Wacky Face Quotes

We've searched our database for all the quotes and captions related to Wacky Face. Here they are! All 18 of them:

Not that he had anything to worry about. Personally, Sissy would like to avoid having acid thrown in her face. She was wacky that way.
Shelly Laurenston (The Mane Attraction (Pride, #3))
Just when I thought I had things under control, the reality of who I was smacked me squarely in the face. Being nuts was no fun let me tell you. I was a far cry from being the lovable eccentric. The wacky dude who mumbled to himself and wore his pants inside out. Nope, my kind of nuts was scary and consuming.
A. Meredith Walters (Light in the Shadows (Find You in the Dark, #2))
Hey, Alec," he said. The man was on his hands and knees, leaning his face into the middle of a bush; he grunted something that kind of sounded like a "Yeah?" "Why are we spending so much time on this side of where we left them?" Alec pulled himself out of the bush and looked back at him. "Seemed logical. I'd think they either followed us out of here to find us, or they were taken by the same yahoos who attacked us. Or... maybe they went to investigate the fire." Mark thought that was all barking up the wrong tree. "Or they ran away from the fire. Not every person on earth is as wacky-brained as you, good sir. Most people see a huge roaring inferno coming at them? They decide to cut and run. Just saying.
James Dashner (The Kill Order (The Maze Runner, #0.4))
But I'd done what I could to warm the place up. I'd started with a welcome mat. It had a happy face on it and was bright and colorful. It didn't say "Welcome." It said "!!!WELCOME!!!" I knew he wouldn't like it. I considered it more of an amusing test to see how open he was to change. He'd let me move in with him, but how flexible was he really willing to be? It disappeared the day after I placed it by the front door. It was just--poof!--gone. When I imagined the shocked look on his face when he would have first seen it, a spot of wacky and whimsical color in his otherwise monochromatic world, I started to laugh hysterically.
Michelle Rowen (Blood Bath & Beyond (Immortality Bites #6; Immortality Bites Mystery #1))
He also doesn’t need to know about the dream I had a few months ago. It wasn’t my fault—we’d been texting before bed, and it had screwed with my subconscious. For all I know, his subconscious gave him wacky dreams too. We were at a fancy restaurant eating math tests and lab reports when he took my face in his hands and kissed me. He tasted like printer ink. My logical side intervened and woke me up, but I couldn’t look him in the eye for an entire week after that. I’d dream-cheated on Spencer with Neil McNair. It was horrifying.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Churces crack me up. They're like money, a conspiracy of faith. Like everyone agreed to believe not only is there a God, but he comes down and checks on folks, so long as they hang in certain places, put up altars, burn lots of candles and incense, and perform sit-stand-kneel and other wacky rituals that'd make a coven of witches look not OCD. Then to further complicate it, some folks perform rituals, subset A, and others folks perform rituals, subset B, C,or D, and so on into an infinity of denominations, and call themselves different things then deny everyone's elses right to heaven if they're not performing the same rituals. Dude. Weird. I figure if there is a God, he or she isn't paying attention to what we build or if follow some elaborate rules, but copping a ride on our shoulders, watching what we do every day.Seing if we took this great big adventure called life and did anything interesting with it. I figure that the folks that are the most interesting get to go to heaven. I mean, if I was God, that's who I would want there with me. I also figure being eternally happy would be eternally boring so I try not to be too interesting, even though it's hard for me. I would rather be a superhero in hell, kicking all kinds of demon ass, than an angel in heaven, waiting around with a beatific smile on my face, playing a pansy harp all day.
Karen Marie Moning (Iced (Fever, #6))
It was a strange looking statue that I hadn’t seen before. I took a bite of cake and strolled over to the back door. I opened it up and looked at the statue. It looked like some sort of gnome or elf, with a pigs face. I hadn’t noticed it before and it looked out of place.
Herobrine Books (Herobrine Saves Christmas: Herobrine's Wacky Adventures Book 3 (An Unofficial Minecraft Book))
Okay, someone’s been smoking the wacky tobacky. And keep your hands to yourself!” She smacked at his roving fingers, fighting the shivers following his touch. "I agreed to let you accompany me because, well...maybe you're right. We should try and put the animosity between our families-stop that!" She gripped his fingers and tried to twist them, but he easily pulled out of her grip. Alessandro laughed. “Darling, I haven’t laughed in ages like I do when I’m with you. I propose a clean slate, eh?” He sighed and sat back against the seat. “Brianna. I’m not going to give up until you are mine. You could make this so much easier if you just accept the inevitable.” He lifted his hand to cup the side of her face. “We belong to each other, and you know it.
E. Jamie (The Vendetta (Blood Vows, #1))
Morse found it nerve-wracking to cross the St. Jude grounds just as school was being dismissed, because he felt that if he smiled at the uniformed Catholic children they might think he was a wacko or pervert and if he didn't smile they might think he was an old grouch made bitter by the world, which surely, he felt, by certain yardsticks, he was. Sometimes he wasn't entirely sure that he wasn't a wacko of sorts, although certainly he wasn't a pervert. Of that he was certain. Or relatively certain. Being overly certain, he was relatively sure, was what eventually made one a wacko. So humility was the thing, he thought, arranging his face into what he thought would pass for the expression of a man thinking fondly of his own youth, a face devoid of wackiness or perversion, humility was the thing.
George Saunders
I thumped her on the back, picked her up and dropped her on top of her dungarees. “Put them pants on,” I said, “and be a man.” She did, but she cried quietly until I shook her and said gently, “Stop it now. I didn’t carry on like that when I was a little girl.” I got into my clothes and dumped her into the bow of the canoe and shoved off. All the way back to the cabin I forced her to play one of our pet games. I would say something—anything—and she would try to say something that rhymed with it. Then it would be her turn. She had an extraordinary rhythmic sense, and an excellent ear. I started off with “We’ll go home and eat our dinners.” “An’ Lord have mercy on us sinners,” she cried. Then, “Let’s see you find a rhyme for ‘month’!” “I bet I’ll do it … jutht thith onthe,” I replied. “I guess I did it then, by cracky.” “Course you did, but then you’re wacky. Top that, mister funny-lookin’!” I pretended I couldn’t, mainly because I couldn’t, and she soundly kicked my shin as a penance. By the time we reached the cabin she was her usual self, and I found myself envying the resilience of youth. And she earned my undying respect by saying nothing to Anjy about the afternoon’s events, even when Anjy looked us over and said, “Just look at you two filthy kids! What have you been doing—swimming in the bayou?” “Daddy splashed me,” said Patty promptly. “And you had to splash him back. Why did he splash you?” “ ’Cause I spit mud through my teeth at him to make him mad,” said my outrageous child. “Patty!” “Mea culpa,” I said, hanging my head. “ ’Twas I who spit the mud.” Anjy threw up her hands. “Heaven knows what sort of a woman Patty’s going to grow up to be,” she said, half angrily. “A broad-minded and forgiving one like her lovely mother,” I said quickly. “Nice work, bud,” said Patty. Anjy laughed. “Outnumbered again. Come in and feed the face.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume III: Killdozer!)
Hey, I have an idea,” Lex said. “Give me a sec.” He kept trying. “Idea as in ‘good idea,’ or idea as in ‘let’s take the Ferris wheel, everyone, I’m sure it’ll be a carefree ride of thrills and delights and whimsy’—” “Does this help?” Driggs opened his eyes and, in the space of a yoctosecond, popped right into a solid body. Lex half expected to hear a wacky boing sound effect. She grabbed his arm to keep him that way, while he kept on staring at her bare chest. “So,” he said, swallowing, “good idea, then.” “Thank you.” He pulled her close and gave her a kiss. “And thank you for sparing me your devil corset.” She held it up and waved it in his face. “It’s a standard bra, Driggs. From, like, Target.” “Satan employs many disguises.” “Like you’re from the Land of Superior Underwear. Let’s see what sort of designer boxers you’ve chosen to grace my presence with today.” She unzipped his pants and looked. “Dude. Penguins?” “Um, penguins are officially recognized as the most adorable bird on the planet,” he said, a hint of anxiety creeping into his voice. “What’s wrong with penguins?” “Nothing—” “And igloos. See their little igloos?” “Yes—” “The Santa hats are a bit much, I’ll give you that, but they were a Christmas present, okay? And if I’d known that I was going to die while wearing them and be forever doomed to their Arctic quirkiness—and of hypothermia, too, how’s that for irony—” “Driggs,” she interrupted, grabbing his chin and boring her eyes into his. “I thought we were on a tight time frame here.” “Right.” He scratched his head. “I think that perhaps, since I’m talking way too much, there is the slightest chance that I might be a tiny bit nervous.” Lex smirked. “Relax, spaz.” “Oh, no way. You do not get to use that against me.
Gina Damico (Rogue (Croak, #3))
Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D
Anonymous
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
Lucy turned her pumpkin around. She’d carved a face with scary, triangular-eyes, a triangular nose and a jagged mouth with sharp teeth. “Your pumpkin looks constipated,” I said. I don’t think Lucy appreciated my comment because after I said it, she took her knife and stabbed it into my pumpkin.
Herobrine Books (Herobrine Scared Stiff: Herobrine's Wacky Adventures Book 2 (An Unofficial Minecraft Book))
Black Bean Burgers My husband and I have been married for many years, and I’d say as marriages go, ours is pretty darn good. We have four kids, work pretty hard, and spend a lot of time together, which is just fine with us since we really like each other and all that. Now, I will confess that there has been one steady source of marital conflict through the years, and that is the fact that I gosh darn love a good meatless burger. I can’t really explain it. It must be a throwback to my vegetarian days. I don’t know…I just love them. I’ll never, ever forget the time, very early in our marriage, that Ladd and I went out to eat and I ordered--gasp--a veggie burger from the menu. The look on his face--it is etched in my memory. From where he stood, he didn’t even know burgers without meat existed. In his experience, a burger was meat, much like rain was water. It sent shockwaves through his being, and rattled the very foundation of our marriage. Over the years, I’ve tried to help my beloved cattle rancher husband understand my position: that my love of meatless burgers has no hidden meaning. It doesn’t mean I don’t also love big, beefy burgers. It doesn’t mean I’m going to start making the family drink shots of wheatgrass juice every morning. I just like the taste of weird, mushy concoctions meant to resemble hamburger patties. Call me wacky! I love you, Ladd. But I also love meatless burgers. And I know in my heart that those two things can coexist.
Ree Drummond (The Pioneer Woman Cooks: Dinnertime: Comfort Classics, Freezer Food, 16-Minute Meals, and Other Delicious Ways to Solve Supper!)
Glancing around the table at the assortment of fair faces, harmless as vegetables, she felt like an alien. She longed for some loud, wacky aunt, some unemployed alcoholic uncle, some hint of tarnish in their normalcy that might legitimize her own strife.
Mira T. Lee (Everything Here Is Beautiful)
The guy with the wacky hair and the crazed look in his eyes did not appear out of nowhere. He was already known to them. Sometimes he said how great they were, and told them to go back to their roots; if need be, he threw in some highly unlikely but madly alluring conspiracy theory. Just to get them to listen. And to give them a fright. Because he'd noticed that if he scared them, they paid him more attention. They'd gotten used to him being there, and to the fact that now and then, with a totally straight face, he said something unintentionally hilarious. Sometimes he hovered on the fringes of political life, sometimes closer to the mainstream, but he was generally regarded as a mild eccentric. Until one fine day they rubbed their eyes in amazement. Because the guy with the wacky hair had entered the race for one of the highest offices in the land. And just as before, here he was, trying to scare them again - with talk of refugees, war, and unprecedent disaster. With anything at all. He was also trying to pump up the national ego. In the process - in the eyes of the so-called elite - he was making a bit of a fool of himself. But he was also making big promises. Above all, he promised to turn back time, and make things the way they used to be. In other words, better. And he won. You know where this happened? Yes, you're right. In our part of the world. In post-communist Central and Eastern Europe. In Regime-Change Land.
Witold Szabłowski (Dancing Bears: True Stories of People Nostalgic for Life Under Tyranny)
The guy with the wacky hair and the crazed look in his eyes did not appear out of nowhere. He was already known to them. Sometimes he said how great they were, and told them to go back to their roots; if need be, he threw in some highly unlikely but madly alluring conspiracy theory. Just to get them to listen. And to give them a fright. Because he'd noticed that if he scared them, they paid him more attention. They'd gotten used to him being there, and to the fact that now and then, with a totally straight face, he said something unintentionally hilarious. Sometimes he hovered on the fringes of political life, sometimes closer to the mainstream, but he was generally regarded as a mild eccentric. Until one fine day they rubbed their eyes in amazement. Because the guy with the wacky hair had entered the race for one of the highest offices in the land. And just as before, here he was, trying to scare them again - with talk of refugees, war, and unprecedent disaster. With anything at all. He was also trying to pump up the national ego. In the process - in the eyes of the so-called elite - he was making a bit of a fool of himself. But he was also making big promises. Above all, he promised to turn back time, and make things the way they used to be. In other words, better. And he won. You know where this happened? Yes, you're right. In our part of the world. In post-communist Central and Eastern Europe. In Regime-Change Land. "And he won." "....In post-communist Central and Eastern Europe. In Regime-Change Land.
Witold Szabłowski (Dancing Bears: True Stories of People Nostalgic for Life Under Tyranny)