Warmer Days Are Coming Quotes

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War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle. For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe. They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world. And the man breaks.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
The trees around and overhead were so thick that it was always dry inside and on Sunday morning I lay there with Jonas, listening to his stories. All cat stories start with the statement: "My mother, who was the first cat, told me this," and I lay with my head close to Jonas and listened. There was no change coming, I thought here, only spring; I was wrong to be so frightened. The days would get warmer, and Uncle Julian would sit in the sun, and Constance would laugh when she worked in the garden, and it would always be the same. Jonas went on and on ("And then we sang! And then we sang!") and the leaves moved overhead and it would always be the same.
Shirley Jackson (We Have Always Lived in the Castle)
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
There comes a day each September when you wake up and know the summer is over and fall has arrived. The slant of the sun looks different and something is in the air--a coolness, a hint of frosty mornings to follow. I woke early on the morning of September 24 and reached for a warmer petticoat.
Ann Rinaldi (Time Enough for Drums)
The free spirit again draws near to life - slowly, to be sure, almost reluctantly, almost mistrustfully. It again grows warmer about him, yellower as it were; feeling and feeling for others acquire depth, warm breezes of all kind blow across him. It seems to him as if his eyes are only now open to what is close at hand. he is astonished and sits silent: where had he been? These close and closest things: how changed they seem! what bloom and magic they have acquired! He looks back gratefully - grateful to his wandering, to his hardness and self-alienation, to his viewing of far distances and bird-like flights in cold heights. What a good thing he had not always stayed "at home," stayed "under his own roof" like a delicate apathetic loafer! He had been -beside himself-: no doubt about that. Only now does he see himself - and what surprises he experiences as he does so! What unprecedented shudders! What happiness even in the weariness, the old sickness, the relapses of the convalescent! How he loves to sit sadly still, to spin out patience, to lie in the sun! Who understands as he does the joy that comes in winter, the spots of sunlight on the wall! They are the most grateful animals in the world, also the most modest, these convalescents and lizards again half-turned towards life: - there are some among them who allow no day to pass without hanging a little song of praise on the hem of its departing robe. And to speak seriously: to become sick in the manner of these free spirits, to remain sick for a long time and then, slowly, slowly, to become healthy, by which I mean "healthier," is a fundamental cure for all pessimism.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
Though solitude, endured too long, Bids youthful joys too soon decay, Makes mirth a stranger to my tongue, And overclouds my noon of day; When kindly thoughts that would have way, Flow back discouraged to my breast; I know there is, though far away, A home where heart and soul may rest. Warm hands are there, that, clasped in mine, The warmer heart will not belie; While mirth, and truth, and friendship shine In smiling lip and earnest eye. The ice that gathers round my heart May there be thawed; and sweetly, then, The joys of youth, that now depart, Will come to cheer my soul again.
Anne Brontë (Poems by Currer, Ellis, and Acton Bell)
Now, my favorite day of the year is when daylight savings begins. It’s usually when the air starts to thaw and the only precipitation you can be threatened with is a little rain. You’re tired in the morning because you’ve lost an hour of sleep. But by seven o’clock at night, the sun is still out. And it’s warmer than it was yesterday at that time. It feels like the world is opening up, like the worst is over, and flowers are coming.
Taylor Jenkins Reid (One True Loves)
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.” “Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.” Chase’s smile was crooked as he acknowledged the praise with a short nod. Dante cleared his throat. “And about that offer of help . . .” “Name it.” “Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.” “You want me to go retrieve a wayward canine, is that where this is heading?” “Well, you did say anything, didn’t you?” “So I did.” Chase chuckled. “All right. I will.” Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.” “Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.” Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.” “Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?” “Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.” “Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?” “Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?” Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
I loved my life in California, where it never snowed and the sun was always shining. Now, my favorite day of the year is when daylight savings begins. It’s usually when the air starts to thaw and the only precipitation you can be threatened with is a little rain. You’re tired in the morning because you’ve lost an hour of sleep. But by seven o’clock at night, the sun is still out. And it’s warmer than it was yesterday at that time. It feels like the world is opening up, like the worst is over, and flowers are coming. They don’t have that in Los Angeles. The flowers never leave.
Taylor Jenkins Reid (One True Loves)
Coming out of the Tunnel.... I am bursting with a new found feeling of my own existence. Strong and powerful frequencies. My mind is wandering to wide open fields and long-forgotten lands with limitless possibilities. I am not quite there yet. Holding still in anticipation, don’t want to miss hearing my inner voice – soft and deep. With me are friendly skies on rainy days and my life is getting warmer.
Anna Asche
my favorite day of the year is when daylight savings begins. It’s usually when the air starts to thaw and the only precipitation you can be threatened with is a little rain. You’re tired in the morning because you’ve lost an hour of sleep. But by seven o’clock at night, the sun is still out. And it’s warmer than it was yesterday at that time. It feels like the world is opening up, like the worst is over, and flowers are coming.
Taylor Jenkins Reid (One True Loves)
Long I have known and feared this day would come. Like the circle of Earth, the circle of life is changing. Here in the north, there are those who can still feel, see, and smell the changes wrought in and around Earth by Money Chiefs. The air is no longer clean, winter grows warmer, rivers flood without a sign, and the soil, once dark and rich, lies pale and weak. Bears, wolves, and other forest Spirits will soon go the way of the buffalo, for their food dwindles like birds that once ruled the skies.
Frederic M. Perrin (Rella Two Trees - The Money Chiefs)
When I got this job in New York five months ago, I wasn’t confident enough to come to the city without a roommate. When I first saw Miracle on 34th Street as a child, I knew there was an apartment overlooking Central Park with my name on it. But then Welcome Back, Kotter got me worried that I’d have to take an elevated train covered in graffiti to get to it. Eventually, after watching Fame, I realized that I might just be scrappy enough to get by if I learned a heartfelt song or two and wore the right leg warmers.
Josh Kilmer-Purcell (I Am Not Myself These Days)
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. “And ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. “Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” “No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.” “Bugger you, waif.” “And you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. “I don’t want to go,” I whispered. I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.” “Which part?” “All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. “What do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“ “That is not bloody going to happen.” “When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” “My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
One attraction in coming to the woods to live was that I should have leisure and opportunity to see the Spring come in. The ice in the pond at length begins to be honeycombed, and I can set my heel in it as I walk. Fogs and rains and warmer suns are gradually melting the snow; the days have grown sensibly longer; and I see how I shall get through the winter without adding to my wood-pile, for large fires are no longer necessary. I am on the alert for the first signs of spring, to hear the chance note of some arriving bird, or the striped squirrel’s chirp, for his stores must be now nearly exhausted, or see the woodchuck venture out of his winter quarters. On the 13th of March, after I had heard the bluebird, song sparrow, and red-wing, the ice was still nearly a foot thick.
Henry David Thoreau (Walden)
The last man crossed the deck: the clinking ship’s company was dismissed, and Jack said to the signal-midshipman, ‘To Dryad: Captain repair aboard at once.’ He then turned to Rowan and said, ‘You may part company as soon as I hear from Captain Babbington whether the transports are in Cephalonia or not; then you will not lose a moment of this beautiful leading breeze. Here he is. Captain Babbington, good day to you. Are the transports in Cephalonia? Is all well?’ ‘Yes, sir.’ ‘Mr Rowan, report to the Commander-in-Chief, with my duty, that the transports are in Cephalonia, and that all is well. You need not mention the fact that you saw one of the squadron crammed with women from head to stern; you need not report this open and I may say shameless violation of the Articles of War, for that disagreeable task falls to your superiors; nor need you make any observations about floating brothels or the relaxation of discipline in the warmer eastern waters, for these observations will naturally occur to the Commander-in-Chief without your help. Now pray go aboard our prize and proceed to Malta without the loss of a minute: not all of us can spare the time to dally with the sex.’ ‘Oh sir,’ cried Babbington, as Rowan darted over the side, ‘I really must be allowed to protest – to deny – ’ ‘You will not deny that they are women, surely? I can tell the difference between Adam and Eve as quick as the next man, even if you cannot; just as I can tell the difference between an active zealous officer and a lubber that lies in port indulging his whims. It is of no use trying to impose upon me.’ ‘No, sir. But these are all respectable women.’ ‘Then why are they leering over the side like that, and making gestures?’ ‘It is only their way, sir. They are all Lesbians – ’ ‘And no doubt they are all parsons’ daughters, your cousins in the third degree, like that wench in Ceylon.’ ‘– and Lesbians always join their hands like that, to show respect.’ ‘You are becoming an authority on the motions of Greek women, it appears.’ ‘Oh sir,’ cried Babbington, his voice growing shriller still. ‘I know you do not like women aboard – ’ ‘I believe I have had occasion to mention it to you some fifty or sixty times in the last ten years.’ ‘But if you will allow me to explain – ’ ‘It would be interesting to hear how the presence of thirty-seven, no, thirty-eight young women in one of His Majesty’s sloops can be explained; but since I like some decency to be preserved on my quarterdeck, perhaps the explanation had better take place in the cabin.’ And in the cabin he said, ‘Upon my word, William, this is coming it pretty high. Thirty-eight wenches at a time is coming it pretty high.
Patrick O'Brian (The Ionian Mission (Aubrey/Maturin, #8))
I don't understand," Olivia said. "How did Penny sewing and unsewing make for the Trojan War?" "Penelope was Odysseus's wife," Philippa explained. "He left her, and she sat at her loom, sewing all day, and unraveling all her work at night. For years." "Why on earth would someone do that?" Olivia wrinkled her nose, selecting a sweet from a nearby tray. "Years? Really?" "She was waiting for him to come home," Penelope said, meeting Michael's gaze. There was something meaningful there, and he thought she might be speaking of more than the Greek myth. Did she wait for him at night? She'd told him not to touch her... she'd pushed him away... but tonight, if he went to her, would she accept him? Would she follow the path of her namesake? "I hope you have more exciting things to do when you are waiting for Michael to come home, Penny," Olivia teased. Penelope smiled, but there was something in her gaze that he did not like, something akin to sadness. He blamed himself for it. Before him, she was happier. Before him, she smiled and laughed and played games with her sisters without reminder of her unfortunate fate. He stood to meet her as she approached the settee. "I would never leave my Penelope for years." He said, "I would be too afraid that someone would snatch her away." His mother-in-law sighed audibly from across the room as his new sisters laughed. He lifted one of Penelope's hands in his and brushed a kiss across her knuckles. "Penelope and Odysseus were never my favored mythic couple, anyway. I was always more partial to Persephone and Hades." Penelope smiled at him, and the room was suddenly much much warmer. "You think they were a happier couple?" she asked, wry. He met her little smile, enjoying himself as he lowered his voice. "I think six months of feast is better than twenty years of famine." She blushed, and he resisted the urge to kiss her there, in the drawing room, hang propriety and ladies' delicate sensibilities.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
I forced you to the edge of the room, you jumped over my shoulder. Not many students, even with three or four years of training, could execute that ploy.” “I never studied with anyone, though.” “It’s nothing to hide. You must have had a teacher, and a good one. Who was he?” The boy thought for a moment, then said, “Oh, I remember how I learned that.” “Who taught you?” “It wasn’t a human being.” “A goblin maybe?” “No, a hemp seed.” “What?” “A hemp seed.” “How could you learn from a hemp seed?” “Well, way up in the mountains there are some of those fighters—you know, the ones who seem to disappear right in front of your eyes. I watched them train a couple of times.” “You mean the ninja, don’t you? It must have been the Iga group you saw. But what does that have to do with a hemp seed?” “Well, after hemp’s planted in the spring, it doesn’t take long before a little sprout comes up.” “Yes?” “You jump over it. Every day you practice jumping back and forth. When it gets warmer, the sprout grows fast—nothing else grows as fast—so you have to jump higher every day. If you don’t practice every day, it’s not long before the hemp is so high you can’t jump over it.” “I see.
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
Sometimes the path that leads to finding your very own self leads across the heart of another person. And when the time has come, you have to let him go, because some people are your preterite. Don't indulge yourself in reminiscences of the past. There's always a reason why things happen the way they do. And if something old is dying, something new will be born. The present is the only thing that matters. It's the only thing that really exists. The past shouldn't be a part of it. It belongs to us, as all the things that we have experienced, suffered, learned, but it should never affect our present. The only thing we can form is what is present. And this present is the most valuable property we own. And we must make use of this present. We must cherish it. And I fill my present with dreams of fairytale castles and walks in the sun that is getting warmer on every new day. I fill it with dreams of glances onto the lavish splendour of rose-coloured spring and summer blossoms, of new poetry and new songs, of melodies in my heart and kindred souls, of new colours on my skin and flights through strange yet familiar worlds and the ever anew and ever perpetuating abundance and magic of life. Because the tragedy in life is never tragic as a whole. It grants us the chance to be more than what we have been before.
Dahi Tamara Koch (Within the event horizon: poetry & prose)
February 10 Are You Plugged In? “But you will receive power when the Holy Spirit comes on you; and you will be my witnesses in Jerusalem, and in all Judea, and Samaria, and to the ends of the earth.”—Acts 1:8 My family will never let my husband forget the first night that he spent in my parents’ home. We had been dating for a while. He came from South Louisiana to north Louisiana to meet my parents. North Louisiana can have some bitter nights, and this was one of those cold February days. When bedtime rolled around, my mother took my husband-to-be to his room. She showed him how to use the electric blanket, which was on the guest bed. He immediately said, “Oh, I’ve never slept under an electric blanket. I doubt that I will need it.” In the wee hours of the morning, he became chilly. He reached over to turn on his electric blanket. He seemed to feel a little warmer. Later on he got cold again, so he turned up his electric blanket. The next day my mother asked,” Well, how did you like the electric blanket?” He replied, “It was okay, but it didn’t get as warm as I expected.” The laughter began when we discovered that his blanket wasn’t plugged in. That’s been a family joke for more than forty years. The same is true in our spiritual lives. We often try to live in our own power, resulting in failure and disappointment. A Christian’s strength comes from being plugged into the Holy Spirit. If we are not plugged in, we lose our fellowship with the Lord. We grow cold and indifferent to spiritual matters. Before Jesus ascended into heaven, he promised his disciples that another Counselor (the Holy Spirit) would come to be with them. He would give them power to witness. Luke 24:49 tells believers that we have been clothed with power from on high. When we are not plugged in, we are missing out on so much that God wants to do in our lives.
The writers of Encouraging.com (God Moments: A Year in the Word)
Lovers Who Uncover Where do all the lovers meet with one another, In an effort to uncover what has happened to the silent days? Despite ones on the corner, dream of something warmer A semblance of our old ways, what has happened to our handmade days? Oh no Oh no Oh nooooooooo We can pull a map out detailing the direct route Young ones grow anxious to proclaim their advances to the fray If we don't wake up and the truth never comes up You will never have our old lane, you will never have a right of way Oh no [x8] Hey-oh! Oh no [x8] Hey-oh! Oh nooooooooo Where do all the lovers meet with one another, In an effort to uncover what has happened to the silent days? Despite ones on the corner, dream of something warmer A semblance of our old ways, what has happened to our handmade days? Oh no [x4] Hey! Oh no [x4] Hey-oh! Hey-oh! And won't you show us where your heart is?
Crystal Castles
Coming out of the Tunnel I am bursting with a new found feeling of my own existence. Strong and powerful frequencies. My mind is wandering to wide open fields and long-forgotten lands with limitless possibilities. I am not quite there yet. Holding still in anticipation, I don’t want to miss hearing my inner voice – soft and deep. With me are friendly skies on rainy days and my life is getting warmer.
Anna Asche
Am I wicked?" the fetish man asked, and Akua didn't know how to answer. That first day she had met him, when he had given her the kola nut, the Missionary had come out and seen her with him. He had snatched her hand and pulled her away and told her not to talk to fetish men. They called him a fetish man because he was, because he had not given up praying to the ancestors or dancing or collecting plants and rocks and bones and blood with which to make his fetish offerings. He had not been baptized. She knew he was supposed to be wicked, that she would be in a sea of trouble if the missionaries knew she still went to see him, and yet she recognized that his kindness, his love, was different from the people's at the school. Warmer and truer somehow. "No, you're not wicked," she said. "You can only decide a wicked man by what he does, Akua. The white man has earned his name here. Remember that.
Yaa Gyasi (Homegoing)
A small number of residents in each city have stopped caring whether they age a few seconds faster than their neighbors. These adventuresome souls come down to the lower world for days at a time, lounge under the trees that grow in the valleys, swim leisurely in the lakes that lie at warmer altitudes, roll on level ground. They hardly look at their watches and cannot tell you if it is Monday or Thursday. When the others rush by them and scoff, they just smile.
Alan Lightman (Einstein’s Dreams)
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
Andrew Peterson
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
The winter solstice marks the longest night of the year and the promise that soon the sun will be back again. But winter is not merely a trial to be got through while we wait for warmer times. You must embrace the cold days and long dark nights and learn to find the joy in them, for there is much joy to be found. Hunker down and revel in the warmth of soft blankets when the weather is howling outside. Make the time to take time, not just for others but for yourselves. Read books, light candles, take long baths, watch the flames flickering in the fireplace or the rain dribbling down the windowpanes. Open your eyes to the beauty in the winter landscape and count your blessings every single day. Slow down. There will be time enough for buzzing around with the bees when the sun comes back. For now, let the moments stretch long and lazy. Recuperate, rejuvenate, reflect, and let winter soothe you. Let this winter solstice be the first of many times this winter that you come together to give thanks and appreciate the people in your life. Gratitude is everything. It is infinite, and even in death I know that the warmth of my gratitude for all of you lives on in the spirit of this season." -Augustus
Jenny Bayliss (A December to Remember)
He rose and held out a hand to her, and Jenny hoped it wasn’t the whisky inspiring Elijah’s overture. She gave him her hand and was tugged into an embrace, Elijah’s cheek resting against her hair. “While you sketch your cat, visit the sick with your mother, and seethe with frustrated artistic talent. Let’s hear a curse, Genevieve. Let the drink, the lateness of hour, and the company inspire you, hmm?” No cat came between them, no stays, no layers of proper attire. Held against Elijah’s body, Jenny felt the implacable structure of a large, fit man. His person was as soft and giving as a sculptor’s block of raw marble, but much, much warmer. “The only curse I know is damn—double damn.” “That’s a start, like a few lines on a page. Damn has promise, but it needs embellishment. Bloody double damn?” He spoke near her ear, his breath tickling her neck. “Bloody is vulgar and graphic. Also quite naughty, and daring.” “All the better. Come, let’s be vulgar and graphic on the subject of my sketches for the day.” He
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
cold which threw me back a little.” As the weather grew warmer, she hoped to come home but was uncertain when they might be able to; politics was too consuming. “I do not know yet what we shall do this summer about going to Tennessee as Congress has not adjourned and [there is] no prospect of it soon. Uncle says we must go, if only to stay ten days.…” Jackson’s eagerness to escape Washington was understandable. A tariff reform bill was wending its way
Jon Meacham (American Lion: Andrew Jackson in the White House)
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Do you remember when you told me that you’d bought something ridiculously luxurious, and it was a mango?” he asks. “I was so fucking jealous of you. I wished that I could feel what that was like. I wanted to want something like that. I wanted to have that so badly.” I don’t have answers to any of his problems. I don’t even have solutions to mine. But this one thing? This, I can handle. “Come on,” I say. “Let’s get some mangoes.” We pull off the freeway a few miles later and follow the computer’s directions to a little grocery store. Fifteen minutes later, we’re sitting in a rest stop, cutting our mangoes to bits. “Here,” I tell him. “Trade me. Pretend you’re me. Let me tell you what it was like when I had that mango.” He shuts his eyes obligingly. “I didn’t have a lot of money,” I tell him. “And that meant one thing and one thing only—fried rice.” He smiles despite himself. “Kind of a stereotype, don’t you think?” “Whose stereotype? Rice is peasant food for more than half the world. It’s easy. It’s cheap. You can dress it up with a lot of other things. A little bit of onion, a bag of frozen carrots and peas. A carton of eggs. With enough rice, that can last you basically forever. It does for some people.” “It actually sounds good.” “If you have a decent underlying spice cabinet, you can break up the monotony a little. Fried rice with soy sauce one day. Spicy rice the next. And then curry rice. You can fool your tongue indefinitely. You can’t fool your body. You start craving.” He’s sitting on the picnic table, his eyes shut. “For me, the thing I start craving first is greens. Lettuce. Pea shoots. Anything that isn’t coming out of a bag of frozen veggies. And fruit. If you have an extra dollar or two, you buy apples and eat them in quarters, dividing them throughout the day.” I slide next to him on the table. The sun is warm around us. “But you get sick of apples, too, pretty soon. And so that’s where I want you to imagine yourself: sick to death of fried rice. No respite. No letting up. And then suddenly, one day, someone hands you a debit card and says, ‘Hey. Here’s fifteen thousand dollars.’ No, I’m not going to buy a stupid purse. I’m going to buy this.” I hold up a piece of mango to his lips. He opens his mouth and the fruit slides in. His lips close on my fingers like a kiss, and I can’t bring myself to draw away. He’s warmer than the sun, and I feel myself getting pulled in, closer and closer. “Oh, God.” He doesn’t open his eyes. “That’s so good.” I feed him another slice, golden and dripping juice. “That’s what it felt like,” I tell him. “Like there’s a deep-seated need, something in my bones, something missing. And then you take a bite and there’s an explosion of flavor, something bigger than just the taste buds screaming, yes, yes, this is what I need.” I hand him another piece of mango. He bites it in half, chews, and then takes the other half. “That’s what it felt like,” I say. “It felt like I’d been starving myself. Like I…” He opens his eyes and looks at me. “Like there was something I needed,” I say softly. “Something I’ve needed deep down. Something I’ve been denying myself because I can’t let myself want it.” My voice trails off. I’m not describing the taste of mango anymore. My whole body yearns for his. For this thing I’ve been denying myself. For physical affection. For our bodies joined. For his arms around me all night. It’s going to hurt when he walks away. But you know what? It’ll hurt more if he walks away and we leave things like this, desperate and wanting, incomplete. My voice drops. “It’s like there’s someone I’ve been denying myself. All this time.
Courtney Milan
Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.
G R R Martin
A Chilly Night" I rose at the dead of night, And went to the lattice alone To look for my Mother’s ghost Where the ghostly moonlight shone. My friends had failed one by one, Middle-aged, young, and old, Till the ghosts were warmer to me Than my friends that had grown cold. I looked and I saw the ghosts Dotting plain and mound: They stood in the blank moonlight, But no shadow lay on the ground: They spoke without a voice And they leaped without a sound. I called: ‘O my Mother dear,’— I sobbed: ‘O my Mother kind, Make a lonely bed for me And shelter it from the wind. ‘Tell the others not to come To see me night or day: But I need not tell my friends To be sure to keep away.’ My Mother raised her eyes, They were blank and could not see: Yet they held me with their stare While they seemed to look at me. She opened her mouth and spoke; I could not hear a word, While my flesh crept on my bones And every hair was stirred. She knew that I could not hear The message that she told Whether I had long to wait Or soon should sleep in the mould: I saw her toss her shadowless hair And wring her hands in the cold. I strained to catch her words, And she strained to make me hear; But never a sound of words Fell on my straining ear. From midnight to the cockcrow I kept my watch in pain While the subtle ghosts grew subtler In the sad night on the wane. From midnight to the cockcrow I watched till all were gone, Some to sleep in the shifting sea And some under turf and stone: Living had failed and dead had failed, And I was indeed alone.
Christina Rossetti