Walking Upstairs Quotes

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Before Van realized it, he was walking her back toward her stairs. He didn't stop kissing her, he wouldn't. The last thing he wanted was for her to change her mind. He managed to get her to the upstairs hallway before she pulled her mouth away. "What are you doing?" she panted out. "Taking you to your bed." "Forget it." And Van, if he were a crying man, would be sobbing. Until uptight Irene Conridge added, "The wall. Use the Wall.
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
Standing is stupid, Crawling's a curse, Skipping is silly, Walking is worse. Hopping is hopeless, Jumping's a chore, Sitting is senseless, Leaning's a bore. Running's ridiculous, Jogging's insane- Guess I'll go upstairs and Lie down again.
Shel Silverstein (A Light in the Attic)
The best parenting advice I ever got was from a labor nurse who told me the following: 1. After your baby gets here, the dog will just be a dog. 2. The terrible twos last through age three. 3. Never ask your child an open-ended question, such as "Do you want to go to bed now?" You won't want to hear the answer, believe me. "Do you want me to carry you upstairs, or do you want to walk upstairs to go to bed?" That way, you get the outcome you want and they feel empowered.
Jodi Picoult
Who is he who walks always beside you? No-fucking-body, thank you very much. I walk alone.
Claire Messud (The Woman Upstairs)
You've walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You've traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don't bother remembering any of it. Let's stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux
It's all in her walk, a cartoon swagger. Part Jayne Mansfield, part Muhammad Ali. Men never know if it's an invitation upstairs or an invitation outside.
Emma Forrest
When she had gone upstairs, he walked to a window and stood looking up at the sky. His head thrown back, he felt the pull of his throat muscles and he wondered whether the peculiar solemnity of looking at the sky comes, not from what one contemplates, but from that uplift of one's head.
Ayn Rand (The Fountainhead)
Go to bed, you fool,” Calcifer said sleepily. “You’re drunk.” “Who, me?” said Howl. “I assure you, my friends, I am cone sold stober.” He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him. “What a lie that was!” Howl remarked as he walked into the wall. “My shining dishonesty will be the salvation of me.” He walked into the wall several times more, in several different places, before he discovered his bedroom door and crashed his way through it. Sophie could hear him falling about, saying that his bed was dodging.
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
I don't watch scary movies. I mean it. Not ever. They make me scared. Scared of being alone in the house. Scared of being alone upstairs at night. Scared of walking home from work in the dark.
Laura Buzo (Good Oil)
We walked down the back stairwell into the garden where the old breakfast table used to be. 'This was my father's spot. I call it his ghost spot. My spot used to be over there, if you remember.' I pointed to where my old table used to stand by the pool. 'Did I have a spot?' he asked with a half grin. 'You'll always have a spot.' I wanted to tell him that the pool, the garden, the house, the tennis court, the orle of paradise, the whole place, would always be his ghost spot. Instead, I pointed upstairs to the French windows of his room. Your eyes are forever there, I wanted to say, trapped in the sheer curtains, staring out from my bedroom upstairs where no one sleeps these days. When there's a breeze and they swell and I look up from down here or stand outside on the balcony, I'll catch myself thinking that you're in there, staring out from your world to my world, saying, as you did on that one night when I found you on the rock, I've been happy here. You're thousands of miles away but no sooner do I look at this window than I'll think of a bathing suit, a shirt thrown on on the fly, arms resting on the banister, and you're suddenly there, lighting up your first cigarette of the day—twenty years ago today. For as long as the house stands, this will be your ghost spot—and mine too, I wanted to say.
André Aciman (Call Me by Your Name)
She has never been a pretty crier. She sobbed the way she did everything else - with passion and excess. That she had managed to keep it inside her this long was astounding to James. He thought of pushing open the half-closed door and kneeling before his wife, wrapping his arms around her shoulders and helping her upstairs. He raised his hand, stroking the wood of the door, planning to say something to calm her. But what wisdom could he offer Gus, when he could not even heed it himself? James walked upstairs again, got into bed, covered his head with a pillow. And hours later, when Gus crept beneath the sheets, he tried to pretend that he did not feel the weight of her grief, lying between them like a fitful child, so solid that he could not reach past it to touch her.
Jodi Picoult (The Pact)
You’re implying that I’m not presentable in public unless I have a full face of makeup on.” “No. I absolutely did not imply that.” “I suppose I should take three hours to curl my hair, too, right?” I make my voice tremble. I am the victim of horrendous misdeeds. “Because I’m not pretty enough the way I am? I suppose you’re embarrassed to bring me around your family unless I conform to society’s impossible beauty standards for females?” His eyes narrow. “You’re right. Your hair’s an embarrassment in its natural state and your face is so anti–female beauty that if you go out like that, I’d insist on you walking backward and ten feet away from me. I want you to go upstairs right now and paint yourself unrecognizable.” He arches his eyebrows. “Did I do that right? Are those the words you’d like to put in my mouth?” My chin drops. He lowers his gaze to a newspaper and flicks the page. He did it for dramatic effect. I know he didn’t get a chance to finish reading the article he was on. “Actually, I’d like to put an apple in your mouth and roast you on a spit,” I say. “Go ahead and wear pajamas to dinner, Naomi. You think that would bother me? You can go out dressed as Santa Claus and I wouldn’t care.” Now I genuinely am insulted. “Why wouldn’t you care?” He raises his eyes to mine. “Because I think you’re beautiful no matter what.” Ugh. That’s really low, even for him.
Sarah Hogle (You Deserve Each Other)
There was a burst of applause when George Washington entered and walked to the dais. More applause followed on the appearance of Thomas Jefferson, who had been inaugurated Vice President upstairs in the Senate earlier that morning, and "like marks of approbation" greeted John Adams, who on his entrance in the wake of the two tall Virginians seemed shorter and more bulky even than usual.
David McCullough (John Adams)
There are even some stars so remote that their light will reach the Earth only when Earth itself is a dead planet, as they themselves are dead, so that the living Earth will never be visited by that forlorn ray of light, without a living source, without a living destination. Often on fine nights when the park of this establishment is vacant, I amuse myself with this marvelous instrument (telescope). I go upstairs, walk across the grass, sit on a bench in the Avenue of Oaks – and there, in my solitude, I enjoy the pleasure of weighing the rays of dead stars.
Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
Never ask your child a open-ended question, such as "Do you want to go to bed now?" You won't want to hear the answer, believe me. "Do you want me to carry you upstairs, or do you want to walk upstairs to go to bed?" That way, you get the outcome you want and they feel empowered.
Jodi Picoult (House Rules)
I'm certainly not suggesting we nip upstairs and have a quick one now, but I do know that I'd like to spend time with you. Walk with you. Eat with you. Talk to you.
Catherine Alliott
Now I know why they say Lincoln’s ghost walks around up here at night,” President Truman chuckled. “He’s just looking for his bed.
J.B. West (Upstairs at the White House: My Life with the First Ladies)
Ian slid the pot of honey toward his plate. "We should go back upstairs," he said to Beth. "What?" Beth looked up from a list she was writing. "Why?" Ian rose and pulled back Beth's chair without answering. Ian had difficulty lying, so when he knew he shouldn't say what was on his mind, he'd learned to keep his mouth firmly closed. Beth knew him well, though. Without arguing, she let him take her arm and steer her from the table. Before he walked away, Ian reached back and snatched the honey pot from the table, balancing the pot in his hand as he led Beth from the room.
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
She pushed back from the table. "I've got some stuff I need to do." "The Walking Dead said there was chocolate cake." "Jamie," Roarke said mildly. "Sorry," Jamie said reluctantly. "Mister Walking Dead, also known as Summerset, said there was chocolate cake." "And if you eat it all, I'll kill you in your sleep. Then you can join The Walking Dead. Roarke, I need to talk to you." As they started out, she heard Jamie ask: "Think they're gonna go do it?" And heard the quick slap of Feeney's hand on the teenaged skull. "Are we going to go do it?" Roarke grabbed her hand. "Want me to have Feeney knock you, too?" "I'm a bit quicker than Jamie yet. But I take that to mean we're not going back upstairs for a fast tumble." "How many times a day do you think about sex?" He gave her a considering look. "Would that be actively thinking of it, or just having the concept of it lurking there, like Jamie's invisible document?
J.D. Robb (Purity in Death (In Death, #15))
I might take you to fancy hotels, baby. Might walk you through those elegant lobbies and demand you be treated like a queen.” He drops forward, bending down to lick a path between my breasts, up and down. Again and again, before lifting his head. “But I will always be the man who fucks you nasty on the floor once we’re upstairs, with your thong twisted around your dripping cunt. We clear?
Tessa Bailey (Follow)
If you want to pay respects, by the way, he's at the zoo." "At the zoo? As in the zoo?" "Joey liked to walk the zoo on free days. I didn't know where else to put him. I thought about leaving him on a shelf upstairs, with Flannery or Fante or Rimbaud. But I figured there were rules against leaving bodies in here." "Probably." "So I put his ashes in a duffel bag and snipped a tiny hole in the bottom and walked the length of the zoo. But I didn't make the hole big enough so there were these tiny pieces left over in the bag. I shook them into the grass. But then all the geese thought he was bread crumbs and started charging me. Horrifying, Lydia, the way they gobbled him up. A frenzy. Joey would've abhorred all the attention.
Matthew J. Sullivan (Midnight at the Bright Ideas Bookstore)
If ever there was a sentence more quickly imprinted in my consciousness, more oft repeated, one that stood as more of an arbiter against which to judge all else, I do not know it. In the beginning, the repetition was the numb sort, the words impenetrable. Only occasionally did they have the power to stop me midstep as I walked upstairs. Or seize my stomach as I ate. Or clear my head as I attempted to speak.
Miriam Gershow (The Local News)
Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux (The Book of Men)
«It is impossible for the inhabitants of different worlds to walk or sit or stand on the same floor, because they have differing conceptions of what is horizontal and what is vertical. Yet they may well share the use of the same staircase. On the top staircase illustrated here, two people are moving side by side and in the same direction, and yet one of them is going downstairs and the other upstairs. Contact between them is out of the question because they live in different worlds and therefore can have no knowledge of each other's existence.»
M.C. Escher (M.C. Escher: The Graphic Work)
I have always been paranoid about waking people up. When I was younger and would come home late, I would take about twenty minutes to get from the driveway into my bed. I tiptoed up the walk, slid my house key in the door very slowly, took my shoes off outside, and crept upstairs to the bathroom like a burglar. Often I wouldn’t even flush until morning, preferring to let my business simmer overnight rather than wake somebody up with the sound of it zooming through walls on its way out of the house.
Neil Pasricha (The Book of (Even More) Awesome)
I do the last walking meditation session of the night in the upstairs area, above the meditation hall. I’m struggling to stay focused on lifting, moving, placing, with my mind wandering variously to thoughts of watching TV, eating cookies, and sleeping. At the end of one back-and-forth, I look up and see a statue of the Buddha. Silently, I send him the following message: Fuck you.
Dan Harris (10% Happier)
I sat at my bedroom window after I changed; the cashew tree was so close I could reach out and pluck a leaf if it were not for the silver-colour crisscross of mosquito netting. The bell-shaped yellow fruits hung lazily, drawing buzzing bees that bumped against my window's netting. I heard Papa walk upstairs to his room for his afternoon siesta. I closed my eyes, sat still, waiting to hear him call Jaja, to hear Jaja go into his room. But after long, silent minutes, I opened my eyes and pressed my forehead against the window louvers to look outside.9
Chimamanda Ngozi Adichie (Purple Hibiscus)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
AFTER LETTING VAUGHN inside, Sidney excused herself to change out of her dress and heels. Sadly, she did not invite him upstairs to join her. So instead, Vaughn settled for watching the sway of her hips as she walked up the steps. Sometimes he didn’t know whether he was coming or going with this woman. In the car, he’d thought there’d been a little flirtation going on between them, but for all he knew “fingers sandwiches and minicakes” really meant . . . finger sandwiches and minicakes.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
By-and-by Jo roamed away upstairs, for it was rainy, and she could not walk. A restless spirit possessed her, and the old feeling came again, not bitter as it once was, but a sorrowfully patient wonder why one sister should have all she asked, the other nothing. It was not true, she knew that and tried to put it away, but the natural craving for affection was strong, and Amy's happiness woke the hungry longing for someone to 'love with heart and soul, and cling to while God let them be together.
Louisa May Alcott (Good Wives)
I’m walking downstairs and upstairs at the same time. I’m in love.

Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
I’m walking downstairs and upstairs at the same time. I’m in love.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
I know we planned to walk down to Schubert's for burgers, but can we go upstairs first?' She raised her eyebrows. 'What for?' 'Because I need to be inside you. Like...now.
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
We walk past the house with the blue door. It has been made clear to us that we are to walk quietly by this house, never accept an invitation to step inside, never return the smile of the woman of the house, nor glance at the old man who sometimes looks out of the upstairs window; at our peril are we to be tempted by the flowers lying under the eaves, or by the figs that the storms shake loose. But our shadows dare each other. One of them is foolish enough to climb on to the doorstep but is pulled away just before it can reach the door bell.
Nadeem Aslam (Season of the Rainbirds)
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
It had to be that Americans were taught, from elementary school, to always "say something" in class, no matter what. [...] They never said "I don't know". They said, instead, "I'm not sure," which did not give any information but still suggested the possibility of knowledge. And they ambled, these Americans, they walked without rhythm. They avoided giving direct instructions: they did not say "Ask somebody upstairs"; they said "You might want to ask somebody upstairs". When you tripped and fell, when you choked, when misfortune befell you, they did not say "Sorry". They said "Are you OK?" when it was obvious that you were not. And when you said "Sorry" to them when they choked or tripped or encountered misfortune, they replied, eyes wide with surprise, "Oh, it's not your fault". And they overused the world "excited", a professor excited about a new book, a student excited about a class, a politician on TV excited about a law; it was altogether too much excitement.
Chimamanda Ngozi Adichie (Americanah)
During the hiding time I lived for the day that the war would end, when I would be able to go into the hiding place, throw open the doors, and say to my friends, “Now go home!” This was not to be. Perhaps when the time comes for me to join Jan and our friends in the hereafter, I’ll push aside the bookcase, walk behind it, climb the steep wooden stairway, careful not to hit my head on the low ceiling where Peter nailed the old towel to it. Upstairs Jan will be leaning against the edge of the dresser, his long legs stretched out, the cat Mouschi in his arms. All the others will be sitting around the table and will greet me when I enter. And Anne, with her usual curiosity, will get up and rush toward me saying, “Hello, Miep. What is the news?” I doubt I have very long to wait. People ask me what it is like to have outlived almost everyone whose history I have shared. It is a strange feeling. Why me? Why was I spared the concentration camp after being caught helping to hide Jews? This I will never know.
Miep Gies (Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family)
His coach drew up before the Duke of Stanhope’s town house, and Ian walked swiftly up the front steps, almost knocking poor Ormsley, who opened the door, off his feet in his haste to get to his grandfather upstairs. A few minutes later he strode back down and into the library, where he flung himself into a chair, his eyes riveted on the clock. Upstairs the household was in an uproar as the duke called for his valet, his butler, and his footmen. Unlike Ian, however, the duke was ecstatic. “Ormsley, Ian needs me!” the duke said happily, stripping off his jacket and pulling off his neckcloth. “He walked right in here and said it.” Ormsley beamed. “He did indeed, your grace.” “I feel twenty years younger.” Ormsley nodded. “This is a very great day.” “What in hell is keeping Anderson? I need a shave. I want evening clothes-black, I think-a diamond stickpin and diamond studs. Stop thrusting that cane at me, man.” “You shouldn’t overly exert yourself, your grace.” “Ormsley,” said the duke as he walked over to an armoire and flung the doors open, “if you think I’m going to be leaning on that damned cane on the greatest night of my life, you’re out of your mind. I’ll walk in there beside my grandson unaided, thank you very much. Where the devil is Anderson?
Judith McNaught (Almost Heaven (Sequels, #3))
Sophia stood staring blankly up the stairs for an entire minute before it dawned on her that he'd used the kiss to befuddle her. Blast it all! She fumed to herself as she walked to the front window and stationed herself there. Time went by. The clock ticked. A bee buzzed against the windowpane. Dust settled. After thirty minutes had passed, Sophia had had enough. She gave the empty lane one last glance, then went upstairs.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.
Edward P. Jones (The Known World)
She smiled at him, touched by what he had said, and grateful for his friendship. He took her home that night, and walked her upstairs. He didn’t ask to come in, and he never mentioned the world tour. But he surprised her by sending her flowers the next day,
Danielle Steel (Wings)
But to be furious, murderously furious, is to be alive. No longer young, no longer pretty, no longer loved, or sweet, or lovable, unmasked, writhing on the ground for all to see in my utter ingloriousness, there’s no telling what I might do. I could film my anger and sell it, I could do some unmasking of my own, beat the fuckers at their own game, and on the way I could become the best-known fucking artist in America, out of sheer spite. You never know. I’m angry enough to set fire to a house just by looking at it. It can’t be contained, stored away with the recycling. I’m done staying quietly upstairs. My anger is not a little person’s, a sweet girl’s, a dutiful daughter’s. My anger is prodigious. My anger is a colossus. I’m angry enough to understand why Emily Dickinson shut out the world altogether, why Alice Neel betrayed her children, even though she loved them mightily. I’m angry enough to see why you walk into the water with rocks in your pockets, even though that’s not the kind of angry I am. Virginia Woolf, in her rage, stopped being afraid of death; but I’m angry enough, at last, to stop being afraid of life, and angry enough—finally, God willing, with my mother’s anger also on my shoulders, a great boil of rage like the sun’s fire in me—before I die to fucking well live. Just watch me.
Claire Messud (The Woman Upstairs)
I went to a concert upstairs in Town Hall. The composer whose works were being performed had provided program notes. One of these notes was to the effect that there is too much pain in the world. After the concert I was walking along with the composer and he was telling me how the performances had not been quite up to snuff. So I said, "Well, I enjoyed the music, but I didn't agree with that program note about there being too much pain in the world." He said, "What? Don't you think there's enough?" I said, "I think there's just the right amount.
John Cage
There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
Philip K. Dick (A Scanner Darkly)
Death was more like what we went through in the park: two people walking side by side in the mist, rubbing against trees and bushes, and not a word between them. It was something emptier than the name itself and yet right and peaceful, dignified, if you like. It was not a continuation of life, but a leap in the dark and no possibility of ever coming back, not even as a grain of dust. And that was right and beautiful, I said to myself, because why would one want to come back. To taste it once is to taste it forever - life or death. Whichever way the coin flips is right, so long as you hold no stakes. Sure, it's tough to choke on your own spittle - it's disagreeable more than anything else. And besides, one doesn't always die choking to death. Sometimes one goes off in his sleep, peaceful and quiet as a lamb. The Lord comes and gathers you up into the fold, as they say. Anyway, you stop breathing. And why the hell should one want to go on breathing forever? Anything that would have to be done interminably would be torture. The poor human bastards that we are, we ought to be glad that somebody devised a way out. We don't quibble about going to sleep. A third of our lives we snore away like drunken rats. What about that? Is that tragic? Well then, say three-thirds of drunken rat-like sleep. Jesus, if we had any sense we'd be dancing with glee at the thought of it! We could all die in bed tomorrow, without pain, without suffering - if we had the sense to take advantage of our remedies. We don't want to die, that's the trouble with us. That's why God and the whole shooting match upstairs in our crazy dustbins.
Henry Miller (Tropic of Capricorn (Tropic, #2))
The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hair dryer or anticipate you walking into a room. You were gone. Everything was”—he drops his eyes—“gone.
Penelope Douglas (Birthday Girl)
Okay. There was a word that covered a lot of ground. If you were in an airplane crash from thirty thousand feet and walk away with broken bones and burns, you're considered a survivor. You are okay. If you trip going upstairs to play Nintendo and get a bloody nose, you are not okay. In which category did getting splattered with grease fall?
Robert Hawks (Hall Pass (An Avon Flare Book))
I trust you had a pleasant walk, Ian,” he said when her door closed upstairs. Ian stiffened slightly in the act of pouring some leftover coffee into a mug and glanced over his shoulder. One look at his uncle’s expression told him that the older man was well aware that desire, not a need for fresh air, had caused Ian to take Elizabeth for a walk. “What do you think?” he asked irritably. “I think you’ve upset her repeatedly and deliberately, which is not your ordinary behavior with women.” “There is nothing ordinary about Elizabeth Cameron.” “I completely agree,” said the vicar with a smile in his voice. Closing his book, he put it aside. “I also think she is strongly attracted to you, and you are to her. That much is perfectly obvious.” “Then it should be equally obvious to a man of your discernment,” Ian said in a low, implacable voice, “that we are completely ill-suited to each other. It’s a moot issue in any case; I’m marrying someone else.” Duncan opened his mouth to comment on that, saw the expression on Ian’s face, and gave up.
Judith McNaught (Almost Heaven (Sequels, #3))
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human. And there he stood, with his heart in his fist.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I want to see that Beth gets upstairs and settled in. We can talk at supper.” “We have maidservants to help her.” “I want to do it.” Hart gave up, but Beth could see that it rankled. “The gong goes at seven forty-five and the meal is served at eight. We dress formally, Mrs. Ackerley. Don’t be late.” Beth slid her hand through Ian’s, trying to hide her nervousness. “Call me Beth, please,” she said. “I am no longer Mrs. Ackerley and have become, to our mutual astonishment, your sister.” Hart froze. Ian raised his brows at him, then turned around and led Beth from the room. As they walked out, surrounded by the waiting dogs, Beth slanted a worried glance up at Ian, but Ian wore the broadest smile she’d ever seen.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.” Disentangling myself, I give her a glare. “We aren’t doing anything private, Katherine.” “Your sister says my feet stink,” Peter says, pointing his foot in her direction. “She’s lying, isn’t she?” She deflects it with a pop of her elbow. “I’m not smelling your foot.” She shudders. “You guys are kinky.” I yelp and throw a pillow at her. She gasps. “You’re lucky you didn’t knock over my juice! Daddy will kill you if you mess up the rug again.” Pointedly she says, “Remember the nail-polish-remover incident?” Peter ruffles my hair. “Clumsy Lara Jean.” I shove him away from me. “I’m not clumsy. You’re the one who tripped over his own feet trying to get to the pizza the other night at Gabe’s.” Kitty bursts into giggles and Peter throws a pillow at her. “You guys need to stop ganging up on me!” he yells.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Beth pulled herself away from Ian and walked forward, sticking out her hand. “I’m very well, thank you so much for inquiring. The journey was tiring but uneventful, no problems on the lines, and no Fenian bombs at any of the stations.” Hart shot Ian a scowl. “She is fond of jokes,” Ian said. “Is she?” Hart answered, his voice cool. “I am also fond of chocolate, and of raspberry fool.” Beth curled her ignored hand at her side. “At the moment I’d be fond of a cool drink of water and a soft bed.” Hart spoke directly to her for a change. “I don’t recall sending for you, Mrs. Ackerley. You’d even now be reclining on a soft bed if you’d gone upstairs with the maid.” Beth’s heart hammered. “The only person I ever allowed to send for me, Your Grace, was Mrs. Barrington, and that was because she paid me wages.” Hart’s brows drew fiercely together, and Ian said, “Leave her be, Hart.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
Her face went blank as she realized what she’d interrupted. “I’ll, uh, go upstairs and watch a show,” she said, not sounding like herself at all. I scooted out from under Adam. “And Jesse saves the day,” I said lightly. “Thank you, that was getting out of hand.” She paused, looking—surprised. I wondered uncharitably how many times she’d walked in on her mother in similar situations and what her mother’s response had been. I never had liked Jesse’s mother and was happy to believe all sorts of evil about her. I let anger at the games her mother might have played surround me. When you’ve lived with werewolves, you learn tricks to hide what you’re feeling from them—anger, for instance, covers up panic pretty well—and, out from under Adam’s sensuous hands, I was panicking plenty. Adam snorted. “That’s one way to put it.” To my relief, he’d stayed where we’d been, sinking facedown onto the mat. “Even with my willpower, his lure was too great,” I said melodramatically, complete with wrist to forehead. If I made a joke of it, he’d never realize how truthful I was being. A slow smile spread across her face and she quit looking like she was ready to bolt back into the house. “Dad’s kind of a stud, all right.” “Jesse,” warned Adam, his voice muffled only a little by the mat. She giggled. “I have to agree,” I said in overly serious tones. “Maybe as high as a seven or eight, even.” “Mercedes,” Adam thundered, surging to his feet. I winked at Jesse, held my gi top over my left shoulder with one finger, and strolled casually out the back door of the garage. I didn’t mean to, but when I turned to shut the door, I looked back and saw Adam’s face. His expression gave me cold chills. He wasn’t angry or hurt. He looked thoughtful, as if someone had just given him the answer to a question that had been bothering him. He knew.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
Do you know how long I’ve wanted you? You’re like sunlight and water and air to me. All you need do is walk across my line of sight and my whole world lights up.” “You love your crusade more than you love me,” Kate said, her lips trembling. “You’ll kill yourself! You’ll die because you’re too arrogant to think another doctor could work with those patients as well as you.” She stepped forward, bumping against him and grabbing the lapels of his coat. “Please . . . we could be so good together.” He pulled away. “Don’t touch me, Kate. Don’t come near me. I love you, but you don’t know the meaning of the word. You only love when it’s easy, when there are no storm clouds on the horizon.” “Trevor, I’m afraid.” “Of course you’re afraid!” he shouted. “Do you imagine for one second that I’m not? But I won’t give in to it. I would lay down my life for you. I would lay down my life for any one of the thirty-two people lying in those beds upstairs, and I won’t turn my back on them. If I run away from what I’ve been fighting for all my life, then I begin dying. Then my purpose will be over.” She flinched and began straightening her shirt. “I’ve got to get out of here.” “Don’t go.” She twisted away to fumble with the doorknob. He tried to turn her to face him. “Kate, don’t go, please. Stay and fight this out.” She shook him off and fled from the closet as though it were on fire. He braced his hands on the doorframe, watching her dart around the people in the hallway. He wanted to run after her, drag her back into the closet, and plead with her to stay.
Elizabeth Camden (With Every Breath)
Overcooked, flabby pasta or a blob of tomato ketchup was enough to incense Frank; a plate of soggy pasta in Matteo’s Italian restaurant in Los Angeles, owned by his childhood buddy, Matty Jordan, had Frank storming into the kitchens. He looked around wildly, “Where are all the Italians?” he roared at the startled Filipino kitchen staff. Not content, he shot back upstairs and threw his plate of pasta against the wall. As he walked out, he dipped his finger in the tomato sauce and signed the smear: Picasso (Matty very good-naturedly put a frame around this later).
Fiona Ross (Dining with the Famous and Infamous (Dining with Destiny))
So he strode, and ran, and hurried home. He emptied into the ever-useful pocket-handkerchief the little meal remaining in the mug. Mary would have her tea at Miss Simmonds’; her food for the day was safe. Then he went upstairs for his better coat, and his one, gay red-and-yellow silk pocket-handkerchief — his jewels, his plate, his valuables, these were. He went to the pawn-shop; he pawned them for five shillings; he stopped not, nor stayed, till he was once more in London Road, within five minutes’ walk of Berry Street — then he loitered in his gait, in order to discover the shops he wanted. He bought meat, and a loaf of bread, candles, chips, and from a little retail yard he purchased a couple of hundredweights of coal. Some money still remained — all destined for them, but he did not yet know how best to spend it. Food, light, and warmth, he had instantly seen were necessary; for luxuries he would wait. Wilson’s eyes filled with tears when he saw Barton enter with his purchases. He understood it all, and longed to be once more in work that he might help in some of these material ways, without feeling that he was using his son’s money.
Elizabeth Gaskell (The Complete Works of Elizabeth Gaskell)
Aunty Ifeoma came the next day, in the evening, when the orange trees started to cast long, wavy shadows across the water fountain in the front yard. Her laughter floated upstairs into the living room, where I sat reading. I had not heard it in two years, but I would know that cackling, hearty sound anywhere. Aunty Ifeoma was as tall as Papa, with a well-proportioned body. She walked fast, like one who knew just where she was going and what she was going to do there. And she spoke the way she walked, as if to get as many words out of her mouth as she could in the shortest time.
Chimamanda Ngozi Adichie (Purple Hibiscus)
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces. Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.” “Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.” “Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!” “Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks. I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek. “You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Detecting a note of inordinate concern for the young woman, Fred quizzed, "Could it be that our pretty little rabbit has caught the hunter's heart?" Rider felt distinctly uncomfortable under Fred's all-too-knowing eyes. "Don't be ridiculous. This is a job, not a honeymoon!" "Why,you're in love with her, aren't you?" "Hell,no! What gave you that half-cocked idea?" "You objected too fast." Fred smiled. "How could I love a woman like her? For God's sake, Fred, she acts more like a man than a woman. It's just that..." Rider rubbed at the back of his neck. "Damn, the woman walks around naked under that shirt of hers, jiggling and bouncing. Naturally, I'm attracted. You would be, too! But believe me, Fred, lust is all I feel for her." "You got it bad, my friend." Fred chuckled. "When we get done talking here, I suggest you take Annie over there"-he jerked his head toward a brunette-"upstairs for a good romp in the sack." "Maybe I should.I've tried to avoid Willow but just thinking about her gets me randy." Even as he mouthed the words, Rider knew he would not do as Fred suggested. There was only one woman who could cure his ache and, unfortunately for him, no other would do.
Charlotte McPherren (Song of the Willow)
Looking into each other's eyes and speaking together in low tones, it becomes apparent that she hopes you will walk her through her troubles and show her that male-female relations can be lovely even in loveless union. She is looking for lust fulfilled but she searches also for respect, and in this she is out of luck because you do not know her or like her very much and you do not respect yourself and so the most you can offer this girl is time out of her life and an unsatisfactory meeting of bodies and, if the fates are generous, a couple of laughs and good feelings. At any rate there will unquestionably be a divot in your hearts before dawn and Peg seems to pick up on this after thirty minutes of groping and pawing (the car interior is damp with dew) she breaks away and with great exasperation says, "What do you think you're doing?" You are smiling, because it is an utterly stupid and boring question, and you say to her, "I am sitting in an American car, trying to make out in America," a piece of poetry that arouses something in her, and you both climb into the back seat for a meeting even less satisfactory than you feared it might be. Now she is crying and you are shivering and it is time to go home and if you had a watch you would snap your wrist to look meaningfully at it but she dabs at her face and says she wants you to come upstairs and share a special-occasion bottle of very old and expensive wine and as there is no way not to do this you follow her through the dusty lobby and into the lurching, diamond-gated elevator and into her cluttered apartment to scrutinize her furnishings and unread or improperly read paperbacks, and you wonder if there is anything more depressing than the habitats of young people, young and rudderless women in particular.
Patrick deWitt (Ablutions)
She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.
Frances Hodgson Burnett (The Secret Garden)
I went upstairs. Took me a while to find my bag, and then there was someone else in the bathroom. Came down and he was gone.” Tricia paused. “And …?” said Gail. “The garden door was open. I went outside. There were lights. Some kind of gleaming thing. I was just in time to see it rise up into the sky, shoot silently up through the clouds and disappear. That was it. End of story. End of one life, beginning of another. But hardly a moment of this life goes by that I don’t wonder about some other me. A me that didn’t go back for her bag. I feel like she’s out there somewhere and I’m walking in her shadow.
Douglas Adams (Mostly Harmless (The Hitchhiker's Guide to the Galaxy, #5))
He cleared his throat. “So tell me,” he asked, “what do they call you when they want to call you something other than Tania or Tatiana?” Her heart jumped. “Who’s they?” Alexander said nothing for what seemed like minutes. Tatiana backed away from him, and when she was five meters away, she looked at his face. All she wanted to do was look into his wonderful face. “Sometimes,” she said, “they call me Tatia.” He smiled. The silences tormented her. What to do during them? “You are very beautiful, Tatia,” said Alexander. “Stop,” she said—inaudibly—as sensation left her legs. He called after her, “If you wanted to, you could call me Shura.” Shura! That’s a marvelous endearment. I would love to call you Shura, she wanted to tell him. “Who calls you Shura?” “Nobody,” Alexander replied with a salute. Tatiana didn’t just walk home. She flew. She grew brilliant red wings, and on them she sailed through the azure Leningrad sky. Closer to home, her heavy-with-guilt heart brought her down and the wings disappeared. She tied up her hair and made sure his books were at the very bottom of her bag. But she couldn’t go upstairs for a number of minutes as she stood against the wall of the building, clenching both fists to her chest.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I take 1 gram (1,000 mg) of NMN every morning, along with 1 gram of resveratrol (shaken into my homemade yogurt) and 1 gram of metformin.7 • I take a daily dose of vitamin D, vitamin K2, and 83 mg of aspirin. • I strive to keep my sugar, bread, and pasta intake as low as possible. I gave up desserts at age 40, though I do steal tastes. • I try to skip one meal a day or at least make it really small. My busy schedule almost always means that I miss lunch most days of the week. • Every few months, a phlebotomist comes to my home to draw my blood, which I have analyzed for dozens of biomarkers. When my levels of various markers are not optimal, I moderate them with food or exercise. • I try to take a lot of steps each day and walk upstairs, and I go to the gym most weekends with my son, Ben; we lift weights, jog a bit, and hang out in the sauna before dunking in an ice-cold pool. • I eat a lot of plants and try to avoid eating other mammals, even though they do taste good. If I work out, I will eat meat. • I don’t smoke. I try to avoid microwaved plastic, excessive UV exposure, X-rays, and CT scans. • I try to stay on the cool side during the day and when I sleep at night. • I aim to keep my body weight or BMI in the optimal range for healthspan, which for me is 23 to 25.
David A. Sinclair (Lifespan: Why We Age—and Why We Don't Have To)
In some ways it seemed wrong that he lived here now, in this solitary place. At least part of the time he ought to be walking into ballrooms and strolling into gardens in his superbly tailored black evening clothes, making feminine heartbeats triple. With a wan inner smile at her attempted impartiality, Elizabeth told herself men like Ian Thornton probably performed a great service to society-he gave them something to stare at and admire and even fear. Without men like him, ladies would have nothing to dream about. And much less to regret, she reminded herself. Ian had not so much as turned to glance her way, and so it was little wonder that she jumped in surprise when he said without looking at her, “It’s a lovely evening, Elizabeth. If you can spare the time from your letter, would you like to go for a walk?” “Walk?” she repeated, stunned by the discovery that he was evidently as aware of what she was doing as she had been aware of him, sitting at the table. “It’s dark out,” she said mindlessly, searching his impassive features as he arose and walked over to her chair. He stood there, towering over her, and there was nothing about the expression on his handsome face to indicate he had any real desire to go anywhere with her. She cast a hesitant glance at the vicar, who seconded Ian’s suggestion. “A walk is just the thing,” Duncan said, standing up. “It aids the digestion, you know.” Elizabeth capitulated, smiling at the gray-haired man. “I’ll just get a wrap from upstairs. Shall I bring something for you, sir?” “Not for me,” he said, wrinkling his nose. “I don’t like tramping about at night.” Belatedly realizing he was openly abdicating his duties as chaperon, Duncan added quickly, “Besides, my eyesight is not as good as it once was.” Then he spoiled that excuse by picking up the book he’d been reading earlier, and-without any apparent need for spectacles-he sat down in a chair and began reading by the light of the candles.
Judith McNaught (Almost Heaven (Sequels, #3))
Walking home's going to be...interesting half dressed." Alan mused as he dropped the shirt over the lip of the sink. Shelby shot a look over her shoulder, but the retort she had in mind slipped away from her.He was lean enough so she could have counted his ribs, but there was a sense of power and endurance in the breadth of his chest and shoulders, the streamlined waist. His body made her forget any other man she'd ever seen. It had been he,she realized all at once, whom she'd been thinking of when she'd thrown the clay into that clean-lined bowl. Shelby let the first flow of arousal rush through her because it was as sweet as it was sharp. Then she tensed against it, rendering it a distant throb she could control. "You're in excellent shape," she commented lightly. "You should be able to make it to P street in under three minutes at a steady jog." "Shelby, that's downright unfriendly." "I thought it was more rude," she corrected as she struggled against a grin. "I suppose I could be a nice guy and throw it in the dryer for you." "It was your clay." "It was your move," she reminded him, but snatched up the damp shirt. "Okay, come on upstairs." With one hand, she tugged off her work apron, tossing it aside as she breezed through the doorway. "I suppose you're entitled to one drink on the house." "You're all heart," Alan murmured as he followed her up the stairs. "My reputation for generosity precedes me.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style. “Calling Gloriaaaaaaaaaaaaaaaaaaa . . .” And then I turn around. “AHHHHHHHHHHHHHH!” Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door. The guy I didn’t hear come in. The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face. He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.” Logan St. James. Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James. And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers. And no bra. Not that I have a whole lot going on upstairs, but still . . . “Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker. Logan’s brow wrinkles. “Haven’t heard that one before.” Oh fuck—did he see me dancing? Did he see me leap? God, let me die now. I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.” The corner of his mouth quirks. “No, you couldn’t.” He sets the rolling pin down on the counter. “I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.” Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.
Emma Chase (Royally Endowed (Royally, #3))
Friday 22 December [Langton] From 3 to 4, walked with Anne Belcombe in the East Balk field. In the evening, Mrs Milne played. Hung over her at the instrument. Afterwards, sat next to her & paid her marked attention… Came upstairs at 10.40. Near ½ hour in Mrs Milne’s room. Near an hour with Anne Belcombe. She told me of my attention to Mrs Milne & that I had taken no notice of her or Miss Vallance & that she was sure Miss Vallance had observed it & felt as she did. Said I could not help it. Mrs Milne was fascinating. Then went half an hour to Miss Vallance. Got out of her that she had observed me to Mrs Milne & was a little jealous. Anne then came to my room, having expected me again in hers, & staid almost till I got into bed. Her love for me gets quite as evident as I could wish.
Anne Lister (The Secret Diaries of Miss Anne Lister: Volume I)
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
Could he, by some miracle, keep this going? Could they hide here until the war ends? Until the armies finish marching back and forth above their heads, until all they have to do is push open the door and shift some stones aside and the house has become a ruin beside the sea? Until he can hold her fingers in his palms and lead her out into the sunshine? He would walk anywhere to make it happen, bear anything; in a year or three years or ten, France and Germany would not mean what they meant now; they could leave the house and walk to a tourists’ restaurant and order a simple meal together and eat it in silence, the comfortable kind of silence lovers are supposed to share. “Do you know,” Marie-Laure asks in a gentle voice, “why he was here? That man upstairs?” “Because of the radio?” Even as he says it, he wonders. “Maybe,” she says. “Maybe that’s why.” In another minute they’re asleep.
Anthony Doerr (All the Light We Cannot See)
When you’re young – but even now – how do you understand this?’ he said when he first spoke of it, walking the night streets. ‘You can’t understand it. It makes no sense. You can allow yourself to be swallowed by your anger, but this will kill you. And yet how can you look at the panther, how can you look him in the eye, when he won’t stay still? When he’s nowhere and everywhere, belongs to no one and to everyone? So if you’re me, how you deal with this is that you say, I’ll look at how we talk about the panther. I’ll study the history of history, the ways that we tell the stories, and don’t tell other stories, and I’ll try to understand what it says about us, to tell one story rather than another, to tell it one way rather than another. I’ll ask the questions about what is ethical, about who decides what is ethical, I’ll ask whether it is possible, really, to have an ethics in the matter of history.
Claire Messud (The Woman Upstairs)
After Tom leaves for work, I take Evie to the park, we play on the swings and the little wooden rocking horses, and when I put her back into her buggy she falls asleep almost immediately, which is my cue to go shopping. We cut through the back streets towards the big Sainsbury’s. It’s a bit of a roundabout way of getting there, but it’s quiet, with very little traffic, and in any case we get to pass number thirty-four Cranham Road. It gives me a little frisson even now, walking past that house—butterflies suddenly swarm in my stomach, and a smile comes to my lips and colour to my cheeks. I remember hurrying up the front steps, hoping none of the neighbours would see me letting myself in, getting myself ready in the bathroom, putting on perfume, the kind of underwear you put on just to be taken off. Then I’d get a text message and he’d be at the door, and we’d have an hour or two in the bedroom upstairs.
Paula Hawkins (The Girl on the Train)
She explained, gently. Then I read the letter for myself. D, returning home one night from the theatre, found no Jock in his basket. M told him he was nowhere to be found when she had herself gone upstairs to bed. Intuition made D walk down in darkness through the garden. He found Jock, drowned, lying in the rain-water tank below the greenhouse. He must have chased a cat which had sprung into the bushes above, fallen into the tank, which was full of water, and been unable to climb out. Once again I saw the Cumberland stream, and the little body on its back; this time I had not been there to rescue him. And by a strange, eerie coincidence the old dog, Brutus, had called at home the same day to look for me, and on returning home had been run over and killed. ‘They knew. They both knew,’ I said to Fernande. ‘Knew what?’ she asked. ‘The two dogs. That they would never see me again. It was a sort of sacrifice.
Daphne du Maurier (Myself When Young)
The warm of his voice touched a quickness in her that left her fingers trembling as she raised the candle. “Will you light this please? I need it to find my way back.” He ignored her request and reached to take the lantern from the wall. “I’ll take you upstairs.” “It isn’t necessary,” she was quick to insist, afraid for more reasons than one. “I’d never forgive myself if some harm came to you down here,” he responded lightly. He lifted the lantern, casting its glow before them, and waited on her pleasure with amused patience. Erienne saw the challenge in his eyes and groaned inwardly. How could she refuse to pick up the gauntlet when she knew he would taunt her with his chiding humor if she did not? Adjusting the oversize coat about her shoulders, she rose to the bait against her better judgment and moved with him along the stony corridor. They were well past the bend when a sudden scurrying accompanied by strident squeaking came from the darkness. At the sound, Erienne stumbled back with a gasp, having an intense aversion for the rodents. In the next instant, the heel of her slipper caught on a rock lip, twisting her ankle and nearly sending her sprawling. Almost before the cry of pain was wrenched from her lips, Christopher’s arms were about her, and he used the excuse to bring her snugly against his own hard body. Embarrassed by the contact that brought bosom to chest and thigh to thigh and made her excruciatingly aware of his masculinity, Erienne pushed hurriedly away. She tried to walk again, anxious to be away, but when her weight came down on her ankle, a quick grimace touched her features. Christopher caught her reaction and, without so much as a murmured pardon, took the coat from her shoulders, pressed the lantern in her hand, and lifted her up in his arms. “You can’t take me upstairs!” she protested. “What if you’re seen?” The lights danced in his eyes as he met her astonished stare. “I’m beginning to think, madam, that you worry more about propriety than yourself. Most of the servants are in bed asleep.” “But what if Stuart comes?” she argued. “You said he’s on his way.” Christopher chuckled. “Meeting him now would be most interesting. He might even challenge me to a duel over your honor.” He raised a brow at her. “Would you be grieved if he wounded me?” “Don’t you realize a thing like that could happen?” she questioned, angry because he dismissed the possibility with flippant ease. “Don’t fret, my love,” he cajoled with a smile twitching at the corners of his mouth. “If I hear him coming, I’ll run, and as clumsy as he is, he’ll never be able to catch me.” He shifted her weight closer against him and smiled into her chiding stare. “I like the way you feel in my arms.” “Remember yourself, sir,” she admonished crisply, ignoring her leaping pulse. “I’m trying, madam. I’m really trying.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
In a far-off country there was once a little girl who was called Silver-hair, because her curly hair shone brightly. She was a sad romp, and so restless that she could not be kept quiet at home, but must needs run out and away, without leave. One day she started off into a wood to gather wild flowers, and into the fields to chase butterflies. She ran here and she ran there, and went so far, at last, that she found herself in a lonely place, where she saw a snug little house, in which three bears lived; but they were not then at home. The door was ajar, and Silver-hair pushed it open and found the place to be quite empty, so she made up her mind to go in boldly, and look all about the place, little thinking what sort of people lived there. Now the three bears had gone out to walk a little before this. They were the Big Bear, and the Middle-sized Bear, and the Little Bear; but they had left their porridge on the table to cool. So when Silver-hair came into the kitchen, she saw the three bowls of porridge. She tasted the largest bowl, which belonged to the Big Bear, and found it too cold; then she tasted the middle-sized bowl, which belonged to the Middle-sized Bear, and found it too hot; then she tasted the smallest bowl, which belonged to the Little Bear, and it was just right, and she ate it all. She went into the parlour, and there were three chairs. She tried the biggest chair, which belonged to the Big Bear, and found it too high; then she tried the middle-sized chair, which belonged to the Middle-sized Bear, and she found it too broad; then she tried the little chair, which belonged to the Little Bear, and found it just right, but she sat in it so hard that she broke it. Now Silver-hair was by this time very tired, and she went upstairs to the chamber, and there she found three beds. She tried the largest bed, which belonged to the Big Bear, and found it too soft; then she tried the middle-sized bed, which belonged to the Middle-sized Bear, and she found it too hard; then she tried the smallest bed, which belonged to the Little Bear, and found it just right, so she lay down upon it, and fell fast asleep. While Silver-hair was lying fast asleep, the three bears came home from their walk. They came into the kitchen, to get their porridge, but when the Big Bear went to his, he growled out: “SOMEBODY HAS BEEN TASTING MY PORRIDGE!” and the Middle-sized Bear looked into his bowl, and said: “Somebody Has Been Tasting My Porridge!” and the Little Bear piped: “Somebody has tasted my porridge and eaten it all up!” Then they went into the parlour, and the Big Bear growled: “SOMEBODY HAS BEEN SITTING IN MY CHAIR!” and the Middle-sized Bear said: “Somebody Has Been Sitting In My Chair!” and the Little Bear piped: “Somebody has been sitting in my chair, and has broken it all to pieces!” So they went upstairs into the chamber, and the Big Bear growled: “SOMEBODY HAS BEEN TUMBLING MY BED!” and the Middle-sized Bear said: “Somebody Has Been Tumbling My Bed!” and the little Bear piped: “Somebody has been tumbling my bed, and here she is!” At that, Silver-hair woke in a fright, and jumped out of the window and ran away as fast as her legs could carry her, and never went near the Three Bears’ snug little house again.
Robert Southey (Goldilocks and the Three Bears)
I’m going to need to get some waste pick-up bags,” Valerie muttered and then gave a start when Anders rested his hands on her shoulders from behind. “We’ll do that when the stores open,” he promised, pulling her back against his chest and bending his head to press butterfly kisses to her ear. Valerie was melting into him when he started to move her hair aside to kiss her neck. She immediately stiffened and pulled away, one hand rising self-consciously to be sure her throat was covered. “You don’t have to hide it from me, Valerie,” he said quietly. “I’ve seen your neck.” Finished with her business, Roxy returned then, nudging Valerie’s hand with her nose. She glanced down at the dog and petted her, relieved at the excuse to look away from Anders. He may already have seen her neck, but it didn’t make her less self-conscious about it. “I’m still tired. I think I’ll go sleep for a little longer,” she lied, heading out of the room with Roxy at her side. He didn’t say or do anything to stop her and Valerie walked calmly upstairs to her room. She stepped inside, waited for Roxy to clear the door, then shut it and leaned weakly back against it, her eyes closing.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
Chang opened the door and checked the hallway. She said, “Let’s go.” She opened the door wider. There was a guy standing there. Eyewitness testimony was suspect because of preconditions, and cognitive bias, and suggestibility. It was suspect because people see what they expect to see. Reacher was no different. He was human. The front part of his brain wasted the first precious split second working on the image of the guy at the door, trying to rearrange it into a plausible version of a theoretical McCann. Which was not an easy mental task, because McCann was supposed to be sixty years old and thin and gaunt, whereas the guy at the door was clearly twenty years younger than that, and twice as solid. But still Reacher tried, instinctively, because who else could it be, but McCann? Who else could be at McCann’s door, in McCann’s building, in McCann’s city? Then half a second later the back part of Reacher’s brain took over, and the image resolved itself, crisp and clear, not a potential McCann at all, not even remotely a contender, but the familiar twice-glimpsed face, now three times seen, first in the diner, next in the Town Car, and finally in the there and then, in a dim upstairs hallway in a three-floor walk-up.
Lee Child (Make Me (Jack Reacher, #20))
Hello, darling,” Alessandro smiled at her. Oh, that smile. Bree wanted to close her eyes, press her hands against her eyes and keep them shut forever so she wouldn’t see that smile. She must have had the question on her face, the knowledge on her face because as she looked at him now, something flickered in his eyes. Guilt. Oh God. “Mommy, look. I make good bouncies. See?” Will said, dribbling the ball. “I gonna be a basset ball player when I gwoed up.” The little boy’s voice sounded far away as Bree narrowed in on Alessandro and the look in his eyes. “Brian. I want you and Vanessa to take Will and Gianni out for a little while.” “Oh but we’re having a good time out here, aren’t we Gianni?” Alessandro asked, tickling Gianni who squealed and curled inward. “Now,” Bree said, her voice tight. Will stopped bouncing the ball and held it against his chest looking at both of them, picking up on the angry tension that suddenly covered them all. “Uh oh. I tink mommy’s mad.” “I’m not leaving you alone in your condition, Bree. Alessandro, we just came from the hospital. Colin’s awake,” Brian informed him, his voice tight with anger. “You spoke to Colin?” Alessandro asked, meeting Bree’s eyes. “I did. And Carrie.” He looks like a cornered animal. And what do Dardanos do when they’re cornered? They lie. They cheat. Oh God. “Fine, then can you just take the boys upstairs?” Bree said, speaking to Brian, but not moving her gaze from her husband. “Come on, guys. Let’s go play upstairs for a while,” Vanessa said walking past Bree and taking Gianni from Alessandro’s lap.
E. Jamie (The Betrayal (Blood Vows, #2))
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
Gabriel’s hands were a bit unsteady as he prepared a late dinner. Jared hadn’t returned from work yet, the medical staff working overtime, but it was getting late. Surely Jared would return soon? Gabriel cut his finger and dropped the knife, hissing. Dammit. He leaned against the table and forced himself to take a few deep breaths. It didn’t help. The feeling of dread didn’t disappear. He was scared. He didn’t like the look in Jared’s eyes when Jared had walked away from him. Jared had looked like a man who was resolved to do something very unpleasant but necessary. Had he pushed Jared too far? By the time dinner was ready, Gabriel was nearly sick with worry. Why wasn’t Jared back yet? Finally, there was the sound of a car in the distance, approaching the house, and Gabriel’s heart started thumping so hard he could feel it throughout his entire body. He wiped his hands, ignoring his stinging finger, glanced at the table for the last time, making sure he didn’t forget anything, and waited for Jared to come find him. But Jared didn’t. The front door opened and closed, and there was the sound of footsteps heading upstairs. And then nothing. Ten minutes passed. His anxiety increasing, Gabriel left the kitchen and headed upstairs, too. He found Jared in his bedroom, fresh out of the shower and changing. “I’m going out,” Jared said, slipping into a dark shirt. “But…but what about dinner?” “I’m not hungry,” Jared said, zipping up his jeans. He grabbed his jacket and strode to the door past Gabriel. “Jay,” Gabriel said, grabbing his arm. Jared finally looked at him. “Look, this is fucking with my mind,” he said. “This—our relationship—has become a total mindfuck. It’s too much and not enough.
Alessandra Hazard (Just a Bit Unhealthy (Straight Guys #3))
Our streets have days, and even hours. Where I was born, and where my baby will be born, you look down the street and you can almost see what's happening in the house: like, say, Saturday, at three in the afternoon, is a very bad hour. The kids are home from school. The men are home from work. You'd think that this might be a very happy get together, but it isn't. The kids see the men. The men see the kids. And this drives the women, who are cooking and cleaning and straightening hair and who see what men won't see, almost crazy. You can see it in the streets, you can hear it in the way the women yell for their children. You can see it in the way they come down out of the house - in a rush, like a storm - and slap the children and drag them upstairs, you can hear it in the child, you can see it in the way the men, ignoring all this, stand together in front of a railing, sit together in the barbershop, pass a bottle between them, walk to the corner to the bar, tease the girl behind the bar, fight with each other, and get very busy, later, with their vines. Saturday afternoon is like a cloud hanging over, it's like waiting for a storm to break. But, on Sunday mornings the clouds have lifted, the storm has done its damage and gone. No matter what the damage was, everybody's clean now. The women have somehow managed to get it all together, to hold everything together. So, here everybody is, cleaned, scrubbed, brushed, and greased. Later, they're going to eat ham hocks or chitterlings or fried or roasted chicken, with yams and rice and greens or combread or biscuits. They're going to come home and fall out and be friendly: and some men wash their cars, on Sundays, more carefully than they wash their fo­reskins.
James Baldwin (If Beale Street Could Talk)
Love and religion! thought Clarissa, going back into the drawing-room, tingling all over. How detestable, how detestable they are! For now that the body of Miss Kilman was not before her, it overwhelmed her — the idea. The cruelest things in the world, she thought, seeing them clumsy, hot, domineering, hypocritical, eavesdropping, jealous, infinitely cruel and unscrupulous, dressed in a mackintosh coat, on the landing; love and religion. Had she ever tried to convert any one herself? Did she not wish everybody merely to be themselves? And she watched out of the window the old lady opposite climbing upstairs. Let her climb upstairs if she wanted to; let her stop; then let her, as Clarissa had often seen her, gain her bedroom, part her curtains, and disappear again into the background. Somehow one respected that — that old woman looking out of the window, quite unconscious that she was being watched. There was something solemn in it — but love and religion would destroy that, whatever it was, the privacy of the soul. The odious Kilman would destroy it. Yet it was a sight that made her want to cry. Love destroyed too. Everything that was fine, everything that was true went. Take Peter Walsh now. There was a man, charming, clever, with ideas about everything. If you wanted to know about Pope, say, or Addison, or just to talk nonsense, what people were like, what things meant, Peter knew better than any one. It was Peter who had helped her; Peter who had lent her books. But look at the women he loved — vulgar, trivial, commonplace. Think of Peter in love — he came to see her after all these years, and what did he talk about? Himself. Horrible passion! she thought. Degrading passion! she thought, thinking of Kilman and her Elizabeth walking to the Army and Navy Stores.
Virginia Woolf (Complete Works of Virginia Woolf)
The school regime refused to make it easy for us on the dress side of things, and it dictated that even if we wanted to walk into the neighboring town of Windsor, then we had to wear a blazer and tie. This made us prime targets for the many locals who seemed to enjoy an afternoon of beating up the Eton “toffs.” On one occasion, I was having a pee in the loos of the Windsor McDonald’s, which were tucked away downstairs at the back of the fast-food joint. I was just leaving the Gents when the door swung open, and in walked three aggressive-looking lads. They looked as if they had struck gold on discovering this weedy, blazer-wearing Eton squirt, and I knew deep down that I was in trouble and alone. (Meanwhile, my friends were waiting for me upstairs. Some use they were being.) I tried to squeeze past these hoodies, but they threw me back against the wall and laughed. They then proceeded to debate what they were going to do to me. “Flush his head down the toilet,” was an early suggestion. (Well, I had had that done to me many times already at Eton, I thought to myself.) I was okay so far. Then they suggested defecating in the loo first. Now I was getting worried. Then came the killer blow: “Let’s shave his pubes!” Now, there is no greater embarrassment for a young teenager than being discovered to not have any pubes. And I didn’t. That was it. I charged at them, threw one of them against the wall, barged the other aside, squeezed through the door, and bolted. They chased after me, but once I reached the main floor of the McDonald’s I knew I was safe. I waited with my friends inside until we were sure the thugs had all left, then cautiously slunk back across the bridge to school. (I think we actually waited more than two hours, to be safe. Fear teaches great patience.)
Bear Grylls (Mud, Sweat and Tears)
Geraldine nodded and headed for Mrs. Armstrong's lawn. I felt sorry for her in her carrot pajamas, having no idea what was really going on. I followed the other girls and stood behind the shrubs. Mrs. Armstrong's house was ginormous. Her house was even bigger than Aunt Jeanie's. There was one light on upstairs. I figured that was the bedroom. The rest of the house was dark. Geraldine went to the far end of the yard and removed a can of spray paint from the bag. She shook it and began to spray. "She's such an idiot," Ava said, taking out her phone to record Geraldine's act of vandalism. "You guys are going to get her into so much trouble," I said. "So what?" Hannah replied. "She got us in trouble at the soup kitchen, it's not like she's ever going to become a Silver Rose anyway. She's totally wasting her time." Geraldine slowly made her way up and down the huge yard carefully spraying the grass. It would take her forever to complete it and there wasn't nearly enough spray paint. "Hey, guys!" Geraldine yelled from across the lawn. "How about I spray a rose in the grass? That would be cool, right?" I cringed. The light on upstairs meant the Armstrongs were still awake. Geraldine was about to get us all caught. "O-M-G," Hannah moaned. "Shhhh," Summer hissed, but Geraldine kept screaming at the top of her lungs. "Well, what do you guys think?" My heart dropped into my stomach as a light from downstairs clicked on. We ducked behind the hedges and froze. "Who's out there?" called a man's voice. I couldn't see him and I couldn't see Geraldine. I heard the door close and I peeked over the hedges. "He went back inside," I whispered, ducking back down. At that moment something went shk-shk-shk and Geraldine screamed. We all stood to see what was happening. Someone had turned the sprinklers on and Geraldine was getting soaked. The door flew open and I heard Mrs. Armstrong's voice followed by a dog's vicious barking. "Get 'em, Killer!" "Killer!" Ava screamed and we all took off running down the street with a soggy Geraldine trailing behind us. I was faster than all the other girls. I had no intentions of being gobbled up by a dog named Killer. We stopped running when we got to Ava's street and Killer was nowhere in sight. We walked back to the house at a normal pace. "So, did I prove myself to the sisterhood?" Geraldine asked. Hannah turned to her. "Are you kidding me? Your yelling woke them up, you moron. We got chased down the street by a dog because of you." Geraldine frowned and looked down at the ground. Hopefully what I had told her before about the girls not being her friends was starting to settle in. Inside all the other girls wanted to know what had happened. Ava was giving them the gory details when a knock on the door interrupted her. It was Mrs. Armstrong. She had on a black bathrobe and her hair was in curlers. I chuckled to myself because I was used to seeing her look absolutely perfect. We all sat on our sleeping bags looking as innocent as possible except for Geraldine who still stood awkwardly by the door, dripping wet. Mrs. Armstrong cleared her throat. "Someone has just vandalized my lawn with spray paint. Silver spray paint. Since I know it's a tradition for the Silver Roses to pull a prank on me on the night of the retreat, I'm going to assume it was one of you. More specifically, the one who's soaking wet right now." All eyes went to Geraldine. She looked at the ground and said nothing. What could she possibly say to defend herself? She even had silver spray paint on her fingers. Mrs. Armstrong looked her up and down. "Young lady, this is your second strike and that's two strikes too many. Your bid to become a Junior Silver Rose is for the second time hereby revoked." Geraldine's shoulders drooped, but most of the girls were smirking. This had been their plan all along and they had accomplished it.
Tiffany Nicole Smith (Bex Carter 1: Aunt Jeanie's Revenge (The Bex Carter Series))
There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
Philip K. Dick
sure what happened after the accident was client-protected,” he told Mazzone. By their silence, “Markham and Gargan were taking the big fall to protect Ted Kennedy.” Paul Redmond doubted the lawyer-client issue would even arise at the inquest. “People were walking around Boston whaling the bee-jesus out of Paul Markham and Joe Gargan for not reporting the accident—that was so unfair. Here were two guys, good lawyers and fine men, made to look like stooges or worse by the press.” Gargan had told him he could not have reported an accident in which a driver faced a possible manslaughter charge, Redmond said. “It’s no secret Joe was a dear friend. When I left the U.S. Attorney’s office, Paul Markham took my spot.” A week before the inquest, Redmond bumped into Gargan in the elevator of the building in which both had law offices. The Boiler Room girls were “upstairs,” Redmond said. “They haven’t seen you in a long time. I think they’d like to say hello.” Gargan went straight to Redmond’s office for “a nice reunion, a pleasant chat. Very friendly.” There was no discussion about the inquest. Gargan did not want to become involved in the preparation of anybody else’s testimony. As one of two persons at the party who wasn’t “a bit bombed,” Gargan’s memory of the occasion was “clear as a bell.” So it was Gargan’s description of the party that, along with the Senator’s two public versions of the accident, would provide the scenario for inquest testimony. If Gargan testified to the Senator’s attempt to cover up his involvement in the accident as the reason he had failed to report it until the next day, he could blow the entire lid off the case. But that prospect became moot when a writ of certiorari was filed on Tuesday, September 2, asking the Massachusetts Supreme Judicial Court to determine whether “errors of law” had been made in Judge Boyle’s ruling on the conduct of the scheduled inquest in re: Mary Jo Kopechne. Justice Paul Reardon scheduled a hearing for three o’clock. Notified an appeal had been filed,
Leo Damore (Chappaquiddick: Power, Privilege, and the Ted Kennedy Cover-Up)
We ran back, he first and I following him, between the beds and downstairs, and we picked up an armful of wood from the pile by the wall and the knife for whittling and ran up again, we couldn’t be quick enough. He knelt down in front of the stove, and it wasn’t long before he had done the trick again. Outside the window it was night now, and the wind blew vaporous white milk against the panes, milk over the forest and the fjord, but in here there were just the two of us and the stoves and the sound of wood burning behind the black iron and sending waves of heat out into the rooms and into the walls and timbers that sucked it in. I smelt the scent of wood growing warm, and it made me as white in my head as the whirling night outside, and hungry. We stood in the kitchen with our coats on eating the contents of two tins with one spoon we took it in turns to use, and we laughed, I didn’t even notice what I was eating. Soon it was warm enough for us to take off some clothes, his overcoat and my coat, and while he hung his on a hook, I let mine fall to the floor. I took off the sweater I wore underneath and dropped that on the floor too, I unbuttoned my blouse and still felt the cold against my neck. But the heat rose to the ceiling and up to the first floor and there was another stove there. Then I calmly walked across the room and upstairs with his eyes on my back, and at first he stood still, and then he followed, and when he got to the top my blouse was off and my stockings on the floor. I slowly turned round and stood there, me inside my skin, while he was fully clothed, and I cleared my head of every thought I had ever had and let them sink out into my skin till it was painfully taut and shinning all over my body, and he saw it and did not know what it was he saw. I put my arms round my back and unfastened my bra and slid the straps over my shoulders, and I thought he might be going to weep, but his voice sounded hoarse as he whispered: “You’re lovely,” and I answered “Yes”, and didn’t know if that was true. But it did not matter, for I knew what I wanted and what to say, and his hands were as I’d thought they would be, his skins as soft and his body as hard, and it was so warm around us, and the whole time I smelt the dampness of the bedclothes like the ones at Vrangbæk, and then I just shut my eyes and floated away.
Per Petterson (To Siberia)
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
What I want to know is whether or not I can expect a repetition of it, if I were to agree with what Alexandra wants.” Drowning in angry mortification, Elizabeth nevertheless managed not to flinch or drop her gaze, and although her voice shook slightly, she managed to say calmly and clearly, “I have no control over wagging tongues, your grace. If I had, I would not have been the topic of scandal two years ago. However, I have no desire whatever to reenter your society. I still have scars enough from my last sortie among the Quality.” Having deliberately injected a liberal amount of derision into the word “Quality,” Elizabeth closed her mouth and braced herself to be verbally filleted by the old woman whose white brows had snapped together over the bridge of her thin nose. An instant later, however, the pale hazel eyes registered something that might have been approval, then they shifted to Alexandra. With a curt nod the dowager said, “I quite agree, Alexandra. She has spirit enough to endure what they will put her through. Amazing, is it not,” continued the dowager to Elizabeth with a gruff smile, “that on the one hand we of the ton pride ourselves on our civilized manners, and yet many of us will dine on one another’s reputations in preference to the most sumptuous meal.” Leaving Elizabeth to sink slowly and dazedly into a chair she’d shot out of but moments before, the dowager then walked over to the sofa and seated herself, her eyes narrowed in thought. “The Willington’s ball tonight will be a complete crush,” she said after a moment. “That may be to our advantage-everyone of importance and otherwise will be there. Afterward there’ll be less reason to gossip about Elizabeth’s appearance, for everyone will have seen her for themselves.” “Your grace,” Elizabeth said, flustered and feeling some expression of gratitude was surely in order for the trouble the dowager was about to be put to, “it-it’s beyond kind of you to do this-“ “Nonsense,” the woman interrupted, looking appalled. “I am rarely kind. Pleasant, at times,” she continued while Alexandra tried to hide her amusement. “Even gracious when the occasion demands, but I wouldn’t say ‘kind.’ ‘Kind’ is so very bland. Like lukewarm tea. Now, if you will take my advice, my girl,” she added, looking at Elizabeth’s strained features and pale skin, “you will immediately take yourself upstairs and have a long and restorative nap. You’re alarmingly peaked. While you rest”-she turned to Alexandra-“Alexandra and I will make our plans.” Elizabeth reacted to this peremptory order to go to bed exactly as everyone reacted to the dowager duchess’s orders: After a moment of shocked affront she did exactly as she was bidden.
Judith McNaught (Almost Heaven (Sequels, #3))
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
Are you busy?" I ask. "I'm working on a paper. Recall? The phone conversation we had fifteen minutes ago?" I glance up at a clock in the hall, and then back at his smart-ass mouth. "It was twenty minutes ago." "I need coffee," he says, and why is he being such an adorable dick, still smiling at me like that? "Want to walk up to Dunkin' Donuts?" "What about Millie?" I say. "What about her?" "Does she want any?" "Should we call her and ask?" "Isn't she upstairs?" "How hard did you hit your head last night?
Mercy Brown (Loud is How I Love You (Hub City, #1))
It is a slow day in the small town of Pumphandle, and the streets are deserted. Times are tough, everybody is in debt, and everybody is living on credit. A tourist visiting the area drives through town, stops at the motel, and lays a $100 bill on the desk, saying he wants to inspect the rooms upstairs to pick one for the night. As soon as he walks upstairs, the motel owner grabs the bill and runs next door to pay his debt to the butcher. The butcher takes the $100 and runs down the street to retire his debt to the pig farmer. The pig farmer takes the $100 and heads off to pay his bill to his supplier, the Co-op. The guy at the Co-op takes the $100 and runs to pay his debt to the local prostitute, who has also been facing hard times and has had to offer her "services" on credit. The hooker rushes to the hotel and pays off her room bill with the hotel owner. The hotel owner then places the $100 back on the counter so the traveler will not suspect anything. At that moment the traveler comes down the stairs, states that the rooms are not satisfactory, picks up the $100, and leaves. No one produced anything. No one earned anything. However, the whole town is now out of debt and looks to the future with a lot more optimism. And that, ladies and gentlemen, is how a stimulus package works. – Anonymous
George Wallace (Laff It Off!)
It is a slow day in the small Saskatchewan town of Pumphandle, and streets are deserted. Times are tough, everybody is in debt, and everybody is living on credit. A tourist visiting the area drives through town, stops at the motel, and lays a $100 bill on the desk saying he wants to inspect the rooms upstairs to pick one for the night. As soon as he walks upstairs, the motel owner grabs the bill and runs next door to pay his debt to the butcher. The butcher takes the $100 and runs down the street to retire his debt to the pig farmer. The pig farmer takes the $100 and heads off to pay his bill to his supplier, the Co-op. The guy at the Co-op takes the $100 and runs to pay his debt to the local prostitute, who has also been facing hard times and has had to offer her “services” on credit. The hooker rushes to the hotel and pays off her room bill with the hotel owner. The hotel proprietor then places the $100 back on the counter so the traveler will not suspect anything. At that moment, the traveler comes down the stairs, states that the rooms are not satisfactory, picks up the $100 bill, and leaves. No one produced anything. No one earned anything. However, the whole town is now out of debt and looking to the future with a lot more optimism.
Bernard A. Lietaer (Rethinking Money: How New Currencies Turn Scarcity into Prosperity)
Unlike our well-heeled brethren in the high-rises that surround us, the attorneys in my firm, Fernandez and Daley, occupy cramped quarters around the corner from the Transbay bus terminal and next door to the Lucky Corner Number 2 Chinese restaurant. Our office is located on the second floor of a 1920s walk-up building at 553 Mission Street, on the only block of San Francisco’s South of Market area that has not yet been gentrified by the sprawl of downtown. Although we haven’t started remodeling yet, we recently took over the space from a defunct martial arts studio and moved upstairs from the basement. Our files sit in what used to be the men’s locker room. Our firm has grown by a whopping fifty percent in the last two years. We’re up to three lawyers.
Sheldon Siegel (Incriminating Evidence (Mike Daley/Rosie Fernandez Mystery, #2))
The gunfire had brought the attention of the bouncers upstairs. We took position at the bottom of the stairs. I told the girls to stay behind us and ran to the top of the stairs. The door opened and I was looking into the face of one of the Thai bouncers. He looked at my gun and started to turn. I grabbed him by the collar and held him in front of me. He was unarmed, but the others weren’t. They opened fire, killing their compatriot as I returned fire, killing one. Fortunately for me the three other guys on my side, Jim, Miguel and Frank came up behind me and cut the other armed men down in a hail of bullets. There was a commotion in the main room of the brothel as I cracked the door open. Four men with guns were walking toward the door. Miguel joined me as I flung it open. We each had two pistols in our hands. I fired one weapon after the other at the two men to the left while Miguel did the same to the two men on our right. The smoke of cordite was swirling into the room like deadly incense. People were screaming and huddling by the walls. Jim and Frank led the girls into the front room. from The Noble Heart
Randall Moore
The gunfire had brought the attention of the bouncers upstairs. We took position at the bottom of the stairs. I told the girls to stay behind us and ran to the top of the stairs. The door opened and I was looking into the face of one of the Thai bouncers. He looked at my gun and started to turn. I grabbed him by the collar and held him in front of me. He was unarmed, but the others weren’t. They opened fire, killing their compatriot as I returned fire, killing one. Fortunately for me the three other guys on my side, Jim, Miguel and Frank came up behind me and cut the other armed men down in a hail of bullets. There was a commotion in the main room of the brothel as I cracked the door open. Four men with guns were walking toward the door. Miguel joined me as I flung it open. We each had two pistols in our hands. I fired one weapon after the other at the two men to the left while Miguel did the same to the two men on our right. The smoke of cordite was swirling into the room like deadly incense. People were screaming and huddling by the walls. Jim and Frank led the girls into the front room. from "The Noble Heart
Randall Moore
The gunfire had brought the attention of the bouncers upstairs. We took position at the bottom of the stairs. I told the girls to stay behind us and ran to the top of the stairs. The door opened and I was looking into the face of one of the Thai bouncers. He looked at my gun and started to turn. I grabbed him by the collar and held him in front of me. He was unarmed, but the others weren’t. They opened fire, killing their compatriot as I returned fire, killing one. Fortunately for me the three other guys on my side, Jim, Miguel and Frank came up behind me and cut the other armed men down in a hail of bullets. There was a commotion in the main room of the brothel as I cracked the door open. Four men with guns were walking toward the door. Miguel joined me as I flung it open. We each had two pistols in our hands. I fired one weapon after the other at the two men to the left while Miguel did the same to the two men on our right. The smoke of cordite was swirling into the room like deadly incense. People were screaming and huddling by the walls. Jim and Frank led the girls into the front room." from "The Noble Heart
Randall Moore
I look around. We are inside the incinerator, which would be completely dark if not for the lines of light glowing in the shape of a small door on the other side. The floor is solid metal in some places and metal grating in others. Everything smells like rotting garbage and fire. “Don’t say I never took you anywhere nice,” Peter says. “Wouldn’t dream of it,” I say. Tobias drops to the floor, landing first on his feet and then tilting forward to his knees, wincing. I pull him to his feet and then draw close to his side. All the smells and sights and feelings of the world feel magnified. I was almost dead, but instead I am alive. Because of Peter. Of all people. Peter walks across the grate and opens the small door. Light streams into the incinerator. Tobias walks with me away from the fire smell, away from the metal furnace, into the cement-walled room that contains it. “Got that gun?” Peter says to Tobias. “No,” says Tobias. “I figured I would shoot the bullets out of my nostrils, so I left it upstairs.” “Oh, shut up.” Peter holds another gun in front of him and leaves the incinerator room. A dank hallway with exposes pipes in the ceiling greets us, but it’s only ten feet long. The sign next to the door at the end says EXIT. I am alive, and I am leaving.
Veronica Roth (Insurgent (Divergent, #2))
Pasha, let me show you,” Tatiana said quietly. “It’s like this. You put your hand on the handle, and you pull. The door opens. You walk outside. It shuts behind you. Let’s see if you can do it.” “Just open the door, Tania,” said Pasha. “Can’t you see I’m carrying my suitcase?” Out on the street they stood still for a moment. “Tania,” said Papa. “Take the hundred and fifty rubles I gave you and go and buy us some food. But don’t dawdle, like always. Go immediately. Do you hear?” “I hear, Papa. I’ll go immediately.” Pasha snorted. “You’re going back to bed,” he whispered to her. Mama said, “Come on, we better go.” “Yes,” Papa said. “Come on, Pasha.” “So long,” Tatiana said, knocking Pasha on the arm. He grunted unhappily in reply and pulled her hair. “Tie your hair up before you go out, will you?” he said. “You’ll scare off the passersby.” “Shut up,” Tatiana said lightly. “Or I’ll cut it off completely.” “All right, let’s go now,” said Papa, tugging at Pasha. Tatiana said good-bye to Volodya, waved to her mother, took one last look at Pasha’s reluctant back, and returned upstairs.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))