“
Bullshit, Ari. You have the harder rule to follow? Buffalo shit. Coyote shit. All you have to do is be loyal to the most brilliant guy you've ever met—which is like walking barefoot through the park. I, on the other hand, have to refrain from kissing the greatest guy in the universe—which is like walking barefoot on hot coals.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
Just because this is a novel set in rural India, do not expect a herd of buffalo to walk across every page for the sake of authenticity.
”
”
Meena Kandasamy (The Gypsy Goddess)
“
Betty took him for a walk in the zoo and he was amused by her evident belief in the curative power of animals. She seemed to think that it must steady him to look at a buffalo.
”
”
Nathanael West (Miss Lonelyhearts / A Cool Million)
“
Though I had been born in a city, I shared my father's love of nature. I loved the rich soil, the greenness of the plants, the crops, the buffaloes and the yellow butterflies that fluttered about me as I walked.
”
”
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
“
Life is a walking, a journey. So, if life upon Mother Earth is a journey, there are two ways to walk. We can choose to walk forward or we can choose to walk backward. Forward Walking choices are rewarded with consequences that light the way to peace, happiness, joy, comfort, knowledge, and wisdom. Backward Walking choices bring to the Two-Legged beings consequences of misery despair, and darkness.
”
”
Anasazi Foundation (The Seven Paths: Changing One's Way of Walking in the World)
“
Don't believe the dark whisperings that invite you to walk backward. At any time in your life, you have the power to turn forward.
”
”
Anasazi Foundation (The Seven Paths: Changing One's Way of Walking in the World)
“
Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
A catless writer is almost inconceivable. It's a perverse taste, really, since it would be easier to write with a herd of buffalo in the room than even one cat; they make nests in the notes and bite the end of the pen and walk on the typewriter keys.
”
”
Barbara Holland
“
One might enter the Labyrinth through a manhole in Rome, walk ten feet, open a door, and find oneself at a training camp for clowns in Buffalo, Minnesota. (Please don’t ask. It was traumatic.)
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
I love even to see the domestic animals reassert their native rights — any evidence that they have not wholly lost their original wild habits and vigor; as when my neighbor's cow breaks out of her pasture early in the Spring and boldly swims the river, a cold grey tide, twenty-five or thirty rods wide, swollen by the melted snow. It is the Buffalo crossing the Mississippi.
”
”
Henry David Thoreau (Walking)
“
I walked her to her door and said good night, while Romeo waited. "I'll see you in the morning," I said, 'when the barking dogs arouse the sleeping tepee village and the smell of roasting coyote is in the air."
"My sisters will prepare me," she said. "I shall come to your wickiup in my white doeskin dress and lose my innocence on your buffalo robe."
"I will give you little ornaments to put in your hair, black as the crow's wing. I will give you red flannel and a looking-glass so that you may groom yourself."
"I'd also like to have a little spending money and a charge account at Wormser's," she said.
"Good night, Maiden Who Walks Like a Duck."
"Good night, Warrior Who Chickens Out at the Least Sign of Trouble.
”
”
Richard Bradford (Red Sky at Morning)
“
I seemed to be walking on and on forever through a peaceful, languid garden of rice paddies. This was no longer the territory of savages, but of an ancient and high civilization. Here and there farmers were plowing their fields, using water buffaloes. As a buffalo started to move, snowy herons would fly down and perch on its back and horns. But they flew away again in fright whenever a buffalo reached the edge of the field the farmer turned his plow.
Once, as I was walking along, a moist wind began to blow and the sky quickly filled with black clouds. Herons were tossing in the wind like downy feathers. Soon the rain came. Rainfall in Burma is violent. Before I knew it, I was shut in by a thick spray. I could hardly breathe--I felt as if I were swimming.
After a while the rain stopped and the sky cleared. All at once the landscape brightened and a vast rainbow hung across the sky. The mist was gone, as if a curtain had been lifted. And there, under the rainbow, the farmers were singing and plowing again.
”
”
Michio Takeyama (Harp of Burma)
“
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
”
”
Neal Stephenson (Snow Crash)
“
For two days, we had travelled the Labyrinth - across pits of darkness and around lakes of poison, through dilapidated shopping malls with only discount Halloween stores and questionable Chinese food buffets.
The Labyrinth could be a bewildering place. Like a web of capillaries beneath the skin of the mortal world, it connected basements, sewers and forgotten tunnels around the globe with no regard to the rules of time and space. One might enter the Labyrinth through a manhole in Rome, walk ten feet, open a door and find oneself at a training camp for clowns in Buffalo, Minnesota. (Please don't ask. It was traumatic.)
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
They rode up the faint marks of the old trace where thousands of sojourners walking and riding both had crossed it and before them the buffalo far back in time. She joined the stream of humanity that had gone down that road, just one more story in a stream of narratives both likely and unlikely that were being told somewhere even now, by someone, in a far place.
”
”
Paulette Jiles (Enemy Women)
“
So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
”
”
Neil Gaiman (American Gods)
“
At the end of our lives, when our bodies are about to be laid in Mother Earth, we will know for ourselves whether we are a Two-Legged being full of light or a Two-Legged being full of darkness.
”
”
Anasazi Foundation (The Seven Paths: Changing One's Way of Walking in the World)
“
Okay, Eliza. Now–you know–rise up! Think about those buffalos," Abby said.
"Walking backward," added Ben.
"Wearing diapers!" Ricky reminded her, giggling with glee.
"I know how to do it!" Eliza snapped.
”
”
David Pogue (Abby Carnelia's One & Only Magic Power: Library Edition)
“
Walk the good road, my daughter, and the buffalo herds wide and dark as cloud shadows moving over the prairie will follow you. . . . Be dutiful, respectful, gentle and modest, my daughter. And proud walking. If the pride and the virtue of the women are lost, the spring will come but the buffalo trails will turn to grass. Be strong, with the warm, strong heart of the earth. No people goes down until their women are weak and dishonored. . . .
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
Look,” said Whiskey Jack. “This is not a good country for gods. My people figured that out early on. There are creator spirits who found the earth or made it or shit it out, but you think about it: who’s going to worship Coyote? He made love to Porcupine Woman and got his dick shot through with more needles than a pincushion. He’d argue with rocks and the rocks would win. “So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
”
”
Neil Gaiman (American Gods)
“
Buffalo is a long way from New York City; but apart from a dreamlike, feverish stop in Syracuse, where I walked and watered Popper and bought us a couple of cheese danishes because there wasn’t anything else—I managed to sleep almost the whole way, through Batavia and Rochester and Syracuse and Binghamton, with my cheek against the window and cold air coming through at the crack, the vibration taking me back to Wind, Sand and Stars and a lonely cockpit high above the desert.
”
”
Donna Tartt (The Goldfinch)
“
They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping.
”
”
Neal Stephenson (Snow Crash)
“
Turn away from fear and turn toward faith. For no matter what the situation or what may happen in the future, God’s perfect love is for you. And fear is always driven out by God’s perfect love. Choose faith in love that is perfect and love that loves you perfectly. Choose God who blesses with faith to walk in faith.
”
”
Lisa Buffaloe (Unfailing Treasures)
“
But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
”
”
Neil Gaiman (American Gods)
“
For more than two decades I have tried, honestly and respectfully, to walk the difficult line between the world of Native America and the world of those of us whose people came, willingly or otherwise, to these American shores. I have done this because I believe that we, as Americans, are poorly served by our willful avoidance of the true facts of our national experience, and also because I believe that the lives and ways of the Native American peoples have much to teach us all. It
”
”
Kent Nerburn (The Girl Who Sang to the Buffalo: A Child, an Elder, and the Light from an Ancient Sky)
“
to the Pygmy it is one of the most important differences between the people of the forest and the people of the village that the latter do not know “how to walk”. Walking, to the Pygmy, means being able to run swiftly and silently, without slipping, tripping, or falling. Every day he depends for his food on his ability to “walk,” and more than once his life will be saved by the same ability, when he has to run from a charging buffalo or creep away unnoticed from a sleeping leopard.
”
”
Colin M. Turnbull
“
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
We warily sipped ‘fresh’ buffalo milk in a Krishna temple. We travelled into the Himalayas until, at a height of two kilometres above sea level where we found ourselves surrounded by men as hard and tough as the mountains that bred them. We negotiated a price of 100 rupees for one of these men to carry our two heaviest bags the 15-minute walk to the hotel with nothing more than rope and a forehead strap. I paid him 300 rupees and his face lit up! We watched the morning mist clear to reveal views of the green Doon Valley and the distant white-capped Himalayan peaks. We rode an elephant up to the Amber Fort of Jaipur, and the next day we painted, washed and fed unpeeled bananas to another elephant, marvelling at her gentle nature as we placed the bananas on her huge bubble-gum coloured tongue.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
What is this strange touch?"
With a start, Jesse realized that Rides the Wind had awakened. He lay watching her closely.Feeling shy she pulled the buffalo robe up under her chin, answering softly, "My people say 'kiss.'"
"And who gives this 'kiss'?"
"Parents to children, husband to wife."
"Show me." As he said it he leaned toward her. Jesse obediently placed a kiss upon the wind-hardened cheek.
He kept his face near hers and the dark eyes searched hers.Then a knowing smile curled up the edges of his mouth. "When Marcus Whitman met with Running Bear and the traders,Rides the Wind was there.I saw many things.I saw this touch you call 'kiss' between man and woman.It was not here," he tapped his cheek, "but here." His finger indicated his mouth.
Jesse felt her face flush and wondered if the early morning light revealed her embarrassment. She assented, "Yes,for some it is so."
"Did Jesse King and Homer King touch in this ay?"
Jesse looked hard into the searching eyes.They returned her stare with honest interest. "My people do not speak of these things."
Rides the Wind was quiet for a moment, pondering her response. "If the white man speaks not of what is here," he laid a hand flat upon the tawny chest, "he must be very sad.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
POEM – MY AMAZING
TRAVELS
[My composition in my book Travel Memoirs with Pictures]
My very first trip I still cannot believe
Was planned and executed with such great ease.
My father, an Inspector of Schools, was such a strict man,
He gave in to my wishes when I told him of the plan.
I got my first long vacation while working as a banker
One of my co-workers wanted a travelling partner.
She visited my father and discussed the matter
Arrangements were made without any flutter.
We travelled to New York, Toronto, London, and Germany,
In each of those places, there was somebody,
To guide and protect us and to take us wonderful places,
It was a dream come true at our young ages.
We even visited Holland, which was across the Border.
To drive across from Germany was quite in order.
Memories of great times continue to linger,
I thank God for an understanding father.
That trip in 1968 was the beginning of much more,
I visited many countries afterward I am still in awe.
Barbados, Tobago, St. Maarten, and Buffalo,
Cirencester in the United Kingdom, Miami, and Orlando.
I was accompanied by my husband on many trips.
Sisters, nieces, children, grandchildren, and friends, travelled with me a bit.
Puerto Rico, Los Angeles, New York, and Hialeah,
Curacao, Caracas, Margarita, Virginia, and Anguilla.
We sailed aboard the Creole Queen
On the Mississippi in New Orleans
We traversed the Rockies in Colorado
And walked the streets in Cozumel, Mexico.
We were thrilled to visit the Vatican in Rome,
The Trevi Fountain and the Colosseum.
To explore the countryside in Florence,
And to sail on a Gondola in Venice.
My fridge is decorated with magnets
Souvenirs of all my visits
London, Madrid, Bahamas, Coco Cay, Barcelona.
And the Leaning Tower of Pisa
How can I forget the Spanish Steps in Rome?
Stratford upon Avon, where Shakespeare was born.
CN Tower in Toronto so very high
I thought the elevator would take me to the sky.
Then there was El Poble and Toledo
Noted for Spanish Gold
We travelled on the Euro star.
The scenery was beautiful to behold!
I must not omit Cartagena in Columbia,
Anaheim, Las Vegas, and Catalina,
Key West, Tampa, Fort Lauderdale, and Pembroke Pines,
Places I love to lime.
Of course, I would like to make special mention,
Of two exciting cruises with Royal Caribbean.
Majesty of the Seas and Liberty of the Seas
Two ships which grace the Seas.
Last but not least and best of all
We visited Paris in the fall.
Cologne, Dusseldorf, and Berlin
Amazing places, which made my head, spin.
Copyright@BrendaMohammed
”
”
Brenda C. Mohammed (Travel Memoirs with Pictures)
“
I had abandoned Elana; I deserved her uncertainty. I closed my eyes and focused on her touch. Perhaps she wouldn't have understood had I tried to explain it to her, but to me Elana was not only Elana--she was the sad-eyed love of mine who used to bag groceries at Woodley's in Buffalo; she was the sweet one who always sat across from me on the city bus in Niagara Falls; she was the girl I'd picked up hitchhiking in Mobile and dropped off in New Orleans, brash, full of sarcastic humor, but truly lonely and scared; she was the one I'd nabbed pinching Newports for her dad from the Marathon station I'd worked at in Bakersfield (I'd softened and paid for the pack myself); yes, she was the girl playing basketball with all the boys in the park, collecting cans by the side of the road, keeping secret pet kittens in an empty boxcar in the woods, walking alone at night through the rail yards, teaching her little sisters how to kiss, reading out loud to herself, so absorbed by the story, singing sadly in the tub, building a fort from the junked cars out in the meadow, by herself in the front row at the black-and-white movies or in the alley, gazing at an eddy of cigarette stubs and trash and fall leaves, smoking her first cigarette at dusk by a pile of dead brush in the desert, then wishing at the stars-she was all of them, and she was so much more that was just her that I still didn't know.
”
”
Davy Rothbart
“
She looked at him defiantly, "I know I am not beautiful.I laughed at myself for thinking such impossible things."
Rides the Wind was quiet for so long that she wondered if her rush of words had overreached his abilities in English. But just when she started to question him,he turned his own face to the horizon so that she could view only his profile.
"When Rides the Wind was young, he danced about the fire like no other brave.It was then that Dancing Waters came to be his woman.She would watch, and her eyes danced with the flames. But one day Rides the Wind went to hunt.His pony fell and crushed his leg. Marcus Whitman fixed the leg, but it would not grow straight.Rides the Wind could dance no more. The fire died in the eyes of Dancing Waters." He encircled her with his arms before continuing. "Walks the Fire sees Rides the Wind when he walks like the wounded buffalo.She sees, but the fire does not die in her eyes.Beautiful is in here," he placed his hand over her heart. "So do not laugh when you think you are beautiful.Rides the Wind sees the fire in your eyes.And to him,you are beautiful."
Jesse reached for his hand,and, holding it palm up,she kissed it.
He growled, "...and so you give me more of the white man's ways."
In a moment of uncharacteristic abandon, Jesse stood on tip-toe and placed a less-than-chaste kiss upon the mouth of her husband.She smiled in spite of the resulting blush on her cheek, reaching up to tug childishly on his flowing hair.
Then,to his delight and amazement she spoke the Lakota words: "Mihigna-my husband-Walks the Fire is an obedient wife.If he wishes her to stop this strange touch,he must tell her.Walks the Fire will obey."
Rides the Wind took her hand, and they started back to the tepee.As they climbed the hill together he replied, "Many of the white man's ways must be forgotten to live among my people...but not all.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
From the moment she had stepped out from her wooden walls, the path ahead of him had been clearly marked, but he had been too blind to see it. A tosi woman and a Comanche, their pasts stained with tears and bloodshed, had little hope of coexisting happily with either race. To be as one, they had to walk alone, away from both their people.
Where, that was the question. And Hunter had no answers. West, as the prophecy foretold? Into the great mountain ranges? The thought frightened him. He had been raised in open spaces, able to see into tomorrow, with the north wind whispering, the grass waving, the buffalo plentiful. What would he hunt? And how? He wouldn’t know what roots and nuts to gather. He wouldn’t know which plants made good medicine, which bad. Did he dare take a woman into an unknown land, uncertain if he could feed her, care for her, or protect her? What if she came with child? Winter, the time when babies cried. How would he stand tall like a man if his family starved?
Hunter opened his eyes and sat up, raking his fingers through his damp hair. Looking skyward, he searched for Loretta’s Great One, the Almighty Father to whom she gave thanks for her food. At first he had been disgruntled by her prayers. Her God didn’t bring her the food; her husband did. Loretta had explained that her God led Hunter’s footsteps so his hunts were successful.
Was her God up there in the sky, as she believed? Did he truly hear a man’s whispers, his thoughts? Hunter could see his own gods, Mother Earth, Mother Moon, Father Sun, the wind coming from the four directions. It was easy to believe in what he could see. Why did Loretta’s God hide himself? Was he terrible ugly? Did he hide only from Comanches? Loretta said he was father to all, even Indians.
Peace filled Hunter. With so many Great Ones, both his and hers, surely they would be blessed. Relaxing his body, he surrendered himself to fate. The Great Ones would guide them. Loretta’s God would lead his footsteps in the hunt when his own gods failed him. Together he and Loretta would find a new place where the Comanche and tosi tivo could live as one, where Hunter could sing the songs of the People and keep their ways alive.
Rising, Hunter turned back toward the village, his decision made, his heart torn, acutely aware that the prophecy had foretold this moment long ago.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The franchise and the virus work on the same principle: what thrives in one
place will thrive in another. You just have to find a sufficiently virulent
business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it,
and embed it in the fertile lining of a well-traveled highway, preferably one
with a left-turn lane. Then the growth will expand until it runs up against its
property lines.
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of
joe, and you would feel right at home. It worked just fine if you never left
your hometown. But if you went to the next town over, everyone would look up
and stare at you when you came in the door, and the Blue Plate Special would be
something you didn't recognize. If you did enough traveling, you'd never feel
at home anywhere.
But when a businessman from New Jersey goes to Dubuque, he knows he can walk
into a McDonald's and no one will stare at him. He can order without having to
look at the menu, and the food will always taste the same. McDonald's is Home,
condensed into a three-ring binder and xeroxed. "No surprises" is the motto of
the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every
sign and logo that make up the curves and grids of light that outline the Basin.
The people of America, who live in the world's most surprising and terrible
country, take comfort in that motto. Follow the loglo outward, to where the
growth is enfolded into the valleys and the canyons, and you find the land of
the refugees. They have fled from the true America, the America of atomic
bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree
killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's
March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked
their bimbo boxes in identical computer-designed Burbclave street
patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl
floors and ill-fitting woodwork and no sidewalks, vast house farms out in the
loglo wilderness, a culture medium for a medium culture.
The only ones left in the city are street people, feeding off debris;
immigrants, thrown out like shrapnel from the destruction of the Asian powers;
young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong.
Young smart people like Da5id and Hiro, who take the risk of living in the city
because they like stimulation and they know they can handle it.
”
”
Neal Stephenson (Snow Crash)
“
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
”
”
Henry David Thoreau (Walden or Life in the Woods)
“
When we get closer, he pushes out both of the chairs across from him. He nods at them and says, “Take a seat.”
I raise an eyebrow at him. “Am I going to have to woo you before I get my slice?”
He smiles over the pizza that he’s about to bite into. “Yeah, I do believe you’re going to have to.”
With zero self-respect, Amanda takes a seat and says, “That’s no problem with me.”
Honestly. Does she not know how to avoid showing all her cards at once?
When I take a seat, he holds out his hand. “I’m Aaron.”
I take his hand and notice how rough it is. It’s a working hand, one that experiences strenuous hours on the jobsite, day in, day out. “Amelia, and this is my friend, Amanda.”
Aaron nods at Amanda. “Nice to meet you.”
“Pleasure is mine and just so you know, Amelia is single and definitely on the market. Want me to give you her number?”
“Amanda, what the hell are you—?”
“I would love it,” Aaron says, leaning back in his chair while sipping his drink.
Slowly turning toward him, a little stunned, I ask, “You would?”
He nods with all the confidence in the world. “I would.”
“But you don’t know me. I could be a shovel-wielding rabbit killer.”
He leans forward, his chest flexing under his shirt with the movement. “I’ll take my chances.”
Now feeling a little skeptical, I fold my arms over my chest and ask, “Why do you want it?”
He bites down on his straw and studies me for a second before saying, “Can’t let a girl walk out the door without getting her number who’s that passionate about Buffalo chicken pizza. It’s just not physically possible.”
“Aw, he likes you for your crazy; he’s a keeper,” Amanda chimes in with her mouth full of pizza. “It’s 607—”
“Amanda, just be quiet for a second.” Looking at Aaron, I say, “Three Buffalo chicken pizza slices in exchange for three veggie and my phone number.”
“No way.” He shakes his head. “You can’t take all my Buffalo.”
“But I thought you wanted my number.”
“I do.” He leans forward some more, his fresh scent hitting me hard in the chest. “But we both know if I give you three slices, you will have zero respect for me because no man in his right mind would give up three Buffalo slices. No matter how hot the chick is.” Eeep, he thinks I’m hot. “But I will counter you with one and a half slices and a number.”
I sit back now, watching how his smile starts to spread. God, he’s just so . . . yum. He looks like he’s quite a few years older than me. Not just because of his face, but there is something in his eyes that makes him seem older. He’s definitely not in his second year of college like me. Not wanting to fold so quickly, I counter. “Two slices, my number, and a guaranteed date this Friday.”
He sits back, his eyes widen, and that smile gets even bigger. “Fucking deal.” He holds his hand out and we shake.
”
”
Meghan Quinn (The Other Brother (Binghamton, #4))
“
You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?"
Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend."
Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..."
Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?"
Jesse shook her head.
Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons."
"Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water.
Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort.
"I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her.
Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman.
Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind."
Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk.
"I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual.
Still, she told herself, there is a perfectly good explanation for everything he has done.
Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question.
"How is it among the whites?How does a man gain a wife?"
Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully.
"He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms.
"But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota."
When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?"
"A man who belives in the Bible and teaches his people about God from the Bible."
"What if there is no minister and a man and a woman wish to be married?"
Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
A story danced in his head as he walked through the dried buffalo grass of winter. The stiff stalks made a swishing sound, like a brush lightly moving over a drum. His imagination was all the escape he needed most days. He was leaving his world, his reality, his home, if only for an hour. If only in his mind.
”
”
Jodi Thomas (Mornings on Main)
“
In addition, I feel a personal connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal.
”
”
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
“
When the headmen walked out of the gate in front, beyond the delicate and civilized little white fence, they were met and surrounded by soldiers and the soldiers reached out to them in a moving confusion of blue woolen arms and boots. The headmen were disarmed and handcuffed. A man named Big Tree fought for a short while but three soldiers flattened him on the ground and cuffed his hands behind him. A revolver fell from beneath the buffalo robe of Eaten Alive and it went off with a startling bang but nobody was hit. A soldier picked it up delicately by the grip between thumb and forefinger. He said that Agent Hammond might want to make out a receipt for this but the sergeant told him to shut up. The men walked away between the soldiers quietly and stepped into the army transport wagon. It was not dignified to struggle. The women and children had scattered to the horses and within moments they were gone.
Jiles, Paulette. The Color of Lightning: A Novel (p. 306). HarperCollins e-books. Kindle Edition.
”
”
Paulette Jiles (The Colour Of Lightning)
“
The wind swoops over the tenements on Orchard Street, where some of those starry-eyed dreams have died and yet other dreams are being born into squalor and poverty, an uphill climb. It gives a slap to the laundry stretched on lines between tenements, over dirty, broken streets where, even at this hour, hungry children scour the bins for food. The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose. The wind was there when President Lincoln fell to an assassin’s bullet. It smelled of gunpowder at Antietam. It ran with the buffalo and touched tentative fingers to the tall black hats of Puritans. It has carried shouts of love, and it has dried tears to salt tracks on more faces than it can number. The
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
The Prophecy
From the place where the sun rises, there will come to the People a great warrior who will stand tall above his brothers and see far into the great beyond with eyes like the midnight sky. This Comanche shall carry the sign of the wolf upon his shield, yet none shall call him chief. To his people shall come much sadness, and the rivers will run red with the blood of his nation. Mountains of white bones will mark where the mighty buffalo once grazed. In the sky, black smoke will carry away the death cries of helpless women and children. He will make big talk against the White-Eyes and fierce war, but the battles shall stretch before him with no horizon.
When his hatred for the White-Eyes is hot like the summer sun and cold like the winter snow, there will come to him a gentle maiden from tosi tivo land. Though her voice will have been silenced by great sorrow, her eyes shall speak into his of a morning with new beginnings. She will be golden like the new day, with skin as white as the night moon, hair like rippling honey, and eyes like the summer sky. The People will call her the Little Wise One.
The Comanche will raise his blade to slay her, but honor will stay his hand. She will divide his Comanche heart, so his hate that burns hot like the sun will make war with his hate that is cold like the winter snow, and the hate shall melt and flow out of him to some faraway place he cannot find. Just as the dawn streaks the night sky, he will chase the shadows form her heart and return her voice to her.
When this is done, the warrior and his maiden shall walk together to a high place on the night of the Comanche moon. He will stand on the land of the Comanche, she on the land of the tosi tivo. Between them will be a great canyon that runs high with blood. The warrior will reach across the canyon to his maiden, and she will take his hand. Together they will travel a great distance into the west lands, where they will give birth to a new tomorrow and a new nation where the Comanche and the tosi tivo will live as one forever.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
After Hunter lowered her onto her fur pallet, which she was swiftly coming to regard as her prison, she clutched the buffalo robe around her and rolled onto her side. Make no grief behind you. She felt like an animal caught in a snare--awaiting the trapper and certain death.
The sun burned through her closed eyelids, red and hot. Loretta heard Hunter walk a short distance away, heard him murmur something. His stallion nickered in response. She lifted her lashes and watched the Comanche go through the contents of a parfleche. He withdrew her ruffled drawers, the buckskin shirt he had worn to the farm yesterday morning, and a drawstring pouch. As he walked back to her, he pressed her bloomers to his nose and sniffed.
He met her gaze as he drew the lavender-scented cloth away from his face. For the first time, he smiled a genuine smile. It warmed his expression so briefly that she might have believed she imagined it but for the twinkle that remained in his dark eyes as he knelt beside her.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
A loud clunk resounded behind her. She glanced over her shoulder, expecting to see her husband. Instead she looked straight into Red Buffalo’s black eyes. For an instant her heart stopped beating. She stared at him. He stared back. His arms were laden with firewood. One piece lay at his feet. Very slowly he hunkered down and began unloading the rest.
At last Loretta found her voice. “Get out of here!”
“I bring you wood,” he replied softly in English.
Even Loretta knew warriors didn’t demean themselves by gathering firewood; it was woman’s work. Red Buffalo was humbling himself, making her a peace offering. She didn’t care. “I don’t want your filthy wood. Take it and leave.”
He continued his task as if she hadn’t spoken. Rage bubbled up Loretta’s throat. She leaped to her feet and strode toward him. “I said get out of here! Take your damned wood with you!”
Just as she reached him, Red Buffalo finished emptying his arms and rose. He was a good head shorter than Hunter, but he dwarfed Loretta. She fell back, startled, wondering if he could smell her fear. Lifting her chin, she cut him dead with her eyes. He inclined his head in a polite nod and turned to walk away.
“I said take your wood with you!” she called after him. “I don’t want it!” Picking up a log, she chucked it at him. It landed on end and bounced, hitting Red Buffalo’s calf. He stopped and turned, his face expressionless as he watched her throw the remainder of the firewood in his direction.
Saying nothing, he began to pick up the firewood. To Loretta’s dismay, he returned to her firepit and began unloading the logs there in a neat pile. From the corner of her eye, she could see neighbors gathering to find out what all the commotion was about. Heat scalded her cheeks. She couldn’t believe Red Buffalo was humiliating himself like this.
“Don’t,” she said raggedly. “Go away, Red Buffalo! Go away!”
He tipped his head back. Tears glistened on his scarred cheeks. “Hunter has cut me from his heart.”
“Good! You’re an animal!”
Red Buffalo winced as if she had struck him. “He has forbidden me to enter his lodge until you take my hand in friendship.”
“Never!” Appalled, Loretta retreated a step. “Never, do you hear me?”
Red Buffalo slowly rose, brushing his palms clean on his breeches. “He is my brother--my only brother.”
“You expect me to feel sorry for you? How dare you come near me? How dare--”
Her voice broke, and she spun away, running inside the lodge. Heedless of Amy, who was sitting up on her pallet, Loretta threw herself onto the bed. Knotting her fists, she stifled her sobs against the fur. Hatred coursed through her, hot, ugly, and venomous, making her shake. Take his hand in friendship? Never, not as long as she lived.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.”
Aunt Rachel crossed herself. “Holy Mary, Mother of God, pray--”
“We don’t sell our womenfolk,” Henry called back.
“You sicken my gut, tosi tivo. After you had bedded her, you would have sold her to that dirty old man.” With a sneer twisting his lips, he lifted Tom Weaver’s wool riding blanket from his horse’s withers and tossed it to the dirt. “Better you sell her to me. I am young. I will give her many fine sons. She will not wail over my death for many winters.”
“I’d rather shoot her, you murdering bastard,” Henry retorted.
“Then do it and make your death song.” The Comanche wheeled his horse, riding close to the window where Loretta stood. “Where is the herbi with such great courage who came out to face us once before? Does she still sleep? Will you hide behind your wooden walls and let your loved ones die? Come out, Yellow Hair, and meet your destiny.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When at last he sprang to his feet, she retreated a step, lifting her chin so the lapping water couldn’t reach her mouth. He bent to retrieve the buffalo robe and beckoned for her.
“Keemah.”
She knew by now that the word meant “come.” She shuddered and looked longingly at the fur he held.
“Keemah,” he repeated. When she made no move to obey, he sighed.
Sinking lower into the water, Loretta accidentally took a mouthful and choked.
He glanced skyward, clearly exasperated. “This Comanche is not stupid. You would run like the wind if I took my eyes from you.”
She shook her head. Frowning, he studied her for a long moment.
“This is not pe-nan-de taquoip, the honey talk. It is a promise you make?”
She nodded, her teeth chattering.
“And you will not make a lie of it?”
When he assured him she wouldn’t with another shake of her head, he dropped the fur to the ground and pivoted on one foot. She could scarcely believe he truly meant to keep his back to her. She stared at the broad expanse of his shoulders, at the curve of his spine, at his long, leather-clad legs. Like the wild animals he hunted, he was lithe and lean, his large frame padded with sleek, powerful muscle. If she tried to run, he would be upon her before she had gone more than a few steps.
Plowing her way through the water to shore, she kept her eyes riveted to his back. A small rock cut into the sole of her foot as she scrambled up the bank. She bit her lip and kept going, afraid to hesitate even for a second. By the time she reached him, her heart was slamming. She grabbed up the fur and slung it around her shoulders, clasping the edges tightly to her chest.
Standing this close to him, she could see the sheen of oil on his skin, the dark hair that dusted the crease of his armpits. She didn’t want to touch him. The seconds ticked past. Was his hearing so keen that he knew she was still behind him? She sensed he was waiting her out, testing her in some way she couldn’t fathom, proving his mastery over her. She worked one hand free from the heavy robe. So fast that she scarcely felt her fingertips graze his skin, she tapped his shoulder and snatched her hand back.
He turned to look at her, his gaze lingering a moment on her bare feet and legs. Humiliation scorched her cheeks. He stepped toward her, stooping as he did to catch her behind the knees and toss her over his shoulder. As Loretta grabbed his belt for support, she realized two things: the cold water had eased her headache, and the hilt of the Comanche’s knife was within her reach…
Without stopping to think of the possible consequences, she reached out, imagining how it would feel to bury the blade into his back, to be free of him. Just as her fingers curled around the knife handle, he spoke.
“Kill me, Yellow Hair, and my friends will avenge me. The blood of your loved ones will be spilled as slowly as sap drips from a wounded tree.” He kept walking and made no move to grab her hand. “My friends know the way to your wooden walls, eh? Make no grief behind you. It is wisdom.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
He had once told Loretta that he would be as nothing without his people, and that was true. He would be giving up all that he was to be with her. Yet how could he live without her? The prophecy had come to pass. Without her, he had no tomorrows. How could a man live without them?
He sighed and closed his eyes. From the moment she had stepped out from her wooden walls, the path ahead of him had been clearly marked, but he had been too blind to see it. A tosi woman and a Comanche, their pasts stained with tears and bloodshed, had little hope of coexisting happily with either race. To be as one, they had to walk alone, away from both their people.
Where, that was the question. And Hunter had no answers. West, as the prophecy foretold? Into the great mountain ranges? The thought frightened him. He had been raised in open spaces, able to see into tomorrow, with the north wind whispering, the grass waving, the buffalo plentiful. What would he hunt? And how? He wouldn’t know what roots and nuts to gather. He wouldn’t know which plants made good medicine, which bad. Did he dare take a woman into an unknown land, uncertain if he could feed her, care for her, or protect her? What if she came with child? Winter, the time when babies cried. How would he stand tall like a man if his family starved?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
* Who do you think of when you hear the word “successful”? “The first people who come to mind are the real heroes of Task Unit Bruiser: Marc Lee, first SEAL killed in Iraq. Mike Monsoor, second SEAL killed in Iraq, posthumously awarded the Medal of Honor after he jumped on a grenade to save three of our other teammates. And finally, Ryan Job, one of my guys [who was] gravely wounded in Iraq, blinded in both eyes, but who made it back to America, was medically retired from the Navy, but who died from complications after the 22nd surgery to repair his wounds. Those guys, those men, those heroes, they lived, and fought, and died like warriors.” * Most-gifted or recommended books? “I think there’s only one book that I’ve ever given and I’ve only given it to a couple people. That’s a book called About Face, by Colonel David H. Hackworth. The other book that I’ve read multiple times is Blood Meridian [by Cormac McCarthy].” * Favorite documentaries? “Restrepo, which I’m sure you’ve seen. [TF: This was co-produced and co-filmed by Sebastian Junger, the next profile.] There is also an hour-long program called ‘A Chance in Hell: The Battle for Ramadi.’” Quick Takes * You walk into a bar. What do you order from the bartender? “Water.” * What does your diet generally look like? “It generally looks like steak.” * What kind of music does Jocko listen to? Two samples: For workouts—Black Flag, My War, side B In general—White Buffalo
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
Bear fat for the burn. You will lie on your face.”
Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly.
Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.”
Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach.
As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her.
She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her.
Relief, if she felt any at all, was short-lived, for he laved every inch of her back with grease and then tried to nudge her arms aside to get at the burned skin along her ribs. She resisted him, but in the end his strength won out. When his fingertips grazed the swell of her left breast, her lungs ceased working and her body snapped taut.
He hesitated, then resumed the rubbing, diving his fingertips between her and the fur to graze her nipple. She wasn’t burned there, and she knew he pressed the issue only to drive home his point. She belonged to him, and he would touch her whenever and wherever he pleased. A sob caught in her throat. Once again she felt his hand pause. His gaze burned into the back of her head, tangible in its intensity.
At last he withdrew his arm from under the fur and sat back. Loretta twisted her neck to look up at his dark face, not bothering to wipe away her tears, too defeated to care if he saw them. He set the leather pouch on the pallet beside her. For an instant she thought she glimpsed pity in his eyes.
“You rub the rest, eh? And put yourself into the clothes.”
With that, he rose, presented his broad back to her, and walked away to crouch by the only remaining fire. Loretta clutched the fur to her breasts and sat up, not quite able to believe he had left her alone to dress.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
After Hunter lowered her onto her fur pallet, which she was swiftly coming to regard as her prison, she clutched the buffalo robe around her and rolled onto her side. Make no grief behind you. She felt like an animal caught in a snare--awaiting the trapper and certain death.
The sun burned through her closed eyelids, red and hot. Loretta heard Hunter walk a short distance away, heard him murmur something. His stallion nickered in response. She lifted her lashes and watched the Comanche go through the contents of a parfleche. He withdrew her ruffled drawers, the buckskin shirt he had worn to the farm yesterday morning, and a drawstring pouch. As he walked back to her, he pressed her bloomers to his nose and sniffed.
He met her gaze as he drew the lavender-scented cloth away from his face. For the first time, he smiled a genuine smile. It warmed his expression so briefly that she might have believed she imagined it but for the twinkle that remained in his dark eyes as he knelt beside her.
He dropped the clothing onto the fur and held up the pouch. “Bear fat for the burn. You will lie on your face.”
Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly.
Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.”
Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach.
As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her.
She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
His people or Loretta? His mother’s and father’s faces flashed in his mind. Then others crowded in, Blackbird, Pony Girl, Turtle, Warrior, Maiden of the Tall Grass, and Red Buffalo. As much as he loved them, he had come to love Loretta more. When had it happened?
He had once told Loretta that he would be as nothing without his people, and that was true. He would be giving up all that he was to be with her. Yet how could he live without her? The prophecy had come to pass. Without her, he had no tomorrows. How could a man live without them?
He sighed and closed his eyes. From the moment she had stepped out from her wooden walls, the path ahead of him had been clearly marked, but he had been too blind to see it. A tosi woman and a Comanche, their pasts stained with tears and bloodshed, had little hope of coexisting happily with either race. To be as one, they had to walk alone, away from both their people.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Matt Swierad has been broadcasting minor-league baseball for twenty-three years—ever since he graduated from Jacksonville University with a degree in history. He spent seven years in the Class A South Atlantic League before landing the job in Charlotte in 1998. He was only thirty-one at the time and was on the path he wanted to be to get to the major leagues. Seven years later, Swierad was still in Charlotte and beginning to wonder if the major leagues were just a pipe dream. Then came an unexpected—if temporary—opportunity. Jerry Coleman, who had been doing play-by-play for the San Diego Padres forever, was being inducted into the Hall of Fame. The Padres needed someone to fill in for the three games that Coleman would miss during Hall of Fame weekend and put out a notice that anyone interested in the three-day job could send in an application. Swierad almost didn’t bother. “I figured there was no chance, that someone who had an in with someone out there would probably get it,” he said. “My wife finally convinced me that I should at least give it a shot.” The Knights were in Buffalo on a long road trip and had gotten to the hotel early one morning to find that they couldn’t check into their rooms right away—a frequent occurrence of Triple-A travel. When they finally got in their rooms, Swierad walked over to a nearby food court to get some lunch.
”
”
John Feinstein (Where Nobody Knows Your Name: Life In the Minor Leagues of Baseball)
“
...James looks up to see Stanley Hewitt leaning though. He doesn't like Stan-a florid ham hock of a man who talks to him loudly and slowly, as if he's hard of hearing, who makes stupid jokes that start 'George Washington, Buffalo Bill, and Spiro Agnew walk into a bar…
”
”
Celeste Ng (Everything I Never Told You)
“
Fame,” O.J. said, walking along, “is a vapor, popularity is an accident, and money takes wings. The only thing that endures is character.” “Where’d you get that from?” Cowlings asked. “Heard it one night on TV in Buffalo,” O.J. said. “I was watching a late hockey game on Canadian TV and all of a sudden a guy just said it. Brought me right up out of my chair. I never forgot it.” —From an article by Paul Zimmerman, Sports Illustrated, November 26, 1979, on O. J. Simpson
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David Halberstam (The Breaks of the Game)
“
Now, Crusoe,” said Dick, sitting down on the buffalo’s shoulder and patting his favourite on the head, “we're all right at last. You and I shall have a jolly time o't, pup, from this time for’ard.”
Dick paused for breath, and Crusoe wagged his tail and looked as if to say—pshaw! “as if!”
We tell you what it is, reader, it’s of no use at all to go on writing “as if,’ when we tell you what Crusoe said. If there is any language in eyes whatever—if there is language in a tail, in a cocked ear, in a mobile eyebrow, in the point of a canine nose,—if there is language in any terrestrial thing at all, apart from that which flows from the tongue, then Crusoe spoke! Do we not speak at this moment to you? and if so, then tell me wherein lies the difference between a written letter and a given sign?
Yes, Crusoe spoke. He said to Dick as plain as dog could say it, slowly and emphatically, “ That’s my opinion precisely, Dick. You're the dearest, most beloved, jolliest fellow that ever walked on two legs, you are; and whatever’s your opinion is mine, no matter how absurd it may be.
”
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R.M. Ballantyne (The Dog Crusoe and His Master: A Story of Adventure in the Western Prairies)
“
At the same time, the uncomfortable truth is that the person standing in front of us at Starbucks could be a serial killer and we would never know. The reason why “Jack the Ripper” was never caught, I believe, is precisely because he was able to walk away from those horrific crime scenes and instantly blend in with everyone else in 1880s London. “Jack the Ripper” was successful precisely because he wasn’t Buffalo Bill.
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Matt Murphy (The Book of Murder: A Prosecutor's Journey Through Love and Death)
“
She stepped up to the door and knocked.
The television voice cut off, replaced by the sound of pattering activity. “Just a moment,” said a male voice.
The door opened. It was Martin, aka Theodore the gardener, in pajama pants and no top, a towel hanging around his neck. Unclothed, he had the kind of build that made her want to say, “Yow.” She was glad she was wearing her favorite dress.
“Trick or treat?” she said.
“What?”
“Sorry to interrupt.” She indicated the towel. “You’re working out?”
“Miss, uh, Erstwhile, right? Yes, hello. No, I just couldn’t find my shirt. Are you lost?”
“No, I was walking and I…I don’t suppose you could give me the Knicks-Pacers score?”
Martin stared blankly for a moment, then looking around as if trying to spy out eavesdroppers, pulled her inside and shut the door behind her.
“You could hear that?”
“The TV? Yes, a little, and I saw the light through your window.”
“Blasted paper-thin curtains.” He grimaced and ran his fingers through his hair. “You are going to catch me at everything bad, aren’t you? Let’s hope you’re not her spy. She’ll have my balls for stew.”
“Who, Mrs. Wattlesbrook?”
“Yes, in whose presence I signed a dozen nondisclosure and proper-behavior and first-child and I don’t know what other kinds of promises, in one of which I swore to keep any modern thingies out of sight of the guests.”
“Tell me that Wattlesbrook isn’t her real name.”
“It is, actually.”
“Oh, no,” she said with a laugh in her voice.
“Oh, yes.” He sat on the edge of his bed. “I take it, then, you’re not spying for her? Good. Yes, dear Mrs. Wattlesbrook, descended from the noble water buffalo. It’s a decent job, though. Best pay for being a gardener I’ve ever had.” He met her eyes. “I’d hate to lose it, Miss Erstwhile.”
“I’m not going to tattletale,” she said in tired big-sister tones. “And you can’t call me Miss Erstwhile when you have a towel around your neck. To real people I’m Jane.”
“I’m still Martin.
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Shannon Hale (Austenland (Austenland, #1))
“
The name Medicine Lodge has a sadness to it - a lost western kind of sadness - like a line of cattle slowly walking through the forgotten remains of a
buffalo wallow.
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George Frazier (The Last Wild Places of Kansas: Journeys into Hidden Landscapes)
“
Anger will destroy you faster than any turtle. Anger robs the mind of its eyes of reason. And you live by your mind. We are weaker than the buffalo and slower than the horse. Our nails are not so sharp as the lion’s. But where we walk, we rule. The difference is our minds. Anger clouds our minds.
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Warren Murphy (Death Therapy (The Destroyer, #6))
“
Now we think maybe Lake Erie is the great water referred to in the I Ching, and if we wait long enough we can walk across—to Buffalo or Cleveland.
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Anna Clark (A Detroit Anthology)
“
BACKPAIN Muhammad went to visit a sick friend. Such kindness brings more kindness, and there is no knowing the proliferation from there. The man was about to die. Muhammad put his face close and kissed him. His friend began to revive. Muhammad’s visit re-created him. He began to feel grateful for an illness that brought such light. And also for the backpain that wakes him in the night. No need to snore away like a buffalo when this wonder is walking the world. There are values in pain that are difficult to see without the presence of a guest. Don’t complain about autumn. Walk with grief like a good friend. Listen to what he says. Sometimes the cold and dark of a cave give the opening we most want.
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Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
As I walked the grounds memories crowded my mind: countless Christmas Masses at midnight in the warm, sensuous church; my first communion; serving Sunday High Mass with its Latin prayers, rituals, and ringing bells; walking to and from school in all manner of weather; the crowded classrooms, and the strict Sisters of Saint Joseph
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Michael Shurgot (Could You Be Startin' From Somewhere Else?: Sketches From Buffalo And Beyond)
“
Count Duchamps: It's a wonder he didn't clank when he [Jim West] when he walked. (referring to all of Jim's gadgets and weaponry)
Wild Wild West (TV) Season 1
Night of the Two-Legged Buffalo
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Wild Wild West TV
“
The African lion. Five of them can take down an elephant. Three a water buffalo. Two a boar. One a deer, if she's patient. But you can walk right up to one of them in the wild and they'd just look at you, waiting for you to either leave or attack. There's an unknown tolerance at play, a buffer of observation as perception shifts from offense to defense.
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Brett Garcia Rose (Noise)
“
The Lums’ grocery was located on the corner of Bruce and Railroad Streets, next to the rail line. On one side of the grocery was the train depot and on the other side were two cobblers, a barber, a restaurant, and a laundry. Just south of the train depot, a short walk along the tracks, was the town’s ice plant. There, great slabs of ice were loaded into insulated boxcars. Fishermen, boots caked with the mud of the Arkansas, White, and Mississippi Rivers, heaved crates of buffalo and catfish onto waiting trains. Packed tight with ice, the fish then shipped up to Chicago, as many as three express carloads a day.
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Adrienne Berard (Water Tossing Boulders: How a Family of Chinese Immigrants Led the First Fight to Desegregate Schools in the Jim Crow South)
“
Come out, White-Eyes,” the voice called. “I bring gifts, not bloodshed.”
Henry, wearing nothing but his pants and the bandages Aunt Rachel had wrapped around his chest the night before, hopped on one foot as he dragged on a boot. By the time he reached the window, he had both boots on, laces flapping. Rachel gave him a rifle. He threw open the shutter and jerked down the skin, shoving the barrel out the opening. “What brings you here?”
“The woman. I bring many horses in trade.”
Loretta ran to the left window, throwing back the shutters and unfastening the membrane to peek out. The Comanche turned to meet her gaze, his dark eyes expressionless, penetrating, all the more luminous from the black graphite that outlined them. Her hands tightened on the rough sill, nails digging the wood.
He looked magnificent. Even she had to admit that. Savage, frightening…but strangely beautiful. Eagle feathers waved from the crown of his head, the painted tips pointed downward, the quills fastened in the slender braid that hung in front of his left ear. His cream-colored hunting shirt enhanced the breadth of his shoulders, the chest decorated with intricate beadwork, painted animal claws, and white strips of fur. He wore two necklaces, one of bear claws, the other a flat stone medallion, both strung on strips of rawhide. His buckskin breeches were tucked into knee-high moccasins.
Her gaze shifted to the strings of riderless ponies behind him. She couldn’t believe their number. Thirty? Possibly forty? Beyond the animals were at least sixty half-naked warriors on horseback. Loretta wondered why Hunter had come fully clothed in all his finery with wolf rings painted around his eyes. The others wore no shirts or feathers, and their faces were bare.
“I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.
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Catherine Anderson (Comanche Moon (Comanche, #1))
“
This is why you come? To ask this favor?”
“Please, Hunter, don’t say no. I’ll do anything, anything you ask.”
All trace of warmth left his eyes.
Loretta stared up at him. She had come so far. She couldn’t bear it if he said no. Amy was out there. “Please, Hunter, I’ll do anything.”
He said nothing, just studied her, his expression stony.
Exhaustion and defeat sent Loretta to her knees. Still clinging to his hand, she bowed her head. “Please, Hunter, please, I wouldn’t ask if I had anyone else to turn to. I thought you were my friend.”
Hunter studied her blond hair, braided and coiled like a snake around her crown, long curls escaping the combs to trail halfway down her back. He had walked to meet her believing she had returned to him. Now he realized she had come only to ask his aid, that she had no intention of remaining beside him. He felt like a foolish young boy, humiliated and angry. But not so angry that he wanted her on her knees.
It was the first time he had seen her surrender her pride. By that alone he knew how deeply she loved the child that had been lost to her. I thought you were my friend. The words cut deep. Perhaps he should feel honored. She had traveled a great distance into his land, trusting him with her life and with the life of the child she loved.
“Stand, Blue Eyes,” he told her gently.
She tipped her head back. Tears shimmered on her cheeks. “I’ll do anything, Hunter. I’ll serve you on my knees. I’ll be your loyal slave forever. I’ll kiss the ground you walk on, anything.”
He disengaged his hand from hers and grasped her shoulders, hauling her to her feet. “I want you in my buffalo robes, not making kisses in the dirt.
”
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Catherine Anderson (Comanche Moon (Comanche, #1))
“
I’ll do anything, Hunter. I’ll serve you on my knees. I’ll be your loyal slave forever. I’ll kiss the ground you walk on, anything.”
He disengaged his hand from hers and grasped her shoulders, hauling her to her feet. “I want you in my buffalo robes, not making kisses in the dirt.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Please, Hunter, please, I wouldn’t ask if I had anyone else to turn to. I thought you were my friend.”
Hunter studied her blond hair, braided and coiled like a snake around her crown, long curls escaping the combs to trail halfway down her back. He had walked to meet her believing she had returned to him. Now he realized she had come only to ask his aid, that she had no intention of remaining beside him. He felt like a foolish young boy, humiliated and angry. But not so angry that he wanted her on her knees.
It was the first time he had seen her surrender her pride. By that alone he knew how deeply she loved the child that had been lost to her. I thought you were my friend. The words cut deep. Perhaps he should feel honored. She had traveled a great distance into his land, trusting him with her life and with the life of the child she loved.
“Stand, Blue Eyes,” he told her gently.
She tipped her head back. Tears shimmered on her cheeks. “I’ll do anything, Hunter. I’ll serve you on my knees. I’ll be your loyal slave forever. I’ll kiss the ground you walk on, anything.”
He disengaged his hand from hers and grasped her shoulders, hauling her to her feet. “I want you in my buffalo robes, not making kisses in the dirt.”
Her eyes darkened. “I’ll do anything.”
Hunter was about to tell her he would find Amy, that she need not beg, but her last words stopped him. He was not a stupid man. He searched her pale face.
“I’ll be your woman. That’s what you want, isn’t it? I’ll stay with you. Freely. If you’ll find Amy and bring her back to me. I promise, Hunter.”
Her desperation made him feel ashamed. She had come to him for help; he couldn’t turn her away. He needed no reward for finding her sister. Yet he wanted this woman. And she was here, offering herself to him.
”
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Catherine Anderson (Comanche Moon (Comanche, #1))
“
Stand, Blue Eyes,” he told her gently.
She tipped her head back. Tears shimmered on her cheeks. “I’ll do anything, Hunter. I’ll serve you on my knees. I’ll be your loyal slave forever. I’ll kiss the ground you walk on, anything.”
He disengaged his hand from hers and grasped her shoulders, hauling her to her feet. “I want you in my buffalo robes, not making kisses in the dirt.”
Her eyes darkened. “I’ll do anything.”
Hunter was about to tell her he would find Amy, that she need not beg, but her last words stopped him. He was not a stupid man. He searched her pale face.
“I’ll be your woman. That’s what you want, isn’t it? I’ll stay with you. Freely. If you’ll find Amy and bring her back to me. I promise, Hunter.”
Her desperation made him feel ashamed. She had come to him for help; he couldn’t turn her away. He needed no reward for finding her sister. Yet he wanted this woman. And she was here, offering herself to him.
”
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Catherine Anderson (Comanche Moon (Comanche, #1))
“
Hunter, I have no brothers. You are my brother. My wife is dead. My child is dead. My parents are dead. Must I lose another to the tosi tivo?”
Hunter took a deep, jagged breath and slowly exhaled. “Red Buffalo, when my woman takes your hand in friendship, you are welcome in my lodge. Until then, walk a road of sorrow. It is the path you chose.”
“I never chose to walk apart from you, never.”
Though it took all his strength of will to do it, Hunter brushed Red Buffalo’s hand from his arm. “Walk a new way. Take a wife. You don’t have to be alone unless you wish to be.” With a slight motion of his head, Hunter directed Red Buffalo’s gaze toward the maiden who lingered on the far side of the fire, adding wood to the flames. When she glanced up and saw Red Buffalo staring at her, she blushed and grew so flustered that she dropped the logs she held in her arms.
“Bright Star?” Red Buffalo whispered.
Hunter walked away, leaving Red Buffalo to take it from there.
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Catherine Anderson (Comanche Moon (Comanche, #1))
“
Buffalo chips!” Amy grumbled. “Fine way to spend the mornin’, gatherin’ pooh for fires. Why us?”
“Because we aren’t so old we get crinks in our backs or so young we’ll get lost.” Loretta bent over, picked up a dried pie, and stowed it in her gunnysack. Since their ordeal at the Bartletts’ last night, Amy hadn’t once smiled. Loretta couldn’t help being concerned. “You never complained in Hunter’s village.”
“That was different. You expect to do things like gathering Buffalo pooh when you live with Indians.” She sighed. “It’s flat as a flapjack out here. Who could get lost? We’ve walked a mile and can still see our buckboard.”
“There’s one high spot over yonder.”
“Only one. A body could walk for miles and use it for a landmark.”
Loretta found another pie. In the hopes of teasing a smile out of Amy, she grinned and waved the chip under the child’s nose. “Wanna rub a little in our hair?”
“Lands, no!”
No smile. Poor Amy didn’t have much to be lighthearted about these days. Keeping up the banter, Loretta said, “That’s what you told me once, remember? That Comanche women rubbed dung in their hair.”
“Maybe they do.” Clearly determined to stay in a foul mood, Amy frowned and picked up a pie, adding it to her bag. “Probably in winter. We ain’t never been around ’em then.
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Catherine Anderson (Comanche Moon (Comanche, #1))
“
No, I’m in work mode, and I’m not about to walk around, greeting clients, potential sponsors, and taking care of business with buffalo sauce dripping from my lips.
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ReShonda Tate Billingsley (Miss Pearly's Girls: A Captivating Tale of Family Healing)
“
I said that this must not be, not at this time, German cinema could not do without her now, we would not permit her death.
One solitary, overriding thought: get away from here. People frighten me. Our Eisner mustn't die, she will not die, I won't permit it. She is not dying now because she isn't dying. Not now, no, she is not allowed to. My steps are firm. And now the earth trembles. When I move, a buffalo moves. When I rest, a mountain reposes. She wouldn't dare! She mustn't. She won't. When I'm in Paris she will be alive. She must not die. Later, perhaps, when we allow it.
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Werner Herzog (Of Walking in Ice: Munich-Paris, 11/23 to 12/14, 1974)
“
The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose. The wind was there when President Lincoln fell to an assassin’s bullet. It smelled of gunpowder at Antietam. It ran with the buffalo and touched tentative fingers to the tall black hats of Puritans. It has carried shouts of love, and it has dried tears to salt tracks on more faces than it can number.
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Libba Bray (The Diviners (The Diviners, #1))
“
Then she says, "Let me get this straight. We just survived an aerial bombing from the Japs, right?"
"That's right," Molly says.
"Then we set off in search of buried treasure?"
"That's correct."
"Then we got attacked by a bunch of wild water buffalo?"
"I wouldn't say 'attacked'," Molly says. "But definitely fair to say we were charged by about ten water buffalo."
"What now?" Greta asks."
"Now we walk.
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Trent Dalton (All Our Shimmering Skies)
“
Twice, Storm Crow sang his death song, loud and unabashed in the presence of his enemies. Twice, the great Comanche warrior survived and walked over the corpses of the men who’d tried to kill him. His name rang with power, spoken with pride in the buffalo-skin lodges of the People. Stories of his raids lit flames in the eyes of young men in camps from the Llano Estacado to the banks of the Rio Grande. Warriors from many bands answered his calls to the war trail. Young men wanted to follow him, fight with him, be like him—the great war chief who painted himself in the colors of death and mourning, the warrior who dared follow the Owl and mark its sign on his shield.
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D.A. Vega (Like Wolves: Como Lobos)
“
I laughed. “I have a harder rule to follow.”
He laughed too.
He touched my shoulder—then smiled. “Bullshit, Ari. You have the
harder rule to follow? Buffalo shit. Coyote shit. All you have to do is
be loyal to the most brilliant guy you’ve ever met—which is like
walking barefoot through the park. I, on the other hand, have to
refrain from kissing the greatest guy in the universe—which is like
walking barefoot on hot coals.
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Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe, The Inexplicable Logic of My Life, Aristotle and Dante Dive Into the Waters of the World By Benjamin Alire Sáenz 3 Books Collection Set)
“
I laughed. 'I have a harder rule to follow.'
He laughed too.
He touched my shoulder—then smiled. 'Bullshit, Ari. You have the
harder rule to follow? Buffalo shit. Coyote shit. All you have to do is
be loyal to the most brilliant guy you’ve ever met—which is like
walking barefoot through the park. I, on the other hand, have to
refrain from kissing the greatest guy in the universe—which is like
walking barefoot on hot coals.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
A catless writer is almost inconceivable; even Ernest Hemingway, manly follower of the hunting trophy and the bullfight, lived waist-deep in cats. It's a perverse taste, really, since it would be easier to write with a herd of buffalo in the room than even one cat; they make nests in the notes and bite the end of the pen and walk on the typewriter keys. — Barbara Holland
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Kevin Berry (Quotes on Writing by Writers for Writers)
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Guy walks up to a girl at a bar...asks to buy her a drink...ok...are you ready to do whatever it takes? I laughed during the movie Buffalo66...Tap Dancing with a pair of shiny shoes in Bowling all spares will never get you a hole in one at Golf.
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Jonathan Roy Mckinney Gero EagleO2
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Walk the good road, my daughter, and the buffalo herds wide and dark as cloud shadows moving over the prairie will follow you. . . . Be dutiful, respectful, gentle and modest, my daughter. And proud walking. If the pride and the virtue of the women are lost, the spring will come but the buffalo trails will turn to grass. Be strong, with the warm, strong heart of the earth. No people goes down until their women are weak and dishonored.
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Howard Zinn (A People's History of the United States)
“
At mile 7.6 (7,405), cross Meadows Group Campground Road, then go through a gate and veer left at mile 7.7 (7,364). (For Buffalo Creek Trailhead go right 0.2 mile.) After a nice walk along Buffalo Creek to a bridge, cross it and FS Rd 543 at mile 8.0 (7,391). Turn left at an intersection with Redskin Creek Trail at mile 8.3 (7,448). At mile 9.1 (7,900) there is a dry campsite. Ahead is a rifle range south of the trail and it’s common to hear shots; stay on the trail. The trail climbs to mile 9.6 (7,930), where it crosses the road to Buffalo Creek Gun Club. At mile 11.9 (8,127), cross a small stream where there’s good camping. After a short but steep climb, arrive at FS Rd 560 (Wellington Lake Road) and Rolling Creek Trailhead, the end of Segment 3 at mile 12.2 (8,279).
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Colorado Trail Foundation (The Colorado Trail)
“
Along the banks of the river about here we found that the natives had dug a great number of pitfalls, about ten feet in depth, to entrap hippopotami, elephants, or buffaloes, which, being always placed in the pathways made by these animals, and neatly covered over with dry grass, are most difficult to detect, even when one knows there are such things about; but the unconscious traveller, ignorant of anything of the sort, is almost sure to be engulfed in one of them sooner or later. This happened to two of our party, neither of whom, luckily, was in any way hurt, after which we adopted the plan of letting one of the Kafirs walk in front, who gave us due notice of their whereabouts, by either uncovering them with an assegai or falling into them, an example which we were, of course, careful not to follow.
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Frederick Courteney Selous (A Hunter's Wanderings in Africa)
“
we forget Joseph F. Glidden's 1874 invention of barbed wire, which, more than the rifle or the plow, transformed Buffalo Bill's Great Plains by insuring the survival of thousands of family farms, and making possible the growth of enormous-and enormously profitable-cattle ranches.
In addition, I feel a personal connection.
In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal.
On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where they found only one completed log house and another under construction. There they homesteaded the town of Blair, Nebraska. For three generations there were Carters in Nebraska, first in
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Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
“
Those in the tribe who now lived by the Soyapo ways spoke out against this, saying that Nez Perce who were afraid of the new law were like boys who were afraid to become men. They reminded them of the many gifts they had received from other strangers, like the horse, the ways of the buffalo, and the guns and tools and cooking pots. The new ways of the Spaldings were no different. And by doing violence to the Reverend and his family, they were betraying the promise of friendship their ancestors had made to Lewis and Clark. But the angry ones refused to listen. These men are not like Lewis and Clark, they responded. Lewis and Clark brought gifts, not laws. Lewis and Clark did not make the Nez Perce wear different clothes. Lewis and Clark did not make them cut their mother’s flesh to place seeds in the earth so lazy men could get food without going on the hunt. Lewis and Clark did not ask them to become a nation of old women who sat watching plants grow and slow cows walk while Soyapo told them where to live and how to dress and what to eat and how to worship the Creator. In exchange for a life of ease, they said, the Soyapo had given them a life of fear.
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Kent Nerburn (Chief Joseph & the Flight of the Nez Perce: The Untold Story of an American Tragedy)
“
As she rounded the corner and started down the aisle of the Primrose Courtyard, her heartbeat picked up. Playing hockey and dancing half-naked at NHL games never fazed her. Having all of Miranda and Ben’s friends and family stare at her as she walked at a snail’s pace in a pageant gown made her mouth go dry and her heart try to shuffle off to Buffalo.
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Katie Kenyhercz (Vegas Girl (Lady Sinners, #2))
“
Let’s hope that very soon it won’t matter whether we’re red, black, tan, yellow, white…male or female. Or whether we believe in the White Buffalo Woman, the teachings of Buddha, Allah or God.
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Heather Graham (Ghost Walk (Harrison Investigation #3))
“
Buffalo Bill is important to me as the symbol of the growth of our nation, for his life spanned the settlement of the Great Plains, the Indian
Wars, the Gold Rush, the Pony Express, the building of the transcontinental railroad, and the enduring romance of the American frontier-especially the Great Plains. Consider what he witnessed in his lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth Cavalry rode hell-for-leather across the prairie in pursuit of hostile Indians. Nor, though it is not usually considered a milestone in American history, should we forget Joseph F. Glidden's 1874 invention of barbed wire, which, more than the rifle or the plow, transformed Buffalo Bill's Great Plains by insuring the survival of thousands of family farms, and making possible the growth of enormous-and enormously profitable-cattle ranches.
In addition, I feel a personal connection.
In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal.
On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where
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Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
“
following the buffalo and moving from one camp to another. The
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Sharon Mierke (The Widow's Walk)
“
connection.
In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal.
On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where they found only one completed log house and another under construction. There they homesteaded the town of Blair, Nebraska. For three generations there were Carters in Nebraska, first in Blair and then in Omaha, where I was bom.
As a native Nebraskan, I feel a particular affinity for William F. Cody, who lived most of his adult life in Nebraska. My father, George W. Carter, could have seen Buffalo Bill's Wild West when it came to Omaha in August 1908. I wish I had known the old scout personally; I am glad I have come to know him better while writing this book. It is also my fond hope that readers will feel as I do, that Buffalo Bill Cody is well worth knowing.
Writing a biography of someone long dead is always a challenge. You must come to understand the person, the motivations, the key events that altered the course of history. And there are the records, the letters, the
reminiscences of contemporaries. In Bill. Cody's case the documentation is plentiful but sometimes contradictory. Did Buffalo Bill kill Yellow Hand-the "first scalp for Custer"-for example? There are those who say he did and detractors who say he did not. Who are. we . to ' believe? For the most part, if I found two or three accounts that agreed with each other, particularly if there were official government .records supporting him, I felt sure I could give the credit to Cody.
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Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
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So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
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Anonymous
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Werner Herzog: “My steps are resolute. And now the Earth shakes. When I walk, a buffalo walks. When I rest, a mountain rests.” This is echoed by Zen master Dōgen, “If you doubt mountains walking you don’t know your own walking.
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Daniele Bolelli (On the Warrior's Path: Philosophy, Fighting, and Martial Arts Mythology)
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We live in a tiny town, about ninety minutes from Buffalo, in upstate New York, where there’s only one high school, everyone knows everyone, and you can walk clear across the whole town in an hour.
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Freida McFadden (The Boyfriend)
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January 1 What is life? It is the flash of a firefly
in the night. It is the breath of a
buffalo in the wintertime. It is the little
shadow which runs across the grass
and loses itself in the sunset. —CROWFOOT,
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Terri Jean (365 Days Of Walking The Red Road: The Native American Path to Leading a Spiritual Life Every Day (Religion and Spirituality))
“
—
Try to keep everything and keep
standing. In the tall grass,
ten thousand shadows. What’s past,
all you’ve been,
will continue its half-life,
a carbon burn searing its way to heaven
through the twisted core of a pine.
At night, memory will roam your skin.
Your dreams will reveal the squirming world
under the lifted stone.
While you sleep, the sea
floods your house, you wake
to silt, long brown weeds
tangled in the sheets. You wake
in the bog, caked with the froth of peat,
stunted as shore pine,
growing a metre a century.
The bog bruised with colour,
muskeg, hardpan, much.
Matted green sphagnum
thick as buffalo fur.
Sinking into, bouyed
by spongy ground;
walking on water.
In time, night after night,
we’ll begin to dream of a langsam sea,
waves in slow motion, thickening to sand.
Drenched with satiety we’ll be slow
to rise, a metre a century.
Our brown bed is peat,
born of water, flooded,
burning with the smell of earth.
”
”
Anne Michaels