Voodoo Song Quotes

I'm not the one who's so far away When I feel the snake bite enter my veins. Never did I wanna be here again, And I don't remember why I came.

Jude is the only one awake. He never really slept as deeply as the other three, and I’m fairly sure he resents the hell out of all of them for sleeping as well as they have. And he resents me for my wicked vagina voodoo. My milkshake brings all the boys to naptime…Yeah, that’s not how that song goes. The song is a lot sexier, but beggars can’t be choosers.

Dude! Get a fucking grip, it's just a song! When had I turned into a 5-yr-old girl? At the very least, I needed to get my libido under control before the song finished, because I didn’t think that my raging hard-on would be a good icebreaker. Well, figuratively speaking anyway, I thought smugly.

(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)

selected a disc, and turned the volume up louder than he’d ever pushed it. A gentle guitar riff; a tap-tapping of some percussion instrument—he pictured a man hitting a wooden spoon against his legs; a solid male voice, and the song broke into something more, a beat that filled his head with cool images and colors. “What is it?” “Led Zeppelin,” she said. “‘Ramble On.’” He sat against the wall, his eyes trained on the space in the corner, while she selected more songs, rocking back on her legs and staring at him intently. “Free Bird.” “Roundabout.” “Sympathy for the Devil.” “Time.” “The Wreck of the Edmund Fitzgerald.” “Brass in Pocket.” “Bad Company.” “Limelight.” “Crazy on You.” “Voodoo Child.” “Take the Long Way Home.” “Thank you,” he said. “Where have I been hiding all this time?

No place in Haiti was easy to get to and to drive to their lodge would take a couple of hours, so they sent a van to pick us up. It was already evening and the sun had just set, as we made our way up into the mountains behind Port-au-Prince. As we bounced along the dirt road winding through the hills, I could distinctly hear the rhythm of drums and see fires on the distant mountains. Mrs. Allen, who was with us, explained that in the 1940’s devout members of the Catholic faith considered the Voodoo rites an abomination of their faith. They armed themselves and started to eradicate from Haiti what they considered a cult. The entire thing turned into a war! They burned voodoo temples and shrines, and killed some of the practitioners as well as voodoo priests. In the end, the Catholic hierarchy gave up and after a time reached a tacit understanding with them. They now allowed Voodoo drums and songs to be sung in Catholic Church services and ignored what they once called devil worship.

Aside from including several of Irving’s recipes in her book, they shared a number of overlapping themes: foremost among them was the idea that they were recording recipes rooted in a way of life that was on the verge of disappearing. In Honey from a Weed, Patience likened the endeavor to that of a musicologist who records old songs. It was an apt analogy: Just a few years before she and Irving took their trip to Lecce in 1958, American ethnomusicologist Alan Lomax and the Italian anthropologist Diego Carpitella had traveled through the south of Italy, including Puglia, recording folk songs. They started out in Martano, not far from Santa Maria di Leuca, and traveled north, documenting the songs of agricultural workers, shepherds, and peasants. In the text accompanying the recordings Lomax wrote, “It was a mythic time. None of us suspected that that world—made of music, songs, poverty, joy, desperation, custom, violence, injustice, love, dialect, and poetry, formed over the course of millennia—would be swept away in a couple of years . . . by the voodoo of ‘progress.’” Federman, Adam. Fasting and Feasting . Chelsea Green Publishing. Kindle Edition.

No place in Haiti was easy to get to and to drive to their lodge would take a couple of hours, so they sent a van to pick us up. It was already evening and the sun had just set, as we made our way up into the mountains behind Port-au-Prince. As we bounced along the dirt road winding through the hills, I could distinctly hear the rhythm of drums and see fires on the distant mountains. Mrs. Allen, who was with us, explained that in the 1940’s devout members of the Catholic faith considered the Voodoo rites an abomination of their faith. They armed themselves and started to eradicate from Haiti what they considered a cult. The entire thing turned into a war! They burned voodoo temples and shrines, and killed some of the practitioners as well as voodoo priests. In the end, the Catholic hierarchy gave up and after a time reached a tacit understanding with them. They now allowed Voodoo drums and songs to be sung in Catholic Church services and ignored what they once called devil worship. At the lodge, we were assigned rooms with real beds instead of the cots we were used to on the ship. Dinner consisted of chicken in a hot tomato and garlic sauce, over rice, with a heap of picklese on the side. Picklese is a pickled dish or Vinaigre Piquant, indigenous to Haiti consisting of peppers, shredded cabbage, onions, carrots, peas, vinegar, peppercorns and cloves. The dessert was Haitian Flan. It could not have been better and I was glad that I had availed myself of this generous offer. After dinner we went outside to where there was a large fire roaring, surrounded by benches made of split logs. We were warned that it gets cool in these mountains, and I was glad that I had brought along a sweater and jacket. We seated ourselves on the logs around the fire and listened to a gaunt-looking old Haitian woman explain what Voodoo was. She sounded convincing as she told of the Grand Voodoo Zombie rituals that were held at “Wishing Spot,” and how snakes slithered about the feet of the young women dancers. She spoke reverently about the walking dead in the Lower Artibonite Valley and the Spirits trapped in bottles near Cape Haitian. It was all very spooky and gave me something to think about that night. However before her talk ended, she came directly up to me and, looking deep into my eyes, said that I was to beware…. “I would witness death before leaving the island….” Ouch!

You remind me of the babe." "What babe?" "The babe with the power." "What power?" "The power of voodoo." "Who do?" "You do." "Do what?" "You remind me of the babe.

brought back by their masters. Still, in Congo Square sessions were said to have included many African songs that were supposedly banned by the whites for being part of the vodum or voodoo rites. The slaves also danced French quadrilles and sang patois ditties in addition to the more African chants that they shouted above the ‘great drums.’” Ibid., 72. 82 “A