Ward Bond Quotes

He knew he was being overbearing as hell, but he couldn't help it. He was a bonded male. With his pregnant female. There were few things on the planet more aggressive or dangerous. And those bastards were called hurricanes and tornadoes.

Butch repositioned the Sox cap, and as his wrist passed by his nose, he got another whiff of himself. "Ah, V. . . listen, there is something a little weird going down on me." "What?" "I smell like men's cologne." "Good for you. Females dig that kind of thing." "Vishous, I smell like Obsession for Men, only I'm not WEARING any, you feel me?" There was silence on the line. Then, "Humans don't bond." "Oh, really. You want to tell that to my central nervous system and my sweat glands? They'd appreciate the news flash, I'm sure.

You would have made a fine warrior, you know that?" I am one. Death is my enemy." Yeah, it is, isn't it." God, it made such sense that he'd bonded with her. She was a fighter… like him. "Your scalpel's your dagger." Yup.

This was why people got mated, Rehv suddenly thought. Fuck the sex and the social position. If they were smart, they did it to make a house that had no walls and an invisible roof and a floor that no could walk on-and yet the structure was a shelter no storm could blow down, no match could torch up, no passage of years could degrade. That was when it hit him. A mated bond like that helped you through shit nights like this.

Shit. . . this was a bad idea. A pure-blooded, bonded male vampire about to watch his shellan feed someone else. Holy hell, when the Scribe Virgin had suggested Beth come down, V had assumed it was for ceremonial purposes, not so she could be a vein. But what was the choice? Butch was going to suck Marissa dry and not have enough and there wasn't another female in the house who could do the job: Mary was still human and Bella was pregnant. Besides, like dealing with Rhage or Z would be any easier? For the beast, they'd need a tranq gun the size of a cannon and Z. . . well, shit.

Oddly, she felt safe... as if the patient would protect her because of the vow he'd given her, and Red Sox would do the same because of his bond with the patient. Where the hell was the logic in that, she wondered. Gimme an S! A T! An O! A C! Followed by a K-H-O-L-M! What's it spell? HEAD FUCK. The patient leaned down to her ear. "I can't see you as the cheerleader type. But you're right, we both would slaughter anything that so much as startled you.

You have given me something ... I didn't even know I needed. It's the greatest gift I will ever receive--it's, like, completing me already in places I wasn't aware were empty. And yet ... in spite of all that? I don't love you one bit more. You are as important to me as you've always been." He curled down and pressed a kiss to the loose shirt she was wearing--it was one of his, actually, and wasn't that great. "I was wholly bonded to you before this, and will be after this--and forevermore." "You're going to make me cry again." "So cry. And let me take care of you. I got this.

For a moment she was convinced she was still dreaming. That she’d fallen asleep while reading one of JR Ward’s Brotherhood of The Black Dagger romances and had inserted herself into a dream based on the book. Any moment now he was going to start growling Mine Mine Mine and let loose with some spicy bonding scent. Or flash a massive set of fangs.

Then I, Wrath, son of Wrath, do take you as my shellan, to watch over and care for you and any begotten young we may have, sure as I would and will my kingdom, and its citizenry. You shall be mine fore’ermore—your enemies are mine own, your bloodline to mix with mine own, your dusks and your dawns to share only with me. This bond shall ne’er be torn asunder by forces within or without—and”—here he paused—“there shall be one and only one female for all mine days, and you shall be that only queen.

Up ahead about two blocks, a massive figure stepped out into her path. She halted. Took a deep breath. Felt a prickling in her eyes. On the breeze drifting down to her, John's unmistakable bonding scent was a dark spice that wiped out the stink of the city and the wretched sting of her unhappiness. She started walking toward him. Fast. Faster... Now she was running. He met her halfway, falling into a jog as soon as he saw her pick up the pace, and they slammed into each other. Hard to know whose mouth found whose, or whose arms were cinched tighter, or who was the desperate one. But then, in this they were equals.

He wanted her nails in his back and her tongue in his mouth and her hips rocking under his until he came so hard he saw stars. Then he wanted to sleep with her in his arms afterward. And wake up and eat and make love again. And talk in the dark about things both stupid and serious— Oh, God. He was bonding with her. The bonding thing was happening.

When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.

V grabbed him by the lapels and yanked him up against his body. The brother was trembling from head to foot, his eyes glowing like crystals in the night. "You are not my enemy." Instantly pissed off, Butch gripped V's shoulders, bunching up the leather jacket in his fists. "How do we know for sure." V bared his fangs and hissed, his black eyebrows cranking down hard. Butch gave the aggression right back, hoping, praying, ready for them to start clocking each other. He was jonesing to hit and get hit back; he wanted blood all over the both of them. For long moments, they stayed locked together, muscles straining, sweat blooming, right on the edge. Then Vishous's voice came out into space between their faces, the cracked tone riding a panting, desperate breath and getting bucked off. "You are my only friend. Never my enemy." No telling who embraced who first, but the urge to beat the living shit out of the other guy bled from their bodies, leaving only the bond between them. They wound up tight together and stood for a time in the cold wind. When they stepped back, it was awkwardly and with embarrassment.

Marissa came around the corner, looking Grace Kelly-fine as usual. With her long blond hair and her precision-molded face, she was known as the great beauty of the species, and even V, who didn't go for her type, had to show love. "Hello, boys—" Marissa stopped and stared at Butch. "Good… Lord… look at those pants." Butch winced. "Yeah, I know. They're—" "Could you come over here?" She started backing down the hall to their bedroom. "I need you to come back here for a minute. Or ten." Butch's bonding scent flared to a dull roar, and V knew damn well the guy's body was hardening for sex. "Baby, you can have me for as long as you want me." Just as the cop left the living room, he shot a look over his shoulder. "I'm so feeling these leathers. Tell Fritz I want fifty pairs of them. Stat.

As she began rattling off a number of multi-syllabic Latin-derived medical terms, he had to rearrange himself in his leathers. Something about her getting all professional made him want to get all up in her. Probably had to do with the bonding thing—he wanted to mark this spectacular person as his, so the whole world knew they needed to back the fuck off. Jane was the only female who had ever gotten his attention and held it. And yeah, if he had to wax psychological on the situation, it was probably because her single-minded passion for her job, shit, her relentless commitment to excellence, made him feel a little like he was always chasing her just to keep up. On so many levels he was a typical predator: The chase was more electric than the capture and consumption. And with Jane, there was always something to pursue. “Hello? V?” When their eyes met, he frowned. “Sorry. Distracted.

You and I are not going to survive long term, regardless of love or bonding, if you keep airbrushing things. If I keep airbrushing things. It’s not a good strategy for us—and if this makes you feel like you’re on the spot? As if I’m giving you an ultimatum? I don’t care. If anything gets in the way of our relationship, anything, I will mow that shit down—even if it is you.

In the process of terrorizing an article on spring training, Butch glanced over at Marissa again, and V knew the two were going to take off soon—but not because they were finished with their coffee. Funny, he knew what was going to happen from extrapolation, not second sight or because he could read their minds: Butch was letting off the bonding scent, and Marissa loved being with her male

Marijuana will be legal some day, because the many law students who now smoke pot will some day become Congressmen and legalize it in order to protect themselves. You wouldn't believe how many people smoke pot. If anyone reading this would like to become mayor, believe me, there is a vast, untapped vote. Of course, you wouldn't want to be the Marijuana Mayor, so you'd have to make it a trick statute, like: 'The Crippled Catholic Jewish War Children in Memory of Ward Bond Who Died for Your Bill to Make Marijuana Legal.

When it came to someone else macking on their females, bonded males liked closure. Of the coffin-lid variety.

Wrath positively glowered. “You’re giving me a job to get rid of me.” “As a bonded male, I know that you’re going to want to take care of her. And I think, if she’s nauseous, having those things in her belly might make her feel better.” “I can call Fritz, you realize.” “Yes, I know. Or you can do it yourself and provide for her.” Wrath stood there, frowning and gritting his teeth. “You know something, Jane, you’re spending too much time with Rhage.” “Because I’m manipulating you?” The physician’s smile got bigger. “Maybe. But if you leave right now, you can be back waaaaay before I’m finished.

So he’s bonded, has he?”… “Yup,” she said. “And I’m not going to feel bad if he puts a bullet through your frontal lobe. He will get a couple really good blow jobs out of it, thought.” John Matthew’s brows popped. Then he mouthed, “Niiiiiiiiiiiiiiice.

Do you want to hold her?” Qhuinn asked. Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.” “She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!” Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…” Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.” Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.” “That’s right,” Layla whispered with joy. But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—” “Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!” “Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.” “Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…” As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests. “I’m good with a gun,” Xcor said like that was the end of things. “And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.” The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.” “Which is not going to happen,” Xcor countered. “Ever.” “My man,” Qhuinn said, backing him up. “I knew I liked you—” “Oh, for the love,” Layla muttered as the debate resumed, and Blay started laughing and Qhuinn and Xcor continued bonding. -Qhuinn, Xcor, Layla, & Blay

Peyton flashed his palms…then deliberately linked them behind his back and spoke in the Old Language. “I hereby offer you a rythe. I do so in recognition of my disrespect and disregard of your status as a bonded male unto the female Paradise, with whom you have been mated. It is not my intention to justify this behavior in any fashion, and I wish to make up for my lapse in judgment according to the Old Ways.

After finishing a good book, it was sometimes days before she could shake off that other reality; the one she'd dipped into, leaving the characters with whom she had bonded so tightly. She always grieved when she finished a novel.  Knowing this would happen created a conflict in her, a desire to complete the story, read the whole thing and a hesitation to have it end; certain she would feel the loss she always experienced.

Before becoming Sam Goldwyn’s prized possession—and during a decade and more of taking roles that put him out there to be seen and perhaps noticed—Brennan did play characters who disparaged women. But what happened when he was offered the plum role of Jeeter Lester in John Ford’s production of Tobacco Road (March 7, 1941) is revealing. Erskine Caldwell’s best-selling novel had been a huge hit when it was adapted for the Broadway stage, and now the prestigious director was casting the film version with several actors—including Ward Bond, Gene Tierney, and Dana Andrews—whose careers would benefit from Ford’s attention. In Tobacco Road, Jeeter is the shiftless family patriarch. Not only does he lack ambition, his jokes, to Walter Brennan, seemed offensive. Ada, Jeeter’s wife, is demeaned just for laughs when he says she “never spoke a word to me for our first ten years we was married. Heh! Them was the happiest ten years of my life.

He pulled out at the last minute, rising above her, his shoulders blocking the spray of the shower. Grabbing his erection, he was even more brutal with himself than he had been with her, yanking at his sex, making himself come. So that he covered her. It was the marking of a bonded male, a practice done so that any other male in her presence would be fully warned that if he approached her, he had best beware. She was another’s. Not as property. But as something far too precious for others to toy with. —

He stood up, a giant of a man—er, male, his dark hair catching the dim light from the street lamps out in front of the condo. A wave of sadness came over her, and she closed her eyes. “Hey,” he said, sitting down next to her. “None of that. We’re not sad. You and me? We’re not sad. We don’t do sad.” She laughed with a choking sound. “How did you know what I was feeling? Or do I look that pathetic?” He tapped his nose. “I can smell it. Spring rain is what the scent’s like.” “I hate this good-bye shit.” “Me, too.” He leaned down and brushed his lips against her forehead. “Here.” He shrugged out of his long-sleeved shirt, balled it up, and put it under her cheek. “Pretend this is me.” She breathed in deep, caught the bonding scent, and was calmed a little. As he stood, he looked so strong in just a muscle shirt, invincible, like a superhero. And yet he breathed. “Please…be careful.” “Always.” He bent over and kissed her again. “I love you.” As he pulled away, she reached out and grabbed his arm. Words failed, but the silence said enough. “I hate the leaving, too,” he replied roughly. “But I’ll be back. I promise.” -Vishous & Jane

She lifted the cup to her lips. “You make good coffee.” “You haven’t tasted it yet.” “I can smell it. And I love the way it smells.” It’s not the coffee, he thought. Not all of it, at any rate. “Well, I love your perfume,” he said, because he was a dolt. She frowned. “I’m not wearing any. I mean, other than the soap and shampoo I use.” “Well, I like them, then. And I’m glad you stayed.” “Is this what you planned?” Their eyes met. Shit, she was perfect. Radiant as the candles had been. “You making it all the way to the coffee? Yeah, I guess a date was what I was after.” “I thought you agreed with me.” Man, that breathless quality in her voice made him want to have her up against his naked chest. “Agreed with you?” he said. “Hell, if it would make you happy, I’d say yes to anything. But what are you specifically referring to?” “You said…I shouldn’t date anyone.” Ah, right. “You shouldn’t.” “I don’t understand.” Fuck him, but he went for it. Rehv put his numb elbow on the table and leaned into her. As he closed the distance, her eyes got wider, but she didn’t pull back. He paused, to give her a chance to tell him to cut the shit. Why? He had no clue. His symphath side was into pauses only for analysis or to better capitalize on a weakness. But she made him want to be decent. Ehlena didn’t tell him to step off, however. “I don’t…understand,” she whispered. “It’s simple. I don’t think you should date anyone.” Rehv moved in even closer, until he could see the flecks of gold in her eyes. “But I’m not just anyone.” -Ehlena & Rehv

Josh’s father felt Josh should bond with his fellow injured patients in the ward. This was something I really dissuaded Josh from doing. I didn’t want him to hear the hardships, battles, and frustrations that others were going through. I also didn’t want Josh to take on their fears and frustrations. We were always pleasant and polite to everyone else in the ward, but my only concern was Josh, and it was enough for us to focus just on his issues. I found the whole Acute Spinal Ward experience extremely negative and distressingly sad with no great healing or recovery objective. The message from the medical team was always, without fail, acceptance of the prognosis. This was totally the opposite message of what we presented and instilled into Josh. We slowly gained evidence that our non-traditional approach was working.

Cases of typhoid take the following course: When the fever is at its height, life calls out to the patient: calls out to him as he wanders in his distant dream, and summons him in no uncertain voice. The harsh, imperious call reaches the spirit on that remote path that leads into the shadows, the coolness and peace. He hears the call of life, the clear, fresh, mocking summons to return to that distant scene which he had already left so far behind him, and already forgotten. And there may well up in him something like a feeling of same for a neglected duty; a sense of renewed energy, courage, and hope; he may recognize a bond existing still between him and that stirring, colourful, callous existence which he thought he had left so far behind him. Then, how far he may have wandered on his distant path, he will turn back--and live. But if he shudders when he hears life's voice, if the memory of that vanished scene and the sound of that lusty summons make him shake his head, make him put out his hand to ward off as he flies forward in the way of escape that has opened to him--then it is clear that the patient will die. " Buddenbrooks

He slides my ruby ring off his finger. 'I, Cardan, son of Eldred, High King of Elfhame, take you, Jude Duarte, mortal ward of Madoc, to be my bride and my queen. Let us be wed until we wish for it to be otherwise and the crown has passed from our hands.' As he speaks, I begin to tremble with something between hope and fear. The words he's saying are so momentous that they're surreal, especially here, in Eldred's own rooms. Time seems to stretch out. Above us, the branches begin to bud, as though the land itself heard the words he spoke. Catching my hand, he slides the ring on. The exchange of rings is not a faerie ritual, and I am surprised by it. 'Your turn,' he says in to the silence. He gives me a grin. 'I'm trusting you to keep your word and release me from my bond of obedience after this.' I smile back, which maybe makes up for the way that I froze after he finished speaking. I still can't quite believe this is happening. My hand tightens on his as I speak. 'I, Jude Duarte, take Cardan, High King of Elfhame, to be my husband. Let us be wed until we don't want to be and the crown has passed from our hands.' He kisses the scar of my palm. I still have his brother's blood under my fingernails. I don't have a ring for him. Above us, the buds are blooming. The whole room smells of flowers. Drawing back, I speak again, pushing away all thoughts of Balekin, of the future in which I am going to have to tell him what I've done. 'Cardan, son of Eldred, High King of Elfhame, I forsake any command over you. You are free of your vow of obedience, for now and for always.' He lets out a breath and stands a bit unsteadily. I can't quite wrap my head around the idea that I am... I can't even think the words. Too much has happened tonight.

In consequence of the inevitably scattered and fragmentary nature of our thinking, which has been mentioned, and of the mixing together of the most heterogeneous representations thus brought about and inherent even in the noblest human mind, we really possess only *half a consciousness*. With this we grope about in the labyrinth of our life and in the obscurity of our investigations; bright moments illuminate our path like flashes of lighting. But what is to be expected generally from heads of which even the wisest is every night the playground of the strangest and most senseless dreams, and has to take up its meditations again on emerging from these dreams? Obviously a consciousness subject to such great limitations is little fitted to explore and fathom the riddle of the world; and to beings of a higher order, whose intellect did not have time as its form, and whose thinking therefore had true completeness and unity, such an endeavor would necessarily appear strange and pitiable. In fact, it is a wonder that we are not completely confused by the extremely heterogeneous mixture of fragments of representations and of ideas of every kind which are constantly crossing one another in our heads, but that we are always able to find our way again, and to adapt and adjust everything. Obviously there must exist a simple thread on which everything is arranged side by side: but what is this? Memory alone is not enough, since it has essential limitations of which I shall shortly speak; moreover, it is extremely imperfect and treacherous. The *logical ego*, or even the *transcendental synthetic unity of apperception*, are expressions and explanations that will not readily serve to make the matter comprehensible; on the contrary, it will occur to many that “Your wards are deftly wrought, but drive no bolts asunder.” Kant’s proposition: “The *I think* must accompany all our representations ,” is insufficient; for the “I” is an unknown quantity, in other words, it is itself a mystery and a secret. What gives unity and sequence to consciousness, since by pervading all the representations of consciousness, it is its substratum, its permanent supporter, cannot itself be conditioned by consciousness, and therefore cannot be a representation. On the contrary, it must be the *prius* of consciousness, and the root of the tree of which consciousness is the fruit. This, I say, is the *will*; it alone is unalterable and absolutely identical, and has brought forth consciousness for its own ends. It is therefore the will that gives unity and holds all its representations and ideas together, accompanying them, as it were, like a continuous ground-bass. Without it the intellect would have no more unity of consciousness than has a mirror, in which now one thing now another presents itself in succession, or at most only as much as a convex mirror has, whose rays converge at an imaginary point behind its surface. But it is *the will* alone that is permanent and unchangeable in consciousness. It is the will that holds all ideas and representations together as means to its ends, tinges them with the colour of its character, its mood, and its interest, commands the attention, and holds the thread of motives in its hand. The influence of these motives ultimately puts into action memory and the association of ideas. Fundamentally it is the will that is spoken of whenever “I” occurs in a judgement. Therefore, the will is the true and ultimate point of unity of consciousness, and the bond of all its functions and acts. It does not, however, itself belong to the intellect, but is only its root, origin, and controller.

Who's no longer an infant," Luc said. "Lily and I are ... 'friends' ... as well. As a matter of fact, she and I were trying on corsets together, just last night." I rolled my eyes. "You were doing what?" Max demanded. "It's an ancient bonding ritual," I said, annoyed with both men. What were they, thirteen years old? "Invoked to ward off childish displays of sibling rivalry. Obviously it didn't work." Bronwyn laughed, and Luc smiled a crooked smile.

...Adrian speaking to Mels....Humans require two things to bond: scarcity and the unknown. If loved ones were around forever, you'd take them for granted, and if you knew for sure that you'd be reunited, you'd never miss them. It's all part of the divine plan.

The mere thought of the Chosen female made him close his eyes and falter his feet on the stairs. But then he threw off the sting. ’Cuz it was either that or go into a black-hole tailspin. The good news? He’d spent a lot of time over the last nine months trying to pull his mind, his emotions, his soul off the topic of Selena. So he was used to this kind of power lifting. Unfortunately, she remained a constant preoccupation, as if he had a low-level fever that dogged him no matter how much he slept and attempted to eat right. And on some nights, it was a lot more than preoccupation—which was why he’d had to leave the Brotherhood mansion at times and crash back at his condo at the Commodore. After all, bonded males could be dangerous, and the fact that he wasn’t with her—and shouldn’t be—meant absolutely nothing to that side of him. Especially when she was feeding fighters who could not, for whatever reason, take their mates’ veins. It was straight-up crazy.

No other supporting player won three Academy Awards, and you would be hard-pressed to name another character actor whose performances frequently overwhelmed those of ostensible leads like Joel McCrea and Barbara Stanwyck in Banjo on My Knee. “We’re supporting you. Be nice to us,” McCrea and Stanwyck joked with Brennan. Those stars had the fights of their lives trying to stay on equal terms with old Walter. Sure, other character actors have had their star turns—especially in television, which gave Ward Bond in Wagon Train, Raymond Burr in Perry Mason, and Harry Morgan in M.A.S.H. their respective moments of fame—but no character actor other than Brennan dominated the Hollywood century of popular entertainment, or attained the iconic status he achieved. To follow Brennan—beginning with his career as a seven-dollar-a-day extra—is to learn all you need to know about Hollywood and its mythologizing of the American dream. Walter Brennan became an archetype, not a stereotype.

It was her concern and commitment to a friend which last year involved her in perhaps the most emotional period of her life. For five months she secretly helped to care for Adrian Ward-Jackson who had discovered that he was suffering from AIDS. It was a time of laughter, joy and much sorrow as Adrian, a prominent figure in the world of art, ballet and opera, gradually succumbed to his illness. A man of great charisma and energy, Adrian initially found it difficult to come to terms with his fate when in the mid-1980s he was diagnosed as HIV positive. His word as deputy chairman of the Aids Crisis Trust, where he first met the Princess, had made him fully aware of the reality of the disease. Finally he broke the news in 1987 to his great friend Angela Serota, a dancer with the Royal Ballet until a leg injury cut short her career and now prominent in promoting dance and ballet. For much of the time, Angela, a woman of serenity and calm practicality, nursed Adrian, always with the support of her two teenage daughters. He was well enough to receive a CBE at Buckingham Palace in March 1991 for his work in the arts--he was a governor of the Royal Ballet, chairman of the Contemporary Arts Society and a director of the Theatre Museum Association--and it was at a celebratory lunch held at the Tate Gallery that Angela first met the Princess. In April 1991 Adrian’s condition deteriorated and he was confined to his Mayfair apartment where Angela was in almost constant attendance. It was from that time that Diana made regular visits, once even brining her children Princes Willian and Harry. From that time Angela and the Princess began to forge a supportive bond as they cared for their friend. Angela recalls: “I thought she was utterly beautiful in a very profound way. She has an inner spirit which shines forth though there was also a sense of pervasive unhappiness about her. I remember loving the way she never wanted me to be formal.” When Diana brought the boys to see her friends, a reflection of her firmly held belief that her role as mother is to bring them up in a way that equips them for every aspect of life and death, Angela saw in William a boy much older and more sensitive than his years. She recalls: “He had a mature view of illness, a perspective which showed awareness of love and commitment.” At first Angela kept in the background, leaving Diana alone in Adrian’s room where they chatted about mutual friends and other aspects of life. Often she brought Angela, whom she calls “Dame A”, a gift of flowers or similar token. She recalls: “Adrian loved to hear about her day-to-day work and he loved too the social side of life. She made him laugh but there was always the perfect degree of understanding, care and solicitude. This is the point about her, she is not just a decorative figurehead who floats around on a cloud of perfume.” The mood in Mount Street was invariably joyous, that sense of happiness that understands about pain. As Angela says: “I don’t see death as sad or depressing. It was a great journey he was going on. The Princess was very much in tune with that spirit. She also loved coming for herself, it was an intense experience. At the same time Adrian was revitalized by the healing quality of her presence.” Angela read from a number of works by St. Francis of Assisi, Kahil Gibran and the Bible as well as giving Adrian frequent aromatherapy treatments. A high spot was a telephone call from Mother Teresa of Calcutta who also sent a medallion via Indian friends. At his funeral they passed Diana a letter from Mother Teresa saying how much she was looking forward to meeting her when she visited India. Unfortunately Mother Teresa was ill at that time so the Princess made a special journey to Rome where she was recuperating. Nonetheless that affectionate note meant a great deal to the Princess.

Physical, social, mental and emotional development all continue. In some cases, children are left in care for extended periods. They form bonds with substitute parents which result in additional losses when those bonds are later severed. In other situations, children are moved so frequently that they learn not to trust or show affection to anyone. Their ability to form close and lasting bonds is permanently damaged.

In the only picture Brennan ever did for the legendary director John Ford, the character actor worked well beside Ford stalwarts such as Ward Bond, playing one of Earp’s brothers. Indeed, what is most remarkable about this film is the contrast between Clanton and his boys and Earp and his congenial brothers, the youngest of whom is killed when the Clanton gang rustles cattle the Earps have been driving to California. Brennan personifies the authority of evil, as he does in Brimstone (August 15, 1949), where he again bullies his boys into driving out homesteaders. It is almost as if in each subsequent film—especially in Westerns—Brennan is building a persona that is like a suit subjected to constant alteration without ever losing its basic contours. He would essay yet another version of the dominating father with sons in tow in Shoot Out at Big Sag (June 1, 1962), an independent production organized by his son Andy, in which Walter plays a pusillanimous preacher who has let down his wife and family by not defending them. But he ultimately redeems himself when he realizes he has lost the respect of everyone, including his daughter, who in the end proves to be his salvation owing to her unwillingness to accept her family’s defeatist mentality.

Rio Bravo is an answer to the lionization of the lone town marshal, portrayed so powerfully by Gary Cooper in High Noon, but Rio Bravo is also a deft remake of Red River, one that highlights Brennan’s role as a moral authority and a witness to history central to the ethos of Howard Hawks’s Westerns. But heretofore the Brennan persona rarely displaced that of the stars he supported. That would happen when, in the television age, the actor became, like Ward Bond in Wagon Train (1957–61), the locus of the action, the center around which the family and the nation revolved.

If New York bestows the gift of loneliness, Squirrel Hill wards against it. Intrusion and concern are its gifts. To live here requires participation, whether you like it or not. New Yorkers are created everyday. We require a lifetime.

I know you want to be close to your family, but the reality is that might never happen. You’re all very different people, and if it wasn’t for a genetic bond, you’d probably never interact with one another.” “But that’s what makes us family,” he argued. “True, but if the family you’re related to makes you miserable or tries to change the person I happen to love, then they’re not worth it.

Stroking her belly, he thought about what was growing inside of her. “You want to know what the best part of this is?” “Tell me,” she whispered. “You have given me something . . . I didn’t even know I needed. It’s the greatest gift I will ever receive—it’s, like, completing me already in places I wasn’t aware were empty. And yet . . . in spite of all that? I don’t love you one bit more. You are as important to me as you’ve always been.” He curled down and pressed a kiss to the loose shirt she was wearing—it was one of his, actually, and wasn’t that great. “I was wholly bonded to you before this, and will be after this—and forevermore.” “You’re going to make me cry again.” “So cry. And let me take care of you. I got this.” “I love you so much.” He moved up to her mouth and kissed her once, twice, three times. “Right. Back. Atchu. Now finish feeding and rest—and I’ll have food brought up.” “No food, please. Not right now. Your strength is all I need.” Amen to that, he thought. -Wrath & Beth

When Qhuinn came back around, for a minute, he thought he had returned to the beginning of the nightmare, that fantasy of Blay sitting across a hospital room in a chair presenting itself once again. “Oh, thank God.” “What?” Qhuinn mumbled. Blay jumped up and rushed over even though he had one arm in a sling and was limping like someone had dropped a toolbox on his foot. Qhuinn was about to ask if the male was okay when those beautiful lips were on his and that familiar bonding scent was in his nose—and oh, fuck, this was so much better than that fantasy—

This was why people got mated, Rehv suddenly thought. Fuck the sex and the social position. If they were smart, they did it to make a house that had no walls and an invisible roof and a floor that no one could walk on—and yet the structure was a shelter no storm could blow down, no match could torch up, no passage of years could degrade. That was when it hit him. A mated bond like that helped you through shit nights like this. Bella

His bonding scent became so intense it was all she could smell. Xcor

Religion comes from a Latin root meaning “to bind,” referring to the bond of obedience that characterizes the life of a member of a religious order. By extension, religion can be thought of as a bond of unity, as a process that “re-ligaments” or “re-ligatures,” tying disparate things back together into one, integrating diverse viewpoints.

Break the bond. The bargain, the- the mating bond. He- he made me do it, made me swear it-' 'No,' Rhysand said. I ignored him, even as my heart broke, even as I knew that he hadn't meant to say it- 'Do it,' I begged the king, even as I silently prayed he wouldn't notice his ruined wards, the door I'd left wide open. 'I know you can. Just- free me. Free me from it.' 'No,' Rhysand said. But Tamlin was staring between us. And I looked at thim, the High Lord I had once loved, and I breathed. 'No more. No more death- no more killing.' I sobbed through my clenched teeth. Made myself look at my sisters. 'No more. Take me home and let them go. Tell him it's part of the bargain and let them go. But no more- please.' Cassian slowly, every movement pained, stirred enough to look over a shredded wing at me. And in his pain-glazed eyes, I saw it- the understanding. The Court of Dreams. I had belonged to a court of dreams. And dreamers. And for their dreams... for what they had worked for, sacrificed for... I could do it. Get my sisters out, I said to Rhys one last time, sending it into that stone wall between us. I looked to Tamlin. 'No more.' Those green eyes met mine- and the sorrow and tenderness in them was the most hideous thing I'd ever seen. 'Take me home.' Tamlin said flatly to the king, 'Let them go, break her bond, and let's be done with it. Her sisters come with us. You've already crossed too many lines.' Jurian began objecting, but the king said, 'Very well.' 'No,' was all Rhys said again. Tamlin snarled at him, 'I don't give a shit if she's your mate. I don't give a shit if you think you're entitled to her. She is mine- and one day, I am going to repay every bit of pain she felt, every bit of suffering and despair. One day, perhaps when she decides she wants to end you, I'll be happy to oblige her.' Walk away- just go. Take my sisters with you. Rhys was only staring at me. 'Don't.' But I backed away- until I hit Tamlin's chest, until his hands, warm and heavy, landed on my shoulders. 'Do it,' he said to the king. 'No,' Rhys said again, his voice breaking. But the king pointed at me. And I screamed. Tamlin gripped my arms as I screamed and screamed at the pain that tore through my chest, my left arm. Rhysand was on the ground, roaring, and I thought he might have said my name, might have bellowed it as I thrashed and sobbed. I was being shredded, I was dying, I was dying- No. No, I didn't want it, I didn't want to- A crack sounded in my ears. And the world cleaved in two as the bond snapped.

Tamlin?' I peered at my hands, the blood, and when I beheld Rhys, when I saw my grim-faced friends, and my drenched, immortal sisters- There was nothing but shock and confusion on Rhys's face as I scrambled back from him. Away from them. Toward Tamlin. 'Tamlin,' I managed to say again. Lucien's eye widened as he stepped between me and Elain. I whirled on the King of Hybern. 'Where-' I again faced Rhysand, 'What did you do to me,' I breathed, low and guttural. Backing toward Tamlin. 'What did you do?' Get them out. Get my sisters out. Play- please play along. Please- There was no sound, no shield, no glimmer of feeling in our bond. The king's power had blocked it out too thoroughly. There was nothing I could do against it, Cursebreaker or no. But Rhys slid his hands into his pockets as he purred, 'How did you get free?' 'What?' Jurian seethed, pushing off the wall and storming toward us. But I turned toward Tamlin and ignored the features and smell and clothes that were all wrong. He watched me warily. 'Don't let him take me again, don't let him- don't-' I couldn't keep the sobs from shuddering out, not as the full force of what I was doing hit me. 'Feyre,' Tamlin said softly. And I knew I had won. I sobbed harder. Get my sisters out, I begged Rhys through the silent bond. I ripped the wards open for you- all of you. Get them out. 'Don't let him take me,' I sobbed again. 'I don't want to go back.' And when I looked at Mor, at the tears streaming down her face as she helped Cassian get upright, I knew she realised what I meant. But the tears vanished- became sorrow for Cassian as she turned a hateful, horrified face to Rhysand and spat, 'What did you do to that girl?' Rhys cocked his head. 'How did you do it, Feyre?' There was so much blood on him. One last game- this was one last game we were to play together.

The Betrayal Bond—Breaking Free of Exploitive

I bonded with who I thought you were,” he whispered. “But yeah, I’m in love with who you actually are.

His Queen. God, that pet name for Selena was so funny. The instant the sobriquet had come out of his mouth, it had locked in. As if his vocabulary had bonded to that word like his body had bonded to hers. And she could be the only queen for him. No matter what happened. Or where he ended up. She would be his reigning female. None other to supplant his place in his heart.

If they didn’t need us puny humans to develop signet abilities from bonding and weave the protective wards they power around Navarre, I’m pretty sure they’d eat us all and be done.

The thing was, they had something in common, something that crossed species lines and eclipsed social stratifications and bonded them together even though she would have denied it. She was lonely, too, and in the same way he was.

In spite of the bonding he had for her, he wanted her to know joy more than he wanted her with him.

You may think of myths as worlds of light sabers, rings of power, and enchanted spells. Hip-Hop is also a mythical place. A place free from strangling bonds of racism, sexism and bigotry. A place where the only currency is your skills with a mic, a turntable, or a drum machine. Hip-Hop is filled with faraway lands populated by dragons, wizards and knights - places like Marcy Projects, 5th Ward, Compton, Shaolin and Strong Island. Our knights are MC's, B-Boys, B-Girls, DJs, producers and graf artists.

As I stalk down the damp stone corridor in a perfectly foul mood, still unlaid and raging with testosterone, fully aware that I probably just made a deal with some kind of devil or someone controlled by some kind of devil, Ryodan appears around the corner, stalking toward me, and I’m beyond offended because my perimeter alarms didn’t go off, and I specifically warded against the Nine. He looks furious, which for him means a muscle twitches beneath his eye. He’s the bloody reason I have another of my problems: Thanks to him, Uncle Dageus is immortal and a beast while his wife is mortal and not a beast, which really crapped in all the Keltar Wheaties. We Keltar druids bond for life and beyond. Which means, for both my aunt and uncle, the “beyond” part is going to be—figuratively, at least—a long and lonely hell.

Humans require two things to properly bond: scarcity and the unknown. If loved ones were around forever, you’d take them for granted, and if you knew for sure that you’d be reunited, you’d never miss them. It’s all part of the divine plan.

But there is something bonding about the grinding exhaustion of parenthood, the constant teetering between laughter and tears, about that weary love for your children, planted so deep it is everything you are.

Oh… shit, Lassiter thought. He wasn’t in love with Rahvyn. He didn’t even know her. Then again, wasn’t that how bonding worked?

A wave of intense disorientation swept over her. For a moment she was convinced she was still dreaming. That she’d fallen asleep while reading one of JR Ward’s Brotherhood of The Black Dagger romances and had inserted herself into a dream based on the book. Any moment now he was going to start growling Mine Mine Mine and let loose with some spicy bonding scent. Or flash a massive set of fangs. Except… if she was dreaming,

With every interaction with Maggie, they would treat her as if she was the only patient in the ward, and all their attention was directed only  her. They demonstrated special and impressive personal care. I do not remember feeling a similar attitude, with these intensities, in any other hospital. I did not feel it, even in other wards. Sometimes it seemed to me that a nurse would have a reason for going to work in a particular ward. Her choice in the ward she would work in, eventually, was a derivative of her character. The impression was that the nurses there were bonded around a clear and indisputable target - to protect patients, no matter what, to help them and their families as much as possible. I remember several incidents of violence by visitors towards the medical and nursing staff in other hospitals. It was mainly verbal, although sometimes there was also physical violence. Most cases concerned the displeasure of family over the treatment of patients, or so felt the patients or their companions. Perhaps their expectations were different from the possible reality. Maybe they thought that with the magic formula that was the nursing staff, all the pains would suddenly disappear and the patients would return home safe and sound. The reality was not like that.

Bonded male vampires without their females were empty vessels, nothing but muscle and bone held in by a thin skin.

It had everything to do with the dark spices flooding the bedroom: He had bonded with Nalla. And bonded males had one, and only one, prime directive: Protect their females against any threat, from any source. Including themselves.

If they didn’t need us puny humans to develop signet abilities from bonding and weave the protective wards they power around Navarre, I’m pretty sure they’d eat us all and be done. But they like protecting the Vale—the valley behind Basgiath the dragons call home—from merciless gryphons and we like living, so here we are in the most unlikely of partnerships.