Wanna One Quotes

We've searched our database for all the quotes and captions related to Wanna One. Here they are! All 100 of them:

I fucking love you!” He grabbed each side of my face, slamming his lips against mine. “I love you so much, Pigeon,” he said, kissing me over and over. “Just remember that in fifty years when I’m still kicking your ass in poker,” I giggled. He smiled, triumphant. “If it means sixty or seventy years with you, Baby…you have my full permission to do your worst.” I raised one eyebrow, “You’re gonna regret that.” “You wanna bet?” I smiled with as much deviance as I could muster.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Two kinds of women get under your skin. The ones who do damage, they don't feel good there but once you're fuckin' stupid enough to let them in you got no choice but to take the time it takes to work them out. Then there are the ones who don't do damage, who feel good there, feed the muscle, the bone, the soul, not rip it or break it or burn it. The ones you don't wanna work out.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
You're reaching out And no one hears you cry You're freaking out again 'Cause all your fears Remind you another dream has come undone You feel so small and lost like you're the only one You wanna scream 'cause you're Desperate You want somebody, just anybody To lay their hands on your soul tonight You want a reason to keep believin' That someday you're gonna see the light You're in the dark There's no one left to call And sleep's your only friend Well even sleep Can't hide you from all those tears And all the pain and all the days You wasted pushin' them away It's your life, it's time you face it
David Archuleta
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
The difference we wanna make is number one to let these kids know that they’re not alone, that they’re actually not that messed up and that they can do whatever they want; they can express themselves however they want, without being persecuted or called a faggot or some kind of racist thing. You know, really just to get people to get over their stuff so they can live.
Gerard Way
And now I've got to explain the smell that was in there before I went in there. Does that ever happen to you? It's not your fault. You've held your breath, you just wanna get out, and now you open the door and you have to explain, 'Oh! Listen, there's an odor in there and I didn't do it. It's bad.
Ellen DeGeneres (My Point... And I Do Have One)
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
Close the door Throw the key Don't wanna be reminded Don't wanna be seen Don't wanna be without you My Judgement clouded like tonight's sky.
One Direction
Hey Cabe?" she says, drying her hair, feeling refreshed. Grinning. Putting all thoughts but one aside for the moment. "You wanna go get Jimmy a raincoat and we'll take care of you?" Cabel looks at her. Turns his head and narrows his eyes. Who the hell is Jimmy?
Lisa McMann (Gone (Wake, #3))
You were just supposed to be a one night stand but you poked my eye, and kissed me sweet and listened to my car. Now, I kinda wanna keep you.
Lola Stark (Tattered Love (Needle's Kiss, #1))
I'm not the one who's so far away When I feel the snake bite enter my veins. Never did I wanna be here again, And I don't remember why I came.
Sully Erna
Best I ever had Hips don't lie You make me wanna *sssss* One more night Irreplaceable, yeah Crazy, we're crazy
Niall Horan
We’ve been secretly datin’ since last week.” He gives me a smile and a look that says I’m his one-and-only. That smile might deceive Madison, but I know he’s full of it. “Isn’t that right, K.?” He squeezes me tighter. “Uh-huh,” I squeak out. Madison shakes her head fast, as if she can’t believe what she’s hearing. “Nobody in their right mind chooses Kiara Westford over me.” She’s right. We’re busted. “Wanna bet?” My eyes go wide when Carlos bends his head down to me. “Kiss me, cariño.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
When you ask "Do you wanna dance, my barefoot Cinderella? Don't need no slippers or a party dress,the way you're lookin' right now is what I like the best", and then you... Say "do you wanna take a chance? Stay with me forever, no one will ever be more beautiful my barefoot, my barefoot Cinderella.
Miley Cyrus (Hannah Montana: Piano Duet Play-Along Volume 34)
I tried to warn you, But girls never listen. Got your innocence insured? ’Cause it’s ’bout to be stolen Right out from under your nose. Prepare to curl your toes. I’ve got a one-track mind. You’ve got a nice behind. Chorus: I had a good thing goin’ All numb in my shell, Then you took me by surprise And now I’m scared as hell. I don’t wanna feel for you, I don’t wanna feel. If feeling means hurting, Then I don’t wanna be real. You crank up my lust, girl, You tame down my rage. You let your inner vixen Roam out of her cage. The moment our lips met I saw it in your eyes, But you were seeing me, too, I now realize. Chorus What do I want from you? I want everything. And I’m not gonna share— This ain’t a casual fling. You can be my bad girl, I’ll even be your good boy. How’d the tables get turned? F*** it, I’ll be your love toy.
Wendy Higgins (Sweet Peril (Sweet, #2))
Krista asks,"What is it about society that disappoints you so much?" Elliot thinks, "Oh I don't know, is it that we collectively thought Steve Jobs was a great man even when we knew he made billions off the backs of children? Or maybe it's that it feels like all our heroes are counterfeit; the world itself's just one big hoax. Spamming each other with our burning commentary of bullshit masquerading as insight, our social media faking as intimacy. Or is it that we voted for this? Not with our rigged elections, but with our things, our property, our money. I'm not saying anything new. We all know why we do this, not because Hunger Games books makes us happy but because we wanna be sedated. Because it's painful not to pretend, because we're cowards. Fuck Society." "Mr. Robot" season 1 episode 1, 'ohellofriend.mov
Sam Esmail
If the fans don’t wanna come out to the ballpark, no one can stop ‘em.
Yogi Berra
It’s the ‘everyday’ experiences we encounter along the journey to who we wanna be that will define who we are when we get there.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Hero? No! We're pirates! I love heroes but I don't wanna be one! Do you know what heroes are? Say there is a chunk of meat. Pirates will have a banquet and eat it but heroes will share it with other people. I want all the meat!
Monkey D.Luffy
Pamela, I’m in love with you. Yeah, it’s that bad. You’re so beautiful to me. Shut up! Lemme tell you. Let me. Every time I look at your face or even remember it, it wrecks me - and the way you are with me - and you’re just fun and you shit all over me and you make fun of me and you’re real. I don’t have enough time in any day to think about you enough. I feel like I’m going to live a thousand years cause that’s how long it’s gonna take me to have one thought about you which is that I’m crazy about you, Pamela. I don’t wanna be with anybody else. I don’t. I really don’t. I don’t think about women anymore. I think about you. I had a dream the other night that you and I were on a train. We were on this train and you were holding my hand. That’s the whole dream. You were holding my hand and I felt you holding my hand. I woke up and I couldn’t believe it wasn’t real. I’m sick in love with you, Pamela. It’s like a condition. It’s like polio. I feel like I’m gonna die if I can’t be with you. And I can’t be with you. So I’m gonna die - and I don’t care cause I was brought into existence to know you and that’s enough. The idea that you would want me back it’s like greedy.
Louis C.K.
Any time your life is at stake and you can't find even one woman to come forward and say, 'This is a good man,' your problem isn't what kind of woman THEY are. Your problem is what kind of men YOU are.
Pearl Cleage (Just Wanna Testify (West End, #5))
My request today is simple. Today. Tomorrow. Next week. Find somebody, anybody, that’s different than you. Somebody that has made you feel ill-will or even hateful. Somebody whose life decisions have made you uncomfortable. Somebody who practices a different religion than you do. Somebody who has been lost to addiction. Somebody with a criminal past. Somebody who dresses “below” you. Somebody with disabilities. Somebody who lives an alternative lifestyle. Somebody without a home. Somebody that you, until now, would always avoid, always look down on, and always be disgusted by. Reach your arm out and put it around them. And then, tell them they’re all right. Tell them they have a friend. Tell them you love them. If you or I wanna make a change in this world, that’s where we’re gonna be able to do it. That’s where we’ll start. Every. Single. Time.
Dan Pearce (Single Dad Laughing: The Best of Year One)
--Hero!? Forget it! We're Pirates! I love heroes but I don't wanna become one! Do you even know what it takes to be a Hero!? Lets say you have some meat okay? Now a Pirate would chomp down on that bad boy, but a hero would share it with everyone!! I want to eat meat!""--Hero!? Forget it! We're Pirates! I love heroes but I don't wanna become one! Do you even know what it takes to be a Hero!? Lets say you have some meat okay? Now a Pirate would chomp down on that bad boy, but a hero would share it with everyone!! I want to eat meat!" - Monkey D. Luffy
Eiichiro Oda
lf you’re going to deal with reality, you’re going to have to make one big discovery: Reality is something that belongs to you as an individual. If you wanna grow up, which most people don’t, the thing to do is take responsibility for your own reality and deal with it on your own terms. Don’t expect that because you pay some money to somebody else or take a pledge or join a club or run down the street or wear a special bunch of clothes or play a certain sport or even drink Perrier water, it’s going to take care of everything for you.
Frank Zappa
Marry me. You wanna do all this shit right. Then marry me." "Under God's holy law?" she asked. I shrugged. "Under a fuckin' pink unicorn's law for all I care, I don't give a shit." "You would do this for me?" "Baby, I've done a complete one-eighty for you. May as well shackle myself to you for life too.
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
I saw a spider-I didn't scream 'cause I can belch the alphabet-Just double dog dare me! And I chose guitar over ballet and I take these suckers down 'cause they just get in my way. Then you look at me kinda like a little sister-You high five your goodbyes and it leaves me nothing but blisters- I don't want to be one of the boys, one of your guys-Just give me a chance to prove to you tonight that I just wanna be one of the girls, pretty in pearls and not one of the boys...
Katy Perry
I don’t wanna die, man. They’re not playing. Have you seen how many of them are out there? One just took a shot at me, so unlike you morons, I’m hiding. Hiding is nice. (Vik)
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
Just a kiss on your lips in the moonlight just a touch in the fire burning so bright no I don't wanna mess this thing up I don't wanna push too far just a shot in the dark that you just might be the one I've been waiting for my whole life but baby I'm alright with just a kiss goodnight
Lady Antebellum (Lady Antebellum)
I don't want another pretty face I don't want just anyone to hold I don't want my love to go to waste I want you and your beautiful soul You're the one I wanna chase You're the one I wanna hold I won't let another minute go to waste I want you and your beautiful soul
Jesse McCartney (Jesse McCartney - Beautiful Soul)
There are two kinds of women. The ones you go to bed with and the ones you wanna wake up with. Lots of the first, not many of the last. If a man's lucky, he'll find the last.
Kristen Ashley
I'm letting go of all my lonely yesterdays, I've forgiven myself for the mistakes I've made, now there's just one thing, the only thing I wanna do. I wanna love somebody, love somebody like you.
Keith Urban
Personally, I’m a mess of conflicting impulses—I’m independent and greedy and I also want to belong and share and be a part of the whole. I doubt that I’m the only one who feels this way. It’s the core of monster making, actually. Wanna make a monster? Take the parts of yourself that make you uncomfortable—your weaknesses, bad thoughts, vanities, and hungers—and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves. Oh we’re a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them. We’ve been to the moon and we’re still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper.
Richard Siken
I wanna look like what I am but don't know what someone like me looks like. I mean, when people look at me I want them to think-- there's one of those people that reasons, that is a philosopher, that has their own interpretation of happiness. That's what I am.
Lou Sullivan (We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan)
…how it would be nice if, for every sea waiting for us, there would be a river, for us. And someone -a father, a lover, someone- able to take us by the hand and find that river -imagine it, invent it- and put us on its stream, with the lightness of one only word, goodbye. This, really, would be wonderful. It would be sweet, life, every life. And things wouldn’t hurt, but they would get near taken by stream, one could first shave and then touch them and only finally be touched. Be wounded, also. Die because of them. Doesn’t matter. But everything would be, finally, human. It would be enough someone’s fancy -a father, a lover, someone- could invent a way, here in the middle of the silence, in this land which don’t wanna talk. Clement way, and beautiful. A way from here to the sea.
Alessandro Baricco (Ocean Sea)
But there were moments when she played songs that made you wonder where she learned them, where indeed she came from. Harsh-tender wandering tunes with words that smacked of pinewoods or prairie. One went: Don’t wanna sleep, Don’t wanna die, Just wanna go a-travelin’ through the pastures of the sky; and this one seemed to gratify her the most, for often she continued it long after her hair hard dried, after the sun had gone and there were lighted windows in the dusk.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
Cause' I don't wanna' spend my life jaded, waiting to wake up one day and find that I've let all these years go by wasted. Oh I don't wanna' keep on wishing, missing, but still every morning the color of the night, I ain't spending no more time wasted.
Carrie Underwood
Tyrants have only one problem in life. They simply just wanna rule everything.
Toba Beta (My Ancestor Was an Ancient Astronaut)
Making a big fat deal out of anything is absurd. It makes much more sense to go after life with a sense of, “Why not?” instead of a furrowed brow. One of the best things I ever did was make my motto “I just wanna see what I can get away with.” It takes all the pressure off, puts the punk rock attitude in, and reminds me that life is but a game.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
I remember you was conflicted Misusing your influence Sometimes I did the same Abusing my power, full of resentment Resentment that turned into a deep depression Found myself screaming in the hotel room I didn’t wanna self destruct The evils of Lucy was all around me So I went running for answers Until I came home But that didn’t stop survivor’s guilt Going back and forth trying to convince myself the stripes I earned Or maybe how A-1 my foundation was But while my loved ones was fighting the continuous war back in the city, I was entering a new one A war that was based on apartheid and discrimination Made me wanna go back to the city and tell the homies what I learned The word was respect Just because you wore a different gang color than mine's Doesn’t mean I can’t respect you as a black man Forgetting all the pain and hurt we caused each other in these streets If I respect you, we unify and stop the enemy from killing us But I don’t know, I’m no mortal man, maybe I’m just another nigga
Kendrick Lamar, To Pimp a Butterfly
I don't know what it is about "magic happens"-stickers on cars but every time I see one I wanna get out my permanent marker and sneak over and write underneath it "so does cot death".
Tim Minchin
Before you know it you'll be my age telling your own granddaughter the story of your life and you wanna make it an interesting one, don't you? You wanna be able to tell her some adventures, some excitements, some something. How you live your life, little one, is a gift for those who come after you, a kind of inheritance.
Cristina García (I Wanna Be Your Shoebox)
Riley found her friend studying the contents of one of the store's display windows. It was full of sparkle. “How do you catch this thing?” he asked. She dug in her bag, pulled out a sippy cup, and handed it to him. “You're joking, right?” he said. “You trap demons with cups that have dancing bears on them?” She glowered at him. “See the glitter in the bottom? Klepto-Fiends can't resist it.” He held up the sippy cup and compared it to the exquisitely cut diamonds in the store window. “Wanna bet?” And I brought him along why?
Jana Oliver (Forbidden (The Demon Trappers, #2))
All emotion disappeared from his face and he took a deep breath through his nose. “I know what you’re trying to do.” His eyes unfocused for a moment, lost in thought. “I’ll just have to prove it to you, then.” His eyes narrowed as he looked into my eyes, determined as he was before one of his fights. “If you think I’m just going to go back to fucking around, you’re wrong. I don’t want anyone else. You wanna be friends? Fine, we’re friends. But you and I both know that what happened wasn’t just sex.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The Doctor: [hologram, speaking towards the console] This is Emergency Programme One. Rose, now listen, this is important. If this message is activated, then it can only mean one thing: we must be in danger, and I mean fatal. I'm dead, or about to die any second with no chance of escape. Rose Tyler: No! The Doctor: And that's OK, I hope it's a good death. But I promised to look after you, and that's what I'm doin'. The TARDIS is takin' you home. Rose Tyler: I won't let you. The Doctor: And I bet you're fussing and moaning now, typical. But hold on, and just listen a bit more. The TARDIS can never return for me. Emergency Programme One means I'm facing an enemy that should never get their hooves on this machine. So this is what you should do: let the TARDIS die. Just let this old box gather dust. No one can open it, no one will even notice it. Let it become a strange little thing standing on a street corner. And over the years, the world will move on, and the box will be buried. And if you wanna remember me, then you can do one thing. That's all, one thing. The Doctor: [hologram turns to face Rose, and with a full voice] Have a good life. Do that for me, Rose. Have a fantastic life.
Russell T. Davies
All I know is that right now I wanna rip your clothes off right here in the middle of this hall and throw you in one of these classrooms and kiss every square inch of your body, while a bunch of people who drive minivans listen wishing they were us.
L.J. Smith
You wanna be the next Tolkien? Don't read big, tolkien-esque fantasies. TOLKIEN didn't read big, tolkien-esque fantasies. He read books on finnish philology. You go and read outside your comfort zone, go and learn stuff. And then the most important thing, once you get any level of quality--get to the point where you wanna write, and you can write--is tell YOUR story. Don't tell a story anyone else can tell. Because you always start out with other people's voices... There will always be people who are better or smarter than you. There are people who are better writers than me, who plot better than I do, but there is no one who can tell a Neil Gaiman story like I can.
Neil Gaiman
Have you found the porn yet?” Her brow furrowed. “Porn?” “Yes, porn. You’ll know what it is when you see it.” … She aw the naked woman on the front of one of the DVD cases. She covered it up, but she wasn’t quick enough – Carmine had already spotted it. He laughed. “Told you you’d fine the porn.” She tried to shove the DVD back under his bed, but he grabbed the case and held it up in front of her. “Wanna watch it?
J.M. Darhower (Sempre (Sempre, #1))
Whenever I get dumped, I nail the door shut so that no one can come inside, get a towel and clip it around my neck so it's like a Superman cape, take off my shoes so I can slide across the room, and...get a fake mic, like a celery stick or a pen, and I play any record that features the vocalist Ronnie James Dio. And you can just pretend you're Dio, because on every album he does, he has minimum one, usually three, *EVIL WOMAN LOOK OUT!*- songs. And if you wanna point like Dio, it's a three-finger point. (heavy metal voice) 'The exit is that way. Evil LURKS! Evil lurks in twilight! Dances in the DARK! Evil woman! Just WALK AWAY!
Henry Rollins (The Portable Henry Rollins)
Do you ever feel like breaking down? Do you ever feel out of place? Like somehow you just don't belong And no one understands you Do you ever wanna run away? Do you lock yourself in your room? With the radio on turned up so loud That no one hears you screaming No you don't know what it's like When nothing feels all right You don't know what it's like To be like me To be hurt To feel lost To be left out in the dark To be kicked when you're down To feel like you've been pushed around To be on the edge of breaking down And no one's there to save you No you don't know what it's like Welcome to my life
Simple Plan
For the ones who had a notion, A notion deep inside, That it ain't no sin to be glad you're alive I wanna find one face that ain't looking through me I wanna find one place, I wanna spit in the face of these badlands
Bruce Springsteen (Songs)
Right now, AJ. I wanna pin you against the wall and fuck you hard enough to rattle the stalls. Then I want to bend you over the railing’ and take you from behind, sinkin’ my teeth into that spot at the base of your neck that makes you scream my name.” AJ swallowed. “Um. Let’s start with just one and work our way down the wish list, okay?
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
Oh, yeah? So what? You wanna play Name That Complex? One quick lay while you command me to call you Daddy?” Katelyn asked “No. I want to sink my cock into you so deep that you scream with pleasure and call me lover.” Adam responds then adds “And there will be nothing quick about it.
Joya Ryan (Break Me Slowly (Shattered, #1))
In the land of Gods and Monsters I was an Angel Living in the garden of evil Screwed up, scared, doing anything that I needed Shining like a fiery beacon You got that medicine I need Fame, Liquor, Love give it to me slowly Put your hands on my waist, do it softly Me and God, we don't get along so now I sing No one's gonna take my soul away I'm living like Jim Morrison Headed towards a fucked up holiday Motel sprees sprees and I'm singing 'Fuck yeah give it to me this is heaven, what I truly Want' It's innocence lost Innocence lost In the land of Gods and Monsters I was an Angel Looking to get fucked hard Like a groupie incognito posing as a real singer Life imitates art You got that medicine I need Dope, shoot it up, straight to the heart please I don't really wanna know what's good for me God's dead, I said 'baby that's alright with me' No one's gonna take my soul away I'm living like Jim Morrison Headed towards a fucked up holiday Motel sprees sprees and I'm singing 'Fuck yeah give it to me this is heaven, what I truly Want' It's innocence lost Innocence lost When you talk it's like a movie and you're making me Crazy - Cause life imitates art If I get a little prettier can I be your baby? You tell me, "life isn't that hard" No one's gonna take my soul away I'm living like Jim Morrison Headed towards a fucked up holiday Motel sprees sprees and I'm singing 'Fuck yeah give it to me this is heaven, what I truly Want' It's innocence lost Innocence lost
Lana Del Rey
dykes were put here to tip the scales! we have a very important job and i wouldn't trade it for the world. give me a choice between breeding, accelerated aging, living with an orangutan, and maid duty for life...or, autonomy, black boots, multiple orgasms, cats instead of kids, people who say what they mean, and nothing stopping me from doing whatever i wanna do...and guess which one i pick?
Diane DiMassa (The Complete Hothead Paisan: Homicidal Lesbian Terrorist)
Young Noah: Will you go out with me? Young Allie: What? No. Young Noah: No...? Young Allie: No. Young Noah: Why not? Young Allie: I dunno, because I don't want to. Young Noah: OK, then you leave me no other choice. Young Allie: AHHHH Young Noah: I'm gonna ask you one more time, will you or will you not go out with me? I think my hand's slipping. Young Allie: OK, OK. Fine I'll go out with you Young Noah: No, don't do me any favors. Young Allie: No, no I want to. Young Noah: Say it. Young Allie: I wanna go out with you. Young Noah: Say it again. Young Allie: I WANNA GO OUT WITH YOU! Young Noah: All right, all right we'll go out.
Nicholas Sparks
I think the trick to living fully,” I said, thinking through each word, “is to appreciate what we have, day by day, regardless of what we know might come our way.” I took a breath and slowly looked from one of my parents to the other. “If I live in fear of what might be, how can I truly live my life to the full in the present? And if I do not give myself to the day, to hope, to life, what do I miss?” I raised my eyebrows and shook my head. “Life itself, I think. At least the way I wanna live it.
Lisa Tawn Bergren
bitch power is the juice, the sweat, the blood that keeps pop music going. Rick James helped me understand the lesson of the eighth-grade dance: Bitch power rules the world. If the girls don't like the music, they sit down and stop the show. You gotta have a crowd if you wanna have a show. And the girls are the show. We're talking absolute monarchy, with no rules of succession. Bitch power. She must be obeyed. She must be feared.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
I mean, it's one thing to wanna do something. It's another to think it's possible. Rapping has been my dream forever, but dreams aren't real. You wake up from them or reality makes them seem stupid. Trust, every time my fridge is almost empty, all of my dreams seem stupid.
Angie Thomas (On the Come Up)
Talk to her, goddamnit. She ain't a stick of furniture. She is one of God's creatures, and she will hear you. I see these goddamned people walkin' dogs, yakking on their phones, makes me wanna kick their sissy asses. What they got a dog for, they want to talk on their phones? That dog there will understand you, Officer James. She will understand what's in your heart. Am I just shouting at the grass and dog shit out here, or are you reading what I am telling you?
Robert Crais (Suspect (Scott James & Maggie, #1))
Then, yeah, of course I’ve given this a lot of thought. I’ve been thinking about your pussy constantly, what it looks like, what it tastes like, how it’ll feel.” He towered over me, half naked and dripping wet. The dripping-wet part was definitely going around. “Why do you think I was on Ben’s couch last night? No one else I wanna fuck. It’s gotta be you.
Kylie Scott (Play (Stage Dive, #2))
Whatever happened to chivalry? Does it only exist in 80's movies? I want John Cusack holding a boombox outside my window. I wanna ride off on a lawnmower with Patrick Dempsey. I want Jake from Sixteen Candles waiting outside the church for me. I want Judd Nelson thrusting his fist into the air because he knows he got me. Just once I want my life to be like an 80's movie, preferably one with a really awesome musical number for no apparent reason. But no, no, John Hughes did not direct my life.
Bert V. Royal (Easy "A")
Do you know that feeling? When everything you do seems like a struggle. Where you dont wanna leave the house because you know everyone is judging you. Where you cant even ask for directions in fear that they critise you. Where everyone always seems to be picking out your flaws. That feeling where you feel so damn sick for no reason. Do you know that feeling where you look in the mirror and completly hate what you see. When you grab handfuls and handfuls of fat and just want to cut it all off. That feeling when you see other beautiful girls and just wish you looked like them. When you compare yourself to everyone you meet. When you realise why no one ever showed intrest in you. That feeling where you become so self conscious you dont even turn up at school. That feeling when you feel so disappointed in who you are and everything you have become. That feeling when every bite makes you wanna be sick. When hunger is more satifying that food. The feeling of failure when you eat a meal. Do you know that feeling when you cant run as far as your class. Fear knowing that everyone thinks of you as the"Unfit FAT BITCH" That feeling when you just wanna let it all out but you dont wanna look weak. The fear you have in class when you dont understand something but your too afraid to ask for help. The feeling of being to ashamed to stand up for yourself. Do you know the feeling when your deepest fear becomes a reality. Fear that you will NEVER be good enough. When you feel as if you deserve all the pain you give yourself. When you finally understand why everyone hates you. FINALLY realising the harsh truth. Understanding that every cut, every burn, every bruise you have even given yourself, you deserved. In fact you deserved worse. That feeling when you believe you deserve constant and brutal pain. Do you know what it feels like to just want to give up. When you just want all the pain to end but you want it to continue? Or am i just insane
Anonymous.
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
WebMD calls it a stage of grief - anger. But I doubt I'll ever get to the other stages. This one slices me into millions of pieces. Every time I'm whole and back to normal, something happens to tear me apart, and I'm forced to start all over again. The rain lets up. The devil stops beating his wife, but I beat the dashboard, punching it over and over, numb to the pain of it. I wanna be numb to the pain of all this.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
You don't know what you're talking about. When you fall in love, even a kiss is mind-blowing. You don't fuck other people, because there's only one person you want to be close to. When he fucks me, it's like I give him a part of my soul," his words became quieter. "I'm not looking for other guys, and I don't wanna do it with anyone else.
K.A. Merikan (Road of No Return: Hounds of Valhalla MC (Sex & Mayhem, #1))
Who can tell? Your living is an organized hell. The mansion of your mind just an oversized cell. The pressure, everything is done to a measure. In the sea of competition sunk like a treasure. Like a feather falling slow spiraling to the floor. Strung up like a broken violin to your course. Opportunity is knocking at your door, But you never left a welcome mat (It doesn't matter anymore.). Or anyhow, but you're too late to turn back. Fate pushing you into the wall like a thumbtack. Ain't no comebacks in this game of life. Roll the dice again, Roll it once, never twice. Keep on going, and taste the stars. Keep on growing, and raise the bar. You're living life for the As down to the Zs, After one drop you got a fountain to seize. Wanna break from the world, but the world wanna break you, The weight makes your backbone curl up and make you.
Tablo
I looked up at Lee when we stopped in front of Hector and informed him helpfully, “You might want to take your arm away. Blanca tells me Hector doesn’t like men touching me.” “Blanca told you that?” Lee asked, his smile (and arm) still firmly in place. “Yes. She’s known Hector, like, his whole life so I think she’s in the position to know.” Lee nodded, his smile somehow bigger like he was trying not to laugh then his eyes moved to Hector and he said, “I tried to stop it.” Hector looked at Lee then looked at me then he muttered, “Oh fuck.” “It was Ally’s idea,” Lee told Hector. “What was Ally’s idea?” Hector asked Lee. “It was not Ally’s idea!” I cried. “It wasn’t!” super-power-eared Ally yelled from the open back window of Lee’s Explorer. “It was Sadie’s idea. I just was offering moral support.” “Shut up, Ally!” Indy shouted out the open passenger side window. “I will not shut up! I’m not taking the fall for this one!” Ally shouted back. I turned to the car, dislodging Lee’s arm and lifted both my hands and pressed down. “No one’s going to take a fall. Everyone calm down. It’s all okay. It’s rock ‘n’ roll!” I screamed. “Righteous!” Ally screamed back. “Rock on, sister!” Indy screamed too. “It’s rock ‘n’ roll?” Lee asked, sounding as amused as he looked. “You all wanna quit screamin’ at three o’clock in the mornin’ in my fuckin’ neighborhood?” Hector suggested. Mm, well maybe we were being an eensy bit loud. “Time for beddie by,” I announced (sounding like Ralphie), got up on tiptoe, kissed Lee’s cheek (like Ralphie and Buddy would do to me), turned and gave Indy and Ally a double devil’s horns (like Ava taught me) and shouted, “Rock on!” They shouted back in unison, “Rock on!” “Christ,” Hector muttered.
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
Imma do the things that i wanna do, I ain't gotta thing to prove to you. I'll eat my candy with my pork and beans, Excuse my manners if i cause a scene. I ain't gonna wear the clothes that you like, im fine and dandy with the me inside. One look in the mirror and im tickled pink. I don't give a hoot about what you think!
Weezer
Look,' I said, struggling to keep up, 'I just wanna make one thing absolutely clear. I don't believe in guns. I just want peace. Okay?' Alessandro stopped in the middle of the corridor, took out the gun, and wrapped my hand around it before I realized what he was doing. 'Can you feel that? That's a gun. It exists. And there are a lot of people out there who do believe in it. So, excused me for taking care of them so you can have your peace.
Anne Fortier (Juliet)
Dear Angry Older People, over 21-ish, anyone who considers themselves an adult, still bitter: Next time you're wondering what wrong with kids today, you might wanna check the examples you've been giving us to work with. Because if you ever want to make sense of us, you’ve got to make sense to us, without telling us you’re too old to walk that far. You’ve got to try to understand why we like looking like rag dolls, why we like looking like the way we feel, and why we keep our senses floored when it’s you behind the wheel. And if you ever really do want to understand why we seem so angry, well for one, you told us we could be anything we wanted to be, but right now, we’re a little busy dodging bombs.
Buddy Wakefield
Is that what God does? He helps? Tell me, why didn't God help my innocent friend who died for no reason while the guilty ran free? Okay. Fine. Forget the one offs. How about the countless wars declared in his name? Okay. Fine. Let's skip the random, meaningless murder for a second, shall we? How about the racist, sexist, phobia soup we've all been drowning in because of him? And I'm not just talking about Jesus. I'm talking about all organized religion. Exclusive groups created to manage control. A dealer getting people hooked on the drug of hope. His followers, nothing but addicts who want their hit of bullshit to keep their dopamine of ignorance. Addicts. Afraid to believe the truth. That there's no order. There's no power. That all religions are just metastasizing mind worms, meant to divide us so it's easier to rule us by the charlatans that wanna run us. All we are to them are paying fanboys of their poorly-written sci-fi franchise. If I don't listen to my imaginary friend, why the fuck should I listen to yours? People think their worship's some key to happiness. That's just how he owns you. Even I'm not crazy enough to believe that distortion of reality. So fuck God. He's not a good enough scapegoat for me.
Elliot Alderson
Jus hold me a little longer, Jack. Tell me again that ya wanna be with me, fer real, cross yer heart 'n' let me know you ain't foolin', cause I dunno how or when it happen but somehow I come ta need ya like air, like blood. Touch me again like ya do with them gentle hands make me feel like somethin' precious. Say it again that ya love me, cause hearin' that was like openin' up some big bottomless well that ran dry years back and it cain't never be full enough now, I cain't never hear it enough, but once more, one more time and maybe I'll believe it a little more, and then a little more the next time, till someday I believe it fer true enough ta be able to say it back ta you like y'oughta hear it said cause God knows I love you more'n my own life, more'n anythin' in this world, but it cain't get outta me yet cause I still ain't the man I need ta be, the man who's gonna stand before you and declare.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
And they have a problem with Dresden, I take it?" Murphy asked. "Wanna kill him or something. I don't know," Thomas said, nodding. "They tried it on Jet Skis earlier today." "Roger Moore Bond villains?" Murphy asked, her tone derisive. "Seriously?" "Be silent, mortal cow," snarled one of the Sidhe. Murphy tracked her eyes calmly over to that one, and she nodded once, as if memorizing something. "Yeah, okay. You.
Jim Butcher (Cold Days (The Dresden Files, #14))
So, can I eat the redheaded goddess now? (Simi) No, Simi. (Acheron) I want to eat her, akri, She a mean person. (Simi) Most gods are. (Acheron) No they’re not. Some, true, but I rather like the Atlanteans. They were very nice. Most of them. You never met Archon, did you? (Simi) No. (Acheron) Now, he could be mean. He was blond, like you, tall like you, well, taller than you, and good-looking like you, but not quite as good-looking as you. I don’t think anyone is as good-looking as you are. Not even them gods. You are definitely one of a kind when it comes to looks…Oh. Well, you’re not really one of a kind, are you? But you cuter than that other one. He a bad copy of you. He only wishes he was as cute as you are. Now where was I going with that? Oh, I remember now. Archon didn’t like a lot of people, unlike you. You know that thing you do whenever you get really, really mad? The one where you can blow stuff up and make it all fiery and chunky and messy and all? He could do that too only not with as much finesse as you. You got a lot of finesse, akri. More than most. But I digress, Archon liked me. He said, ‘Simi, you a quality demon.’ Have you ever seen a non-quality demon, though? That’s what I wanna know. (Simi)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
Wanna know what a bullet feels like, Warren? A real one? It’s not like in the comics…I think you need to. Feel it…It’s not going to make a neat little hole. First - it’ll obliterate your internal organs. Your lung will collapse, feels like drowning…When it finally hits your spine, it’ll blow your central nervous system-…I’m talking. The pain will be unbearable, but you won’t be able to move… A bullet usually travels faster than this, of course. But the dying? It seems like it takes forever. Something, isn’t it? One tiny piece of metal destroys everything. It ripped her insides out… It took her light away. From me. From the world… And now the one person who should be here is gone - and a waste like you gets to live. A tiny piece of metal. Can you feel it now?
Joss Whedon
I'm here." St. Clair is angry. "I'm just sorry I'm not there. With you. I wish there was something I could do." "Wanna come beat her up for me?" "I'm packing my throwing stars right now." I sniffle and wipe my nose. "I'm such an idiot. I can't believe I thought he liked me.That's the worst part, knowing he was never even interested." "Bollocks.He was interested." "No,he wasn't," I say. "Bridge said so." "Because she's jealous! Anna, I was there that first night he called you. I've seen how he looked at you in pictures." I protest,but he interrupts. "Any bloke with a working prick would be insane not to like you." There's a shocked pause,on both ends of the line. "Because,of course,of how intelligent you are. And funny.Not that you aren't attractive.Because you are. Attractive. Oh,bugger..." I wait. "Are you still there,or did you hang up because I'm such a bleeding idiot?" "I'm here." "God,you made me work for that." St. Clair said I'm attractive.That's the second time. "You're so easy to talk to," he continues, "that sometimes I forget you're not one of the guys." Scratch that. He thinks I'm Josh. "Just drop it. I can't take being compared to a guy right now-" "That's not what I meant-" "How's your mom? I'm sorry, I've hogged ur entire conversation,and this was supposed to be about her,and I didn't even ask-" "You did ask. It was the first thing you said when you answered. And technically I called you. And I was calling to see how the show went, which is what we've been talking about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When yet another woman old enough to be his grandmother headed Reyes off and demanded his attention before he could get to me, I giggled at the forced smile on his face. She flirted, batted her lashes, and patted his biceps about twelve times too many for his comfort. He took out his phone and typed as the woman spoke to him, her movements exaggerated. I couldn't be certain but I had a feeling she was talking to him about how she used to be a pole dancer until her hip gave out. My phone chimed. I took it out of the delicate clutch that matched my dress and read Reyes's text. Aren't you going to save me? I don't know. I'm having a lot of fun right now. Wanna sext? He crossed an arm over his chest while holding his phone. One corner of his mouth twitched as he leaned back against the tree and typed. Absolutely. Sweet. What are you wearing? His eyes sparkled with mirth. Animal print boxers and striped socks I burst out laughing, gaining the attention of everyone around me.
Darynda Jones (Eighth Grave After Dark (Charley Davidson, #8))
Find somebody else to entertain you," I said. "There is no one else." I turned a page in my notebook and started writing again. "There's always someone else.You've been Feeding off Forfeits for hundreds of years. Get a new one." "You don't give my job enough credit. It's really hard to convince a girl to follow me. The average pickup lines don't work so well. 'Hey,wanna get coffee? And then spend an eternity getting the life force sucked out of you?' They don't go for it.
Brodi Ashton (Everneath (Everneath, #1))
Cade hiked his shoulders, pretending nonchalance. "Tell me about the vampire, or not, dove. But none of us really wants to be here." "I'll tell you," Nïx said, her gaze rapt on his horns. "But only if you let me lick your rock-hard horns—" "Nïx!" Regin's attention snapped back to this conversation. Eyes wide, Nïx cried, "Who said that?? I didn't say that! Oh, very well—the vampire's named Conrad Wroth. Best be careful with that one. He single-handedly took down Bothrops the Lich." "That was Wroth?" He'd heard of the assassin before. Cade grudgingly admitted that the leech did nice work, dealing deaths with a unique, gruesome signature to them. Which was important in their line of business. "Where is he?" "To find him, you need to trail the one who seeks him in sleep." "Soothsayerese? I don't speak it," he said, but she didn't elaborate. "That's all you're going to divvy?" "Wanna know more?" Nïx raised her brows. "Then you should have let me lick your horns.
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
It’s been proven by study after study: there is zero correlation between hurry and productivity. In fact, once you work a certain number of hours in a week, your productivity plummets. Wanna know what the number is? Fifty hours. Ironic: that’s about a six-day workweek. One study found that there was zero difference in productivity between workers who logged seventy hours and those who logged fifty-five.15 Could God be speaking to us even through our bodies?
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
Give Your Heart A Break lyrics The day I first met you You told me you'd never fall in love But now that I get you I know fear is what it really was Now here we are, so close Yet so far, haven't I passed the test? When will you realize Baby, I'm not like the rest Don't wanna break your heart I wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to waste, to waste So let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break Oh, yeah yeah On Sunday, you went home alone There were tears in your eyes I called your cell phone, my love But you did not reply The world is ours, if you want it We can take it, if you just take my hand There's no turning back now Baby, try to understand Don't wanna break your heart Wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to waste, to waste So let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break There's just so much you can take Give your heart a break Let me give your heart a break Your heart a break Oh, yeah yeah When your lips are on my lips And our hearts beat as one But you slip right out of my fingertips Every time you run, whoa Don't wanna break your heart Wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to waste, to waste So let me give your heart a break Cuz you've been hurt before I can see it in your eyes You try to smile it away Some things, you can't disguise Don't wanna break your heart Baby, I can ease the ache, the ache So, let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break There's just so much you can take Give your heart a break Let me give your heart a break Your heart a break Oh yeah,yeah The day I first met you You told me you'd never fall in love
Demi Lovato
Why do writers use symbolism?” Okay, so let’s say you have a headache and you wanna tell someone about it and you say, “I have a headache!” and other people are like, “Yeah, whatever. Everybody gets headaches.” But your headache is not a regular headache, it’s a serious headache, so you say, “My brain is on fire!” to try to help these people understand that this is a headache that needs attention! That’s a metaphor, right? And you use it so that you can be understood. Now let’s say you want to take those same imagistic principles but apply them to a much more complex idea than having a headache, like, for instance, the yearning that one feels for one’s dreams. And you can see the dream but you can’t cross the bay to get to the green light that embodies your dream. And you want to talk about how socio-economic class in America is a barrier – a bay-like barrier, some would say – that stands between you and the green light and makes that gap unbridgeable. Now, you can just talk about that stuff directly, but when you talk about it symbolically, it becomes more powerful, because instead of being abstract it becomes kind of observable…. So I think that’s why.
John Green
We're an Ag college," I explain to them. "Not as good as the one in Yanco but we have livestock." "Cows?" Anson Choi asks, covering his nose. "Pigs, too. And horses. Great for growing tomatoes. The Cadets are wanna-be soldiers. City people. They may know how to street fight but they don't know how to wade through manure. "I'm going to throw up," one of the guys says. "Don't feel too bad," I explain. "Some of our lot did while they were laying out this stuff. Actually, right there where you're standing.
Melina Marchetta (On the Jellicoe Road)
But hey, I had the best times during each sprint,” I added. His laugh was soft and possibly a little disappointed. “That’s my girl. Running every morning?” “Every morning and I’ve been swimming more.” I stopped talking when I heard a voice in the background. All I heard was my dad mumbling, “It’s Sal… you wanna talk to her?... Okay… Sal, your mom says hi.” “Tell her I said hi back.” “My daughter says hi… no, she’s mine. The other one is yours… Ha! No!... Sal are you mine or your mom’s?” he asked me. “I’m the milkman’s.” “I knew it!” He finally laughed with a deep pleased sigh. I was smiling like a total fool. “I love you too, old man.
Mariana Zapata (Kulti)
Since Sienna was in an unusually cooperative mood, the session went well. He was returning from it midmorning - after a short detour - when a small naked body barreled into him in one of the main corridors. Steadying the boy with Tk, he looked down. The child lifted a finger to his lips. "Shh. I'm hiding." With that, he went behind Judd and scrambled into a small alcove. "Quickly! Not sure why he obeyed the order, Judd backed up to stand in front of the alcove, arms crossed. A flustered Lara came running around the corner a few seconds later. "Have you seen Ben? Four-year-old. Naked as a jaybird?" "How tall is he?" Judd asked in his most overbearing Psy manner. Lara stared. "He's four. How tall do you think he is? Have you seen him or not?" "Let me think...did you say he was naked?" "He was about to be bathed. Slippery little monkey." A giggle from behind Judd. Lara's eyes widened and then her lips twitched. "So you haven't seen him?" "Without a proper description, I can't be sure." The healer was obviously trying not to laugh. "You shouldn't encourage him - he's incorrigible as it is." Judd felt childish hands on his left calf and then Ben poked his head out. "I'm incorwigeable, did ya hear?" Judd nodded. "I do believe you've been found. Why don't you go have your bath?" "Come on, munchkin." Lara held out a hand. Surprisingly strong baby arms and legs wrapped around Judd's leg. "No. I wanna stay with Uncle Judd." Lara anticipated his question. "Ben spends a lot of time with Marlee." "I spend a lot of time with Marlee," a small voice piped up.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
So, you wanna know what I want? I want it all. I want to be in love so much it hurts. The frissons. The pin pricks. The mind-blowing sex. The connection. And I want to be married with kids I adore and a husband who makes me feel safe, sexy, smart, secure, silly, serious, salacious, sinful, serene, satisfied. I want someone who makes me laugh until milk comes out of my nose (only I don’t drink milk). I want to finish someone’s sentences. I want to believe in someone, in something, in a future that’s not just about laundry and soccer practice and subdivisions and minivans and guilt-tripping grandparents. I want to make someone a better person. I want to be a good example. I want to love some kids into the world. I want someone who stimulates my brain as much as my body. I want to taste everything and go everywhere. I want to give and I want to get. I want too much and I want it all in one person.
Bill Shapiro (Other People's Love Letters: 150 Letters You Were Never Meant to See)
Angel clicked on a few more pictures on the screen, and Alex made small talk about the place. Then he finally walked away. He stopped just before walking out. “Did Valerie say anything else to Sarah?” Angel glanced back at him. “About what?” “You know about that guy she’s seeing.” Angel turned his attention back to the computer. “No, not really.” Alex frowned. He wasn’t one of those guys, so he wasn’t about to keep asking. If Angel knew anything, he’d tell him. He’d just have to wait until the rehearsal dinner. He started back out when Angel spoke up. “I’m not sure, because she didn’t actually tell me, but I overheard Sarah on the phone last night. It sounded like Valerie was telling her about him.” “Yeah, what did you hear?” Angel looked up trying to remember. Something seemed to come to him but he hesitated. “I don’t think you wanna hear it, Alex. I know I wouldn’t.” Alex squeezed the doorway with his hand. What the hell could he have heard? “Tell me.” Angel shook his head and looked back at the monitor. “Only reason I caught my attentions was because I overheard Sarah ask her something about wearing lingerie.” Alex felt the hair on the back of his neck rise and his gut tightened. He banged his fist against the doorway. He didn’t need to hear any more. Angel had been right that’s the last thing he needed right now. He charged back out of the office, infuriated with himself. Why the fuck had he asked?
Elizabeth Reyes (Always Been Mine (The Moreno Brothers, #2))
Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.
Stephen King (Song of Susannah (The Dark Tower, #6))
Girl, you're as hot as your temper, And you won't let me through. But I think you would be good for me. I know I'd be good for you. Oh, but then that night at the lake, You said we'd be a mistake. But you're wrong there, honey. I'm a chance you wanna take. Do you want me to beg you? Do you want me to say please? Then this song is the rest of my pride, girl, This song is me down on my knees. Just give in, give in to me, girl. I'll give you everything I've got. I won't give up, give up on you, girl, Till you're giving me a shot. So go on, pretend you can fight it, Walk away like I'm not in your head. Brush me off like I never cross your mind At night as you lay down in bed. Till you're giving me a shot. C'mon, girl, give me a shot, One shot. I'll give you everything I've got...
Emery Lord (Open Road Summer)
You look so beautiful No one but me knows you're insane I feel so damn pathetic My friends just don't get it Cause you've got me under oath Before you I was in a fucking rut One day you are in the past That night I ask you back It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing You've got me feeling strange Cause I love to hate you so damn much But I can't think of leaving Cause you're what keeps me breathing It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing
Calum Hood
Pigeon?” “Yeah?” A few moments passed, and then he sighed. “Nothing.” Travis hesitated. “I can’t shake this feeling,” he said under his breath. “What do you mean? Like a bad feeling?” I said, suddenly nervous. He turned to me with concern in his eyes, “I have this crazy feeling that once we get home, I’m going to wake up. Like none of this was real.” I slid my arms around his waist, running my hands up the lean muscles of his back. “Is that what you’re worried about?” He looked down to his wrist, and then glanced to the thick silver band on his left finger. “I just can’t shake the feeling that the bubble’s going to burst, and I’m going to be lying in my bed alone, wishing you were there with me.” “I don’t know what I’m going to do with you, Trav! I’ve dumped someone for you—twice—I’ve picked up and went to Vegas with you—twice—I’ve literally gone through hell and back, married you and branded myself with your name. I’m running out of ideas to prove to you that I’m yours.” A small smile graced his lips. “I love it when you say that.” “That I’m yours?” I asked. I leaned up on the balls of my feet, pressing my lips against his. “I. Am. Yours. Mrs. Travis Maddox, forever and always.” His small smile faded as he looked at the boarding gate and then down to me. “I’m gonna fuck it up, Pigeon. You’re gonna get sick of my shit.” I laughed. “I’m sick of your shit, now. I still married you.” “I thought once we got married, that I’d feel a little more reassured about losing you. But I feel like if I get on that plane….” “Travis? I love you. Let’s go home.” His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?” “I vowed in front of God…and Elvis…that I wouldn’t, didn’t I?” His frown lightened a bit. “This is forever?” One corner of my mouth turned up. “Would it make you feel better if we made a wager?” “What kind of husband would I be if I bet against my own marriage?” I smiled. “The stupid kind. Didn’t you listen to your dad when he told you not to bet against me?” He raised an eyebrow. “So you’re that sure, huh? You’d bet on it?” I wrapped my arms around his neck and smiled against his lips. “I’d bet my first born. That’s how sure I am.” And then the peace returned. “You can’t be that sure,” he said, the anxiousness absent from his voice. I raised an eyebrow, and my mouth pulled to one side. “Wanna bet?
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
While the sound mixing was underway, Bonzo was on the loose, taking care of buisness his own way. One night he showed up backstage at a Deep Purple concert at the Nassau Coliseum on Long Island. Bonzo was drunk and in very high spirits, and was wobbling on his feet in the wings when he noticed a free microphone during a lull in the music. Staggering forward, Bonzo walked out onto the stage before the Deep Purple roadies could grab him. The group stopped playing, amazed, as Bonzo grabbed the mike and shouted, 'My name is John Bonham of Led Zeppelin, and I just wanna tell ya that we got a new album comin' out and that it's fuckin' great!!' Then Bonzo turned to leave, but before he went he turned back and gratuitously insulted Deep Purple's guitarist. 'And as far as Tommy Bolin is concerned, he can't play for shit!!
Stephen Davis (Hammer of the Gods)
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we are going to haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.
Tom Hanks
You just asked me to marry you,” he said, still waiting for me to admit some kind of trickery. “I know.” “That was the real deal, you know. I just booked two tickets to Vegas for noon tomorrow. So that means we’re getting married tomorrow night.” “Thank you.” His eyes narrowed. “You’re going to be Mrs. Maddox when you start classes on Monday.” “Oh,” I said, looking around. Travis raised an eyebrow. “Second thoughts?” “I’m going to have some serious paperwork to change next week.” He nodded slowly, cautiously hopeful. “You’re going to marry me tomorrow?” I smiled. “Uh huh.” “You’re serious?” “Yep.” “I fucking love you!” He grabbed each side of my face, slamming his lips against mine. “I love you so much, Pigeon,” he said, kissing me over and over. “Just remember that in fifty years when I’m still kicking your ass in poker,” I giggled. He smiled, triumphant. “If it means sixty or seventy years with you, Baby…you have my full permission to do your worst.” I raised one eyebrow, “You’re gonna regret that.” “You wanna bet?” I smiled with as much deviance as I could muster. “Are you confident enough to bet that shiny bike outside?” He shook his head, a serious expression replacing the teasing smile he had just seconds before. “I’ll put in everything I have. I don’t regret a single second with you, Pidge, and I never will.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I know I get crazy when it comes to you, but God knows I’m tryin’, Pidge. I don’t wanna screw this up.” “Then don’t.” “This is hard for me, ya know. I feel like any second you’re going to figure out what a piece of shit I am and leave me. When you were dancing last night, I saw a dozen different guys watching you. You go to the bar, and I see you thank that guy for your drink. Then that douchebag on the dance floor grabs you.” “You don’t see me throwing punches every time a girl talks to you. I can’t stay locked up in the apartment all the time. You’re going to have to get a handle on your temper.” “I will. I’ve never wanted a girlfriend before, Pigeon. I’m not used to feeling this way about someone…about anyone. If you’ll be patient with me, I swear I’ll get it figured out.” “Let’s get something straight; you’re not a piece of shit, you’re amazing. It doesn’t matter who buys me drinks, or who asks me to dance, or who flirts with me. I’m going home with you. You’ve asked me to trust you, and you don’t seem to trust me.” He frowned. “That’s not true.” “If you think I’m going to leave you for the next guy that comes along, then you don’t have much faith in me.” He tightened his grip. “I’m not good enough for you, Pidge. That doesn’t mean I don’t trust you, I’m just bracing for the inevitable.” “Don’t say that. When we’re alone, you’re perfect. We’re perfect. But then you let everyone else ruin it. I don’t expect a one-eighty, but you have to pick your battles. You can’t come out swinging every time someone looks at me.” He nodded. “I’ll do anything you want. Just…tell me you love me.” “You know I do.” “I need to hear you say it,” he said, his brows pulling together. “I love you,” I said, touching my lips to his. “Now quit being such a baby.” He laughed, crawling into the bed with me. We spent the next hour in the same spot under the covers, giggling and kissing, barely noticing when Kara returned from the shower.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what YOU think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here. “Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?” “No.” “Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Your grandparents are English?" "Grandfather is,but Grandmere is French. And my other grandparents are American,of course." "Wow.You really are a mutt." St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent." "I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too." "I do?" He surprised. I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly." "Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum." "And how was it? I bet the girls don't tease you about your accent anymore." He laughs. "No,they don't.But I can't help my height.I'll always be short." "And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me." He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him." "How would you know?" "Well,for one thing,he looks like a Ken doll.And you're beautiful." I trip and fall down on the sidewalk. "Are you all right?" His eyes fill with worry. I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak. "You've seen the way men look at you,right?" he continues. "If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands. "That guy over there is checking you out right now." "Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?" "I expect he likes what he sees." I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?" St. Clair thinks I'm attractive. He called me beautiful. "Um,no," I say. "I hadn't noticed." "Well.Open your eyes." But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?" "You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail. This time I can't help it.All day long, I've thought about it.Him.Our secret. I wish St. Clair would spend the night again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Ya live your life like it's a coma So won't you tell me why we'd wanna With all the reasons you give it's It's kinda hard to believe But who am I to tell you that I've Seen any reason why you should stay Matbe we'd be better off Without you anyway You got a one way ticket On your last chance ride Gotta one way ticket To your suicide Gotta one way ticket An there's no way out alive An all this crass communication That has left you in the cold Isn't much for consolation When you feel so weak and old But is home is where the heart is Then there's stories to be told No you don't need a doctor No one else can heal your soul Got your mind in submission Got your life on the line But nobody pulled the trigger They just stepped aside They be down by the water While you watch 'em waving goodbye They be callin' in the morning They be hangin' on the phone They be waiting for an answer When you know nobody's home And when the bell's stopped ringing It was nobody's fault but your own There were always ample warnings There were always subtle signs And you would have seen it comin' But we gave you too much time And when you said That no one's listening Why'd your best friend drop a dime Sometimes we get so tired of waiting For a way to spend our time An "It's so easy" to be social "It's so easy" to be cool Yeah it's easy to be hungry When you ain't got shit to lose And I wish that I could help you With what you hope to find But I'm still out here waiting Watching reruns of my life When you reach the point of breaking Know it's gonna take some time To heal the broken memories That another man would need Just to survive Guns N’ Roses, “Coma” (1991)
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))