Waist Coat Quotes

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Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm. “Sorry, clumsy,” she says. “You always were, Sadie. One of your more endearing traits.” Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man … She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?” “Someone you knew in another life, honey.
Stephen King (11/22/63)
She chuckled, leaned on him as they headed out of the park. “All in all, it was a hell of a party.” “Hmm. We’ll have others. But there’s one thing.” “Hmm?” She flexed her fingers, relieved that they seemed to be back in full working order. The MTs knew their stuff. “I want you to marry me.” “Uh-huh. Well, we’ll—” She stopped, nearly stumbled, then gaped at him with her good eye. “You want what?” “I want you to marry me.” He had a bruise on his jaw, blood on his coat, and a gleam in his eye. She wondered if he’d lost his mind. “We’re standing here, beat to shit, walking away from a crime scene where either or both of us could have bought it, and you’re asking me to marry you?” He tucked his arm around her waist again, nudged her forward. “Perfect timing.
J.D. Robb (Glory in Death (In Death, #2))
Tarquin turned from the table, just as the tent flaps parted for a pair of broad shoulders— Varian. He didn’t so much as look at his High Lord, his focus going right to where Amren sat at the head of the table. As if he’d sensed she was here—or someone had reported. And he’d come running. Amren’s eyes flicked up from the Book as Varian halted. A coy smile curved her red lips. There was still blood and dirt splattered on Varian’s brown skin, coating his silver armor and close-cropped white hair. He didn’t seem to notice or care as he strode for Amren. And none of us dared to speak as Varian dropped to his knees before Amren’s chair, took her shocked face in his broad hands, and kissed her soundly. ... None of us lasted long after dinner. Amren and Varian didn’t even bother to join us. No, she’d just wrapped her legs around his waist, right there in front of us, and he’d stood, lifting her in one swift movement. I wasn’t entirely sure how Varian managed to walk them out of the tent while still kissing her, Amren’s hands dragging through his hair, letting out noises that were unnervingly like purring as they vanished into the camp. Rhys had let out a low laugh as we all gawked in their wake. “I suppose that’s how Varian decided he’d tell Amren he was feeling rather grateful she ordered us to go to Adriata.” Tarquin cringed. “We’ll alternate who has to deal with them on holidays.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Their eyes met at the same instant moment, Therese glancing up from a box she was opening, and the woman just turning her head so she looked directly at Therese. She was tall and fair, her long figure graceful in the loose fur coat that she held open with a hand on her waist, her eyes were grey, colorless, yet dominant as light or fire, and, caught by them, Therese could not look away. She heard the customer in front of her repeat a question, and Therese stood there, mute. The woman was looking at Therese, too, with a preoccupied expression, as if half her mind were on whatever is was she meant to buy here, and though there were a number of salesgirls between them, There felt sure the woman would come to her, Then, Then Therese saw her walk slowly towards the counter, heard her heart stumble to catch up with the moment it had let pass, and felt her face grow hot as the woman came nearer and nearer.
Patricia Highsmith (The Price of Salt)
So . . . how are we getting out of here? Do I still have to?" "Yes. That thing over there"-he points as he unhooks my coat from the hanger-"is an elevator. You've been in it before. With me, in fact. I'll step you through the process." "What if someone sees us?" "You say that now? Lucinda, you're priceless." I slap my keyboard to lock my computer, snatch my handbag and clatter after him. I try to tug my coat from his arm but he shakes his head and tuts. The elevator doors open and he tugs me in, his hand at my waist. I turn to see Helene, leaning on her doorframe, her posture one of casual amusement. She then throws her head back and laughs in delight, clapping her hands together. He waves to Helene as the doors close.
Sally Thorne (The Hating Game)
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
Aaron attempted to place me on the black-and-white tiled floor. “Nuh-uh.” I shook my head, holding on to his neck a little closer and keeping my legs around his waist. “I like it up here.” “Yeah?” His voice was coated with humor but also with something thick and glossy. I tightened my grip on him. “That much?” “Yep,” I admitted into his neck. “I think you can carry me everywhere from now on. Walking on my own is not going to cut it anymore.” His palms rearranged me around him, shifting me to his side. He dropped a kiss on my temple. “And I think I could get used to that very quickly.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
The mists seemed to draw back. Waxillium stood there, wearing a large, dusterlike coat, cut into strips below the waist. A pair of revolvers gleamed in holsters at his hips, and he rested a shotgun on each shoulder. His face was bloodied, but he was smiling.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
Stephanie Danler (Sweetbitter)
Rose sat all alone in the big best parlor, with her little handkerchief laid ready to catch the first tear, for she was thinking of her troubles, and a shower was expected. She had retired to this room as a good place in which to be miserable; for it was dark and still, full of ancient furniture, somber curtains, and hung all around with portraits of solemn old gentlemen in wigs, severe-nosed ladies in top-heavy caps, and staring children in little bobtailed coats or short-waisted frocks. It was an excellent place for woe; amd the fitful spring rain that pattered on the windowpane seemed to sob,"Cry away; I'm with you.
Louisa May Alcott
Mia stood between the bed and the broken window, holding an active plasma blade at waist-height in front of her. A thick coat of blood stained the plasma nearly from hilt to tip, hissing as it dribbled from blade to floor. “Are you all right?” Mia gave her a wan, distant smile. “It’s okay. I’ve done it before.
G.S. Jennsen (Relativity (Aurora Resonant, #1))
We were about to hit the door when she returned, panting, an envelope of cold around her. Where did you go? I asked. I went for a walk. She dropped her coat at the door; her face was red from the cold and she was breathing deeply, as if she’d sprinted the last thirty steps. Where? Just around the corner. Why the hell did you do that? She started to cry, and when Rafa put his hand on her waist, she slapped it away. We went back to our room. I think she’s losing it, I said. She’s just lonely, Rafa said.
Junot Díaz (This Is How You Lose Her)
Together, as a foursome, we had seven hundred dresses, three hundred pairs of shoes, two hundred coats, one hundred hats, uncounted waists, skirts, camisoles, corsets, bloomers, and stockings.
Laura Rose (The Passion of Marie Romanov)
Even if he hadn’t spent the past three years in the field and more than a decade before that studying for the priesthood, he would have felt a stranger among these students—the young men in brilliantly colored, intricately pleated coats that broadened shoulders and narrowed hips, the young women wasp-waisted and delicious in pale and shimmering fabrics the colors of peony blossoms and sherbet.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
Tancredi and Angelica were passing in front of them at that moment, his gloved right hand on her waist, their outspread arms interlaced, their eyes gazing into each other's. The black of his tail coat, the pink of her dress, combining formed a kind of strange jewel. They were the most moving sight there, two young people in love dancing together, blind to each other's defects, deaf to the warnings of fate, deluding themselves that the whole course of their lives would be as smooth as the ballroom floor, unknowning actors made to play the parts of Juliet and Romeo by a director who had concealed the fact that tomb and poison were already in the script. Neither of them was good, each full of self-interest, swollen with secret aims; yet there was something sweet and touching about them both; those murky but ingenuous ambitions of theirs were obliterated by the words of jesting tenderness he was murmuring in her ear, by the scent of her hair, by the mutual clasp of those bodies of theirs destined to die. . . For them death was purely an intellectual concept, a fact of knowledge as it were and no more, not an experience which pierced the marrow of their bones. Death, oh yes, it existed of course, but it was something that happened to others. The thought occurred to Don Fabrizio that it was ignorance of this supreme consolation that made the young feel sorrows much more sharply than the old; the latter are nearer the safety exit.
Giuseppe Tomasi di Lampedusa
Obesity Kills More Americans Than We Thought.’ This headline, from the health news section of CNN’s website on August 15, 2013, commanded readers’ attention. Accompanying the article is an image of a fat black woman. She is wearing a sleeveless top, revealing the dark, fleshy skin of her arms. A tape measure around her waist is being held together by a pair of delicate white hands reaching out from a white lab coat.
Sabrina Strings (Fearing the Black Body: The Racial Origins of Fat Phobia)
Zane moved his horse next to Lucy’s and simply grabbed the girl around the waist. When she settled on the saddle in front of him, he unbuttoned his coat, tucked it around her, then fastened the bottom three buttons. “I wish he could do that with me,” Maya said with a shiver.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Look here!” he replied, pulling from his waist-coat a curiously constructed pistol, having a double-edged spring knife attached to the barrel. “That’s a great tempter to a desperate man, is it not? I cannot resist going up with this every night, and trying his door. If once I find it open he’s done for! I do it invariably, even though the minute before I have been recalling a hundred reasons that should make me refrain: it is some devil that urges me to thwart my own schemes by killing him. You fight against that devil for love as long as you may; when the time comes, not all the angels in heaven shall save him!
Emily Brontë (Wuthering Heights)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing. “Do you really like it? You’re just saying that so that you can check out my belly!” “And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?” “No. I just thought it would look cool…Do you have any piercings?” “Actually, I do,” Heeb replied. “Where?” “My appendix.” “Huh?” “I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?” “That’s pretty original,” she replied, amused. “Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.” Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?” “Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
Rounding a bend, they almost ran into a flock of sheep, tended by a boy in a coat that was far too big for him and belted at the waist with a twist of yellow binder twine. Reck stopped the van and the two men sat stranded amid a moving sea of dirty gray fleece. Strafford idly studied the milling animals, admiring their long aristocratic heads and the neat little hoofs, like carved nuggets of coal, on which they trotted so daintily. He was struck too by their protuberant and intelligent-seeming shiny black eyes, expressive of stoical resignation tinged with the incurable shame of their plight, avatars of an ancient race, being herded ignominiously along a country road by a snot-nosed brat with a stick.
John Banville (Snow (St. John Strafford, #2))
Levering himself over Evie’s prone body, Sebastian risked a glance upward at the second-floor balcony. Bullard was gone. With a grunt of pain, Sebastian rolled to his side and searched his wife for injuries, terrified that the bullet might have struck her as well. “Evie…sweetheart…are you hurt?” “Why did you push me like that?” she asked in a muffled voice. “No, I’m not hurt. What was that noise?” His shaking hand brushed over her face, pushing back a tumble of hair that had fallen across her eyes. Bemused, Evie wriggled out from beneath him and sat up. Sebastian remained on his side, panting for breath, while he felt a hot slide of blood over his chest and waist. People were crowding to flee the building, threatening to trample the couple on the floor. Suddenly a man came to crouch over them, having fought his way through the rushing horde. He used his body as a bulwark to keep them from being overrun. Blinking, Sebastian realized that it was Westcliff. Dizzily Sebastian reached up to clutch at his coat. “He aimed for Evie,” Sebastian said hoarsely. His lips had gone numb, and he licked at them before continuing. “Keep her safe…keep her…
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
It was the Gypsy, the boy with the eyes of a hungry panther. He had removed his coat and waistcoat... and his necktie as well... so that his upper half was covered only in a thin white shirt that had been tucked loosely into the waist of his close-fitting trousers. The sight of him elicited the same reaction Daisy had felt upstairs- a swift sting in her chest followed by the rapid pumping of her heart. Paralyzed by the realization that she was alone in the room with him, Daisy watched with unblinking eyes as he approached her slowly. She had never seen any living being who had been fashioned with such dark exotic beauty... his skin the color of raw clover honey, the light hazel of his eyes framed with heavy black lashes, his thick obsidian hair tumbled over his forehead.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
If I were just in trousers, somehow I could go out into the world. It would make no difference whether I was naked from the waist up and my feet bare just as long as I had trousers on. Otherwise if you go walking around the streets without trousers, no matter how new your shoes and how elegant your coat, it’s enough to raise a big hue and cry. Enlightened society is a kind of trouser society.
Kōbō Abe (The Box Man)
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
A girl sat neatly on a flat rock. Somehow he’d not seen her. She looked like she’d stepped through the screen of a 1950s movie. Her skin and blond hair were such pale shades they looked monochrome. Her long coat was tied at the waist by a fabric belt. She was probably a few years younger than him, in her early twenties, wearing a white hat with matching gloves. “Sorry,” she said, “If I surprised you.” Her irises were titanium gray, her most striking feature. Her lips were an afterthought and her cheekbones flat. But her eyes...He realized he was staring into them and quickly looked away.
Ali Shaw (The Girl With Glass Feet)
Every atom of your flesh is as dear to me as my own: in pain and sickness, it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still. If you raved, my arms should confine you, and not a straight waist-coat–– your grasp, even in fury, would have a charm for me: if you flew at me as wildly as that woman did this morning, I should receive you in an embrace, at least as fond as it would be restrictive. I should not shrink from you with disgust as I did from her: in your quiet moments you should have no watcher and no nurse but me; and I could hang over you with untiring tenderness, though you have me no smile in return; and never weary of gazing into your eyes, though they had no longer a ray of recognition for me.
Charlotte Brontë (Jane Eyre)
Let us take them in order. The first is the taste, Which is meagre and hollow, but crisp: Like a coat that is rather too tight in the waist, With a flavour of Will-o'-the-wisp. –––––––– "Its habit of getting up late you'll agree That it carries too far, when I say That it frequently breakfasts at five-o'clock tea, And dines on the following day. –––––––– "The third is its slowness in taking a jest. Should you happen to venture on one, It will sigh like a thing that is deeply distressed: And it always looks grave at a pun. –––––––– "The fourth is its fondness for bathing-machines, Which is constantly carries about, And believes that they add to the beauty of scenes— A sentiment open to doubt. –––––––– "The fifth is ambition. It next will be right To describe each particular batch: Distinguishing those that have feathers, and bite, And those that have whiskers, and scratch.
Lewis Carroll (Alice in Wonderland Collection – All Four Books: Alice in Wonderland, Alice Through the Looking Glass, Hunting of the Snark and Alice Underground (Illustrated))
Scoot over.” “Where would you suggest I ‘scoot’?” Eliza asked. “You can sit on Hamilton’s lap,” Agatha said. Eliza didn’t have a chance to protest. Hamilton sent her a grin, and the next thing she knew, she was snuggled on his lap, his hand resting on her waist. She felt her cheeks flame and looked around for a distraction. “Why do you have that coat tied around you?” Agatha plopped down on the seat and rolled her eyes. “My pants split all the way down the back when I tried to tackle Eugene.” “They were quite delightful pants while they were still intact,” Zayne remarked cheerfully as he squeezed his lanky frame into the carriage and nodded to Agatha. “Scoot over.” “There’s no room,” Agatha said, “and you shouldn’t have been noticing my pants.” Zayne took Agatha’s hand, pulled her to her feet, took her spot on the seat, and pulled her into his lap. “This is cozy,” he remarked to no one in particular.
Jen Turano (A Change of Fortune (Ladies of Distinction, #1))
The reader cannot have failed to turn over the admirable works of Rembrandt, that Shakespeare of painting. Amid so many marvellous engravings, there is one etching in particular, which is supposed to represent Doctor Faust, and which it is impossible to contemplate without being dazzled. It represents a gloomy cell; in the centre is a table loaded with hideous objects; skulls, spheres, alembics, compasses, hieroglyphic parchments. The doctor is before this table clad in his large coat and covered to the very eyebrows with his furred cap. He is visible only to his waist. He has half risen from his immense arm-chair, his clenched fists rest on the table, and he is gazing with curiosity and terror at a large luminous circle, formed of magic letters, which gleams from the wall beyond, like the solar spectrum in a dark chamber. This cabalistic sun seems to tremble before the eye, and fills the wan cell with its mysterious radiance. It is horrible and it is beautiful.
Victor Hugo (Complete Works of Victor Hugo)
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.
Thomas Pynchon (Gravity’s Rainbow)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room. Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him. When their eyes met, she smiled a little. And then a lot. His first impulse was to hide his own grin behind his Goose. But then he stopped himself. New world order. Come on, smile, motherfucker, he thought. Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something. “Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be. He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her. “Hi, V . . . How are—” Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.” And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . . He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate. But whatever. This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer. As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti. “Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn. Vishous cleared his throat. “I have an announcement to make.” Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out. Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.” Dead. Quiet. Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
I was never good at the future. I grew up with girls whose chief occupation was the future—designing it, instigating it. They could talk about it with so much confidence that it sounded like the past. During those talks, I had contributed nothing. I had visions, too abstract and flat for me to hang on to. For years I saw a generic city lit up at night. I would use those remote, artificial lights to soothe myself to sleep. One day I was quitting my job with no sense of exhilaration, one day I was leaving a note for my father, pulling out of his driveway, slightly bewildered, and two days later I was sitting in front of Howard. That was the way the future came to me. The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn’t look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn’t call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
Stephanie Danler (Sweetbitter)
To her astonishment, he did not bear her to the floor, but lifted her in his arms instead, so that her legs wrapped around his waist. He held her weight easily, bracing her against the wall for balance, one arm protecting her from the roughness of the plaster. Her eyes widened as she felt the hard, blunt shape of his sex nudging, probing, sliding easily inside her. She was filled, impaled, her body open and helpless against the heavy intrusion. Gasping in pleasure, she clutched at the backs of his shoulders, her fingers clinging into the soft wool of his coat. It felt strangely erotic to be clasped against his fully clothed body, her bare skin tingling from the abrasion of fabric. Hungering for a taste of his skin, she tugged at his black stock and buried her mouth against the damp side of his neck. "Do you love me?" he smattered, deliberately allowing her weight to press downward, forcing her even harder onto his stiff erection. "Yes... oh, Grant..." She arched and cried out as pleasure crested inside her, spreading through her in deep, rolling waves. "Tell me," he said harshly, moving in deeper, slower thrusts that drove straight into the core of her body. She writhed, her legs flexing as she felt the ebbing sensation build again. "I love you," she gasped. "Love you... love you..." The words sent him over the dizzying edge of rapture, and he drove inside her with a groan, all his senses dissolving in blissful release.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.
Marcel Proust (Jean Santeuil)
I close my eyes, groaning softly as I slowly work myself with my fingers. "You got undressed so fast. I'm impressed." I move quicker, savoring the ache between my legs as it slowly intensifies. When I open my eyes, he leans so close to my face, I can feel the hot breath from his mouth coat my lips. "I can do a lot of things quickly if I'm tempted. And you, Joelle..." He shudders as he works himself in his hand, his eyes never leaving mine. "Seeing you touch yourself is the ultimate temptation." My mouth is on him instantly. With my free hand, I claw at his hair, and we kiss each other breathless. Soon we're moaning into each other's mouths. Max's hand is on my waist, and then he slides down to squeeze my ass. Something inside me takes hold. I grab his hand and push it between my legs to take over. "Please," I whine. "I know we can't have each other the way we want right now, but I just... I need you to touch me." He nods at me, jaw clenched, like he's determined to take this task and run with it. And run with it he does. His massive hand works me into a tizzy, and soon all of the muscles in my body are tense with pleasure. "Joelle," he rasps against my mouth. "I want you any way I can have you. Always." Even though I'm lying down on my side, I'm dizzy with arousal. God, even just his words are enough to send me over the edge. I clutch his bulging arm as the ache inside me builds. When I burst, he's right there to absorb it all: my screams with his mouth, my thrashing body with his own. When I finally come down, I set my sights on what's between his legs. I reach down and take my time with him, relishing his ragged breaths and growls, how his muscles go tense, how his eyes focus when he breaks apart, and how shy his gaze turns when he's finished. I press a kiss to his lips, then lean up to grab napkins from the center console to help him clean up. When we're through, we're a sweaty, panting mess, and the inside of the car feels ten degrees warmer.
Sarah Echavarre Smith (The Boy With the Bookstore)
I spin around in a circle and sing, “Do you want to build a snowman?” And then we’re both giggling again. “You’re going to get us kicked out of here,” he warns. I grab his hands and make him spin around with me as fast as I can. “Quit acting like you really belong in a nursing home, old man!” I yell. He drops my hands and we both stumble. Then he grabs a fistful of snow off the ground and starts to pack it into a ball. “Old man, huh? I’ll show you an old man!” I dart away from him, slipping and sliding in the snow. “Don’t you dare, John Ambrose McClaren!” He chases after me, laughing and breathing hard. He manages to grab me around the waist and raises his arm like he’s going to put the snowball down my back, but at the last second he releases me. His eyes go wide. “Oh my God. Are you wearing my grandma’s nightgown under your coat?” Giggling, I say, “Wanna see? It’s really racy.” I start to unzip my coat. “Wait, turn around first.” Shaking his head, John says, “This is weird,” but he obeys. As soon as his back is turned, I snatch a handful of snow, form it into a ball, and put it in my coat pocket. “Okay, turn around.” John turns, and I lob the snowball directly at his head. It hits him in the eye. “Ouch!” he yelps, wiping it with his coat sleeve. I gasp and move toward him. “Oh my God. I’m so sorry. Are you okay--” John’s already scooping up more snow and lunging toward me. And so begins our snowball fight. We chase each other around, and I get in another great hit square in his back. We call a truce when I nearly slip and fall on my butt. Luckily, John catches me just in time. He doesn’t let go right away. We stare at each other for a second, his arm around my waist. There’s a snowflake on his eyelashes. He says, “If I didn’t know you were still hung up on Kavinsky, I would kiss you right now.” I shiver. Up until Peter, the most romantic thing that ever happened to me was with John Ambrose McClaren, in the rain, with the soccer balls. Now this. How strange that I’ve never even dated John, and he’s in two of my most romantic moments. John releases me. “You’re freezing. Let’s go back inside.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Mr. Hazlit!” She kept her voice down with effort, but when a man sneaked up behind a lady and slid his arms around her waist, some exclamation was in order. “Hush.” He turned her in his arms, though part of Maggie was strongly admonishing herself to wrestle free. He’d let her go. She trusted him that far, when a servant was likely to appear any moment with a tea tray. “Something has you in a dither. Tell me.” His embrace was the most beguiling, irresistible mockery of a kindness. Gayle had offered her a hug a few days ago, a brusque, brotherly gesture as careful as it was brief. This was different. This was… Benjamin Hazlit’s warm, strong male body, available for her comfort. No conditions, no awkwardness, no dissembling for the benefit of an audience. She sighed and tucked her face against his throat, unwilling—or unable—to deny herself what he offered. For a few moments, she was going to pretend she wasn’t alone in a sea of trouble. She was going to pretend they were friends—cousins, maybe—and stealing this from him was permitted. She was going to hold on to the fiction that she was as entitled to dream of children and a husband to dote upon as the next woman. “You are wound as tight as a fiddle string, Maggie Windham.” Hazlit’s hand settled on her neck, kneading gently. “Are the domestics feuding, or has Her Grace been hounding you?” “She never hounds or scolds.” Maggie rested her forehead on his shoulder, her bones turning to butter at his touch. “She looks at us, disappointment in the prettiest green eyes you’ve ever seen, and you want to disappear into the ground, never to emerge until you can make her smile again. His Grace says it’s the same for him.” When she was held like this, Maggie could detect a unique scent about Hazlit’s person: honeysuckle and spice, like an exotic incense. It clung to his clothing, and when she turned her head to rest her cheek on the wool of his coat, she caught the same fragrance rising from the exposed flesh of his neck. That hand of his went wandering, over her shoulder blades, down her spine. “You are tired,” he said, his voice resonating through her physically. “What is disturbing your sleep, Maggie? And don’t think I’ll be distracted by more hissing and arching your back.” “I’m not a cat.” “You’ve cat eyes.” He turned her so his arm was around her waist. “Let’s sit by the fire, and you can tell me your troubles.” Such
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Evie shook her head in confusion, staring from her husband’s wrathful countenance to Gully’s carefully blank one. “I don’t understand—” “Call it a rite of passage,” Sebastian snapped, and left her with long strides that quickly broke into a run. Picking up her skirts, Evie hurried after him. Rite of passage? What did he mean? And why wasn’t Cam willing to do something about the brawl? Unable to match Sebastian’s reckless pace, she trailed behind, taking care not to trip over her skirts as she descended the flight of stairs. The noise grew louder as she approached a small crowd that had congregated around the coffee room, shouts and exclamations renting the air. She saw Sebastian strip off his coat and thrust it at someone, and then he was shouldering his way into the melee. In a small clearing, three milling figures swung their fists and clumsily attempted to push and shove one another while the onlookers roared with excitement. Sebastian strategically attacked the man who seemed the most unsteady on his feet, spinning him around, jabbing and hooking with a few deft blows until the dazed fellow tottered forward and collapsed to the carpeted floor. The remaining pair turned in tandem and rushed at Sebastian, one of them attempting to pin his arms while the other came at him with churning fists. Evie let out a cry of alarm, which somehow reached Sebastian’s ears through the thunder of the crowd. Distracted, he glanced in her direction, and he was instantly seized in a mauling clinch, with his neck caught in the vise of his opponent’s arm while his head was battered with heavy blows. “No,” Evie gasped, and started forward, only to be hauled back by a steely arm that clamped around her waist. “Wait,” came a familiar voice in her ear. “Give him a chance.” “Cam!” She twisted around wildly, her panicked gaze finding his exotic but familiar face with its elevated cheekbones and thick-lashed golden eyes. “They’ll hurt him,” she said, clutching at the lapels of his coat. “Go help him— Cam, you have to—” “He’s already broken free,” Cam observed mildly, turning her around with inexorable hands. “Watch— he’s not doing badly.” One of Sebastian’s opponents let loose with a mighty swing of his arm. Sebastian ducked and came back with a swift jab. “Cam, why the d-devil aren’t you doing anything to help him?” “I can’t.” “Yes, you can! You’re used to fighting, far more than he—” “He has to,” Cam said, his voice quiet and firm in her ear. “He’ll have no authority here otherwise. The men who work at the club have a notion of leadership that requires action as well as words. St. Vincent can’t ask them to do anything that he wouldn’t be willing to do himself. And he knows that. Otherwise he wouldn’t be doing this right now.” Evie covered her eyes as one opponent endeavored to close in on her husband from behind while the other engaged him with a flurry of blows. “They’ll be loyal to him only if he is w-willing to use his fists in a pointless display of brute force?” “Basically, yes.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Most likely, my film could have been compared to a highly sensible musical clip. An operatic musical clip. At that time, I had no idea of this expression. I did not puzzle my head over the form of my film, the structure arose, as I said before, from alone and urged me to commit this structure to paper. Indications, suggestions, just sufficed. The audience should have the liberty to keep on thinking, conceiving, living. My film had to remain a fragment. Abstract it its form. Yet harmonical and first hand. It would have never occurred to me to lash up what I wanted to express into a waist coat of idiotically trimmed up film plots for the audience: with their meticulous and dictarioral logic and continutity. The attempt to wedge Paganini into the usual form of a movie, would have resulted in immuring him alive. For he did live – in me.
Klaus Kinski (Paganini (Heyne allgemeine Reihe) (German Edition))
I lifted my futile hand and slammed it hard against the rail. I did it again, and again, scarcely feeling the sting of the blows, in a frenzy of furious rage and grief. “Stop that!” a voice spoke behind me, and a hand seized my wrist, preventing me from slapping the rail yet again. “Let go!” I struggled, but his grip was too strong. “Stop,” he said again, firmly. His other arm came around my waist, and he pulled me back, away from the rail. “You mustn’t do that,” he said. “You’ll hurt yourself.” “I don’t bloody care!” I wrenched against his grasp, but then slumped, defeated. What did it matter? He let go of me then, and I turned to find myself facing a man I had never seen before. He wasn’t a sailor; while his clothes were crumpled and stale with long wear, they had originally been very fine; the dove-gray coat and waistcoat had been tailored to flatter his slender frame, and the wilted lace at his throat had come from Brussels. “Who the hell are you?” I said in astonishment. I brushed at my wet cheeks, sniffed, and made an instinctive effort to smooth down my hair. I hoped the shadows hid my face. He smiled slightly, and handed me a handkerchief, crumpled, but clean. “My name is Grey,” he said, with a small, courtly bow.
Diana Gabaldon (Voyager (Outlander, #3))
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My breath coats her neck, and her skin dots with goose bumps when I ask, “Cold?” She spins so quickly she stumbles backward, tripping over a stool when our gazes lock. She reaches out to me, eyes wide with fear, and I lurch forward, catching her with an arm around her waist. She peers up at me, her fingers wrapping around my forearms, clutching me tightly as her chest rises rapidly. I’m not ready to have my ass handed to me just yet so I’ll keep my observations on how she reacts to me to myself. I do enjoy the show though.
Becka Mack (Consider Me (Playing For Keeps, #1))
Why’re you still here?” She yawned. “Go away. Jared will be here any moment, and I’ll be nothing but an unfortunate memory.” I should go. Pivot and leave. To my relief, I started doing just that. The echo of my footsteps bounced on the bare walls. I did not look back. Knew that if I caught a glimpse of her again, I’d make a mistake. This was for the best. It was time to cut my losses, admit my one mistake in my thirty-one years of life, and move on. My life would return to normal. Peaceful. Tidy. Noiseless. Unexpensive. My hand curled around the doorknob, about to push it open. “Hey, asshole.” I stopped but didn’t turn around. I refused to answer to the word. “What do you say—one last time for the road?” I glanced behind my shoulder, knowing I shouldn’t, and found my soon-to-be ex-wife propped on the hood of my Maybach, her dress hiked up her waist, revealing she’d worn no panties. Her bare pussy glistened, ready for me. A dare. I never shied away from those. Throwing caution to the wind (and the remaining few brain cells she hadn’t fried with her mindless conversation), I marched to her. When I reached the car, she lifted her hand to stop me, slapping her palm against my chest. “Not so fast.” It is going to be fast and a half, seeing as I’m about to come just from watching you like this. I arched an eyebrow. “Cold feet?” “Nah, low temperature is your thing. Don’t wanna steal your thunder. Either we go all the way, or we go nowhere at all. It’s all or nothing.” It infuriated me that each time I gave her a choice, she fabricated another. If I gave her an option, she swapped it with one of her creation. And now, on the heels of my ultimatum, she’d dished out her own. And like a doomed fool, I chose everything. I chose my downfall. We exploded together in a filthy, frustrated kiss full of tongue and teeth. She latched on to my neck, half-choking me, half-hugging me. I fumbled with the zipper of my suit pants, freeing my cock, which by this point gleamed with precum, so heavy and so hard it was uncomfortable to stand. My teeth grazed down her chin, trailing her throat before I did what I hadn’t done in five fucking years and pushed into her, all at once. Bare. My cock disappeared inside her, hitting a hot spot, squeezed to death by her muscles. Oh, fuck. My forehead fell against hers. A thin coat of sweat glued us together. Never in my life had anything felt quite so good. I wanted to evaporate into mist, seep into her, and never come back. I wanted to live, breathe, and exist inside my beautiful, maddening, conniving, infuriating curse of a wife. She was the one thing I never wanted and the only thing I craved. Worst, still, was the fact that I knew I couldn’t deny her a single thing she desired, be it a frock or piece of jewelry. Or, unfortunately, my heart on a platter, speared straight through with a skewer for her to devour. Still beating and as vibrant red as candied apples. I retreated, then slammed into her harder. Pulled and rushed back in. My fingers gripped her by the waist, pinning her down, wild with lust and desire. I drove into her in jerky, frenzied movements of a man starved for sex, fucking the ever-living shit out of her. Now that I’d officially filed a restraining order against my logic, I grabbed the front of her throat, sinking my teeth onto her lower lip. My spearmint breath skated over her face. The hood of the car warmed her thighs, still hot from the engine, jacking up the temperature between us even further. Small, desperate yelps fled her mouth. The only sounds in the cavernous space came from my grunts, our skin slapping together, and her tiny gasps of pleasure. The car rocked back and forth to the rhythm of my thrusts... (chapter 44)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Paint me. Put me in a sports coat with a big pattern. In silk or wool or cotton. Padded shoulders. Nipped in at the waist. A wide tie. Silk, of course. Paint me in one of my light ties on a white shirt. Make my clean, heavily starched shirt jump from the canvas. Have my good Johnson and Murphy shoes shined. Make my creases sharp. Creases count all seasons of the year. If you don’t want to paint me in spring or autumn in a sports coat, paint me in winter when I have just come in from the cold wearing a suit, with a cashmere coat in the crook of my arm. Hat still on my head. Pocket square. Tie clip. All the Ziggy details in place. Or paint me in one of my shirts that let me wear a collar bar. Remind us that that is how, once upon a time, we did it. That ours was a world of pocket squares, and tie clips—tie clips were most important, as they held a dancer’s tie in place midflight—and stick pins, and gold cigarette lighters and silver key fobs and money clips of metal or a plain rubber band, and cufflinks, and good hats, and mohair V-neck golf sweaters and fine tuxedos and Murine. Don’t paint me dropping Murine in my eyes. Or me in my boxer shorts and white cotton V-neck shirt sitting at my dressing table in my room at the Gotham, my toes tickled by the wool wall-to-wall carpet. Or maybe paint that. How and where we got ready. And we were ready. Paint our readiness.
Alice Randall (Black Bottom Saints)
black Henley off and tosses that on top of the coat. Then he’s standing there naked from the waist up, and I’m sitting in bed with my mouth hanging open, wondering if maybe I’m suffering from a severe brain injury as well as a gunshot wound.
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
She undid the buttons of his coat, gently slipped her arms round his waist and pulled him tight against her body, then kissed him on the lips, so gently; she held onto him for what to David seemed like hours.
Michael Braccia (Could it be That Way: Living with Autism)
His black coat shimmered a moment before a flash of silver extended from him as he shifted into his human form, naked. Good gods. Broad shoulders, a chest ripped with hard muscles, trim waist, and… Well, the man was blessed in many ways. “Are you going to stare at me all day?
Lia Davis (Bear Magick (Bears of Blackrock, #2))
Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands. For a silent minute or two they worked on each other. Daisy was so intent on the task that the impropriety of her position didn’t occur to her at first. For the first time she was close enough to notice the variegated blue of his eyes, ringed with cobalt at the outer edge of the irises. And the texture of his skin, satiny and sun-hued, with the shadow of close-shaven stubble on his jaw. She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers. They both went still at the same moment, caught together in a half-embrace while every cell of Daisy’s skin seemed to fill with liquid fire. Fascinated, disoriented, she let herself relax into it, feeling the throb of her pulse in every extremity. There were no more feathers, but Daisy found herself gently lacing her fingers through the dark waves of his hair. It would be so easy for him to roll her beneath him, his weight pressing her into the damp earth. The hardness of their knees pressed together through layers of fabric, triggering a primitive instinct for her to open to him, to let him move her limbs as he would. She heard Swift’s breath catch. He clamped his hands around her upper arms and unceremoniously removed her from his lap. Landing on the grass beside him with a decisive thump, Daisy tried to gather her wits. Silently she found the pen-knife on the ground and handed it back to him. After slipping the knife back into his pocket, he made a project of brushing feathers and dirt from his calves. Wondering why he was sitting in such an oddly cramped posture, Daisy struggled to her feet. “Well,” she said uncertainly, “I suppose I’ll have to sneak back into the manor through the servants’ entrance. If Mother sees me, she’ll have conniptions.” “I’m going back to the river,” Swift said, his voice hoarse. “To find out how Westcliff is faring with the reel. And maybe I’ll fish some more.” Daisy frowned as she realized he was deliberately avoiding her. “I should think you’d had enough of standing up to your waist in cold water today,” she said. “Apparently not,” Swift muttered, keeping his back to her as he reached for his vest and coat.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Sorry, lass,” he said, with a half-smile. “I’m a marrit man.” He made to pass by, and she made a small incoherent sound, putting out a hand to stop him, but not quite daring to touch his sleeve. He stopped and looked at her more closely. “No, I meant it; I’ve a wife at home, and home’s not far,” he said, evidently wishing to be courteous. “But—” He stopped, close enough now to take in the grubbiness of her clothes, the hole in the sleeve of her coat and the tattered ends of her stock. “Och,” he said in a different tone, and reached for the small leather purse he wore tied at his waist. “Will ye be starved, then, lass? I’ve money, if you must eat.” She could scarcely breathe. His eyes were dark blue, soft with kindness. Her eyes fixed on the open collar of his shirt, where the curly hairs showed, bleached gold against his sunburnt skin. “Are you—you’re Jamie Fraser, aren’t you?” He glanced sharply at her face. “I am,” he said. The wariness had returned to his face; his eyes narrowed against the sun. He glanced quickly behind him, toward the tavern, but nothing stirred in the open doorway. He took a step closer to her. “Who asks?” he said softly. “Have you a message for me, lass?” She felt an absurd desire to laugh welling up in her throat. Did she have a message? “My name is Brianna,” she said. He frowned, uncertain, and something flickered in his eyes. He knew it! He’d heard the name and it meant something to him. She swallowed hard, feeling her cheeks blaze as though they’d been seared by a candle flame. “I’m your daughter,” she said, her voice sounding choked to her own ears. “Brianna.” He
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I am so happy you are here,” I sighed. I smiled up at him as he drew back.             “Will you come home with me then?” He smiled back.             I reached up and touched his face reverently. “Maybe,” I teased.             He frowned. “I will give you anything…anything that is mine is yours, just ask me for it! Just come home with me today…please, Nerissa!”             “Anything?”             He wrapped an arm around my waist and pulled me gently into his warmth. “You belong with me and the girls.”             I smiled. “Anything?” I lifted an eyebrow.             He grinned and nodded.             I kissed him tenderly then. “These I already claimed.” I kissed him again for good measure and didn’t know if I wanted to pull away or stop. He tasted quite lovely. “I already have your love…which is too much.” I grasped the collar of his coat and tugged. His eyes softened on me. “Maybe I could ask for Zosimo?”             He chuckled. “He’s yours already.”             I mocked shock. “Your most prized possession?”             His eyes grew serious. “Other than my daughters…you are my most prized possession, Nerissa,” he whispered. His eyes held mine.             “Me?”             “You are mine?”             I nodded dumbly.             “Then, yes.”             I wanted to take him down in the snow right there and kiss him senseless. “And you are mine?” Yes, I heard my own voice tremble, damn it!             He groaned. “No one else’s…ever.
Sarah Brocious (More Than Scars)
The New England wilderness March 1, 1704 Temperature 10 degrees The Indian next to Mr. Williams interrupted him roughly. “We kill. You tell.” Mr. Williams ceased to pray. “Joe Alexander escaped last night,” he said. “If anyone else tries to escape, they will burn the rest of us alive.” Burn alive? Burn innocent women and children because one young man flew from their grasp? Her Indian stood some distance away amid the other warriors. He was now wearing a vivid blue cloth coat of European design. In one hand he held his French flintlock, and over his shoulder hung his bow and a full otter-skin quiver--actually, the entire dead otter, complete with face and feet. His coat hung open to show a belt around his waist, from which hung his tomahawk and scalping knife. His skin was not red after all, but the color of autumn. Burnished chestnut. His shaved head gleamed. He looked completely and utterly savage. He might sorrow for a dead brother warrior, but grief would make him more likely to burn a captive, not less likely. Mercy imagined kindling around her feet, a stake at her back, her flesh charring like a side of beef. Beside her, Eben seemed almost to faint. Mercy had the odd thought that she, an eleven-year-old girl, might be stronger than he, a seventeen-year-old boy. The English were silent, entirely able to believe they might be burned. The first person to move was Mercy’s Indian. Sharply raising one hand, bringing the eyes of all upon him, he pointed to Mercy Carter. She was frozen with horror. His finger beckoned. There could be no mistake. The meaning was come. There was no speech and no movement from a hundred captives and three hundred enemies. It was the French Mercy hated at that moment. How could they stand by and let other whites be burned alive? She had no choice but to go to him. She set Daniel down. Perhaps they would spare Daniel. Perhaps only she was to be burned. She forced herself to keep her chin up, her eyes steady and her steps even. How could she be afraid of going where her five-year-old brother had gone first? O Tommy, she thought, rest in the Lord. Perhaps you are with Mother now. Perhaps I will see you in a moment. She did not want to die. Her footsteps crunched on the snow. Nobody spoke. Nobody moved. The Indian handed Mercy a slab of cornmeal bread, and then beckoned to Daniel, who cried, “Oh, good, I’m so hungry!” and came running, his happy little face tilted in a smile at the Indian who fed him. “Mercy said we’d eat later,” Daniel confided in the Indian. The English trembled in their relief and the French laughed.
Caroline B. Cooney (The Ransom of Mercy Carter)
Look, sorry to almost take you out. I thought you were his soon-to-be ex, too.” Syn walked over to the couch to get his jacket. “Sure. Whatever, Captain America,” Doug quipped angrily. Syn barked a laugh, putting his coat on. Furi walked over to him, keeping his back to his friend. Wanting to say something, anything to Syn before he left. “You talked to him about me?” Syn didn’t know if he was upset or not about that. He guessed it depended what Furi said. “A couple days back. When I left upset after those college bastards took a cheap shot at me.” Furi huffed. “I was pissed, okay. I didn’t know what you wanted from me. I thought it was just–” Syn moved in close, looking directly at him. “Just what? That you thought I only wanted to play around and experiment with you? Is that what you think?" “Not after what just happened tonight, no. But at that time, I thought so, yes. I only called Doug for a little comfort.” Furi’s voice was deep and raspy, his tight body pressed up close against Syn's. “I’m sure he comforts you damn good, too,” Syn hissed before he could think better of blurting that out. Wow. Really? "It’s not like that. Doug is my friend.” “A friend who just happened to come by after one in the morning and bust through the door to get to you.” “Stop cutting me off. Doug is straight and not my type even if he weren't. I don’t do jealousy, Syn. So knock it off.” Furi leaned in and brushed Syn’s neck with his lips. “Well, he pops up and it’s late as fuck, so what am I to think?” Syn whispered. “Hey, I’m not gonna fuck around with you if I’m already fucking around with someone else. I’m not that type of guy.” Furi moaned in Syn’s ear when he buried his thick palm in Furi's hair, soothingly massaging his scalp. Syn’s deep whisky-rough voice penetrated his brain. “I’m sorry. I’m just all screwed up right now; with you and me, what happened tonight. I just really wish we hadn’t been interrupted.” “Me too.” Syn wrapped his arms around Furi’s narrow waist. “I want to spend more time with you. I need to spend more time with you.” “We will.” “Why do you look upset?" Syn asked. “I’m nervous about the call you just got.” Furi released a shaky breath. “It’s okay. We’ll catch this person soon.” Syn held Furi’s hand, making his way to the door. “Yeah. Sounds like someone is after Illustra’s entertainers,” Doug piped up from his position on the arm of the couch. “My team is good. We’ll catch 'em.” Syn turned to Doug, “I’ll need you to come back to the precinct first thing tomorrow.” “Why?” the man asked with an exaggerated huff. “Because I said so. You were at Illustra not long ago, right?” Syn pulled out his keys while talking, not letting Doug answer. “That means the murder may’ve happened while you were there. So, like I said, I’ll need you to come back in the morning. For now. Stay here with Furi.” Syn took Furi by the shoulders, turning him to face him. “Any shit comes up, you call me on my cell.” Syn handed Furi a card from his inside jacket pocket. “If you have any problems; and I mean any at all, you call me immediately. I’m going to have the beat officer for this area do regular drive-bys to check for activity. Especially since your door is broken now.” Syn glared in Doug’s direction. Furi nodded his head. “Okay.” “I mean it.” Syn smiled and kissed Furi’s cheek like a perfect gentlemen. He leaned in and inhaled his hair one more time, whispering into it, causing Furi to quiver. “Call me later.” Furi nodded again. “Sure thing, Sergeant.
A.E. Via
For a moment, I saw him as he had looked the morning I married him. The sett of his tartan was nearly the same now as then; black check on a crimson ground, plaid caught at his shoulder with a silver brooch, dipping to the calf of a neat, stockinged leg. His linen was finer now, as was his coat; the dirk he wore at his waist had bands of gold across the haft. Duine uasal was what he looked, a man of worth. But the bold face above the lace was the same, older now, but wiser with it—yet the tilt of his shining head and the set of the wide, firm mouth, the slanted clear cat-eyes that looked into my own, were just the same. Here was a man who had always known his worth.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Realizing that she was clad only in the fur, she pulled it tight around her, trying to cover her legs, her shoulders, and her breasts all at the same time. “You monster!” she said. “You promised me you’d call out before you came back. You tricked me.” She grabbed her shift and retreated to the shadows in the back of the cave. “I did call you,” he said. “You were sleeping like a bear in winter. I killed the turkey, plucked it, and cooked it. Still you slept. I think Simon Brandt has a lazy woman for a wife.” Rebecca sputtered, too angry for words, as she struggled to get into her shift without dropping the wolfskin. She did notice that not only was she dry, but her garment was dry as well. She had been asleep, and not just for a few moments. “You seem to have lost your dress,” he said, “so I brought you the Huron’s French coat instead. I think it will fit you if you tie his belt around your waist.” He reached over and held up a blue men’s military jacket. “You expect me to wear a dead man’s coat?” “You will wear it, woman, or I will take your last garment and leave you only the wolf pelt to wear.” “Go to hell!” she shouted. “If the English are right about their god, I will. But what if the Shawnee are right, and you are wrong. Have you thought of that?” “No.” “Think of it while you eat my turkey and sit at my fire. Perhaps it will help you to be properly grateful to a man who has gone to great lengths to keep you from harm.” “I’ll never be grateful to you.” He smiled. “But you will eat my turkey.” She nodded. “Only to have enough strength to live long enough to see you hanged for the savage you are.
Judith E. French (This Fierce Loving)
They climbed out of their car as Pike pulled in, and were waiting with their badges when he stepped from the Jeep. The man was in his fifties, with a fleshy face, thinning red hair, and a blue summer-weight sport coat. The woman was fifteen years younger, with raven hair, black eyes, and a navy pants suit that hung as if she had recently lost weight. Her gun dimpled the coat at her waist, and she stood with her hand floating close as if she might have to draw. Nervous. Pike wondered what she had heard about him that left her so afraid. The
Robert Crais (The Sentry (Elvis Cole, #12, Joe Pike, #3))
After perfuming my neck with lychee and fig oil, I touch up my barrel curls and apply a fresh coat of lip gloss. As I stare at my reflection, I almost believe I'm the angel I masquerade as. My skin shines like opals, the iridescence catching the fullness of my lips and the high points of my cheeks. Coalescing down to my waist are ribbons of black hair, perhaps my favorite feature about myself. Though my mother has always loved my eyes the most--- upturned and narrow, blooming with feathered lashes. I, for one, have always been frightened by them. Some would mistake their red-honey color for brown. But in the light, they glint with a tint of ruby. Like devil eyes. I shut them. No more ocean of a girl. At least not tonight.
Kiana Krystle (Dance of the Starlit Sea)
he was “stark naked,” with just a fringed strap of leather around his waist. When a cold gust of wind kicked up, one of the Pilgrims was moved to throw his coat over the Indian’s bare shoulders.
Nathaniel Philbrick (Mayflower: A Story of Courage, Community, and War)
His fingers cupped my face, cradling my cheek and jaw as if I was made of glass. I found a handful of his soft hair and wound my fingers into it, while curling my other hand into the shoulder of his leather coat. My heart hadn’t even stopped thundering from the Foul Woman’s presence. Now it was thrumming against my ribs again, too fast to count the beats. I did something I’d always secretly wanted to and bit down, very gently, on his beautiful bottom lip. Shinobu’s breath shivered into my mouth, and he pulled me closer.   I was taller now, but not tall enough. Tiptoes didn’t bring me where I wanted to be either. I jumped and hauled myself up the steel pillar of his body, wrapping one leg around his hip. The big, warm hand on my waist slid slowly down the thin fabric of my trousers to cup my thigh, supporting my weight. His other hand was clenched in my hair. A wave of almost painful excitement and yearning crashed through me, and sent me into a full-body shudder that I had no chance of hiding. A tiny moan popped from my lips straight into his.   “Mio. Oh, Mio…” His shaking voice echoed in my ears, mixing with words in Japanese. I recognized some of them. My beloved. My Mio. He pressed his mouth to my eyelid, my cheek, the edge of my jaw, the skin beneath my ear.   There was a loud tearing noise. We both froze.   Abruptly I was aware of the wall against my back, and the tremble in my thigh from hanging onto him like a demented spider monkey. I swallowed and blinked as Shinobu eased back, letting my feet drop to the pavement again. Our eyes met.   “What just…?” I asked.   He cleared his throat. “I think – my shirt.”   I looked down and saw that at some point I’d traded my grip on his hair for a handful of the T-shirt and jumper under his jacket. My fingers had gone straight through the thin wool and made a nice tear in the cotton beneath that too.   “Darn super-strength,” I muttered.   Shinobu’s lip twitched up at the corner again. I snatched my hand away from his ruined clothes and clapped it over his mouth. “No laughing at me,” I said, only half joking. “Not at a moment like this. Romance will die forever and it’ll be your fault.” He peeled my hand off and pressed a kiss to my palm. “Where are we now? What is this place?” “Um … Remnant Street, I think.”   “No. From now on it will be Paradise Street. Heaven Road. Happiness Avenue.”   “You big cheese-ball…” I muttered, putting my arms around his waist and hugging him tightly.   “What?”   “Never mind!” I grumped, then sighed. “I wish we could stay on Happiness Avenue a bit longer…”   “But we can’t,” he finished. “It is all right. I promise we will come back whenever you want.
Zoë Marriott (Darkness Hidden (The Name of the Blade, #2))
His clothes are very proper, although of an old-fashioned style: a black coat, slim about the waist, tails ribbed with inlays of horsehair and with a high collar. A discreetly embroidered waistcoat peeks out. Black velvet breeches with buckles at each knee. A white cravat, wrapped several times
Niklas Natt och Dag (The Wolf and the Watchman)
Tall, with the muscular body of a man, the Krampus had a huge goat’s head, with thick horns curling on either side of its head. Beneath leather and metal armor, it was completely covered in shaggy, dirty-white fur, and its eyes were bloodred. But through the matted coat, there was almost the outline of a human skull. A thick chain was wrapped around its waist and trailed on the ground behind it.
Michael Scott (Nicholas and the Krampus (Lost Stories from the Secrets of the Immortal Nicholas Flamel, #4))
The engineer didn't pay any attention to a lone figure poised on the top of the bridge, staring down at the oncoming train. He wore a black cowboy hat and a tattered dister coat. His waist was belted with two Colt 45 revolvers.
Andrew Skafte (Clayton's Revenge)
Bawdy shouts and whistles snapped me out of my own mind. A woman in red sat on the edge of the table next to the one I’d left. She wore a gown made of scraps of red satin and gauze that barely covered her thighs. One of the men grabbed a fistful of the diaphanous little skirt. Smacking his hand away with a saucy grin, she lay back, her body forming a sensual curve. Her thick, blonde curls spilled across forgotten coins and chips. “Who wants to win me tonight?” Her voice was deep and smoky as she slid her hands along the waist of the frilly corset. “I can assure you boys, I will last longer than any pot of gold will.” “And what if it’s a tie?” one of the men asked, the fine cut of his coat suggesting that he was a well-to-do merchant or businessman of some sort. “Then it will be a far more entertaining
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
The wave vanished. Sunlight. A crunch of boots before me, the heat and whisper of mighty wings. A hand on my face, tilting up my chin as I stared and stared at the splattered ruin of the Attor. Violet eyes met mine. Rhys. Rhys was here. And... and I had... He leaned forward, his brow sweat-coated, his breathing uneven. He gently pressed a kiss to my mouth. To remind us both. Who we were, what we were. My icy heart thawed, the fire in my gut was soothed by a tendril of dark, and the water trickled out of my veins and back into the Sidra. Rhys pulled back, his thumb stroking my cheek. People were weeping. Keening. But no more screams of terror. No more bloodshed and destruction. My mate murmured, 'Feyre Cursebreaker, the Defender of the Rainbow.' I slid my arms around his waist and sobbed. And even as his city wailed, the High Lord of the Night Court held me until I could at last face this blood-drenched new world.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
This beautiful mystery woman had a very white complexion and wore her blond, silky hair tied back from her face in a braid, which she had tucked under her fur coat. As she got closer, I could see that her facial features were not detailed in the way of an earthly human face. She had beautiful, small eyes and a very small nose with a tip that somehow looked unfinished. It was the same with her tiny mouth, something about the corners looked unfinished as well. I was frozen and I did not know what to do. Honestly, my mind stopped functioning and seemed to travel far away, wandering over my head in search of an explanation or an answer for this apparition. And then this beautiful mystery woman arrived in front of me and inexplicably hugged me very tight, with unusual passion for a stranger. With what felt like the deepest, genuine love, the beautiful mystery woman placed her forehead very tightly against the right side of my neck and then she raised her head until her warm right cheek was tight against my right cheek, so tight I could feel the bones of her face. Her left arm held me tight around my waist, while her right arm was over my left shoulder, squeezing me from behind my neck. She did not say ‘hi’ or any word; she just kept holding me tight that I started to feel her body heat.
Frank Moses (Cactus: Life Story and Fate, With an Unexpected Twist)
I heard that creaky knee, your sovereignty,” he said. “Good,” I said through a yawn. “Then you’re not as unguarded as you look.” I got up and padded over to him. There was a bandage on his arm--the tentacle of some kind of venomous Ogran plant had wrapped around him while he harvested it, and ate away at his skin like acid. The scar would stretch right across his Shotet marks, passing through them, though not entirely erasing them. “That looks disgusting,” I said, pointing to the substance he was chopping. It was grainy and black, like it was coated in engine oil. It had stained his fingertips a grayish color. “It tastes disgusting, too,” he said. “But if it does what I think it will, you’ll have a painkiller that won’t make you sleepy during the day.” “You don’t need to dedicate so much time to painkillers,” I said. “I’m managing just fine with the ones I have.” “I enjoy making them,” he said. “It’s not all about you, you know.” “I love it when you talk sweet to me.” I wrapped my arms around his waist, breathing in the smell of fresh things that lingered on all his clothes in the afternoons, after he went to the ship’s little greenhouse.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Who's Vanessa?" "I don't believe you. She's only the most popular girl in the whole school." She pointed a finger at the girl in the middle of the three who were still watching Tianna closely. "Everyone knows Vanessa." Vanessa had perfect skin, large blue eyes, and luxurious blond hair that curled over her shoulders. "Are those extensions?" Tianna asked. "All hers." Corrine sighed. Vanessa was dressed in a funky white coat of fake fur that went down to her brown suede boots; underneath was a low-hanging party-girl skirt with two gold belts draped around her tan waist. "Where'd she get the clothes? They're so cool." Tianna glanced self-consciously at her own jeans. The knees were soiled, and there was a long black mark on the side, as if she had skidded in dirt or oil. "Her mom's a costume designer for the movies," Corrine confided. Tianna felt a pang of jealousy- not for the clothes, but from the mention of Vanessa's mother. She wondered where hers was. Why hadn't she been with her this morning?
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
He was known through all that country. He had no kin, no ties, and he antedated everyone; nobody knew how old he was—a tall thin man in a filthy frock coat and no shirt beneath it and a long, perfectly white beard reaching below his waist, who lived in a mud-daubed hut in the river bottom five or six miles from any road. He made and sold nostrums and charms, and it was said of him that ate not only frogs and snakes but bugs as well—anything that he could catch.
William Faulkner
This crisp September morning, Georgina was looking equally crisp: she had an apple-green scarf knotted at her white swan throat and a short swingy patterned dress that served to highlight her long long legs that didn’t appear to get any wider as they went up. Over the top she was wearing a navy frock coat that clung to her waist and flared out in folds around her violin-shaped hips. All in all, she looked like she should be striding down Carnaby Street a few decades ago with men who looked like a young Michael Caine lowering their spectacles and wolf-whistling. She was clearly a bitch. I just had to find hard evidence.
Mhairi McFarlane (You Had Me At Hello (You Had Me At Hello, #1))
You ready to see some wolves?” Ryan asks. He sounds like a proud parent. I nod. The only live red wolves I’d seen previously were display animals on exhibit at the Museum of Life and Science in Durham, North Carolina, and the North Carolina Zoo in Asheboro. I hope up and we stroll to a nearby pen, where two male red wolves pace nervously. It is hard to look at a leggy red wolf and not escape the thought that these animals are built to run. Their legs appear proportionally longer than those of a gray wolf. The brothers before me are about five feet long, if you include the tail. Burnt-umber red spreads out from their ears to their shoulders. Their muzzles look long and strong, their chest and waist are less heavyset than a gray wolf’s, and their tail is less bushy. “They look like they’re all legs,” I say. “They are a little more leggy than a coyote is, in comparison to their frame,” Ryan says. “Especially in summer, when their coat is shorter. It makes them look a lot longer and leaner.” Even though the brothers run along the fence in repetitive circles, they barely make a sound. I stand five feet away and yet can’t hear them pant. The sound of leaves stirring under their paws barely registers. Their movements are anxious, yet silent. We move on to the next pen, which holds a breeding pair and a three-month-old pup. We tiptoe around a corner to a break in the privacy screen. I peek through and see a male jammed against the back corner. He presses his body against the fence’s metal weave. The female paces furiously about ten feet in front of him. They stare at us. She paces back and forth, back and forth. Their pup spots us and then bolts along the far wall. He scrambles with his chest low to the ground, like a spooked house cat. He wriggles nose first between the fence and his dad, his ears pressed back. The little guy clasps his tail against his anus. “I can’t believe they’re so afraid of us,” I say. “Yeah, even the ones that grow up in captivity often do not ever lose their fear of people,” Ryan says. “It’s just some basic wild instinct that they maintain, that they haven’t lost.” Even though these animals are fed three times a week by human hands, they still get agitated when a person approaches. As I watch, the three-month-old puppy pushes deeper into his dad’s side. I feel guilty that our presence is causing such unease; then Ryan, along with the biting deer flies, prods us to move on.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Stop doing this,” she cried fiercely. “You’ll drive me mad. You want to behave as if I belong to you, but I don’t, and I never will. Your worst nightmare is becoming a husband and father, and so you seem determined to form some kind of lesser attachment that I do not want. Even if I were pregnant and you felt duty-bound to propose, I would still refuse you, because I know it would make you as unhappy as it would make me.” Devon’s intensity didn’t lessen, but it changed from anger into something else. He held her with a gaze of hot blue infinity. “What if I said I loved you?” he asked softly. The question drove a spike of pain through her chest. “Don’t.” Her eyes smarted with tears. “You’re not the kind of man who could ever say that and mean it.” “It’s not who I was.” His voice was steady. “But it’s who I am now. You’ve shown me.” For at least a half minute, the only sound was the crackling, shivering fire on the hearth. She didn’t understand what he truly thought or felt. But she would be a fool to believe him. “Devon,” she eventually said, “when it comes to love…neither you nor I can trust your promises.” She couldn’t see through the glittering film of misery, but she was aware of him moving, bending to pick up the coat he had tossed aside, rummaging for something. He came to her, catching her arm lightly in his hand, drawing her to the bed. The mattress was so high that he had to fit his hands around her waist and hoist her upward to sit on it. He set something on her lap. “What is this?” She looked down at a small wooden box. His expression was unfathomable. “A gift for you.” Her sharp tongue got the better of her. “A parting gift?” Devon scowled. “Open it.” Obeying, she lifted the lid. The box was lined with red velvet. Pulling aside a protective layer of cloth, she uncovered a tiny gold pocket watch on a long chain, the casing delicately engraved with flowers and leaves. A glass window on the hinged front cover revealed a white enamel dial and black hour and minute markers. “It belonged to my mother,” she heard Devon say. “It’s the only possession of hers that I have. She never carried it.” Irony edged his voice. “Time was never important to her.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))