Warp Quotes

We've searched our database for all the quotes and captions related to Warp. Here they are! All 100 of them:

So you try to think of someone else you're mad at, and the unavoidable answer pops into your little warped brain: everyone.
Ellen Hopkins
But that's how memory works," Bitterblue said quietly. "Things disappear without your permission, then come back again without your permission." And sometimes they came back incomplete and warped.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
It was that sort of sleep in which you wake every hour and think to yourself that you have not been sleeping at all; you can remember dreams that are like reflections, daytime thinking slightly warped.
Kim Stanley Robinson (Icehenge)
I sometimes think I prefer suitors in books rather than right in front of me. How awful, backward, cowardly, and mentally warped that will be if it turns out to be true.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
Laurie Halse Anderson (Speak)
Betrayal. Translation means doing violence upon the original, means warping and distorting it for foreign, unintended eyes. So then where does that leave us? How can we conclude, except by acknowledging that an act of translation is then necessarily always an act of betrayal?
R.F. Kuang (Babel)
On no subject are our ideas more warped and pitiable than on death. ... Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights.
John Muir (A Thousand-Mile Walk To The Gulf)
But what is the opposite of fidelity?' asked Professor Playfair. He was approaching the end of his dialitic; now he needed only to draw it to a close with a punch. 'Betrayal. Translation means doing violence upon the original, it means warping and distorting it for foreign, unintended eyes. So, where does that leave us? How can we conclude except by acknowledging that an act of translation is always an act of betrayal?
R.F. Kuang (Babel)
Forsooth, I no longer toil in vain, To prove that demon pox warps the brain. So though 'ti pity, it's not in vain That the pox-ridden worm was slain: For to believe in me, you all must deign.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
But nothing warps time quite like childhood
Brian K. Vaughan (Saga, Volume 3)
Stick it up your crack, you warped son of a mutant b*tch!
Darren Shan (Lord Loss (The Demonata, #1))
It is often stated that of all the theories proposed in this century, the silliest is quantum theory. In fact, some say that the only thing that quantum theory has going for it is that it is unquestionably correct.
Michio Kaku (Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps, and the Tenth Dimension)
Keep dating and you will become so sick, so badly crippled, so deformed, so emotionally warped and mentally defective that you will marry anybody.
Florence King (Confessions of a Failed Southern Lady: A Memoir)
We prefer to go deformed and distorted all our lives rather than not resemble the portrait of ourselves which we ourselves have first drawn. It’s absurd. We run the risk of warping what’s best in us
André Gide (Strait is the Gate and The Vatican Cellars)
It's not that girls are delusional, per se. It's just that they have this subtle ability to warp actual circumstances into something different.
Rebecca Serle (When You Were Mine)
Memory warps time, as it does the sights and sounds and smells of reality; for what shapes it is emotion, which can twist what seems clear, just as the surface of a pond seems to bend the stick thrust into the water.
Sherwood Smith (Crown Duel (Crown & Court, #1))
There's nothing mysterious about it, He's not working at all. He's playing. Or else He's forgotten all about us. That's the kind of God you people talk about, a country bumpkin, a clumsy, bungling, brainless, conceited, uncouth hayseed. Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of Creation? What in the world was running through that warped, evil, scatological mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain?
Joseph Heller (Catch-22)
But Annabeth knew that people saw what they wanted to see. They didn’t need the Mist to warp their perceptions.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
My heart literally aches, that shit is not made up; it hurts for an unexpected, brief time warp of suddenly wanting and longing and believing, but then not having.
Rachel Cohn (Nick & Norah's Infinite Playlist)
It was strange that in some sort of Jeffrey Dahmer meets Ghandi way I was able to love myself for hating myself. It seemed like a warped sense of love. But it was love without conditions.
The Hippie (Snowflake Obsidian: Memoir of a Cutter)
We never know how high we are Till we are called to rise; And then, if we are true to plan, Our statures touch the skies. The heroism we recite Would be a daily thing, Did not ourselves the cubits warp For fear to be a king.
Emily Dickinson
When I write I am trying to express my way of being in the world. This is primarily a process of elimination: once you have removed all the dead language, the second-hand dogma, the truths that are not your own but other people's, the mottos, the slogans, the out-and-out lies of your nation, the myths of your historical moment - once you have removed all that warps experience into a shape you do not recognise and do not believe in - what you are left with is something approximating the truth of your own conception.
Zadie Smith
We can't spy on them if they aren't spying on us, now can we?" Warped logic, but okay.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
If you are disgusted by what you see, and if you feel the fire coursing through your veins, then it's up to you. You don't have to be the leader of a global movement or a household name. It can be as small scale as chipping away at the warped power relations in your workplace. It can be passing on knowledge and skills to those who wouldn't access them otherwise. It can be creative. It can be informal. It can be your job. It doesn't matter what it is, as long as you're doing something.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older.
Haruki Murakami (Norwegian Wood)
Some people seek meaning in life through personal gain, through personal relationship, or through personal experiences. However, it seems to me that being blessed with the intellect to divine the ultimate secrets of nature gives meaning enough to life.
Michio Kaku (Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps, and the Tenth Dimension)
But history could be twisted and warped to suit the person telling it.
Elly Blake (Frostblood (Frostblood Saga, #1))
people saw what they wanted to see. They didn't need the Mist to warp their perceptions.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Fear is an insidious and deadly thing. It can warp judgment, freeze reflexes, breed mistakes. Worse, it's contagious.
Jimmy Stewart
Has a sense of humor. (Preferably warped.) We know who we are
Susan Scott (Fierce Leadership: A Bold Alternative to the Worst "Best" Practices of Business Today)
I might like to have someone courting me. But it would have to be someone who is a square shooter and who has a train load of courage. And it would have to be someone who doesn't have to talk down to folks to feel good, or to tell a person they are worthless ifthey just made a mistake. And he'd have to be not too thin. Why, I remember hugging [my brother] Ernest was like warpping your arms around a fence post,and I love Ernest, but I want a man who can hold me down in a wind. Maybe he'd have to be pretty stubborn. I don't have any use for a man that isn't stubborn. Likely a stubborn fellow will stay with you through thick and thin, and a spineless one will take off, or let his heart wander.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
I read her nasty, wicked thoughts—and she knows for sure that I am a Druid. She is totally warped and absolutely no doubt about it—evil!
C. Toni Graham (Crossroads and the Himalayan Crystals (Crossroads, #1))
When you win, you often lose, that's just a fact. There's no currency to straighten a warped spirit, or open a closed heart, a selfish heart...
Abraham Verghese (Cutting for Stone)
Life is warped. I'm just in sync.
Margaret Atwood (MaddAddam (MaddAddam, #3))
It is the bliss of childhood that we are being warped most when we know it the least.
William Gaddis (The Recognitions)
That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion. You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world. You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue. That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
Several of the girls at the party had had sex, something which sounded appealing but only if it could happen with blindfolds in a time warp plus amnesia
Aimee Bender (The Particular Sadness of Lemon Cake)
Stories don't care who takes part in them. All that matters is that the story gets told, that the story repeats. Or, if you prefer to think of it like this: stories are a parasitical life form, warping lives in the service only of the story itself.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
And what makes you so certain I won't enlighten the world about your romantic indiscretions?" "Because it won't save you from prison. And if you ruin Rose, you'll destroy whatever weak chance you had of Lissa helping you with your warped fantasy." Victor flinched just a little; Dimitri was right. Dimitri stepped forward, pressing close to the bars as I had earlier. I'd though I had a scary voice, but when he spoke his next words, I realized I wasn't even close. "And it'll be pointless anyway, because you won't stay alive long enough in prison to stage your grand plans. You aren't the only one with connections." My breath caught a little. Dimitri brought so many things to my life: love, comfort, and instruction. I got so used to him sometimes I forgot how dangerous he could be. As he stood there, tall and threatening while he glared down at Victor, I felt a chill run down my spine. I remembered how when I had first come to the Academy, people said Dimitri was a god. In this moment, he looked like it.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Nash Hudson. Holy crap. I almost looked down to see if ice had anchored my feet to the floor, since hell had surely frozen over. Somehow I’d stepped off the dance floor and into some weird warp zone where irises swam with color and Nash Hudson smiled at me, and me alone.
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
Immortality is not as much of a gift as mortals would believe. It can breed monsters that even you would be sick to learn about. Imagine the sadists you've encountered—and then imagine them with millennia to hone their craft and warped desires.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Some men, as they age, grow kinder. I am not one of those, for I have seen how the cosmere can mistreat the innocent - and that leaves me disinclined toward kindness. Some men, as they age, grow wiser. I am not one of those, for wisdom and I have always been at cross-purposes, and I have yet to learn the tongue in which she speaks. Some men, as they age, grow more cynical. I, fortunately, am not one of those. If I were, the very air would warp around me, sucking in all emotion, leaving only scorn. Other men...other men, as they age, merely grow stranger. I fear that I am one of those. I am the bones of a foreign species left drying on the plain that was once, long ago, a sea. A curiosity, perhaps a reminder, that all has not always been as it is now.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
The surgeons' market is imaginary, since there is nothing wrong with women's faces or bodies that social change won't cure; so the surgeons depend for their income on warping female self-perception and multiplying female self-hatred.
Naomi Wolf (The Beauty Myth)
The passion for revenge should never blind you to the pragmatics of the situation. There are some people who are so blighted by their past, so warped by experience and the pull of that silken cord, that they never free themselves of the shadows that live in the time machine... And if there is a kind thought due them, it may be found contained in the words of the late Gerald Kersh, who wrote:"... there are men whom one hates until a certain moment when one sees, through a chink in their armour, the writhing of something nailed down and in torment.
Harlan Ellison (The Essential Ellison: A 50 Year Retrospective (Ellison, Harlan))
You are not the first, and will not be the last, to say so. I wear my “warped” label with pride.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
We were so wholly one I had not thought That we could die apart. I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.
Edna St. Vincent Millay (Collected Poems)
I struggle between what I know is right in my own mind, and some warped truthfulness as seen through other people's eyes who have no heart, and can't see the difference anyway.
Ian Thomas Curtis
Silence. How long it lasted, I couldn't tell. It might have been five seconds, it might have been a minute. Time wasn't fixed. It wavered, stretched, shrank. Or was it me that wavered, stretched, and shrank in the silence? I was warped in the folds of time, like a reflection in a fun house mirror.
Haruki Murakami (Dance Dance Dance)
Effy hated that she couldn’t tell right from wrong, safe from unsafe. Her fear had transfigured the entire world. Looking at anything was like trying to glimpse a reflection in a broken mirror, all of it warped and shattered and strange.
Ava Reid (A Study in Drowning)
If time heals all wounds, and a book can hold a person's entire life, then you can speed up the process with a pulp time warp.
Deb Caletti (Honey, Baby, Sweetheart)
Sensual pleasures are the whip natural selection uses to control us, to keep us in the thrall of its warped values system.
Robert Wright (The Moral Animal: Why We Are the Way We Are - The New Science of Evolutionary Psychology)
Life isn’t a linear journey. Sometimes it’s one step backwards, two steps forward and then a jump out to the side. It’s kind of like the “Time Warp”, when you think about it. Life follows many directions and hopefully, eventually, your mind and body and life and love, all catch up with each other.
Karina Halle (The Pact)
And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living — a set of values.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You warped me. I was a perfectly normal- -drug addicted bisexual hooker-fucking criminal. -perfectly normal sensible man with normal sensible urges before you.
Richard Rider (No Beginning, No End (Stockholm Syndrome, #3))
What Strider thinks of himself "He was too intense, too jaded, too warped and too...everything for most women to take for long. But so what. He was made of awesome. Anyone who couldn't see that wasn't smart enough to be with him, anyway.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Translation means doing violence upon the original, means warping and distorting it for foreign, unintended eyes. So then where does that leave us? How can we conclude, except by acknowledging that an act of translation is then necessarily always an act of betrayal?
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
Demons don't understand human hearts, not well. They see through a distorted glass and show you what you desire, but warped and wrong. Use that wrongness to push yourself out of the dream. Life is loss, Alexander, but it's better than this.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I wanted the chance to give him something, to give him the best of me, as pathetic as it was, damaged and broken, warped at the edges, hardly worth having. I decided that if I had the chance, if he asked, if he needed, it was his.
Sarah Fine (Sanctum (Guards of the Shadowlands, #1))
If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him.
Bernard Knox (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
The direction of a big act will warp history, but probably all acts do the same in their degree, down to a stone stepped over in the path or the breath caught at sight of a pretty girl or a fingernail nicked in the garden soil.
John Steinbeck (East of Eden)
Doc would listen to any kind of nonsense and turn it into wisdom. His mind had no horizon - and his sympathy had no warp. He could talk to children, telling them very profound things so that they understood. He lived in a world of wonders, of excitement. He was concupiscent as a rabbit and gentle as hell. Everyone who knew him was indebted to him. And everyone who thought of him thought next, 'I really must do something nice for Doc.
John Steinbeck (Cannery Row (Cannery Row, #1))
I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught - in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too - in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well - or ill?
John Steinbeck (East of Eden)
Anything is possible with a parent. Parents are gods. They make us and they destroy us. They warp the world and remake it in their own shape, and that's the world we know forever after. It's the only world. We can't see what it might have looked like otherwise.
David Vann (Aquarium)
A day, a livelong day, is not one thing but many. It changes not only in growing light toward zenith and decline again, but in texture and mood, in tone and meaning, warped by a thousand factors of season, of heat or cold, of still or multi winds, torqued by odors, tastes, and the fabrics of ice or grass, of bud or leaf or black-drawn naked limbs. And as a day changes so do its subjects, bugs and birds, cates, dogs, butterflies and people.
John Steinbeck (The Winter of Our Discontent)
By burning through coal and oil deposits, humans are putting carbon back into the air that has been sequestered for tens—in most cases hundreds—of millions of years. In the process, we are running geologic history not only in reverse but at warp speed.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
Aristocracy's only an admission that certain traits which we call fine - courage and honor and beauty and all that sort of thing - can best be developed in a favorable environment, where you don't have the warpings of ignorance and necessity.
F. Scott Fitzgerald (The Beautiful and Damned)
I was scared for her, which was kind of a new feeling for me because I never really pay that much attention to anyone. Aves was just so destroyed after New Year’s Eve that I couldn’t help myself. I was either stepping up as the role of overprotective big brother, or I’d developed an impossible crush and was pissed off that someone dared hurt my woman. I had no idea which it was. Turns out I was every bit as tangled up in our warped relationship as Avery and Aiden. Thanks a lot, moms. Prenatal yoga classes should be illegal.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
He had been born in Mussolini’s Italy. He had survived decades in the time-warp reality of the Lotus Casino. He’d emerged in modern times disoriented and culture-shocked, arrived at Camp Half-Blood, and promptly lost his sister Bianca to a dangerous quest. He had wandered the Labyrinth in self-imposed exile, being tortured and brainwashed by a malevolent ghost. He’d overcome everyone’s distrust and emerged from the Battle of Manhattan as a hero. He’d been captured by giants during the rise of Gaea. He’d wandered Tartarus alone and somehow managed to come out alive. And through it all, he’d struggled with his upbringing as a conservative Catholic Italian male from the 1930s and finally learned to accept himself as a young gay man. Anyone who could survive all that had more resilience than Stygian iron.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Fear is one of the greatest problems in life. A mind that is caught in fear lives in confusion, in conflict, and therefore must be violent, distorted and aggressive. It dare not move away from its own patterns of thinking, and this breeds hypocrisy. Until we are free from fear, climb the highest mountain, invent every kind of God, we will always remain in darkness. Living in such a corrupt, stupid society as we do, with the competitive education we receive which engenders fear, we are all burdened with fears of some kind, and fear is a dreadful thing which warps, twists and dulls our days.
J. Krishnamurti (Freedom from the Known)
She thought of what it would be like to grow up without the one certainty that every baby deseved - when I'm hurt or cold or scared, someone will come and care for me - and how that absence could warp you so that you'd lash out at the people you loved, driving them away when all you wanted to do was pull them closer.
Jennifer Weiner (Little Earthquakes)
Everything has taken on a strange, distant quality - the sounds of running and shouting outside get warped and weird like they're being filtered through water, and Alex looks miles away. I start to think I might be dreaming, or about to pass out. And then I decide I'm definitely dreaming, because as I'm watching, Alex starts peeling his shirt off over his head.
Lauren Oliver (Delirium (Delirium, #1))
memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain. But there’s a fine line between a negative moment and a traumatic one. Negative moments get remembered. Traumatic ones get forgotten, or so warped that they are unrecognizable,
Jodi Picoult (Leaving Time)
You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.
Hilary Mantel (Giving Up the Ghost)
You could study the connections for years and never work it out-it was all about things coming together,things falling apart,time warp, my mother standing out in front of the museum when time flickered and the light went funny, uncertainties hovering on the edge of a vast brightness. the stray chance that might, or might not, change everything.
Donna Tartt (The Goldfinch)
As you wish, of course." Lucius lowered the volume on an old record player, which spun a warped vinyl disk that wailed unfamiliar music, scratchy and whiny, like cats fighting. Or a coffin with rusty hinges opening and closing over and over again in a deserted mausoleum. "Do you like Croatian folk?" heasked, seeing my interest. "It reminds me of home." "I prefer normal music." "Ah, yes, your MTV with all the bumping and grinding. Like a shot of raging adolescent hormones administered via television. I'm not averse.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
You can't possibly conduct a proper affair without a lot of deliberating, scheming, speculating, and conniving. It's a delicate balance where the excitement must equal the guilt and sex must be as bright as the future you gamble.
John Dufresne (Love Warps the Mind a Little)
Everyone had some defect, or body or of mind: he thought of all the people he had known (the whole world was like a sick house and there was no rhyme or reason in it), he saw a long procession, deformed in body, warped in mind, some with illness of the flesh, weak hearts or weak lungs, and some with illness of the spirit, languor of will, or craving for liquor. At that moment he felt a holy compassion for them all. …The words of the dying God crossed his memory: Forgive them, for they know not what they do.
W. Somerset Maugham (Of Human Bondage)
That mercy towards one set of creatures was cruelty towards another sickened his sense of harmony. As you got older, and felt yourself to be at the center of your time, and not at a point in its circumference, as you had felt when you were little, you were seized with a sort of shuddering, he perceived. All around you there seemed to be something glaring, garish, rattling, and the noises and glares hit upon the little cell called your life, and shook it, and warped it.
Thomas Hardy (Jude the Obscure)
At first you might wonder what you did to deserve such treatment. Nothing, probably, so that doesn't matter. What matters is that, eventually, the abuse becomes the status quo. It's no longer about the whats and whys (“what did I do?” “why are they doing this?”) but the whens and hows (“when are they going to do it?” “how are they going to get me?”). Persecution becomes inevitable, inescapable. And once you get into the victim mindset, you're fucked. The bullies don't even need to hurt you now; your poor, warped, pathetic brain is doing half the work for them.
Nenia Campbell (Freaky Freshman)
I'll sing you a song of the long ago - Seven shine the shiners, oh! What did the Seven do way back when? Why, they wove the Charter then! Five for the warp, from beginning to end. Two for the woof, to make and mend. That's Seven, but what of the Nine - What of the two who chose not to shine? The Eighth did hide, hide all away, But the Seven caught him and made him pay. The Ninth was strong and fought with might, But lone Orannis was put out of the light, Broken in two and buried under hill, For ever to lie there, wishing us ill.
Garth Nix (Lirael (Abhorsen, #2))
Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.
Thomas Pynchon (V.)
I’m in control. But it’s a lie, because now I’ve tasted him. His lips are salty-sweet with yesterday’s laughter … digging in the black sands beneath Wonderland’s sunshine, playing leapfrog atop mushroom caps, and resting in the shade of black satin wings. I try to shake off the spell, but he angles his face and deepens the kiss. “Embrace me … embrace your destiny.” He breaks the barrier of my lips, touching his tongue to mine, a sensation too wickedly delicious to deny. As our tongues entwine, his lullaby purrs through my blood and bones, carrying me to the stars. Behind closed eyes, I’m floating against a velvet sky, lungs filled with night air. On some level, I know I’m still in the middle of a fire-warmed chamber, yet my wings pantomime flight on a cool breeze. I’m dancing with Morpheus in the heavens, no longer imprisoned by gravity. Fluttering our wings in unison, we twist and whirl a weightless waltz among stars that coil and uncoil in feathery sparks high above Wonderland’s warped and wonderful landscapes. Each time we spin, then return to each other’s arms, I laugh, because at last I’m me. I’m a me I’ve longed to be in my innermost fantasies—spontaneous, impetuous, and seductive.
A.G. Howard (Splintered (Splintered, #1))
Othalas: Words. What are they but shadows on a page or howling on the wind? They are as ever-changing as the mists below us and it is just as easy to lose sense of yourself among them. I am older than most sorcerers so what I know may, indeed, be close to the truth. Magic, wyrd, words, dreams, they all come from the spirit. Within them lie both power and peril. For to misuse any is to warp your sense of self. To lie in words, or in magic, or in dreams -- that is how you become lost. The lights you see, they were lost long before they came to the Vale.
Robert Fanney
I am writing to go back to the time, at the rest stop in Virginia, when you stared, horror-struck at the taxidermy buck hung over the soda machine by the restrooms, its antlers shadowing your face. In the car, you kept shaking your head. " I don't understand why they would do that. Can't they see it's a corpse? A corpse should go away, not get stuck forever like that." I think now of that buck, how you stared into its black glass eyes and saw your reflection, your whole body, warped in that lifeless mirror. How it was not the grotesque mounting of a decapitated animal that shook you - but that the taxidermy embodied a death that won't finish, a death that keeps dying as we walk past it to relieve ourselves.
Ocean Vuong (On Earth We're Briefly Gorgeous)
as jolaha ka maram na jana, jinh jag ani pasarinhh tana; dharti akas dou gad khandaya, chand surya dou nari banaya; sahastra tar le purani puri, ajahu bine kathin hai duri; kahai kabir karm se jori, sut kusut bine bhal kori; No one could understand the secret of this weaver who, coming into existence, spread the warp as the world; He fixed the earth and the sky as the pillars, and he used the sun and the moon as two shuttles; He took thousands of stars and perfected the cloth; but even today he weaves, and the end is difficult to fathom. Kabir says that the weaver, getting good or bad yarn and connecting karmas with it, weaves beautifully.
Kabir (The Bijak of Kabir)
The important thing for the remembering author is not what he experienced, but the weaving of his memory, the Penelope work of recollection. Or should one call it, rather, the Penelope work of forgetting? ... And is not his work of spontaneous recollection, in which remembrance is the woof and forgetting the warp, a counterpart to Penelope's work rather than its likeness? For here the day unravels what the night has woven. When we awake each morning, we hold in our hands, usually weakly and loosely, but a few fringes of the tapestry of a lived life, as loomed for us by forgetting. However, with our purposeful activity and, even more, our purposive remembering each day unravels the web and the ornaments of forgetting.
Walter Benjamin (Illuminations: Essays and Reflections)
It is difficult for the ordinary voter to come to grips with the notion that a truly evil man, a truthless monster with the brains of a king rat and the soul of a cockroach, is about to be sworn in as the president of the United States for the next four years. . . . And he will bring his gang in with him, a mean network of lawyers and salesmen and pimps who will loot the national treasury, warp the laws, mock the rules and stay awake 22 hours a day looking for at least one reason to declare war, officially, on some hapless tribe in the Sahara or heathen fanatic like the Ayatollah Khomeini.
Hunter S. Thompson
Here’s the dead end of social media: after you’ve created your own bubble that reflects only what you relate to or what you identify with, after you’ve blocked and unfollowed people whose opinions and worldview you judge and disagree with, after you’ve created your own little utopia based on your cherished values, then a kind of demented narcissism begins to warp this pretty picture. Not being able or willing to put yourself in someone else’s shoes—to view life differently from how you yourself experience it—is the first step toward being not empathic, and this is why so many progressive movements become as rigid and as authoritarian as the institutions they’re resisting.
Bret Easton Ellis (White)
As I looked at her from the side, I became newly aware of the softness of the curves of her face. Nagato said she was the "potential for evolution." According to Asahina, she was a "time warp." Koizumi treated her as "God." Then what about me? What did "Haruhi Suzumiya" mean to me? Haruhi was Haruhi and nobody else. I wasn't going to use such overblown language to dodge the question. But I didn't happen to have a decisive answer. Isn't that natural? If someone points to the classmate sitting behind you and asks, "What is she to you?" How are you supposed to respond? ... No, sorry. Guess that's still dodging the question. Haruhi wasn't just a classmate to me. Of course, she also wasn't the "potential for evolution" or a "time warp," much less "God." She couldn't possibly be.
Nagaru Tanigawa (The Melancholy of Haruhi Suzumiya (Haruhi Suzumiya, #1))
It's not Americans I find annoying; it's Americanism: a social disease of the postindustrial world that must inevitably infect each of the mercantile nations in turn, and is called 'American' only because your nation is the most advanced case of the malady, much as one speaks of Spanish flu, or Japanese Type-B encephalitis. It's symptoms are a loss of work ethic, a shrinking of inner resources, and a constant need for external stimulation, followed by spiritual decay and moral narcosis. You can recognize the victim by his constant efforts to get in touch with himself, to believe his spiritual feebleness is an interesting psychological warp, to construe his fleeing from responsibility as evidence that he and his life are uniquely open to new experiences. In the later stages, the sufferer is reduced to seeking that most trivial of human activities: fun.
Trevanian (Shibumi)
Then he saw that the normal was the rarest thing in the world. Everyone had some defect, of body or of mind: he thought of all the people he had known (the whole world was like a sick-house, and there was no rhyme or reason in it), he saw a long procession, deformed in body and warped in mind, some with illness of the flesh, weak hearts or weak lungs, and some with illness of the spirit, languor of will, or a craving for liquor. At this moment he could feel a holy compassion for them all. They were the helpless instruments of blind chance. He could pardon Griffiths for his treachery and Mildred for the pain she had caused him. They could not help themselves. The only reasonable thing was to accept the good of men and be patient with their faults. The words of the dying God crossed his memory: Forgive them, for they know not what they do.
W. Somerset Maugham (Of Human Bondage)
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this: 1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
I myself was to experience how easily one is taken in by a lying and censored press and radio in a totalitarian state. Though unlike most Germans I had daily access to foreign newspapers, especially those of London, Paris and Zurich, which arrived the day after publication, and though I listened regularly to the BBC and other foreign broadcasts, my job necessitated the spending of many hours a day in combing the German press, checking the German radio, conferring with Nazi officials and going to party meetings. It was surprising and sometimes consternating to find that notwithstanding the opportunities I had to learn the facts and despite one’s inherent distrust of what one learned from Nazi sources, a steady diet over the years of falsifications and distortions made a certain impression on one’s mind and often misled it. No one who has not lived for years in a totalitarian land can possibly conceive how difficult it is to escape the dread consequences of a regime’s calculated and incessant propaganda. Often in a German home or office or sometimes in a casual conversation with a stranger in a restaurant, a beer hall, a café, I would meet with the most outlandish assertions from seemingly educated and intelligent persons. It was obvious that they were parroting some piece of nonsense they had heard on the radio or read in the newspapers. Sometimes one was tempted to say as much, but on such occasions one was met with such a stare of incredulity, such a shock of silence, as if one had blasphemed the Almighty, that one realized how useless it was even to try to make contact with a mind which had become warped and for whom the facts of life had become what Hitler and Goebbels, with their cynical disregard for truth, said they were.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
Whether we are speaking of a flower or an oak tree, of an earthworm or a beautiful bird, of an ape or a person, we will do well, I believe, to recognize that life is an active process, not a passive one. Whether the stimulus arises from within or without, whether the environment is favorable or unfavorable, the behaviors of an organism can be counted on to be in the direction of maintaining, enhancing, and reproducing itself. This is the very nature of the process we call life. This tendency is operative at all times. Indeed, only the presence or absence of this total directional process enables us to tell whether a given organism is alive or dead. The actualizing tendency can, of course, be thwarted or warped, but it cannot be destroyed without destroying the organism. I remember that in my boyhood, the bin in which we stored our winter's supply of potatoes was in the basement, several feet below a small window. The conditions were unfavorable, but the potatoes would begin to sprout—pale white sprouts, so unlike the healthy green shoots they sent up when planted in the soil in the spring. But these sad, spindly sprouts would grow 2 or 3 feet in length as they reached toward the distant light of the window. The sprouts were, in their bizarre, futile growth, a sort of desperate expression of the directional tendency I have been describing. They would never become plants, never mature, never fulfill their real potential. But under the most adverse circumstances, they were striving to become. Life would not give up, even if it could not flourish. In dealing with clients whose lives have been terribly warped, in working with men and women on the back wards of state hospitals, I often think of those potato sprouts. So unfavorable have been the conditions in which these people have developed that their lives often seem abnormal, twisted, scarcely human. Yet, the directional tendency in them can be trusted. The clue to understanding their behavior is that they are striving, in the only ways that they perceive as available to them, to move toward growth, toward becoming. To healthy persons, the results may seem bizarre and futile, but they are life's desperate attempt to become itself. This potent constructive tendency is an underlying basis of the person-centered approach.
Carl R. Rogers
Here is my favorite biblical direction: Be not afraid. It's truly the secret of life. Fear is what stunts our growth, narrows our ambitions, kills our dreams. So fear not. ...You are surely afraid: of leaving what you know, of seeking what you want, of taking the wrong path, of failing the right one. But you can't allow any of that to warp your life. You must have the strength to say no to the wrong things and to embrace the right ones, even if you are the only one who seems to know the difference, even if you find the difference hard to calculate. Acts of bravery don't always take place on battle fields. They can take place in your heart, when you have the courage to honor your character, your intellect, your inclinations, and yes, your soul by listening to its clean, clear voice of direction instead of following the muddied messages of a timid world. So carry your courage in an easily accessible place, the way you do your cellphone or your wallet. You may still falter or fail, but you will always know that you pushed hard and aimed high. Take a leap of faith. Fear not. Courage is the ultimate career move.
Anna Quindlen
I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone recieved the news with pleasure. Several said, "Thank God that son of a bitch is dead." Then there was a man, smart as Satan, who, lacking some perception of human dignity and knowing all too well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man's love when you have removed his self-love. A bribed man can only hate his briber. When this man died the nation rang with praise... There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by few. When he died the people burst into tears in the streets and their minds wailed, "What can we do now?" How can we go on without him?" In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, mo matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror....we should remember our dying and try so to live that our death brings no pleasure to the world.
John Steinbeck (East of Eden)
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
Christopher Hitchens (Hitch 22: A Memoir)
Clark had always been fond of beautiful objects, and in his present state of mind, all objects were beautiful. He stood by the case and found himself moved by every object he saw there, by the human enterprise each object had required. Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the as**sembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.
Emily St. John Mandel (Station Eleven)
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles." “We’re doing all right.” “We’re sitting in this huge moldy room. It’s like we’re flung back.” “We have heat, we have light.” “These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?” “‘Boil your water,’ I’d tell them.” “Sure. What about ‘Wash behind your ears.’ That’s about as good.” “I still think we’re doing fairly well. There was no warning. We have food, we have radios.” “What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.” “There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.” “They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.
Don DeLillo (White Noise)