Warning Short Quotes

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When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. As far as I can tell so far, it seems to involve lots of foreign travel and not having to get up too early in the morning.
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
We are all wearing masks. That is what makes us interesting.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares. But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us. This book is about the possibility that Huxley, not Orwell, was right.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
I am not scared of bad people, of wicked evildoers, of monsters and creatures of the night. The people who scare me are the ones who are certain of their own rightness. The ones who know how to behave, and what their neighbors need to do to be on the side of the good.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
There are things that wait for us, patiently, in the dark corridors of our lives. We think we have moved on, put them out of mind, left them to desiccate and shrivel and blow away; but we are wrong. They have been waiting there in the darkness, working out, practicing their most vicious blows, their sharp hard thoughtless punches into the gut, killing time until we came back that way.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Better to have flamed in the darkness, to have inspired others, to have lived, than to have sat in the darkness, cursing the people who borrowed, but did not return, your candle.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I wonder, Are fictions safe places? And then I ask myself, Should they be safe places?
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Now all we have to worry about is all the other books, and, of course, life, which is huge and complicated and will not warn you before it hurts you.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Zane didn’t reply immediately. After a short pause he spoke quietly. “I’ll warn you, I’m going to be grouchy as my back really starts hurting.” “And I’ll be on the lookout for that major change of attitude,” Ty responded sarcastically.
Madeleine Urban (Cut & Run (Cut & Run, #1))
You never forget. It must be somewhere inside you. Even if the brain has forgotten, perhaps the teeth remember. Or the fingers.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
What we read as adults should be read, I think, with no warnings or alerts beyond, perhaps: enter at your own risk. We need to find out what fiction is, what it means, to us, an experience that is going to be unlike anyone else’s experience of the story.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Thank you for coming. Enjoy the things that never happened. Secure your own mask again after you read these stories, but do not forget to help others.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I sometimes imagine I would like my ashes to be scattered in a library. But then the librarians would just have to come in early the next morning to sweep them up again, before the people got there.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Always worth it to have tried, even if you fail, even if you fall like a meteor forever. Better to have flamed in the darkness, to have inspired others, to have lived, than to have sat in the darkness, cursing the people who borrowed, but did not return, your candle.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
You seem all normal and quiet on the surface. But you are so much weirder than I am, and I am, extremely, fucking, weird.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
The monsters in our cupboards and our minds are always there in the darkness, like mould beneath the floorboards and behind the wallpaper, and there is so much darkness, an inexhaustible supply of darkness. The universe is amply supplied with night.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
The witch was as old as the mulberry tree She lived in the house of a hundred clocks She sold storms and sorrows and calmed the sea And she kept her life in a box.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Life is life, and it is infinitely better than the alternative, or so we presume, for nobody returns to dispute it. Such is my motto.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
The heart is greater than the universe, for it can find pity in it for everything in the universe, and the universe itself can feel no pity. The heart is greater than a King, because a heart can know a King for what he is, and still love him. And once you give your heart, you cannot take it back.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
You never forget. It must be somewhere inside you.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
You're very good. Are you a professional artist?" "I dabble," she said. Shadow had spent enough time talking to the English to know that this meant either that she dabbled, or that her work was regularly hung in the National gallery or the Tate Modern.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I remember Icarus. He flew too close to the sun. In the stories, though, it’s worth it. Always worth it to have tried, even if you fail, even if you fall like a meteor forever. Better to have flamed in the darkness, to have inspired others, to have lived, than to have sat in the darkness, cursing the people who borrowed, but did not return, your candle.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Anything else you want to tell me?” I asked Valek as we stopped a few feet short of the castle’s south entrance. “Did Ari and Janco set me up for Nix’s attack? Do you have another test of loyalty for me up your sleeve? Maybe the next time, I’ll actually fail. A prospect that seems appealing!” I pushed away Valek’s supporting arm. “When you warned me that you would test me from time to time, I thought you meant spiking my food. But it seems there is more than one way to poison a person’s heart, and it doesn’t even require a meal.
Maria V. Snyder (Poison Study (Study, #1))
Sometimes I think that truth is a place. In my mind, it is like a city: there can be a hundred roads, a thousand paths, that will all take you, eventually, to the same place. It does not matter where you come from. If you walk toward the truth, you will reach it, whatever path you take.” Calum
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I am sorry. I lost something there. Like a path I was walking that dead-ended, and now I am alone and lost in the forest, and I am here and I do not know where here is any more.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Damen bridged the nine chilly inches at the first opportunity. 'What are you doing? You were the one who warned me about Nicaise.' He spoke in a low voice. Laurent went very still; then he deliberately shifted in his seat and leaned in, bringing his lips right to Damen's ear. 'I think I'm out of stabbing range, he's got short arms. Or perhaps he'll try to throw a sugar plum? That is difficult. If I duck he'll hit Torveld.' Damen gritted his teeth. 'You know what I meant. He heard you. He's going to act. Can't you do something about it?' 'I'm occupied.' 'Then let me do something.' 'Bleed on him?' said Laurent.
C.S. Pacat (Captive Prince (Captive Prince, #1))
They never get easier, never stop my heart from trip-trapping, never let me escape, this time, unscathed. But they teach me things, and they open my eyes, and if they hurt, they hurt in ways that make me think and grow and change.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I was once a blank piece of parchment too, waiting to be inscribed. I learned about things and people from stories, and I learned about other authors from stories.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Warning, low battery.'' Toshiba shuts down Frozen.
Vanessa Ngam (Limericks Haiku and Other Short Poems)
I am only alive when I perceive a challenge.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Life imitates art, but clumsily, copying its movements when it thinks it isn't looking.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Tigers, except when wounded or when man-eaters, are on the whole very good-tempered...Occassionally a tiger will object to too close an approach to its cubs or to a kill that it is guarding. The objection invariably takes the form of growling, and if this does not prove effective itis followed by short rushes accompanied by terrifying roars. If these warnings are disregarded, the blame for any injury inflicted rests entirely with the intruder"- Jim Corbett
Jim Corbett
He was drowning in the Time, could feel it crushing him, like an ancient forest being crushed into oil.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy.
Christopher Isherwood (Exhumations)
The burning point of paper was the moment where I knew that I would have to remember this. Because people would have to remember books, if other people burn them or forget them. We will commit them to memory. We will be come them. We become authors. We become their books.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I am thinking of a sky filled with spaceships, so many of them that they seem like a plague of locusts, silver against the luminous mauve of the night.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
He looked like every glossy frat boy in every nerd movie ever made, like every popular town boy who’d ever looked right through her in high school, like every rotten rich kid who’d ever belonged where she hadn’t. My mama warned me about guys like you. He turned to her as if he’d heard her and took off his sunglasses, and she went down the steps to meet him, wiping her sweaty palms on her dust-smeared khaki shorts. “Hi, I’m Sophie Dempsey,” she said, flashing the Dempsey gotta-love-me grin as she held out her hot, grimy hand, and after a moment he took it. His hand was clean and cool and dry, and her heart pounded harder as she looked into his remote, gray eyes. “Hello, Sophie Dempsey,” her worst nightmare said. “Welcome to Temptation.
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
that feeling I get when I go looking in my head for a word that isn’t there, as if someone must have come and taken it in the night.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Writers live in houses other people built.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
And what we learn about ourselves in those moments, where the trigger has been squeezed, is this: the past is not dead. There are things that wait for us, patiently, in the dark corridors of our lives. We think we have moved on, put them out of mind, left them to desiccate and shrivel and blow away; but we are wrong. They have been waiting there in the darkness, working out, practicing their most vicious blows, their sharp hard thoughtless punches into the gut, killing time until we came back that way.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
In 1976, Stephen King published a short story, “I Know What You Need,” about the courting of a young woman. Her suitor was a young man who could read her mind but did not tell her so. He simply appeared with what she wanted at the moment, beginning with strawberry ice cream for a study break. Step by step he changed her life, making her dependent upon him by giving her what she thought she wanted at a certain moment, before she herself had a chance to reflect. Her best friend realized that something disconcerting was happening, investigated, and learned the truth: “That is not love,” she warned. “That’s rape.” The internet is a bit like this. It knows much about us, but interacts with us without revealing that this is so. It makes us unfree by arousing our worst tribal impulses and placing them at the service of unseen others.
Timothy Snyder (The Road to Unfreedom: Russia, Europe, America)
There are many for whom the lure of gold outweighs the beauty of a rainbow.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I made a list of inventions the world would be better off without and, one by one, I uninvented them all.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Were you always like this?” “Like what?” “A madman. With a time machine.” “Oh, no. It took ages until I got the time machine.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
This is what they say: Secure your own mask before helping others. And i think of us, all the people, and the masks we wear, the masks we hide behind and the masks that reveal. I imagine people pretending to be what they truly are, and discovering that other people are so much more and so much less than they imagined themselves to be or present themselves as. And then, I think about the need to help others, and how we mask ourselves to do it, and how unmasking makes us vulnerable... We are all wearing masks. That is what makes us interesting.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
People would fight over who owns a poisonous desert, if that desert was Jerusalem.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
My mother warned me about short, determined women," he said at last, clearing his throat. "Said they're are meaner than any other kind.
Joey W. Hill (Honor Bound (Knights of the Board Room, #3))
She's as old as the hills, evil as a snake, all malevolence and magic and death.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Without warning, David was visited by an exact vision of death: a long hole in the ground, no wider than your body, down which you are drawn while the white faces above recede. You try to reach them but your arms are pinned. Shovels put dirt into your face. There you will be forever, in an upright position, blind and silent, and in time no one will remember you, and you will never be called by any angel. As strata of rock shift, your fingers elongate, and your teeth are distended sideways in a great underground grimace indistinguishable from a strip of chalk. And the earth tumbles on, and the sun expires, and unaltering darkness reigns where once there were stars.
John Updike (Olinger Stories)
If someone were to ask me for a short cut to sensuality, I would suggest he go shopping for a used 427 Shelby-Cobra. But it is only fair to warn you that of the 300 guys who switched to them in 1966, only two went back to women.
Mort Sahl
I have lost people, though. It's strange when it happens. I don't actually lose them. Not in the way one loses one's parents, either as a small child, when you think you are holding your mother's hand in a crowd and then you look up, and it's not your mother... or later. When you have to find the words to describe them at a funeral service or a memorial, or when you are scattering ashes on a garden of flowers or into the sea.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
God who knows all things, I have no prayer book and I do not know any prayers by heart. But you know all the prayers. You are God. So this is what I am going to do. I am going to say the alphabet, and I will let you put the words together.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
She asked me when I had started feeling a need to grant people’s wishes, and whether I felt a desperate need to please. She asked about my mother, and I told her that she could not judge me as she would judge mortals, for I was a djinn, powerful and wise, magical and mysterious.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.
Libba Bray (Beauty Queens)
The lovelorn came, too. The alone. The lunatics-they were brought here, sometimes. Got their name from the moon, it was only fair the moon had a chance to fix things.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I will not be my father's dog.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Because people would have to remember books, if other people burn them or forget them. We will commit them to memory. We will become them. We become authors. We become their books.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
I was once a blank piece of parchment, too, waiting to be inscribed.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
What we read as adults should be read, I think, with no warnings or alerts beyond, perhaps: enter at your own risk.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
In May I received an anonymous Mother’s Day card. This puzzled me. I would have noticed if I had ever had children, surely?
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
People are dreams and awkwardness and gawk.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
It stands as an unspoken warning to everyy Unwind there. You will get with the program,or your stay here will be very, very, short. The lesson is always learned.
Neal Shusterman (Unwind (Unwind, #1))
I am not scared of bad people, of wicked evildoers, of monsters and creatures of the night. The people who scare me are the ones who are certain of their own rightness.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
And the people who would burn the words, the people who would take the books from the shelves, the firemen and the ignorant, the ones afraid of tales and words and dreams and Hallowe'en and people who have tattooed themselves with stories and Boys! You Can Grow Mushrooms in Your Cellar! and as long as your words which are people which are days which are my life, as long as your words survive, then you lived and you mattered and you changed the world and I cannot remember your name. I learned your books. Burned them into my mind. In case the firemen come to town.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
And once I am there, I shall seek out Watson, if he still lives—and I fancy he does. It is irrational, I acknowledge, and yet I am certain that I would know, somehow, had Watson passed beyond the veil.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Butch sighed in relief. "Listen, man, do me a favor. Warn me before you pull another stunt like that. I'd rather choose." Then he smiled a little. "And we still ain't dating." V laughed in a short burst. "Go to sleep, roomie. You can kick my ass for this later." "I will
J.R. Ward
Slowly gently night creeps up on you, more gentle than light, it helps you realize how much the light hinders you. In the darkness your senses learn when they should quit – in the embrace of the dark everything becomes what it really is. People fear the dark but unlike the light it does not lie to you. In the dark you can go where you long to be.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
The old religion is what gets the crops up and keeps your cock hard and makes sure that nobody builds a bloody great motorway through an area of outstanding natural beauty. The Gateway stands, and the hill stands, and the place stands. It’s well, well over two thousand years old. You don’t go mucking about with anything that powerful.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Imagine a land where people are afraid of dragons. It is a reasonable fear: dragons possess a number of qualities that make being afraid of them a very commendable response. Things like their terrible size, their ability to spout fire, or to crack boulders into splinters with their massive talons. In fact, the only terrifying quality that dragons do not possess is that of existence. Now, the people of this land know about dragons because their leaders have warned them about them. They tell stories about cruel dragons with razor teeth and fiery breath. They recount legends of dragons hunting by night on silent wings. In short, the leaders make sure that the people believe in all the qualities of dragons, including that key quality of existence. And then they control the people — when they need to — with their fear of dragons. The people pay a dragon-slaying tax … everyone stays indoors after dark to avoid being snatched by swooping claws … and nobody ever strays out of bounds for fear of being eaten well and truly up. Perhaps somebody will wonder if dragons aren’t, after all, fictitious because — despite their size — nobody seems to have actually seen one. And so it is necessary from time to time to provide evidence: a burnt tree or two, a splintered rock, the mysterious absence of a villager. The population is controlled by the dragons in its collective mind. It’s contrived superstition, and it is possible because the people do not know enough about the way the world works to know that dragons do not exist.
David Whiteland (Book of Pages)
But this new king is also my older brother. He was always the one to pick me up when I fell, to warn me of dangers I had not yet discovered, to teach me the wisdom I had yet to learn for myself. All my life, I thought if I could only be more like him, then I would somehow find the best in myself. All my life I have fallen short of that goal, and yet he believed in me anyway, and gave me hope of being a better person tomorrow.
Jennifer A. Nielsen (The Captive Kingdom (Ascendance, #4))
Guilliame said in a low voice, ‘It was poison. It was in the feed. Lamen noticed a dead field mouse near the grain stores. If not for that warning, we’d have lost all the horses. Not just this one.’ The Prince stayed with the horse while Lamen touched him on the shoulder, then arranged for a horsemaster to put the horse down. The Prince only rose when the horse was dead. The
C.S. Pacat (The Adventures of Charls, the Veretian Cloth Merchant (Captive Prince Short Stories, #3))
There. Consider yourself warned. There are so many little triggers out there, being squeezed in the darkness even as I write this. This book is correctly labeled. Now all we have to worry about is all the other books, and, of course, life, which is huge and complicated and will not warn you before it hurts you.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
God, how I wish I could relive the whole thing. Short of that, I'd like to share the experience, the ups and downs, so some young man or woman, somewhere, going through the same trials and ordeals, might be inspired or comforted. Or warned. Some young entrepreneur, maybe, some athlete or painter or novelist, might press on. It's all the same drive. The same dream. It would be nice to help them avoid the typical discouragements. I'd tell them to hit pause, think long and hard about how they want to spend their time, and with whom they want to spend it for the next forty years. I'd tell men and women in their midtwenties not to settle for a job or a profession or even a career. Seek a calling. Even if you don't know what that means, seek it. If you're following your calling, the fatigue will be easier to bear, the disappointments will be fuel, the highs will be like nothing you've ever felt. I'd like to warn the best of them, the iconoclasts, the innovators, the rebels, that they will always have a bull's-eye on their backs. The better they get, the bigger the bull's-eye. It's not one man's opinion; it's a law of nature.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
ourselves in those moments, where the trigger has been squeezed, is this: the past is not dead. There are things that wait for us, patiently, in the dark corridors of our lives. We think we have moved on, put them out of mind, left them to desiccate and shrivel and blow away; but we are wrong. They have been waiting there in the darkness, working out, practicing their most vicious blows, their sharp hard thoughtless punches into the gut, killing time until we came back that way.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
VI. FINAL WARNING There are monsters in these pages, but as Ogden Nash pointed out in my first short-story collection, Smoke and Mirrors, where there’s a monster, there’s also a miracle. There are some long stories and some short ones. There are a handful of poems, which perhaps might need their own warning for the people who are frightened, disturbed, or terminally puzzled by poetry. (In my second short-story collection, Fragile Things, I tried to explain that the poems come free. They are bonuses for the kind of people who do not need to worry about sneaky and occasional poems lurking inside their short-story collections.) There. Consider yourself warned. There are so many little triggers out there, being squeezed in the darkness even as I write this. This book is correctly labeled. Now all we have to worry about is all the other books, and, of course, life, which is huge and complicated and will not warn you before it hurts you. Thank you for coming. Enjoy the things that never happened. Secure your own mask again after you read these stories, but do not forget to help others.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Tyler rolls out of bed, sniffs the armpits of yesterday's T-shirt, tosses it aside, gets another out of the drawer. His dad sometimes asks him why he sets his alarm so early -- it's summer vacation, after all -- and Tyler can't seem to make him understand that every day is important, especially those filled with warmth and sunlight and no particular responsibilities. It's as if there's some little voice deep inside him, warning him not to waste a minute, not a single one, because time is short.
Stephen King (Black House (The Talisman, #2))
How do you know when the Sarows is coming?" hummed Lila as she made her way down the ship's narrow hall, fingertips skimming either wall for balance. Right about the, Alucard's warning about Jasta was coming back in full force. "Never challenge that one to a drinking contest. Or a sword fight. Or anything else you might lose. Because you will." The boat rocked beneath her fee. Or maybe she was the one rocking. Hell. Lila was slight, but not short of practice, and even so, she'd never had so much trouble holding her liquor. When she got to her room, she found Kell hunched over the Inheritor, examining the markings on its side. "Hello, handsome," she said, bracing herself in the doorway. Kell looked up, a smile halfway to his lips before it fell away. "You're drunk," he said, giver her a long, appraising look. "And you're not wearing any shoes." "Your powers of observation are astonishing." Lila looked down at her bare feet. "I lost them." "How do you lose shoes?" Lila crinkled her brow. "I bet them. I lost." Kell rose. "To who?" A tiny hiccup. "Jasta." Kell sighed. "Stay here." He slipped past her into the hall, a hand alighting on her waist and then, too soon, the touch was gone. Lila make her way to the bed and collapsed onto it, scooping up the discarded Inheritor and holding it up to the light. The spindle at the cylinder's base was sharp enough to cut, and she turned the device carefully between her fingers, squinting to make out the words wrapped around it. Rosin, read one side. Cason, read the other. Lila frowned, mouthing the words as Kell reappeared in the doorway. "Give-- and Take," he translated, tossing her the boots. She sat up too fast, winced. "How did you manage that?" "I simply explained that she couldn't have them-- they wouldn't have fit-- and then I gave her mine." Lila looked down at Kell's bare feet, and burst into laughter.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
To hell with you. You just don't want to admit it. Those people, they're animals. They want to see someone's brains on the road, that's why they turn out. They'd just as soon see yours." "That isn't the point," McVries said calmly. "Didn't you say you went to see the Long Walk when you were younger?" "Yes, when I didn't know any better!" "Well, that makes it okay, doesn't it?" McVries uttered a short, ugly-sounding laugh. "Sure they're animals. You think you just found out a new principle? Sometimes I wonder just how naive you really are. The French lords and ladies used to screw after the guillotinings. The old Romans used to stuff each other during the gladiatorial matches. That's entertainment, Garraty. It's nothing new." He laughed againd. Garraty stared at him, fascinated. [...] "Death is great for the appetites," McVries said. [...] "But even that's not the real point of this little expedition, Garraty. The point is, they're the smart ones. They're not getting thrown to the lions. They're not staggering along and hoping they won't have to take a shit with two warnings against them. You're dumb, Garraty. You and me and Pearson and Barkovitch and Stebbins, we're all dumb. Scramm's dumb because he thinks he understands and he doesn't. Olson's dumb because he understood too much too late. They're animals, all right. But why are you so goddam sure that makes us human beings?" He paused, badly out of breath. [...] "Then why are you doing it? Garraty asked him. "If you know that much, and if you're that sure, why are you doing it?" "The same reason we're all doing it," Stebbins said. He smiled gently, almost lovingly. His lips were a little sun-parched; otherwise, his face was still unlined and seemingly invincible. "We want to die, that's why we're doing it. Why else, Garraty? Why else?
Richard Bachman (The Long Walk)
Not long ago-incredible though it may seem-I heard a clerk of Oxford declare that he 'welcomed' the proximity of mass-production robot factories, and the roar of self-obstructive traffic, because it brought his university into 'contact with real life.' He may have meant that the way men were living and working in the twentieth century was increasing in barbarity at an alarming rate, and that the loud demonstration of this in the streets of Oxford might serve as a warning that it is not possible to preserve for long an oasis of sanity in a desert of unreason by mere fences, without actual offensive action (practical and intellectual). I fear he did not. In any case the expression 'real life' in this context seems to fall short of academic standards. The notion that motor-cars are more 'alive' than, say, centaurs or dragons is curious; that they are more 'real' than, say, horses is pathetically absurd. How real, how startlingly alive is a factory chimney compared with an elm tree: poor obsolete thing, insubstantial dream of an escapist!
J.R.R. Tolkien (Tree and Leaf: Includes Mythopoeia and The Homecoming of Beorhtnoth)
Sometimes I think that truth is a place. In my mind, it is like a city; there can be a hundred roads, a thousands paths, that will all take you, eventually, to the same place. It does not matter where you come from. If you walk toward the truth, you will reach it, whatever path you take.” Calum MacInnes looked down at me and said nothing. Then, “You are wrong. The truth is a cave in the black mountains. There is one way there, and one only, and that way is treacherous and hard, and if you choose the wrong path you will die alone, on the mountainside.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Stress and nervous tension are now serious social problems in all parts of the Galaxy, and it is in order that this situation should not be in any way exacerbated that the following facts will now be revealed in advance. The planet in question is in fact the legendary Magrathea. The deadly missile attack shortly to be launched by an ancient automatic defense system will result merely in the breakage of three coffee cups and a mouse cage, the bruising of somebody’s upper arm, and the untimely creation and sudden demise of a bowl of petunias and an innocent sperm whale.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
There. Consider yourself warned. There are so many little triggers out there, being squeezed in the darkness even as I write this. This book is correctly labeled. Now all we have to worry about is all the other books, and, of course, life, which is huge and complicated and will not warn you before it hurt’s you. Thank you for coming. Enjoy the things that never happened. Secure your own mask again after you read these stories, but do not forget to help others.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Still, sometimes, he thought back to their final conversations, mouthing them aloud. This was at night, when his roommates—in various configurations, depending on who was in the room at the time—slept above and next to him. “Don’t let this silence become a habit,” she’d warned him shortly before she died. And: “It’s all right to be angry, Jude; you don’t have to hide it.” She had been wrong about him, he always thought; he wasn’t what she thought he was. “You’re destined for greatness, kid,” she’d said once, and he wanted to believe her, even though he couldn’t. But she was right about one thing: it did get harder and harder. He did blame himself. And although he tried every day to remember the promise he’d made to her, every day it became more and more remote, until it was just a memory, and so was she, a beloved character from a book he’d read long ago.
Hanya Yanagihara (A Little Life)
The prevalence of anti-patriotic attitudes among liberal intellectuals led some of them to warn their fellow liberals of the consequences of such attitudes for the future not of America but of American liberalism. Most Americans, as the American public philosopher Richard Rorty has written, take pride in their country, but 'many of the exceptions to this rule are found in colleges and universities, in the academic departments that have become sanctuaries for left-wing political views.' These leftists have done 'a great deal of good for . . . women, African-Americans, gay men and lesbians. . . . But there is a problem with this Left: it is unpatriotic. It repudiates the idea of a national identity and the emotion of national pride.' If the Left is to retain influence, it must recognize that a 'sense of shared national identity . . . is an absolutely essential component of citizenship.' Without patriotism, the Left will be unable to achieve its goals for America. Liberals, in short, must use patriotism as a means to achieve liberal goals
Samuel P. Huntington
Sometimes I think that truth is a place. In my mind, it is like a city: there can be a hundred roads, a thousand paths, that will all take you, eventually, to the same place. It does not matter where you come from. If you walk toward the truth, you will reach it, whatever path you take.” Calum MacInnes looked down at me and said nothing. Then, “You are wrong. The truth is a cave in the black mountains. There is one way there, and one only, and that way is treacherous and hard, and if you choose the wrong path you will die alone, on the mountainside.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
When Tommy walked forlornly home a short while later, Rudy tried what appeared to be a masterful new tactic. Pity. On the step, he perused the mud that had dried as a crusty sheet on his uniform, then looked Liesel hopelessly in the face. “What about it, Saumensch?” “What about what?” “You know. . . .” Liesel responded in the usual fashion. “Saukerl,” she laughed, and she walked the short distance home. A disconcerting mixture of mud and pity was one thing, but kissing Rudy Steiner was something entirely different. Smiling sadly on the step, he called out, rummaging a hand through his hair. “One day,” he warned her. “One day, Liesel!
Markus Zusak (The Book Thief)
There are things that upset us. That’s not quite what we’re talking about here, though. I’m thinking rather about those images or words or ideas that drop like trapdoors beneath us, throwing us out of our safe, sane world into a place much more dark and less welcoming. Our hearts skip a ratatat drumbeat in our chests, and we fight for breath. Blood retreats from our faces and our fingers, leaving us pale and gasping and shocked. And what we learn about ourselves in those moments, where the trigger has been squeezed, is this: the past is not dead. There are things that wait for us, patiently, in the dark corridors of our lives. We think we have moved on, put them out of mind, left them to desiccate and shrivel and blow away; but we are wrong. They have been waiting there in the darkness, working out, practicing their most vicious blows, their sharp hard thoughtless punches into the gut, killing time until we came back that way.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
She went to her room and curled into a ball of misery and decided that she would die of a broken heart. Minstrels would write songs about how she had turned her face to the wall and died of the false-heartedness of men. She could not quite make up her mind whether she wanted to be a ghost who would haunt the convent or not. It would be very satisfying to be a sad-eyed, beautiful ghost who drifted through the halls, gazing up at the moon and weeping silently, as a warning to other young women. On the other hand, she was still short and round-faced and sturdy, and there were very few ghost stories about short, sturdy women. Marra had not managed to be pale and willowy and consumptive at any point in eighteen years of life and did not think she could achieve it before she died. Possibly it would be better to just have songs made about her. The Sister Apothecary came to her, the nun who doctored all the residents of the convent for various ailments, and who compounded medicines and salves and treatments for the farmer’s wives who lived nearby. She studied Marra intensely for a few minutes. “It’s a man, is it?” she said finally. Marra grunted. It occurred to her about an hour earlier that she did not know how the minstrels would find out that she existed in order to write the sad songs in the first place, and her mind was somewhat occupied by this problem. Did you write them letters?
T. Kingfisher (Nettle & Bone)
And now a word about librarians. We are all, from our youngest years, warned that the most dangerous, untrustworthy creature is that which stalks our public libraries. We all remember, as children, having this told to us by frazzled men in rumpled suits clutching ancient tomes to their chests. “Aaaarrrruuuggghhh,” they would say, pointing at a diagram that was just a square with the word LIBRARY written neatly in the middle of it. “Ouuugh!” they would continue, pointing at the clearest photograph ever taken of a librarian, which is a blurry and badly burnt Polaroid. “Oh! Oh! Oh!” they would conclude, pointing at the first diagram again. It was always a very short presentation. Then the men would run from our classrooms, looking fearfully around and muttering, “There’s no time, just no time,” and never would be seen again. These warnings, as playfully conveyed as they were, are serious matters that should be applied to your grown-up, serious life. Librarians are hideous creatures of unimaginable power. And even if you could imagine their power, it would be illegal. It is absolutely illegal to even try to picture what such a being would be like. So just watch out for librarians, okay?
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
The third mercenary—standing between Yrene and the mist—drew his short sword. Yrene didn’t have time to cry out in surprise or warning as a dark figure slipped from the mist and grabbed him. Not in front, but from the side, as if they’d just appeared out of thin air. The mercenary threw Yrene to the ground and drew the sword from across his back, a broad, wicked-looking blade. But his companion didn’t even shout. More silence. “Come out, you bleedin’ coward,” the ringleader growled. “Face us like a proper man.” A low, soft laugh. Yrene’s blood went cold. Silba, protect her. She knew that laugh—knew the cool, cultured voice that went with it. “Just like how you proper men surrounded a defenseless girl in an alley?” With that, the stranger stepped from the mist. She had two long daggers in her hands. And both blades were dark with dripping blood.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
In 1970, I wrote in the New York Times, of all uncongenial places, It is possible to stop most drug addiction in the United States within a very short time. Simply make all drugs available and sell them at cost. Label each drug with a precise description of what effect—good or bad—the drug will have on the taker. This will require heroic honesty. Don’t say that marijuana is addictive or dangerous when it is neither, as millions of people know—unlike “speed,” which kills most unpleasantly, or heroin, which can be addictive and difficult to kick. Along with exhortation and warning, it might be good for our citizens to recall (or learn for the first time) that the United States was the creation of men who believed that each person has the right to do what he wants with his own life as long as he does not interfere with his neighbors’ pursuit of happiness (that his neighbor’s idea of happiness is persecuting others does confuse matters a bit).
Gore Vidal (Perpetual War for Perpetual Peace)
You stand there all tan and glowing and wonder why I use Voice on you?” he bellowed. “Where the hell do you get off? You’ve been with V’lane again. How many slaps in the face do you think I’m going to take, Ms. Lane?” He grabbed my fist and held it when I tried to punch him again. I swung at him with the other. He caught that, too. “I warned you not to play us against each other.” “I’m not playing you! I’m trying to survive. And I don’t slap you when I go off with V’lane!” I tried to yank my fists from his hands. “It doesn’t have anything to do with you. I’m trying to get answers, and since you won’t give me any, you can’t blame me for going somewhere else.” “So, the man who doesn’t get laid at home has the right to go off and cheat?” “Huh?” “Which word didn’t you understand?” he sneered. “You’re the one who’s crippled by illogic. This isn’t home, it never will be, and nobody’s getting laid!” I practically shouted. “You think I don’t know that?” He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn’t my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn’t even bother trying. Savage Mac wants to invite it to come out and play. I think she’s nuts. Nuts, I tell you. “Let go of my hands.” “Make me,” he taunted. “Voice me, Ms. Lane. Come on, little girl, show me some power.” Little girl, my ass.
Karen Marie Moning (Faefever (Fever, #3))
Sometimes huge truths are uttered in unusual contexts. I fly too much, a concept and a sentence that would have been impossible for me to understand as a young man, when every plane journey was exciting and miraculous, when I would stare out of the window at the clouds below and imagine that they were a city, or a world, somewhere I could walk safely. Still, I find myself, at the start of each flight, meditating and pondering the wisdom offered by the flight attendants as if it were a koan or a tiny parable, or the high point of all wisdom. This is what they say: Secure your own mask before helping others. And I think of us, all the people, and the masks we wear, the masks we hide behind and the masks that reveal. I imagine people pretending to be what they truly are, and discovering that other people are so much more and so much less than they imagine themselves to be or present themselves as. And then, I think about the need to help others, and how we mask ourselves to do it, and how unmasking makes us vulnerable… We are all wearing masks That is what makes us interesting.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
So, when I read of a recent study that found that children are significantly more inclined to eat “difficult” foods like liver, spinach, broccoli—and other such hard-to-sell “but-it’s-good-for-you” classics—when they are wrapped in comfortingly bright packages from McDonald’s, I was at first appalled, and then … inspired. Rather than trying to co-opt Ronald’s all-too-effective credibility among children to short-term positive ends, like getting my daughter to eat the occasional serving of spinach, I could reverse-engineer this! Use the strange and terrible powers of the Golden Arches for good—not evil! I plan to dip something decidedly unpleasant in an enticing chocolate coating and then wrap it carefully in McDonald’s wrapping paper. Nothing dangerous, mind you, but something that a two-and-a-half-year-old will find “yucky!”—even upsetting—in the extreme. Maybe a sponge soaked with vinegar. A tuft of hair. A Barbie head. I will then place it inside the familiar cardboard box and leave it—as if forgotten—somewhere for my daughter to find. I might even warn her, “If you see any of that nasty McDonald’s … make sure you don’t eat it!” I’ll say, before leaving her to it. “Daddy was stupid and got some chocolate … and now he’s lost it…” I might mutter audibly to myself before taking a long stroll to the laundry room. An early, traumatic, Ronald-related experience can only be good for her.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
If you are going to start psychoanalyzing me, Legna, just stop it right now,” Noah warned her. “You have had my undivided love and attention practically since the day I was born, Noah. Has it never occurred to you that you are simply unwilling to share me with anyone else? You joke about it, but there are reasons why you are not interested in finding a companion of your own. Why should you? You have a perfectly kept home, a beautiful hostess to manage your social affairs, and she is pretty much emotionally maintenance free. I give you completely unconditional love, respect, and admiration. I keep you company when there are so many around, but none are really close enough to your heart to safely be a King’s confidant. There is only one thing I cannot do for you, and I already know you have your ways of obtaining that.” “Legna,” he protested, his face flushing. “That is not true.” “Which part?” she countered, raising a single brow. “I . . .” He hesitated, looking away from her penetrating gaze, realizing that she saw so much more than he had ever given her credit for. “Well, for one, the rafters of my ‘perfectly kept home’ are full of cobwebs,” he said sheepishly. Legna suddenly, gratefully, found herself laughing. It was a short burst of amusement that instantly defused the painful tension between them. “As if it would kill you to spare a thought to giving them a two-second toasting and getting rid of them yourself?
Jacquelyn Frank (Gideon (Nightwalkers, #2))
When Postman wrote the introduction to his important book Amusing Ourselves to Death, he set forth the stance he adopts by contrasting the warnings of George Orwell’s 1984 and Aldous Huxley’s Brave New World: Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think…. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much information that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared that the truth would be drowned in a sea of irrelevance. Orwell feared that we would become a captive culture. Huxley feared that we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right.34
D.A. Carson (The Gagging of God: Christianity Confronts Pluralism)
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
One of my greatest concerns for the young women of the Church is that they will sell themselves short in dating and marriage by forgetting who they really are--daughters of a loving Heavenly Father. . . . Unfortunately, a young woman who lowers her standards far enough can always find temporary acceptance from immature and unworthy young men. . . . At their best, daughters of God are loving, caring, understanding, and sympathetic. This does not mean they are also gullible, unrealistic, or easily manipulated. If a young man does not measure up to the standards a young woman has set, he may promise her that he will change if she will marry him first. Wise daughters of God will insist that young men who seek their hand in marriage change before the wedding, not after. (I am referring here to the kind of change that will be part of the lifelong growth of every disciple.) He may argue that she doesn't really believe in repentance and forgiveness. But one of the hallmarks of repentance is forsaking sin. Especially when the sin involves addictive behaviors or a pattern of transgression, wise daughters of God insist on seeing a sustained effort to forsake sin over a long period of time as true evidence of repentance. They do not marry someone because they believe they can change him. Young women, please do not settle for someone unworthy of your gospel standards. On the other hand, young women should not refuse to settle down. There is no right age for young men or young women to marry, but there is a right attitude for them to have about marriage: "Thy will be done" . . . . The time to marry is when we are prepared to meet a suitable mate, not after we have done all the enjoyable things in life we hoped to do while we were single. . . . When I hear some young men and young women set plans in stone which do not include marriage until after age twenty-five or thirty or until a graduate degree has been obtained, I recall Jacob's warning, "Seek not to counsel the Lord, but to take counsel from his hand" (Jacob 4:10). . . . How we conduct ourselves in dating relationships is a good indication of how we will conduct ourselves in a marriage relationship. . . . Individuals considering marriage would be wise to conduct their own prayerful due diligence--long before they set their hearts on marriage. There is nothing wrong with making a T-square diagram and on either side of the vertical line listing the relative strengths and weaknesses of a potential mate. I sometimes wonder whether doing more homework when it comes to this critical decision would spare some Church members needless heartache. I fear too many fall in love with each other or even with the idea of marriage before doing the background research necessary to make a good decision. It is sad when a person who wants to be married never has the opportunity to marry. But it is much, much sadder to be married to the wrong person. If you do not believe me, talk with someone who has made that mistake. Think carefully about the person you are considering marrying, because marriage should last for time and for all eternity.
Robert D. Hales (Return: Four Phases of our Mortal Journey Home)
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
At a talk I gave at a church months later, I spoke about Charlie and the plight of incarcerated children. Afterward, an older married couple approached me and insisted that they had to help Charlie. I tried to dissuade these kind people from thinking they could do anything, but I gave them my card and told them they could call me. I didn't expect to hear from them, but within days they called, and they were persistent. We eventually agreed that they would write a letter to Charlie and send it to me to pass on to him. When I received the letter weeks later, I read it. It was remarkable. Mr. and Mrs. Jennings were a white couple in their mid-seventies from a small community northeast of Birmingham. They were kind and generous people who were active in their local United Methodist church. They never missed a Sunday service and were especially drawn to children in crisis. They spoke softly and always seemed to be smiling but never appeared to be anything less than completely genuine and compassionate. They were affectionate with each other in a way that was endearing, frequently holding hands and leaning into each other. They dressed like farmers and owned ten acres of land, where they grew vegetables and lived simply. Their one and only grandchild, whom they had helped raise, had committed suicide when he was a teenager, and they had never stopped grieving for him. Their grandson struggled with mental health problems during his short life, but he was a smart kid and they had been putting money away to send him to college. They explained in their letter that they wanted to use the money they'd saved for their grandson to help Charlie. Eventually, Charlie and this couple began corresponding with one another, building up to the day when the Jenningses met Charlie at the juvenile detention facility. They later told me that they "loved him instantly." Charlie's grandmother had died a few months after she first called me, and his mother was still struggling after the tragedy of the shooting and Charlie's incarceration. Charlie had been apprehensive about meeting with the Jenningses because he thought they wouldn't like him, but he told me after they left how much they seemed to care about him and how comforting that was. The Jenningses became his family. At one point early on, I tried to caution them against expecting too much from Charlie after his release. 'You know, he's been through a lot. I'm not sure he can just carry on as if nothing has ever happened. I want you to understand he may not be able to do everything you'd like him to do.' They never accepted my warnings. Mrs. Jennings was rarely disagreeable or argumentative, but I had learned that she would grunt when someone said something she didn't completely accept. She told me, 'We've all been through a lot, Bryan, all of us. I know that some have been through more than others. But if we don't expect more from each other, hope better for one another, and recover from the hurt we experience, we are surely doomed.' The Jenningses helped Charlie get his general equivalency degree in detention and insisted on financing his college education. They were there, along with his mother, to take him home when he was released.
Bryan Stevenson (Just Mercy)