Waiting To Exhale Quotes

We've searched our database for all the quotes and captions related to Waiting To Exhale. Here they are! All 100 of them:

Folks want to glow, to leave their worries and dead skin behind.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
You’re a good guy, Cam.” “No, I’m not.” He exhaled deeply and his breath was warm against my cheek. “I’m only good with you.
J. Lynn (Wait for You (Wait for You, #1))
I want to push the fast-forward button until I get back to happy.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Jesper shrugged again. He adjusted the buttons on his shirt, touched his thumbs to his revolvers. When he felt like this, mad and scattered, it was as if his hands had a life of their own. His whole body itched. He needed to get out of this room. Wylan laid his hand on Jesper’s shoulder. “Stop.” Jesper didn’t know if he wanted to jerk away or pull him closer. “Just stop,” Wylan said. “Breathe.” Wylan’s gaze was steady. Jesper couldn’t look away from that clear-water blue. He forced himself to still, inhaled, exhaled. “Again,” Wylan said, and when Jesper opened his mouth to take another breath, Wylan leaned forward and kissed him. Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Men cheat. They lie. They love porn. The don't respect you and don't care if they hurt you. It's the fucking breaks. Women divorce 'em 'cause we can't tame 'em or train 'em or control 'em like we do household pets. End of story.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
I was tired of chasing ghosts, hollow men who were outside my comfort zone, men who had nothing to give me except a rush. It was all I asked for, and all I ever got.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
What I do know is sometimes we love the wrong people and sometimes we marry them.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Look, as my mama always said, 'One monkey don't stop no show.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
As you fall, remember that you are part of a beautiful story that did not start when you were born. Remember that you are the universe exhaling, a breeze waiting to blow across a field of tall grass. Remember, you are part of a beautiful story that did not start when you were born. As your body cuts through the air, think of only the things that made you smile, the people that made you love, the ideas that made you strong. Remember, those things will never happen again but they cannot unhappen. Remember, you are part of a beautiful story that did not start when you were born. Remember, what you felt can't ever be taken away. Remember, you are part of a beautiful story that did not start when you were born. And it will not end when you die. Remember.
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
He didn't say anything. Didn't try any of the hugging bullshit, either, which was just as well. Instead, he placed a wooden case next to Tohr on the bed, exhaled some Turkish smoke, and went back for the exit like he couldn't wait to get out of the room. Except he stopped before he left, "I gotchu, my brother," he said to the door. "I know, V. You always have. ~Vishous and Tohrment Lover Reborn
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Back then I confused passions and orgasms with love. It look me years to realize the two weren't synonymous.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
You've been killing me inside and I don't want to die like this.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
I'm not trying to be a middle aged centerfold, I just want to look at myself naked and not be disgusted.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
Sarah Kay
The best rush in the world is getting something at 80 percent off.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
We never thought some guy would deliberately fill our hearts with brown sugar and then pour hot water all over it.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
We get divorce, we get conned, someone we love dies, or we can't find anybody to love us or somebody breaks our heart and we realize this fairy tale ain't fair. So we suffer.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
I hope you meet somebody and get married and then they fucking disappoint you and you have to go through a divorce, and then maybe you'll get it.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
At least be a nice lesbian or you're going to give the rest a bad rap.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
I don't care if he never becomes my boyfriend or my husband, i just want him to be legitimate.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
He exhaled. "I don’t think I’ve ever seen two people so unhappy apart.
Shannon Dermott (Waiting for Mercy (Cambion, #2))
I had been on a whole lot of folks' prayer lists and God had known for years my address was still 111 Unlucky-in-LOve-Avenue.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
I been saying it for years: church is full of sneaky men posing as honest souls, and they are perpetuators our here looking for women just like you, with giant holes in your hearts, and they can smell when you got a good job and when you lonely as hell.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Sometimes I feel like I've been waiting for someone to tell me when I can be normal again,' she said. 'I keep thinking I'll get a letter. Or a call. When does it happen?' Pete looked like he wanted to walk toward her, but then he fell back against the car. The staring contest between them for almost a minute, and finally Pete exhaled loudly. It's okay,' he said.
Maureen Johnson (The Key to the Golden Firebird)
Now, I've been known to be attractive on special occasions, and I do my best to project as much beauty as I can muster from deep inside, though I often fail.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Their young live were over, too, except they had to die everyday while still breathing.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
I've got tons of irreplaceable information inside the soul of this computer.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Sit down. Inhale. Exhale. The gun will wait. The lake will wait. The tall gall in the small seductive vial will wait will wait: will wait a week: will wait through April. You do not have to die this certain day. Death will abide, will pamper your postponement. I assure you death will wait. Death has a lot of time. Death can attend to you tomorrow. Or next week. Death is just down the street; is most obliging neighbor; can meet you any moment. You need not die today. Stay here–through pout or pain or peskyness. Stay here. See what the news is going to be tomorrow. Graves grow no green that you can use. Remember, green’s your color. You are Spring.
Gwendolyn Brooks
It’s still there, you see,” he pointed out. “Bulbs and roots, just waiting to grow. You have to learn to look with more than just your eyes, Julia.” He took a deep pull on the cigarette and exhaled, slowly. “Try looking with your soul, instead. The soul sees what truly matters.
Susanna Kearsley (Mariana)
Breathing in, let golden light come into you through your head, because it is there that the Golden Flower is waiting. That golden light will help. It will cleanse your whole body and will make it absolutely full of creativity. This is male energy. Then when you exhale, let darkness, the darkest you can conceive, like a dark night, river-like, come from your toes upwards—this is feminine energy: it will soothe you, it will make you receptive, it will calm you, it will give you rest—and let it go out of the head. Then inhale again, and golden light enters in.
Osho (The secret of secrets)
Gay is the new straight, in case you haven't noticed.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
It’s not that marriage itself is bad; it’s the people we marry who give it a bad name.
Terry McMillan (Waiting to Exhale)
Tori swiveled in her seat as we came in. "There are more," she said. "He sent one every couple of weeks. The last one was only a few days ago." "Good," I said. "Would you mind keeping and eye on Andrew?" "Sure." She took off. "Wait." I grabbed Derek's sleeve as he headed for the chair Tori had vacated. I wanted to say something. I didn't know what. But there was no way to tell him that wouldn't be much of a shock, so I ended up stupidly murmuring, "Never mind." When he read what was on the screen, he went absolutely still, like he wasn't even breathing. After a few seconds, he yanked the laptop closer, leaning in to read it again. And again. Finally, he pushed back the chair and exhaled. "He's alive," I said. "You're dad's alive." He looked up at me and, I couldn't help it- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering, "I-I'm sorry. I'm just- I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think. Thankfully, I had my back to him because I was sure my cheeks were scarlet.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Okay, so I lied about my age. Everybody does.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Because after my marriage fell apart I felt like an empty parking space, and James just pulled into it.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
Without Purpose, LIVING is downgraded to Breathing a boring routine of inhaling oxygen - waiting to exhale
Fela Durotoye
Another mission. Another task. Another goal. And the enemy is always watching. Waiting. Looking for that moment of weakness. Looking for you to exhale, set your weapon down, and close your eyes, even just for a moment. And that’s when they attack. So don’t be finished.
Jocko Willink (Discipline Equals Freedom: Field Manual)
They're bored with their boring husbands who are workaholics like my dad. They're bored with their boring lives, sick of us kids and all this puberty and rebelling, so they pop pills all day long and shop and watch the soaps, and then when it all starts to fall apart they realize they just want to be happy again, so they go to rehab to clean up their act and then start fresh. Can you relate?
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
Kate Elizabeth Russell (My Dark Vanessa)
George walked into the room and looked at each of us in turn, ending with Thierry. "Hey, boss," he said as he lit a cigarette and exhaled the smoke out slowly, "did Sarah really call you an asshole before"? "George!" I moaned. "Now? You habe to bring that up now?" "Is this a bad time?" He didn't wait for an answer, or for the matter, a response to his first question. " I just figured that since I haven't heard any shooting in here, this might be a good time for me to take off.
Michelle Rowen (Bitten & Smitten (Immortality Bites, #1))
I waited. Nothing. Here again was the colossal silence where God's, someone's, anyone's voice should have been. Learn this lesson now, my brother said, I shan't teach it twice. There is nothing. It means nothing. Then the night exhaled and flowed again. I knew with clairvoyant weariness I'd go back countless times to the question of why, how, but knew too I carried the answer inside. It had gone in like an inhaled spec of toxic dust. Life is nothing but a statement of what happens to be.
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
Daphne looked down and noticed that her hand was clenched into a fist. Then she looked up and realized her mother was staring at her, clearly waiting for her to say something. Since she had already exhaled, Daphne cleared her throat, and said, “I’m sure Lady Whistledown’s little column is not going to hurt my chances for a husband.” “Daphne, it’s been two years!” “And Lady Whistledown has only been publishing for three months, so I hardly see how we can lay the blame at her door.” “I’ll lay the blame wherever I choose,” Violet muttered.
Julia Quinn (The Duke and I (Bridgertons, #1))
He took in a premeditated breath, closed his eyes, and exhaled into the nye at his lips, playing a new tune. It was not the sad music of waiting. Nor was it a melody of his heritage. It was a call to the earth. To Allah. To the country within him.
Susan Abulhawa
Luca locked his gaze with hers and held it, willing her to succumb to his entrancement. She stared back into his eyes blankly, waiting. "Tell me your name," he commanded. Her lips parted and her tongue ran across to moisten them before she exhaled in a confiding whisper, "Amelia Bedelia.
Vanessa Gravenstein (war/SONG)
Once upon a time, the great big world outside Bridgeton had seemed like Xanadu - miles of golden road lined with smiling people, waiting to usher me through hundreds of open doors. There was nothing out there but bright light and possibilities. There were big dreams of other places, other people, even other boys. There had even, for two hours in April, been somebody else. He was a glimpse of the future, where I would live and breath and love far, far away from this place. A future where behind a closed door, on Saturday mornings, a boy I hadn't met yet would wrap an arm around my waist and exhale damp heat into the curve of my neck. Where we would keep our eyes closed, pull the covers closer, burrow down and deeper to escape the nine-o'clock sunshine, and the sound of heavy breath echoing along the rusted steel confines of a pickup truck would be nothing but a memory.
Kat Rosenfield (Amelia Anne Is Dead and Gone)
Telling Mom was one thing. Telling Dad is another. He’s in the living room smoking and watching what he claims is a very important Yankees game. It’s in the ninth inning and the teams are tied. I consider backing out, maybe waiting another week or so, but maybe he won’t actually care when I tell him. Maybe all that stuff he said when I was younger, about never acting like a girl or playing with any female action figures, will go away once he realizes I am the way I am without any choice. Maybe he’ll accept me. Mom follows me into the living room and sits down on Eric’s bed. “Mark, do you have a minute? Aaron has something he wants to talk about.” He exhales cigarette smoke. “I’m listening.” He never looks away from the game.
Adam Silvera (More Happy Than Not)
And sitting there against the wall, listening to Billy's inhalations and exhalations, and watching the light in the glass and through the glass, Cleve knew without doubt that even if he escaped this trap, it was only a temporary respite; that this long night, its minutes, its hours, were a foretaste of a longer vigil. He almost despaired then; felt his soul sink into a hole from which there seemed to be no hope of retrieval. Here was the real world; he wept. Not joy, not light, not looking forward; only this waiting in ignorance, without hope, even of fear, for fear came only to those with dreams to lose.
Clive Barker (In the Flesh (Books of Blood, #5))
Teresa closed her eyes, waited, inhaled sonofabitch, exhaled sonofabitch.
Ann Patchett
How do you tell a man—in a nice way—that he makes you sick?
Terry McMillan (Waiting to Exhale)
Taylor and Niall are watching their personal assistant prospects waiting to be interviewed. "Leave them sitting there until one of them shows some initiative." Niall said. Ten minutes ticked slowly by. "I give in," Niall said. "They're all idiots." Taylor laughed. "I'm intrigued now. How long are they going to sit there?" "I suspect until they drop dead." Five more minutes before Taylor heard Niall exhale in frustration, and then the door of the living room flew open and a chicken burst in. "What the f**k?" Taylor gasped. "Hi, everyone," the chicken said in a perky voice. "Thank goodness, I'm not too late. I had difficulty getting across the road." She laughed and then sighed when no one else joined in. They sat staring at her in mute shock.
Barbara Elsborg (Worlds Apart)
There was a small stone in her palm, a deep blue opal. I leaned a little closer, eyeing it. It was set on a silver stud—an earring. “It should suffice to contain the parasite for what time remains,” Mab said. “Put it on.” “My ears aren’t pierced,” I objected. Mab arched an eyebrow. “Are you the Winter Knight or some sort of puling child?” I scowled at her. “Come over here and say that.” At that, Mab calmly stepped onto the shore of Demonreach, until her toes were almost touching mine. She was several inches over six feet tall, and barely had to reach up to take my earlobe in her fingers. “Wait,” I said. “Wait.” She paused. “The left one.” Mab tilted her head. “Why?” “It’s . . . Look, it’s a mortal thing. Just do the left one, okay?” She exhaled briefly through her nose. Then she shook her head and changed ears.
Jim Butcher (Skin Game (The Dresden Files, #15))
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive. It isn’t easy for me either. He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him. He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room. The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted. Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away. She exhaled. “Go on,” she repeated. Finish the story. The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments
Louise Erdrich (The Sentence)
The air felt thin and bursting with life. It always seemed to Ember that on Samhain, the world sucked in a breath and held it, waiting for the chime of midnight to ring, and then it slowly exhaled, blowing all the unseen things far back, away from the world of the living.
Colleen Houck (The Lantern's Ember)
I write about the social and personal drama in the lives of familiar people who struggle for survival of self in hostile environments. My books expresses a special concern with exploring the oppression's, the insanity, the loyalties and the triumphs of black women is necessary to remind everyone to be fearless in their struggle for survival of self! To Dance With Ugly People IS the next blockbuster in the genre of For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, Precious, and The Color Purple with a splash of Waiting to Exhale!
Lorene Stunson Hill (To Dance with Ugly People)
Dude, what're you waiting for?" Carlos calls. "Plant one on her." I lift my eyes and am shocked to see Brandon is staring at my mouth. He swallows audibly and flicks his gaze to mine. the emotions darkening the soft green color are too confusing to name. Does he want to back out? An exhale of breath leaves Brandon's lips, almost like a laugh, and he scoots closer to me on the blanket. I twist my legs under myself, sitting tall as I face him. He cups my chin and tilts it toward him, drowning me in the now dark-green depths of his eyes, the cologne I gave him for his birthday filling my head. It's woodsy and yummy and I always loved how it smelled on the store testers, but on Brandon, it's even sexier. My eyes flutter closed, and I inhale again, this time slowly. Goose bumps prickle my arms, and my head gets fuzzy. Brandon slides his hand down the column of my neck and brings the other up, threading his fingers through the hair at my nape. His breath fans across my cheek, and everything south of my bellybutton squeezes tight. When his mouth first meets mine, it's hesitant, questioning. But as I move my lips with his, he quickly grows bolder, coaxing them apart. Desire, pure and raw, electrifies my veins as his tongue sweeps my mouth. A whimpering sound springs from my chest, and instinctively, I wrap my arms around his neck, tugging him closer. Needing more. My teeth graze his full bottom lip, and I pull it, sucking on it gently. He moans and knots his fingers in my hair, and a thrill dances down my back. Brandon is an amazing kisser, just as I knew he would be. I have no control over my body's reactions. I lose myself in his lips, his tongue, and his strong arms, forgetting time and space and even my surroundings...
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
One time, when I was in a hide in a tree, waiting motionless for game to wander by, I dozed off and fell three metres to the ground, landing on my back. It was as if the impact had knocked every wisp of air from my lungs, and I lay there struggling to inhale, to exhale, to do anything. That
Suzanne Collins (The Hunger Games (Hunger Games, #1))
No, Daddy!” Ava said. “Mal’s not the father.” “Wait, he’s not?” Mrs. Ivey demanded. “No.” Ava exhaled sharply. “He’s my best friend, and he came here to provide moral support. But Mal’s… gay.” “Gay! Oh, dear Lord, she done turned another one.” Amos Nutter shook his head and made a tsking noise.
Lucy Lennox (Fakers (Licking Thicket, #1))
Suddenly, I needed to lie down very badly. I stubbed out my cigarette into a seashell, closed the window, and got in bed. I rubbed some Pure Fiji coconut lotion onto my stomach, closed my smoky eyes, and waited for the curtain to fall. I hated this part. I tried to focus on my breath, just like I’d learned in rehab: inhale, exhale.
Cat Marnell (How to Murder Your Life)
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
William T. Vollmann (The Royal Family)
The A.W.E. Method A.W.E stands for Attention, Wait, Exhale and Expand. Attention means Focusing your full and undivided attention on something you value, appreciate or find amazing. Wait means slowing down or pausing. Exhale and Expand amplifies whatever sensations you are experiencing. A.W.E. is a quick and easy intervention that can cultivate awe in the ordinary, at any time and in any place. Cultivating awe for less than a minute a day reduces symptoms of depression and anxiety, improves social connection, decreases loneliness, reduces burnout, lowers stress, increases wellbeing and reduces chronic pain. The capacity to help heal the mind and body is only one of awe's superpowers.
Jake Eagle LPC (The Power of Awe: Overcome Burnout & Anxiety, Ease Chronic Pain, Find Clarity & Purpose―In Less Than 1 Minute Per Day)
You’ll drive a saint into chaining you to the bed,” Jack muttered, and then trying not to let his annoyance show, he continued, “The sex is good. No, wait. Sex with you blows my fucking mind. You’re smart, sexy and sassy—you don’t take shit from me— and I crave to be with you even when all my survival instincts tell me to run the other way. You’re the most beautiful woman I’ve ever fucking laid eyes on.” He grasped both her hands and brought them together over his chest. “Now, Miss Pierce, will you stay until Friday?” Maia burst into laughter. “Okay, that will do. I’ll stay until Friday.” Jack exhaled a breath of relief. “Thank God, I thought I’d have to start quoting fucking Byron. What time do you want me to take you to Baltimore?
Victoria Paige (Fire and Ice (Guardians, #1))
Where were you this morning?” Peter demands. I cross my arms and try to stand tall. It’s hard, because I’m so short and he really is tall. “You’re one to talk.” Peter huffs, “At least I texted you! I’ve called you like seventeen times. Why is your phone off?” “You know we’re not allowed to have our phones on at school!” He huffs, “Lara Jean, I waited in front of your house for twenty minutes.” Yikes. “Well, I’m sorry.” “How’d you get to school? Sanderson?” “Yes.” Peter exhales. “Listen, if you were pissed I couldn’t come over last night, you should’ve just called and said so instead of the shit you pulled this morning.” In a small voice I say, “Well, what about that shit you pulled last night?” A smile tugs at the corners of his mouth. “Did you just say ‘shit’? It sounds really funny coming out of your mouth.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Well then. Let us begin with essentials. Are you free to marry me?” He exhaled slowly, in a pointed effort not to hold his breath. “Of course. When I come of age, that is.” “Tell me your birthday.” She smiled. “The first of February.” “It will be our wedding day.” He traced the shape of the birthmark on her hip. “Very convenient for me, for your birthday and our anniversary to coincide. I’ll be more likely to remember both.” “I wish you would stop touching me there.” “Do you? Why?” “Because it is ugly. I hate it.” He tilted his head, surprised. “I quite adore it. It reminds me that you are imperfectly perfect and entirely mine.” He slid down her body and bent to kiss the mark to prove the point. “There’s a little thrill in knowing no one else has seen it.” “No other man, you mean.” He kissed her there again, this time tracing the shape with his tongue. She squirmed and laughed. “When I was a child, I would scrub at it in the bath. My nursemaid used to tell me, God gives children birthmarks so they won’t get lost.” Her mouth curled in a bittersweet smile. “Yet here I am, adrift on the ocean on the other side of the world. Don’t they call that irony?” “I believe they call it Providence.” He tightened his hands over her waist. “You’re here, and I’ve found you. And I take pains not to lose what’s mine.” He kissed her hip again, then slid his mouth toward her center as he settled between her thighs. “Gray,” she protested through a sigh of pleasure. “It’s late. We must rise.” “I assure you, I’ve risen.” “I’ve work to do.” She writhed in his grip. “The men will be wanting their breakfast.” “They’ll wait until the captain has finished his.” “Gray!” She gave a gasp of shock, then one of pleasure. “What a scoundrel you are.” He came to his knees and lifted her hips, sinking into her with a low groan. “Sweet,” he breathed as she began to move with him, “you would not have me any other way.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
They’re just waiting for nightfall. Then you’re s.o.l., sister. There’s only one other chick in the entire camp. But she’s the chief redneck’s daughter, so they consider her off-limits, kind of f a Smurfette situation.” He exhaled, grinning up at the slats of the cage roof. “Smoking body on that one—but shy a few teeth. Still, I’d do Hickette with a flag over her face.” “Excuse me?” Matthew chuckled. “Do her for his country.” “Matthew!” I cried, frowning at him. I’d thought of him as more . . . innocent.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
He possessed uncanny instincts about how much time had to pass before precautions weakened. Keeping communities and victims uncertain about his presence gave him a strategic advantage, of course. The blindfolded victim tied up in the dark develops the feral senses of a savannah animal. The sliding glass door quietly shutting registers as a loud, mechanical click. She calculates the distance of ever fainter footsteps. Hope flickers. Still, she waits. Time passes in tense perception. She strains to hear breathing other than her own. Fifteen minutes go by. The dread sense of being watched, of being pinned down by a possessing gaze she can't see, is gone. Thirty minutes. Forty-five. She allows her body to slacken almost imperceptibly. Her shoulders fall. It's then, at the precipice of an exhale, that the nightmare snaps into action again - the knife grazes the skin, and the labored breathing resumes, grows closer, until she feels him settling in next to her, an animal waiting patiently for its half-dying quarry to still.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Hey, yourself.” I beamed at the cheerleading squad's captain and then leaned down to whisper to La La. “What’s her name again?” “Jackie.” La La slung her jean satchel on her right shoulder and exhaled noisily. “I can’t wait until you get out of your Shapeshifter horny phase.” “The proper name is Season.” I drank in Jackie’s image as she jumped around, doing a cheer. Those round melons bounced with each movement. “And it usually takes Shifters seven to ten years to mature out of it, so buckle up and enjoy the ride.” La La snorted.
Kenya Wright (Caged View (Santeria Habitat, #0.5))
She exhaled, and then looked back to Nigel, who was still lying on the floor, moaning incoherently. Simon looked down, too, and for several seconds they just stood there, staring at the unconscious man, until the girl said, “I really didn’t hit him very hard.” “Maybe he’s drunk.” She looked dubious. “Do you think? I smelled spirits on his breath, but I’ve never seen him drunk before.” Simon had nothing to add to that line of thought, so he just asked, “Well, what do you want to do?” “I suppose we could just leave him here,” she said, the expression in her dark eyes hesitant. Simon thought that was an excellent idea, but it was obvious she wanted the idiot cared for in a more tender manner. And heaven help him, but he felt the strangest compulsion to make her happy. “Here is what we’re going to do,” he said crisply, glad that his tone belied any of the odd tenderness he was feeling. “I am going to summon my carriage—” “Oh, good,” she interrupted. “I really didn’t want to leave him here. It seemed rather cruel.” Simon thought it seemed rather generous considering the big oaf had nearly attacked her, but he kept that opinion to himself and instead continued on with his plan. “You will wait in the library while I’m gone.” “In the library? But—” “In the library,” he repeated firmly. “With the door shut. Do you really want to be discovered with Nigel’s body should anyone happen to wander down this hallway?” “His body? Good gracious, sir, you needn’t make it sound as if he were dead.” “As I was saying,” he continued, ignoring her comment completely, “you will remain in the library. When I return, we will relocate Nigel here to my carriage.” “And how will we do that?” He gave her a disarmingly lopsided grin. “I haven’t the faintest idea.” -Daphne & Simon
Julia Quinn (The Duke and I (Bridgertons, #1))
Subway tunnels breathe. They exhale when trains come and inhale when they leave. Their concrete lungs fill with smoke and soot and rubber and the scents of a hundred ladies’ perfumes. When trains aren’t running, the tunnels hold their breath. They might let wisps of warm air drift into the cold night, draw in slow nips of bracing frost, but mostly they sit still, waiting for trains to bring them back to life. A thousand times a day their breath coursed over Joe Tesla’s body. It was not so warm as human breath, nor yet so cold as stone. He was used to it, now. Because he lived here, underground, in the tunnels of New York City.
Rebecca Cantrell (The World Beneath (Joe Tesla, #1))
Do you remember when your mom made you and your friends take Trevor and me hiking with you last summer?” she asks. “You let us do everything. You let us get close to the edge of the cliff. Climb boulders. You let Trevor swear . . .” Her fingers curl into my back, clutching my T-shirt. “But you wouldn’t let us go too far. You said we needed to save our energy for the return trip. That’s how you are.” “What do you mean?” She inhales a deep breath and then exhales. “Well, it’s like you’re saving your energy for something. Holding back,” she says, nestling into me and getting comfortable. “But it doesn’t make any sense. Life is one-way, and there is no return trip. What are you waiting for?
Penelope Douglas (Corrupt (Devil's Night, #1))
The frog in the frying pan is a psychological term, a phenomenon,” she said. “If you stick a frog into a sizzling hot frying pan what’ll it do?” “Jump out?” suggested Clara. “Jump out. But if you put one into a pan at room temperature then slowly raise the heat, what happens?” Clara thought about it. “It’ll jump out when it gets too hot?” Myrna shook her head. “No.” She took her feet off the hassock and leaned forward again, her eyes intense. “The frog just sits there. It gets hotter and hotter but it never moves. It adjusts and adjusts. Never leaves.” “Never?” asked Clara, quietly. “Never. It stays there until it dies.” Clara look a long, slow, deep breath, then exhaled. “I saw it with my clients who’d been abused either physically or emotionally. The relationship never starts with a fist to the face, or an insult. If it did there’d be no second date. It always starts gently. Kindly. The other person draws you in. To trust them. To need them. And then they slowly turn. Little by little, increasing the heat. Until you’re trapped.” “But Lillian wasn’t a lover, or a husband. She was just a friend.” “Friends can be abusive. Friendships can turn, become foul,” said Myrna. “She fed on your gratitude. Fed on your insecurities, on your love for her. But you did something she never expected.” Clara waited. “You stood up for yourself. For your art. You left. And she hated you for it.
Anonymous
Perhaps I had always known they would disappear one day, and so I had kept them at a distance, laughed at their jokes and listened to their plans but never really trusted their existence. I had learned how to protect myself. When the police took my father, I had been a dumb boy, unable to understand how a man-- that willful, brilliant man-- could cease to exist at the snap of an unseen bureaucrat's fingers, as if he were nothing but cigarette smoke exhaled by a bored sentry in a watchtower in Siberia, a sentry who wondered if his girlfriend back home was cheating on him, who stared over the wintry woods, unaware of the great blue maw of the sky above him that waited to swallow the curling smoke and the sentry and everything on the ground below.
David Benioff (City of Thieves)
How to Perform Paced Breathing Paced breathing is a slow, regular rate of deep breathing. There are three main points to keep in mind when practicing: 1. Breathe slowly. Concentrate on slowing the rate of your breathing to eight or ten breaths per minute. 2. Inhale and exhale through your nose. It is more difficult to take shallow breaths from the upper chest when you breathe through your nose. This keeps you from hyperventilating. 3. Choose a neutral word to focus on while practicing paced breathing. The words “one,” “calm,” and “relax” work well. Each time you exhale, say the word in your mind. This will assist in keeping your breathing evenly paced, and will help to reduce the chances of interfering thoughts. During the day, when you are not practicing paced breathing, alternate paced and normal breathing. Every single breath you take does not have to come from the diaphragm. There should be a natural rhythm between chest breathing and diaphragm breathing. Find a comfortable balance but do more diaphragmatic breathing than you usually do. Tony is at a local law office to interview for an internship. He wants to become a trial lawyer. He is very excited by the thought of working professionally, but is so anxious about the interview that he feels lightheaded and numb. He is afraid he won’t be able to say what he wants to, and that his answers will be incorrect. As he waits for the interviewer, Tony starts to concentrate on slowing the rate of his breathing. With only a few deep breaths, his mind clears and his racing heart calms. He feels more relaxed and is confident.
Heather Moehn (Social Anxiety (Coping With Series))
One of the most remarkable aspects of awe is its ability to help us feel more connected to others. Find a place where you can be alone and then use the A.W.E. Method while thinking of a person who has been most dear to you in your life. They may be living or passed away. Take time to create a clear picture of that person, maybe a particular memory or scene that captures their essence. Hold the image in your mind, give it your full attention. Wait the length of a full inhalation or maybe more than one, while you take time to appreciate this person. Imagine looking into their eyes. Consider what they mean to you, what you learned from them or how you grew as a result of knowing them. We can be in the moment while remembering. While you remember and feel, just remember and feel. Then, when you're ready, exhale fully and allow yourself a moment of awe.
Jake Eagle LPC (The Power of Awe: Overcome Burnout & Anxiety, Ease Chronic Pain, Find Clarity & Purpose―In Less Than 1 Minute Per Day)
She moved, opening to him, her thighs widening, the cool air of the room rushing through the slit in her pantalettes. Her cheeks burned and she moved her hands to block his view. He was watching them, and he made a low sound of approval. "That's where my hands would be as well. Can you feel why? Can you feel the heat? The temptation?" Her eyes were closed now. She couldn't look at him. But she nodded. "Of course you can... I can almost feel it myself." The words were hypnotic, all temptation, soft and lyric and wonderful. "And tell me, my little anatomist, have you explored that particular location, before?" Her cheeks burned. "Don't start lying now, Pippa. We've come so far." "Yes." "Yes, what?" "Yes, I've explored it before." The confession was barely sound, but he heard it. When he groaned, she opened her eyes to find him pressed back against the desk once more. "Did I say the wrong thing?" He shook his head, his hand rising to his mouth once more, stroking across firm lips. "Only in that you made me burn with jealousy." Her brows furrowed. "Of whom?" "Of you, lovely." His grey gaze flickered to the place she hid from him. "Of your perfect hands. Tell me what you found." She couldn't. While she might know the clinical words for all the things she had touched and discovered, she could not speak them to him. She shook her head. "I cannot." "Did you find pleasure?" She closed her eyes, pressed her lips together. "Did you?" he whispered, the sound loud as a gunshot in this dark, wicked room. She shook her head. Once, so small it was barely a movement. He exhaled, the sound long and lush in the room, as though he'd been holding his breath... and he moved. "What a tragedy." Her eyes snapped open at the sound of him- of trouser against carpet as he crawled toward her, eyes narrow and filled with wicked, wonderful promise. He was coming for her. Predator stalking prey. And she could not wait to be caught.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Behind me, my phone buzzes with a new text. Nan looks around me suspiciously. “Why are you hiding your cell phone under your pillow?” Busted. “Because I thought you were Mama,” I answer truthfully. “And you didn’t want her to know…what?” I exhale slowly, trying to decide how much to reveal to her. I reach for my phone and drag it out. “You kind of caught me and Ryder texting.” “You and Ryder? Why is that a secret? Wait--do you mean you two were sexting?” “Oh my God! No. Eww!” That’s just so…tacky. She shrugs. “Well, then, what’s the big deal?” I realize there’s only one way to make her understand what a huge, enormous, monumental deal it is--I have to tell her the truth. So I do. When I’m finished, Nan just smiles and says, “It’s about damn time you put that boy out of his misery. He’s only been in love with you since…well, since forever.” I roll my eyes. “No, you’ve got it backward. We’ve hated each other since forever.” “Love, hate,” she says with a smile. “Such a fine line between the two, isn’t there?” And you know what? I realize then that she’s right.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Her hands glided down his body and landed on his cock. Yes. Ramón cupped her face and kissed her again. Julieta pulled away and dropped to her knees in front of him. "Yeah, baby." Her hands squeezed his ass, and she pulled down his pants and his boxer briefs. Ramón had been fantasizing about this since he'd met her. He was already so hard. He couldn't wait to feel her mouth around him. She kissed around the base of his cock and licked the tip. "Stop teasing me." She licked down his length and spat on her hand before she grasped him. Ah, that felt so good. A few more kisses on the head, and he was dying with anticipation. She finally took him in her mouth. He exhaled, enjoying the moment of pleasure. Having her eyes locked on his was almost enough to send him over the edge. Her mouth was so hot. The pressure built in his balls. "That's it, baby. Don't stop. Just like that." Her head bobbed up and down, taking him deep. She created a seal with her lips. Ramón took control. He held her right where he wanted as he fucked her mouth. He thrust deeper. He was right on the edge. "I'm going to come, baby." He tried to pull away, but she wouldn't let him. She sucked him so hard, so deep. He finally let go, and she swallowed.
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Can't sleep so you put on his grey boots -- nothing else -- & step inside the rain. Even though he's gone, you think, I still want to be clean. If only the rain were gasoline, your tongue a lit match, & you can change without disappearing. If only he dies the second his name becomes a tooth in your mouth. But he doesn't. He dies when they wheel him away & the priest ushers you out the room, your palms two puddles of rain. He dies as your heart beats faster, as another war coppers the sky. He dies each night you close your eyes & hear his slow exhale. Your fist choking the dark. Your fist through the bathroom mirror. He dies at the party where everyone laughs & all you want is to go into the kitchen & make seven omelets before burning down the house. All you want is to run into the woods & beg the wolf to fuck you up. He dies when you wake & it's November forever. A Hendrix record melted on a rusted needle. He dies the morning he kisses you for two minutes too long, when he says Wait followed by I have something to say & you quickly grab your favorite pink pillow & smother him as he cries into the soft & darkening fabric. You hold still until he's very quiet, until the walls dissolve & you're both standing in the crowded train again. Look how it rocks you back & forth like a slow dance seen from the distance of years. You're still a freshman. You're still but he smiles anyway. His teeth reflected in the window reflecting your lips as you mouth Hello -- your tongue a lit match.
Ocean Vuong (Night Sky with Exit Wounds)
What’s going on, chick?” she asks, taking a drink. She knows that when Johnnie comes out, something bad has happened. I suck on my teeth and shake my head. She cringes at the burn of whiskey, waiting for me to say more. I glance down at my bracelet. “My past caught up with me.” She slides the bottle back my way. “Need me to hurt someone?” she asks, dead serious. She and I are as close as friends come, and we have been since senior year of high school. And at the core of our friendship is a pact of sorts: nothing’s going to drag her towards the future she doesn’t want, and nothing’s going drag me back into the past I’ve worked to forget. Nothing. I huff out a laugh. “Eli’s already beaten you to it.” “Eli?” she says, raising an eyebrow. “Girl, I’m hurt. Hoes before bros, remember?” “I didn’t ask him to get involved. I broke up with him, and then he got involve—” “What!” She grabs the table. “You broke up with him? When were you going to tell me?” “Today. I was going to tell you today.” She’s shaking her head. “Bitch, you should’ve called me.” “I was busy ending a relationship.” She falls back into her seat. “Shit girl, Eli’s going to stop giving us a discount.” “That’s what your most upset by?” I say, taking another swig of whiskey. “No,” she says. “I’m happy you grew a vagina and broke up with him. He deserves better.” “I’m going to throw this bottle of whiskey at you.” She holds her hands up to placate me. “I’m kidding. But seriously, are you okay?” I barely stop myself from looking at my computer screen again. I exhale. “Honestly? I have no fucking clue.
Laura Thalassa (Rhapsodic (The Bargainer, #1))
He carries the past around like a bottle of antacids in his pocket. You outlive your wife, then your colleagues and friends, then your accountant and building doorman. You no longer attend the opera, because the human bladder can only endure so much. Social engagements require strategy and hearing-aid calibrations. Every sports coat you own is too big because you continue to shrink, your shoulders like a rumor behind all that fabric. You are waiting to die without ever thinking about death itself. It's a face at the window, peering in. You live in three rooms of your twenty-room triplex, whole areas cordoned off like cholera wards. You live among the ruins of the past, carry them in your pockets, wishing you'd been decent and loving and talented and brave. Instead you were vain and selfish, capable of love but always giving less than everything you had. You held back. You hoarded. You lived among beautiful things. The paintings on your walls, the Dutch rivers and kitchens, the Flemish peasant frolics, they give off fumes and dull with age, but connect you to a bloodline of want, to shipbuilders and bankers who stared up at them as their own lives tapered off. Like trees, they have breathed in the air around them and now they exhales some of their previous owners' atoms and molecules. They could last for a thousand years, these paintings, and that buoys you as you drift off, a layer just above sleep. Skimming the pond, Rachel used to call it, or was that something you once said to her? You should turn everything off in the room, but you don't. You let the lamps burn all night.
Dominic Smith (The Last Painting of Sara de Vos)
I adjust the mirror so I can see reflections or reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. I push my ragged mouth against the mirror. A thousand bleeding, crusted lips push back. What does it feel like to walk in a new skin? Was she completely sensitive like a baby, or numb, without any nerve endings, just walking in a skin bag? I exhale and my mouth disappears in a fog. I feel like my skin has been burned off. I stumble from thornbush to thornbush - my mother and father who hate each other, Rachel who hates me, a school that gags on my like I'm a hairball. And Heather. I just need to hang on long enough for my new skin to graft. Mr. Freeman thinks I need to find my feelings. How can I not find them? They are chewing me alive like an infestation of thoughts, shame, mistakes. I squeeze my eyes shut. Jeans that fit, that's a good start. I have to stay away from the closet, go to all my classes. I will make myself normal. Forget the rest of it.
Laurie Halse Anderson (Speak)
From my WIP "In Hiding" Hidden in the darkness, she exhaled, releasing the tension. As she sunk into the worn cushions, Kate felt the wave of exhaustion crash over her. She dug in her backpack for the crackers wrapped in a paper towel. Closing her eyes, she ate, using her imagination to change the bland wafer into something more appealing. Retrieving her cell from her pocket, she shielded the artificial light with her hand as she set the alarm, always set to vibrate mode. The glow from the screen briefly illuminated her face. Her blond hair was history, the honey golden hue hidden under the dull dark cheap hair dye. Without makeup, she appeared younger than her twenty years, until you looked into her eyes. Here her anguish was center stage for the world to see. She barely slept and seldom ate. Worse were the dreams. Trapped in a surreal world, the explosion of gunfire surrounded her followed by blood splatter. Often, she woke on the edge of a scream waking in time to stifle her terror. She could ill afford this, screaming could bring him down on her. There were nights that she prayed it would, thus ending the torment for them both. Perhaps another night. Kate took one last glance around the room as she tucked her phone into her back jeans pocket. Slumping over, she was out before her head hit the sofa. Camouflaged she appears to be nothing more than a bundle of rags. Unseen in the darkness he slipped inside the house, blending into the shadows, he had waited patiently hidden in the edge of the woods, knowing she would seek shelter. Wayne closed his eyes and zoned in on her. Chasing this bitch was wearing on him; it was killing his focus. As his prey, she had developed self-persevering habits. She never left a trace of herself, not a sound, not a fiber or a hair. He drew a deep, silent breath, directing his senses, he concentrated on Kate, how she thought, what she feared.
Caroline Walken
He leaned back on his hands. And then idly turned to her. She inhaled, and exhaled an almost long-suffering sigh. And he began in a patient, almost leisurely fashion, in a voice fashioned from dark velvet, a voice that stroked over her senses until they were lulled, to lecture directly to her as if she was a girl in the schoolroom. "A proper kiss, Miss Eversea, should turn you inside out. It should... touch places in you that you didn't know existed, set them ablaze, until your entire being is hungry and wild. It should... hold a moment, I want to explain this as clearly as possible..." He tipped his head back and paused to consider, as though he were envisioning this and wanted to relate every detail correctly. "It should slice right down through you like a cutlass with a pleasure so devastating it's very nearly pain." He waited, watching her face, allowing her to accommodate the potent words. Her mouth was parted. Her breathing short. She couldn't look away. His eyes and voice held her as fast as if he'd cradled her face with his hands. And as he said them, an echo of sensation sounded in her, like a remembered dream, an instinct awakened. She thought about Mars getting ready to give Venus a good pleasuring. Stop, she should say. "And...?" she whispered. "It should make you do battle for control of your senses and your will. It should make you want to do things you'd never dreamed you'd want to do, and in that moment all of those things will make perfect sense. And it should herald, or at least promise, the most intense physical pleasure you've ever known, regardless of whether that promise is ever, ever fulfilled. It should, in fact..." he paused for effect "haunt you for the rest of your life." She sat wordlessly when he was done. As though waiting for the last notes of a stormy, discordant symphony to echo into silence. 'The most intense physical pleasure.' His words reverberated in her. As if her body contained the ancient wisdom of what that meant, and now, having been reminded, craved it.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
He collapsed half on top of her, too wrung out to move, his lungs working like bellows, his heart thundering, pounding. Gradually, it slowed. Sensation, muted awareness returned, enough to register the gentle stroking of her hand, the soothing touch calming, strangely claiming. He wanted to find his sophisticated armor and put it back on-before he faced her, before she saw... Before he could move, she did; turning her head to his, pushing back the damp hair from the side of his face, she touched her lips to his jaw, then, her lips curving sleepily, touched those swollen lips to the corner of his. "Thank you." The words were a sigh, the softest of feminine exhalations. "That was...thrilling. And...so very fine." He nearly humphed. Fine? The intensity had damned hear killed him, and she labeled the moment "fine?" She fell back, fully relaxed on her back in the bed. After a moment, he turned his head and looked at her. Studied the madonnalike expression that had claimed her face, the bliss that infused her features. He filled his lungs, then managed to summon sufficient strength to disengage and lift from her. Slumping on his back alongside her, he stared up at the ceiling, but there were no hints or clues written there. For the first time in his extensive career, he didn't feel, even now, in control. He felt...exposed. Uncertain. Not his usual polished, urbane, somewhat boredly smug self. Yet he was the one who was supposedly used to this, accustomed to all the nuances. Who knew all the appropriate moves to make, and when to make them. She...he glanced at her again, at her face. Hesitated, then gave into impulse and reached for her. Drawing her to him, he pulled the covers over them, then settled her against them, cradled within his arm, her head pillowed on his chest. She made a humming sound, then her limbs eased against him. He dipped his head, placed a kiss on her forehead. "Sleep." He felt her lips curve, but she didn't reply. Instead she slid her hand up, curling her fingers against the side of his throat, and relaxed into his arms. Inexplicably satisfied now as well as sated, he closed his eyes. And found slumber waiting, dreamless and deep.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.
Jessica Park (180 Seconds)
I raised two daughters,” Ronica pointed out gently. “I know how painful victory can be sometimes.” “Not over me,” Keffria said dully. There was self-loathing in her tone as she added, “I don’t think I ever gave you and Father a sleepless night. I was a model child, never challenging anything you told me, keeping all the rules, and earning the rewards of such virtue. Or so I thought.” “You were my easy daughter,” Ronica conceded. “Perhaps because of that, I under-valued you. Over-looked you.” She shook her head to herself. “But in those days, Althea worried me so that I seldom had a moment to think of what was going right…” Keffria exhaled sharply. “And you didn’t know the half of what she was doing! As her sister, I… but in all the years, it hasn’t changed. She still worries us, both of us. When she was a little girl, her willfulness and naughtiness always made her Papa’s favorite. And now that he has gone, she has disappeared, and so managed to capture your heart as well, simply by being absent.” “Keffria!” Ronica rebuked her for the heartless words. Her sister was missing, and all she could be was jealous of Ronica worrying about her? But after a moment, Ronica asked hesitantly, “You truly feel that I give no thoughts to you, simply because Althea is gone?” “You scarcely speak to me,” Keffria pointed out. “When I muddled the ledger books for what I had inherited, you simply took them back from me and did them yourself. You run the household as if I was not there. When Cerwin showed up on the doorstep today, you charged directly into battle, only sending Rache to tell me about it as an afterthought. Mother, were I to disappear as Althea has, I think the household would only run more smoothly. You are so capable of managing it all.” She paused and her voice was almost choked as she added, “You leave no room for me to matter.” She hastily lifted her mug and took a long sip of coffee. She stared deep into the fireplace. Ronica found herself wordless. She drank from her own mug. She knew she was making excuses when she said, “But I was always just waiting for you to take things over from me.” “And always so busy holding the reins that you had no time to teach me how. ‘Here, give me that, it’s easier if I just do it myself.’ How many times have you said that to me? Do you know how stupid and helpless it always made me feel?” The anger in her voice was very old.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Merry Christmas.” he says quietly, pulling something from his back pocket. I frown in confusion then smile in delight when I see what it is. It’s a shiny, sharp trowel with a holly green handle. It’s stolen from the gardens for sure. It is the single greatest gift I’ve ever received. “It’s so pretty.” I whisper happily, turning it over to test its edge. “I promised you something shiny.” “And you delivered.” I press my finger against the tip then pull it back quickly. “It’s sharp.” “Why else have it, right? Keep it with you when you can. If something goes down while I’m gone I want to know you have it.” I nod my head as I slip it into my back pocket. The handle sticks up but the point is hidden. When I look up at Vin my heart skips. His eyes are sharp, intense. “Come with me.” he commands quietly. “No.” I reply immediately. I was waiting for this. From the moment he woke me up, the second I saw his eyes, I knew. And just as quickly as I recognized it, I knew what my answer would be. He shakes his head in disbelief. “You know I’m not coming back here. Not for you, not for anyone.” “Maybe not, but if I go with you then you definitely won’t.” “It’s not going to work, Joss.” he tells me seriously. “The Hive won’t bite. They don’t want to rock the boat with the Colonies and the pot isn’t sweet enough to convince them to try. They’ll pass and everyone here is going to either stay here forever or die in a revolt.” “Nats included.” I remind him coolly. “She’s a big girl. She knows how it really is. She can yell at me all she wants, but she knows just as well as I do that no one will come here to help.” “Especially if you don’t ask.” “What the hell do you want from me?” he whispers fiercely. “You want me to go out there and rally the troops, bring them back here riding on a tall white horse and save the day? I’m no hero. I never have been. It’s how I’ve stayed alive.” “It’s also a great way to stay alone. And if you do this, if you go and pretend we don’t exist, then I’ll pretend I never knew you. Nats will too, I’m sure. You’ll be nothing to no one and won’t that make life easier for you? So go on and go, you coward, and don’t ever look back because there’s nothing to look back on. You were never even here far as I’m concerned.” I turn to leave him standing there in the cold beside the words I wrote to Ryan, words that have gone unnoticed and feel like nothing in the night. I’m spun around roughly and pinned against Vin’s chest. His breath is coming even and hard, sharp inhales and exhales that burst against my face leaving my skin freezing in their absence. “Don’t turn your back on me.” he growls. I can see the enforcer in him now. The hard ass who lived on the outside by the skin of his teeth and grit under his knuckles. It’s something I understand, something I can respect. Something I can relate to. I lean closer, no longer being pulled but rather pushing against him until our faces almost touch. “No, don’t you turn your back on me. On us.” I whisper harshly, pushing at him aggressively. He lets me go and I stumble back from him. “I’m no hero.” he repeats. “How do you know until you’ve tried?” * * * “You’ll come back for us, Vin.” I whisper in his ear. “I know you will.” I know no such thing, but I want it to be true and I can tell he does too so I tell him that it is. I lie to us both and I hope it makes it real. Vin nods his head beside mine and buries his face in my shoulder. I do the same. We stand huddled together against the cold and the uncertainty of everything tomorrow will bring.
Tracey Ward
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
Usually royals believed that going down to shop or eat in the lower part of the city was beneath their station. That’s why Talis and Mara almost always went there to escape prying eyes. Especially now, since if they were seen together, it would mean trouble for the both of them.   As they strolled down the freshly-washed cobblestone street, Mara whispered to Talis that her mother was still upset and they had to be careful.  “I told her it was my fault, but she still feels you were partially to blame. I feel awful, Talis.” Mara studied him, her eyes filled with apprehension. “You warned me not to go after that boar. I should have listened to you. I’m sorry.” “It’s alright. You’re safe, that’s all that matters to me.” Mara reached out and took his hand, eyes warm and tender. They continued walking together and took the trader’s way to Fiskar’s Market. Around the upper shops, down an alleyway stacked with crates, inside a warehouse door, past workers loading crates, until they reached the dark warehouse room that led to a corridor winding around and down to a lift.  The workers averted their eyes when they used the lift, as if they thought it wasn’t their business to notice a few royal kids stalking around in the building. Talis and Mara hopped on the lift. She grabbed his hand as the lift jolted, starting their descent several hundred feet down into the darkness.  Talis always felt a thrill from the descent as if uncertain whether they would ever arrive at the bottom. It was pitch black without a source of light. Mara cuddled close to Talis, her arms snaking around his waist, the soft exhalations of her breath landing on his neck. He felt uncomfortable and his heart raced. Her small fingers felt along his chest and she wormed her way even closer and started to whisper something in his ear.  The lift suddenly jolted as they reached the bottom. What was she going to say? She jumped out of the lift and dashed down the passageway until they reached Shade’s Gate next to the upper part of Fiskar’s Market. Talis frowned and wondered if he ever would understand the minds of girls. Today was Hanare, the sacred day of the Goddess Nacrea, eighth day of the week—a day free from study and work. At least for the royals. In Fiskar’s Market, most commoners still toiled, preparing for Magare, the first day of the week and market day. But still, children chased chickens lazily through the market stalls and old men played Chano, staring at the chipped granite pieces as if waiting for a mystery to unfold.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
What is it, Cass?” Falco asked. “What just happened?” Cass realized she was holding her breath. She exhaled slowly. “There’s something I need to tell you,” she said. Falco twisted her around to face him. He tucked a lock of hair behind her ear. “You can tell me anything, Cassandra.” “I’m, I have, when I was young, my parents--” She couldn’t figure out how to tell him the truth: that she was Luca’s, even though she didn’t want to be, that she and Falco could never be together the way they wanted. “I’m engaged,” she finally blurted out, feeling simultaneously terrified and relieved. “My fiancé is away, studying in France.” Falco nodded. “Of course you are. You’re a beautiful woman from a noble family. I’d be shocked to find out that your aunt hadn’t secured your future.” He looked at her expectantly as if he were waiting to hear more. “So you aren’t angry with me?” Cass buried her shaking hands in the folds of her skirts. How could he not be furious? She had lied to him. Well, practically. She had let him kiss her, even though she couldn’t be his bride. She had even kissed him back. Falco smiled at her through the dark. “Is that what’s been worrying you? No, starling. I’m not angry.” He pulled her body close to his again, burying his face in her hair. “You smell amazing,” he said. “Like roses and butterflies and cool spring mornings.” He held her hand up to his mouth, his fingers untying one of her lacy cuffs. Cass’s relief started to fade as Falco’s lips found the bare skin of her wrist. “Wait a minute.” She pulled away. “Why aren’t you angry with me? You and I, we kissed, we might have--” Cass couldn’t bring herself to finish the sentence. Exactly how far would she have let things go if she hadn’t been ripped from her moment of fantasy by the stranger on the bridge? When he had loosened her bodice and reached beneath her chemise to stroke the skin of her upper back, all she had wanted was for him to loosen the rest of the laces. She definitely hadn’t been thinking about telling him to stop. Falco’s eyes gleamed in the night. “Go on. We might have what?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
What’s your name?” “Anne Shirley.” He quirked a brow and she amended, “Miss Havisham.” “Tell me in truth.” “Honestly?” She snatched her self-harming kit from his grasp before he could blink. The fingers of his empty hands curled closed. She tucked it beneath her arm with smug satisfaction. “Scarlett O’Hara.” Luca extended an arm, leaning against the stone wall and intending to trap her in the corner. She drew back from him, bravado faltering. In that moment he saw a woman cringing under a man’s wrath, afraid. He felt ashamed for intimidating her, and he relaxed his posture slightly. She stared back into his eyes, waiting. “Tell me your name,” he commanded. Her lips parted and she exhaled in a confiding whisper, “Amelia Bedelia.
Armada West (war/SONG)
the blue sky, cawing angrily at Dad for disturbing them. A giant bald eagle, with a wingspan of at least six feet, glided in to take their place. It perched on an uppermost branch of a tree, pointed its yellow beak down at them. “That’s what I expect of you two,” Dad said. Mama exhaled smoke. “We’re going to be here awhile, baby girl.” Dad handed Leni the rifle. “Okay, Red. Let’s see what you’ve got naturally. Look through the scope—don’t get too close—and when you have the target in your sight, squeeze the trigger. Slow and steady. Breathe evenly. Okay, aim. I’ll tell you when to shoot. Watch out for—” She lifted the rifle, aimed, thought, Wow, Matthew, I can’t wait to tell you, and accidently pulled the trigger. The rifle hit her shoulder hard enough to knock her off her feet and the sight slammed into her eye area with a crack that sounded like breaking bone. Leni screamed in pain, dropped the rifle, and collapsed to her knees in the mud, clamping a hand over her throbbing eye. It hurt so badly she felt sick to her stomach, almost puked. She was still screaming and crying when she felt someone drop in place beside her, felt a hand rubbing her back. “Shit, Red,” Dad said. “I didn’t tell you to shoot. You’re okay. Just breathe. It’s a normal rookie mistake. You’ll be fine.” “Is she okay?” Mama screamed. “Is she?” Dad pulled Leni to her feet. “No crying, Leni,
Kristin Hannah (The Great Alone)
When he finished his portion, he retrieved the other buffalo fur from where he had kicked it earlier and stretched out on his back beside her. Snapping his fingers, he pointed to the space next to him. Loretta curled up on her side, as close to the edge of the pallet as she could. She jumped when she felt his hand in her hair. When she realized that he had wrapped a length of it around his wrist, helpless rage welled within her. Miserable, Loretta hugged herself to ward off the cold, too proud and too frightened to seek warmth with him under the fur. He sighed and yawned, draping a corner of the robe over her. Accidentally? Or on purpose? She couldn’t be sure. Heat radiated from his body and immediately began to warm her back. Loretta fought against the desire to inch closer and hugged herself more tightly. It really wasn’t that cold tonight. it just felt that way because of her sunburn. Oh, but she was chilled. So chilled she felt sick--hot on the inside, shaking on the outside. When she closed her eyes, her head whirled. If only he would throw more wood on the fire. Seconds slipped by, mounting into minutes, and still Loretta huddled in a shivering ball. The Comanche lay motionless beside her. Warmth seeped from his body, beckoning to her. She cocked an ear, trying to tell by his breathing if he was awake. She’d be crazy to move closer unless he was asleep. If he was, he’d never know, would he? And she could warm herself, stop shivering. He had to be asleep. Nobody could lie that still otherwise. She wriggled her bottom over just a little way, then held her breath. He didn’t move. For a long while she lay there listening, waiting. Nothing. She moved in another inch. He remained perfectly still. Loretta relaxed a little, taking care not to lean so close she touched him. In a few minutes she would grow warm and ease away, and he would be none the wiser. With no warning, he rolled onto his side. He threw a heavy arm across her waist, splaying his broad hand on her midriff just below her breasts. With an ease that alarmed her, he pulled her snugly against him, scraping her sunburned thigh on the fur. His well-padded chest felt as warm as a fire against her back. He bent his knees so his thighs cradled hers. For several seconds Loretta held herself rigid, not sure what to expect next, imagining the worst. He nuzzled her hair, his breath warm on her scalp. Was he asleep? She stared at the fire, her nerve endings leaping every time he inhaled and exhaled, every time his fingers flexed. Slowly the heat from his body chased the chill from hers. Loretta’s eyelids grew heavy. The wind whispering in the treetops seemed peaceful now, not frightening. The shifting shadows that had terrified her for hours became just that, shifting shadows. A branch cracked somewhere in the darkness. A large animal of some kind, she guessed. It didn’t matter. Wolf, bear, coyote, or cougar, Hunter the terrible was beside her. Nothing would dare challenge him.
Catherine Anderson (Comanche Moon (Comanche, #1))
that moment, he shook his head. “Come on. You can’t fool me.” Isaac managed to spit out the truth. His brother’s mocking laughter filled the air. “Cinnamon buns? You looked all”—Andrew lowered his lids halfway and assumed a dreamy expression. “D-did not.” “Jah, you did.” In a falsetto voice, Andrew warbled, “Ach, Sovilla, you are the most beautiful girl I’ve ever seen.” He exhaled a long, shuddery breath. For the first time in his life, Isaac longed to punch his brother in the stomach. How dare he make fun of Sovilla! And of the tender feelings Isaac held for her. Andrew laughed. “You look like Mamm’s teakettle.” Huh? “All steamed.” With a snicker, he danced out of Isaac’s reach. That was probably for the best. Isaac would never forgive himself if he hit his twin. But he needed to find a way to get these feelings under control. If even remembering her cinnamon rolls made him as dreamy eyed as his brother said, he had to erase Sovilla from his mind. Yet the harder he tried, the more it proved impossible. In fact, he woke at dawn on Thursday hungering for cinnamon rolls and a glimpse of the angel who baked them. Her name replayed as a lilting melody. Sovilla, Sovilla, Sovilla. Had he ever heard a prettier name? Or seen a lovelier face? At breakfast, he missed his plate when he dished out scrambled eggs and almost knocked over his glass of milk when he tried to scoop up the slippery mess. “Goodness, Isaac, what’s gotten into you this morning?” Mamm peered at him over the top of her glasses. “Don’t mind him, Mamm. He’s in love.” Andrew sang the last word. Daed’s stern glance sobered Andrew, but everyone else stared at Isaac. He shook his head and lowered his gaze to his plate. “Leave your brother alone.” Mamm passed a bowl of applesauce. “Eat up so you won’t be late to market.” To Isaac’s relief, Daed turned the conversation to a new brand of chicken feed he’d heard about at the market. Mamm asked questions, and his brothers and sisters concentrated on eating. In his eagerness to see Sovilla again, Isaac practically inhaled his breakfast. Once they reached the auction, he waited impatiently for a chance. He intended to slip off without being noticed, but Andrew spied him and Snickers edging in the direction of the market. “Bet you’re going to get a cinnamon bun, right?” His brother waggled his eyebrows. “I’m hungry for one too.” Pinching his lips together as Andrew walked beside him, Isaac stewed.
Rachel J. Good (An Unexpected Amish Courtship (Surprised by Love #2))
Never mind. Sorry. Everything can wait. Let’s stay on topic. You feel I’ve neglected you. Physically in general. Kissing specifically. Fair enough. Challenge accepted.” “Challenge? I didn’t issue any challenge.” Did I? “Let’s do this.” “Do what?” “I’m going to kiss you.” “Whoa!” My hands flew into the air and I moved to escape. “This is stupid.” He blocked my path. “Hold on. Not stupid at all. You have a valid point, just give me a minute.” He rolled his shoulders, shook out his arms, rocked on the balls of his feet a few times, took a deep breath, and exhaled slowly. “Okay. I’m ready.” I frowned. “You have to gear-up to kiss me?
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
Her soft exhale is like music to my ears, all of her a symphony I can’t wait to listen to.
Olivia Hayle (Saved by the Boss (New York Billionaires, #2))