Voorhees Quotes

We've searched our database for all the quotes and captions related to Voorhees. Here they are! All 10 of them:

Yuki: "What can I learn from a stupid cat like you? You didn’t even know that Jason isn’t really a bear. He’s a character in a horror film." Kyo: "Yeah? So what if I didn’t? Like I’d waste my time watching some movie about a bear!" Yuki: You truly are an idiot.
Natsuki Takaya
If Paris were missing, he´d want the same guys looking for him. Seriously, the only team capable of getting better results would be Jason Voorhees, Freddy Krueger, Michael Myers and Hannibal
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
It's like they think we're still five years old, coloring in kindergarten, and all the kids get cupcakes whether its their birthday or not. Maybe its a kind of self-preservation. If parents actually knew what their kids were like, they'd probably shoot themselves in the head.
Coert Voorhees (The Brothers Torres)
There are many benefits to interracial friendships, and one of my favorite is the freedom to call each other nicknames that other people consider racist. I think everyone has a natural urge to say the wrong thing. It's like standing next to some dude on the sidewalk and suddenly wanting to push him into oncoming traffic. Don't even try to tell me you've never had that feeling.
Coert Voorhees (The Brothers Torres)
felt, at that age, if time could put lines on my face, I could put them on my body.
Kara Voorhees Reynolds (Priestess (Gods of Tintar, #1))
It's weird going to school with rich people. On the surface, you're jealous. You want to be like them, you want to have the things they have, wear the clothes they wear, and drive the cars they drive. But somewhere in the back of your head, you realize that you don't want to be the one everybody looks at and says to themselves, "I can't stand that fucker." So you're left wanting to be just like them and hating every bone in their bodies at the same time.
Coert Voorhees (The Brothers Torres)
As I stand behind him, it occurs to me just how much trust we put in other people. Complete strangers, friends. Everybody. Dalton's just sitting there, relaxed, trusting that I'm not going to lose my temper and stab him in the back of the neck with a fork. Every time we get into a car, we trust everybody else on the road. Every time we walk on the sidewalk, we put our lives in other people's hands. We'd never even leave the house if we actually thought about how little control we have over living and dying.
Coert Voorhees (The Brothers Torres)
My voice was timid and I asked, “that is when you knew you loved me?” He turned back to me, eyes sharp. “No. That is when I knew I would never not love you. That is when I knew I would be in love with my wife for the remainder of my winters, until my death and if spirits and ghosts exist, then I would also be in love thereafter.
Kara Voorhees Reynolds (Priestess (Gods of Tintar, #1))
Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel. Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog. It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)