandria Warwick (The North Wind (The Four Winds, #1))
For example, David Blanchflower and Andrew Oswald, economists at Dartmouth College and the University of Warwick, respectively, found that a lasting marriage is worth $100,000 a year, since married people report being as happy, on average, as divorced (and not remarried) individuals who have incomes that are $100,000 higher. So, before you go to bed tonight, be sure to tell your spouse that you would not give him or her up for anything less than $100,000 a year.
Charles Wheelan (Naked Economics: Undressing the Dismal Science)
—Tu —dice, y me sujeta la barbilla antes de que yo pueda apartar la miarada— eres la persona más importante de mi vida. No hay nada que no pueda hacer por ti. Soy capaz de conquistar ciudades en tu nombre, arrasaría el mundo y pondría sus mayores tesoros a tus pies. Atravesaría reinos y derrumbaría imperios, alteraría el tiempo, todo por la promesa de pasar la eternidad a tu lado.
Alexandria Warwick (The North Wind (The Four Winds, #1))
No matter how the wind blows, the mountain cannot kneel.
Alexandria Warwick (The West Wind (The Four Winds, #2))
It shames me. I have always fought. I have never given in. Always, I have pushed through darkness and cold, toward a fire I cannot see. Why did I stop? Why did I continually make myself smaller, less than? Everyone dies. But not everyone has a choice as to how they will go.
Alexandria Warwick (The North Wind (The Four Winds, #1))
Is that not why I read? To be taken elsewhere, and to learn truths about myself.
Alexandria Warwick (The North Wind (The Four Winds, #1))
I am not Elora. I am not gentle. I am a creature whose teeth were sharpened on suffering, and above all else, I will survive.
Alexandria Warwick (The North Wind (The Four Winds, #1))
I am reminded again of who the North Wind is: an immortal who has lived to see a thousand beginnings and endings, while I am but the last leaf clinging to the autumn branch.
Alexandria Warwick (The North Wind (The Four Winds, #1))
I came here expecting to die. But I have never been, and never will be, weak. And so I return to books. I return to knowledge. I return to what I know, information gathered over the years, the tales and stories passed down.
Alexandria Warwick (The North Wind (The Four Winds, #1))
truth doesn’t come in different shades of convenience to suit the individual, or even the country, concerned.
Jeffrey Archer (An Eye for an Eye (William Warwick #7))