Von Clutch Quotes

We've searched our database for all the quotes and captions related to Von Clutch. Here they are! All 7 of them:

I cannot believe her when she says I am beautiful. She cannot want me, not the way I want her. My want is an Empire State Building I monster-climb with her clutched in my fist. They make old, flickering horror movies about the way I look at her mouth.
Clementine von Radics (Mouthful of Forevers)
And when he saw the letter, her first letter, the first bit of her handwriting, by his plate at breakfast, he seized it so quickly and turned so red that Lewes was painfully clear as to who had written it. Poor Chris. Cumfrit. Clutches….
Elizabeth von Arnim (Love)
In the clutches of the animus, no woman is able to give up whatever power she may have, or her conviction that it is right and necessary and valuable. The convictions a woman has lived by spring from inferior masculine thinking; the less she herself is able to evaluate them, the more passionately she clings to them. This is a reason for the persistence of the animus possession. Unfortunately such a woman never thinks that anything could be wrong with herself and is convinced that the fault lies with others.
Marie-Louise von Franz (The Interpretation of Fairy Tales: Revised Edition (C. G. Jung Foundation Books Series))
Now all persons who have spent much of their time in Germany, and certainly all born Germans, have a great fear of the law. Their one idea is not to attract its attention, to be inconspicuous, to crawl in time, as it were, under tables. Accordingly, when I saw myself within reach of its clutches, even though it was English law and presumably more mild, I began to tremble, while the children, being born Germans, trembled harder, and Elsa the maid, not only born German but of the class which can least easily defend itself, trembled hardest of anybody. Here
Elizabeth von Arnim (All The Dogs Of My Life)
And so at Binz, dragged out of my pleasant dream to night and loneliness, I could not move for a moment for sheer extremity of fright. When I did, when I did put out a shaking hand to feel for the matches, the dread of years became a reality—I touched another hand. Now I think it was very wonderful of me not to scream. I suppose I did not dare. I don’t know how I managed it, petrified as I was with terror, but the next thing that happened was that I found myself under the bedclothes thinking things over. Whose hand had I touched? And what was it doing on my table? It was a nasty, cold hand, and it had clutched at mine as I tore it away. Oh—there it was, coming after me—it was feeling its way along the bedclothes—surely it was not real—it must be a nightmare—and that was why no sound came when I tried to shriek
Elizabeth von Arnim (The Elizabeth von Arnim Collection)
I think the remembrance of this year will always come like a knife cutting through any little happiness I may manage to collect. You see, what has happened has taken away my faith in goodness, - I don't know who you are that I keep on wanting to tell things to, but I must talk and tell you. Yes; that is what it has done; and the hurt goes too far down to be healed. Yet I know how time is a queer, wholesome thing. I've lived long enough to have found that out. It is very sanitary. It cleans up everything. It never fails to sterilise and purify. Quite possibly I shall end by being a wise old lady who discourses with the utmost sprightliness, after her regular meals, on her past agonies, and extracts much agreeable entertainment from them, even is amusing about them. You see, they will be so far away, so safely done with; never, anyhow, going to happen again. Why of course in time, in years and years, one's troubles must end by being entertaining. But I don't believe, however old I am and however wisely hilarious, I shall ever be able to avoid the stab in the back, the clutch of pain at the heart, that the remembrance of beautiful past happiness gives one. Lost. Lost. Gone. And one is still alive, and still gets up carefully every day, and buttons all one's buttons, and goes down to breakfast.
Elizabeth von Armin
Nature, Hawthorne said, ‘seems to adopt him as her especial child’, for animals and plants communicated with him. There was a bond that no one could explain. Mice would run across Thoreau’s arms, crows would perch on him, snakes coiled around his legs and he always found even the most hidden first blossoms of spring. Nature spoke to him, and Thoreau to it. When he planted a field of beans, he asked, ‘What shall I learn of beans or beans of me?’ The joy of his daily life was ‘a little star-dust caught’, he said, or a ‘segment of a rainbow which I have clutched’.
Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)