Wage War Band Quotes

ROSE of all Roses, Rose of all the World! The tall thought-woven sails, that flap unfurled Above the tide of hours, trouble the air, And God’s bell buoyed to be the water’s care; While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand. Turn if you may from battles never done, I call, as they go by me one by one, Danger no refuge holds, and war no peace, For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade: But gather all for whom no love hath made A woven silence, or but came to cast A song into the air, and singing past To smile on the pale dawn; and gather you Who have sought more than is in rain or dew Or in the sun and moon, or on the earth, Or sighs amid the wandering starry mirth, Or comes in laughter from the sea’s sad lips; And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable, To these Old Night shall all her mystery tell; God’s bell has claimed them by the little cry Of their sad hearts, that may not live nor die. Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurled Upon the wharves of sorrow, and heard ring The bell that calls us on; the sweet far thing. Beauty grown sad with its eternity Made you of us, and of the dim grey sea. Our long ships loose thought-woven sails and wait, For God has bid them share an equal fate; And when at last defeated in His wars, They have gone down under the same white stars, We shall no longer hear the little cry Of our sad hearts, that may not live nor die. The Sweet Far Thing

XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.

To see justice done, men were prepared to take the law into their own hands. In the Carolinas, bands of vigilantes or Regulators crisscrossed the territory in the late 1760s, stamping out local hooligans and waging war on interlopers. This vigilante attitude was epitomized by a Scots Borders descendant from Pittsylvania County, Virginia, named Captain William Lynch. He ruled as virtual dictator of his county, punishing wrongdoers and warning lawless elements that “we will inflict such corporal punishment on him or them, as to us shall seem adequate to the crime committed or the damage sustained.” “Lynch’s Law,” and the punishments and hangings it inflicted, also became part of American culture—an ugly part, but a legacy of a harsh world and a harsh, unforgiving people.

there is nothing simple in seeking to oppose such a host of threats. First, one must recognize them, and to achieve that one must think in the long term; and then one must discern the intricate linkages that exist between all things, the manner in which one problem feeds into another. From there, one must devise solutions and finally, one must motivate the population into concerted effort, and not just one’s own population, but that of the neighbouring kingdoms, all of whom are participating in the slow self-destruction. Tell me, can you imagine such a leader ever coming to power? Or staying there for long? Me neither. The hoarders of wealth will band together to destroy such a man or woman. Besides, it is much easier to create an enemy and wage war, although why such hoarders of wealth actually believe that they would survive such a war is beyond me. But they do, again and again. Indeed, it seems they believe they will outlive civilization itself.

The early Greek tribal society resembles in many respects that of peoples like the Polynesians, the Maoris for instance. Small bands of warriors, usually living in fortified settlements, ruled by tribal chiefs or kings, or by aristocratic families, were waging war against one another on sea as well as on land.

The main focus of Burroughs' Wild Boys tetralogy is an apocalyptic world in which the social order is disrupted enough to allow gay men the possibility of forming seperate communities. The eponymous characters of The Wild Boys band together in the deserts of North Africa to create an alternative to heterosexual society and simultaneously wage war on an intolerant, heterosexual social order that refuses them independence. Burroughs repeatedly links the boys with the youth movements of the late 1960's. He cites Genet's belief that 'it is time for writers to support the rebellion of youth not only with their words but with their presence as well.' The Wild Boys can thus be read as a progression from the riots of Chicago and Stonewall in that they are a radical group of youthful, queer, multiracial revolutionaries who echo Burroughs' own belief that non-violent action is not enough.