Waist Curves Quotes

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I’m half Italian.” “Which half?” the words were out before Tessa could stop them. Was she flirting with him? She never flirted with men. His lips curved in a slow, sexy smile that made her heart trip. “From the waist down.
Pamela Clare (Hard Evidence (I-Team, #2))
You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.
Ian McEwan (Atonement)
Tanned, toned, curves in the right places and that small waist…lips, hair, eyes all packaged up like a siren. If she’s a siren, I heard her call, and I’m diving in hook, line, and sinker. - Drew Donovan
Kailin Gow (Falling for Summer (Donovan Brothers #1; Loving Summer #2))
Take off your shirt," I said, sitting up and pulling at the hem of the garment. "Why?" he asked, but sat up and obliged. I knelt in front of him, admiring his naked body. "Because I want to look at you," I said. He was beautifully made, with long, graceful bones and flat muscles that flowed smoothly from the curves of chest and shoulder to the slight concavities of belly and thigh. He raised his eyebrows. "Well then, fair's fair. Take off yours, then." He reached out and helped me squirm out of the wrinkled chemise, pushing it down over my hips. Once it was off, he held me by the waist, studying me with intense interest. I grew almost embarrassed as he looked me over. "Haven't you ever seen a naked woman before?" I asked. "Aye, but not one so close." His face broke into a broad grin. "And not one that's mine.
Diana Gabaldon (Outlander (Outlander, #1))
Noah fit his hands to the curve of my waist. "Tell me," he said. He looked inhumanly beautiful under the lights. It almost hurt to look at him, but it would have hurt more to look away. "Tell me," he said again. There was need in his voice, and I didn't have the strength to refuse. "She said I have to let you go." He drew me closer. Brushed a strand of hair from my face, trailed his fingers along the curve of my neck. "Why?" I closed my eyes. The words ached as they left my throat. "Because you'll die by my side if I don't." Noah slid his arms around me and fitted me against him. "It isn't real," he whispered into my hair. Maybe it wasn't. But even if it was... "I'm too selfish to leave you," I said. Noah pulled back so I could see his smile. "I'm too selfish to let you.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Tarquin turned from the table, just as the tent flaps parted for a pair of broad shoulders— Varian. He didn’t so much as look at his High Lord, his focus going right to where Amren sat at the head of the table. As if he’d sensed she was here—or someone had reported. And he’d come running. Amren’s eyes flicked up from the Book as Varian halted. A coy smile curved her red lips. There was still blood and dirt splattered on Varian’s brown skin, coating his silver armor and close-cropped white hair. He didn’t seem to notice or care as he strode for Amren. And none of us dared to speak as Varian dropped to his knees before Amren’s chair, took her shocked face in his broad hands, and kissed her soundly. ... None of us lasted long after dinner. Amren and Varian didn’t even bother to join us. No, she’d just wrapped her legs around his waist, right there in front of us, and he’d stood, lifting her in one swift movement. I wasn’t entirely sure how Varian managed to walk them out of the tent while still kissing her, Amren’s hands dragging through his hair, letting out noises that were unnervingly like purring as they vanished into the camp. Rhys had let out a low laugh as we all gawked in their wake. “I suppose that’s how Varian decided he’d tell Amren he was feeling rather grateful she ordered us to go to Adriata.” Tarquin cringed. “We’ll alternate who has to deal with them on holidays.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Al pulled me into him, and numb, I felt his arm curve possessively about my waist. “Too late,” he whispered, his breath shifting the hair about my ear, and we jumped.
Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.
J.D. Robb (Ceremony in Death (In Death, #5))
I’d always liked many parts of my body but never the whole. I loved the way my waist curved in, and I loved the bulge of my hips. I loved my navel and my collarbone. I loved my thin wrists. It was strange how I loved parts of other people, too, but never the whole.
Samantha Kolesnik (Waif)
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
Abby,” he murmured, lifting a hand to curve around her neck. “I love you.” A sob slipped free and she wrapped her arms around his waist. One of his hands cupped the back of her neck and cuddled her in close. As he bent around her, he whispered, “I’ve loved you so long, I can’t remember what it’s like to not love you. And I’ll go to my grave loving you. You’re my everything.
Shiloh Walker (Wrecked (Barnes Brothers, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I walk by, seeing myself walk by on a bag, someone’s hands gripping the paper handles above my neck, my curved waist, my gleam of sweat, me, half a block away, and think, you don’t know self-fragmentation until it’s staring you in the face.
Chris Campanioni (Going Down)
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
A rich man’s body is like a premium cotton pillow, white and soft and blank. Ours are different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and knicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen.
Aravind Adiga (The White Tiger)
As soon as the garage door lowered, he slid his hand into her hair, drawing her in for another kiss. Her mouth tasted like sweet brandy and spice. Damn, she was delicious. She ran her hands down his chest and tugged his shirt free from his jeans. He groaned as her cool hands explored his bare abs. His other hand wandered up from her waist, enjoying her curves until he was cupping her breast. She moaned into his mouth and arched her back into his touch, and he just about lost it right there. He pulled back, his voice a husky whisper. “I need more room and fewer clothes.
Lisa Kessler (Breath of Passion (Muse Chronicles, #3))
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Noah fit his hands to the curve of my waist. "Tell me," he said. He looked inhumanly beautiful under the lights. It almost hurt to look at him, but it would have hurt more to look away.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
And then, of course, there was the sari itself. What a garment, Randy! There isn’t another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman’s shape but hides the faults a skirt can’t — under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman’s hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn’t even have to undress her to see it. I was completely smitten.
Shashi Tharoor (Riot)
This is my friend Veronica,” I told him. “And this is Kaidan.” “Oh, I've heard all about you.” Veronica gave him a big smile. His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose. Veronica let out a loud cackle, proving she should be the one in my costume. “I told you it was stupid!” She gloated. With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me. “Your hair's grown a lot,” I said to him. “So has your bottom.” My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor. I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress. “Dude, you can get away with anything,” said the pirate to the straight-faced ape. “I meant it as a compliment.” “That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.” She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something. “My dad gave me a cell phone.” And a car. And a ton of money. Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands. “Here,” I said, taking his phone. Saving my number for him gave me a thrill.
Wendy Higgins (Sweet Evil (Sweet, #1))
But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-" Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves. Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself. "Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist. "What?" he asked once he laid a smacking kiss on her cheek. "They look better like that." Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this." I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit. Then I was in a bikini. So Nick was wearing a particularly poofy purple prom dress. By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“Here’s my number. I almost forgot to give it to you.” I swallow as I stare at the number. Tell her. Just f*cking tell her. “Rachel...” “You’ll call, right?” And the small amount of hurt in her voice stabs my heart. I envelop Rachel in my arms and cup her head to my chest. She smells good. Like the ocean. Like her jacket. I try to memorize the feel of her body against mine: all soft and warm and curves. The paper in her hand crinkles as she links one arm, then another around my waist. Leaning into me, she lets out a contented sigh and I close my eyes with the sound. Ten seconds. I’ll keep her for ten more seconds. I want to keep her. Two. I shouldn’t. Four. Maybe she can see past what I am. We don’t have to be more. We can be friends. Seven. I can fix this. Nine. I can make anything work. Ten. “I’ll call.”
Katie McGarry (Crash into You (Pushing the Limits, #3))
Rob came to me and I stood, his body fitting against mine so easy, my shoulder tucked under his, his hip against the curve of my waist. I looked up at him, and he ducked his head to give me a soft, gentle, easy kiss. It were a husband's kiss, I rather thought. It weren't the first kiss, a thing of hunger and new tastes. It weren't all our sad kisses of leaving and coming back, full of desperation and scared. It were just a kiss. A kiss that felt like he'd done it before, a kiss that knew he could do it again. Then again, it also sent lightning crackling down my back, and I remembered there were ways we weren't husband and wife just yet. I felt a blush running up my face and he stroked my cheek, kissing me again.
A.C. Gaughen (Lion Heart (Scarlet, #3))
It was frantic, his hands on my hips, running up the curves of my waist, bringing me as close to him as possible. His kisses weren’t soft or delicate, but that wasn’t what I wanted anyway. I wanted passion and fire, to remind me I was alive.
Bella Forrest (Coldbloods (Hotbloods, #2))
She touched the back of his hand, tracing with one finger the curving course of a vein from knuckle to wrist. Then she took his wrist and squeezed it hard, and the feel of him in her hand made her wonder what the rest of him would be like. Neither of them, for a moment, could look the other in the face. Then Inman pulled his hand away and took his hat off and spun it by the brim into the air. He caught it and flipped his wrist and sent it skimming through the door to land inside where it would. They both smiled, and Inman put one hand to Ada's waist and the other to the back of her head. Her hair was in a loose upsweep, held with a clasp, and it was the cold nacre that Inman's fingers touched as he tipped her head to him for the kiss that had eluded them the day before.
Charles Frazier (Cold Mountain)
Her sweet smell drove my body higher as I nibbled on the edge of her earlobe. “I’m not stopping you. You plan. I’ll kiss.” Echo turned her head to look at me over her shoulder. My siren became a temptress with that seductive smile on her lips. A mistake on her part. I caressed her cheek and kissed those soft lips. I expected her to shy away. We’d been playing this game for over an hour: she plotted while I teased.Leaving for the summer was important to her and she was important to me. But instead of the quick peck I’d anticipated, she moved her lips against mine. A burning heat warmed my blood. It was a slow kiss at first—all I meant it to be, but then Echo touched me. Her hands on my face, in my hair. And then she angled her body to mine. Warmth, enticing pressure on all the right parts, and Echo’s lips on mine—fireworks. She became my world. Filling my senses so that all I felt and saw and tasted was her. Kisses and touches and whispered words of love and when my hand skimmed down the curve of her waist and paused on the hem of her jeans my body screamed to continue, but my mind knew it was time to stop. With a sigh, I moved my lips once more against hers before shifting and pulling her body to my side. “I’m in love with you.” Echo settled her head in the crook of my arm as her fingertips lazily touched my face. “I know. I love you, too.” “I’m sorry I didn’t say it sooner.” If I had, then maybe we never would have been apart. “It’s okay,” she murmured. “We’re together now and that’s all that matters.” I kissed her forehead and she snuggled closer to me. The world felt strange. For the first time in my life, I wasn’t fighting someone or something. My brothers were safe. Echo knew the truth. Soon, I’d be free from high school and foster care. Hopefully, I’d be admitted on late acceptance to college. Contentment and happiness were unfamiliar emotions, but ones I could learn to live with. “Do you mind?” she asked in a small voice that indicated nerves. “That we’re taking it slow?” “No.” And it was the truth. Everything in her life was in flux and she needed strong, steady and stable. Oddly, she found those three things in me. Who would ever have guessed I’d be the reliable sort? “Besides, taking it slow creates buildup. I like anticipation.” Her body rocked with silent giggles and my lips turned up. I loved making her happy.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I wish I could tell you this was all just because I’m desperate and horny, making up for lost time after being locked up.” He slid his palm under the hem of her T-shirt, groaning at the feel of warm, smooth skin. “It would be so much easier if that was all this was.” He cupped a breast and flicked a nipple through the silk of her bra, loving the way it jumped to immediate attention against the pad of his thumb. “There hasn’t been anyone,” he said between kisses. “I haven’t wanted anyone. I’ve been walking around like I’m dead inside and then you show up.” He couldn’t keep the edge out of his voice, angry at his own lack of control. Like she needed anything more on him, but he couldn’t keep himself from spilling his guts. “All of a sudden all I can think about is how you smell, how you might taste.” He sucked her tongue into his mouth for emphasis. “How soft your skin would feel.” He whipped her shirt over her head and slid his hands down the smooth line of her back, down the curve of her waist and hip.
Jami Alden (Hide from Evil (Dead Wrong, #2))
Once upon a time, the great big world outside Bridgeton had seemed like Xanadu - miles of golden road lined with smiling people, waiting to usher me through hundreds of open doors. There was nothing out there but bright light and possibilities. There were big dreams of other places, other people, even other boys. There had even, for two hours in April, been somebody else. He was a glimpse of the future, where I would live and breath and love far, far away from this place. A future where behind a closed door, on Saturday mornings, a boy I hadn't met yet would wrap an arm around my waist and exhale damp heat into the curve of my neck. Where we would keep our eyes closed, pull the covers closer, burrow down and deeper to escape the nine-o'clock sunshine, and the sound of heavy breath echoing along the rusted steel confines of a pickup truck would be nothing but a memory.
Kat Rosenfield (Amelia Anne Is Dead and Gone)
She was a rubberized, squirming seductress, a latex siren. Her bondage accented her curves, with shinny cups hungrily sucking her voluminous tits and her heavy corset squeezing her waist. I could see the muscles in her arms and thighs flex and contract. I couldn’t look away. She was beautiful.
DX (The Reluctant Master)
The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
A long light robe, sulphur-coloured, clung to the sleeper from low throat to ankle; bands of narrow nolana-blue ribbon crossed her breast and were brought together in a loose cincture about her waist; her white, smooth feet were sandalled; one arm was curved beneath her lustrous head; the other lay relaxed and drooping. Chrysoberyls, the sea-virgins of stones, sparkled in her hair and lay in the bosom of her gown like dewdrops in an evening primrose. ("The Accursed Cordonnier")
Bernard Capes (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
I played basketball freshman year of high school. Does that count?” Cooper laughed. “No, not at all. In fact, that’ll probably just set him off on a lecture about follow-through and commitment. Why’d you stop?” “I got cut. I was terrible.” “Really?” “Yes.” Park tilted his head. “Why do you look so happy about that?” “Do I? No.” Cooper tried to school his expression, but Park squinted at him suspiciously, and eventually a grin broke free again. He snagged the front of Park’s shirt and twisted it in his fingers, suddenly unable to resist touching him. “I guess it’s just nice to know you’re not perfect at everything.” Park seemed to think that over, perhaps looking for hidden digs or sarcasm. Eventually, almost tentatively, he said, “Well, I was really, embarrassingly bad. Can’t dribble for shit.” Cooper tugged Park still closer and slid his free hand around Park’s waist. “Go on.” “When my hands are above my head, I’m all thumbs. Can’t catch a thing.” “Mmm.” Cooper pressed their bodies together and inhaled the curve of Park’s neck to his shoulder. “I never once made a free throw.” “Oh baby, the things you say,” Cooper groaned.
Charlie Adhara (The Wolf at Bay (Big Bad Wolf #2))
Did Automae . . . feel things like that? Could an Automa girl feel that tug in her lower belly, that fishhook pull, making her want more, want harder, want deeper, want sweeter? Want hands in her hair, on her waist, on her hips, want—? Don’t go there, Ayla told herself, but she couldn’t help it. Yesterday afternoon in the river, she had seen the whole of Crier’s body, and the yearning that drummed through her wasn’t anything she’d felt before, and her own reaction wasn’t anything she’d felt before, the oceanic pulse between her hips, the things she wanted. Skin on skin, fingers intertwined. She’d tracked the drops of water trailing down Crier’s throat, her collarbone, the curve of her back, down her bare legs when she climbed back up onto the riverbank, and looking hadn’t felt like enough. Did Crier feel the same? Could Crier feel the same? Maybe Ayla already knew the answer. The way Crier had touched her in Elderell, hands flying from Ayla’s arms to her face, fingers raking through her hair, lips parting . . .
Nina Varela (Iron Heart (Crier's War, #2))
Your curves are not just desired on this planet, they are preferred in a female. And everything from your hair to your waist to your tiny feet makes me want to get on my knees and kiss every inch of your body. Not just that,” he said, staring at her mouth. “I can tell you have a fiery spirit, and I like that. Don’t tell me the beauty I see isn’t there.
Milly Taiden (The Alion King (Paranormal Dating Agency, #6))
Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened. Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah.
Christine Feehan (Dark Magic (Dark, #4))
This is what you get when you have a naked Lucy Kavanagh.” She reached behind her back to her bra clasp. “There are rolls.” The bra hooks gave way, and she shook it off, letting it drop where it may. “There are stretch marks.” She slid her thumbs into the waistband of her high-waisted panties meant to hold her not-perfect stomach in and pushed them with more force than necessary to her ankles. She kicked them off with enough power that they went flying through the night like a red cotton bullet and landed on a bush near where Frankie had parked. “There are curves where there should be dips.” She held her arms out wide. “There is all of this, and I’m not apologizing for it—not to you and not to anyone.
Avery Flynn (Muffin Top (The Hartigans, #2))
--and at every turn, he finds excuses to touch me, pushing money into my hand, running his palm down my back, around the curve of my waist.
Abigail Hing Wen (Loveboat, Taipei (Loveboat, Taipei, #1))
The curve of my waist in a tight fitting summer dress can really make me new friends.
Sara Sheridan (Ma Polinski's Pockets)
It is a mysterious place where men never appear in public without curved daggers worn proudly at their waists, while women hide their charms behind thick black veils. It
Nujood Ali (I Am Nujood, Age 10 and Divorced: A Memoir)
Isaiah runs his hand through my hair, and every cell in my body vibrates with the gentle pull. “Rachel.” “Yes.” It’s hard to breathe. “Kiss me.” Isaiah doesn’t wait for my answer. Instead his lips meet mine and his arms wrap around my body. All the hesitancy I felt the first night we kissed evaporates like mist on the heels of a summer storm. Within seconds, our mouths open, and Isaiah slips his tongue against mine. I get lost, liking the way my body curves around his, liking the way my hands explore as if they have a mind of their own, and loving how Isaiah grips my hair while tracing my spine. Tingles and shock waves and earthquakes and hurricanes. All of it takes place at the same time as our mouths move not nearly fast enough. Nothing seems fast enough. The closer I become, the closer Isaiah presses, and the more he presses, the more I want to crawl inside and live in this delicious world of warmth and fantastic hunger. Isaiah hooks an arm around my waist, and I suck in a breath when he turns us and shifts me up against the door to his Mustang. My eyes widen and I stare up at him as he stares down at me. Our chests move in unison, as do our breaths. My fingers curl into the muscles of his arms, and I briefly close my eyes, loving how his body fits into mine.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
It’s going to be okay,” Noam said from over his shoulder. His hand caught Dara’s, their bodies pressed together by the mob. Dara turned to look at him—and for a moment it was like nothing else existed. He tipped his face forward and rested his brow against Noam’s. He focused on Noam’s eyes, on the little threads of gold weaving through Noam’s irises like striations in marble. “I’m scared,” Dara admitted, softly enough he couldn’t even hear himself say it. But Noam must have, because he curved an arm around Dara’s waist and drew him in, burying his own face against Dara’s hair. “Me too.
Victoria Lee (The Electric Heir (Feverwake, #2))
The sway in Mala’s waist, the curve of her hip beneath the folds of her sari, have caught the eye of many young men, each of whom is secretly willing to denounce the colonial prejudice of skin color by falling in love with her.
Nayomi Munaweera (Island of a Thousand Mirrors)
Yes,” he says, he swallows, “I did. I do. I do want to be your friend.” He nods and I register the slight movement in the air between us. “I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend,” he says. “The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette—” “No,” I gasp. “Don’t—don’t s-say that—” I don’t know what I’ll do if he keeps talking I don’t know what I’ll do and I don’t trust myself “I want to know where to touch you,” he says. “I want to know how to touch you. I want to know how to convince you to design a smile just for me.” I feel his chest rising, falling, up and down and up and down and “Yes,” he says. “I do want to be your friend.” He says “I want to be your best friend in the entire world.” I can’t think. I can’t breathe “I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.” And I drop dead, all over the floor.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive. It isn’t easy for me either. He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him. He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room. The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted. Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away. She exhaled. “Go on,” she repeated. Finish the story. The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I’m sorry,” he interrupted, his arm sliding around her waist. He pulled her into the shelter of his body, her back fitting against his hairy chest. “I didn’t mean to nettle you. Here, rest against me.” He nuzzled into the pale streamers of her hair. “What a fiery little wench you are.” “I’m not fiery,” Lottie protested, for that quality was hardly something that befitted a ladylike graduate of Maidstone’s. “Yes, you are.” His hand curved possessively over her hip. “I’ve known it from the moment we met. It’s one of the reasons I wanted you.” “You said you wanted me merely for convenience.” “Well, there is that,” he said with a grin, and reacted swiftly as she tried to elbow him. “But in truth, convenience had nothing to do with it. I wanted you more than any woman I’ve ever met.” “Why did you insist on marriage, when I offered to be your mistress?” “Because being a mistress wasn’t good enough for you.” He paused before adding quietly, “You deserve everything I can give you, including my name.” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars. You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing? I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance. And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
Lang Leav (Memories)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He wrapped an arm around her waist and pulled her into another kiss, and she melted into him, pressing as close as she could, and still he wanted to be closer. Her fingers threading into his hair, his around her waist, moving, exploring. Calculations had no room here, probability and chances washed away to a deeper longing. His tongue traced the contour of her lips, memorizing her taste, her motion, her method. The kiss lit a million suns in between his zeroes and ones, and made him infinite. He did not want to let go. He did not want to leave--he WOULD not. It was that voice that cried this, deep inside him, growing louder and louder. It was selfish. It was damning. But he did not want to forget the taste of her, her warmth, her curves, her smell. It was selfish and it was human. And for a moment he allowed himself to be. Until finally, she slid away, coming up for air. "You, too?" she whispered, her breath hot against his lips, hopeful, her eyes blazing like suns rising for him. He pressed his forehead against hers. "On iron and stars," he promised.
Ashley Poston (Heart of Iron (Heart of Iron, #1))
that I realized the importance of curves, of the thousand places where girls’ bodies ease from one place to another, from arc of the foot to ankle to calf, from calf to hip to waist to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc.
John Green (Looking for Alaska)
I feel the loss, dull the ache of it cause I had it, the place where his legs met his body, the muscular dark where his tunic flared up in the breeze as he went, I had it like telling the oldest story in the world cause there’s a very pure pleasure in a curve like the curve of a buttock : the only other thing as good to draw is the curve of a horse and like a horse a curved line is a warm thing, good-natured, will serve you well if not mistreated, and the curves of his sleeves concertina-ing down and back from his shoulders, blanket stitch then scallop-bite edge, round his waist a double yarnstrand to hold him well.
Ali Smith (How to Be Both)
She dribbled water over his neck and back. The towel didn't quite soak up all of it, and drops raced down his back, trailing the curve of his spine. She loved that curve, framed on either side by ripple after ripple of muscle, and she especially loved the way it dipped in at his waist before flaring onto his perfect, rounded backside.
Melissa Cutler (Tempted into Danger (ICE: Black Ops Defenders, #1))
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower’s half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
We’re gonna need another way to get in here soon.” She wiped at the dirt smeared across her jeans. “We’re getting too big.” “Your butt’s getting too big,” Yadriel teased. “Maybe you should lay off the pastelitos.” He grinned. “And lose these curves?” she asked, smoothing her hands down her waist and hips. Maritza gave him a sarcastic smile. “Thanks, but I’d rather die.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
It was Jaenelle's voice, but... She was medium height, slender, and fair-skinned. Her gold mane--not quite hair and not quite fur--was brushed up and back from her exotic face and didn't hide the delicately pointed ears. In the center of her forehead was a tiny, spiral horn. A narrow strip of gold fur traced her spine, ending in a small gold and white fawn tail that flicked over her bare buttocks. The legs were human and shapely, but changed below the calf. Instead of feet, she had dainty horse's hooves. Her human hands had sheathed claws like a cat's. As she shifted position to slip another shard into place, he saw the small, round breasts, the feminine curve of waist and hips, the dark-gold triangle of hair between her legs. Who...? But he knew. Even before she walked over and looked at him, even before he saw the feral intelligence in those ancient, haunted sapphire eyes, he knew. Terrifying and beautiful. Human and Other. Gentle and violent. Innocent and wise. *I am Witch,* she said, a small, defiant quiver in her voice. *I know.* His voice had a seductive throb in it, a hunger he couldn't control or mask.
Anne Bishop
Alice, who measured the same from her neck to her waist back and front, and considered that so would all women if they were really good and attended to their duties, admired persons, he was aware, of a flat build. He didn't. He was quite sure that curves were comfortable things. All women should have them—curves, soft curves, curves against which one could lay one's head when tired of everything, and go to sleep.
Elizabeth von Arnim (Father)
When she brought her lips back closer to his face, his eyelids flickered and shut for a moment. In a swift motion he rolled on top of her, and his mouth was on hers before she could make a sound. His hand pressed on her lower back, tracing the curve of her waist. She felt the heat building inside her and the goosebumps rising on her arm. His other hand slowly moved upward, until his fingers flexed back and forth in her hair.
A.O. Peart
He held me much closer than Carl had. His grip was firm and possessive. It left no doubt in anyone’s mind who I belonged to and that alone sent a thrill through me that I knew was wrong. He imprisoned me in the unwavering chains of his gaze, leaving me powerless to break away while he scrutinized my soul. I wondered what he was looking for. “You came.” The hand on my waist slid over the swell in my spine where it connected to the rise of my backside. His palm flattened against the spot and I was drawn even closer, eliminating what modicum of space there had been between us. My soft frame was cradled seamlessly into the unyielding length of his in all the places that counted, thighs, pelvis, stomach … breasts. I couldn’t even breathe without feeling the skim of my hardened nipples against his chest. I couldn’t move without feeling his cock reaching for me through miles of fabric to prod into my midsection. He was long and hard and I grew wet from that knowledge alone. “Gabriel…” “I couldn’t leave without having this dance with you.” My fingers tightened around his shoulder. “Why?” His quiet exhalation whispered over the curve of my cheeks, smelling of mint and despair. “Because the further away I got from you, the more it felt like if I kept driving, I would lose you for good and that scared me like nothing else.
Airicka Phoenix (The Voyeur Next Door)
She looked away from him, her expression suddenly contemplative, the edges of her teeth catching at the plush curve of her lower lip. Just as Gideon thought she was going to refuse him, she reached out impulsively, her warm fingers catching at his. He held her hand as if he cradled a fragile bird in his palm, and drew her close enough that he could smell the hint of rose water in her hair. Her body was slim, sweetly curved, her uncorseted waist soft beneath his fingers. Despite the undeniable romance of the moment, Gideon felt a most unromantic stirring of lust as his body reacted with typical mare awareness to the nearness of a desirable female. He eased his partner into a slow waltz, guiding her expertly across the uneven flagstones. "I've seen fairies dancing on the lawn before," he said, "when I get deep enough in a bottle of brandy. But I've never actually danced with one before.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Poppy,” he said raggedly, “I thought about you every minute of that twelve-hour carriage drive. About how to make you come back with me. I’ll do anything. I’ll buy you half of bloody London, if that will suffice.” “I don’t want half of London,” she said faintly. Her fingers tightened on the waist of his trousers. This was Harry as she had never seen him before, all defenses down, speaking to her with raw honesty. “I know I should apologize for coming between you and Bayning.” “Yes, you should,” she said. “I can’t. I’ll never be sorry about it. Because if I hadn’t done it, you’d be his now. And he only wanted you if it was easy for him. But I want you any way I can get you. Not because you’re beautiful or clever or kind or adorable, although the devil knows you’re all those things. I want you because there’s no one else like you, and I don’t ever want to start a day without seeing you.” As Poppy opened her mouth to reply, he smoothed his thumb across her lower lip, coaxing her to wait until he had finished. “Do you know what a balance wheel is?” She shook her head slightly. “There’s one in every clock or watch. It rotates back and forth without stopping. It’s what makes the ticking sound . . . what makes the hands move forward to mark the minutes. Without it, the watch wouldn’t work. You’re my balance wheel, Poppy.” He paused, his fingers compulsively following the fine curve of her jaw up to the lobe of her ear. “I spent today trying to think of what I could apologize for and maybe sound at least half sincere. And I finally came up with something.” “What is it?” she whispered. “I’m sorry I’m not the husband you wanted.” His voice turned gravelly. “But I swear on my life, if you’ll tell me what you need, I’ll listen. I’ll do anything you ask. Just don’t leave me again.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
She pushed him away from her. The rain swept over her face as she lifted her emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. ”Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.” The dark, malevolent feeling had faded away. Whoever it was no longer was watching them. She could tell. “I feel another argument coming on.” His mocking amusement might not have shown on his face, but she could feel it in her mind. Jacques simply lifted her and tossed her over his shoulder. “No way, you wild man. You aren’t Tarzan. I don’t like heights. Put me down.” “Close your eyes. Who is Tarzan? Not another male, I hope.” The wind rushed over her body, and she could feel them moving fast, so fast the world seemed to blur. She closed her eyes and clutched at him, afraid to do anything else. His laughter was happy and carefree, and it warmed her heart, dispelling any residue of fear she carried. It was a miracle to her that he could laugh, that he was happy. Tarzan is the ultimate male. He swung through trees and carries his woman off into the jungle. He patterns himself after me. She nuzzled his neck. He tries.
Christine Feehan (Dark Desire (Dark, #2))
How could I? When your hair is the color of the sun on a cloudless day? When your smile warms the entire ocean around me? When I touch you, your soul is so familiar to me. It is like I have known you in a hundred lifetimes before this, and some part of me that I’ve forgotten wishes to bury itself inside you. It tells me to cling to the curve of your waist, to clutch at the feeling in my chest that lingers when you are near. My soul wishes to keep you and never let you go.
Emma Hamm (Song of the Abyss (Deep Waters, #2))
With extreme care, Morgan curved his arm around her waist and pulled her back against him, so they were pressed together spoon fashion. Vivien couldn't prevent a small gasp at the animal heat and hardness of his body, evident through the nightclothes that separated them. "You're not afraid, are you?" he murmured at the soft sound. "No," she replied breathlessly. "But... I'm having a difficult time thinking of you as a friend." The arm at her waist tightened a minute degree. "Good," he said thickly.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot.
J.D. Robb (Ceremony in Death (In Death, #5))
The door opened and she came out. She was wearing a red dress. It was faded a little, and there were streaks and creases in it from having been folded away for a long time, but those were unimportant things. It was red. It was made of some soft, shiny, slithery stuff that rustled when she moved, and it came clear down to the floor, hiding her feet, but that was about all it hid. It fitted tight around her waist and hips and outlined her thighs when she walked forward, and above the waist there wasn’t very much at all. She held out her arms at the sides and turned around slowly. Her back and shoulders were bare, white and gleaming in the sunlight that fell through the window, and her breasts were sharply outlined in the red cloth, showing above it in two half-moon curves, and her black hair fell down, dark and glossy over her white skin. “It belonged to my great-grandmother. Do you like it?” Len said, “Christ.” He stared and stared, and his face was almost as red as the dress. “It’s the most indecent thing I ever saw.” “I
Leigh Brackett (The Long Tomorrow)
His hand slid up my back, leaving a trail of fire in its wake, and his lips moved across my cheek, stopping to hover above mine. I forgot how to breathe, and most importantly, how to think. He moved, ever so slightly, and his lips brushed across mine once, and then twice. It was such a soft, beautiful kiss, but when the kiss deepened, it wasn’t a shy one. This was one of dangerously pent-up need, a desire that’d been denied far too long. The kiss felt fierce, demanding, and soul burning. Aiden pulled me to him, pressing me right up against his body. And when he kissed me again, it left both of us breathless. Our hands tangled with each other’s bodies as we made it back to his bedroom. My hands found their way under his shirt and over the taut skin of his sides. We separated long enough for me to get the shirt off, and gods, each hard ripple was as breathtaking as I’d imagined. Easing me down on his bed, his hands glided from my face to my arms. Next his hand traveled over my stomach, then my hip, and under the hem of my dress. Somehow, the top of my dress ended up at my waist, and his mouth moved over my body. I melted into him, his kisses, and his touch. My fingers dug into the tight skin of his arms, and my insides were in tight coils. Every place our bodies touched, sparks flew. Aiden pulled his lips away from mine, and I made a sound of protest, but then his mouth trailed across my throat and to the base of my neck. My skin burned and my thoughts were on fire. His name was barely a whisper, but I felt his lips curve against my skin.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
Their bodies coupled. Her breasts pressed against his chest and their hip bones rubbed. He curved his arms about her shoulders. She settled her hands at his waist. The man was solid. His muscles taut. She shifted between his legs, flush with his groin. A groin that stirred. Arousal struck hard. He bent to kiss her. Just as she stretched up to him. Time slowed with the exchange of breath. The heat of his slightly parted lips blew across her mouth. His unshaved jaw brushed the softer skin of her chin. Seconds were magnified as each memorized the impact of the moment. It was startling. Unsettling. And unforgettable. He moved on her without reservation. The pull between them was inescapable. He slanted his mouth over hers, flicked his tongue along her upper lip, and nipped the bottom one. Then sucked both hard. She nearly came out of her skin. He penetrated her mouth with his tongue. A seductive pulse of slow, then fast. Raking the roof of her mouth, then thrusting deep. He was skilled in kissing. She lost herself in the mating rhythm.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
I feel shock splinter through him, his body going rigid. Then he relaxes, melting into me, stepping forward until I am caught between him and the wall, the torch crackling beside me. His hands slide down my back, over my hips and thighs, leaving a trail of fire. His heart beats fast enough for the both of us, its thunderous pulse echoing through me. I bury my hands in his dark hair, fingers knotting around those thick locks. Desire pulls at my stomach, and I lean into him, lifting one leg and wrapping it around his waist. He lifts me, and my other leg coils around him, my skirts sliding up my thighs, my back pressed against the column. His lips are soft and warm and gentle, underlined with barely restrained urgency. I cannot get enough of him. I pull his kurta over his head and let it fall on the floor. I press my hands against his bared chest, feel his heart against my palm, his lungs rising and falling. His shoulder is knotted with the scar from the arrow he took for me. He kisses me again, this time more strongly, and I run my hands down his jaw and neck, over his shoulders, the taut muscles of his back. He turns, without letting me go or breaking our kiss, and we tumble onto the soft divan. Aladdin holds himself over me, his abdomen clenched and his hair hanging across his forehead. His lips wander downward, to my chin, to the curve of my jaw, to my neck. My hands are ravenous, exploring the planes and angles of his body. His fingers find mine, and our hands knit together. He raises them over my head, pressing them into the pillow beneath my hair, as his kisses trace my collarbone, and then he sinks lower, parting the buttons of my dress and pressing his lips to my bare stomach. I gasp and open my eyes wide, my borrowed body coursing with sensations I have never felt, never dared to feel, never thought I could feel. “Aladdin,” I murmur. “We shouldn’t . . .” “Sh.” He silences me with a kiss, and I lift my chin to meet him. A warm wind rushes through my body, stirring embers and setting them aflame. I don’t want to stop. I don’t want to think about consequences. I only want Aladdin, everywhere.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (Femme Fatale)
Consider it a Solstice and birthday present in one.' He gestured to the house, the gardens, the grounds that flowed to the river's edge. With a perfect view of the Rainbow at night, thanks to the land's curve. 'It's yours. Ours. I purchased it on Solstice Eve. Workers are coming in two days to begin clearing the rubble and knock down the rest of the house.' I blinked again, long and slow. 'You bought me an estate?' 'Technically, it will be our estate, but the house is yours. Build it to your heart's content. Everything you want, everything you need- build it.' The cost alone, the sheer size of this gift had to astronomical. 'Rhys.' He paced a few steps, running his hands through his blue-black hair, his wings tucked in tight. 'We have no space at the town house. You and I can barely fit everything in the bedroom. And no one wants to be at the House of Wind.' He again gestured to the magnificent estate around us. 'So build a house for us, Feyre. Dream as wildly as you want. It's yours.' I didn't have words for it. What cascaded through me. 'It- the cost-' 'Don't worry about the cost.' 'But...' I gaped at the sleeping, tangled land, the ruined house. Pictured what I might want there. My knees wobbled. 'Rhys- it's too much.' His face became deadly serious. 'Not for you. Never for you.' He slid his arms around my waist, kissing my temple. 'Build a house with a painting studio.' He kissed my other temple. 'Build a house with an office for you, and one for me. Build a house with a bathtub big enough for two- and for wings.' Another kiss, this time to my cheek. 'Build a house with a garden for Elain, a training ring for the Illyrian babies, a library for Amren, and an enormous dressing room for Mor.' I choked on a laugh at that. But Rhys silenced it with a kiss to my mouth, lingering and sweet. 'Build a house with a nursery, Feyre.' My heart tightened to the point of pain, and I kissed him back. Kissed him again and again, the property wide and clear around us. 'I will,' I promised.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
But then Lalita did something odd. Well, not odd, but beautiful. She shifted the clay pot of water from her right hip to her left. She pushed it up against the curve of her waist, wrapped her arm around the neck of the pot, and disappeared around the bend. Mohan knelt to the ground; he could taste the earthen dampness clinging to her waist. He knew then that he'd been wrong: she wasn't simply happy; happiness could not possibly explain the strange loveliness, the utter seductiveness, of that gesture. No, what Lalita had was something even more audacious than happiness. What was it? Mohan trembled.... Sitting on his bed that afternoon, after lunch, Mohan decided that the clay of the pot and the bronze of Lalita's skin were the only true substances. They were why the rains fell, why the sun rose. His fingers traced them all his life. Then he knew. He knew what Lalita had that the others didn't, that he didn't; she had sex. In fact, he realized, what she had was the opposite of what he had. But what was it that he had? What was the opposite of sex? It seemed like a question without an answer. Like where does reality stop and unreality begin? Or, what goes deeper, the human soul or the human imagination? But this one had an answer. That much Mohan knew. He knew that the opposite of sex was fear. And fear was something he had an abundance of.
Shobha Rao (An Unrestored Woman)
And not just beautiful, but hot, too, with her breasts straining against her tight tank top, her curved legs swinging back and forth beneath the swing, flip-flops dangling from her electric-blue-painted toes. It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls’ bodies ease from one place to another, from arc of the foot to ankle to calf, from calf to hip to waist to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I’d noticed curves before, of course, but I had never quite apprehended their significance.
John Green (Looking for Alaska)
As she passed the door to Gray’s study, a familiar, muscled arm shot out into the corridor, catching her by the waist. Laughing, she stumbled into the room, quickly finding herself caught between cool walnut paneling at her back and the hot, solid wall of man before her. Ever since their wedding-or since the Kestrel storeroom, more likely-Gray seemed to find it an irresistible challenge, to catch her unawares in an unlikely location and pull her into a feverish embrace. Sophia had no wish to discourage the habit, but this wasn’t the ideal time for a tryst. “Gray,” she chided between kisses, “what are you about? The housekeeper said there was an urgent matter requiring my attention.” “And so there is. I require your attention. Most urgently.” His hand slid to her bottom, and he lifted her easily, pinning her to the wall with his hips. The beaded ridges of the wainscoting dug into her spine. “Don’t think we’ve used this room yet,” he murmured, nibbling at the curve of her neck. “I’m entertaining,” she protested. “Yes, you are,” he said, grinding against her. “Highly entertaining.” Sophia sighed with pleasurable frustration. “I mean, I have a guest. Lady Kendall’s in the salon, with Bel.” She levered her arm against his chest, carving out some space between them. “And I thought you were at your shipping office.” “Yes, well…” Mischief gleamed sharp in his eyes. “I decided to go riding instead.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
It was a rustling sound that woke me up. Because I'd had my eyes closed, the whiteness of the room seemed even brighter than before. There wasn't a shadow anywhere in front of me, and every object, every angle and curve stood out so sharply it made my eyes hurt. That's when Maman's friends came in. There were about ten in all, and they floated into the blinding light without a sound. They sat down without a single chair creaking. I saw them more clearly than I had ever seen anyone, and not one detail of their faces or their clothes escaped me. But I couldn't hear them, and it was hard for me to believe that they really existed. Almost all the women were wearing aprons, and the strings, which were tied tight around their waists, made their bulging stomachs stick out even more. I'd never noticed what huge stomachs old women can have. Almost all the men were skinny and carried canes. What struck me most about their faces was that I couldn't see their eyes, just a faint glimmer in a nest of wrinkles. When they'd sat down, most of them looked at me and nodded awkwardly, their lips sucked in by their toothless mouths, so that I couldn't tell if they were greeting me or if it was just a nervous tic. I think they were greeting me. It was then that I realized they were all sitting across from me, nodding their heads, grouped around the caretaker. For a second I had the ridiculous feeling that they were there to judge me.
Albert Camus
Bash’s hands come to the hem of my dress and yank it up. He clucks his tongue. “I don’t think you should be allowed to wear panties anymore.” “I would agree,” Kas says and relieves me of them in one quick yank. “Maybe she shouldn’t be allowed to wear any clothes at all.” Bash lets the skirt of my dress drop back down, then slides his hand up the curve of my waist to my breast. His touch is patient as he presses into my ass, letting me know he’s hard for me. “I can’t just walk around naked,” I say. “Why not?” he purrs against my ear. “Then we could admire you at all hours of the day and night. Have you dripping wet whenever we’d like, with nothing to stand between us.” He rubs at my nipple, coaxing it to bead.
Nikki St. Crowe (The Dark One (Vicious Lost Boys, #2))
A hand clapped on her shoulder. Milk sloshed over the side of the pail, dousing her hand and splattering her skirts. A startled cry whooshed out of her as an arm whipped around her waist. Her back collided with a wall of heat and muscle. “Is this what you wanted?” The rough whisper warmed her ear. “Gray.” She nearly fainted with relief. He held her tight against him with one arm, his other hand skimming over the curve of her hip. “Gray, what on earth are you doing? You made me spill the milk, drat you.” “It won’t go to waste.” Resting his chin on her shoulder, he untangled her fingers from the pail’s handle. Bending her arm at the elbow, he lifted her fingers to his mouth, sucking them clean one by one. His tongue traced each finger and the delicate webs between them, sending gooseflesh rippling down the backs of her legs. “Isn’t this what you wanted?” His fingers interlaced with hers, squeezing them until they hurt. “Your dream lover, lurking in the shadows of the stables, the larder…the storeroom? Lying in wait for his wanton dairymaid?” Sophia froze. Dear God, he’d seen The Book. He nipped at the curve of her neck, and she gasped. “You-“ She swallowed hard. “You had no right to look through that.” “You had no right to put me in it.” She could hear the raw edge of anger in his voice. His fingers still gripping hers, he pressed her own hand to her breast. “But let’s not dwell on rights, sweet. Not when wrongs are so much more interesting.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Come with me,' Cardan says again, drawing me away from the blood-soaked star chart and the others taking their lessons. 'I am a prince of Faerie. You have to do what I want.' He leads me to the dappled shade of an oak tree, then lifts me up so I am seated on a low branch. He keeps his hands on my waist and moves closer, so that he's standing between my thighs. 'Isn't this better?' he says, gazing up at me. I am not sure what he means, but I nod. 'You're so beautiful.' He begins to trace patterns on my arms, then runs his hands down my sides. 'So very beautiful.' His voice is soft, and I make the mistake of looking into his black eyes, at his wicked, curving mouth. 'But your beauty will fade,' he continues, just as softly, speaking like a lover. His hands linger, making my stomach tighten and warmth pool in my belly. 'This smooth skin will wrinkle and spot. It will become as thin as cobwebs. These breasts will droop. Your hair will grow dull and thin. Your teeth will yellow. And all you have and all you are will rot away to nothing. You will be nothing. You are nothing.' 'I'm nothing,' I echo, feeling helpless in the face of his words. 'You come from nothing, and it is to nothing you will return,' he whispers against my neck. A sudden panic overtakes me. I need to get away from him. I push off the edge of the branch, but I don't hit the ground. I just fall and fall and fall through the air, dropping like Alice down the rabbit hole.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I couldn't stop picturing you naked and wet." "If you knew the things you've done in my imagination..." "I touched myself while thinking of you." He groaned against her lips. "Jesus Christ, that's one of them." She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move. He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding. "Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself." Penny's heartbeat stalled. The gruff command both scandalized and excited her. With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back. "Show me." Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath. "More," he demanded. "I want to see you." His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe. She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart. "That's it. Spread yourself for me. Let me see." The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently. His ragged breath warmed her ear. "God, you're beautiful." She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state. As her excitement mounted, she strummed faster. She was panting, arching her back.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
She had the kind of eyes that predisposed you to supporting her every endeavor. And not just beautiful, but hot, too, with her breasts straining against her tight tank top, her curved legs swinging back and forth beneath the swing, flip-flops dangling from her electric-blue-painted toes. It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls’ bodies ease from one place to another, from arc of the foot to ankle to calf, from calf to hip to waist to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I’d noticed curves before, of course, but I had never quite apprehended their significance.
John Green (Looking for Alaska)
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him. That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company. He took his time turning and once he did, he started at the shoes. They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin. He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts. He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so fucking much.” Just for instance.
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
She stood on the willow bank. It was bright as mid-afternoon in the openness of the water, quiet and peaceful. She took off her clothes and let herself into the river. She saw her waist disappear into reflection less water; it was like walking into sky, some impurity of skies. All seemed one weight, one matter -- until she put down her head and closed her eyes and the light slipped under her lids, she felt this matter a translucent one, the river, herself, the sky all vessels which the sun filled. She began to swim in the river, forcing it gently, as she would wish for gentleness to her body. Her breasts around which she felt the water curving were as sensitive at that moment as the tips of wings must feel to birds, or antennae to insects. She felt the sand, grains intricate as little cogged wheels, minute shells of old seas, and the many dark ribbons of grass and mud touch her and leave her, like suggestions and withdrawals of some bondage that might have been dear, now dismembering and losing itself. She moved but like a cloud in skies, aware but only of the nebulous edges of her feeling and the vanishing opacity of her will, the carelessness for the water of the river through which her body had already passed as well as for what was ahead. The bank was all one, where out of the faded September world the little ripening plums started. Memory dappled her like no more than a paler light, which in slight agitations came through leaves, not darkening her for more than an instant. the iron taste of the old river was sweet to her, though. If she opened her eyes she looked at blue bottles, the skating waterbugs. If she trembled, it was at the smoothness of a fish or a snake that crossed her knees. In the middle of the river, whose downstream or upstream could not be told by a current, she lay on her stretched arm, not breathing, floating. Virgie had reached the point where in the next moment she might turn into something without feeling it shock her. She hung suspended in the Big Black River as she would know how to hang suspended in felicity. Far to the west, a cloud running fingerlike over the sun made her splash the water. She stood, walked along the soft mud of the bottom, and pulled herself out of the water by a willow branch, which like a warm rain brushed her back with its leaves. The moon, while she looked into the high sky, took its own light between one moment and the next. A wood thrush, which had begun to sing, hushed its long moment and began again. Virgie put her clothes back on. She would have given much for a cigarette, always wishing for a little more of what had just been. (from the short story The Wanderers)
Eudora Welty
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone. She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted. He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck. He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers. He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch. "That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip. She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck. He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire. "Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant. Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast. With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts. She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts. Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her. But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound. He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Did they have all the ingredients for the seed cake, Miss Sophia? The caraway and rye, and the currants for the top?" "Yes," Sophia replied as the cook-maid disappeared into the larder. "But we could find no red currants, and-" Suddenly her words were smothered into silence as Sir Ross pulled her into his arms. His lips descended to hers in a kiss so tender and carnal that she could not help responding. Stunned, she struggled to retain her hatred of him, to remember the wrongs of the past, but his lips were utterly warm and compelling, and her thoughts scattered crazily. The pink rose dropped from her nerveless fingers. Sophia swayed against him, groping for his hard shoulders in a futile bid for balance. His tongue searched her mouth... delicious... sweetly intimate. Sophia inhaled sharply and tilted her head back in utter surrender, her entire existence distilled to this one burning moment. Through the pounding heartbeat in her ears she dimly heard Eliza's concerned voice echoing from the larder. "No red currants? But what will we top the seed cake with?" Sir Ross released Sophia's mouth, leaving her lips moist and kiss-softened. His face remained close to hers, and Sophia felt as if she were drowning in the silver pools of his eyes. His hand came to the side of her face, his fingers curving over her cheek, his thumb brushing the corner of her mouth. Somehow Sophia managed to answer Eliza. "We f-found golden currants instead-" As soon as the words left her mouth, Sir Ross kissed her again, his tongue exploring, teasing. Her groping fingers touched the back of his neck, where the thick black hair curled against his nape. Sensation rustled through her, spurring her pulse to an intemperate pace. Taking advantage of her surrender, he kissed her more aggressively, hunting for the deepest, sweetest taste of her. As her knees weakened, his arms wrapped securely around her, supporting her body as he continued to ravish her mouth. "Golden currants?" came Eliza's dissatisfied voice. "Well, the flavor won't be quite the same, but they will be better than nothing." Sir Ross released Sophia and steadied her with his hands at her waist. While she stared at him blankly, he gave her a brief smile and left the kitchen just as Eliza reemerged from the larder.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
In the strange, shadowed lighting of my small room Dutchy takes off his belt and dress shirt and hangs them over the only chair. He stretches out on the bed in his undershirt and trousers, his back against the wall, and I lean against him, feeling his body curve around mine. His warm breath is on my neck, his arm on my waist. I wonder for a moment if he'll kiss me. I want him to. "How can this be?" he murmurs. "It isn't possible. I've dreamed of it. Have you?" I don't know what to say. I never dared to imagine that I'd see him again. In my experience, when you lose somebody you care about, they stay gone. "What's the best thing that happened to you in the past ten years?" I ask. "Seeing you again," Smiling, I push back against his chest. "Besides that" "Meeting you the first time." We both laugh. "Besides that." "Hmm, besides that," he muses, his lips on my shoulder. "Is there anything besides that?" he pulls me close, his hand cupping my hip bone. And though I've never done anything like this before - have barely ever been alone with a man, certainly not a man in his undershirt - I'm not nervous. When he kisses me, my whole body hums.
Christina Baker Kline (Orphan Train)
Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please—” Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I—” she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know—exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant—” He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, exactly as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, invited—brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight . . . wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking . . . teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quite the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
Judith McNaught (Almost Heaven (Sequels, #3))
After twenty minutes of hard swimming, his muscles were burning. He hoisted himself out of the water, breathing heavily, and went to fetch a towel from a stack on a table. As he dried himself vigorously, he caught a glimpse of someone standing by the other end of the swimming bath. He went very still at the sight of rose-copper hair... pink cheeks and round blue eyes... and lavish curves contained in a fashionable striped wool dress. Every filament of his nervous system sparked with an infusion of joy. "Evie?" he asked huskily, afraid he was imagining her. She glanced at the water, remarking innocently, "You were swimming so hard, I thought there might be a sh-shark." It took all Sebastian's concentration to reply casually, "You know better than that, pet." He wrapped the towel around his waist and tucked in the overlapping edge to fasten it. "I am the shark." He went to his wife in no apparent hurry, but as he drew closer his stride quickened, and he snatched her up with an ardor that nearly lifted her feet from the floor. She gasped and clutched his shoulders, and lifted her smiling mouth to his. Glorying in the taste and feel of her, Sebastian kissed her thoroughly, eventually finishing with a soft, provocative bite at her lower lip.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.” He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room. “Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle. He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.” *** He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too. When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs. “Muriah?” Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?” “Did you hear my question?” He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed. Probably both. She cleared her throat. “I must’ve missed it.” A spark lit his eyes that told her he might have more than a clue to his sex appeal. He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.” “I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him. “I probably should’ve grabbed some dry underwear, too.” “They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.” The corner of his mouth curved up. “They will be honored to take my money.” She groaned and rolled her eyes. “Do you ever not get your way?” He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
Lisa Kessler (Night Child (Night, #3))
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation. “Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part. The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?” “Do you want to make it into one?” Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.” “Why not?” “You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.” “They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.” His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape. “How do you remember it?” he teased as his lips came closer. “Show me.
Judith McNaught (Almost Heaven (Sequels, #3))
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.
Paullina Simons (Children of Liberty (The Bronze Horseman, #0.5))
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Are you sure you’re all right?” Oscar asked. “I’m sure.” The sound of their voices disturbed the night, and her dishonesty disturbed her. How could she be all right? She’d been abducted at knifepoint. She’d heard the chanting again and seen the eerie black skeletal face on the bathwater’s surface. What were those things, if not part of the Umandu curse? “Are you sure he didn’t touch you?” Oscar asked, the softness of his question poles apart from the anger and irritation he’d shown all day. It was obvious he didn’t want to go chasing after Umandu, but she couldn’t imagine the prospect of bringing her father back to life would make him so sour. Camille sat up, holding the thin blanket around her neck. An odd thought struck her: They were on land, alone in a room, and they hadn’t yet struggled with an awkward stretch of silence. Camille liked the change and hoped it stuck. Oscar lay on the floor, beneath the double windows. He had one arm over his chest, the other behind his head. He saw her and pushed himself up, his own covers loose around his waist. He still wore his clothes, and she grinned, knowing it was for her benefit only. He’d be sweating rivers tonight in the heavy heat. Oscar wrapped his arm around one knee. “You have no idea what went through my mind tonight when I found that bathtub empty,” he whispered. “I can’t let anything happen to you, Camille.” She sat up a little straighter, hoping he wouldn’t pledge his protection just to honor his dead captain. “I didn’t mean to make you worry, Oscar. But my safety isn’t your burden.” Though she couldn’t see him clearly in the shadowed room, Camille felt his eyes on her. “You’re not a burden, Camille. Not to me.” She searched his dark outline. A patch of moonlight fell on a swath of bare skin on the curve of his neck. It glistened with sweat, and she felt her own skin fire with the charged silence growing between them. She didn’t know how to respond; he wouldn’t look away. “He didn’t touch me,” she whispered instead, answering his original question. She lay back and turned onto her side, disappointed she hadn’t found something more to say. Something to make the moment last a hair longer. Oscar’s covers rustled as he settled back as well. “That was smart of him,” he replied, and said no more.
Angie Frazier (Everlasting (Everlasting, #1))
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.” Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.” Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck. We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked. Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked. Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled. “What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn. “You’ll see,” he replied. He definitely had something up his sleeve. I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way. “But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point. “Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.” That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The rain spattered against the window in a wind-driven sheet, and he dropped his forehead to her shoulder. “Sleep with me tonight,” he said, “or let me sleep with you.” “You know we cannot.” “Just sleep, Emmie. I will not bother you.” In the dark, she could not read his expression, but she did know he was ripe for another setback. He wasn’t sleeping in his bed, it was after midnight, and his memories were tormenting him. “I will scream the house down if you misbehave, and I will not let you seduce me.” It was a terrible idea—almost as terrible as the thought of not seeing him for weeks, not hearing him banter with Lord Amery, not watching as he slowly coaxed Winnie into a semblance of civilized behavior. It was a terrible idea, for she could not think of refusing him. “Tonight, Emmie love, I could not seduce my own right hand. I’ve already tried.” She shot him a puzzled look but kept her questions to herself. “Take me upstairs, Emmie.” He rose and drew her to her feet. “Please.” She made no reply, just took his hand, picked up her candle, and led him to her bedroom. While she finished braiding her hair, he locked the door then undressed, washed, and climbed under her covers. When her fingers hesitated at the ties of her nightgown, he met her gaze. “It’s up to you. Sleep however you are comfortable.” She blew out the candle before taking off her clothes and climbing in beside him. “You will sleep?” she asked, her voice hesitant in the darkness. “Eventually,” he replied, pushing her gently to her side, “and so will you.” He trailed his fingers over her shoulder blades then down her spine. “Relax, Emmie. I’ve given my word I will behave, and I would not lie to you.” She sighed and gave herself up to the pleasure of having her back rubbed and then, only moments later, to the pleasure of slumber. “Better,” he murmured, content just to touch her. The smooth, fragrant expanse of her flesh under his hands soothed him, distracted him from the rain and the rain scents coming in the windows. Her breathing evened out, and the tension in her body eased. Slowly, so as not to disturb her, he curved his naked body around hers and slipped a hand around her waist. She sighed again and snuggled back against his chest, then laced her fingers through his. He felt himself drifting into sleep, Emmie’s hand in his, her warmth against his heart, her fragrance blotting out the memories that had denied him sleep. Peace. Finally, finally, I have experienced that thing referred to as peace. ***
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))