Wang Lung Quotes

We've searched our database for all the quotes and captions related to Wang Lung. Here they are! All 13 of them:

Now, five years is nothing in a man's life except when he is very young and very old... - Wang Lung
Pearl S. Buck (The Good Earth (House of Earth, #1))
It was Wang Lung's marriage day.
Pearl S. Buck (The Good Earth (House of Earth, #1))
He saw on the paper a picture of a man, white-skinned, who hung upon a crosspiece of wood. The man was without clothes except for a bit about his loins, and to all appearences he was dead, since his head drooped upon his shoulder and his eyes were closed above his bearded lips. Wang Lung looked at the pictured man in horror and with increasing interest.
Pearl S. Buck (The Good Earth (House of Earth, #1))
Now it has been said from ancient times that all women who weep may be divided into three sorts. There are those who lift up their voices and their tears flow and this may be called crying; there are those who utter loud lamentations but whose tears do not flow and this may be called howling; there are those whose tears flow but who utter no sound and this may be called weeping. Of all those women who followed Wang Lung in his coffin, his wives and his sons’ wives and his maid servants and his slaves and his hired mourners, there was only one who wept and it was Pear Blossom.
Pearl S. Buck (The Good Earth (House of Earth, #1))
Wang Lung, seeing them, was fit to burst with pride at this procession of his goodly sons, who were to continue after him the life of his body;
Pearl S. Buck (The Good Earth (House of Earth, #1))
Wang Lung sat smoking, thinking of the silver as it had lain upon the table. It had come out of the earth, this silver, out of the earth that he ploughed and turned and spent himself upon. He took his life from the earth; drop by drop by his sweat he wrung food from it and from the food, silver. Each time before this that he had taken the silver out to give to anyone, it had been like taking a piece of his life and giving it to someone carelessly. But not for the first time, such giving was not pain. He saw, not the silver in the alien hand of a merchant in the town; he saw the silver transmuted into something worth even more than life itself - clothes upon the body of his son.
Pearl S. Buck (The Good Earth (House of Earth, #1))
And listening to all the things they would do if they had these things, Wang Lung heard only of how much they would eat and sleep, and of what dainties they would eat that they had never tasted,and how they would gamble in this great tea shop and in that, and what pretty women they would buy for their lust, and above all, how none would ever work again, even as they rich man behind the wall never worked.
Pearl S. Buck (The Good Earth (House of Earth, #1))
Then Wang Lung turned to the woman and looked at her for the first time. She had a square, honest face, a short, broad nose with large black nostrils, and her mouth was wide as a gash in her face. Her eyes were small and of a dull black in color, and were filled with some sadness that was not clearly expressed. It was a face that seemed habitually silent and unspeaking, as though it could not speak if it would. She bore patiently Wang Lung’s look, without embarrassment or response, simply waiting until he had seen her. He saw that it was true there was not beauty of any kind in her face—a brown, common, patient face. But there were no pock-marks on her dark skin, nor was her lip split. In her ears he saw his rings hanging, the gold-washed rings he had bought, and on her hands were the rings he had given her. He turned away with secret exultation. Well, he had his woman!
Pearl S. Buck (The Good Earth (House of Earth, #1))
So Wang Lung sat, and so his age came on him day by day and year by year, and he slept fitfully in the sun as his father had done, and he said to himself that his life was done and he was satisfied with it.
Pearl S. Buck (The Good Earth (House of Earth, #1))
Spring passed and summer passed into harvest and in the hot autumn sun before winter comes Wang Lung sat where his father had sat against the wall. And he thought no more about anything now except his food and his drink and his land. But of his land he thought no more what harvest it would bring or what seed would be planted or of anything except of the land itself, and he stooped sometimes and gathered some of the earth up in his hand and he sat thus and held it in his hand, and it seemed full of life between his fingers. And he was content, holding it thus, and he thought of it fitfully and of his good coffin that was there; and the kind earth waited without haste until he came to it.
Pearl S. Buck (The Good Earth (House of Earth, #1))
Wang Lung sat smoking, thinking of the silver as it had lain upon the table. It had come out of the earth, this silver, out of his earth that he ploughed and turned and spent himself upon. He took his life from this earth; drop by drop by his sweat he wrung food from it and from the food, silver. Each time before this that he had taken the silver out to give to anyone, it had been like taking a piece of his life and giving it to someone carelessly. But now for the first time such giving was not pain. He saw, not the silver in the alien hand of a merchant in the town; he saw the silver transmuted into something worth even more than itself—clothes upon the body of his son.
Pearl S. Buck (The Good Earth (House of Earth, #1))
I could tell Jeung was skeptical about my line of questioning from the get-go. There was a long pause, after which I could hear him puzzling hesitantly on how best to respond. “I don’t know if silence is necessarily secret-keeping,” he said slowly. “I’m sure parents don’t talk about their kids about a lot of things. They don’t talk about their sex lives. I don’t know that it’s necessarily a Taoist approach. There are probably things they’d just rather forget. And there is a Chinese popular religion thing where people don’t talk about negative things. It’s why people don’t talk about cancer. You know The Farewell?” he asked, citing Lulu Wang’s Golden Globe- and BAFTA-winning film about her family’s decision to hide her grandmother’s lung cancer diagnosis from her. Her grandmother was supposed to live only six months, but her family thought she would fare better and live longer if they told her she was just fine. The approach may have worked. At the time I am writing this, eight years after her diagnosis, Lulu’s grandmother is still alive.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Day by day beneath the opulence of this city Wang Lung lived in the foundations of poverty upon which it was laid.
Pearl S. Buck (The Good Earth[graphic novel])