Waltz Into Darkness Quotes

We've searched our database for all the quotes and captions related to Waltz Into Darkness. Here they are! All 91 of them:

Jealousy has the amazing power to illuminate a single person in an intense beam of light, keeping the multitude of others in total darkness.
Milan Kundera (Farewell Waltz)
I can see lights in the distance trembling in the dark cloak of night Candles and lanterns are dancing, dancing a waltz on All Souls Night.
Loreena McKennitt
I lied. I do that, you know, when it suits me. I would have thought you'd realized that by now.
Anne Stuart (The Devil's Waltz)
It didn’t make any more sense to me then than it does now, how life can pile troubles up on a man what don’t deserve them, while letting some of the biggest jackasses and scoundrels alive waltz their way through long, untroubled existences.
Caleb Carr (The Angel of Darkness (Dr. Laszlo Kreizler, #2))
Umm, correct me if I'm wrong, but aren't you suppose to be dead? Currently being chased by two Cabals? You're waltzing around Vancouver, eating in restaurants?" (Ash) "Hell no," Corey said. "I never waltz. I do the fox-trot sometimes though.
Kelley Armstrong (The Rising (Darkness Rising, #3))
Reaver was about to go where angels feared to tread. He supposed that really did make him a— “Fucking idiot.” Reaver stared at Eidolon. “I was going to go with ‘fool.’ Also, only a fucking idiot would call an angel a fucking idiot." The demon doctor stared back, his dark eyes glittering with gold flecks. “A fool would merely consider entering hell without a plan. Only a fucking idiot would be serious about waltzing into the Prince of Evil’s living room in the very center of hell to kidnap Satan’s little girl. Without a plan.” “I have a plan,” he muttered. Eidolon parked a tray of surgical tools next to the exam table Reaver was sitting on. “And your plan is?” “Ah…it mostly involves sneaking in and sneaking out.
Larissa Ione (Reaver (Lords of Deliverance, #5; Demonica, #10))
...that means we’re in love,” His eyes were never leaving her lips, “madly so.” The spirits waltzed across the leaves, enclosing two lovers, singing their own melody as the bodies became one.
Ezgi Yücebaş (Curse of the Stars)
A slight concussion of the brain simplifies matters so beautifully. ("Three O'Clock")
Cornell Woolrich (The Cornell Woolrich Omnibus: Rear Window and Other Stories / I Married a Dead Man / Waltz into Darkness)
Poetry Is The Language Of Mysticism & Discourse. It Is The Whisper In The Dark, The Shadow In The Light. Poetry Is An Incantation From The Depths Of Your Very Soul.
R.M. Engelhardt (The Resurrection Waltz Poems R.M. Engelhardt)
No desolation equal to that of the pagan, suddenly bereft. For to the pagan, there is no hereafter.
Cornell Woolrich (Waltz into Darkness)
Our souls are desperate for each other; they like to hold each other tight and sing a melody of waltz Infront of the world.
Scarlett Wind
Odd coincidence – he had just been wishing that very thing. They plunged like divers into the dark eddying crowd and emerging in the cool Fifties sauntered indolently homeward, infinitely romantic to each other… both were walking alone in a dispassionate garden with a ghost found in a dream. Halcyon days like boats drifting along slow-moving rivers; spring evenings full of a plaintive melancholy that made the past beautiful and bitter, bidding them look back and see that the loves of other summers long one were dead with the forgotten waltzes of their years.
F. Scott Fitzgerald (The Beautiful and Damned)
He half-turned in his seat and her breath caught. He was laughing. And she was falling, into dark eyes brightened with amusement and a handsome face transformed by wry humor. What a difference it made in him. He'd been compelling before. He made her blood heat now.
Deb Marlowe (A Waltz in the Park (Half Moon House #1.8))
José What now, José? The party’s over, the lights are off, the crowd’s gone, the night’s gone cold, what now, José? what now, you? you without a name, who mocks the others, you who write poetry who love, protest? what now, José? You have no wife, you have no speech you have no affection, you can’t drink, you can’t smoke, you can’t even spit, the night’s gone cold, the day didn’t come, the tram didn’t come, laughter didn’t come utopia didn’t come and everything ended and everything fled and everything rotted what now, José? what now, José? Your sweet words, your instance of fever, your feasting and fasting, your library, your gold mine, your glass suit, your incoherence, your hate—what now? Key in hand you want to open the door, but no door exists; you want to die in the sea, but the sea has dried; you want to go to Minas but Minas is no longer there. José, what now? If you screamed, if you moaned, if you played a Viennese waltz, if you slept, if you tired, if you died… But you don’t die, you’re stubborn, José! Alone in the dark like a wild animal, without tradition, without a naked wall to lean against, without a black horse that flees galloping, you march, José! José, where to?
Carlos Drummond de Andrade
...what is cruelty but the giving of pain in the taking of pleasure?
Cornell Woolrich (Waltz into Darkness)
In the intricate dance of existence, I have learned to waltz with the shadows, finding solace in the understanding that light and darkness are but two sides of the same coin.
Jonathan Harnisch (Sex, Drugs, and Schizophrenia)
Our souls are desperate for each other; they like to hold each other tight and sing a melody of waltz in front of the world.
Scarlett Wind (King of Knights)
The Shadow Waltz by Stewart Stafford She lays with me by night, Hewn from dark solitude, Without malice aforethought. Creaking springs as she crawls to me, In a frantic state, Babbling desperately about her pain. Nails caress my abdomen and chest, Strange warmth emanates from her, Then she rises. And is gone, Melting with the corner darkness again, Watching my slumber from the shadows. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
She was not even sure herself why she had wept. It just seemed to her in a moment of painful clarity that she had never learned how to cope with life and that she had dragged her children into her own helpless darkness. And so the cycle would be perpetuated. . . .
Mary Balogh (The Last Waltz (Signet Regency Romance))
          The man under the bed           The man who has been there for years waiting           The man who waits for my floating bare foot           The man who is silent as dustballs riding the darkness           The man whose breath is the breathing of small white butterflies           The man whose breathing I hear when I pick up the phone           The man in the mirror whose breath blackens silver           The boneman in closets who rattles the mothballs           The man at the end of the end of the line           I met him tonight I always meet him           He stands in the amber air of a bar           When the shrimp curl like beckoning fingers           ride through the air on their toothpick skewers           When the ice cracks & I am about to fall through           he arranges his face           around its hollows           he opens his pupilless eyes at me           For years he has waited to drag me down           & now he tells me           he has only waited to take me home           We waltz through the street like death & the maiden           We float through the wall of the wall of my room           If he’s my dream he will fold back into my body           His breath writes letters of mist on the glass of my cheeks           I wrap myself around him like the darkness           I breathe into his mouth           & make him real
Erica Jong (Fear of Flying)
*I treat my poor heart like a sick child, and gratify its every fancy * The human race is but a monotonous affair *and O Wilhelm, I vowed at that moment, that a maiden whom I loved, or for whom I felt the slightest attachment, never, never should waltz with any one else but with me, if I went to perdition for it! — you will understand this. *I felt as though a dagger went through my heart. * I gazed upon her rich dark eyes during these remarks, how my very soul gloated over her warm lips and fresh, glowing cheeks, how I became quite lost in the delightful meaning of her words, so much so, that I scarcely heard the actual expressions *"As long as I see those eyes open, there is no fear of my falling asleep." * I left her asking permission to visit her in the course of the day. She consented, and I went, and, since that time, sun, moon, and stars may pursue their course: I know not whether it is day or night; the whole world is nothing to me. *We should deal with children as God deals with us, we are happiest under the influence of innocent delusions
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
She had signed her own death-warrant. He kept telling himself over and over that he was not to blame, she had brought it on herself. He had never seen the man. He knew there was one. He had known for six weeks now. Little things had told him. One day he came home and there was a cigar-butt in an ashtray, still moist at one end, still warm at the other. There were gasoline-drippings on the asphalt in front of their house, and they didn't own a car. And it wouldn't be a delivery-vehicle, because the drippings showed it had stood there a long time, an hour or more. And once he had actually glimpsed it, just rounding the far corner as he got off the bus two blocks down the other way. A second-hand Ford. She was often very flustered when he came home, hardly seemed to know what she was doing or saying at all. He pretended not to see any of these things; he was that type of man, Stapp, he didn't bring his hates or grudges out into the open where they had a chance to heal. He nursed them in the darkness of his mind. That's a dangerous kind of a man. If he had been honest with himself, he would have had to admit that this mysterious afternoon caller was just the excuse he gave himself, that he'd daydreamed of getting rid of her long before there was any reason to, that there had been something in him for years past now urging Kill, kill, kill. Maybe ever since that time he'd been treated at the hospital for a concussion. ("Three O'Clock")
Cornell Woolrich (The Cornell Woolrich Omnibus: Rear Window and Other Stories / I Married a Dead Man / Waltz into Darkness)
They must have been the Supreme Court, or something," Eddie said, uneasily scanning all those thin lips and cracked, empty eyes. "Only judges can look so smart and so completely pissed off at the same time--you're talking to a guy who knows. There isn't one of them who looks like he'd give a crippled crab a crutch." "'A heap of broken images, where the sun beats and the dead tree gives no shelter,'" Susannah murmured, and at these words Eddie felt gooseflesh waltz across the skin of his arms and chest and legs.
Stephen King (The Waste Lands (The Dark Tower, #3))
Anything . . . supernatural?” I asked. “No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .” “What?” I said. “Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.” I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said. “Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.” “Couldn’t that just mean that this place doesn’t have any?” “Hardly. When you were young, did you ever spill red wine on your parents’ carpet?” I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.” “And what did your mother do to clean it up?” “Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.” “Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.” “You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.” “I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook. 
William Ritter (Ghostly Echoes (Jackaby, #3))
Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Now that Kit was quiet and Sophie calmer, he could enjoy the pleasure of rocking a sleeping baby, even as he also enjoyed the picture of Sophie Windham, her hair a surprisingly long, dark braid over one shoulder, her natural form patently obvious through the soft flannel of her nightclothes. A woman’s feet were personal. A man might take possession of her hand, buss her cheek, slide her arm through his, take her in his arms for the space of a waltz, and otherwise admire her attributes, but he never, ever saw her feet. Nor she his. Vim glanced down at his own bare toes. I was out of bed before I quite woke up. Sophie’s words came back to him. Kit had them both trained, and Vim hadn’t even known the child a week. Thank God and all His angels Vim would be leaving in the morning. If he stayed much longer, no force on earth would be able to drag him away from Sophie or the baby. ***
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Via Negativa Sometimes it's too hard with words or dark or silence. Tonight I want a prayer of high-rouged cheekbones and light: a litany of back-lit figures, lithe and slim, draped in fabrics soft and wrinkleless and pale as onion slivers. Figures that won't stumble or cough: sleek kid-gloved Astaires who'll lift ladies with glamorous sweeps in their hair— They'll bubble and glitter like champagne. They'll whisper and lean and waltz and wink effortlessly as figurines twirling in music boxes, as skaters in their dreams. And the prayer will not be crowded. You'll hear each click of staccato heel echo through the glassy ballrooms—too few shimmering skirts; the prayer will seem to ache for more. But the prayer will not ache. When we enter, its chandeliers and skies will blush with pleasure. Inside we will be weightless, and our goodness will not matter in a prayer so light, so empty it will float.
Mary Szybist (Granted)
He stared at her, his dark eyes unfathomable. "You could meet a better, worthier man." She laughed, a strained, harsh sound. "I've already met one--he's marrying my sister!" The words blazed forth, hanging in the air as though etched in fire, impossible to recall or deny. They stared at each other, scarcely breathing--then, in an instant, Trevenan closed the distance between them in one stride and pulled her to him, arms banding around her like iron. Their mouths met in a fierce mutual claiming, and the world went white around them--white as lightning, white as the heart of a flame. Closing her eyes, Aurelia let herself fall, deep into a void where all that existed was his touch, his taste, and the hot, urgent press of his lips against hers. This, she thought hazily. Yes, this. And knew by his response, the guttural moan in his throat, that it was the same for him. Love, that is first and last of all things made... "Damn you, James! Why couldn't you wait for me?
Pamela Sherwood (Waltz with a Stranger)
I feel as if there’s a gnome inside my head, banging away at my skull with an axe. I ought to give him a name. Something nice and gnomish. Snorgoth the Skullcrusher.” “Now,” said James, “that was witty and charming. Think of Snorgoth. Think of him taking an axe to people you don’t like. The Inquisitor, for instance. Perhaps that can help you get through the party. Or—” “Who is Snortgoth?” It was Eugenia, who had come up to them, her yellow cap askew on her dark hair. “Never mind. I am not interested in your dull friends. Matthew, will you dance with me?” “Eugenia.” Matthew looked at her with weary affection. “I am not in a dancing mood.” “Matthew.” Eugenia looked woebegone. “Piers keeps stepping on my feet, and Augustus is lurking about as if he wants a waltz, which I just can’t manage. One dance,” she wheedled. “You’re an excellent dancer, and I’d like to have a bit of fun.” Matthew looked long-suffering but allowed Eugenia to lead him out onto the floor.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Their reflections merged together, rippling on the dark surface of the mirror that recorded only the intermittent pale blurs of their faces and the gracious, rocking-chair, three-hour rhythm of their bodies, spinning between the waltzing walls. Laughing, breathless, they whirled to the invisible rhetoric of a hundred violins. The patches of candlelight illuminated only their feet for odd moments, and then they were back, dancing in darkness again. They neared the extravagant climax of the dance. ‘Da – dee dee da – dee da! dum, dum!’ But when the time came for parting and bowing and curtseying to one another, Honeybuzzard instead convulsively crushed his partner in a fierce embrace, pressing his sweating face deeply into the other’s shoulder, straining bruising fingers into neck and back, wet mouth fastened on his throat, clinging as if he would never let go until the round world toppled into the sun and the last bell-tower rang midnight and everything was extinguished.
Angela Carter (Shadow Dance)
If it’s any consolation,” he murmured, “I had a miserable time last night.” “Good. You deserved to.” She smiled. “Not that I care one way or the other.” “Stop pretending that you don’t care,” he said hoarsely. “We both care, and you know it. I care more than you can possibly imagine.” She wanted to believe him, but how could she? “You say that only to coax me into your bed.” He smiled mirthlessly. “I don’t need to coax women into my bed, my dear. They usually leap there of their own accord.” His smile faded. “This is the first time I’ve apologized to a woman. I’ve never given a damn what any woman thought of me, though plenty of them tried to make me do so. So please forgive me if I’m not handling this to your satisfaction. It’s not a situation I’m accustomed to.” He was holding her so tenderly, it made her want to weep. Every move they made was a seduction-his leg advancing as hers went back, his hand gripping her waist, the waltz beating a rhythm that made her want to whirl around the ballroom with him forever. Her mind told her she should resist him, but her heart didn’t want to listen. Her heart was a fool. She gazed past his shoulder. “My father used to go to a brothel. He never remarried, so he went there to…er…feed his needs. I had to go fetch him a few times when my cousins were working and my aunt was looking after my grandmother, who lived nearby.” She didn’t know why she was telling him this, but it was a relief to speak of it to someone. Even her aunt and cousins preferred to pretend it never happened. “It was mortifying. He would…forget to come home, and we would need money for something, so I would have to go after him.” “Good God.” Her gaze locked with his. “I swore I’d never let myself be put in such a position again.” She tipped up her chin. “That’s why I’m happy to have Nathan as my fiancé. He’s genteel and proper. He would never frequent a brothel.” Oliver’s eyes glittered darkly at her. “No. He would just abandon you to the tender mercies of men who do.” She forced a smile. “There’s more than one way to be abandoned. If a woman’s husband is forever at a brothel, he might as well be halfway across the sea. The result is the same.” A stricken expression crossed his face as he stared at her. Then he glanced away.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I need a drink. Now.” After tossing—fine, throwing—my purse and keys on the couch, I march straight into the kitchen. No more delays; it's time to forget tonight. It’s been yet another night like all the other first dates that never meet a second one. When you begin to lose count, that's when it's really time for a drink. Adrian stands there, leaning against the counter in an unbuttoned dress shirt and dark wash jeans. He glances at me as I walk in. “How was your date?” he asks, taking a swig of his scotch. I brush past him on my mission, opening the cupboard and moving a couple bottles around. I reiterate, “I need alcohol.” Out of the corner of my eye, I catch him hiding a smile before he says, “That bad?” My face twitches as I ignore his line of questioning. It is more like a statement he wants me to clarify, even though he already knows the answer. Instead, I ask, “I have vodka left, don't I?” I stand on my tiptoes in hopes of spotting something in the very back. Nothing. He waltzes over and looks with me, his chin almost touching my shoulder. “I think you polished that one off after last week's date.” His voice is low right next to my ear, very nearly causing a shiver.
Lilly Avalon (Here All Along)
Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Miss Bronson,” Jason said to Elizabeth with extreme casualness, “are you enjoying the evening so far?” Elizabeth fiddled with the silver dance card and made a show of adjusting the ribbon around her wrist. “Very much, Mr. Somers.” Staring at Elizabeth's down-bent head, with all the silky dark curls confined with pins, Jason spoke a bit gruffly. “I thought I should approach you before every place on your dance card was filled—or is it already too late?” “Hmmm… let me see…” Elizabeth flipped back the silver lid and consulted the tiny pages, deliberately drawing out the moment. Holly bit back a smile, knowing that Elizabeth had followed her advice and saved a few spaces for just an occasion such as this. “I suppose I could squeeze you in somewhere,” Elizabeth said, pursing her lips thoughtfully. “The second waltz, perhaps?” “The second waltz it is,” he said. “I'll be interested to discover if your dancing skills are more advanced than your architectural taste.” Elizabeth responded to the little jab by turning to Holly and adopting a look of round-eyed puzzlement. “Is that an example of witty repartee, my lady?” she asked, “or is he by chance saving that for later?” “I believe,” Holly said with a soft laugh, “that Mr. Somers is attempting to provoke you.” “Really.” Elizabeth turned back to Jason. “Does that technique usually attract many girls, Mr. Somers?” “I'm not trying to attract all that many,” he said with a sudden grin. “Only one, in fact.
Lisa Kleypas (Where Dreams Begin)
I’ve imagined you like this…many times…naked, sharing my bed,” he rasped, the fervent words warming her, making her relax. “You have no idea.” “I have some idea,” she managed. “I imagined you, too.” He looked skeptical. “Like this?” “Well, not exactly…I didn’t know…what to expect.” Or how shockingly intimate it would feel. A lock of his dark hair fell over one eye, making him look more like a dangerous character and less like the formal Jackson she knew. “And now that you do?” he asked. “I like it.” The motion had started to warm her below, to spark the same tingling she’d felt when he rubbed her. “It’s like a very naughty waltz.” He choked out a laugh. “Yes. I lead. You follow.” You move between my legs. Oh, so that’s why people thought the waltz so scandalous! “I’ll never be able to waltz again….without thinking of this,” she breathed. He bent to whisper. “Then I’ll have to claim you for the next waltz.” She liked that word, claim. “And the next…and the next…” He thrust more quickly into her and her tingling heightened, twisting into something hot and exciting and infinitely more thrilling than any waltz. “Jackson…ohhh, Jackson…” “Every waltz…from now…until eternity.” “Yes…” She felt as if she were spiraling upward, like sparks dancing up from the fire into the chimney and out, and now she was soaring, rising with him into the cloudless climes and starry skies where all the beauty walked… “Yes!” she cried as she reached that pinnacle. “Oh, yes, Jackson, yes…I’m yours…I’m yours…yours…” And with a fierce groan, he drove in deep and spent himself inside her. “As am I…” he whispered against her ear while he shuddered and shook over her. “Yours. Always.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
There are things I can confess only after swallowing a bottle of ink. How i crushed a moth between my palms before it rushed to the fireplace. These hands that are used to killing things midflight. Like my mother tongue. Before I can roll out my rounded R and O. Because women like me are believed to practise witchcraft and blackmagic. We swallow men and spit out their bones. These hands that danced with your ghosts on the bluest 4 AMs. These hands that raised a knife to its throat. How deep was the longing to be nothing more than an empty bed, an empty room. If someone asks you tell them writing was the closest I came to witchcraft. Poetry was the closest I came to being possessed. I wanted to leave behind more than emptiness so I wrote. . They say it takes 7 seconds for the eyes to become accustomed to the darkness. I glide across the dark room like the light was never here. Your body imprint on the mattress lost to the frenzied waltz of sunray and dust. How easy was it to just grab a handful of you before you dissolved. If someone asks tell them loving you was the closest I came to seeing god. . On some nights I open the curtains and you are the moon. I am the darkness surrounding it. Which is to say I don't know how to love without being consumed. If they ask you tell them remembrance was the closest I came to being sick. . Once I met a homeless man who spoke in madness because he had forgotten his mother tongue. How long do you hide yourself from the world before you forget your beginning. Like him - I too am full of silence. My beloved - a handful of you, your body. There are things I could only tell the moths but they no longer visit. I have put off the fireplace. Which is to say they too don't know how to love something that won't kill them. . My phone always autocorrects I love you to I live you and what is love if not living the other person. One summer afternoon our bodies turned into each other's. Your breath played lye strings on my neck. If they ask you tell them that was the closest I came to being alive.
Ayushee Ghoshal (4 AM Conversations (with the ghosts of old lovers))
Say you’ll marry me, angel. You have to marry me.” With his tale of heartbreak in her mind, she feared that he wanted this for all the wrong reasons. “You just want to save me from Nathan.” “Nothing so unselfish, I assure you.” He trailed his mouth down her throat. “I want you. I need you. God, how I need you.” He spoke of need, but not of love. Then again, he didn’t believe in love. And though that stung, at least he was honest about it. He’d always been perfectly frank about what he wanted. “You need me in your bed, you mean.” “Not just there, and you know it.” He drew back, firm resolve sharpening his features. Cupping her head in his large hands, he met her gaze with an intense look. “I’ll prove it. Agree to marry me, and I’ll leave you to sleep alone tonight and every night until we’re joined in matrimony. I’ll behave like a respectable gentleman. And I’ve never done that for anyone.” Her blood thundered in her ears. She could well believe it. And something beyond desire shone in his face. Or was she just wishing on rainbows? “I don’t know, Oliver. Until I can find Nathan-“ “Nathan!” A change came over him, dark and tempestuous. “Forget about Nathan. I won’t let him have you.” His eyes smoldered with a passion like the one seething in her own breast. “I won’t.” He started backing her toward the bed in an unconscious imitation of his blatantly sensual steps in the waltz earlier, and a thrill shot through her. “You said you would leave me to sleep alone.” “Not so you can think about him and what you owe him. I’ll make love to you before I let that happen. Because one way or the other, I mean to have you as my wife.” Raw determination shone in his harsh features. “Even if I have to ruin you to manage it.” That errant thrill made her shiver again, no matter how she tried to suppress it. “Then you won’t need to marry me. You’ll have everything you desire from me.” A ragged laugh escaped his lips. “It will take a lifetime to have everything I desire from you.” His words gave her pause. Perhaps he really did need her. Perhaps he felt something even more. “Besides,” he said with a wry smile as he shucked his coat, then his waistcoat, “my family will roast my ballocks on a spit if I ruin you without making an honest woman of you.” “I haven’t agreed to let you ruin me,” she pointed out. His black eyes glittered in the candlelight. “Ah, but you will.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
My plan is this,” I says. “We can easy find out if it’s Jim in there. Then get up my canoe to-morrow night, and fetch my raft over from the island. Then the first dark night that comes, steal the key out of the old man’s britches, after he goes to bed, and shove off down the river on the raft, with Jim, hiding daytimes and running nights, the way me and Jim used to do before. Wouldn’t that plan work?” “Work? Why cert‘nly, it would work, like rats a fighting. But it’s too blame’ simple; there ain’t nothing to it. What’s the good of a plan that ain’t no more trouble than that? It’s as mild as goose-milk. Why, Huck, it wouldn’t make no more talk than breaking into a soap factory.” I never said nothing, because I warn’t expecting nothing different; but I knowed mighty well that whenever he got his plan ready it wouldn’t have none of them objections to it. And it didn’t. He told me what it was, and I see in a minute it was worth fifteen of mine, for style, and would make Jim just as free a man as mine would, and maybe get us all killed besides. So I was satisfied, and said we would waltz in on it. I needn’t tell what it was, here, because I knowed it wouldn’t stay the way it was. I knowed he would be changing it around, every which way, as we went along, and heaving in new bullinesses wherever he got a chance. And that is what he done. Well, one thing was dead sure; and that was, that Tom Sawyer was in earnest and was actuly going to help steal that nigger out of slavery. That was the thing that was too many for me. Here was a boy that was respectable, and well brung up; and had a character to lose; and folks at home that had characters; and he was bright and not leather-headed; and knowing and not ignorant; and not mean, but kind; and yet here he was, without any more pride, or rightness, or feeling, than to stoop to this business, and make himself a shame, and his family a shame, before everybody. I couldn’t understand it, no way at all. It was outrageous, and I knowed I ought to just up and tell him so; and so be his true friend, and let him quit the thing right where he was, and save himself. And I did start to tell him; but he shut me up, and says: “Don’t you reckon I know what I’m about? Don’t I generly know what I’m about?” “Yes.” “Didn’t I say I was going to help steal the nigger?” “Yes.” “Well then.” That’s all he said, and that’s all I said. It warn’t no use to say any more; because when he said he’d do a thing, he always done it.
Mark Twain (The Adventures of Huckleberry Finn)
You have to go rescue Gabe before he does something foolish. Chetwin is here and they’re near to coming to blows over that stupid race. They’re in the card room.” “Oh, for God’s sake, I can’t believe Foxmoor invited that idiot.” He hurried off. As soon as Oliver disappeared into the house, Celia and Minerva tugged Maria inside, grinning. “Hurry, before he gets back.” They were met by Lord Gabriel and Lord Jarret, who strode up with several young men in tow. “Lord Gabriel!” Maria exclaimed. “Your brother-“ “Yes, I know. And while he’s gone…” He and Jarret introduced the other gentlemen to her. By the time Oliver returned, she’d promised dances to all of his brothers’ friends. Oliver’s frown deepened as he saw Gabe standing there, blithe as could be. He raised an eyebrow at his sister. “Was running me off in search of Chetwin your idea of a joke?” “I got confused, that’s all,” Celia said brightly. “We’ve been introducing Maria around while you were gone.” “Thank you for making her feel welcome,” he said, though he eyed the other gentlemen warily. Then he held out his arm to Maria. “Come, my dear, let me introduce you to our hosts, so we can dance.” “Sorry, old chap.” Gabe said, stepping between them, “but she’s already promised the first dance to me.” Oliver’s gaze swung to her, dark and accusing, “You didn’t.” She stared to feel guilty, then caught herself. What did she have to feel guilty about? He was the one who’d spent last night at a brothel. He was the one who’d been so caught up in his battle with his grandmother that he hadn’t even bothered to ask her for a dance. He’d just assumed that she would give him one, because he’d “paid” for her services. Well, a pox on him. Meeting his gaze steadily, she thrust out her chin. “You never mentioned it. I had no idea you wanted the first dance.” A black scowl formed on his brow. “Then I get the second dance.” “I’m afraid that one’s mine,” Jarret put in. “Indeed, I believe Miss Butterfield is engaged for every single dance. Isn’t that right, gentlemen?” A male swell of assent turned Oliver’s scowl into a glower. “The hell she is.” Mrs. Plumtree slapped his arm with her fan. “Really, Oliver, you must watch your language around young ladies. This is a respectable gathering.” “I don’t care. She’s my fi-“ He caught himself just in time. “Maria came with me. I deserve at least one dance.” “Then perhaps you should have asked for one before she became otherwise engaged,” Celia said with a mischievous smile. Gabe held out his arm to Maria. “Come, Miss Butterfield,” he said in an echo of his older brother’s words, “I’ll introduce you to our hosts.” As she took his arm, he grinned at Oliver. “You’d better start hoping you draw her name in the lottery for the supper waltz, old boy. Because that’s the only way you’re going to get to dance with her tonight.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
LAST Waste-pipe sweat, unchecked, has stained the floor under the kitchen sink. For twenty years it’s eased my carelessness into a mean soft place, its dirty secret dark, in a common place. Today the pipe’s fixed. Workmen rip up the floor that’s served and nagged me all these good/bad years. They cut and set in new boards, to last for years. House-kept no more, I waltz out of the place clean-shod and leave no footprint on the floor, displaced and unfloored. This year, nothing goes to waste.
Marie Ponsot (Easy)
Blindly, Grace pushed away from the velvet-lined wall... Right into the path of a giant as tall and as hard as an oak. A firm hand caught her about the waist as strong fingers captured her wrists. She blinked the sting of unshed tears from her eyes to find herself entangled not with an oak, but with a man possessed of dark brown hair and dangerous golden eyes. A wry smile curved his lips as the orchestra began the opening strains of a waltz.
Erica Ridley (The Earl's Defiant Wallflower (The Dukes of War, #2))
""You don't think that I'd say this to your face? I will. You're a self-centered jerk, Rafe Martinez. You've got everyone convinced that you sacrificed yourself for Maya and Daniel, but that's crap. You didn't let go. You slipped. Maya wanted to believe there was more to it, so she convinced Daniel—" "She didn't convince me of anything," Daniel said, his voice low. "I was there, too, Sam. He let go." "So? He's not actually dead, is he?" Rafe sputtered a laugh. She glowered at him, then at Corey, who'd joined them, grinning as he heard. Even Daniel had to wipe away a smile. "What?" she said. "He isn't." "The, uh, fact that he survived his heroic sacrifice really shouldn't be held against him," Daniel said. "Look, I'm fine with Rafe—" "No, you're not. Heroic sacrifice or not, he's still a jerk. He waltzed into Salmon Creek and stole Maya." "Stole?" I said. "It's not your fault. You two are both skin-walkers. It's animal magnetism. You can't help yourself." She glared at Corey, who was cracking up behind Rafe. "Stop that. You know it's true. Maya's too smart to fall for an arrogant, self-centered—" "Enough," Derek said. Sam sighed. "I know you're trying to be fair, Daniel, but you need to stand up for yourself, not let this smirking bad boy wannabe waltz in and—" "Enough!" Daniel's roar made everyone stumble back. He climbed the steps and stopped in front of Sam. "I don't know what your problem is, Sam, but you've now insulted everyone here except Corey." "Oh, she already zinged me," Corey said. "I started rubbing my temples and she suggested I don't really get headaches. It just hurts me to think."
Kelley Armstrong (The Calling (Darkness Rising, #2))
Nodding, I tried to tell myself how Travis didn’t care about me. He hadn’t come for me all these years and he never would. Wanting to be rational, I still felt his rough hands on me. I hurt between my legs like I did when he was done. He had marked me again in the dream and I would never be free. After a short time, Cooper stood up and walked to the next room. Hating to be alone, I still flinched when he returned. He seemed bigger now. His shoulders wider, his face harsher, his whole demeanor reeked of potential violence. Instead of hitting me, Cooper lowered a blanket behind the chair so I could cover myself. I stared at him as he sat back down. We studied each other for a long time as I waited for something bad to happen or the fear to fade. Neither occurred, leaving me stuck behind the chair for hours. Cooper tried twice to caress my face and both times I jerked back and away from his touch. After the second attempt, he stood up and left the room. I heard the front door open and assumed he was leaving. Then, his big ugly dog Rafe waltzed into the room with Cooper following behind. In his hand, Cooper held a gun and I pushed farther back into the corner. “No one,” he said, kneeling down by the chair, “will come here and take you. If they do, Rafe will wake us up and I’ll kill the fucker. No one is hurting you or taking you away from me. Do you understand?” Staring into his dark eyes, I did understand. I craned my neck so I could see Rafe comfortable in the corner. When I looked back at Cooper, he sighed. “Baby, it’s nearly six in the morning. The sun is coming up and you need to sleep. I need rest too, so let’s go to bed and I’ll keep you safe. I won’t even touch you, but I need you to go to bed.” “You love me,” I said in a rough, exhausted voice. “More than anything else. I will never let that piece of shit or anyone else come here and hurt you. You are mine and that makes you untouchable. Do you understand?” Nodding again, I crawled out from behind the chair and Cooper helped me stand. He stepped back, willing to keep his distance to avoid scaring me. Reaching for him, I knew he would keep me safe. If I couldn’t shake the fear of the dream, I could at least know Cooper was someone Travis wouldn’t screw with. Rationally, I knew Travis likely forgot I existed, but I wasn’t rational. I was primal and the monster was always waiting to ruin me again. With Cooper though, I was safe.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
He had held her thus that night at Vauxhall, folded against himself, almost into himself. She had been heart of his heart, almost flesh of his flesh. Had he not loved her quite so dearly, perhaps he would have made her just that among the denser trees beyond the dark path. She would not have resisted. She would have opened for him, received him, trusted him. The human soul yearned always for completeness. He had been within a heartbeat of finding wholeness on that evening. But honor had held him back. And so the restless yearning, the incompleteness, unrecognized, firmly denied, had driven him like a scourge ever since.
Mary Balogh (The Last Waltz (Signet Regency Romance))
We could never find the gods, no matter how much we searched the Nine Worlds. You were always there, hiding in plain sight, dressed up in the guise of a Christian legend. An impossible hidey-hole, kept safe by all the minds beyond our ken. All these strangely intelligent minds that silently surround and interpenetrate us. Call them álfar as beautiful as the sun or call them entangled electrons waltzing on solar rays. Call them Norns controlling our destiny or call them Dark Energy, binding the Gap. They’ve been talking to us, but we don’t know how to listen. Let’s face it, this current history veered off somewhere distasteful. Perhaps the further the wave travels, the weaker it becomes.
Ian Stuart Sharpe (The All Father Paradox (Vikingverse #1))
she doesn’t turn to look because she’s looking at something else: Miss Grace Wiggin’s shadow. It’s long and dark in the almost-sunset, flung black over cobblestones. At first it mimics Wiggin’s own gestures, like a good shadow should, but after a minute its hands fall to its sides. Its shoulders roll, as if stretching out stiffness, and then—like a puppet shedding its strings or a train waltzing off its tracks—it steps away from its owner.
Alix E. Harrow (The Once and Future Witches)
The Codex of Seeds Serpent_120 Dragon woke up. He did his daily routine, and went out into the city. The quickly growing city of GemFall was where this assassin lived. Of course, no one knew he was an assassin. Except for, ya know, the city's sworn enemies, and his partner in crime, Cyber. Their mission was to just get to know the civilians, maybe make some friends, and maybe just, sneak their way up through the military ranks, and maybe detonate all of the city's explosives so they could steal a high-tech blueprint? But that’s just a maybe of course. He met up with Cyber where every highly trained assassin goes to meet up. It was discreet. It was luxurious. It was MCDONALDS. No, seriously. Surly no one would suspect a person at McDonalds. Dragon quickly took a seat and waited for Cyber to arrive. After a while, Cyber arrived. "Wonderful news," Cyber said "You talk like a child, not a professional." "Wow, going after the way I talk now, that’s so mature. Either way, while you were up there lazing in your high-rise apartment, I have been doing work, and now, I have control over the shed." "Wonderful, so now I will be doing the actual important work and completing this mission," said Dragon Cyber sneered at him, gave him the shed pass, and they left. Dragon walked over to the military district in the city. He found the shed, and was about to walk in the door, when he was stopped. "Heya chump, you don't look like Commander Cyber. You can't go in there." A guard stopped him. "Oh really, I seem to have the shed pass, giving me authorization to come in there. If you refuse my entry, that would put your job in jeopardy, and we wouldn't want that, would we?" Dragon liked to be as condescending as possible. He liked when people hated him. He strolled in, grabbed a couple explosives, and headed back out. Then he began he trek towards the vault. It was very uneventful. Then, he got to the vault. He began planting explosives around, in strategic locations. He, well, obviously, then ran away. And waited. \ / - BOOM - / \ Dragon smiled. He saw the small, scorched piece of paper on the ground. He smiled. He snuck over and picked it up. He then felt a tap on his shoulder. "Hello good friend," Cyber said as he plucked the paper out of Dragon's hand. "I believe this belongs to me now." Cyber smirked. He waltzed away as Dragon stared in shock as the military surrounded him, and took him away... It was a long trek from GemFall to the DarkStalk's secret base. But Cyber could handle it. He was happy knowing that his annoying little "teammate" was locked up somewhere far away. Somewhere where he could never tell Cyber's superiors what happened. The real truth of what happened that afternoon... EGamer7201 As I looked upon the enemy that towered above me, I took a step back. This was the worst enemy I had ever seen, and to be honest, I was scared. I took my Nexus Orbs, 3 of them, and got ready to fight. I put the orbs that I had protected with my life on my belt. I took out my glowing blade, with the mystical rune, quintuple darkness stab. This enemy was called Ending. It had Glowing red eyes, and was pure black, and had white spots. I looked at it, scanned it, and the stats were: HP: 13000001 AP (Attack points) : 9999 DP (Defense points) :2000000 Few, this is gonna be hard. I screamed, "FOR THE NEXUS!!!" and teleported toward Ending. TO BE CONTINUED... (Hopefully!) Q & A Blox Is the series almost over?
Pixel Ate (The Accidental Minecraft Family: Book 32: Search & Rescue: First Mission)
I know who sleeps, who walks by night, who thrives and who does not. I hear the music as they waltz under the eyes of the man in the moon, the wind dancing towards the darkness. I know the reason and the rhyme and the silence, the signs of prophecy, I know of all their dreams and nightmares that shall unfold
R.M. Engelhardt (R A W: POEMS R.M. ENGELHARDT)
I think death brushes up against nearly everyone at some point or another, but it’s properly danced with me. Grabbed me by the hand, spun me, dipped me . . . taught me to waltz. I knew life through the prism of loss, secretly at first, but now it’s coloured my world. It’s the summertime here at the minute, but I’m terrified of the autumn because then death is everywhere. And it masks itself in colours all bright, but it’s still a season of dying
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
Then without a sound of approach, the rounded shadow of a small head advanced timorously across it; cast from somewhere behind him, rising upward from below. A neck, two shoulders, followed it. Then the graceful indentation of a waist.
Cornell Woolrich (Waltz into Darkness)
There was the light touch of a hand upon his shoulder. No exacting weight, no compulsive stroke; velvety and gossamer as the alighting of a butterfly.
Cornell Woolrich (Waltz into Darkness)
A figure swept around before him, as on a turntable, pivoting to claim the center of his eyes; though it was he and not the background that had shifted.
Cornell Woolrich (Waltz into Darkness)
Her limpid brown eyes came up to the turn of Durand’s shoulder. Her face held an exquisite beauty he had never before seen, the beauty of porcelain, but without its cold stillness, and a crumpled rose petal of a mouth.
Cornell Woolrich (Waltz into Darkness)
The compressed mouth curved in winsome smile. “You don’t know me, do you, Mr. Durand?” He shook his head slightly. The smile notched a dimple; rose to her eyes. “I’m Julia, Louis. May I call you Louis?
Cornell Woolrich (Waltz into Darkness)
Existence waltzes with a paradox as its partner. Reality and illusion pirouette, forever blurring the lines. Life, a vibrant flame, flickers against the backdrop of inevitable darkness. We are tethered to finitude, yet yearn for the boundless embrace of the infinite. It's a symphony of contradictions, a beautiful tension that keeps the universe humming.
Monika Ajay Kaul
On the wall there was a calendar, the first four leaves peeled back to bare the fifth. At top, center, this was inscribed May. Then on each side of this, in slanted, shadow-casting, heavily curlicued numerals, the year-date was gratuitously given the beholder: 1880.
Cornell Woolrich (Waltz into Darkness)
She was not beautiful. She could be called attractive, for she was attractive to him, and attractiveness lies in the eyes of the beholder. That early love, that first love (that he had sworn would be the last) was only a shadowy memory now, a half-remembered name from the past. Marguerite; he could say it and it had no meaning now. As dry and flat as a flower pressed for years between the pages of a book. A name from someone else’s past, not even his. For every seven years we change completely, they say, and there is nothing left of what we were.
Cornell Woolrich (Waltz into Darkness)
A man in love is a man in a hurry
Cornell Woolrich (Waltz into Darkness)
His back was to her. He stood before a table; simply because it happened to be there in the way. His hands were planted flat upon it at each side, and he was leaning slightly forward over it. As if peering intently into vistas of the future, that no one but he could see.
Cornell Woolrich (Waltz into Darkness)
Tight-spun golden curls clung to her head like a field of daisies, rebelling all but successfully at the conventional coiffure she tried to impose upon them.
Cornell Woolrich (Waltz into Darkness)
A waltz for life,” she whispered raptly. “A waltz with wings. A waltz never ending. A waltz in the sunlight, a waltz in azure, in gold—and in spotless white.
William Irish (Waltz into Darkness)
For what was a man without a watch? And what was a watch without there being an indication of one?
Cornell Woolrich (Waltz into Darkness)
He didn’t cry out. He made no sound. He reached down and placed his courtship flowers gently on the death-stretcher as it went by. Then he turned and went away.
Cornell Woolrich (Waltz into Darkness)
The sun suddenly whitened his back like flour as he leaned over the railing, pressing down the smouldering magenta bougainvillea that feathered its edges.
Cornell Woolrich (Waltz into Darkness)
Well, I have to see, don’t I? Do you think she’ll like pink roses and sweet peas, Tom?” There was a plaintive helplessness to the last part of the question, as when one grasps at straws.
Cornell Woolrich (Waltz into Darkness)
The house was two stories in height. It was of buff brick, with white trim about the windows and the doorway. It was not large, but it occupied an extremely advantageous position. It sat on a corner plot, so that it faced both ways at once, without obstruction. Moreover, the ground-plot itself extended beyond the house, if not lavishly at least amply, so that it touched none of its neighbors. There was room left for strips of sod in the front, and for a garden in the back. It was not, of course, strictly presentable yet. There were several small messy piles of broken, discarded bricks left out before it, the sod was not in place, and the window glass was smirched with streaks of paint. But something almost reverent came into the man’s face as he looked at it. His lips parted slightly and his eyes softened. He hadn’t known there could be such a beautiful house. It was the most beautiful house he had ever seen. It was his.
Cornell Woolrich (Waltz into Darkness)
Tears filled his eyes, and though there was no one near him, no one to notice, he slowly lowered his head to keep them from being detected.
Cornell Woolrich (Waltz into Darkness)
The compressed mouth curved in winsome smile. “You don’t know me, do you, Mr. Durand?
Cornell Woolrich (Waltz into Darkness)
She was no more than in her early twenties, and though her size might have lent her added youth, the illusion had very little to subtract from the reality.
Cornell Woolrich (Waltz into Darkness)
THE SUN was bright, the sky was blue, the time was May; New Orleans was heaven, and heaven must have been only another New Orleans, it couldn’t have been any better.
Cornell Woolrich (Waltz into Darkness)
Louis Durand was getting dressed. Not for the first time that day, for the sun was already high and he’d been up and about for hours; but for the great event of that day. This wasn’t just a day, this was the day of all days. A day that comes just once to a man, and now had come to him. It had come late, but it had come. It was now. It was today.
Cornell Woolrich (Waltz into Darkness)
The subject was not young. She was not an old woman, certainly, but she was equally certainly no longer a girl. Her features were sharply indented with the approaching emphases of alteration. There was an incisiveness to the mouth that was not yet, but would be presently, sharpness. There was a keen appearance to the eyes that heralded the onset of sunken creases and constrictions about them. Not yet, but presently. The groundwork was being laid. There was a curvature to the nose that presently would become a hook. There was a prominence to the chin that presently would become a jutting-out. She was not beautiful. She could be called attractive, for she was attractive to him, and attractiveness lies in the eyes of the beholder.
Cornell Woolrich (Waltz into Darkness)
Marguerite, a name. That was all he had left.
Cornell Woolrich (Waltz into Darkness)
The boy of twenty-two died into a young man of twenty-nine. Then he in turn was still faithful to the name his predecessor had been faithful to, until he too died. The young man of twenty-nine died into an older man of thirty-six. And suddenly, one day, the cumulative loneliness of fifteen years, held back until now, overwhelmed him, all at one time, inundated him, and he turned this way and that, almost in panic. Any love, from anywhere, on any terms. Quick, before it was too late! Only not to be alone any longer.
Cornell Woolrich (Waltz into Darkness)
When a man’s in love, he looks for looks. When a lady’s in love, ’scusing me, Mr. Lou, she looks to see how well-off she’s going to be.
Cornell Woolrich (Waltz into Darkness)
Scorning to raise hand to the portal himself, possibly under the conviction that it was not fitting for a man to have to knock at the door of his own house, he tried the knob, found it unlocked, and entered. There was on the inside the distinctive and not unpleasant—and in this case enchanting—aroma a new house has, of freshly planed wood, the astringent turpentine in paint, window putty, and several other less identifiable ingredients.
Cornell Woolrich (Waltz into Darkness)
She muttered something that sounded suspiciously like: “She ain’t going have much time spend smelling flowers.
Cornell Woolrich (Waltz into Darkness)
THE RIVER was empty, the sky was clear. Both were mirrored in his anxious, waiting eyes.
Cornell Woolrich (Waltz into Darkness)
They chatted for several moments on a purely social plane, business having the grace to conceal itself behind a preliminary screen of sociability, even where men alone were involved. (Always providing they were of equal level.) To come too bluntly to the point without a little pleasant garnishing first was considered bad mannered. But year by year the garnishing was growing less.
Cornell Woolrich writing as William Irish (Waltz into Darkness)
It was as though the tale were water and the hotel a sponge; it was as though the keyholes themselves had found tongues for their perpendicular slitted mouths and whispered it.
Cornell Woolrich writing as William Irish (Waltz into Darkness)
Angels waltz around like in one of my daydreams, glitter-dusted as the faeries I was warned about as a child. They're mystic, with spindly limbs and gossamer hair and skin that glows. Their wings unfurl behind them, some gilded and others adorned with pale pink shimmer. They flutter across the flower-filled glade, twirling like falling feathers. A few of the angels thread starlight into garlands or coax the flowers to bloom. A train of them braid baby's breath into one another's hair. Others lay fruit in front of what looks like shrines--- seashells brimming with water and floating petals that gleam with reflections of the moon. It's like something out of a storybook. Lanterns are strung between the evergreens, casting their light over a long table. On top of a silk tablecloth, candelabras drip with wax and flowers are strewn about--- cerise roses, vibrant marigolds, velvet violets, and pale bluebells. Fresh fruit spills out of a giant shell like a cornucopia--- mangoes, peaches, guavas, champagne grapes and deep red cherries. Dark wine fills crystal cups. Rose-jam tarts with wild raspberries and hibiscus petals pile alongside tea cakes piped with custard and sugared primroses. In the center of the feast is a roasted duck glazed with honey and decorated with slices of pineapple. The smell of buttered potatoes lingers in the air, fragrant with hints of rosemary and garlic.
Kiana Krystle (Dance of the Starlit Sea)
waltz beckon
Anita Valle (Sinful Cinderella (Dark Fairy Tale Queen, #1))
Hello, ladies, I’m your uncle Devlin. Has Westhaven scared you witless with his fuming and fretting?” This fellow looked to be great fun, with a nice smile and kind green eyes. “Mama and Papa didn’t say anything about getting uncles for Christmas,” Amanda observed, but she was smiling back at the big uncle. The biggest uncle—they were all as tall as Papa. “Well, that’s because we’re a surprise,” the other dark-haired fellow said. “I’m your uncle Valentine, and we have an entire gaggle of aunties waiting out in the coach to spoil you rotten. Westhaven here is just out of sorts because Father Christmas gave him a headache for being naughty yesterday.” “I was not naughty.” The other two uncles thought this was quite funny, judging by their smiles. “There’s your problem,” said Uncle Devlin. “I’m thinking it’s a fine day for a pair of ladies to join their aunts for a ride in the traveling coach.” Uncle Gayle—it didn’t seem fair to call him by the same name as Fleur’s puppy—appeared to consider this. “For what purpose?” “To keep the peace. Emmie and I never haul out our big guns around the children,” said Uncle Devlin, which made no sense. “Do you like to play soldiers?” Fleur asked. Amanda appeared intrigued by the notion. She was forever galloping up hills and charging down banisters in pursuit of the French. Uncle Devlin’s brows knitted—he had wonderful dark eyebrows, much like Papa’s. “As a matter of fact, on occasion, if I’ve been an exceedingly good fellow, my daughter lets me join her in a game of soldiers.” “I’m not exactly unfamiliar with the business myself,” said Uncle Valentine. “I excel at the lightning charge and have been known to take even the occasional doll prisoner.” “Missus Wolverhampton would not like being a prisoner,” Fleur said, though Uncle Valentine was teasing—wasn’t he?” “Perhaps you gentlemen can arrange an assignation to play soldiers with our nieces on some other day,” Westhaven said. He sounded like his teeth hurt, which Fleur knew might be from the seasonal hazard of eating too much candy. “You can play too,” Fleur allowed, because it was Christmas, and one ought to be kind to uncles who strayed into one’s nursery. “We’ll let you be Wellington,” Amanda added, getting into the spirit of the day. “Which leaves me to be Blucher’s mercenaries,” Uncle Devlin said, “saving the day as usual.” “Oh, that’s brilliant.” Uncle Valentine wasn’t smiling now. “Leave your baby brother to be the infernal French again, will you? See if I write a waltz for your daughter’s come out, St. Just.” Uncle Gayle wasn’t frowning quite so mightily. In fact, he looked like he wanted to smile but was too grown-up to allow it. “Perhaps you ladies will gather up a few soldiers and fetch a doll or two. We’re going on a short journey to find your mama and papa, so we can all share Christmas with them.” Fleur noticed his slip, and clearly, Amanda had too—but it was the same slip Amanda had made earlier, and one Fleur was perfectly happy to let everybody make. Uncle Gayle had referred to their papa’s new wife not as their stepmama, but as their mama. What a fine thing that would be, if for Christmas they got a mama again for really and truly. Amanda fetched their dolls, Fleur grabbed their favorite storybook, and the uncles herded them from the nursery, all three grown men arguing about whose turn it was to be the blasted French. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
I was hoping—er—thinking—” He went crimson from his neck to his hairline. “Would you dance with me, Miss Emma?” She smiled and offered her hand. “I’d like that very much,” she said, hoping her face didn’t show the ravages of her earlier crying fit. Nathaniel cleared his throat and marshalled Emma awkwardly into a waltz. It seemed strange that, only three years before, she’d been his age. “If Steven or Macon is mean to you,” he ventured boldly, “you just come and tell me. I’ll give ’em what-for.” Resisting an urge to kiss his cheek, because she knew it would embarrass him too much, Emma nodded solemnly. “I’ll do that,” she promised, both amused and touched that Nathaniel was willing to do battle with such formidable opponents for her sake. Nathaniel’s handsome young face was dark with conviction and his palm was moist against Emma’s. “I know you think I’m just a kid, but I’m strong, Miss Emma. I won’t let anybody hurt you.” “Thank you,” Emma said, and she meant it. After
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Ashton took her hand, resting his other palm against her waist. He moved in a slow tempo, giving her time to pick up each foot in the dance step. But every time he attempted to turn her, her feet seemed to tangle together. “I’m so clumsy,” she apologized. “My feet won’t move the way I want them to.” She lacked the physical ability to keep the rhythm, and it heightened her frustration. “I don’t even know what I was thinking. No one waltzes this slowly.” He didn’t deny it, but his hand pressed lightly at her waist, turning her once more. “You knew it wouldn’t be easy.” “You’re right. And besides that, I only took my first steps a week ago. It could take months before I’m nimble enough to dance.” In answer to that, the earl lifted her up and held her body aloft while he spun her in the waltz step. The sudden motion caught her unawares, and she began to laugh. “You cannot lift me up in a ballroom, Lord Ashton. Please put me down.” Her cheeks were flushed with embarrassment, though the Irishman didn’t seem to care. He stopped spinning her, but held her up a moment longer. “Iain,” he corrected. But he did not set her down just yet. He kept his arms beneath her hips, and Rose was caught up in his green eyes. He stared at her with unveiled interest, and his dark hair framed a chiseled face. She could half-imagine him carrying her across the garden and laying her down against the grass before he kissed her again. The thought brought her attention back to his firm mouth. She had enjoyed his kiss, and it had soothed her pride to know that she’d kindled his interest. It had been so long since she’d seen Thomas, she didn’t know what remained between them. But it felt good to have a man watching her as if he wanted her. “Iain,” she murmured. He brought her down, but the entire time, her body was pressed close to his. She kept her arms upon his shoulders a moment longer before she took slow, limping steps back to the garden bench. Why did she allow her imagination to trespass into thoughts of what could never be? He needed an heiress who would return with him to Ireland. Not a woman like her. They were friends, and that was all.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Yes, the girl sneezing pink froth and the woman fisting her eyes each time another oldie crackles from the ceiling look worse than I do. See them. And find, please, a dentist for the man clutching two molars in a bloody paper towel. And a CPA or lawyer - summon one for the man squeezing the folder of gray paper to his chest and squeaking grievously. But I have an appointment. I arrived two hours ago, on time, a little early in fact, and someone must help me find the Ferris wheel I hear looping in my attic and the Tilt-A-Whirl lopsidedly unfolding and refolding in the basement. Through the walls, I hear the oompah-pahing of a carousel, and in dark windows and the gleaming facades of black appliances I glimpse ascending and descending carved horses, real tigers, elephants, and waltzing poodles. Whitewashed clowns ghost across a TV humbling itself before beer, soap, laundry, and my armpits, muffling the human cannonball's applause and the dumbfounded wow when orange torches enter a human face and emerge unquenched. The circus is not my fault or responsibility. Someone must write that down. Someone must sell me a ticket.
Andrew Hudgins (American Rendering: New and Selected Poems)
Suave, edgy, witty, flippant, sophisticated to a ‘T’, poised, cool gaze, that purring voice, waltzing stylishly in that sharp suit and Tag Heuer watch to match, citing Plutarch like the fine man he is, Hans Gruber is every girl’s dream BadBoy (minus the sociopathic undertones) with a dark sense of humor to crown it all. Swoon.
Unknownimous
The music was loud enough that it reached them out here, and at the foot of the steps, Celaena waltzed with herself. She even held the edge of her dark cloak in one hand as if it were the skirts of a ball gown, her other hand poised on the arm of an invisible partner. He didn’t know if he should laugh, yell, or just go back inside and pretend he’d never seen it.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
In the living room, Nate found a cabinet with an old-fashioned turntable and a stack of LPs and Dominika said, “that one” —Schubert piano waltzes—and Nate sat in the dark while Dominika stood in the moonlight, pinned her hair up, and pulled the shirt over her head. She was moon-bright naked, eyes closed, and motionless in profile, something Minoan on an amphora, listening to the music, seeing the capering stepladders of colors in the air. She started dancing, slowly at first, then with strength, up on the balls of her feet, her calf muscles bunching, hands allongé and delicate, following the colors. He watched her ribcage expand, the scars crisscrossed silver in the moonlight, marking with an X the position of her heart. The cords of her neck stood out when she bent her neck.
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))
Look, I’m fine with Rafe--” “No, you’re not. Heroic sacrifice or not, he’s still a jerk. He waltzed into Salmon Creek and stole Maya.” “Stole?” I said. “It’s not your fault. You two are both skin-walkers. It’s animal magnetism. You can’t help yourself.” She glared at Corey, who was cracking up behind Rafe. “Stop that. You know it’s true. Maya’s too smart to fall for an arrogant, self-centered--” “Enough,” Daniel said. Sam sighed. “I know you’re trying to be fair, Daniel, but you need to stand up for yourself, not let this smirking bad boy wannabe waltz in and--” “Enough!” Daniel’s roar made everyone stumble back. He climbed the steps and stopped in front of Sam. “I don’t know what your problem is, Sam, but you’ve now insulted everyone here except Corey.” “Oh, she already zinged me,” Corey said. “I started rubbing my temples and she suggested I don’t really get headaches. It just hurts me to think.
Kelley Armstrong (The Calling (Darkness Rising, #2))
He waltzed into Salmon Creek and stole Maya.” “Stole?” I said. “It’s not your fault. You two are both skin-walkers. It’s animal magnetism. You can’t help yourself.” She glared at Corey, who was cracking up behind Rafe. “Stop that. You know it’s true.
Kelley Armstrong (The Calling (Darkness Rising, #2))