Waiting In Queue Quotes

Question: how can one manage not to lose time? Answer: experience it at its full length. Means: spend days in the dentist's waiting room on an uncomfortable chair; live on one's balcony on a Sunday afternoon; listen to lectures in a language that one does not understand, choose the most roundabout and least convenient routes on the railway (and, naturally, travel standing up); queue at the box-office for theatres and so on and not take one's seat; etc.

A wife! No one else could love a man who had been trampled on by iron feet. She would wash his feet after he had been spat on; she would comb his tangled hair; she would look into his embittered eyes. The more lacerated his soul, the more revolting and contemptible he became to the world, the more she would love him. She would run after a truck; she would wait in queues on Kuznetsky Most, or even by the camp boundary fence, desperate to hand over a few sweets or an onion; she would bake shortbread for him on an oil stove; she would give years of her life just to be able to see him for half an hour... Not every woman you sleep with can be called a wife.

Henry wonders, as they wait in the queue, if some people have natural style, or if they simply have the discipline to curate themselves every day.

Everything is like a wall. Said a scholar to the troll. Bang your head to go on through. Then you'll see, there is no queue.

it seemed that the pain of their physical illness at times was less than the misery of their poverty ridden existence, the unending wait in the queues and the feeling of hopelessness and abandonment by your own system was enough to rob them of their will power to fight any disease.

She had come to the end of the short queue in front of the counter and was waiting much in the same way a stick of dynamite waits

How do you irradiate the humbly trivial - the sneezes and waiting in bus-queues - with the lofty, and at the same time cherish above all in the lofty those things that nourish you here, today, in all your ordinariness? I cannot understand, in other words, what sort of God would bother to count every hair on my head.

Problems do not queue up outside a statesman’s door, waiting to be solved in an orderly fashion, chapter by chapter, as the books would have us believe; instead they crowd in en masse, demanding attention.

If I don't keep this job, then my only future career-options are working in Argos, or being a prostitute,' I say, wildly. 'Maybe you could work in Argos as a prostitute,' my mother says, merrily. She appears to be enjoying this conversation. 'They could list you in the catalogue, and people could queue up, and wait for you to come down the conveyor belt.

Did you get me that movie about Genghis Khan? 'It's in the Netflix queue, but that's not the surprise. You don't need to worry, it'll be something good. I just don't want you to feel depressed about going home.' Oh, I won't. But it would be cool to have a stream like this in the backyard. Can you make one? 'Ummm... no.' I figured. Can't blame a hound for trying. Oberon was indeed surprised when we got back home to Tempe. Hal had made the arrangements for me and Oberon perked up as soon as we were dropped off by the shuttle from the car rental company. 'Hey, smells like someone's in my territory,' he said. 'Nobody could be here without my permission, you know that.' 'Flidais did it.' 'That isn't Flidais you smell, believe me.' I opened the front door, and Oberon immediately ran to the kitchen window that gazed upon the backyard. He barked joyously when he saw what was waiting for him there. 'French poodles! All black and curly with poofy little tails!' 'And every one of them in heat.' 'Oh, WOW! Thanks Atticus! I can't wait to sniff their asses!' He bounded over to the door and pawed at it because the doggie door was closed to prevent the poodles from entering. 'You earned it, buddy. Hold on, get down off the door so I can open it for you, and be careful, don't hurt any of them.' I opened the door, expecting him to bolt through it and dive into his own personal canine harem, but instead he took one step and stopped, looking up at me with a mournful expression, his ears drooping and a tiny whine escaping his snout. 'Only five?

She had come to the end of the short queue in front of the counter and was waiting in much the same way a stick of dynamite wait

One day in 1987 Fallows was standing at a window in a London bank waiting to be served when a would-be robber named Douglas Bath stepped in front of him, brandished a handgun and demanded money from the cashier. Outraged, Fallows told Bath to ‘bugger off’ to the back of the line and wait his turn, to the presumed approving nods of others in the queue. Unprepared for this turn of events, Bath meekly departed from the bank empty-handed and was arrested a short distance away.

’Welcome to New York,’ said the sign. [...] We got our luggage from the carousel and went to queue in the taxi rank outside the arrivals hall. [...] As we waited, this massive yellow car drove by. It must have had nineteen or twenty doors on it. ‘I knew the cars here were big,’ I slurred, ‘but not that big!’ ‘It’s a limousine, you idiot,’ said Tony [Iommi].

IQ's are a combination of eyes, and queues. Would you wait in line to see my goat show? Of course you wouldn't, because the line is invisible.

He always had a paperback book, usually history, in his jacket pocket in case he found himself in a queue or a waiting room. He marked what he read with a pencil stub.

Gone are the days when you simply write a jolly good book and wait for the queues to form. Readers need to be friended, darling. They need to be subscribers. They need to be followers.

I came of age in the Sixties, when there were chances, when it was all there waiting. Now they seep out of school – to what? To nothing, to fuck-all. The young (you can see it in their faces), the stegosaurus-rugged no-hopers, the parrot-crested blankies – they’ve come up with an appropriate response to this, which is: nothing. Which is nothing, which is fuck-all. The dole-queue starts at the exit to the playground.

Anong kwento mo sa akin ngayon?" Myriad answers to a simple question, which, I discovered, had an unparalleled power to make my patients and their families feel important, especially when they had travelled for four hours and waited in queue for four more, enduring hunger, humidity, and the perspiration of their compatriots. By veering from the standard "Ano po ang masakit sa inyo?" I learned much more about the people I served and worked hard for.

The Red Lamp, the army brothel, was around the corner in the main street. I had seen a queue of a hundred and fifty men waiting outside the door, each to have his short turn with one of the three women in the house. My servant, who had stood in the queue, told me that the charge was ten francs a man – about eight shillings at that time. Each woman served nearly a battalion of men every week for as long as she lasted. According to the assistant provost-marshal, three weeks was the usual limit: ‘after which she retired on her earnings, pale but proud.

Work takes a long time to complete because it sits in queues waiting for stuff to happen. It's not unusual for wait times to be more than 80% of the total time. Many organizations are blind to the queue problem. They tend to focus on resource efficiency instead of applying systems thinking to improve the efficiency of the whole system, end to end.

There was no downtime between calls, because there were always several hundred morons in the call queue, all of them willing to wait on hold for hours to have a tech rep hold their hand and fix their problem. Why bother looking up the solution online? Why try to figure the problem out on your own when you could have someone else do your thinking for you?

For one thing, empathy can subvert human well-being when it runs afoul of a more fundamental principle, fairness. Batson found that when people empathized with Sheri, a ten-year-old girl with a serious illness, they also opted for her to jump a queue for medical treatment ahead of other children who had waited longer or needed it more. Empathy would have consigned these children to death and suffering because they were nameless and faceless.

Beyond 60% utilization, the average response time doubles. By 80%, it has tripled. As disk I/O latency is often the bounding resource for an application, increasing the average latency by double or higher can have a significant negative effect on application performance. This is why disk utilization can become a problem well before it reaches 100%, as it is a queueing system where requests (typically) cannot be interrupted and must wait their turn.

On the phone, Nick Epley had told me that he thinks that society, in which individuals are more isolated than ever before, would be happier if people talked to each other and made small connections when it’s easy to. When you’re both waiting in the same queue for twenty minutes; when the plane is delayed, you’re stuck at the gate, you’ve already listened to four podcasts and you’re admiring the shoes of the woman sitting next to you and want to tell her about something you just heard on Radio 4 but feel weird about it; when you want to ask the person eating lunch on a park bench where they got their delicious-smelling curry – maybe just do it. Most people will enjoy it. And if you’re game to really talk, head into Deep Self territory. But don’t, say, grab a book out of someone’s hands and ask, ‘So, when was the last time you cried in front of someone else?’ (Trust me on that one. Although this question has been tested by Nick and will get you into fertile Deep Talk territory real fast.)

Helpful Help-desk Incorporated took millions of calls a day, from all over the world, 24-7, 365. One angry, befuddled cretin after another. There was no down time between the calls because there were always several hundred morons in the call queue, all of them willing to wait on hold for hours to have a tech-rep hold their hand and fix their problems. Why bother looking up the solution online, why try to figure the problem out on your own when you could have someone else do your thinking for you.

ON THE A TRAIN There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.

Here there is buried legend after legend of youth and melancholy, of savage nights and mysterious bosoms dancing on the wet mirror of the pavement, of women chuckling softly as they scratch themselves, of wild sailors’ shouts, of long queues standing in front of the lobby, of boats brushing each other in the fog and tugs snorting furiously against the rush of tide while up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.

How specialized do restaurants get in Japan? Every weekday at lunchtime, people queue up on a side street just south of Ningyōchō Station, in an old Tokyo neighborhood. They're waiting to get into Tamahide, a restaurant that (at lunchtime) serves one dish, oyakodon. Written with the characters for "parent" and "child," oyakodon is a runny chicken omelet (get it?) served over rice. There are very few ingredients to this dish: chicken, egg, and rice, soy sauce, mirin, and sugar. There is no vegetarian version, no low-carb salad version, no side dishes other than a tiny dish of pickles perched atop the lid of your bowl. If you're not in the mood for diced chicken meat, however, you can order the dish with chicken liver or ground chicken.

The government desires to purchase; it desires to use the market, not to disorganize it. But the officially-fixed price does disorganize the market in which commodities and services are bought and sold for money. Commerce, so far as it is able, seeks relief in other ways. It re-develops a system of direct exchange, in which commodities and services are exchanged without the instrumentality of money. Those who are forced to dispose of commodities and services at the fixed prices do not dispose of them to everybody, but merely to those to whom they wish to do a favour. Would-be purchasers wait in long queues in order to snap up what they can get before it is too late; they race breathlessly from shop to shop, hoping to find one that is not yet sold out.

and at the Napola school at Schulpforta, one hundred and nineteen twelve- and thirteen-year-olds wait in a queue behind a truck to be handed thirty-pound antitank land mines, boys who, in almost exactly one year, marooned amid the Russian advance, the entire school cut off like an island, will be given a box of the Reich’s last bitter chocolate and Wehrmacht helmets salvaged from dead soldiers, and then this final harvest of the nation’s youth will rush out with the chocolate melting in their guts and overlarge helmets bobbing on their shorn heads and sixty Panzerfaust rocket launchers in their hands in a last spasm of futility to defend a bridge that no longer requires defending, while T-34 tanks from the White Russian army come clicking and rumbling toward them to destroy them all, every last child

In Ukraine’s cities—Kharkiv, Kiev, Stalino, Dnipropetrovsk—hundreds of thousands of people waited each day for a simple loaf of bread. In Kharkiv, the republic’s capital, Jones saw a new sort of misery. People appeared at two o’clock in the morning to queue in front of shops that did not open until seven. On an average day forty thousand people would wait for bread. Those in line were so desperate to keep their places that they would cling to the belts of those immediately in front of them. Some were so weak from hunger that they could not stand without the ballast of strangers. The waiting lasted all day, and sometimes for two. Pregnant women and maimed war veterans had lost their right to buy out of turn, and had to wait in line with the rest if they wanted to eat. Somewhere in line a woman would wail, and the moaning would echo up and down the line, so that the whole group of thousands sounded like a single animal with an elemental fear.

Asheville Citizen-Times newspaper, which reported how a man – his name isn’t given – walked into a branch of Bank of America, picked up a deposit slip and wrote on it: This is a stickkup. Put all you muny in this bag. Then, like all polite robbers, he waited in a queue to hand the note to the teller. As he stood there, he started worrying that someone might have seen him write the note, and that the police could be called before he reached the window. Thinking quickly – or as quickly as he was able – he left the Bank of America and hurried across the street to a branch of the Wells Fargo Bank. There he again waited in a queue for a few minute, until it was his turn to see the teller. He handed her the note and she read it. Realising that he wasn’t the sharpest knife in the drawer, she told him that, unfortunately, she couldn’t accept the demand because it was written on rival bank’s stationary; he would either have to rewrite the note on a Wells Fargo slip, or go back to the Bank of America. ‘Looking somewhat defeated, the man left the Wells Fargo Bank,’ says the Citizen-Times. He was arrested a few minutes later – in the queue back over at the Bank of America.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

There were so many different ways in which you were required to provide absolute proof of your identity these days that life could easily become extremely tiresome just from that factor alone, never mind the deeper existential problems of trying to function as a coherent consciousness in an epistemologically ambiguous physical universe. Just look at cash point machines, for instance. Queues of people standing around waiting to have their fingerprints read, their retinas scanned, bits of skin scraped from the nape of the neck and undergoing instant (or nearly instant-a good six or seven seconds in tedious reality) genetic analysis, then having to answer trick questions about members of their family they didn't even remember they had, and about their recorded preferences for tablecloth colours. And that was just to get a bit of spare cash for the weekend. If you were trying to raise a loan for a jetcar, sign a missile treaty or pay an entire restaurant bill things could get really trying. Hence the Ident-i-Eeze. This encoded every single piece of information about you, your body and your life into one all-purpose machine-readable card that you could then carry around in your wallet, and therefore represented technology's greatest triumph to date over both itself and plain common sense.

Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle! ... He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were.

Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle! ... He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were. ... There were so many cars there that it took the young man twenty minutes to get to the part of the garage where we were parked. Roger refused to move the car until he got there. He had two little children in the back of the car, I hadn’t noticed, but Roger had. When we drove away I told Roger I was proud of him, and he replied that it didn’t mean he’d changed his mind about the economy or fuel taxes or Stockholmers. But then he said that he realized that in that young man’s eyes, Roger must look just like that politician on television, they were the same age, had the same color hair, the same dialect, and everything. And Roger didn’t want the man with the beard to think that meant they were all exactly the same.

I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Ad – Add               Ail – Ale               Air – Heir               Are - R               Ate - Eight               Aye - Eye - I                 B                            B – Be - Bee               Base - Bass               Bi – Buy - By – Bye               Bite - Byte               Boar - Bore               Board - Bored                 C               C – Sea - See               Capital – Capitol               Chord – Cord               Coarse - Course               Core - Corps               Creak – Creek               Cue – Q - Queue                 D               Dam - Damn               Dawg – Dog               Days – Daze               Dew – Do – Due               Die – Dye               Dual - Duel                 E               Earn – Urn               Elicit – Illicit               Elude - Illude               Ex – X                 F               Fat – Phat               Faze - Phase               Feat - Feet               Find – Fined               Flea – Flee               Forth - Fourth                 G               Gait – Gate               Genes – Jeans               Gnawed - Nod               Grate – Great                 H               Hair - Hare               Heal - Heel               Hear - Here               Heard - Herd               Hi - High               Higher – Hire               Hoarse - Horse               Hour - Our                 I               Idle - Idol               Ill – Ill               In – Inn               Inc – Ink               IV – Ivy                 J               Juggler - Jugular                 K               Knead - Need               Knew - New               Knight - Night               Knot – Naught - Not               Know - No               Knows - Nose                 L               Lead – Led               Lie - Lie               Light – Lite               Loan - Lone                 M               Mach – Mock               Made - Maid               Mane – Main               Meat - Meet               Might - Mite               Mouse - Mouth                 N               Naval - Navel               None - Nun                 O               Oar - Or – Ore               One - Won                 P               Paced – Paste               Pail – Pale                            Pair - Pear               Peace - Piece               Peak - Peek               Peer - Pier               Pray - Prey                 Q               Quarts - Quartz                 R               Rain - Reign               Rap - Wrap               Read - Red               Real - Reel               Right - Write               Ring - Wring                 S               Scene - Seen               Seas – Sees - Seize               Sole – Soul               Some - Sum               Son - Sun               Steal – Steel               Suite - Sweet                 T               T - Tee               Tail – Tale               Team – Teem               Their – There - They’re               Thyme - Time               To – Too - Two                 U               U - You                 V               Vale - Veil               Vain – Vane - Vein               Vary – Very               Verses - Versus                 W               Waive - Wave               Ware – Wear - Where               Wait - Weight               Waist - Waste               Which - Witch               Why – Y               Wood - Would                 X                 Y               Yoke - Yolk               Yore - Your – You’re                 Z

If there’s one thing you should know about dealing with programmers is do not distract them. Wait for them to come to you. Just put your request in the queue. Never expect a programmer to do something immediately.

On Fridays, my mother used to get her nails done and would come home complaining about the smell of the nail polish. On Saturdays, she used to go to the street market and would come home complaining about the smell of the fish. On Tuesdays, she used to go to the supermarket and would come home complaining about the price of things. Sometimes I would go with her to the manicurist and the manicurist would paint my nails pink. I didn’t complain about the smell of the nail polish. After my mother died, I wondered if all these places would save her a space for a while. The space that she would have occupied in the queue at the supermarket. The lettuce or the potatoes that she would have bought at the street market. The potential brushstrokes of nail polish in the bottle. I wondered if the space that a person occupies in the world survives the person themself. If the stage remains set for a while, the props ready, the cue repeated several times, waiting for the person to come on again. And if the connections are only undone slowly, the threads breaking, the lights switching off, the person dying slowly for the world after they have died for themself. If there are two deaths, one intimate and individual, the other public and collective, two deaths that happen at different paces.

I dreamt of paradise for long, Kept my patience intact, But when sourness hit the bong, I couldn't bear the fact. The sky has its limit, So do I, Hold back and sit, It's always been a bye. The touch of reality, Never touched you, It's been my fantasy, Waiting in the queue. Differences are many, Likenesses are few, Something so uncanny, Always existed in my hue. Deep into the vault, I will bury, This everlasting cult, Not in hurry,Not in fury.

The Queue consists entirely of fragments of ochered’ dialogue, a linguistic vernacular anchored by the long-suffering word stoyat’ (to stand). You stood? Yes, stood. Three hours. Got damaged ones. Wrong size. Here’s what the line wasn’t: a gray inert nowhere. Imagine instead an all-Soviet public square, a hurly-burly where comrades traded gossip and insults, caught up with news left out of the newspapers, got into fistfights, or enacted comradely feats. In the thirties the NKVD had informers in queues to assess public moods, hurrying the intelligence straight to Stalin’s brooding desk. Lines shaped opinions and bred ad hoc communities: citizens from all walks of life standing, united by probably the only truly collective authentic Soviet emotions: yearning and discontent (not to forget the unifying hostility toward war veterans and pregnant women, honored comrades allowed to get goods without a wait).

The British public first fell in love with Jamie Oliver’s authentic, down-to-earth personality in the late ‘90s when he was featured in a documentary on the River Café. Jamie became a household name because of his energetic and infectious way of inspiring people to believe that anyone can cook and eat well. In his TV shows and cookery books and on his website, he made the concept of cooking good food practical and accessible to anyone. When Jamie Oliver opened a new restaurant in Perth, it naturally caused a bit of a buzz. High-profile personalities and big brands create an air of expectation. Brands like Jamie Oliver are talked about not just because of their fame and instant recognition, but because they have meaning attached to them. And people associate Jamie with simplicity, inclusiveness, energy, and creativity. If you’re one of the first people to have the experience of eating at the new Jamie’s Italian, then you’ve instantly got a story that you can share with your friends. The stories we tell to others (and to ourselves) are the reason that people were prepared to queue halfway down the street when Jamie’s Italian opened the doors to its Perth restaurant in March of 2013. As with pre-iPhone launch lines at the Apple store, the reaction of customers frames the scarcity of the experience. When you know there’s a three-month wait for a dinner booking (there is, although 50% of the restaurant is reserved for walk-ins), it feels like a win to be one of the few to have a booking. The reaction of other people makes the story better in the eyes of prospective diners. The hype and the scarcity just heighten the anticipation of the experience. People don’t go just for the food; they go for the story they can tell. Jamie told the UK press that 30,000 napkins are stolen from branches of his restaurant every month. Customers were also stealing expensive toilet flush handles until Jamie had them welded on. The loss of the linen and toilet fittings might impact Jamie’s profits, but it also helps to create the myth of the brand. QUESTIONS FOR YOU How would you like customers to react to your brand?

But as a boomer with Beatles music in my DNA and Lennon songs in my head, every so often I stop and think about the music he might have created over the last 35 years. Then I think of that sad, twisted prick in prison and wish that every morning you could queue up outside his cell, and when he stuck his head out to get his breakfast, you could step up and punch him in the face. I’d wait in that line. But, I wouldn’t shoot him, because violence doesn’t solve anything. Though

The films of Saturday Night Fever and Grease were all the rage and I’ll admit, I went to see Grease at the local ABC Cinema with a few of my mates. You’d be surprised at how many so-called ‘hard’ lads that would be stood in the queue waiting to see Grease.

If government-sector jobs are so much more valuable than private-sector jobs, but also very scarce, it is worthwhile for everybody to wait around and queue for those jobs. If the process of queuing and screening entails, as it often does, taking some exams, people may spend most of their working lives (or as much as they are allowed to by their families, anyway) studying for those exams. If the government jobs stopped being quite so desirable, the economy would gain many years of productive labor, wasted in the pursuit of the mostly unattainable

Performance Tactics on the Road Tactics are generic design principles. To exercise this point, think about the design of the systems of roads and highways where you live. Traffic engineers employ a bunch of design “tricks” to optimize the performance of these complex systems, where performance has a number of measures, such as throughput (how many cars per hour get from the suburbs to the football stadium), average-case latency (how long it takes, on average, to get from your house to downtown), and worst-case latency (how long does it take an emergency vehicle to get you to the hospital). What are these tricks? None other than our good old buddies, tactics. Let’s consider some examples: • Manage event rate. Lights on highway entrance ramps let cars onto the highway only at set intervals, and cars must wait (queue) on the ramp for their turn. • Prioritize events. Ambulances and police, with their lights and sirens going, have higher priority than ordinary citizens; some highways have high-occupancy vehicle (HOV) lanes, giving priority to vehicles with two or more occupants. • Maintain multiple copies. Add traffic lanes to existing roads, or build parallel routes. In addition, there are some tricks that users of the system can employ: • Increase resources. Buy a Ferrari, for example. All other things being equal, the fastest car with a competent driver on an open road will get you to your destination more quickly. • Increase efficiency. Find a new route that is quicker and/or shorter than your current route. • Reduce computational overhead. You can drive closer to the car in front of you, or you can load more people into the same vehicle (that is, carpooling). What is the point of this discussion? To paraphrase Gertrude Stein: performance is performance is performance. Engineers have been analyzing and optimizing systems for centuries, trying to improve their performance, and they have been employing the same design strategies to do so. So you should feel some comfort in knowing that when you try to improve the performance of your computer-based system, you are applying tactics that have been thoroughly “road tested.” —RK

They'd talked every day since that first day they met. But they were supposed to end up together-together. Everyone thought it would happen--Georgie had thought it would happen. Just as soon as Seth exhausted his other possibilities, as soon as he worked through his queue of admirers. He hand't been in any hurry, and Georgie didn't have a say in the matter. She'd taken a number. She was waiting patiently. And then, one day, she wasn't.

Well, say you write a handler and it requires a lot of computation — that is, something that takes a long time to compute. As long as your handler is chugging along computing, I’m sitting around waiting until it’s done. Only then can I continue with the queue.

After a couple of tries, I end up with a graph that looks like this: I tell them what Erik told me at MRP-8, about how wait times depend upon resource utilization. “The wait time is the ‘percentage of time busy’ divided by the ‘percentage of time idle.’ In other words, if a resource is fifty percent busy, then it’s fifty percent idle. The wait time is fifty percent divided by fifty percent, so one unit of time. Let’s call it one hour. So, on average, our task would wait in the queue for one hour before it gets worked. “On the other hand, if a resource is ninety percent busy, the wait time is ‘ninety percent divided by ten percent’, or nine hours. In

So he heads straight for the condoms an grabs a box a 24 Durex Avanti. He says they’ve got a 64mm width stead a the usual 56mm width. Also they in’t got extra lubricant, which means he generates his own, or rather, some lady’s own. You can tell Sonia Guha knows this when we get to the front a the checkout queue an start unloadin everything for her. You can just see it in her eyes. I mean, sure, she’s chattin to Amit an laughin at his jokes an lookin at him an all that. But she’s lookin at him with these Wow-you-wear-big-condoms eyes. She’s so impressed by the condoms an the aftershave an stuff that she don’t even notice the lipstick an pink bog roll or the pills. Me, I can’t believe Amit’s strategy’s actually workin. But then suddenly, just as she’spickin up the box a big condoms to put them in the carrier bag, some croaky voice behind us gives it,—Amit, vot is this gandh you buying? Amit turns an freezes.—Oh, hi, Aunty Narinder. How are you, Aunty? —Don’t you How-are-you me. Vot is this Durex business you buying? Wait till I tell your mama. —No, Aunty, wait. They ain’t for me, Amit goes, as if he’s forgotten Sonia Guha’s even there. Then there’s a pause as he thinks what he can say that’ll stop this aunty tellin his mum.—They’re for Mama an Papa. I’m doing the shopping for them. See, look, I also buy her Rimmel rose lipstick. I bought the toilet roll, even Bodyform with wings.

A critical part of the Second Way is making wait times visible, so you know when your work spends days sitting in someone’s queue—or worse, when work has to go backward, because it doesn’t have all the parts or requires rework.

everyone needs idle time, or slack time. If no one has slack time, wip gets stuck in the system. Or more specifically, stuck in queues, just waiting.

Turkish Airlines Reservations Phone Number+1-855-653-5007 Turkish Airlines Reservations offers several methods to purchase tickets within no time. With the use of modern technology, it has become quite easy to make Turkish Airlines Booking. Now, you don’t even have to go anywhere, stand in the long queue, and wait for hours to get your booking done. You can do it from anywhere around the world; book now and save your time. Open Turkish Airlines official site Open the official site of the airline, and you will see the option of “book a flight” on its home page. Click on it. With this option, you will also find other options like “check-in/ manage booking” and “Flight Status.” Select what type of trip you want, such as a round trip, one way, or multi-city. Enter your departure city in the “to” field, and arrival city in the “from” field. Click on “Dates” and enter your departure date. If you are booking a round-trip, enter the return date also. Click on the “cabin and passenger selection” field to enter your travel class and number of passengers traveling. You have to clearly mention the number of adults, children, and infants that are traveling. If you want to book an award ticket, tick the box, named “Award ticket – Buy a ticket with miles.” If you wish to use this option, you have to sign-in by using your membership number and password. Click on the arrow to see all the available flights. Choose the flight that comes within your budget. Making Turkish Airlines Book a Flight via this official website is the most convenient method and used by most of the passengers.

Yet 1933 was also a year of hunger in the Soviet cities, especially in Soviet Ukraine. In Ukraine’s cities—Kharkiv, Kiev, Stalino, Dnipropetrovsk—hundreds of thousands of people waited each day for a simple loaf of bread. In Kharkiv, the republic’s capital, Jones saw a new sort of misery. People appeared at two o’clock in the morning to queue in front of shops that did not open until seven. On an average day forty thousand people would wait for bread. Those in line were so desperate to keep their places that they would cling to the belts of those immediately in front of them. Some were so weak from hunger that they could not stand without the ballast of strangers. The waiting lasted all day, and sometimes for two. Pregnant women and maimed war veterans had lost their right to buy out of turn, and had to wait in line with the rest if they wanted to eat. Somewhere in line a woman would wail, and the moaning would echo up and down the line, so that the whole group of thousands

​Thoughts and words piled up like a queue outside my mind and rushed in at moments of weakness like the bottom half of an Icee sticking to the cup, waiting for the chance to come smashing into my face.

He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?' I mumbled some noncommittal response. 'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me. I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant. 'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear. He cleared his throat and read the first poem. There once was a lady most beautiful Spirited, if a little unusual Her friends were few But how the men did queue But to all she gave a refusal. My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile. Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers. 'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands. Unusual. Queue. I looked at the second poem. Slaying. Conflagration. 'These are-' I stared. 'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.' I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all. When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.

I haven’t been drained that low in a long time. I shouldn’t have tried to take so much all at once,” I muttered, wanting to apologise but not quite finding the right words beyond that statement. “Well feel free to just steal all of mine then,” Darcy spat icily, clutching her neck tighter. I had the urge to heal her, but knew if I tried to touch her again, she’d only recoil. The ambulance pulled away and I glanced around, double checking Darius wasn’t here and I was glad to find he’d listened to me for once. That was something anyway. “Come on, I can drive you girls back in my car,” I offered. I’d left my Faerrari parked at the Acrux Hotel when I’d last visited Tucana, opting to stardust home because I’d been too drunk to drive. But I hadn’t had any magical drinks tonight, so I’d healed myself of the effects of the whiskey I’d consumed before coming to get Darius from the nightclub. Tory’s lip curled back as she glared at me with poison in her gaze. “We’re not going anywhere alone with you,” Darcy said bitterly, distrust in her eyes. “Don’t be ridiculous,” I snapped, stepping forward to get hold of her. I’d protect her tonight whether she liked it or not. Tory moved to intercept me and Caleb joined her too like a prime asshole. “You don’t fucking touch her again,” Tory growled. I narrowed my eyes at her, about to object, but as my gaze slid to Darcy over her shoulder and I saw the wall in her eyes that told me to get fucked, I knew I wasn’t going to win this fight. “Bastard,” Darcy hissed at me, looking woozy. Shit, I needed to heal her. And I could get her a blood replenishing potion back at the academy. “Come on, girls. The bus is gonna leave soon,” Caleb said, tugging Tory after him but she dug her heels in, waiting for Darcy. I opened my mouth to try and find the words that would convince Blue to stay with me, but she walked straight past me with her cheek turned and Tory threw me one more filthy look before they all headed down the street to the bus stop where mountains of students were gathering. Professors were among them and I knew they were safe enough in numbers, but my feet were still rooted to the pavement as I watched Darcy leave. You drank way too much. You have to get a grip. How are you going to keep feeding from her if you act like a monster every time your teeth are in her? I’d never had this problem before. The only thing I could compare it to was when my magic had been Awakened and my Order had Emerged. That first feed had made me feel like a ravenous beast with a bottomless stomach, and yet it still didn’t have a pinch on what it was like to feed from Blue. Caleb led Tory and Darcy past the queue straight onto the bus and my hackles rose as they joined Max and Seth on the back seats. And as Seth pulled Darcy close to him and nuzzled against her cheek, that feral animal in me awoke once more. I took out my Atlas and shot an update to Francesca, anxiously scoring my fingers through my hair. Just as the bus pulled away and rounded a corner, the FIB appeared on the street and I was immediately surrounded by three agents with dark frowns on their faces. “Lance Orion, you need to come down to the station and make a statement,” Captain Hoskins said and I sighed, knowing it was going to be a long ass night. I agreed and as I was stardusted away to the precinct, my heart was tugged in another direction, nearly forcing the stars to guide me elsewhere. But the captain ensured I made it to where he wanted to take me and I made a silent prayer to the stars that Darcy wouldn’t end up in Seth Capella’s bed tonight. Because I wasn’t sure I could control the demon in me who’d want his head for that. (ORION POV)

Question: how can one manage not to lose time? Answer: experience it at its full length. Means: spend days in the dentist‘s waiting-room on an uncomfortable chair; live on one‘s balcony on a Sunday afternoon; listen to lectures in a language that one does not understand; choose the most roundabout and least convenient routes on the railway (and, naturally, travel standing up); queue at the box-office for theatres and so on and not take one‘s seat; etc.

Question: how can one manage not to lose time? Answer: experience it at its full length. Means: spend days in the dentist's waiting-room on an uncomfortable chair; live on one's balcony on a Sunday afternoon; listen to lectures in a language that one does not understand; choose the most roundabout and least convenient routes on the railway (and, naturally, travel standing up); queue at the box-office for theatres and so on and not take one's seat; etc.

What that graph says is that everyone needs idle time, or slack time. If no one has slack time, wip gets stuck in the system. Or more specifically, stuck in queues, just waiting.

A very important feature of the traditional model was its adverse effect on personal consumption. Aspects of this were: – Widespread shortages and queues. The long time devoted to shopping, the intermittent supply of basic consumer goods and the long waiting lists for durables such as housing and cars were notorious features of the traditional model; – A very limited assortment of goods and services, with many imported goods and some very important services, such as repairs to housing and consumer durables, being almost unavailable in the legal economy; – Poor quality and availability of food products; – Poor quality of manufactured consumer goods; – Slow introduction of new consumer goods.

The heat is a living breathing thing that climbs through windows and creeps into kitchens. It follows people to work and at queues in the bank and on trains home. It crouches in bedrooms, growing restless until at night in fury it throttles those sleeping, leaving them gasping for breath. It sweeps through the streets and bursts open pipes, smashed open green guavas, and splits apart driveways. It burns off fingerprints and scorches hair and makes people forget what they were doing and where they are going so that they wander around beating their heads.

You want to meet for a drink? Do I? This is all getting a little bit real for an evening where I ate takeout Indian and have a Game of Thrones episode waiting in the queue.

Lots To Do In Line" will help you and your child experience the Disneyland theme park queues actively,turning the wait into a game.

Every time they have time to queue up and come slow-rolling through, plenty of people get killed. The most hopeless feeling in the world is when you just have to sit there and wait for it, knowing you're either going to be dead in a couple of seconds, or you're still going to be one of the lucky ones, one of the breathing ones who came through it.

I ventured into the dimly lit darkness towards the blaring disco music and crowded dance floor. The enclosure reeked of poppers (alkyl nitrites), a recreational drug often used by gay men to heighten their sexual arousal. The club was hopping with the latest disco hits from the popular disco queen of 70s, Donna Summer. Half-naked and almost naked men were crowding the dance floor, grinding their perspiring bodies against each other in a sensual and sexual trancelike state. Men in various stages of foreplay were gyrating their muscular and sinewy bodies against each other in preparation for impulsive back-room romps. After taking to the dance floor for a couple of songs, I embarked on an exploration journey towards the back of the house. It was difficult to make out the abundance of naked bodies loathering in the dark in various stages of copulation. When I ventured into a large room with a sling in the middle, I heard a familiar, high-pitched groaning voice. It was a voice I had heard several years ago in class at the Bahriji School. It was a soprano voice that I could never get out of my head. Surrounding the voice was a queue of mesomorphically built men, waiting their turn to satisfy their sexual desires on an equally muscular hunk lying on the suspended, swinging sling. The man’s legs were spread above his torso. They were strapped to either sides of the hanging chains and so were his wrists, tied securely above his head. Although the ‘bottom’ was blindfolded with a black kerchief, I instantly recognized him as none other than the famous supermodel, Rick Samuels.

Mickey and Minnie, Disney’s King and Queen, were there to greet us on the fifth floor of the Grand Floridian Beach Resort when we arrived on that afternoon. Harry’s face lit up. Not that he was interested in being cuddled by people dressed as two giant cartoon characters – he wanted to get to the rides. Diana was thrilled too, but for different reasons. Her sons, instead of being at Balmoral with their father, as they usually were in August, were free, free to do what other children did on holiday. My reconnaissance some weeks earlier had proved invaluable. I advised Diana in my briefing memo that the fact that Disney is spread over 43 square miles was to our advantage in our habitual battle to outwit the media because Disney, unlike any other theme park, has a VIP package which uses reserved routes to rides and attractions, along a predetermined course. A network of restricted paths and tunnels, not accessible to the public, enabled special guests literally to pop up at the front of queues and go straight on the ride without anyone elsewhere in the park knowing which attraction they were on. Moreover, conscious of Diana’s fear of being criticised for using her royal status to secure star treatment, my memo, dated 2 August 1993, reassured her because I had recommended the VIP package for security reasons: ‘At this time of the year up to 1 million people could be using the complex. Many rides and attractions will have queues of 2 to 3 hours’ waiting. The VIP method is not queue jumping, and will not be seen by others so to be.’ The note was returned with a huge tick from her pen through that section.

In a moment of insight, Alex sees how this approach could also be applied to turning around his production plant. Instead of trying to improve every aspect of the facility he needs to identify the “Herbie”: the part of the process that is slower relative to every other part of the plant. He does this by finding which machine has the biggest queue of materials waiting behind it and finds a way to increase its efficiency. This in turn improves the next “slowest hiker’s” efficiency, and so on, until the productivity of the whole plant begins to improve.

If we reduce batch sizes by half, we also reduce by half the time it will take to process a batch. That means we reduce queue and wait by half as well. Reduce those by half, and we reduce by about half the total time parts spend in the plant. Reduce the time parts spend in the plant, and. . . . “Our total lead time condenses,” I explain. “And with less time spent sitting in a pile, the speed of the flow of parts increases.” “And with faster turn-around on orders, customers get their orders faster,” says Lou. “Not only that,” says Stacey, “but with shorter lead times we can respond faster.” “That’s right!” I say. “If we can respond to the market faster, we get an advantage in the marketplace.” “That means more customers come to us because we can deliver faster,” says Lou. “Our sales increase!” I say.

If you consider the total time from the moment the material comes into the plant to the minute it goes out the door as part of a finished product, you can divide that time into four elements. One of them is setup, the time the part spends waiting for a resource, while the resource is preparing itself to work on the part. Another is process time, which is the amount of time the part spends being modified into a new, more valuable form. A third element is queue time, which is the time the part spends in line for a resource while the resource is busy working on something else ahead of it. The fourth element is wait time, which is the time the part waits, not for a resource, but for another part so they can be assembled together. As Jonah pointed out last night, setup and process are a small portion of the total elapsed time for any part. But queue and wait often consume large amounts of time—in fact, the majority of the elapsed total that the part spends inside the plant. For parts that are going through bottlenecks, queue is the dominant portion. The part is stuck in front of the bottleneck for a long time. For parts that are only going through non-bottlenecks, wait is dominant, because they are waiting in front of assembly for parts that are coming from the bottlenecks. Which means that in each case, the bottlenecks are what dictate this elapsed time. Which, in turn, means the bottlenecks dictate inventory as well as throughput.

I’ve been complaining about our problems with the six or seven capacity constraint resources, I raised all the red flags, I’ve gone as far as to demand that incoming orders be restricted. And now I see that I’ve created the problem with my own hands.” “Fill us in, Stacey,” I request. “You’re way ahead of us.” “Of course. You see, when do the green and red tags have an impact? Only when a work center has a queue, when the worker has to choose between two different jobs that are waiting; then he always works on the red tag first.” “So?” “The largest queues,” Stacey goes on, “are in front of the bottlenecks, but there the tags are irrelevant. The other place where we have relatively high queues is in front of the capacity constraint resources. These resources supply some parts to the bottlenecks, red-tag parts, but they work on many more greentag parts, parts that go to assembly not through the bottlenecks. Today they do the red-tag parts first. This naturally delays the arrival of the green parts to assembly. We catch it when it is pretty late, when holes are already evident in the assembly buffer. Then, and only then, we go and change the priorities at those work centers. Basically, we restore the importance of the green parts.

The original is displayed in a special darkened shrine now called the Treasury, at the eastern end of the library at Trinity College in Dublin, and over 520,000 visitors queue to see it every year, buying colored and numbered admission tickets to the Book of Kells exhibition. More than 10,000,000 people filed past the glass cases in the first two decades after the opening of the present display in 1992. The daily line of visitors waiting to witness a mere Latin manuscript are almost incredible. There are signposts to the 'Book of Kells' across Dublin. The new tram stop outside the gates of Trinity College is named after the manuscript. No other medieval manuscript is such a household name, even if people are not always sure what it is.

All my other admirers can form an orderly queue and wait in line too. Because first I need to open this book.

*Mrs Thatcher by A. Mole Do you weep, Mrs Thatcher, do you weep? Do you wake, Mrs Thatcher, in your sleep? Do you weep like a sad willow? On your Marks and Spencer’s pillow? Are your tears molten steel? Do you weep? Do you wake with ‘Three million’ on your brain? Are you sorry that they’ll never work again? When you’re dressing in your blue, do you see the waiting queue? Do you weep, Mrs Thatcher, do you weep? **I think my poem is extremely brilliant. It is the sort of poem that could bring the government to its knees.

Dear reader, I know how important you are. I know you’ve got a ton going on at work and have many demands at home. I know there are people who depend on you, a Netflix queue that needs attention, and a social media personality the internet can’t live without, but can I gently remind you that the sons of Korah practiced the prayer posture of stillness, as surely did David as the king of a nation in a world of tribal warfare? I go to bed worried about deadlines, bills, and to-do lists. David hit the pillow worried about the enemy camped in the hill country and waiting for the right moment to charge. And he prioritized time for stillness. He had a habit of stillness that allowed him to see his own life from God’s perspective. “Be still.” The Latin term is vacate, from which we get the English word vacation. The invitation of prayer anytime, anywhere is this: Take a vacation. Stop playing God over your own life for a moment. Release control. Return to the created order. Be still. Prayer begins there. But that’s only the beginning.

Don Reinertsen has written extensively on the need for people in a system to have “slack time” in software development. The wait time for a service (such as a functional expert working on a job) increases exponentially as their utilization goes up. For instance, the wait time is nine times longer when that resource is 90% utilized versus 50% utilized. (For the curious reader, this is a property of queues such as those at supermarket checkouts and customer service calls, known formally as M/M/∞ queues.)

Half of the passengers on the flight were British and formed the beginnings of an orderly queue. Italians wedged themselves at the front, genially tutting at the eccentricity of a race that believed in waiting for turns rather than scrambling for position.