Wap Quotes

We've searched our database for all the quotes and captions related to Wap. Here they are! All 30 of them:

Man is the Reasoning Animal. Such is the claim. I think it is open to dispute. Indeed, my experiments have proven to me that he is the Unreasoning Animal... In truth, man is incurably foolish. Simple things which other animals easily learn, he is incapable of learning. Among my experiments was this. In an hour I taught a cat and a dog to be friends. I put them in a cage. In another hour I taught them to be friends with a rabbit. In the course of two days I was able to add a fox, a goose, a squirrel and some doves. Finally a monkey. They lived together in peace; even affectionately. Next, in another cage I confined an Irish Catholic from Tipperary, and as soon as he seemed tame I added a Scotch Presbyterian from Aberdeen. Next a Turk from Constantinople; a Greek Christian from Crete; an Armenian; a Methodist from the wilds of Arkansas; a Buddhist from China; a Brahman from Benares. Finally, a Salvation Army Colonel from Wapping. Then I stayed away for two whole days. When I came back to note results, the cage of Higher Animals was all right, but in the other there was but a chaos of gory odds and ends of turbans and fezzes and plaids and bones and flesh--not a specimen left alive. These Reasoning Animals had disagreed on a theological detail and carried the matter to a Higher Court.
Mark Twain (Letters from the Earth: Uncensored Writings)
Mawidge is a dweam wiffin a dweam. The dweam of wuv wapped wiffin the gweater dweam of everwasting west. Eternity is our fwiend, wemember that, and wuv wiw fowwow you fowever.
William Goldman
The dweam of wuv wapped wiffin the gweater dweam of everwasting west. Eternity is our fwiend, wemember that, and wuv wiw fowwow you fowever.
William Goldman (The Princess Bride)
The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
There are those who say further that these are meer Dreames and no true Relations, but I say back to them: look upon my Churches in the Spittle-fields, in Limehouse, and now in the Parish of Wapping Stepney, and do you not wonder why they lead you into a darker World which on Reflection you know to be your own? Every Patch of Ground by them has its Hypochondriack Distemper and Disorder; every Stone of them bears the marks of Scorching by which you may follow the true Path of God.
Peter Ackroyd (Hawksmoor)
What’s this WAP doing here? This hoe aint fit to work here. What a THOT. She shouldn’t be here in this lab.
Lee Taylor (Courting the Coronavirus)
She doubted a generation that had grown up with WAP, murder hornets, Covid, cataclysmic social unrest, and being forcibly home-schooled by a bunch of depressed day drinkers really understood the threat of pool halls, but Leigh had to hand it to the drama teacher for putting on a gender-neutral production of The Music Man, one of the least offensive and most tedious musicals ever staged by a middle school.
Karin Slaughter (False Witness)
And across these mean Dwellings of Black Step Lane, where as a Boy I dwell'd for a while, the Shaddowe of my last Church will fall: what the Mobb has torn down I will build again in Splendour. And thus will I compleet the Figure: Spittle-Fields, Wapping and Lime-house have made the Triangle; Bloomsbury and St Mary Woolnoth have next created the major Pentacle-starre; and, with Greenwich, all these will form the Sextuple abode of Baal-Berith or the Lord of the Covenant. Then, with the church of Little St Hugh, the Septilateral Figure will rise about Black Step Lane and, in this Pattern, every Straight line is enrich'd with a point at Infinity and every Plane with a line at Infinity. Let him that has Understanding count the Number: the seven Churches are built in conjunction with the seven Planets in the lower Orbs of Heaven, the seven Circles of the Heavens, the seven Starres in Ursa Minor and the seven Starres in the Pleiades. Little St Hugh was flung in the Pitte with the seven Marks upon his Hands, Feet, Sides and Breast which thus exhibit the seven Demons - Beydelus, Metucgayn, Adulec, Demeymes, Gadix, Uquizuz and Sol. I have built an everlasting Order, which I may run through laughing: no one can catch me now.
Peter Ackroyd (Hawksmoor)
We’re sending ye tae Wapping, ye soft English nancies, and if ye wairk very, very hard and if ye doonae git on ma tits, then mebbe I’ll not cut off yer knackers and put them in ma Christmas pudding. D’ye have any problems with tha’?
Bill Bryson (Notes from a Small Island)
He walked back to St George's-in-the-East, which in his mind he had now reduced to a number of surfaces against which the murderer might have leaned in sorrow, desperation or even, perhaps, joy. For this reason it was worth examining the blackened stones in detail, although he realised that the marks upon them had been deposited by many generations of men and women. It was now a matter of received knowledge in the police force that no human being could rest or move in any area without leaving some trace of his or her identity; but if the walls of the Wapping church were to be analysed by emission spectroscopy, how many partial or residual spectra might be detected? And he had an image of a mob screaming to be set free as he guided his steps towards the tower which rose above the houses cluttered around Red Maiden Lane, Crab Court and Rope Walk.
Peter Ackroyd (Hawksmoor)
There were some places, and streets, where he did not venture since he had learnt that others had claims there greater than his own - not the gangs of meths drinkers who lived in no place and no time, nor the growing number of the young who moved on restlessly across the face of the city, but vagrants like himself who, despite the name which the world has given them, had ceased to wander and now associated themselves with one territory or 'province' rather than another. All of them led solitary lives, hardly moving from their own warren of streets and buildings: it is not known whether they chose the area, or whether the area itself had callen them and taken them in, but they had become the guardian spirits (as it were) of each place. Ned now knew some of their names: Watercress Joe, who haunted the streets by St Mary Woolnoth, Black Sam who lived and slept beside the Commercial Road between Whitechapel and Limehouse, Harry the Goblin who was seen only by Spitalfields and Artillery Lane, Mad Frank who walked continually through the streets of Bloomsbury, Italian Audrey who was always to be found in the dockside area of Wapping (it was she who had visited Ned in his shelter many years before), and 'Alligator' who never moved from Greenwich.
Peter Ackroyd (Hawksmoor)
This is one something you should know I dont never chase no hoes
Fetty wap
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear. There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
Claire North (The First Fifteen Lives of Harry August)
They bear down upon Westminster, the ghost-consecrated Abbey, and the history-crammed Hall, through the arches of the bridge with a rush as the tide swelters round them; the city is buried in a dusky gloom save where the lights begin to gleam and trail with lurid reflections past black velvety- looking hulls - a dusky city of golden gleams. St. Paul's looms up like an immense bowl reversed, squat, un-English, and undignified in spite of its great size; they dart within the sombre shadows of the Bridge of Sighs, and pass the Tower of London, with the rising moon making the sky behind it luminous, and the crowd of shipping in front appear like a dense forest of withered pines, and then mooring their boat at the steps beyond, with a shuddering farewell look at the eel-like shadows and the glittering lights of that writhing river, with its burthen seen and invisible, they plunge into the purlieus of Wapping. ("The Phantom Model")
Hume Nisbet (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
When it comes to the anthropic principle both the weak anthropic principle (WAP) which states that the universe's ostensible fine tuning is the result of selection bias (specifically survivorship bias) and the strong anthropic principle (SAP) which states that the universe is in some sense compelled to eventually have conscious and sapient life emerge within it are erroneous. Truth is simple. 'There is only one principal whose principal reason is companionship more commonly known as love.' That is to say; 'There is only intelligence or one consciousness which has conceived itself to perceive itself as self differentiated, as sapient life, so not to be by itself and this for the purpose of self companionship i.e. self love.' That may sound difficult to understand but what it means in most simple terms is that the meaning of life is simply love. I am not a fan of adding new formulations to the lexicon of physics but if we would have to do so I would call it the 'absolute anthropic principle (AAP)'.
Wald Wassermann
the mystic portal has been thrown open, and the mob has rushed in, dispering all these fairy visions, and polluting everything with its unhallowed touch. Barouches and gigs, cockneys and fishermen and poets, Glasgow weavers and travelling haberdashers, now swarm in every resting place, and meet us at every avenue. As Rob Roy now blusters at Covent Garden and the Lyceum, and as Aberfoyle is gone to Wapping, so Wapping and the Strand must come to Aberfoyle. The green-coated fairies have packed up their alls and quitted the premises, and the Uriskins only caper now in your verse... the circle of pollution is spreading fast, to the far north and the remote west.
John MacCulloch (The Highlands and Western Isles of Scotland, containing Descriptions of their Scenery and Antiquities, with an Account of the Political History, Present Condition of the People, &c., founded on a Series of Annual Journeys between the Years 1811...)
One moment I would be collecting the mail or a bundle of designer clothes for a photoshoot from the courier drop-off point at ‘Gate Six’ at the far end of the Wapping plant, and the next I’d be asked to work on an investigation into drug smuggling or the IRA. With hindsight, it was absurd.
Simon Reeve (Step By Step)
Roger picks up a sachet of sugar and shakes it as if it's in need of discipline: wap-wap-wap-wap.
Max Barry (Company (Vintage Contemporaries))
Sky pulls her arm back, right as I turn back to walk to the couch, and suddenly the controller flies out of her hand and smacks directly into my nose. “Ugh!” I grunt out. Sky puts her hand over her mouth and gasps. But then she runs toward me when she sees the blood dripping down my face. I walk into the kitchen because I don’t want to get blood on the carpet. “Oh thit,” I swear, when I see that the kids didn’t follow us. She sits me down in a chair and puts a towel under my nose. “That hurts wike a mudder fudder.” I sound like I’m all stopped up with a cold, but the blood is still dripping, so I pinch my nose closed. “I’m so sorry,” she says as she drops down in front of me. She rests her forearms on my thighs. I can smell the pizza she just ate on her breath, and I really, really want to kiss her, but I have blood all over my face and hands. “I’m so sorry,” she says again. “I didn’t know it would fly out of my hand like that.” “You hab ta wap it awound your wist,” I say. “I have to wrap it around my wrist?” she repeats. “To keep it fwom fwying.” “Crap,” she says again. “I am so sorry.” She already said that. She gets up and goes to get a wet towel. She cleans my hands and wipes gently beneath my nose. My nose hurts like a son of a bitch. I jerk my head back, but she just follows, probing and prodding. “I think the bleeding has stopped,” she says. But I let her continue to fuss over me, just because I like it. “Do you want some ice?” she asks. Yeah, but I need it for my dick and not for my nose. “Pwease,” I say. Her face is only inches from mine. But then she goes to the fridge. She comes back with a small bag of ice. She’d probably get offended if I shoved it in my pants, so I lay it against my nose, instead. I brace my chin with one hand and hold the ice with the other. “I really didn’t mean to hit you,” she says. She looks so worried that I have to let her off the hook. Hell, I lived with four brothers. I have had more nosebleeds than I could ever begin to count. “I’ll wiv,” I say. She leans close and kisses my cheek. I want to turn my head and press my lips to hers, but I don’t. “You in lub wif me yet?” I ask. She laughs and turns her head away, closing her eyes. Her giggle is so damn cute. She winces. “I gwess dats a no,” I say. I lift my shirt and wipe the edge of my nose, since she took my wet towel. When I do, her eyes go to my frog prince, and she leans forward and presses her lips to him. She looks up at me, her blue eyes wide, as she holds her lips there for a second. Then she makes a loud smacking noise and pops back up, grinning. “There. All better?” Fuck no. We’re just getting started. Seth sticks his head into the room. He smirks at me and shakes his head. “Dude,” he says. He laughs. “That’s the saddest thing I’ve ever seen.” I throw down the ice. “Dat’s it. I’m going to kick your ath at bow’ing, Seth. You are going down.” I follow him into the other room, take a controller, and try to pretend like she didn’t just rock my world.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
It is, in a way, the telos of everything I have been describing so far. It is as though the enlightened youth of the Sixties had stepped straight from battling the pig in Chicago ’68 to a panel discussion on crowdfunding at this year’s South by Southwest, the annual festival in Austin, Texas, that has mutated from an indie-rock get-together into a tech-entrepreneur’s convention; a place where the hip share the streets with venture capitalists on the prowl. This combination might sound strange to you, but for a certain breed of Democratic politician it has become a natural habitat. At SXSW 2015, for example, Fetty Wap performed “Trap Queen,” the Zombies played hits from the ’60s, Snoop Dogg talked about his paintings—and Commerce Secretary Penny Pritzker swore in the new director of the U.S. Patent and Trademark Office, Michelle Lee. In case you’re keeping track, that’s a former subprime lender swearing in a former Google executive, before an audience of hard-rocking entrepreneurship fans.
Thomas Frank (Listen, Liberal: Or, What Ever Happened to the Party of the People?)
The company that gathered to take ship at Wapping was a varied one. There were a number of craftsmen, a lawyer, a preacher, two fishermen. There was also a young graduate of Cambridge, who had recently inherited money, partly from the sale of a tavern in Southwark. His name was John Harvard.
Edward Rutherfurd (London)
These days the average primary-school child can sit through thirteen consecutive hours of 3D bestial porn on a WAP-enabled Internet bong without so much as blinking.
Charlie Brooker (Screen Burn)
I’m still paying forty pounds a month to keep the boxes in a storage locker in Wapping; a tax on deferred decisions.
Sophie Cousens (Just Haven't Met You Yet)
mr lapeepee
Penelope
All day I loafed in the streets, east as far as Wapping, west as far as Whitechapel. It was queer after Paris; everything was so much cleaner and quieter and drearier. One missed the scream of the trams, and the noisy, festering life of the back streets, the armed men clattering through the squares. The crowds were better dressed and the faces comelier and milder and more alike, without that fierce individuality and malice of the French. There was less drunkenness, and less dirt, and less quarrelling, and more idling. Knots of men stood at corners, slightly underfed, but kept going by the tea-and-two-slices which the Londoner swallows every two hours. One seemed to breathe a less feverish air than in Pairs. It was the land of the tea urn and the Labour Exchange, as Paris is the land of the bistro and the sweatshop.
George Orwell (Down and Out in Paris and London)
Women Against Pornography (WAP), founded in 1979 and based in New York City,
Richard Beck (We Believe the Children: The Story of a Moral Panic)
The scarcity of data is due in part to the familiar problems of gathering information on homosexuality, but it is also a result of the difficulty plaguing research endeavors on Caribbean piracy. Not only was the corpse of the last potential interviewee dipped in tar and chained to a gibbet between flood marks at Wapping Stairs when George II was King of England, but the usual literary remnants particular to subjects of historical investigation were never extant for the cadre of illiterate and inarticulate sea rovers.
B.R. Burg (Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean)
What we are, in fact, are electronic ape-men. We woke up just now in the electronic dawn and there, looming against the brightening sky, is this huge black rectangle. And we’re reaching out and touching it and saying, “Is it WAP enabled? Can we have sex with it? Can you get it in a different colour? Is it being sold cheap because the Monolith2 is being released next month and has a built-in PDA for the same price?
Terry Pratchett (A Slip of the Keyboard: Collected Nonfiction)
Pickett, feeling a slight pressure on his sleeve, glanced down to discover her ladyship's black-gloved hand resting in the curve of his elbow, and for a moment heard all heaven's bells bursting forth in glorious melody. He was slightly embarrassed to realize that it was only the bells of the 'Dolphin' and her sisters ships, in combination with the church bells of St. John at Wapping marking the hour.
Sheri Cobb South (In Milady's Chamber (John Pickett Mysteries, #1))
Living in London, it’s easy to forget that people can talk to each other. I walk my dogs around Wapping past hundreds of people on pavements and in parks and it is very rare a smile is exchanged or the silence broken. I occasionally get ‘Are you Graham Norton?’ ‘Love the show’ or a simple ‘Faggot!’ but for most people making their way through the capital, you soon learn that people generally only speak to you when they are (a) crazy, (b) want money, or (c) both. We quickly learn the rules and for the most part they work. In Ireland it is impossible to imagine not saying hello or commenting on the weather. When I first started going back home again, it would always take me a day or two to stop thinking everyone I met was trying to sell me something or explaining why they needed £2 to get the train. I know this is true of rural communities the world over, but talking seems to be something we in Ireland are especially gifted at. There are nights in the pub when my friends look on in slack-jawed incomprehension as someone opens their mouth and a torrent of words tumble free. Usually they don’t have anything to say. Their gate fell down. Who put it there. The man who fixed it. The general state of gates in the area. I will then remember an ‘interesting’ fact about my own gate. They will know the man who owned the forge where they made it. Are they a relation of the man who delivers the stuff? And so it goes. A seamless gush of phrases and banter as traditional as a sing-song or drink-driving. It is talking for the pure pleasure of it and not to communicate a single thing. It is the human equivalent of barking or birdsong.
Graham Norton (The Life and Loves of a He Devil)